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72-450: The most reliable information we have about ancient poets is largely drawn from their own works. Unfortunately, Apollonius of Rhodes reveals nothing about himself. Most of the biographical material comes from four sources: two are texts entitled Life of Apollonius found in the scholia on his work ( Vitae A and B); a third is an entry in the 10th-century encyclopaedia the Suda ; and fourthly

144-480: A 2nd-century BCE papyrus, P.Oxy. 1241, which provides names of several heads of the Library of Alexandria . Other scraps can be gleaned from miscellaneous texts. The reports from all the above sources however are scanty and often self-contradictory. Ancient biographies often represent famous poets as going into exile to escape their ungrateful fellow citizens. Thus for example Homer was said to have left Cyme because

216-477: A bad omen but is ignored. Hera seduces Zeus and lulls him to sleep, allowing Poseidon to help the Greeks. The Trojans are driven back onto the plain. Ajax wounds Hector, who is then carried back to Troy. Zeus awakes and is enraged by Poseidon's intervention. However, he reassures Hera that Troy is still fated to fall once Hector kills Patroclus. Poseidon is recalled from the battlefield, and Zeus sends Apollo to aid

288-582: A brilliant radiance by Athena, Achilles stands next to the Achaean wall and roars in rage. The Trojans are terrified by his appearance, and the Achaeans manage to bear Patroclus's body away. Polydamas again urges Hector to withdraw into the city; again, Hector refuses, and the Trojans camp on the plain at nightfall. Achilles mourns Patroclus, brokenhearted. Meanwhile, at Thetis's request, Hephaestus fashions

360-534: A cause, who composed The Causes , Callimachus. Ancient sources describe Callimachus's poem Ibis — which does not survive — as a polemic and some of them identified Apollonius as the target. These references conjure up images of a sensational literary feud between the two figures. Such a feud is consistent with what we know of Callimachus's taste for scholarly controversy and it might even explain why Apollonius departed for Rhodes. Thus there arises "a romantic vision of scholarly warfare in which Apollonius

432-590: A coalition of Mycenaean Greek states, the poem depicts significant events in the siege's final weeks. In particular, it depicts a fierce quarrel between King Agamemnon and a celebrated warrior, Achilles . It is a central part of the Epic Cycle . The Iliad is often regarded as the first substantial piece of European literature . The Iliad and the Odyssey were likely written down in Homeric Greek ,

504-484: A conclusion determines the validity of evidence. Some scholars believe that the gods may have intervened in the mortal world because of quarrels they may have had with each other. Homer interprets the world at this time by using the passion and emotion of the gods to be determining factors of what happens on the human level. An example of one of these relationships in the Iliad occurs between Athena, Hera, and Aphrodite. In

576-427: A duel and exchange unequal gifts, while Glaucus tells Diomedes the story of Bellerophon . Hector enters the city, urges prayers and sacrifices, incites Paris to battle, and bids his wife Andromache and son Astyanax farewell on the city walls. He then rejoins the battle. Hector duels with Ajax , but nightfall interrupts the fight, and both sides retire. The Trojans quarrel about returning Helen. Paris offers to return

648-573: A feud between Callimachus and Apollonius. The evidence partly rests on an elegiac epigram in the Palatine Anthology , attributed to "Apollonius the grammarian". It blames Callimachus for some unstated offense and mocks both him and his most famous poem, the Aetia (" Causes "): Καλλίμαχος, τὸ κάθαρμα, τὸ παίγνιον, ὁ ξυλινὸς νοῦς, αἴτιος, ὁ γράψας Αἴτια Καλλίμαχος. Callimachus, that discard, that plaything, that mahogany noggin, Himself

720-452: A literary mixture of Ionic Greek and other dialects, probably around the late 8th or early 7th century BC. Homer's authorship was infrequently questioned in antiquity , but contemporary scholarship predominantly assumes that the Iliad and the Odyssey were composed independently and that the stories formed as part of a long oral tradition . The poem was performed by professional reciters of Homer known as rhapsodes . Critical themes in

