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118-435: In heraldry , an armiger is a (natural or juridical ) person entitled to use a heraldic achievement (e.g., bear arms , an "armour-bearer") either by hereditary right, grant, matriculation, or assumption of arms. Such a person is said to be armigerous ; a family or a clan likewise. The Latin word armiger literally means "arms-bearer". In high and late medieval England, the word referred to an esquire attendant upon

236-495: A crest , supporters , and other heraldic embellishments. The term " coat of arms " technically refers to the shield of arms itself, but the phrase is commonly used to refer to the entire achievement. The one indispensable element of a coat of arms is the shield; many ancient coats of arms consist of nothing else, but no achievement or armorial bearings exists without a coat of arms. From a very early date, illustrations of arms were frequently embellished with helmets placed above

354-586: A knight , but bearing his own unique armorial device. Armiger was also used as a Latin cognomen , and is now found as a rare surname in English-speaking countries. Today, the term armiger is well-defined only within jurisdictions, such as Canada , the Republic of Ireland , Kenya , South Africa , Malta , Spain , and the United Kingdom , where heraldry is regulated by the state or

472-501: A bright violet-red or pink colour; and carnation , commonly used to represent flesh in French heraldry. A more recent addition is the use of copper as a metal in one or two Canadian coats of arms. There are two basic types of heraldic fur, known as ermine and vair , but over the course of centuries each has developed a number of variations. Ermine represents the fur of the stoat , a type of weasel, in its white winter coat, when it

590-399: A dark red or mulberry colour between gules and purpure, and tenné , an orange or dark yellow to brown colour. These last two are quite rare, and are often referred to as stains , from the belief that they were used to represent some dishonourable act, although in fact there is no evidence that this use existed outside of fanciful heraldic writers. Perhaps owing to the realization that there

708-553: A division of the field, which is partly metal and partly colour; nor, strictly speaking, does it prevent a field from consisting of two metals or two colours, although this is unusual. Furs are considered amphibious, and neither metal nor colour; but in practice ermine and erminois are usually treated as metals, while ermines and pean are treated as colours. This rule is strictly adhered to in British armory, with only rare exceptions; although generally observed in continental heraldry, it

826-407: A grant of arms; it may be assumed without authority by anyone entitled to bear arms, together with mantling and whatever motto the armiger may desire. The crest, however, together with the torse or coronet from which it arises, must be granted or confirmed by the relevant heraldic authority. If the bearer is entitled to the ribbon, collar, or badge of a knightly order, it may encircle or depend from

944-489: A heraldic achievement is usually governed by legal restrictions; these restrictions are independent of the copyright status and independent of a coat of arms depiction. A coat of arms represents its owner. Though it can be freely represented, it cannot be appropriated, or used in such a way as to create a confusion with or a prejudice to its owner. In the Netherlands , titles of nobility are regulated by law but heraldry

1062-755: A heraldic body, such as the College of Arms , the Chief Herald of Canada , the Court of the Lord Lyon or the Office of the Chief Herald of Ireland . A person can be so entitled either by proven (and typically agnatic ) descent from a person with a right to bear a heraldic achievement , or by virtue of a grant of arms to himself. Merely sharing the same family name of an armiger is insufficient. The usage of

1180-464: A late use of heraldic imagery has been in patriotic commemorations and nationalistic propaganda during the nineteenth and early twentieth centuries. Since the late nineteenth century, heraldry has focused on the use of varied lines of partition and little-used ordinaries to produce new and unique designs. A heraldic achievement consists of a shield of arms , the coat of arms, or simply coat, together with all of its accompanying elements, such as

1298-409: A number is usually displayed only in documentary contexts. The Scottish and Spanish traditions resist allowing more than four quarters, preferring to subdivide one or more "grand quarters" into sub-quarters as needed. The third common mode of marshalling is with an inescutcheon , a small shield placed in front of the main shield. In Britain this is most often an "escutcheon of pretence" indicating, in

