Misplaced Pages

#59940

158-700: Jack Kirby 's original comics established the Anti-Life Equation as giving the power to dominate the will of all sentient and sapient races. It is called the Anti-Life Equation because "if someone possesses absolute control over you — you're not really alive". Most stories featuring the Equation use this concept. The Forever People 's Mother Box found the Anti-Life Equation in Sonny Sumo , but Darkseid, unaware of this, stranded him in ancient Japan. A man known as Billion-Dollar Bates had control over

316-465: A blinding flare of light, Highfather arose as a New God to battle Darkseid. The brothers, now equal, tore the world apart during their battle, leaving them to rebuild on the remains, which became Apokolips and New Genesis. It was his search for what was believed to be his daughter Kaiyo that Darkseid came to traverse and enslave various worlds and universes throughout the 52 realities spanning existence, leading up to his first invasion of Earth 2 as well as

474-497: A commentary and critique of the Vietnam War (as it's all about the ambiguity and moral costs of war), 'The Pact' is a creation myth in comics form, providing readers deeper context about both the struggle between Apokolips and New Genesis and the great sacrifices that have to be made to create peace in the face of overwhelming destruction." Despite the creative strength of Kirby's material, the book's sales slipped steadily after

632-524: A contractual dispute in which editor Jack Schiff , who had been involved in getting Kirby and the Wood brothers the Sky Masters contract, claimed he was due royalties from Kirby's share of the strip's profits. Schiff successfully sued Kirby. Some DC editors had criticized him over art details, such as not drawing "the shoelaces on a cavalryman's boots" and showing a Native American "mounting his horse from

790-494: A cosmic purview informed by Kirby's seemingly boundless imagination—one well-matched with the consciousness-expanding youth culture of the 1960s. For almost a decade, Kirby provided Marvel's house style, creating many of the Marvel characters and designing their visual motifs. At the editor-in-chief's request, he often provided new-to-Marvel artists "breakdown" layouts, over which they would pencil in order to become acquainted with

948-695: A day. His first published work at Atlas was the cover of and the seven-page story "I Discovered the Secret of the Flying Saucers" in Strange Worlds #1 (Dec. 1958). Initially with Christopher Rule as his regular inker, and later Dick Ayers , Kirby drew across all genres, from romance comics to war comics to crime comics to Western comics, but made his mark primarily with a series of supernatural-fantasy and science fiction stories featuring giant, drive-in movie -style monsters with names like Groot ,

1106-753: A format that would later be called the trade paperback , which would eventually become standard practice in the industry. However, Infantino and company were not receptive and Kirby's proposals only went as far as producing the one-shot black-and-white magazines Spirit World and In the Days of the Mob in 1971. Kirby later produced other DC series including OMAC , Kamandi , The Demon , and Kobra as well as working on such extant features as " The Losers " in Our Fighting Forces . Together with former partner Joe Simon for one last time, he worked on

1264-634: A house for his family in Mineola, New York on Long Island . It was the family's home for the next 20 years; Kirby worked out of a basement studio just 10 feet (3.0 m) wide, which the family referred to jocularly as "The Dungeon". He moved the family to Southern California in early 1969, both to live in a drier climate for the sake of daughter Lisa's health and to be closer to the Hollywood studios Jack Kirby believed might provide work. In an interview, Kirby's granddaughter Jillian Kirby said Jack Kirby

1422-563: A hurry because I couldn't take that kind of thing," describing it as "a factory in a sense, like my father's factory. They were manufacturing pictures." Around that time, the American comic book industry was booming. Kirby began writing and drawing for the comic book packager Eisner & Iger , one of a handful of firms creating comics on demand for publishers. Through that company, Kirby did what he remembered as his first comic book work, for Wild Boy Magazine . This included such strips as

1580-418: A lieutenant, learning that comics artist Kirby was in his command, made him a scout who would advance into towns and draw reconnaissance maps and pictures, an extremely dangerous duty. After the war, Simon arranged work for Kirby and himself at Harvey Comics , where, through the early 1950s, the duo created such titles as the kid-gang adventure Boy Explorers Comics , the kid-gang Western Boys' Ranch ,

1738-591: A living as a garment factory worker. Kirby grew up in the Lower East Side neighborhood of New York City . Among his close friends was Leon Klinghoffer , who grew up in the same neighborhood, and who in 1985 was shot, killed and thrown overboard from the cruise ship Achille Lauro by Palestinian Liberation Front hijackers . In his youth, Kirby desired to escape his neighborhood. He liked to draw, and sought out places he could learn more about art. Essentially self-taught, Kirby cited among his influences

SECTION 10

#1732776377060

1896-705: A new incarnation of the Sandman . Kirby produced three issues of the 1st Issue Special anthology series and created Atlas the Great , a new Manhunter , and the Dingbats of Danger Street . Kirby's production assistant of the time, Mark Evanier , recounted that DC's policies of the era were not in sync with Kirby's creative impulses. Also Evanier said that he was often forced to work on characters and projects which he did not like. Meanwhile, some artists at DC did not want Kirby there, as he threatened their positions in

2054-477: A new, more mainstream superhero costume for Orion, which he would wear for the next few years, but failed to lead to a relaunch. That same year, Jenette Kahn became DC's new publisher and decided to revive the "Fourth World" lineup in 1977. The New Gods series relaunched in July 1977, and with 1st Issue Special still a relatively recent publication, it picked up where the storyline of that issue left off. Although

2212-510: A one-off story called "On the Road to Armagetto" which was also rejected, due to the fact that it did not contain a definitive ending to the series. A 48-page new story called "Even Gods Must Die" was published in the sixth issue of the reprint series instead, which in turn served as a prologue for the upcoming The Hunger Dogs graphic novel, which DC editors greenlighted to conclude the series. Published as DC Graphic Novel #4, The Hunger Dogs

2370-479: A rarity, Kirby inked himself. Kirby recast the archer as a science-fiction hero, moving him away from his Batman-formula roots, but, in the process, alienating Green Arrow co-creator Mort Weisinger . He began drawing Sky Masters of the Space Force , a newspaper comic strip, written by the Wood brothers and initially inked by the unrelated Wally Wood . Kirby left National Comics Publications due largely to

2528-1179: A rest to as well is the concept of the New Gods and the ideas surrounding them. There's a very clear conclusion to the New Gods’ storyline in Final Crisis #7. The good part about it is that readers will see that ending, and we won't have to return to it right away. Like the Multiverse, the New Gods will be out there and available to us, and we can use them when we see fit, and feel the time is right. Just because we introduced concepts doesn't mean that we have to constantly use them." In September 2011, The New 52 rebooted DC's continuity. In this new timeline, Darkseid first appears in Justice League #4. DeSaad and Steppenwolf also briefly appear in this story arc, experimenting on Superman and referring to "the search for Darkseid's daughter", explaining Darkseid's actions throughout infinite and his assault and assimilation of various worlds throughout

2686-714: A series of interlinked titles under the blanket sobriquet " The Fourth World ", which included a trilogy of new titles— New Gods , Mister Miracle , and The Forever People —as well as the extant Superman's Pal Jimmy Olsen . Kirby picked the latter book because the series was without a stable creative team and he did not want to cost anyone a job. The three books Kirby originated dealt with aspects of mythology he had previously touched upon in Thor . The New Gods would establish this new mythos, while in The Forever People Kirby would attempt to mythologize

2844-656: A significant part of the DC Universe . Kirby returned to Marvel briefly in the mid-to-late 1970s, then ventured into television animation and independent comics . In his later years, Kirby, who has been called "the William Blake of comics", began receiving great recognition in the mainstream press for his career accomplishments, and in 1987 he was one of the three inaugural inductees of the Will Eisner Comic Book Hall of Fame . In 2017, Kirby

