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87-593: According to Hesiod 's Theogony , Amphitrite was one of the Nereid daughters of Nereus and Doris . The mythographer Apollodorus , however, lists her among both the Nereids, as well as the Oceanids , the daughters of Oceanus and Tethys . Amphitrite's offspring included seals and dolphins. She also bred sea monsters and her great waves crashed against the rocks, putting sailors at risk. Poseidon and Amphitrite had

174-646: A Counter-Reformation renewal of venerable imagery, though banning some of the more fanciful medieval iconographies. Veneration of the Virgin Mary flourished, in practice and in imagery, and new shrines, such as in Rome's Santa Maria Maggiore , were built for Medieval miraculous icons as part of this trend. According to the Catechism of the Catholic Church : The Christian veneration of images

261-512: A laurel staff, a symbol of poetic authority ( Theogony 22–35). Fanciful though the story might seem, the account has led ancient and modern scholars to infer that he was not a professionally trained rhapsode or he would have been presented with a lyre instead. Some scholars have seen Perses as a literary creation, a foil for the moralizing that Hesiod develops in Works and Days , but there are also arguments against that theory. For example, it

348-420: A murti is a representation of a divinity, made usually of stone, wood, or metal, which serves as a means through which a divinity may be worshiped. Hindus consider a murti worthy of serving as a focus of divine worship only after the divine is invoked in it for the purpose of offering worship. The depiction of the divinity must reflect the gestures and proportions outlined in religious tradition. In Jainism ,

435-595: A cost-saving one with a wooden body. A xoanon was a primitive and symbolic wooden image, perhaps comparable to the Hindu lingam ; many of these were retained and revered for their antiquity. Many of the Greek statues well-known from Roman marble copies were originally temple cult images, which in some cases, such as the Apollo Barberini , can be credibly identified. A very few actual originals survive, for example

522-418: A deep interest in a wide range of 'philosophical' issues, from the nature of divine justice to the beginnings of human society. Aristotle ( Metaphysics 983b–987a) believed that the question of first causes may even have started with Hesiod ( Theogony 116–53) and Homer ( Iliad 14.201, 246). He viewed the world from outside the charmed circle of aristocratic rulers, protesting against their injustices in

609-562: A diminutive of eidos ("form"). Plato and the Platonists employed the Greek word eidos to signify perfect immutable " forms ". One can, of course, regard such an eidos as having a divine origin. The Book of Isaiah gave classic expression to the paradox inherent in the worship of cult images: Their land also is full of idols; they worship the work of their own hands, that which their own fingers have made. Judaism emphatically forbids idolatry, and considers it one of

696-479: A girl's brothers and murdered in reprisal despite his advanced age while the true culprit (his Milesian fellow-traveler) managed to escape. Greeks in the late 5th and early 4th centuries BC considered their oldest poets to be Orpheus , Musaeus , Hesiod and Homer —in that order. Thereafter, Greek writers began to consider Homer earlier than Hesiod. Devotees of Orpheus and Musaeus were probably responsible for precedence being given to their two cult heroes and maybe

783-537: A hive. In the horror of the triumph of violence over hard work and honor, verses describing the "Golden Age" present the social character and practice of nonviolent diet through agriculture and fruit-culture as a higher path of living sufficiently. In addition to the Theogony and Works and Days , numerous other poems were ascribed to Hesiod during antiquity. Modern scholarship has doubted their authenticity, and these works are generally referred to as forming part of

870-529: A just and all-powerful god can allow the unjust to flourish in this life". He recalls Aristophanes in his rejection of the idealised hero of epic literature in favour of an idealized view of the farmer. Yet the fact that he could eulogize kings in Theogony (80 ff., 430, 434) and denounce them as corrupt in Works and Days suggests that he could resemble whichever audience he composed for. Various legends accumulated about Hesiod and they are recorded in several sources: Two different—yet early—traditions record

957-498: A lot of formulaic phrases that are not found in Homer, which indicates that he may have been writing within a different tradition. Cult image In the practice of religion , a cult image is a human-made object that is venerated or worshipped for the deity , spirit or daemon that it embodies or represents. In several traditions, including the ancient religions of Egypt , Greece and Rome, and Hinduism, cult images in