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1416-525: A number of seals dating from between 1135 and 1155 appear to show the adoption of heraldic devices in England, France, Germany, Spain, and Italy. A notable example of an early armorial seal is attached to a charter granted by Philip I, Count of Flanders , in 1164. Seals from the latter part of the eleventh and early twelfth centuries show no evidence of heraldic symbolism, but by the end of the twelfth century, seals are uniformly heraldic in nature. One of

1534-401: A number of ways, of which the simplest is impalement : dividing the field per pale and putting one whole coat in each half. Impalement replaced the earlier dimidiation – combining the dexter half of one coat with the sinister half of another – because dimidiation can create ambiguity between, for example, a bend and a chevron . "Dexter" (from Latin dextra , "right") means to

1652-701: A proclamation in 1419, forbidding all those who had not borne arms at the Battle of Agincourt from assuming arms, except by inheritance or a grant from the crown. Beginning in the reign of Henry VIII of England, the English Kings of Arms were commanded to make visitations , in which they traveled about the country, recording arms borne under proper authority, and requiring those who bore arms without authority either to obtain authority for them, or cease their use. Arms borne improperly were to be taken down and defaced. The first such visitation began in 1530, and

1770-485: A red chest and white wings". Aelian was the last source on the griffin to add fresh information on the griffin, and late writers (into medieval times) merely rehashed existing material on griffins, with the exception of the lore about their "agate eggs" which emerged at some indistinct time later on (cf. infra). The griffin has been associated with various deities (Apollo, Dionysus, Nemesis), in Greek mythography but here,

1888-413: A region of very rich soil but quite uninhabitable because griffins, a savage and tenacious breed of wild beasts, love.. the gold that is mined from deep within the earth there, and because they guard it with an amazing hostility to those who set foot there. The aforementioned Aelian ( Claudius Aelianus , d. 235 AD) added certain other embellishments, such as its reputation of "black plumage on its back with

2006-466: A shield divided azure and gules would be perfectly acceptable. A line of partition may be straight or it may be varied. The variations of partition lines can be wavy, indented, embattled, engrailed, nebuly , or made into myriad other forms; see Line (heraldry) . In the early days of heraldry, very simple bold rectilinear shapes were painted on shields. These could be easily recognized at a long distance and could be easily remembered. They therefore served

2124-477: A traditional shield under certain circumstances, and in Canadian heraldry the shield is now regularly granted. The whole surface of the escutcheon is termed the field , which may be plain, consisting of a single tincture, or divided into multiple sections of differing tinctures by various lines of partition; and any part of the field may be semé , or powdered with small charges. The edges and adjacent parts of

2242-531: A window commemorating the knights who embarked on the Second Crusade in 1147, and was probably made soon after the event; but Montfaucon's illustration of the window before it was destroyed shows no heraldic design on any of the shields. In England, from the time of the Norman conquest, official documents had to be sealed. Beginning in the twelfth century, seals assumed a distinctly heraldic character;

2360-755: Is a legendary creature with the body, tail, and back legs of a lion , and the head and wings of an eagle with its talons on the front legs. Because the lion was traditionally considered the king of the beasts, and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. The earliest classical writings derive from Aristeas (7th cent. BC), preserved by Herodotus and Aeschylus (mid 5th century BC), but

2478-510: Is also credited with having originated the English crest of a lion statant (now statant-guardant). The origins of heraldry are sometimes associated with the Crusades , a series of military campaigns undertaken by Christian armies from 1096 to 1487, with the goal of reconquering Jerusalem and other former Byzantine territories captured by Muslim forces during the seventh century. While there

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2596-701: Is any object or figure placed on a heraldic shield or on any other object of an armorial composition. Any object found in nature or technology may appear as a heraldic charge in armory. Charges can be animals, objects, or geometric shapes. Apart from the ordinaries, the most frequent charges are the cross – with its hundreds of variations – and the lion and eagle . Other common animals are bears , stags , wild boars , martlets , wolves and fish . Dragons , bats , unicorns , griffins , and other monsters appear as charges and as supporters . Animals are found in various stereotyped positions or attitudes . Quadrupeds can often be found rampant (standing on