792-413: A major role in the poem, aiding their favoured warriors on the battlefield and intervening in personal disputes. Their characterisation in the poem humanised them for Ancient Greek audiences, giving a concrete sense of their cultural and religious tradition. In terms of formal style, the poem's repetitions and use of similes and epithets are often explored by scholars. The story begins with an invocation to

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864-468: A new set of armor for Achilles, including a magnificently wrought shield . In the morning, Thetis brings Achilles his new set of armor, only to find him weeping over Patroclus's body. Achilles arms for battle and rallies the Achaean warriors. Agamemnon gives Achilles all the promised gifts, including Briseis , but Achilles is indifferent to them. The Achaeans take their meal; Achilles refuses to eat. His horse, Xanthos , prophesies Achilles's death; Achilles

936-410: A prolific author. Apollonius set out to integrate new understandings of the physical world with the mythical geography of tradition and his Argonautica was, in that sense, a didactic epic on geography, again without detracting from its merits as poetry. The Argonautica differs in some respects from traditional or Homeric Greek epic, though Apollonius certainly used Homer as a model. The Argonautica

1008-538: A publication now in the public domain :  Chisholm, Hugh , ed. (1911). " Scholium ". Encyclopædia Britannica (11th ed.). Cambridge University Press. Iliad On the Greek side: On the Trojan side: The Iliad ( / ˈ ɪ l i ə d / ; Ancient Greek : Ἰλιάς , romanized :  Iliás , [iː.li.ás] ; lit.   ' [a poem] about Ilion (Troy) ' )

1080-439: A renaissance of interest in the poem and an awareness of its qualities: numerous scholarly studies are published regularly, its influence on later poets like Virgil is now well recognised, and any account of the history of epic poetry now routinely includes substantial attention to Apollonius. A handful of fragments are all that survive of his other work, mostly ktiseis ( κτίσεις ) or 'foundation-poems', apparently dealing with

1152-504: A result of this thinking, each god or goddess in polytheistic Greek religion is attributed to an aspect of the human world. For example, Poseidon is the god of the sea, Aphrodite is the goddess of beauty, Ares is the god of war, and so on and so forth for many other gods. This is how Greek culture was defined as many Athenians felt the presence of their gods through divine intervention in significant events in their lives. Oftentimes, they found these events to be mysterious and inexplicable. In

1224-399: Is also considered to be one of the period's most important authors on geography, though approaching the subject differently from Eratosthenes , his successor at the library and a radical critic of Homer's geography. It was a time when the accumulation of scientific knowledge was enabling advances in geographical studies, as represented by the activities of Timosthenes , a Ptolemaic admiral and

1296-520: Is beaten back by Hephaestus's firestorm. The gods fight amongst themselves. The great gates of the city are opened to receive the fleeing Trojans, and Apollo leads Achilles away from the city by pretending to be a Trojan. When Apollo reveals himself to Achilles, the Trojans have retreated into the city, all except for Hector. Despite the counsel of Polydamas and the pleas of his parents, Priam and Hecuba , Hector resolves to face Achilles. When Achilles approaches, however, Hector's will fails him. He flees and

1368-412: Is chased by Achilles around the city. Finally, Athena tricks him into stopping, and he turns to face his opponent. After a brief duel, Achilles stabs Hector through the neck. Before dying, Hector reminds Achilles that he, too, is fated to die. Achilles strips Hector of his own armor, gloating over his death. Achilles then dishonors Hector's body by lashing it to the back of his chariot and dragging it around

1440-465: Is indifferent. Achilles goes into battle, with Automedon driving his chariot. Zeus lifts the ban on the gods' interference, and the gods freely help both sides. Achilles, burning with rage and grief, slays many. Achilles cuts off half the Trojans' number in the river and slaughters them, clogging the river with bodies. The river god, Scamander , confronts Achilles and commands him to stop killing Trojans, but Achilles refuses. They fight until Scamander

1512-405: Is lost in his grief and spends his days mourning Patroclus and dragging Hector's body behind his chariot. Dismayed by Achilles's continued abuse of Hector's body, Zeus decides that it must be returned to Priam. Led by Hermes , Priam takes a wagon filled with gifts out of Troy, across the plains, and into the Achaean camp unnoticed. He clasps Achilles by the knees and begs for his son's body. Achilles