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1044-467: A proto-historical perspective in Hesiod, a view rejected by Paul Cartledge , for example, on the grounds that Hesiod advocates a not-forgetting without any attempt at verification. Hesiod has also been considered the father of gnomic verse . He had "a passion for systematizing and explaining things". Ancient Greek poetry in general had strong philosophical tendencies and Hesiod, like Homer, demonstrates

1131-519: A reward for the dolphin's help, Poseidon created the Delphinus constellation. Eustathius said that Poseidon first saw her dancing at Naxos among the other Nereids, and carried her off. But in another version of the myth, she fled from his advances to Atlas , at the farthest ends of the sea; there the dolphin of Poseidon sought her through the islands of the sea, and finding her, spoke persuasively on behalf of Poseidon, if we may believe Hyginus and

1218-579: A son, Triton , who was a merman, and a daughter, Rhodos (if this Rhodos was not actually fathered by Poseidon on Halia or was not the daughter of Asopus as others claim). According to the mythographer Apollodorus , Benthesikyme was the daughter of Poseidon and Amphitrite. When Poseidon desired to marry her, Amphitrite, wanting to protect her virginity, fled to the Atlas Mountains . Poseidon sent many creatures to find her. A dolphin came across Amphitrite and convinced her to marry Poseidon. As

1305-452: A temple may undergo a daily routine of being washed, dressed, and having food left for them. Processions outside the temple on special feast days are often a feature. Religious images cover a wider range of all types of images made with a religious purpose, subject, or connection. In many contexts "cult image" specifically means the most important image in a temple, kept in an inner space, as opposed to what may be many other images decorating

1392-399: A tone of voice that has been described as having a "grumpy quality redeemed by a gaunt dignity" but, as stated in the biography section, he could also change to suit the audience. This ambivalence appears to underlie his presentation of human history in Works and Days , where he depicts a golden period when life was easy and good, followed by a steady decline in behaviour and happiness through

1479-577: A wooden framework. Most cult statues are anthropromorphic and take human shape. The most famous Greek cult images were of this type, including the Statue of Zeus at Olympia , and Phidias 's Athena Parthenos in the Parthenon in Athens, both colossal statues now completely lost. Fragments of two chryselephantine statues from Delphi have been excavated. The acrolith was another composite form, this time

1566-623: Is a contested issue in scholarly circles ( see § Dating below ). Epic narrative allowed poets such as Homer no opportunity for personal revelations. However Hesiod's extant work comprises several didactic poems in which he went out of his way to let his audience in on a few details of his life. There are three explicit references in Works and Days , as well as some passages in his Theogony , that support inferences made by scholars. The former poem says that his father came from Cyme in Aeolis (on

1653-490: Is anything to judge by, since he describes the routines of prosperous yeomanry rather than peasants. His farmer employs a friend ( Works and Days 370) as well as servants (502, 573, 597, 608, 766), an energetic and responsible ploughman of mature years (469 ff.), a slave boy to cover the seed (441–6), a female servant to keep house (405, 602) and working teams of oxen and mules (405, 607f.). One modern scholar surmises that Hesiod may have learned about world geography, especially

1740-534: Is generally regarded by Western authors as 'the first written poet in the Western tradition to regard himself as an individual persona with an active role to play in his subject.' Ancient authors credited Hesiod and Homer with establishing Greek religious customs. Modern scholars refer to him as a major source on Greek mythology , farming techniques, early economic thought, Archaic Greek astronomy , cosmology , and ancient time-keeping . The dating of Hesiod's life

1827-486: Is not contrary to the first commandment which proscribes idols. Indeed, "the honor rendered to an image passes to its prototype", and "whoever venerates an image venerates the person portrayed in it". The honor paid to sacred images is a "respectful veneration", not the adoration due to God alone: Religious worship is not directed to images in themselves, considered as mere things, but under their distinctive aspect as images leading us on to God incarnate. The movement toward

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1914-434: Is quite common for works of moral instruction to have an imaginative setting as a means of getting the audience's attention, but it could be difficult to see how Hesiod could have traveled around the countryside entertaining people with a narrative about himself if the account was known to be fictitious. Gregory Nagy , on the other hand, sees both Pérsēs ("the destroyer" from πέρθω , pérthō ) and Hēsíodos ("he who emits