3002-481: A special announcement to make. As I started telling about Jack's return, to a totally incredulous audience, everyone's head started to snap around as Kirby himself came waltzin' down the aisle to join us on the rostrum! You can imagine how it felt clownin' around with the co-creator of most of Marvel's greatest strips once more." Back at Marvel, Kirby both wrote and drew the monthly Captain America series as well as

3160-572: A staggering 92% of its print run, inspiring Crestwood to increase the print run by the third issue to triple the initial number of copies. Initially published bimonthly, Young Romance quickly became a monthly title and produced the spin-off Young Love —together the two titles sold two million copies per month, according to Simon —later joined by Young Brides and In Love , the latter "featuring full-length romance stories". Young Romance spawned dozens of imitators from publishers such as Timely, Fawcett , Quality , and Fox Feature Syndicate . Despite

3318-612: A strong start. New Gods was cancelled with issue #11 (Oct-Nov 1972), and the last issue of Forever People was also #11 (August–September 1972). The Apokolips/New Genesis war was left unresolved. Kirby's production assistant at the time, Mark Evanier , explained: "Folks forget but the New Gods saga was intended to be a limited series ... There was no intention that these characters would go on forever. After Jack's books started getting good sales figures, DC demanded that we keep them going and use guest stars like Deadman , which we were very much against doing. So Kirby had this novel he

SECTION 20

#1732776377060

3476-493: A then-reasonable $ 15-a-week salary. He began to explore superhero narrative with the comic strip The Blue Beetle , published from January to March 1940, starring a character created by the pseudonymous Charles Nicholas , a house name that Kirby retained for the three-month-long strip. During this time, Kirby met and began collaborating with cartoonist and Fox editor Joe Simon , who in addition to his staff work continued to freelance. Simon recalled in 1988, "I loved Jack's work and

3634-467: A year's worth of material. Kirby was drafted into the U.S. Army on June 7, 1943. After basic training at Camp Stewart , near Savannah, Georgia, he was assigned to Company F of the 11th Infantry Regiment . He landed on Omaha Beach in Normandy on August 23, 1944, 2 + 1 ⁄ 2 months after D-Day , although Kirby's reminiscences would place his arrival just 10 days after. Kirby recalled that

3792-734: Is able to send Darkseid's resurrected son, Orion , to rip out his heart. Orion leaves the scene of the fray to die of his own wounds; and, seemingly with success, the Source entity manages to reunite with the Anti-Life entity and merge Apokolips with New Genesis to create the Fifth World, with the New Gods of the Fourth World all deceased. In DC Universe #0, a bridge between the Countdown and Final Crisis limited series, Darkseid

3950-525: Is considered Marvel's first graphic novel . Still dissatisfied with Marvel's treatment of him, and with an offer of employment from Hanna-Barbera , a job located in nearby Hollywood, Kirby left Marvel to work in animation. In that field for Ruby-Spears Productions he did designs for Turbo Teen , Thundarr the Barbarian and other animated series for television. In addition to a superior pay to his comics work, Kirby enjoyed excellent relations with

4108-434: Is first possessed by the evil Old God Yuga Khan , who uses it to resurrect many of his fallen brethren in a final battle against his sons Uxas and Izaya before falling in battle. Eventually, many an individual would come to possess either finite understanding or complete utilization of the Anti-Life Equation for their own personal use over time. Some eons later Darkseid would use a fraction of its power in his invasion cycles of

4266-535: Is not destroyed so his quest for the equation is not thwarted. Martian Manhunter (vol. 2) #33 reveals that Darkseid first became aware of the equation approximately 300 years ago after making contact with the people of Mars. Upon learning of the Martian philosophy that free will and spiritual purpose could be defined by a Life Equation , Darkseid theorized that a negative equivalent must exist. In Walt Simonson 's Orion (2001), Darkseid and DeSaad have gained

4424-621: Is resurrected on Earth. In Final Crisis , Darkseid and his minions now exist on Earth in the guises of organized criminals, with Darkseid taking the name "Boss Dark Side". Other New Gods, such as Metron and the Black Racer , also appear reborn in newer, more elaborate Fifth World incarnations. Orion is discovered dead by detective Dan Turpin , prompting the Guardians of the Universe to launch an investigation. Batman surmises that Orion

4582-738: Is revealed that the evil gods of Apokolips have been hiding in human bodies, and some have their bodies "rebuilt" for them in the Evil Factory, formerly the Command-D bunkers in Blüdhaven . Darkseid inhabits the body of Dan Turpin, after Turpin finally succumbs to the evil god. Kalibak inhabits a new body, that of a humanoid tiger, leading a team of similar creatures in battle. Mokkari and Simyan appear, looking more or less identical to their previous forms, with no explanation given to where their bodies came from. Granny Goodness takes up residence in

4740-742: Is shown to be the New Genesis word for freedom) on their face. When Jim Starlin returned to writing the New Gods in 2007's Death of the New Gods mini-series, the retcon was revised, with the Anti-Life Equation Entity being revealed to be one-half of a cosmic being that was split into two by the war of the old gods (the other half of the cosmic entity being the Source). In a text page published in Final Crisis Secret Files , Grant Morrison attempts to reconcile

4898-551: Is sometimes considered volume 2, as the aforementioned volume 2 was essentially a reprinting of volume 1. Originally written by Tom Peyer and Rachel Pollack , and pencilled by Luke Ross , volume 4 of New Gods ran from October 1995 until February 1997. It was taken over by John Byrne for issues #12–15 at the end of the series; this title would be renamed as Jack Kirby's Fourth World , also by Byrne, with numbering reset to issue #1, and covers provided by Walt Simonson . Walt Simonson's Orion series, which continued to host

Anti-Life Equation - Misplaced Pages Continue

5056-447: Is stylized in narration as: loneliness + alienation + fear + despair + self-worth ÷ mockery ÷ condemnation ÷ misunderstanding × guilt × shame × failure × judgment n=y where y=hope and n=folly, love=lies, life=death, self=dark side By speaking said equation, Darkseid can insert the full formula into people's minds, giving them the mathematical certainty that life, hope and freedom are all pointless. According to Oracle , who barely escaped

5214-532: The Alpha Lantern Kraken, using her to attack the Guardians of the Universe, while DeSaad inhabits the body of Mary Marvel . The Female Furies themselves are not shown to still exist, but they are recreated using Anti-Life controlled heroes and villains in the forms of Wonder Woman , Batwoman , Catwoman , and Giganta . At the conclusion of the series, the essence of Darkseid is destroyed;

5372-573: The Anti-Death Equation : a dark, mysterious power used by the Gentry, capable of transforming and corroding anything from the laws of physics to even beings as powerful as Monitors, turning its victims into immortal, gruesome, and evil creatures. In DCU continuity the Equation itself retains its importance to a great many interested parties having come into the control of a host of users both in incomplete and whole formulations of itself. It

5530-644: The CIA 's " Canadian Caper ", in which some members of the U.S. embassy in Tehran , Iran, who had avoided capture in the Iran hostage crisis , were able to escape the country posing as members of a movie location-scouting crew. In the early 1980s, Kirby and Pacific Comics , a new, non-newsstand comic-book publisher, made one of the industry's earliest deals for creator-owned series, resulting in Captain Victory and

5688-573: The Captain America's Bicentennial Battles one-shot in the oversized treasury format . He created the series The Eternals , which featured a race of inscrutable alien giants, the Celestials , whose behind-the-scenes intervention in primordial humanity would eventually become a core element of Marvel Universe continuity. He produced an adaptation and expansion of the film 2001: A Space Odyssey , as well as an abortive attempt to do

5846-528: The DC Universe . New Gods #1 marks the first appearance of Orion , Highfather , and Metron , among others. The opening sequence alludes to the presence of the "Old Gods" and the "New Gods" (e.g., " There came a time when the Old Gods died... "). Simultaneously published during this time were the Forever People and Mister Miracle series, also written and drawn by Kirby. Kirby fans consider