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1584-437: Is moved to tears and finally relents in his anger. The two lament their losses in the war. Achilles agrees to give Hector's body back and to give the Trojans twelve days to properly mourn and bury him. Achilles apologizes to Patroclus, fearing he has dishonored him by returning Hector's body. After a meal, Priam carries Hector's body back into Troy. Hector is buried, and the city mourns. Ancient Greek religion had no founder and

1656-517: Is one of two major ancient Greek epic poems attributed to Homer . It is one of the oldest extant works of literature still widely read by modern audiences. As with the Odyssey , the poem is divided into 24 books and was written in dactylic hexameter . It contains 15,693 lines in its most widely accepted version. Set towards the end of the Trojan War , a ten-year siege of the city of Troy by

1728-508: Is shorter than Homer's epics, with four books totalling fewer than 6000 lines, while the Iliad runs to more than 16,000. Apollonius may have been influenced here by Callimachus's brevity, or by Aristotle ’s demand for "poems on a smaller scale than the old epics, and answering in length to the group of tragedies presented at a single sitting" (the Poetics ). Apollonius' epic also differs from

1800-475: The Argonautica in such fine style at Rhodes that he was able to return to Alexandria in triumph, where he was rewarded with a post in the library and finally a place in the cemetery next to Callimachus. These stories were probably invented to account for the existence of a second edition of Argonautica , indicated by variant readings in ancient manuscripts. Until recently modern scholarship has made much of

1872-720: The Homeric Iliad , especially those found in the 10th-century manuscripts discovered by Villoison in 1781 in the Biblioteca Marciana in Venice (see further Venetus A , Homeric scholarship ), which are based on Aristarchus and his school. The scholia on Hesiod , Pindar , Sophocles , Aristophanes and Apollonius Rhodius are also extremely important. In Latin , the most important are those of Servius on Virgil ; of Acro and Porphyrio on Horace ; and of Donatus on Terence . Also of interest are

1944-494: The Iliad as a major piece of evidence for his theory of the Bicameral Mind , which posits that until about the time described in the Iliad , humans had a far different mentality from present-day humans. He says that humans during that time were lacking what is today called consciousness. He suggests that humans heard and obeyed commands from what they identified as gods until the change in human mentality that incorporated

2016-435: The Iliad ). The practice of compiling scholia continued to late Byzantine times, outstanding examples being Archbishop Eustathius ' massive commentaries to Homer in the 12th century and the scholia recentiora of Thomas Magister , Demetrius Triclinius and Manuel Moschopoulos in the 14th . Scholia were altered by successive copyists and owners of the manuscript, and in some cases, increased to such an extent that there

2088-431: The Iliad , Paris challenges any of the Achaeans to a single combat and Menelaus steps forward. Menelaus is dominating the battle and is on the verge of killing Paris. "Now he'd have hauled him off and won undying glory but Aphrodite, Zeus's daughter, was quick to the mark, snapped the rawhide strap." Aphrodite intervenes out of her own self-interest to save Paris from the wrath of Menelaus because Paris had helped her to win

2160-586: The Muse . The events begin in medias res towards the end of the Trojan War, fought between the Trojans and the besieging Achaeans . The Achaean forces consist of armies from many different Greek kingdoms, led by their respective kings or princes. Agamemnon , king of Mycenae , acts as commander for these united armies. Chryses , a priest of Apollo , offers the Achaeans wealth for the return of his daughter Chryseis , held captive by Agamemnon. Although most of

2232-604: The Achaean kings are in favor of the offer, Agamemnon refuses. Chryses prays for Apollo's help, and Apollo sends a plague to afflict the Achaean army. After nine days of plague, Achilles , the leader of the Myrmidon forces and aristos achaion ("best of the Greeks"), calls an assembly to deal with the problem. Under pressure, Agamemnon agrees to return Chryseis to her father but decides to take Achilles's slave, Briseis , as compensation. Because war prizes were correlated with honor, Agamemnon's decision dishonors Achilles in front of