2714-503: Is called barry , while a pattern of vertical (palewise) stripes is called paly . A pattern of diagonal stripes may be called bendy or bendy sinister , depending on the direction of the stripes. Other variations include chevrony , gyronny and chequy . Wave shaped stripes are termed undy . For further variations, these are sometimes combined to produce patterns of barry-bendy , paly-bendy , lozengy and fusilly . Semés, or patterns of repeated charges, are also considered variations of

2832-442: Is called an ermine. It consists of a white, or occasionally silver field, powdered with black figures known as ermine spots , representing the black tip of the animal's tail. Ermine was traditionally used to line the cloaks and caps of the nobility. The shape of the heraldic ermine spot has varied considerably over time, and nowadays is typically drawn as an arrowhead surmounted by three small dots, but older forms may be employed at

2950-534: Is described as having a " visor " (i.e., beaks) made by Urartian craftsmen, similar to what is found on Greek protomes. Representations of griffin-like hybrids with four legs and a beaked head appeared in Ancient Egyptian art dating back to before 3000 BC. The oldest known depiction of a griffin-like animal in Egypt appears as a relief carving on slate on the cosmetic palette from Hierakonpolis ,

3068-438: Is given to the heraldic artist in depicting the heraldic tinctures; there is no fixed shade or hue to any of them. Whenever an object is depicted as it appears in nature, rather than in one or more of the heraldic tinctures, it is termed proper , or the colour of nature. This does not seem to have been done in the earliest heraldry, but examples are known from at least the seventeenth century. While there can be no objection to

3186-507: Is no evidence that heraldic art originated in the course of the Crusades, there is no reason to doubt that the gathering of large armies, drawn from across Europe for a united cause, would have encouraged the adoption of armorial bearings as a means of identifying one's commanders in the field, or that it helped disseminate the principles of armory across Europe. At least two distinctive features of heraldry are generally accepted as products of

3304-423: Is no heraldic authority, and no law preventing anyone from assuming whatever arms they please, provided that they do not infringe upon the arms of another. Although heraldry originated from military necessity, it soon found itself at home in the pageantry of the medieval tournament . The opportunity for knights and lords to display their heraldic bearings in a competitive medium led to further refinements, such as

3422-452: Is normally left to the discretion of the heraldic artist, and many different shapes have prevailed during different periods of heraldic design, and in different parts of Europe. One shape alone is normally reserved for a specific purpose: the lozenge , a diamond-shaped escutcheon, was traditionally used to display the arms of women, on the grounds that shields, as implements of war, were inappropriate for this purpose. This distinction

3540-460: Is not adhered to quite as strictly. Arms which violate this rule are sometimes known as "puzzle arms", of which the most famous example is the arms of the Kingdom of Jerusalem , consisting of gold crosses on a silver field. The field of a shield, or less often a charge or crest, is sometimes made up of a pattern of colours, or variation . A pattern of horizontal (barwise) stripes, for example,

3658-459: Is not uniquely applied to the griffin beast, and tštš ( Teš-teš ) has also been used to denote the god Osiris elsewhere. Most statuary representations of griffins depict them with bird-like forelegs and talons , although in some older illustrations griffins have a lion's forelegs (see bronze figure, right); they generally have a lion's hindquarters. Its eagle's head is conventionally given prominent ears ; these are sometimes described as

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3776-494: Is not. In Sweden and Finland the nobility has had, since 1762, the prerogative to use an open helmet, while others use a closed helmet. In the Spanish nobility, armígero was a low specific rank to which a certain group of untitled nobles were entitled. In modern heraldry, the term blasonado is also used. Heraldry Although the use of various devices to signify individuals and groups goes back to antiquity , both

3894-522: Is really no such thing as a stain in genuine heraldry, as well as the desire to create new and unique designs, the use of these colours for general purposes has become accepted in the twentieth and twenty-first centuries. Occasionally one meets with other colours, particularly in continental heraldry, although they are not generally regarded among the standard heraldic colours. Among these are cendrée , or ash-colour; brunâtre , or brown; bleu-céleste or bleu de ciel , sky blue; amaranth or columbine ,

4012-423: Is similar to vair in pale, but diagonal. When alternating rows are reversed as in counter-vair, and then displaced by half the width of one bell, it is termed vair in point , or wave-vair. A form peculiar to German heraldry is alternate vair , in which each vair bell is divided in half vertically, with half argent and half azure. All of these variations can also be depicted in the form known as potent , in which