2001-535: Is represented either enthroned beside Poseidon or driving with him in a chariot drawn by sea-horses ( hippocamps ) or other fabulous creatures of the deep, and attended by Tritons and Nereids . She is dressed in queenly robes and has nets in her hair. The pincers of a crab are sometimes shown attached to her temples. Hesiod Hesiod ( / ˈ h iː s i ə d / HEE -see-əd or / ˈ h ɛ s i ə d / HEH -see-əd ; ‹See Tfd› Greek : Ἡσίοδος Hēsíodos ; fl.   c. 700 BC )

2088-487: Is transmitted intact via a medieval manuscript tradition. Classical authors also attributed to Hesiod a lengthy genealogical poem known as Catalogue of Women or Ehoiai (because sections began with the Greek words ē hoiē, "Or like the one who ..."). It was a mythological catalogue of the mortal women who had mated with gods, and of the offspring and descendants of these unions. Several additional hexameter poems were ascribed to Hesiod: In addition to these works,

2175-633: The Historical Buddha , and other buddhas and bodhisattvas became important in many schools of Buddhist art , and have mostly remained so. The attitude of the devotee towards the image is highly complicated and variable in Buddhism, depending on the particular tradition, and the degree of training in Buddhist thought of the individual. The dharma wheel is an image that used for worship in Buddhism. The Dharma represents and symbolizes all of

2262-526: The Homeric Hymn to Delian Apollo, she appears at the birthing of Apollo among, in Hugh G. Evelyn-White's translation, "all the chiefest of the goddesses, Dione and Rhea and Ichnaea and Themis and loud-moaning Amphitrite"; more recent translators are unanimous in rendering "Ichnaean Themis" rather than treating "Ichnae" as a separate identity. Theseus in the submarine halls of his father Poseidon saw

2349-494: The Homeridae were responsible in later antiquity for promoting Homer at Hesiod's expense. The first known writers to locate Homer earlier than Hesiod were Xenophanes and Heraclides Ponticus , though Aristarchus of Samothrace was the first actually to argue the case. Ephorus made Homer a younger cousin of Hesiod, the 5th century BC historian Herodotus ( Histories II, 53) evidently considered them near-contemporaries, and

2436-544: The Palatine Chapel, Aachen was probably a decisive moment, leading to the widespread use of monumental reliefs on churches, and later large statues. Many Christians believed that idols were not merely idle statues, but that they are inhabited by demons who could exercise influence through the idol. By destroying idols, converted Christians believed to deprave devils of their earthly and material dwelling. The Libri Carolini , an eighth-century work composed at

2523-525: The Shield of Heracles (see Hesiod's Greek below). Moreover, they both refer to the same version of the Prometheus myth. Yet even these authentic poems may include interpolations. For example, the first ten verses of the Works and Days may have been borrowed from an Orphic hymn to Zeus (they were recognised as not the work of Hesiod by critics as ancient as Pausanias). Some scholars have detected

2610-454: The Suda lists an otherwise unknown "dirge for Batrachus, [Hesiod's] beloved". Portrait of Hesiod from Augusta Treverorum ( Trier ), from the end of the 3rd century AD. The mosaic is signed in its central field by the maker, 'MONNUS FECIT' ('Monnus made this'). The figure is identified by name: 'ESIO-DVS' ('Hesiod'). It is the only known authenticated portrait of Hesiod. The Roman bronze bust,

2697-606: The Tirthankaras ("ford-maker") represent the true goal of all human beings. Their qualities are worshipped by the Jains. Images depicting any of the twenty four Tirthankaras are placed in the Jain temples . There is no belief that the image itself is other than a representation of the being it represents. The Tirthankaras cannot respond to such veneration, but that it can function as a meditative aid. Although most veneration takes

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2784-525: The conquest of Mecca in the year 630. In the aftermath, Muhammad did three things. Firstly, with his companions he visited the Kaaba and literally threw out the idols and destroyed them, thus removing the signs of Jahiliyyah from the Kaaba. Secondly, he ordered the construction of a mosque around the Kaaba, the first Masjid al-Haram after the birth of Islam . Thirdly, in a magnanimous manner, Muhammad pardoned all those who had taken up arms against him. With

2871-481: The conventional metre and language of epic. However, the Shield of Heracles is now known to be spurious and probably was written in the sixth century BC. Many ancient critics also rejected Theogony (e.g., Pausanias 9.31.3), even though Hesiod mentions himself by name in that poem. Theogony and Works and Days might be very different in subject matter, but they share a distinctive language, metre, and prosody that subtly distinguish them from Homer's work and from