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2304-615: The Gods, allows it. This motif recurs when he considers sparing Hector, whom he loves and respects. This time, it is Athena who challenges him: Father of the shining bolt, dark misted, what is this you said? Do you wish to bring back a man who is mortal, one long since doomed by his destiny, from ill-sounding death and release him? Do it, then; but not all the rest of us gods shall approve you. Again, Zeus appears capable of altering fate, but does not, deciding instead to abide by set outcomes; similarly, fate spares Aeneas after Apollo convinces

2376-419: The Trojans can assail the Achaean wall. They camp in the field to attack at first light, and their watchfires light the plain like stars. Meanwhile, the Achaeans are desperate. Agamemnon admits his error and sends an embassy composed of Odysseus, Ajax, Phoenix , and two heralds to offer Briseis and extensive gifts to Achilles, if only he will return to the fighting. Achilles and his companion Patroclus receive

2448-443: The Trojans until their ships are at risk of burning. Only then will Agamemnon realize how much the Achaeans need Achilles and restore his honor. Thetis does so, and Zeus agrees. Zeus then sends a dream to Agamemnon, urging him to attack Troy. Agamemnon heeds the dream but first decides to test the Achaean army's morale by telling them to go home. But nine years into the war, the soldiers' morale has worn thin. The plan backfires, and only

2520-467: The Trojans. Achilles says that after all has been made right, he and Patroclus will take Troy together. Patroclus leads the Myrmidons into battle and arrives as the Trojans set fire to the first ships. The Trojans are routed by the sudden onslaught, and Patroclus begins his assault by killing Zeus's son Sarpedon , a leading ally of the Trojans. Patroclus, ignoring Achilles's command, pursues and reaches

2592-452: The Trojans. The Trojans once again breach the wall, and the battle reaches the ships. Patroclus cannot stand to watch any longer and goes to Achilles, weeping. He briefly admonishes him for his stubbornness and then asks him to allow him to fight in his place, wearing Achilles's armor so that he will be mistaken for him. Achilles relents and lends Patroclus his armor but sends him off with a stern admonition to come back to him and not to pursue

2664-428: The assembled Achaean forces. Achilles furiously declares that he and his men will no longer fight for Agamemnon. Odysseus returns Chryseis to her father, causing Apollo to end the plague. In the meantime, Agamemnon's messengers take Briseis away. Achilles becomes very upset and prays to his mother, Thetis , a minor goddess and sea nymph. Achilles asks his mother to ask Zeus to allow the Achaeans to be beaten back by

2736-432: The beauty pageant. The partisanship of Aphrodite towards Paris induces constant intervention by all of the gods, especially to give motivational speeches to their respective protégés, while often appearing in the shape of a human being they are familiar with. This connection of emotions to actions is just one example out of many that occur throughout the poem. Fate ( κήρ , kēr , 'fated death') propels most of

2808-428: The body. When Achilles hears of Patroclus's death, he screams so loudly in his grief that his mother, Thetis, hears him from the bottom of the ocean. Thetis grieves too, knowing that Achilles is fated to die young if he kills Hector. Though he knows it will seal his own fate, Achilles vows to kill Hector in order to avenge Patroclus. Achilles is urged to help retrieve Patroclus's body but has no armor to wear. Bathed in

2880-406: The city. The Trojans grieve. The ghost of Patroclus comes to Achilles in a dream, urging him to carry out the burial rites so that his spirit can move on to the underworld. Patroclus asks Achilles to arrange for their bones to be entombed together in a single urn; Achilles agrees, and Patroclus's body is cremated. The Achaeans hold a day of funeral games, and Achilles gives out the prizes. Achilles

2952-486: The embassy well. However, considering the slight to his honor too great, Achilles angrily refuses Agamemnon's offer and declares that he will only return to battle if the Trojans reach his ships and threaten them with fire. The embassy returns empty-handed. Later that night, Odysseus and Diomedes venture out to the Trojan lines, kill the Trojan Dolon , and wreak havoc in the camps of some Thracian allies of Troy. In

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3024-538: The epic, following the Hellenistic trend to allegorise and rationalise religion. Heterosexual loves such as Jason's are more emphasized than homosexual loves such as that of Heracles and Hylas , another trend in Hellenistic literature. Many critics regard the love of Medea and Jason in the third book as the best written and most memorable episode. Opinions on the poem have changed over time. Some critics in antiquity considered it mediocre. Recent criticism has seen