4130-452: Is sometimes found. Three additional furs are sometimes encountered in continental heraldry; in French and Italian heraldry one meets with plumeté or plumetty , in which the field appears to be covered with feathers, and papelonné , in which it is decorated with scales. In German heraldry one may encounter kursch , or vair bellies, depicted as brown and furry; all of these probably originated as variations of vair. Considerable latitude

4248-618: Is that these derive from the bumps (furrows) on a lion's snout. Another view regards the wart as deriving from the bumpy cockscomb on a rooster or other such fowls. Griffin-like animals were depicted on cylinder seals in Mesopotamia c. 3000 BC, perhaps as early as the Uruk period (4000–3100BC) and subsequent Proto-Elamite ( Jemdet Nasr ) period. An example of a winged lion with beaks, unearthed in Susa (cf. fig. right ) dates to

4366-564: Is the use of a limited palette of colours and patterns, usually referred to as tinctures . These are divided into three categories, known as metals , colours , and furs . The metals are or and argent , representing gold and silver, respectively, although in practice they are usually depicted as yellow and white. Five colours are universally recognized: gules , or red; sable , or black; azure , or blue; vert , or green; and purpure , or purple; and most heraldic authorities also admit two additional colours, known as sanguine or murrey ,

4484-554: The Achaemenian Persian Empire . Russian jewelry historian Elena Neva maintained that the Achaemenids considered the griffin "a protector from evil, witchcraft, and secret slander", but no writings exist from Achaemenid Persia to support her claim. R.L. Fox (1973) remarks that a "lion-griffin" attacks a stag in a pebble mosaic at Pella , from the 4th century BC, perhaps serving as an emblem of

4602-520: The Bayeux Tapestry , illustrating the Norman invasion of England in 1066, and probably commissioned about 1077, when the cathedral of Bayeux was rebuilt, depicts a number of shields of various shapes and designs, many of which are plain, while others are decorated with dragons, crosses, or other typically heraldic figures. Yet no individual is depicted twice bearing the same arms, nor are any of

4720-511: The Lamassu , an Assyrian protective deity, often depicted with a bull or lion's body, eagle's wings, and human's head. Sumerian and Akkadian mythology feature the demon Anzu , half man and half bird, associated with the chief sky god Enlil . This was a divine storm-bird linked with the southern wind and the thunder clouds. Jewish mythology speaks of the Ziz , which resembles Anzu, as well as

4838-604: The Nebra sky disc , is also thought to serve as a heraldic precursor. Until the nineteenth century, it was common for heraldic writers to cite examples such as these, and metaphorical symbols such as the "Lion of Judah" or "Eagle of the Caesars", as evidence of the antiquity of heraldry itself; and to infer therefrom that the great figures of ancient history bore arms representing their noble status and descent. The Book of Saint Albans , compiled in 1486, declares that Christ himself

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4956-919: The Two Dog Palette dated to the Early Dynastic Period , c.  3300–3100  BC. Griffin-type creatures combining raptor heads and mammalian bodies were depicted in the Levant , Syria , and Anatolia during the Middle Bronze Age , dated at about 1950–1550 BC. Griffin-type animals appeared in the art of ancient Crete in the MM III Period (1650–1600 BC) in Minoan chronology , found on sealings from Zakro and miniature frescos dated to this period. One early example of griffin-types in Minoan art occurs in

5074-410: The fess , the pale , the bend , the chevron , the saltire , and the pall . There is a separate class of charges called sub-ordinaries which are of a geometrical shape subordinate to the ordinary. According to Friar, they are distinguished by their order in blazon. The sub-ordinaries include the inescutcheon , the orle , the tressure, the double tressure, the bordure , the chief , the canton ,

5192-604: The griffin can also be found. In the Bible , the Book of Numbers refers to the standards and ensigns of the children of Israel , who were commanded to gather beneath these emblems and declare their pedigrees. The Greek and Latin writers frequently describe the shields and symbols of various heroes, and units of the Roman army were sometimes identified by distinctive markings on their shields. At least one pre-historic European object,