6004-743: The Hulk , Thor , the X-Men and Magneto , Doctor Doom , Uatu the Watcher , Ego the Living Planet , the Inhumans and their hidden city of Attilan, and the Black Panther (comics' first black superhero) and his Afrofuturist nation, Wakanda . Kirby initially was assigned to pencil the first Spider-Man story, but when he showed Lee the first six pages, Lee recalled, "I hated the way he

6162-656: The New York Times : Yuga Khan The New Gods are a fictional extraterrestrial race appearing in the eponymous comic book series published by DC Comics , as well as selected other DC titles. Created and designed by Jack Kirby , they first appeared in February 1971 in New Gods #1. The New Gods are natives of the twin planets of New Genesis and Apokolips . New Genesis is an idyllic planet filled with unspoiled forests, mountains, and rivers and ruled by

6320-530: The Pied Piper also contained the equation within his mind and can manifest it through music. DeSaad attempts to use Piper as his pawn to help him destroy Brother Eye and Darkseid so that he could rule Apokolips . During Final Crisis , Darkseid's plan comes to fruition even without Pied Piper's help. Using the "spoken form" of the Anti-Life, Darkseid has Mokkari unleash it through the internet, turning anyone exposed into his mindless slaves. Libra used

6478-628: The Pratt Institute in Brooklyn , leaving after a week. "I wasn't the kind of student that Pratt was looking for. They wanted people who would work on something forever. I didn't want to work on any project forever. I intended to get things done". Kirby joined the Lincoln Newspaper Syndicate in 1936, working there on newspaper comic strips and on single-panel advice cartoons such as Your Health Comes First!!! (under

Anti-Life Equation - Misplaced Pages Continue

6636-535: The Sandman feature in Adventure Comics and created the superhero Manhunter . In July 1942 they began the Boy Commandos feature. The ongoing "kid gang" series of the same name, launched later that same year, was the creative team's first National feature to graduate into its own title. It sold over a million copies a month, becoming National's third best-selling title. They scored a hit with

6794-622: The Sub-Mariner and Captain America. In later years, Lee and Kirby disputed over who deserved credit for such creations as The Fantastic Four . The story frequently cited as Lee and Kirby's finest achievement is " The Galactus Trilogy " in Fantastic Four #48–50 (March–May 1966), chronicling the arrival of Galactus , a cosmic giant who wanted to devour the planet, and his herald, the Silver Surfer . Fantastic Four #48

6952-714: The U.S. Army and serving in the European Theater in World War II , Kirby corresponded with his wife regularly by v-mail , with Roz sending daily letters while she worked in a lingerie shop and lived with her mother at 2820 Brighton 7th Street in Brooklyn. During the winter of 1944, Kirby suffered severe frostbite and was taken to a hospital in London for recovery. Doctors considered amputating Kirby's legs, which had turned black, but he eventually recovered and

7110-443: The X-Men , among many others. Kirby's titles garnered high sales and critical acclaim, but in 1970, feeling he had been treated unfairly, largely in the realm of authorship credit and creators' rights, Kirby left the company for rival DC. At DC, Kirby created his Fourth World saga which spanned several comics titles. While these series proved commercially unsuccessful and were canceled, the Fourth World's New Gods have continued as

7268-708: The comic strip artists Milton Caniff , Hal Foster , and Alex Raymond , as well as such editorial cartoonists as C. H. Sykes , "Ding" Darling , and Rollin Kirby . He was rejected by the Educational Alliance because he drew "too fast with charcoal", according to Kirby. He later found an outlet for his skills by drawing cartoons for the newspaper of the Boys Brotherhood Republic, a "miniature city" on East 3rd Street where street kids ran their own government. At age 14, Kirby enrolled at

7426-474: The pseudonym Jack Curtiss ). He remained until late 1939, when he began working for the theatrical animation company Fleischer Studios as an inbetweener (an artist who fills in the action between major-movement frames) on Popeye cartoons at the same time in 1935. He left the studio before the Fleischer strike in 1937. "I went from Lincoln to Fleischer," he recalled. "From Fleischer I had to get out in

7584-460: The "Tales of Asgard" stories in Thor . He wanted to have two planets at war and end with Ragnarok , the battle that would kill Thor's lucrative pantheon. Instead, he tried the idea in his Inhumans stories. Now he was presenting it in its original context. Though he wouldn't ever say it publicly, the New Gods books started right after the gods in Thor killed one another. The first page of Orion of

7742-428: The "full" effects of the Equation by shutting down the entire Internet just in time, the Anti-Life Equation further states that the only point in anything is to conform to Darkseid's will. Shilo Norman (the current Mister Miracle ) is able to break free from this with the help of Metron, gaining immunity from the Equation in the process. He passes this immunity to his allies by drawing a specific pattern (the pattern

7900-465: The 1980s, including a brief revival of his "Fourth World" saga in the 1984 and 1985 Super Powers miniseries and the 1985 graphic novel The Hunger Dogs . DC executives Jenette Kahn and Paul Levitz had Kirby re-design the Fourth World characters for the Super Powers toyline as a way of entitling him to royalties for several of his DC creations. In 1985, Kirby and Gil Kane helped to create

8058-466: The Anti-Life Equation entity, ultimately sealing it off from their reality. The Anti-Life Equation Entity would be retconned as a creature who had been mislabeled as far as having anything to do with the Anti-Life Equation. In issue #4 of Neil Gaiman 's Sandman series, the demon Choronzon mimics the form of 'Anti-Life' when challenging Dream to 'the Oldest Game' - a battle of wits in which

SECTION 50

#1732776377060

8216-542: The Anti-Life Equation to turn several members of his Secret Society of Super Villains into Justifiers while some of Earth's superheroines and supervillainesses were converted into new versions of the Female Furies . It was revealed that the Equation can be countered by drawing the New Genesis word for "freedom" on one's face. Also, Doctor Sivana invented a device that allowed Lex Luthor to wrest control of

8374-556: The Bible, made for a heady brew, but the scope of his vision has endured." In 2007, comics writer Grant Morrison commented: "Kirby's dramas were staged across Jungian vistas of raw symbol and storm ... The Fourth World saga crackles with the voltage of Jack Kirby's boundless imagination let loose onto paper." In 1976, the New Gods were featured in the last issue of 1st Issue Special , written by Gerry Conway and Dennis O'Neil and pencilled by Mike Vosburg . The issue featured

8532-497: The Bible, made for a heady brew, but the scope of his vision has endured." In 2007, comics writer Grant Morrison commented that "Kirby's dramas were staged across Jungian vistas of raw symbol and storm ... The Fourth World saga crackles with the voltage of Jack Kirby's boundless imagination let loose onto paper." In addition to his artistic efforts, Kirby proposed a variety of new formats for comics such as planning to collect his published Fourth World stories into square-bound books,

8690-624: The Earth 2 parallel universe; soon it was revealed that others possessed the full Equation but lacked the incentive to use it. The formula itself however is revealed to be a sentient being able to express itself to its current hosts. It was revealed that the Anti-Life Equation was the source of the Anti-Matter Universe's creation, and that the Anti-Monitor used to be a Qwardian scientist in the Anti-Matter Universe named Mobius who

8848-526: The Equation from clones of Billion Dollar Bates. In stopping them Orion learned the Equation, and tried to use it to make people happy and good, but decided that the suppression of free will is always a bad thing. Mister Miracle knows the formula, but is one of the few with the willpower not to use it. During the series Young Justice , it was stated that the mystical heroine Empress has a piece of an Anti-Life Equation, which gives her limited mind control abilities. Countdown to Final Crisis #10 reveals that

9006-478: The Equation is portrayed much like in the original Kirby comics, ignoring the version shown in Cosmic Odyssey . Besides the power to control minds, it is also shown to give its wielder the power to revive corpses through verbal commands. In Grant Morrison 's Seven Soldiers: Mister Miracle mini-series, Darkseid (or Boss Dark Side, as he was calling himself) gained control of the Anti-Life Equation, which