3096-466: The events of the Iliad . Once set, gods and men abide it, neither truly able nor willing to contest it. How fate is set is unknown, but it is told by the Fates and by Zeus through sending omens to seers such as Calchas . Men and their gods continually speak of heroic acceptance and cowardly avoidance of one's slated fate. Fate does not determine every action, incident, and occurrence, but it does determine

3168-963: The feud, but most scholars of Hellenistic literature now believe it has been enormously sensationalised, if it happened at all. Apollonius was among the foremost Homeric scholars in the Alexandrian period. He wrote the period's first scholarly monograph on Homer, critical of the editions of the Iliad and Odyssey published by Zenodotus , his predecessor as head of the Library of Alexandria. Argonautica seems to have been written partly as an experimental means of communicating his own researches into Homer's poetry and to address philosophical themes in poetry. It has even been called "a kind of poetic dictionary of Homer", without at all detracting from its merits as poetry. He has been credited with scholarly prose works on Archilochus and on problems in Hesiod . He

3240-470: The final book of the poem, Homer writes, "He offended Athena and Hera—both goddesses." Athena and Hera are envious of Aphrodite because of a beauty pageant on Mount Olympus in which Paris chose Aphrodite to be the most beautiful goddess over both Hera and Athena. Wolfgang Kullmann further goes on to say, "Hera's and Athena's disappointment over the victory of Aphrodite in the Judgement of Paris determines

3312-408: The first writers to name and describe the gods' appearance and character. Mary Lefkowitz discusses the relevance of divine action in the Iliad , attempting to answer the question of whether divine intervention is a discrete occurrence (for its own sake) or if such godly behaviors are mere human character metaphors. The intellectual interest of Classic-era authors, such as Thucydides and Plato ,

3384-428: The gates of Troy, where Apollo himself stops him. Patroclus kills Hector's brother Cebriones , is set upon by Apollo and Euphorbos , and is finally killed by Hector. Hector takes Achilles's armor from the fallen Patroclus. The Achaeans fight to retrieve Patroclus's body from the Trojans, who attempt to carry it back to Troy at Hector's command. Antilochus is sent to tell Achilles the news and asks him to help retrieve

3456-508: The goddess's wrist. Apollo faces Diomedes and warns him against warring with gods, which Diomedes ignores. Apollo sends Ares to defeat Diomedes. Many heroes and commanders join in, including Hector, and the gods supporting each side try to influence the battle. Emboldened by Athena, Diomedes wounds Ares and puts him out of action. Hector rallies the Trojans and prevents a rout. Diomedes and the Trojan Glaucus find common ground after

3528-488: The government there would not support him at public expense ( Vit. Herod. 13-14), Aeschylus left Athens for Sicily because Athenians valued him less than some other poets ( Vit. Aesch. ), while Euripides fled to Macedonia because of humiliation by comic poets ( Vit. Eur. ). Similarly Vitae A and B tell us that Apollonius moved to Rhodes because his work was not well received in Alexandria. According to B, he redrafted

3600-491: The hands of Aiakos' great son, Achilleus. Here, Patroclus alludes to his fated death by Hector's hand and to Hector's fated death by Achilles's hand. Each accepts the outcome of his life, yet no one knows if the gods can alter fate. The first instance of this doubt occurs in Book 16. Seeing Patroclus about to kill Sarpedon, his mortal son, Zeus says: Ah me, that it is destined that the dearest of men, Sarpedon, must go down under

3672-399: The hands of Menoitios' son Patroclus. About his dilemma, Hera asks Zeus: Majesty, son of Kronos, what sort of thing have you spoken? Do you wish to bring back a man who is mortal, one long since doomed by his destiny, from ill-sounding death and release him? Do it, then; but not all the rest of us gods shall approve you. In deciding between losing a son or abiding fate, Zeus, King of

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3744-422: The intervention of Odysseus, inspired by Athena , stops a rout . Odysseus confronts and beats Thersites , a common soldier who voices discontent about fighting Agamemnon's war. The Achaeans deploy in companies upon the Trojan plain. When news of the Achaean deployment reaches King Priam , the Trojans respond in a sortie upon the plain. The armies approach each other, but before they meet, Paris offers to end