5310-404: The herald , originally a type of messenger employed by noblemen, assumed the responsibility of learning and knowing the rank, pedigree, and heraldic devices of various knights and lords, as well as the rules governing the design and description, or blazoning of arms, and the precedence of their bearers. As early as the late thirteenth century, certain heralds in the employ of monarchs were given

5428-459: The label , and flaunches . Ordinaries may appear in parallel series, in which case blazons in English give them different names such as pallets, bars, bendlets, and chevronels. French blazon makes no such distinction between these diminutives and the ordinaries when borne singly. Unless otherwise specified an ordinary is drawn with straight lines, but each may be indented, embattled, wavy, engrailed, or otherwise have their lines varied. A charge

5546-588: The "curled tresses" that are the signature of Uratrian workmanship. Even the ornate crests on Minoan griffins (such as the fresco of the Throne Room, figure top of page) may be a development of these curled tresses. One prominent characteristic of the cauldron griffins is the "top-knob between the brows" (seemingly situated at the top of the head ). The top-knob feature has clear oriental origins. Jack Leonard Benson says these appendages were "topknots" subsequently rendered as "knobs" in later development of

5664-592: The 15th century BC frescoes of the Throne Room of the Bronze Age Palace of Knossos , as restored by Sir Arthur Evans . The griffin-like hybrid became a fixture of Aegean culture since the Late Bronze Age , but the animal called the gryps, gryphon, or griffin in Greek writings did not appear in Greek art until about 700 BC, or rather, it was "rediscovered" as artistic motif in

5782-723: The 4th millennium B.C., and is a unique example of a griffin-like animal with a male lion's mane . However, this monster then ceased to continue to be expressed after the Elamite culture. What the Sumerians of the Early Dynastic period portrayed instead were winged lions, and the lion-headed eagle ( Imdugud ). In the Akkadian Empire that succeeded Sumer, early examples (from early 3rd millennium BC ) of lions with bird heads appeared on cylinder seals, shown pulling

5900-623: The 8th to 7th centuries BC, adapting the style of griffin current in Neo-Hittite art. It became quite popular in the 6th and 5th centuries BC, when the Greeks first began to record accounts of the "gryps" creature from travelers to Asia, such as Aristeas of Proconnesus. A number of bronze griffin protomes on cauldrons have been unearthed in Greece (on Samos , and at Olympia , etc., cf. fig. right). Early Greek and early Etruscan (e.g.

6018-535: The Barberini) examples of cauldron-griffins may have been of Syric-Urartian make, based on evidence (the "tendrils" or "tresses" motif was already touched upon, above), but "Vannic (Urartian) originals" have yet to be found (in the Orient). It has thus been controversially argued (by Ulf Jantzen  [ de ] ) that these attachments had always since the earliest times been crafted by Greek workshops, added to

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6136-770: The Mesopotamian lion-griffin. There is also the Armenian term Paskuč ( Armenian : պասկուչ ) that had been used to translate Greek gryp 'griffin' in the Septuagint , which H. P. Schmidt characterized as the counterpart of the simurgh. However, the cognate term Baškuč (glossed as 'griffin') also occurs in Middle Persian, attested in the Zoroastrian cosmological text Bundahishn XXIV (supposedly distinguishable from Sēnmurw which also appears in

6254-685: The ancient Greek Phoenix . The Bible mentions the Ziz in Psalms 50:11. This is also similar to a cherub . The cherub, or sphinx, was very popular in Phoenician iconography. In ancient Crete, griffins became very popular, and were portrayed in various media. A similar creature is the Minoan Genius . In the Hindu religion, Garuda is a large bird-like creature that serves as a mount ( vahana ) of

6372-463: The ant into his description of griffins. Later, Pliny the Elder became the first to explicitly state the griffins as having wings and long ears. In one of the two passages, Pliny also located the "griffons" in Æthiopia . According to Adrienne Mayor , Pliny also wrote, "griffins were said to lay eggs in burrows on the ground and these nests contained gold nuggets ". Apollonius of Tyana , who