9164-407: The Equation's power without the Mother Box's aid, but was accidentally killed by one of his own guards. When Metron and Swamp Thing attempt to breach the Source , which drives Swamp Thing temporarily mad, Darkseid discovers that part of the formula is love. Upon being told by the Dominators of their planned invasion of Earth, Darkseid promises not to interfere on the condition that the planet

9322-410: The Equation-controlled Justifiers from Libra and Darkseid . In Terror Titans #4, Static is revealed to be immune to the Equation's effects due to his electrical powers protecting his brain. In Final Crisis #7, Wonder Woman breaks the Equation's hold over the people of Earth by binding Darkseid's body with the Lasso of Truth . After Darkseid's disappearance, the Calculator tasks himself with

9480-405: The Fourth World realm. For example, if Superman were to travel to Apokolips under his own power, he would be miniature in comparison to the New Gods – Orion remarked that "Earth is but a speck in an air pocket" and that the universe of New Genesis is the "real world". Proportionally, entire planets were shown to seem no larger than golf balls. New Genesis is the home of the New Gods, who live in

9638-409: The Galactic Rangers , and the six-issue miniseries Silver Star (later collected in hardcover format in 2007). This, together with similar actions by other independent comics publishers as Eclipse Comics (where Kirby co-created the character Destroyer Duck in a benefit comic-book series published to help Steve Gerber fight a legal case against Marvel), helped establish a precedent to end

SECTION 60

#1732776377060

9796-474: The Goddess of Anti-Life. Over the years, the Anti-Life Equation has changed as various writers have offered their own definitions of the concept. In Jack Kirby 's original version, the Equation manifests itself as the power to control any sentient minds through direct commands. A clear distinction was made between the Anti-Life Equation and other methods of control like manipulation or hypnosis. While Darkseid could already exert some control over humanity through

9954-415: The Marvel look. As artist Gil Kane described: Jack was the single most influential figure in the turnaround in Marvel's fortunes from the time he rejoined the company ... It wasn't merely that Jack conceived most of the characters that are being done, but ... Jack's point of view and philosophy of drawing became the governing philosophy of the entire publishing company and, beyond the publishing company, of

10112-407: The Multiverse made the Source Wall less impenetrable. The Source's agent is revealed to be the New God Infinity-Man . Darkseid acquires the powers of the Anti-Life Equation and capitalizes on the deaths of the New Gods by using the human Jimmy Olsen as a "soul-catcher" for the Gods, from which he can claim all their powers and recreate the universe in his own image, but he is killed when the Source

10270-426: The New Gods , written by Jim Starlin , was a story-arc involving the mysterious deaths of the New Gods across the universe in preparation for the coming storylines in Grant Morrison 's Final Crisis , published later in 2008. As elaborated in Death of the New Gods , the mysterious Godkiller turned out to be an agent of the sentient Source itself, which sought to destroy the imperfect Fourth World—compromised by

10428-504: The New Gods showed the same scenes from Thor —a planet torn in half and armored gods holding swords and dying on a fiery battleground. Kirby began the "Fourth World" in Superman's Pal Jimmy Olsen #133 (October 1970). The New Gods first appeared in New Gods #1 (February–March 1971) and Forever People #1 (February–March 1971). Another "Fourth World" title Mister Miracle was launched in April 1971. Various New Gods, notably Darkseid, went on to interact with other denizens of

10586-480: The New Gods are vulnerable to a substance called Radion. Its source is unknown and its effects are toxic only in sustained amounts or after explosive exposure. The average New God can be slain by an application of Radion from a Radion blaster or bomb. Writer Rachel Pollack introduced the idea in "Sacrifice of the Gods" in 1996 that the New Gods were giants and that the Boom Tube would shrink them as they traveled to normal time and space or enlarge beings who traveled to

10744-405: The New Gods possess superhuman abilities of various kinds and differing degrees, including superhuman strength, stamina, reflexes, invulnerability and speed. The denizens of New Genesis and Apokolips are also immortal and endowed with a greater intelligence than Homo sapiens , despite their resemblance. Both worlds have the finest technology that the universe can offer. Despite their immortality,

10902-411: The New Gods, are resurrected and reborn; and Nix Uotan implies that they will guide the recently destroyed Earth-51 , restoring it to prosperity and peace. Nix also indicates that the Super Young Team are the new Forever People of the Fifth World. In an interview with Newsarama , DC Executive Editor Dan DiDio spoke of the future of the New Gods in the DC Universe, saying, "The other thing we’ll give

11060-528: The New Gods. The plan would be foiled by the combined power of the New Gods, the Justice League, and the Justice Society . Essentially a reprint series, this volume packaged two issues apiece per single issue of the original 1971 series. The mini-series' final issue was originally intended to include a reprint of New Gods #11 and a new 24-page story which would conclude the series and end with both Darkseid and Orion dead. DC editors prevented Kirby from using his original intended ending. Kirby instead turned in

11218-411: The Old Gods were destroyed by Darkseid, who became more horrific in turn as he leeched their essence from them. As Darkseid's schemes started to tear the planet apart, Highfather ran with his wounded Avia in hand towards one of the last and greatest of the Old Gods, acknowledging his time had come and passed he chose to pass on the last of his power to reward Izaya's beloved's devotion to them. Empowered in

11376-474: The Road to Armagetto" were revised and incorporated into the graphic novel, while DC ordered the entire plot restructured, resulting in many pages of the story being rearranged out of Kirby's intended reading order. In the end, The Hunger Dogs saw the tormented, slave population of Apokolips rise up against Darkseid in a massive slave revolt, forcing Darkseid to flee his homeworld. This ending would not last, as Darkseid would reclaim Apokolips off-panel prior to

11534-535: The Starlin version of the Anti-Life Equation with his own version, by suggesting that the Equation is indeed sentient (as Starlin suggests) and that even after "mastering" the Equation, Darkseid still does not understand the true horrific nature of what the Anti-Life Equation is and its relationship with the Source. In the New 52, the Anti-Life has much of the same powers it had before, Yuga Khan having used it to bring back

11692-599: The Thing from Planet X; Grottu, King of the Insects; and Fin Fang Foom for the company's many anthology series, such as Amazing Adventures , Strange Tales , Tales to Astonish , Tales of Suspense , and World of Fantasy . His bizarre designs of powerful, unearthly creatures proved a hit with readers. Additionally, he freelanced for Archie Comics around this time, reuniting briefly with Joe Simon to help develop

11850-511: The Western Bullseye: Western Scout ; the war comic Foxhole because EC Comics and Atlas Comics were having success with war comics, but promoting theirs as being written and drawn by actual veterans; In Love because their earlier romance comic Young Love was still being widely imitated; and the crime comic Police Trap , which claimed to be based on genuine accounts by law-enforcement officials. After

12008-587: The age of 76. The Jack Kirby Awards and Jack Kirby Hall of Fame were named in his honor, and he is known as " The King " among comics fans for his many influential contributions to the medium. Jack Kirby was born Jacob Kurtzberg on August 28, 1917, at 147 Essex Street on the Lower East Side of Manhattan in New York City ; he grew up there. His parents, Rose (Bernstein) and Benjamin Kurtzberg, were Austrian-Jewish immigrants, and his father earned

12166-432: The agreement, but reserved the right to reclaim the art if Kirby violated the deal. After Kirby publicly slammed Marvel, calling the company thugs and claiming they were arbitrarily holding his creations, Marvel finally returned (after two years of deliberations) approximately 1,900 or 2,100 pages of the estimated 10,000 to 13,000 Kirby drew for the company. For the producer Charles Band , Jack Kirby made concept art for

12324-414: The anthology title Chamber of Darkness , and received full credit for doing so; but in 1970, Kirby was presented with a contract that included unfavorable terms such as a prohibition against legal retaliation. When Kirby objected, the management refused to negotiate any contract changes, bluntly dismissing his contribution to Marvel's success since they considered Lee solely responsible. Kirby, although he