3816-566: The literary Trojan War of the Iliad , the Olympian gods, goddesses, and minor deities fight among themselves and participate in human warfare, often by interfering with humans to counter other gods. Unlike their portrayals in Greek religion, Homer's portrayal of gods suits his narrative purpose. The gods in traditional thought of 4th-century Athenians were not spoken of in terms familiar to the works of Homer. The Classical-era historian Herodotus says that Homer and Hesiod , his contemporary, were

3888-416: The margin of the manuscript of ancient authors, as glosses . One who writes scholia is a scholiast . The earliest attested use of the word dates to the 1st century BC. Ancient scholia are important sources of information about many aspects of the ancient world, especially ancient literary history . The earliest scholia, usually anonymous, date to the 5th or 4th century BC (such as the scholia minora to

3960-412: The more traditional epic in its weaker, more human protagonist Jason and in its many digressions into local custom, aetiology , and other popular subjects of Hellenistic poetry. Apollonius also chooses the less shocking versions of some myths, having Medea , for example, merely watch the murder of Apsyrtus instead of murdering him herself. The gods are relatively distant and inactive throughout much of

4032-424: The morning, the fighting is fierce, and Agamemnon, Diomedes, and Odysseus are all wounded. Achilles sends Patroclus from his camp to inquire about the Achaean casualties, and while there, Patroclus is moved to pity by a speech by Nestor . Nestor asks Patroclus to beg Achilles to rejoin the fighting, or if he will not, to lead the army wearing Achilles's armor. The Trojans attack the Achaean wall on foot. Hector leads

4104-412: The motivating force into the conscious self. He points out that almost every action in the Iliad is directed, caused, or influenced by a god and that earlier translations show an astonishing lack of words suggesting thought, planning, or introspection. Those that do appear, he argues, are misinterpretations made by translators imposing a modern mentality on the characters, a form of reverse logic by which

4176-719: The mysterious origin of fate is a power beyond the gods. Fate implies the primeval, tripartite division of the world that Zeus, Poseidon, and Hades effected in deposing their father, Cronus , for its dominion. Zeus took the Air and the Sky, Poseidon the Waters, and Hades the Underworld , the land of the dead—yet they share dominion of the Earth. Despite the earthly powers of the Olympic gods, only

4248-832: The mythical origins of cities, a theme that Apollonius also touches on in Argonautica (as for example in the foundation of Cius , 1.1321-23). The fragments have been given considerable attention recently, with speculation about their authenticity, about the subject matter and treatment of the original poems, their geo-political significance for Ptolemaic Egypt, and how they relate to Argonautika . Apollonius's poetic skills and technique have only recently come to be appreciated, with critical recognition of his successful fusing of poetry and scholarship. Scholia Scholia ( sg. : scholium or scholion , from Ancient Greek : σχόλιον , "comment", "interpretation") are grammatical , critical, or explanatory comments – original or copied from prior commentaries – which are inserted in

4320-474: The outcome of life—before killing him, Hector calls Patroclus a fool for cowardly avoidance of his fate, by attempting his defeat; Patroclus retorts: No, deadly destiny, with the son of Leto, has killed me, and of men it was Euphorbos; you are only my third slayer. And put away in your heart this other thing that I tell you. You yourself are not one who shall live long, but now already death and powerful destiny are standing beside you, to go down under

4392-496: The overmatched Trojan to fight Achilles. Poseidon cautiously speaks: But come, let us ourselves get him away from death, for fear the son of Kronos may be angered if now Achilleus kills this man. It is destined that he shall be the survivor, that the generation of Dardanos shall not die… Divinely aided, Aeneas escapes the wrath of Achilles and survives the Trojan War. Whether or not the gods can alter fate, they do abide by it, despite its countering their human allegiances; thus,

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4464-429: The poem include kleos (glory), pride, fate and wrath. Despite being predominantly known for its tragic and serious themes, the poem also contains instances of comedy and laughter. The poem is frequently described as a masculine or heroic epic, especially compared with the Odyssey . It contains detailed descriptions of ancient war instruments and battle tactics, and fewer female characters. The Olympian gods also play