2958-505: The "Hesiodic corpus" whether or not their authorship is accepted. The situation is summed up in this formulation by Glenn Most : "Hesiod" is the name of a person; "Hesiodic" is a designation for a kind of poetry, including but not limited to the poems of which the authorship may reasonably be assigned to Hesiod himself. Of these works forming the extended Hesiodic corpus, only the Shield of Heracles ( Ἀσπὶς Ἡρακλέους , Aspis Hērakleous )

3045-663: The 4th century BC sophist Alcidamas in his work Mouseion even brought them together for an imagined poetic ágōn ( ἄγών ), which survives today as the Contest of Homer and Hesiod . Most scholars today agree with Homer's priority but there are good arguments on either side. Hesiod certainly predates the lyric and elegiac poets whose work has come down to the modern era. Imitations of his work have been observed in Alcaeus , Epimenides , Mimnermus , Semonides , Tyrtaeus and Archilochus , from which it has been inferred that

3132-512: The 7th century BC (within a century or so of Hesiod's death), claims that Hesiod lies buried at Orchomenus, a town in Boeotia. According to Aristotle 's Constitution of Orchomenus, when the Thespians ravaged Ascra the villagers sought refuge at Orchomenus, where, following the advice of an oracle, they collected the ashes of Hesiod and set them in a place of honour in their agora , next to

3219-587: The 8th century BC. ( Theogony 337–45). Hesiod mentions a poetry contest at Chalcis in Euboea where the sons of one Amphidamas awarded him a tripod ( Works and Days 654–662). Plutarch identified this Amphidamas with the hero of the Lelantine War between Chalcis and Eretria and he concluded that the passage must be an interpolation into Hesiod's original work, assuming that the Lelantine War

3306-551: The Euboeans), and possibly his move west had something to do with that, since Euboea is not far from Boeotia , where he eventually established himself and his family. The family association with Aeolian Cyme might explain his familiarity with Eastern myths, evident in his poems, though the Greek world might have already developed its own versions of them. In spite of Hesiod's complaints about poverty, life on his father's farm could not have been too uncomfortable if Works and Days

3393-608: The Kaaba, in the process being charged tithes . This helped the Meccan merchants to incur substantial wealth, as well as ensuring a fruitful atmosphere for trade and intertribal relations in relative peace. Muhammad 's preaching incurred the wrath of the pagan merchants, causing them to revolt against him. The opposition to his teachings grew so volatile that Muhammad and his followers were forced to flee Mecca to Medina for protection, leading to armed conflict and triggering many battles that were won and lost, which finally culminated in

3480-600: The Near East .) Works and Days is a poem of over 800 lines which revolves around two general truths: labour is the universal lot of Man, but he who is willing to work will get by. Scholars have interpreted this work against a background of agrarian crisis in mainland Greece , which inspired a wave of documented colonisations in search of new land. Works and Days may have been influenced by an established tradition of didactic poetry based on Sumerian, Hebrew, Babylonian and Egyptian wisdom literature. This work lays out

3567-483: The Sun might be worshipped directly as it traveled across the sky. Cult images were a common presence in ancient Egypt, and still are in modern-day Kemetism . The term is often confined to the relatively small images, typically in gold, that lived in the naos in the inner sanctuary of Egyptian temples dedicated to that god (except when taken on ceremonial outings, say to visit their spouse). These images usually showed

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3654-583: The bronze Piraeus Athena (2.35 metres high, including a helmet). In Greek and Roman mythology , a " palladium " was an image of great antiquity on which the safety of a city was said to depend, especially the wooden one that Odysseus and Diomedes stole from the citadel of Troy and which was later taken to Rome by Aeneas . (The Roman story was related in Virgil 's Aeneid and other works.) Some members of Abrahamic religions identify cult images as idols and their worship or veneration as idolatry ;

3741-477: The catalogue of rivers in Theogony (337–45), listening to his father's accounts of his own sea voyages as a merchant. The father probably spoke in the Aeolian dialect of Cyme but Hesiod probably grew up speaking the local Boeotian, belonging to the same dialect group. However whilst his poetry features some Aeolisms there are no words that are certainly Boeotian. His basic language was the main literary dialect of