12482-477: The array of worlds invading this parallel Earth. Unlike his encounters in Justice League , this one is far more successful, resulting in the death of that Earth's Superman, Batman and Wonder Woman; in the midst of this war, Power Girl and Huntress somehow traverse into the realm of Prime-Earth. It is teased that the fall of the Olympian Gods will lead to the creation of New Gods, but not stated if they mean

12640-537: The art for the remaining issues of the series after Kirby died. In the early 1940s, Kirby and his family moved to Brooklyn . Kirby met Rosalind "Roz" Goldstein, who lived in the same Brooklyn apartment building. The pair began dating soon afterward. Kirby proposed to Goldstein on her 18th birthday, and the two became engaged. They married on May 23, 1942. The couple had four children: Susan (b. December 6, 1945), Neal (b. May 1948), Barbara (b. November 1952), and Lisa (b. September 1960). After being drafted into

12798-553: The backup feature "Tales of the New Gods", began in Byrne's Jack Kirby's Fourth World and served as an extension of it. Simonson wished to simply title his series "New Gods", but DC felt the name had been used too much recently. John Byrne's one-shot issue Darkseid vs. Galactus: The Hunger also appeared in October 1995. Taking place in both the yearlong series Countdown to Final Crisis (2007–2008) and its spin-off, Death of

12956-499: The benevolent Highfather , while Apokolips is a nightmarish, polluted dystopia filled with machinery and fire pits, ruled by the tyrannical Darkseid . The two planets were once part of the same world, a planet called Urgrund ( German for "primeval ground"), but it was split apart millennia ago after the death of the Old Gods during Ragnarök . The characters associated with the New Gods are often collectively referred to as " Jack Kirby's Fourth World ". Unhappy with Marvel Comics at

13114-580: The by-then-defunct Pacific Comics, and then licensed to Topps for what became the " Jack Kirby's Secret City Saga " mythos. Phantom Force was the last comic book Kirby worked on before his death. The story was co-written by Kirby with Michael Thibodeaux and Richard French, based on an eight-page pitch for an unused Bruce Lee comic in 1978. Issues #1 and 2 were published by Image Comics with various Image artists inking over Kirby's pencils. Issue #0 and issues #3–8 were published by Genesis West, with Kirby providing pencils for issues #0 and 4. Thibodeaux provided

13272-557: The company; they also had bad blood from previous competition with Marvel and legal problems with him. Since he was working from California, they were able to undermine his work through redesigns in the New York office. At the comic book convention Marvelcon '75, in 1975, Stan Lee used a Fantastic Four panel discussion to announce that Kirby was returning to Marvel after having left in 1970 to work for DC Comics. Lee wrote in his monthly column, "Stan Lee's Soapbox", "I mentioned that I had

13430-609: The concept and designs for the Ruby-Spears animated television series The Centurions . A comic-book series based on the show was published by DC and a toy line produced by Kenner . In the twilight of his life, Kirby spent a great deal of time sparring with Marvel executives over the ownership rights of his original page boards. At Marvel, many of these pages owned by the company (due to outdated and legally dubious copyright claims) were given away as promotional gifts to Marvel clients or simply stolen from company warehouses. After

13588-399: The dead Old Gods to aid him in battle against his sons, Dreamer Beautiful using it for the first time to resurrect a deceased Mark Moonrider , and Darkseid himself using a fraction of it to draw unsuspecting victims to their end by broadcasting it over his parademon hive factories. The Anti-Life's opposite member takes more prominence within the New 52. The white Light of Life is said to be

13746-689: The disruption in its creation by the Old Gods—in favor of a more perfect "Fifth World" by reuniting the Source with the Anti-Life Equation . The Source's initial attempts to recreate the Fifth World had been hampered by the Crisis on Infinite Earths which unified the Multiverse and forged an impenetrable Source Wall around the Anti-Life Equation. By subtly manipulating characters such as Alexander Luthor, Jr. , and Booster Gold to recreate

13904-530: The duo 25 percent of the profits from the feature. The first issue of Captain America Comics , released in early 1941, sold out in days, and the second issue's print run was set at over a million copies. The title's success established the team as a notable creative force in the industry. After the first issue was published, Simon asked Kirby to join the Timely staff as the company's art director. With

14062-479: The duo rearranged and republished artwork from an old Crestwood story in In Love , Crestwood refused to pay the team, who sought an audit of Crestwood's finances. Upon review, the pair's attorneys stated the company owed them $ 130,000 for work done over the past seven years. Crestwood paid them $ 10,000 in addition to their recent delayed payments. The partnership between Kirby and Simon had become strained. Simon left

14220-463: The dust they were recreated from and sending the Old God back to the Source. For a time, both brothers would raise their dead world back from the devastation wreaked by their previous conflicts, dubbing it Genesis with Izaya eventually remarrying, up until for undisclosed reasons Darkseid killed Highfather's new wife away from prying eyes, save those of his sibling's. Another war would commence pitting

14378-553: The entire field ... [Marvel took] Jack and use[d] him as a primer. They would get artists ... and they taught them the ABCs, which amounted to learning Jack Kirby ... Jack was like the Holy Scripture and they simply had to follow him without deviation. That's what was told to me ... It was how they taught everyone to reconcile all those opposing attitudes to one single master point of view. Highlights of Kirby's tenure also include

14536-606: The equation formula seems to vary from iteration to iteration. One instance relates it to the Emotional Spectrum and its corresponding seven lights: rage , greed , fear , will , hope , compassion and love . Initially believing all of these refractions of the source light to lead in becoming the Life Equation, it is then realized that the formula itself is a separate power all its own connected directly to The Source of all things. Its power once hidden behind

14694-481: The events of the 1986 Legends crossover. Following the Cosmic Odyssey limited series by Jim Starlin and Mike Mignola , a new New Gods series was launched. Written by longtime Kirby assistant Mark Evanier , with co-author and penciler Paris Cullins , this would be the most lengthy New Gods run yet. Coming in at 28 issues, this volume was published from February 1989 to August 1991. This series

14852-446: The fact his sons ended up killing and usurping the powers of all the Old Gods of Urgrund save himself, he utilized the power of the Anti-Life Equation to reanimate his fallen subjects, while using his own powers to suppress his sons' New God Abilities, all to prevent the rise of the New Gods standing before him. When Zonuz was prepping to deliver the killing blow, Uxas crept up from behind and ended him, reducing his resurrected army back to

15010-591: The films Doctor Mortalis and Mindmaster , which were later released as Doctor Mordrid (1992) and Mandroid (1993), respectively. Doctor Mordrid began as a planned adaptation of the Marvel Comics character Dr. Strange , but Band's option expired. For Topps Comics , founded in 1993, Kirby retained ownership of characters used in multiple series of what the company dubbed " The Kirbyverse ". These titles were derived mainly from designs and concepts Kirby had kept in his files, some intended initially for

15168-469: The first time I saw it I couldn't believe what I was seeing. He asked if we could do some freelance work together. I was delighted and I took him over to my little office. We worked from the second issue of Blue Bolt through... about 25 years." After leaving Fox and collaborating on the premiere issue of Fawcett Comics ' Captain Marvel Adventures ([March] 1941), the first solo title for

15326-629: The floating city of Supertown. The surface is inhabited by the " Bugs " and the Primitives, with the former being considered a lesser class. New Genesis and Apokolips exist in a different plane of existence located near the Source , and can only be accessed via Boom Tube portals. New Genesis and Apokolips were created after the destruction of the Old Gods' home planet of Urgrund and respectively seeded with good and evil essences by Balduur and an unnamed sorceress. Through Darkseid's manipulation,

15484-469: The former's faction against the self-titled God of Evil, which devastated the world they made together. With the losses tallied on both sides, a ceasefire was eventually called with Darkseid eventually slinking back into the darkness, while Highfather wept over the loss of their new home. Over time, a peace treaty would be forged in which Izaya would lose the compassionate part of himself to the Source to make him go through with it. Exchanging their sons like in