4536-579: The scholia on Juvenal attached to the good manuscript P; while there are also scholia on Statius , especially associated with the name Lactantius Placidus . Some ancient scholia are of sufficient quality and importance to be labelled "commentaries" instead. The existence of a commercial translation is often used to distinguish between "scholia" and "commentaries". The following is a chronological list of ancient commentaries written defined as those for which commercial translations have been made: [REDACTED]   This article incorporates text from

4608-537: The terrible fighting, despite an omen that their charge will fail. The Achaeans are overwhelmed and routed, the wall's gate is broken, and Hector charges in. The Achaeans fall back to their ships. Poseidon pities the Achaeans and decides to disobey Zeus and help them. He rallies the Achaeans' spirits, and they begin to push the Trojans back. Poseidon's nephew Amphimachus is killed in the battle; Poseidon imbues Idomeneus with godly power. Many fall on both sides. The Trojan seer Polydamas urges Hector to fall back because of

4680-438: The treasure he took and give further wealth as compensation, but not Helen, and the offer is refused. Both sides agree to a day's truce to burn the dead. The Achaeans also build a wall and trench to protect their camp and ships. The next morning, Zeus prohibits the gods from interfering, and fighting begins anew. The Trojans prevail and force the Achaeans back to their wall. Hera and Athena are forbidden to help. Night falls before

4752-577: The war by fighting a duel with Menelaus , urged by Hector , his brother and hero of Troy . Here, the initial cause of the entire war is explained: Helen , wife of Menelaus, and the most beautiful woman in the world, is either through seduction or by force, taken by Paris from Menelaus's home in Sparta . Menelaus and Paris agree to duel; Helen will marry the victor. However, when Paris is beaten, Aphrodite rescues him and leads him to bed with Helen before Menelaus can kill him. The gods deliberate over whether

4824-433: The war should end here, but Hera convinces Zeus to wait for the utter destruction of Troy. Athena prompts the Trojan archer Pandarus to shoot Menelaus. Menelaus is wounded, and the truce is broken. Fighting breaks out, and many minor Trojans are killed. In the fighting, Diomedes kills many Trojans, including Pandarus, and defeats Aeneas . Aphrodite rescues him before he can be killed, but Diomedes attacks her and wounds

4896-517: The whole conduct of both goddesses in The Iliad and is the cause of their hatred for Paris, the Judge, and his town Troy." Hera and Athena then continue to support the Achaean forces throughout the poem because Paris is part of the Trojans, while Aphrodite aids Paris and the Trojans. The emotions between the goddesses often translate to actions they take in the mortal world. For example, in Book 3 of

4968-451: Was finally driven out of Alexandria by a triumphant Callimachus". However, both of the Lives of Apollonius stress the friendship between the poets, the second Life even saying they were buried together; moreover Callimachus's poem Ibis is known to have been deliberately obscure and some modern scholars believe the target was never meant to be identified. There is still not a consensus about

5040-436: Was limited to their utility as "a way of talking about human life rather than a description or a truth", because, if the gods remain religious figures, rather than human metaphors, their "existence"—without the foundation of either dogma or a bible of faiths—then allowed Greek culture the intellectual breadth and freedom to conjure gods fitting any religious function they required as a people. Psychologist Julian Jaynes uses

5112-453: Was no longer room for them in the margin, and it became necessary to make them into a separate work. At first, they were taken from one commentary only, and subsequently from several. This is indicated by the repetition of the lemma ("headword"), or by the use of such phrases as "or thus", "alternatively", "according to some", to introduce different explanations, or by the explicit quotation of different sources. The most important are those on

5184-536: Was not the creation of an inspired teacher. Rather, the religion arose out of the diverse beliefs of the Greek people. These beliefs coincide to the thoughts about the gods in polytheistic Greek religion. Adkins and Pollard agree with this by saying, "The early Greeks personalized every aspect of their world, natural and cultural, and their experiences in it. The earth, the sea, the mountains, the rivers, custom-law (themis), and one's share in society and its goods were all seen in personal as well as naturalistic terms." As

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