3828-457: The chamber, but Hindu temple architecture typically allows the image to be seen by worshippers in the mandapa connected to it (entry to this, and the whole temple, may also be restricted in various ways). Hinduism allows for many forms of worship and therefore it neither prescribes nor proscribes worship of images ( murti ). In Hinduism, murti usually means an image that expresses a Divine Spirit ( murta ). Meaning literally "embodiment",

3915-696: The coast of Anatolia , a little south of the island of Lesbos ) and crossed the sea to settle at a hamlet near Thespiae in Boeotia named Ascra , "a cursed place, cruel in winter, hard in summer, never pleasant" ( Works 640). Hesiod's patrimony ( property inherited from one's father or male ancestor ) in Ascra, a small piece of ground at the foot of Mount Helicon , occasioned lawsuits with his brother Perses , who at first seems to have cheated him of his rightful share thanks to corrupt authorities or ‘kings’ but later became impoverished and ended up scrounging from

4002-835: The command of Charlemagne in response to the Second Council of Nicaea , set out what remains the Catholic position on the veneration of images, giving them a similar but slightly less significant place than in Eastern Orthodoxy. The 16th-century Reformation engendered spates of destruction of images, especially in England, Scotland, Ireland, Germany, Switzerland, the Low Countries (the Beeldenstorm ), and France. Destruction of three-dimensional images

4089-644: The conventional dialect of epic verse, which was Ionian. Comparisons with Homer, a native Ionian, can be unflattering. Hesiod's handling of the dactylic hexameter was not as masterful or fluent as Homer's and one modern scholar refers to his "hobnailed hexameters". His use of language and meter in Works and Days and Theogony distinguishes him also from the author of the Shield of Heracles . All three poets, for example, employed digamma inconsistently, sometimes allowing it to affect syllable length and meter, sometimes not. The ratio of observance/neglect of digamma varies between them. The extent of variation depends on how

4176-430: The current royal family. Ancient Greek temples and Roman temples normally contained a cult image in the cella . The cella in Greek temples was in the center, while it was located in the back of Roman temples. Access to the cella varied, but apart from the priests, at the least some of the general worshippers could access the cella some of the time, though sacrifices to the deity were normally made on altars outside in

4263-414: The daughters of Nereus dancing with liquid feet, and "august, ox-eyed Amphitrite", who wreathed him with her wedding wreath, according to a fragment of Bacchylides . Jane Ellen Harrison recognized in the poetic treatment an authentic echo of Amphitrite's early importance: "It would have been much simpler for Poseidon to recognize his own son… the myth belongs to that early stratum of mythology when Poseidon

4350-404: The definite article associated with digamma, oἱ. Though typical of epic, his vocabulary features some significant differences from Homer's. One scholar has counted 278 un-Homeric words in Works and Days , 151 in Theogony and 95 in Shield of Heracles . The disproportionate number of un-Homeric words in W & D is due to its un-Homeric subject matter. Hesiod's vocabulary also includes quite

4437-462: The destruction of the idols and the construction of the Masjid al-Haram, a new era was ushered in, facilitating the rise of Islam . The garbhagriha or inner shrine of a Hindu temple contains an image of the deity. This may take the form of an elaborate statue, but a symbolic lingam is also very common, and sometimes a yoni or other symbolic form. Normally only the priests are allowed to enter

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4524-512: The different subject matter between this poem and the Works and Days , most scholars, with some notable exceptions, believe that the two works were written by the same man. As M. L. West writes, "Both bear the marks of a distinct personality: a surly, conservative countryman, given to reflection, no lover of women or life, who felt the gods' presence heavy about him." An example: Hateful strife bore painful Toil, Neglect, Starvation, and tearful Pain, Battles, Combats... The Theogony concerns

4611-777: The earliest known source for the myths of Pandora , Prometheus and the Golden Age . The creation myth in Hesiod has long been held to have Eastern influences, such as the Hittite Song of Kumarbi and the Babylonian Enuma Elis . This cultural crossover may have occurred in the eighth- and ninth-century Greek trading colonies such as Al Mina in North Syria . (For more discussion, read Robin Lane Fox 's Travelling Heroes and Peter Walcot's Hesiod and

4698-521: The evidence is collected and interpreted but there is a clear trend, revealed for example in the following set of statistics. Hesiod does not observe digamma as often as the others do. That result is a bit counter-intuitive since digamma was still a feature of the Boeotian dialect that Hesiod probably spoke, whereas it had already vanished from the Ionic vernacular of Homer. This anomaly can be explained by