15642-680: The future DC Comics , Kirby drew 20 stories for Atlas from 1956 to 1957: Beginning with the five-page "Mine Field" in Battleground #14 (Nov. 1956), Kirby penciled and in some cases inked (with his wife, Roz ) and wrote stories of the Western hero Black Rider , the Fu Manchu -like Yellow Claw , and more. But in 1957, distribution troubles caused the "Atlas implosion" that resulted in several series being dropped and no new material being assigned for many months. The next year Kirby returned to

15800-482: The genre of romance comics and later founded their own short-lived comic company, Mainline Publications . Kirby was involved in Timely's 1950s iteration, Atlas Comics , which in the next decade became Marvel. There, in the 1960s, Kirby cocreated many of the company's major characters, including Ant-Man , the Avengers , the Black Panther , the Fantastic Four , the Hulk , Iron Man , the Silver Surfer , Thor , and

15958-500: The glut, the Simon and Kirby romance titles continued to sell millions of copies a month. Bitter that Timely Comics ' 1950s iteration, Atlas Comics , had relaunched Captain America in a new series in 1954, Kirby and Simon created Fighting American . Simon recalled, "We thought we'd show them how to do Captain America". While the comic book initially portrayed the protagonist as an anti-Communist dramatic hero, Simon and Kirby turned

16116-489: The highly successful superhero character Captain America for Timely Comics , predecessor of Marvel Comics . During the 1940s, Kirby regularly teamed with Simon, creating numerous characters for that company and for National Comics Publications , later to become DC Comics . After serving in the European Theater in World War II , Kirby produced work for DC Comics, Harvey Comics , Hillman Periodicals and other publishers. At Crestwood Publications , he and Simon created

16274-685: The homefront kid-gang team, the Newsboy Legion , featuring in Star-Spangled Comics . In 2010, DC Comics writer and executive Paul Levitz observed that "Like Jerry Siegel and Joe Shuster , the creative team of Joe Simon and Jack Kirby was a mark of quality and a proven track record." With World War II underway, Liebowitz expected that Simon and Kirby would be drafted , so he asked the artists to create an inventory of material to be published in their absence. The pair hired writers, inkers, letterers, and colorists in order to create

16432-425: The idea to comic books and with Kirby created a first-issue mock-up of Young Romance . Showing it to Crestwood general manager Maurice Rosenfeld, Simon asked for 50% of the comic's profits. Crestwood publishers Teddy Epstein and Mike Bleier agreed, stipulating that the creators would take no money up front. Young Romance #1 (cover-date Oct. 1947) "became Jack and Joe's biggest hit in years". The first title sold

16590-590: The incursion of countless other Earths along the DCnU, up until the core world of Prime Earth where he battled and lost against the Justice League when they first formed to battle his invasion. After countless eons of infighting proceeding after the fall of the Old World, Darkseid and Highfather would eventually be forced into conflict against their demented father and King of the Old Gods, Yuga Khan . Livid at

16748-599: The industry for a career in advertising, while Kirby continued to freelance. "He wanted to do other things and I stuck with comics," Kirby recalled in 1971. "It was fine. There was no reason to continue the partnership and we parted friends." At this point in the mid-1950s, Kirby made a temporary return to the former Timely Comics , now known as Atlas Comics, the direct predecessor of Marvel Comics . Inker Frank Giacoia had approached editor-in-chief Stan Lee for work and suggested he could "get Kirby back here to pencil some stuff. While freelancing for National Comics Publications,

16906-638: The insult when confronted about it by Lee's protege, Roy Thomas , who was similarly insulted with Flashman's sidekick, Houseroy. The central villain of the Fourth World series, Darkseid , and some of the Fourth World concepts, appeared in Jimmy Olsen before the launch of the other Fourth World books, giving the new titles greater exposure to potential buyers. The Superman figures and Jimmy Olsen faces drawn by Kirby were redrawn by Al Plastino , and later by Murphy Anderson . Les Daniels observed in 1995 that "Kirby's mix of slang and myth, science fiction and

17064-443: The lives of the young people he observed around him. The third book, Mister Miracle was more of a personal myth. The title character was an escape artist, which Mark Evanier suggests Kirby channeled his feelings of constraint into. Mister Miracle's wife was based in character on Kirby's wife Roz, and he even caricatured Stan Lee within the pages of the book as Funky Flashman , a depiction Lee found hurtful while Kirby tried to downplay

17222-575: The malevolent Darkseid and his elite followers. The beings of New Genesis and Apokolips call themselves gods, living outside of normal time and space in a realm known as the Fourth World . Due to their proximity to the Source , a primeval energy believed to be one of the ultimate foundations of the Universal Expression of Energy, these New Gods have evolved into genetically stable higher beings of evolutionary perfection. All of

17380-439: The monopoly of the work-for-hire system, wherein comics creators, even freelancers, had owned no rights to characters they created. In 1983 Richard Kyle commissioned Kirby to create a 10-page autobiographical strip, " Street Code ", which became one of the last works published in Kirby's lifetime. It was published in 1990, in the second issue of Kyle's revival of Argosy . Kirby continued to do periodic work for DC Comics during

17538-586: The multiverse. In subsequent issues it is revealed that Cyborg's teleportation powers are linked to the Boom Tubes, thanks to upgrades performed by his father utilizing the Mother Box found by the team in their initial adventure, and that every 1,000 times he uses this technology, a glitch in it transports him and his Justice League comrades to Apokolips. In the pages of Earth 2 #1, it is revealed that Darkseid's search has also resulted in his traversing

17696-674: The nascent Marvel. For DC around that time, Kirby co-created with writers Dick and Dave Wood the non-superpowered adventuring quartet the Challengers of the Unknown in Showcase #6 (Feb. 1957), while contributing to such anthologies as House of Mystery . During 30 months freelancing for DC, Kirby drew slightly more than 600 pages, which included 11 six-page Green Arrow stories in World's Finest Comics and Adventure Comics that in

17854-617: The passage of the Copyright Act of 1976 , which greatly expanded artist copyright capabilities, comics publishers began to return original art to creators, but in Marvel's case only if they signed a release reaffirming Marvel's ownership of the copyright. In 1985, Marvel issued a release that demanded Kirby affirm that his art was created for hire, allowing Marvel to retain copyright in perpetuity, in addition to demanding that Kirby forego all future royalties. Marvel offered him 88 pages of his art (less than 1% of his total output) if he signed

18012-830: The power to redefine reality to a universal to multiversal degree, enabling the user to change the formula to remake all of existence. The Life Equation was split into seven parts and placed into Kyle's and six newly created White Power rings . These seven rings can be brought together to restore the Life Equation if needed, but until then, the White Lantern Corps protects the equation. The Anti-Life Equation appears in Zack Snyder's Justice League . The Anti-Life Equation appears in Lego DC Super-Villains . Jack Kirby Jack Kirby (born Jacob Kurtzberg ; August 28, 1917 – February 6, 1994)

18170-403: The preachings of his minion Glorious Godfrey, possessing the Equation would allow unlimited and instantaneous control. In Jim Starlin 's mini-series Cosmic Odyssey , the Anti-Life Equation is revealed as a living shadow-based deity that corrupts and destroys everything it touches. This revelation shocks even Darkseid, who teams up with the New Gods and a group of superheroes from Earth to stop

18328-468: The previous continuity would not stop Darkseid from waging wars of conquest across reality however, so Highfather brokered another treaty where Darkseid would only attack the Earth 2 dimension while leaving the other infinite Earths untouched. Over time, the core universe where Apokolips first suffered defeat from would have more interactions with the New Gods of both New Genesis; created by the now-militant Highfather, as well as those of Apokolips; domain of

18486-487: The previously introduced superhero, and for which Kirby was told to mimic creator C.C. Beck 's drawing style, the duo were hired on staff at pulp magazine publisher Martin Goodman 's Timely Comics (later to become Marvel Comics). There Simon and Kirby created the patriotic superhero Captain America in late 1940. Simon, who became the company's editor, with Kirby as art director, said he negotiated with Goodman to give