6490-403: The antiquity of heraldry. The development of the modern heraldic language cannot be attributed to a single individual, time, or place. Although certain designs that are now considered heraldic were evidently in use during the eleventh century, most accounts and depictions of shields up to the beginning of the twelfth century contain little or no evidence of their heraldic character. For example,

6608-409: The arms of a married couple, that the wife is an heraldic heiress (i.e., she inherits a coat of arms because she has no brothers). In continental Europe an inescutcheon (sometimes called a "heart shield") usually carries the ancestral arms of a monarch or noble whose domains are represented by the quarters of the main shield. In German heraldry , animate charges in combined coats usually turn to face

6726-404: The artist's discretion. When the field is sable and the ermine spots argent, the same pattern is termed ermines ; when the field is or rather than argent, the fur is termed erminois ; and when the field is sable and the ermine spots or , it is termed pean . Vair represents the winter coat of the red squirrel , which is blue-grey on top and white underneath. To form the linings of cloaks,

6844-612: The authority of the Earl Marshal ; but all of the arms granted by the college are granted by the authority of the crown. In Scotland Court of the Lord Lyon King of Arms oversees the heraldry, and holds court sessions which are an official part of Scotland's court system. Similar bodies regulate the granting of arms in other monarchies and several members of the Commonwealth of Nations , but in most other countries there

6962-435: The base. The other points include dexter chief , center chief , and sinister chief , running along the upper part of the shield from left to right, above the honour point; dexter flank and sinister flank , on the sides approximately level with fess point; and dexter base , middle base , and sinister base along the lower part of the shield, below the nombril point. One of the most distinctive qualities of heraldry

7080-400: The cauldron Griffins. Benson's emphasis is that the Greeks attached a stylized "anorganic" topknot or an "inorganic" plug on the griffin's head (due to lack of information), while in contrast, a known oriental example (stone protomes from Nimrud ) is simple but more "plausible" (naturalistic), resembling a forelock. A cluster of "warts" between the eyes are also mentioned. One conjecture

7198-416: The centre of the composition. In English the word "crest" is commonly (but erroneously) used to refer to an entire heraldic achievement of armorial bearings. The technical use of the heraldic term crest refers to just one component of a complete achievement. The crest rests on top of a helmet which itself rests on the most important part of the achievement: the shield. The modern crest has grown out of

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7316-531: The chariots for its rider, the weather god. The "lion-griffin" on Akkadian seals are also shown as fire-belching, and shaggy (at the neck) in particular examples. The bronzeworks of Luristan , the North and North West region of Iran in the Iron Age , include examples of Achaemenid art depicting both the "bird-griffin" and "lion-griffin" designs, such as are found on horse-bits . Bernard Goldman maintains

7434-401: The crusaders: the surcoat , an outer garment worn over the armor to protect the wearer from the heat of the sun, was often decorated with the same devices that appeared on a knight's shield. It is from this garment that the phrase "coat of arms" is derived. Also the lambrequin, or mantling, that depends from the helmet and frames the shield in modern heraldry, began as a practical covering for

7552-473: The deity Vishnu . It is also the name for the constellation Aquila . Local lore on the gryps or griffin was gathered by Aristeas of Proconnesus, a Greek who traveled to the Altai region between Mongolia and NW China in the 7th century BC. Although Aristeas's original poem was lost, the gryps lore preserved in secondhand accounts by the playwright Aeschylus (ca. 460 BC), and later his contemporary, Herodotus

7670-532: The descendants of the various persons depicted known to have borne devices resembling those in the tapestry. Similarly, an account of the French knights at the court of the Byzantine emperor Alexius I at the beginning of the twelfth century describes their shields of polished metal, devoid of heraldic design. A Spanish manuscript from 1109 describes both plain and decorated shields, none of which appears to have been heraldic. The Abbey of St. Denis contained

7788-405: The development of "landscape heraldry", incorporating realistic depictions of landscapes, during the latter part of the eighteenth and early part of the nineteenth century. These fell out of fashion during the mid-nineteenth century, when a renewed interest in the history of armory led to the re-evaluation of earlier designs, and a new appreciation for the medieval origins of the art. In particular,