4785-509: The fact that Hesiod made a conscious effort to compose like an Ionian epic poet at a time when digamma was not heard in Ionian speech, while Homer tried to compose like an older generation of Ionian bards, when it was heard in Ionian speech. There is also a significant difference in the results for Theogony and Works and Days , but that is merely due to the fact that the former includes a catalog of divinities and therefore it makes frequent use of

4872-503: The farm, in the spring before the May harvest or the dead of winter. The personality behind the poems is unsuited to the kind of "aristocratic withdrawal" typical of a rhapsode but is instead "argumentative, suspicious, ironically humorous, frugal, fond of proverbs, wary of women." He was in fact a " misogynist " of the same calibre as the later poet Semonides . He resembles Solon in his preoccupation with issues of good versus evil and "how

4959-418: The five Ages of Man , as well as containing advice and wisdom, prescribing a life of honest labour and attacking idleness and unjust judges (like those who decided in favour of Perses ) as well as the practice of usury. It describes immortals who roam the earth watching over justice and injustice. The poem regards labor as the source of all good, in that both gods and men hate the idle, who resemble drones in

5046-458: The form of prayers, hymns and recitations, the idol is sometimes ritually bathed, and often has offerings made to it; there are eight kinds of offering representing the eight types of karmas as per Jainism. This form of reverence is not a central tenet of the faith. Very early Buddhism avoided representations of the Buddha, who was represented by symbols or an empty space . Later large images of

5133-403: The god in their sacred barque or boat; none of them survive. Only the priests were allowed access to the inner sanctuary. There was also a huge range of smaller images, many kept in the homes of ordinary people. The very large stone images around the exteriors of temples were usually representations of the pharaoh as himself or "as" a deity, and many other images gave deities the features of

5220-584: The gravest sins . Judaism is aniconic , meaning any physical depiction of God whatsoever is disallowed; this likewise applies to cult images. The prohibition of idols within Judaism is so severe that numerous stipulations exist which are beyond simply concerning their use: Jews cannot eat anything offered to an idol as a libation , cannot move openly in places where idols are present, and cannot interact with idol worshippers within certain timeframes of idolatrous festivals or gatherings. As time progressed and

5307-623: The idol depends on the school of Buddhism that you belong to. Buddhist idols that originate from Theravada Buddhism are commonly slim, and majestic. Buddhist idols that originate from Mahayana Buddhism are usually thicker, with a more dignified and nonchalant face. Buddhist idols that originate from Vajrayana Buddhism usually have a more exaggerated posture, and usually show the Buddha / Bodhisattva performing hand Mudras . In Shinto , cult images are called shintai . The earliest historical examples of these were natural objects such as stones, waterfalls, trees or mountains, like Mount Fuji , while

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5394-640: The image does not terminate in it as image, but tends toward that whose image it is. Towards the end of the pre-Islamic era in the Arabian city of Mecca , an era otherwise known by the Muslims as جاهلية, or al-Jahiliyah , the pagan or pre-Islamic merchants of Mecca controlled the sacred Kaaba , thereby regulating control over it and, in turn, over the city itself. The local tribes of the Arabian peninsula came to this centre of commerce to place their idols in

5481-467: The latest possible date for him is about 650 BC. An upper limit of 750 BC is indicated by a number of considerations, such as the probability that his work was written down, the fact that he mentions a sanctuary at Delphi that was of little national significance before c. 750 BC ( Theogony 499), and he lists rivers that flow into the Euxine , a region explored and developed by Greek colonists beginning in

5568-491: The origins of the world ( cosmogony ) and of the gods ( theogony ), beginning with Chaos , Gaia , Tartarus and Eros , and shows a special interest in genealogy . Embedded in Greek myth , there remain fragments of quite variant tales, hinting at the rich variety of myth that once existed, city by city; but Hesiod's retelling of the old stories became, according to Herodotus , the accepted version that linked all Hellenes . It's

5655-823: The religious traditions which the Jews were exposed to diversified, what was considered "idolatry" was subject to some debate. In the Mishnah and Talmud , idolatry is defined as worshipping a graven image through the actions of both typical idol worshippers, and through actions customarily reserved for worship of the Jewish God in the Temple in Jerusalem , such as prostrating , sacrificing animals , offering incense , or sprinkling animal blood on altars. Kissing, embracing, or "honoring" an idol, while not considered idolatry per se ,