18644-545: The race of New Gods populating the Fourth World or simply newer younger gods. A figure, with Orion's helmet, appears in shadow then disappears into a Boom Tube. Orion fights against, then assists Wonder Woman in her struggle with the gods of Olympus and the monstrous First Born of Zeus, eventually leading her and the Last Born of Olympus to New Genesis and its leader: Highfather. While Highfather appears much younger than his pre- Flashpoint incarnation, New Genesis appears much

18802-414: The rights. In collaboration, Geller commissioned Kirby to draw set designs that would be used as architectural renderings for a Colorado theme park to be called Science Fiction Land; Geller announced his plans at a November press conference attended by Kirby, former American football star Rosey Grier , writer Ray Bradbury , and others. While the film did not come to fruition, Kirby's drawings were used for

18960-544: The role of tracking down the fragments of the Equation left in the internet, which had taken the appearance of floating diamonds in Alta Viva , an in-universe multi-player online game similar to Second Life . By having real diamonds cut in the shape of the virtual ones, the Calculator hopes to harness and restore its power for himself. The Multiversity features a different version of the Anti-Life Equation known as

19118-415: The saga were perfectly suited to the tastes of young readers in the 1960s", and Lee soon discovered that the story was a favorite on college campuses. Kirby continued to expand the medium's boundaries, devising photo-collage covers and interiors, developing new drawing techniques such as the method for depicting energy fields now known as " Kirby Krackle ", and other experiments. In 1968 and 1969, Joe Simon

19276-479: The same for the classic television series The Prisoner . He wrote and drew Black Panther and drew numerous covers across the line. Kirby's other Marvel creations in this period include Machine Man and Devil Dinosaur . Kirby's final comics collaboration with Stan Lee, The Silver Surfer: The Ultimate Cosmic Experience , was published in 1978 as part of the Marvel Fireside Books series and

19434-649: The same time, Kirby grew increasingly dissatisfied with working at Marvel, for reasons Kirby biographer Mark Evanier has suggested include resentment over Lee's media prominence, a lack of full creative control, anger over breaches of perceived promises by publisher Martin Goodman, and frustration over Marvel's failure to credit him specifically for his story plotting and for his character creations and co-creations. He began to both write and draw some secondary features for Marvel, such as "The Inhumans" in Amazing Adventures volume two , as well as horror stories for

19592-461: The same, consisting of a futuristic floating city above a mostly rural world covered in forests. In the Darkseid special issue, it is revealed that he and Highfather are some of the only survivors of a previous larger world, where they were brothers and peasants. Their world was also inhabited by colossal beings known as Old Gods, who spent much of their time brawling with each other, feeding off

19750-524: The science fiction adventure "The Diary of Dr. Hayward" (under the pseudonym Curt Davis ), the Western crimefighter feature "Wilton of the West" (as Fred Sande ), the swashbuckler adventure "The Count of Monte Cristo" (again as Jack Curtiss), and the humor features "Abdul Jones" (as Ted Grey ) and "Socko the Seadog" (as Teddy ), all variously for Jumbo Comics and other Eisner-Iger clients. He first used

19908-461: The series The Fly and The Double Life of Private Strong . Additionally, Kirby drew some issues of Classics Illustrated . At Marvel Kirby hit his stride once again in superhero comics, beginning with The Fantastic Four #1 (Nov. 1961), which some have observed, shares many elements of Kirby's Challengers of the Unknown . The landmark series became a hit that revolutionized the industry with its comparative naturalism and, eventually,

20066-659: The series into a superhero satire with the second issue, in the aftermath of the Army-McCarthy hearings and the public backlash against the Red-baiting U.S. Senator Joseph McCarthy . At the urging of a Crestwood salesman, Kirby and Simon launched their own comics company, Mainline Publications , securing a distribution deal with Leader News in late 1953 or early 1954, subletting space from their friend Al Harvey 's Harvey Publications at 1860 Broadway. Mainline, which existed from 1954 to 1955, published four titles:

20224-594: The series. The New Gods met the Flash in Super-Team Family #15 (March–April 1978). Darkseid's "death" would quickly be overturned in the New Gods' next appearance in Justice League of America #183–185. The three-part storyline would tell of Darkseid's return to Apokolips and his scheme to destroy Earth-Two and teleport Apokolips into its place, so that he could conquer a new universe devoid of

20382-466: The spark that originally gave birth to the positive matter universe of Earth-Zero just as the Anti-Life gave rise to the antimatter universe. Unlike the Anti-Life Equation which saps a person of their free will, The Life Equation is an all consuming power which has the capability to restructure reality by changing its formula around rewriting the very multiverse itself, representing the attributes of life itself pertaining to change and variance. The make up of

20540-673: The staff, especially with the younger artists who typically credited him as their inspiration. He worked on The New Fantastic Four animated series, reuniting him with scriptwriter Stan Lee and they kept their relations sufficiently cordial on a professional level. He illustrated an adaptation of the Walt Disney movie The Black Hole for Walt Disney's Treasury of Classic Tales syndicated comic strip in 1979–80. In 1979, Kirby drew concept art for film producer Barry Geller's script treatment adapting Roger Zelazny 's science fiction novel, Lord of Light , for which Geller had purchased

20698-413: The story's conclusion: "...is a pure example of Kirby's technological sublime, at once redemptive and seductive, healing and cataclysmic... This rhapsodic episode suggests a glorying in, but also a fearful ambivalence about, the blurring of the living and the technological." Issue #7, "The Pact", sought to explain the backstory of the New Gods. Sacks and Keith said: "While the story can also be read as

20856-753: The success of the Captain America character, Simon said he felt that Goodman was not paying the pair the promised percentage of profits, and so sought work for the two of them at National Comics Publications (later renamed DC Comics ). Kirby and Simon negotiated a deal that would pay them a combined $ 500 a week, as opposed to the $ 75 and $ 85 they respectively earned at Timely. The pair feared Goodman would not pay them if he found they were moving to National, but many people knew of their plan, including Timely editorial assistant Stan Lee . When Goodman eventually discovered it, he told Simon and Kirby to leave after finishing work on Captain America Comics #10. Kirby

21014-513: The superhero comic Stuntman , and, in vogue with the fad for 3-D movies , Captain 3-D . Simon and Kirby additionally freelanced for Hillman Periodicals (the crime-fiction comic Real Clue Crime ) and for Crestwood Publications ( Justice Traps the Guilty ). The team had its greatest success in the postwar period by creating romance comics . Simon, inspired by Macfadden Publications ' romantic-confession magazine True Story , transplanted

21172-542: The surname Kirby as the pseudonymous Lance Kirby in two "Lone Rider" Western stories in Eastern Color Printing 's Famous Funnies #63–64 (Oct.–Nov. 1939). He ultimately settled on the pen name Jack Kirby because it reminded him of actor James Cagney . However, he took offense to those who suggested he changed his name in order to hide his Jewish heritage. Kirby moved on to comic-book publisher and newspaper syndicator Fox Feature Syndicate , earning

21330-448: The three-issue arc in New Gods #6-8 to be the peak of Kirby's artistic work. Jason Sacks and Keith Dallas say that issue #6, "The Glory Boat", "juxtaposes several of [Kirby's] favorite themes: the conflict between generations, the ways that pacifism is forced to confront violence, and, of course, the continuing battle between Apokolips and New Genesis, all drawn in some of the most spectacular art of his career." Charles Hatfield says that

21488-450: The time, as he had created or co-created a plethora of characters without having copyright or creative custody of them, he turned to rival publisher DC Comics, with his sketches and designs for a new group of heroes and villains. As author Marc Flores, who writes under the pen name Ronin Ro, described: The idea of the New Gods had come to Jack years earlier, when he was plotting 90 percent of