7906-471: The development of elaborate tournament helms, and further popularized the art of heraldry throughout Europe. Prominent burghers and corporations, including many cities and towns, assumed or obtained grants of arms, with only nominal military associations. Heraldic devices were depicted in various contexts, such as religious and funerary art, and in using a wide variety of media, including stonework, carved wood, enamel , stained glass , and embroidery . As

8024-861: The development of heraldry as a symbolic language, but there is little support for this view. The perceived beauty and pageantry of heraldic designs allowed them to survive the gradual abandonment of armour on the battlefield during the seventeenth century. Heraldry has been described poetically as "the handmaid of history", "the shorthand of history", and "the floral border in the garden of history". In modern times, individuals, public and private organizations, corporations, cities, towns, regions, and other entities use heraldry and its conventions to symbolize their heritage, achievements, and aspirations. Various symbols have been used to represent individuals or groups for thousands of years. The earliest representations of distinct persons and regions in Egyptian art show

8142-446: The dexter is on the left side, and the sinister on the right. The placement of various charges may also refer to a number of specific points, nine in number according to some authorities, but eleven according to others. The three most important are fess point , located in the visual center of the shield; the honour point , located midway between fess point and the chief; and the nombril point , located midway between fess point and

8260-443: The earliest known examples of armory as it subsequently came to be practiced can be seen on the tomb of Geoffrey Plantagenet, Count of Anjou , who died in 1151. An enamel, probably commissioned by Geoffrey's widow between 1155 and 1160, depicts him carrying a blue shield decorated with six golden lions rampant. He wears a blue helmet adorned with another lion, and his cloak is lined in vair. A medieval chronicle states that Geoffrey

8378-436: The escutcheon are used to identify the placement of various heraldic charges; the upper edge, and the corresponding upper third of the shield, are referred to as the chief; the lower part is the base. The sides of the shield are known as the dexter and sinister flanks, although these terms are based on the point of view of the bearer of the shield, who would be standing behind it; to the observer, and in all heraldic illustration,

8496-399: The field. The Rule of tincture applies to all semés and variations of the field. The field of a shield in heraldry can be divided into more than one tincture , as can the various heraldic charges . Many coats of arms consist simply of a division of the field into two contrasting tinctures. These are considered divisions of a shield, so the rule of tincture can be ignored. For example,

8614-473: The form and use of such devices varied widely, as the concept of regular, hereditary designs, constituting the distinguishing feature of heraldry, did not develop until the High Middle Ages . It is often claimed that the use of helmets with face guards during this period made it difficult to recognize one's commanders in the field when large armies gathered together for extended periods, necessitating

8732-475: The fur is termed gros vair or beffroi ; if of six or more, it is menu-vair , or miniver. A common variation is counter-vair , in which alternating rows are reversed, so that the bases of the vair bells of each tincture are joined to those of the same tincture in the row above or below. When the rows are arranged so that the bells of each tincture form vertical columns, it is termed vair in pale ; in continental heraldry one may encounter vair in bend , which

8850-520: The god Apollo due to "syncretism between the two gods". At the Temple of Hera at Samos , a griffin-themed bronze "wine-cup" or "cauldron" had been installed, according to Herodotus. The vessel was attached griffin heads around the rim (like the protomes , described above): it was an Argolic or Argive krater , according to the text, standing on a tripod shaped like colossal figures. The notion that griffins lay stones or agate instead of eggs

8968-536: The gold which the griffins collected from various areas in the periphery (presumably including the Armaspi's territorial stream, the stream of Pluto "rolling with gold"). The equestrian Arimaspi would ride off with the loot, and the griffins would give pursuit. Aeschylus likened the gryps to "silent hounds of Zeus" That they are called dogs or hounds here has led to the conjecture that Aeschylus considered them wingless or flightless. Whereas Ctesias , had located

9086-454: The griffin's neck, carven on some of the Greek protomes. The tendril motif emerged at the beginning of the first millennium, BC., in various parts of the Orient. The "double spiral of hair running downwards from the base of the ear" is said to be a hallmark of Iranian (Uratrian) art. The Etruscan cauldron-griffins (e.g., from Barberini tomb  [ it ] , figure right ) also bear