5742-483: The sea-nymphs are doublets. Pindar , in his sixth Olympian Ode, recognized Poseidon's role as "great god of the sea, husband of Amphitrite, goddess of the golden spindle." For later poets, Amphitrite became simply a metaphor for the sea: Euripides, in Cyclops (702) and Ovid , Metamorphoses , (i.14). Though Amphitrite does not figure in Greek cultus , at an archaic stage she was of outstanding importance, for in

5829-405: The silver, bronze, and Iron Ages – except that he inserts a heroic age between the last two, representing its warlike men as better than their bronze predecessors. He seems in this case to be catering to two different world-views, one epic and aristocratic, the other unsympathetic to the heroic traditions of the aristocracy. The Theogony is commonly considered Hesiod's earliest work. Despite

5916-642: The site of Hesiod's grave. One, as early as Thucydides , reported in Plutarch, the Suda and John Tzetzes, states that the Delphic oracle warned Hesiod that he would die in Nemea , and so he fled to Locris , where he was killed at the local temple to Nemean Zeus, and buried there. This tradition follows a familiar ironic convention: the oracle predicts accurately after all. The other tradition, first mentioned in an epigram by Chersias of Orchomenus written in

6003-503: The so-called Pseudo-Seneca , of the late first century BC found at Herculaneum is now thought not to be of Seneca the Younger . It has been identified by Gisela Richter as an imagined portrait of Hesiod. In fact, it has been recognized since 1813 that the bust was not of Seneca when an inscribed herma portrait of Seneca with quite different features was discovered. Most scholars now follow Richter's identification. Hesiod employed

6090-399: The teachings of the Buddha. The Dharma is a wheel or circle, that maintains different qualities that are meant to be essential to the Buddhist religion. Typically, the wheel shows the eight step path that Buddhists follow to reach Nirvana. The symbol is a wheel in order to show the flow of life: Buddhists believe in reincarnation, so life moves in a circle and does not end in death. The build of

6177-470: The temple precinct ( temenos in Greek). Some cult images were easy to see, and were major tourist attractions. The image normally took the form of a statue of the deity, typically roughly life-size, but in some cases many times life-size, in marble or bronze, or in the specially prestigious form of a Chryselephantine statue using ivory plaques for the visible parts of the body and gold for the clothes, around

6264-512: The temple. The term idol is an image or representation of a god used as an object of worship, while idolatry is the worship of an "idol" as though it were God . The use of images in the Ancient Near East seems typically to have been similar to that of the ancient Egyptian religion , about which we are the best-informed. Temples housed a cult image, and there were large numbers of other images. The ancient Hebrew religion

6351-471: The thrifty poet ( Works 35, 396). Unlike his father Hesiod was averse to sea travel, but he once crossed the narrow strait between the Greek mainland and Euboea to participate in funeral celebrations for one Amphidamas of Chalcis and there won a tripod in a singing competition. He also describes meeting the Muses on Mount Helicon , where he had been pasturing sheep, when the goddesses presented him with

6438-453: The time, Homer's Ionian . It is probable that Hesiod wrote his poems down, or dictated them, rather than passing them on orally, as rhapsodes did—otherwise: the pronounced personality that now emerges from the poems would surely have been diluted through oral transmission from one rhapsode to another. Pausanias asserted that Boeotians showed him an old tablet made of lead on which the Works were engraved. If he did write or dictate, it

6525-531: The tomb of Minyas , their eponymous founder. Eventually they came to regard Hesiod too as their "hearth-founder" ( οἰκιστής , oikistēs ). Later writers attempted to harmonize these two accounts. Yet another account taken from classical sources, cited by author Charles Abraham Elton in his Remains of Hesiod the Ascræan, Including the Shield of Hercules by Hesiod , depicts Hesiod as being falsely accused of rape by

6612-651: The voice" from ἵημι , híēmi and αὐδή , audḗ ) as fictitious names for poetical personae . It might seem unusual that Hesiod's father migrated from Anatolia westwards to mainland Greece, the opposite direction to most colonial movements at the time, and Hesiod himself gives no explanation for it. However, around 750 BC or a little later, there was a migration of seagoing merchants from his original home in Cyme in Anatolia to Cumae in Campania (a colony they shared with