21646-436: The title remained "The New Gods" in the indicia and retained its original numbering, launching with #12, the covers used the title "The Return of the New Gods". Conway wrote the series and Don Newton provided the pencils. The series introduced the character Jezebelle . It was cancelled with issue #19 (July–August 1978) prior to the " DC Implosion ", where a variety of market-related factors caused DC to cancel almost all of

21804-474: The titles launched the previous year. The final chapters of the series were published as backup features in the Adventure Comics #459–460 (1978) featured a climactic battle between Darkseid's forces and the New Gods, culminating in Darkseid's defeat and apparent "death." Conway later said that he felt the finale he provided for the New Gods saga was inadequate, though he greatly enjoyed working with Newton on

21962-420: The two must define increasingly powerful entities in turn. Attempting to end the game, Choronzon states "I am Anti-Life, the beast of judgement. I am the dark at the end of everything. The end of universes, gods, worlds...of everything", at which point he takes on the appearance of a large, blank face against a white background. Dream counters this by proclaiming "I am hope". In Walt Simonson 's Orion series,

22120-403: The two planets enter a devastating war before Highfather enacts a temporary truce. The conflict between the two planets symbolizes the struggle of good and evil on a grand mythic scale. However, despite representing good, New Genesis and its inhabitants are not entirely perfect. Biographer Charles Hatfield writes, "The saga turns out to be not so simple, for Kirby — and this is revealing – blurs

22278-460: The victor. The villain Libra reappears on Earth after a long absence, making promises to the villains of Earth in the name of the deity he worships. Grant Morrison addressed what he described as "the disconnects that online commentators, sadly, seem to find more fascinating than the stories themselves", by explaining that he provided a rough draft of the first issue, and an outline of the plot, before

22436-549: The wall of its namesake had been removed and supplanted within the White Ring utilized by Kyle Rayner to escape it after the seven emotional entities gave themselves to both him and it to replenish the Emotional Reservoir. It is later revealed that Kyle managed to escape with the equation in hand after he reached out into the source itself and unknowingly claimed the equation. Once claimed, the Life Equation has

22594-403: The worship of the 'mudgrubbers', whose lives were often lost in the battles. One day the man formerly known as Uxas, having tired of his idol's destructiveness, decided to spark a war between them which would in turn devastate their world fatally wounding his sister, Izaya's first wife, after which he opted to kill all the wounded Old Gods, steal their powers and bring about a new order. One by one,

22752-432: The writing began on Countdown and Death of the New Gods . He outlined his thinking on the issues of continuity between the stories by stating that he "started writing Final Crisis #1 in early 2006, around the same time as the 52 series was starting to come out, so Final Crisis was more a continuation of plot threads from Seven Soldiers and 52 than anything else." As the events of Final Crisis unfold, it

22910-461: The wrong side." Several months later, after his split with DC, Kirby began freelancing regularly for Atlas despite harboring negative sentiments about Stan Lee (the cousin of Timely publisher Martin Goodman's wife), who Kirby had always found annoying on top of his aforementioned betrayal he suspected in the 1940s. Because of the poor page rates, Kirby would spend 12 to 14 hours daily at his drawing table at home, producing four to five pages of artwork

23068-529: Was a "liberal Democrat". Jack Kirby held anti-communist views, once saying that "I was against the reds. I became a witch hunter. My enemies were the commies—I called them commies. In fact, Granny Goodness was a commie, Doubleheader was a commie." On February 6, 1994, aged 76, Kirby died of heart failure in his Thousand Oaks, California home. He was buried at Valley Oaks Memorial Park in Westlake Village, California . Brent Staples wrote in

23226-608: Was able to walk again. He returned to the United States in January 1945, assigned to Camp Butner in North Carolina, where he spent the last six months of his service as part of the motor pool. Kirby was honorably discharged as a private first class on July 20, 1945, having received a Combat Infantryman Badge , a European/African/Middle Eastern Campaign Medal with a bronze Battle Star . In 1949, Kirby bought

23384-496: Was an American comic book artist , widely regarded as one of the medium's major innovators and one of its most prolific and influential creators. He grew up in New York City and learned to draw cartoon figures by tracing characters from comic strips and editorial cartoons. He entered the nascent comics industry in the 1930s, drawing various comics features under different pen names, including Jack Curtiss , before settling on Jack Kirby. In 1940, he and writer-editor Joe Simon created

23542-421: Was bitterly convinced it was specifically Lee who betrayed them, ignoring Simon's willingness to give him the benefit of the doubt. Kirby and Simon spent their first weeks at National trying to devise new characters while the company sought how best to utilize the pair. After a few failed editor-assigned ghosting assignments, National's Jack Liebowitz told them to "just do what you want". The pair then revamped

23700-536: Was chosen as #24 in the 100 Greatest Marvels of All Time poll of Marvel's readers in 2001. Editor Robert Greenberger wrote in his introduction to the story that "As the fourth year of the Fantastic Four came to a close, Stan Lee and Jack Kirby seemed to be only warming up. In retrospect, it was perhaps the most fertile period of any monthly title during the Marvel Age." Comics historian Les Daniels noted that "[t]he mystical and metaphysical elements that took over

23858-476: Was doing it! Not that he did it badly—it just wasn't the character I wanted; it was too heroic". Lee then turned to Steve Ditko to draw the story that would appear in Amazing Fantasy #15, for which Kirby nonetheless penciled the cover. Lee and Kirby gathered several of their newly created characters together into the team title The Avengers and brought back old characters from the 1940s such as

24016-400: Was earning $ 35,000 a year freelancing for the company (adjusted for inflation it was the equivalent of over $ 271,000 in 2024), then left Marvel in 1970 for rival DC Comics, under editorial director Carmine Infantino . Kirby spent nearly two years negotiating a deal to move to DC Comics, where in late 1970 he signed a three-year contract with an option for two additional years. He produced

24174-533: Was forever stuck in the middle of – he could never get to the last chapter. ... You can spot the issues where Jack kind of gave up trying to advance the story of Darkseid and Orion and was marking time. If those books had been intended from the start to run indefinitely, they would have been done very differently." Despite the sales failure of the book, Kirby's work has remained an inspiration for future comics creators. Comics historian Les Daniels observed in 1995: "Kirby's mix of slang and myth, science fiction and

24332-503: Was in fact killed not of injuries from battling Darkseid, but by a sort of bullet sent backwards in time. Darkseid spreads the Anti-Life Equation among the human population, creating monstrous slaves out of its victims as he ushers in the Final Crisis of Mankind . Shilo Norman begins recruiting an army, warning of a war in heaven having occurred where evil won. Darkseid similarly claims to have ultimately come out of this war in heaven

24490-420: Was intended by Kirby and DC to serve as the end to the entire Fourth World saga. The project was mired in controversy over Kirby's insistence that the series should end with the deaths of the New Gods, which clashed with DC's demands that the New Gods could not be killed off. As a result, production of the graphic novel suffered many delays and revisions. Pages and storyline elements from the never published "On

24648-400: Was involved in litigation with Marvel Comics over the ownership of Captain America, initiated by Marvel after Simon registered the copyright renewal for Captain America in his own name. According to Simon, Kirby agreed to support the company in the litigation and, as part of a deal Kirby made with publisher Martin Goodman, signed over to Marvel any rights he might have had to the character. At

24806-485: Was posthumously named a Disney Legend for his creations not only in the field of publishing, but also because those creations formed the basis for The Walt Disney Company 's financially and critically successful media franchise, the Marvel Cinematic Universe . Kirby was married to Rosalind Goldstein in 1942. They had four children and remained married until his death from heart failure in 1994, at

24964-462: Was the first to find and touch the Anti-Life Equation; it then fused with him and transformed him into the Anti-Monitor, the Anti-Life Equation's living embodiment. When Darkseid died in the battle against him and his daughter Grail, Mobius forfeited the equation to return to his original form. The power itself which possessed him is now in the hands of his original benefactor, establishing her as

#59940