6699-500: The worship of hollow forms, though others do not. The matter has long been controversial, depending largely on the degree of veneration or worship which is thought by opponents to be given to them. The word idol entered Middle English in the 13th century from Old French idole adapted in Ecclesiastical Latin from the Greek eidolon ("appearance", extended in later usage to "mental image, apparition, phantom")

6786-470: Was an ancient Greek poet generally thought to have been active between 750 and 650 BC, around the same time as Homer . Several of Hesiod's works have survived in their entirety. Among these are Theogony , which tells the origins of the gods, their lineages, and the events that led to Zeus 's rise to power, and Works and Days , a poem that describes the five Ages of Man , offers advice and wisdom, and includes myths such as Pandora's box . Hesiod

6873-594: Was highly controversial for centuries, and in Eastern Orthodoxy the controversy lingered until it re-erupted in the Byzantine Iconoclasm of the 8th and 9th centuries. Religious monumental sculpture remained foreign to Orthodoxy. In the West, resistance to idolatry delayed the introduction of sculpted images for centuries until the time of Charlemagne , whose placing of a life-size crucifix in

6960-674: Was normally near-total, especially images of the Virgin Mary and saints, and the iconoclasts ("image-breakers") also smashed representations of holy figures in stained glass windows and other imagery. Further destruction of icons, anathema to Puritans , occurred during the English Civil War . Less extreme transitions occurred throughout northern Europe in which formerly Catholic churches became Protestant. Catholic regions of Europe, especially artistic centres like Rome and Antwerp , responded to Reformation iconoclasm with

7047-595: Was not yet god of the sea, or, at least, no-wise supreme there—Amphitrite and the Nereids ruled there, with their servants the Tritons. Even so late as the Iliad Amphitrite is not yet 'Neptuni uxor' [Neptune's wife]." Amphitrite, "the third one who encircles [the sea]", was so entirely confined in her authority to the sea and the creatures in it that she was almost never associated with her husband, either for purposes of worship or in works of art, except when he

7134-643: Was or became an exception, rejecting cult images despite developing monotheism ; the connection between this and the Atenism that Akhenaten tried to impose on Egypt has been much discussed. In the art of Amarna , Aten is represented only as the sun-disk, with rays emanating from it, sometimes ending in hands, and temples to Aten (e.g. the Great Temple of the Aten in Amarna ) were open courts with no roof, that

7221-426: Was perhaps as an aid to memory or because he lacked confidence in his ability to produce poems extempore, as trained rhapsodes could do. It certainly was not in a quest for immortal fame since poets in his era had probably no such notions for themselves. However some scholars suspect the presence of large-scale changes in the text and attribute it to oral transmission. Possibly he composed his verses during idle times on

7308-598: Was rewarded by being placed among the stars as the constellation Delphinus . Amphitrite is not fully personified in the Homeric epics : "out on the open sea, in Amphitrite's breakers" ( Odyssey iii.101), "moaning Amphitrite" nourishes fishes "in numbers past all counting" ( Odyssey xii.119). She shares her Homeric epithet Halosydne ( ‹See Tfd› Greek : Ἁλοσύδνη , translit.   Halosúdnē , lit.  "sea-nourished") with Thetis . In some sense,

7395-470: Was still forbidden. Christian images that are venerated are called icons . Christians who venerate icons make an emphatic distinction between " veneration " and " worship ". Catholic and Eastern Orthodox Christians make an exception for the veneration of images of saints – they distinguish such veneration from adoration or latria . The introduction of venerable images in Christianity

7482-463: Was to be distinctly regarded as the god who controlled the sea. An exception may be the cult image of Amphitrite that Pausanias saw in the temple of Poseidon at the Isthmus of Corinth (ii.1.7). In the arts of vase-painting and mosaic, Amphitrite was distinguishable from the other Nereids only by her queenly attributes. In works of art, both ancient ones and post-Renaissance paintings, Amphitrite

7569-700: Was too late for Hesiod. Modern scholars have accepted his identification of Amphidamas but disagreed with his conclusion. The date of the war is not known precisely but estimates placing it around 730–705 BC fit the estimated chronology for Hesiod. In that case, the tripod that Hesiod won might have been awarded for his rendition of Theogony , a poem that seems to presuppose the kind of aristocratic audience he would have met at Chalcis. Three works have survived which were attributed to Hesiod by ancient commentators: Works and Days , Theogony , and Shield of Heracles . Only fragments exist of other works attributed to him. The surviving works and fragments were all written in

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