9204-583: The griffins in India, and more explicitly classed them as beaked, four-legged birds. Herodotus also mentions elsewhere that there are gold-collecting ants in Kashmir , India, and this has been interpreted by modern scholars as "doublets or garbled versions" of the lore of gold-hoarding griffins. It appears that the accounts of griffins given by Pliny had been admixed with the lore of these gold-guarding ants of India, and later Aelian also inserted attributes of

9322-402: The helmet and the back of the neck during the Crusades, serving much the same function as the surcoat. Its slashed or scalloped edge, today rendered as billowing flourishes, is thought to have originated from hard wearing in the field, or as a means of deadening a sword blow and perhaps entangling the attacker's weapon. The spread of armorial bearings across Europe gave rise to a new occupation:

9440-514: The historian. Herodotus explains (via Aristeas) that the gold-guarding griffin supposedly dwelled further north from the one-eyed Arimaspi people who robbed the gold from the fabulous creatures. Aristeas is said to have been informed through the Issedones people neighboring region to the Arimaspi, in the northern extremes (of Central Asia). Aeschylus also concurs that the Arimaspi robbed

9558-537: The identifiable attested "accounts" presented in scholarship are largely not literary, but artistic, or numismatic . The griffin was naturally linked to Apollo, given the existence of the cultus of Hyperborean Apollo , with a cult center at the Greek colony of Olbia on the Black Sea . And even the main Temple of Apollo at Delphi featured a statue of the god flanked by griffins, or so it can be presumed based on

9676-401: The image of a griffin attacking a horse. Other Scythian artifacts show griffins attacking horses, stags, and goats. Griffins are typically shown attacking horses, deer, and humans in Greek art. Nomads were said to steal griffin-guarded gold according to Scythian oral traditions reported by Greek and Roman travelers. Several ancient mythological creatures are similar to the griffin. These include

9794-525: The kingdom of Macedon or a personal emblem of Antipater , one of Alexander 's successors. A golden frontal half of a griffin-like animal from the Ziwiye hoard (near Saqqez city) in Kurdistan Province , Iran resembles the western protomes in style. They were of Urartian workmanship (neither Assyrian or Scythian), though the hoard itself may have represented a Scythian burial. The animal

9912-567: The last was carried out in 1700, although no new commissions to carry out visitations were made after the accession of William III in 1689. There is little evidence that Scottish heralds ever went on visitations. In 1484, during the reign of Richard III , the various heralds employed by the crown were incorporated into England's College of Arms , through which all new grants of arms would eventually be issued. The college currently consists of three Kings of Arms, assisted by six Heralds, and four Pursuivants , or junior officers of arms, all under

10030-500: The later lore that griffins deposited agate stone among the eggs in their nest. Pliny placed the griffins in Æthiopia , and Ctesias (5th century BC) in greater India . Scholars have observed that legends about the gold-digging ants of India may have contaminated griffin lore. In the Christian era, Isidore of Seville (7th century AD) wrote that griffins were a great enemy of horses. This notion may have readily developed from

10148-409: The left hind foot). Another frequent position is passant , or walking, like the lions of the coat of arms of England . Eagles are almost always shown with their wings spread, or displayed. A pair of wings conjoined is called a vol . In English heraldry the crescent , mullet , martlet , annulet , fleur-de-lis , and rose may be added to a shield to distinguish cadet branches of a family from

10266-562: The lion's ears, but are often elongated (more like a horse 's), and are sometimes feathered. The griffin of Greece, as depicted in cast bronze cauldron protomes (cf. below), has a squat face with short beaks that are open agape as if screaming, with the tongue showing. There is also a "top-knob" on its head or between the brows. There may also be so-called "tendrils", or curled "spiral-locks" depicted, presumably representing either hair/mane or feather/crest locks dangling down. Single- or double-streaked tendrils hang down both sides and behind

10384-399: The main purpose of heraldry: identification. As more complicated shields came into use, these bold shapes were set apart in a separate class as the "honourable ordinaries". They act as charges and are always written first in blazon . Unless otherwise specified they extend to the edges of the field. Though ordinaries are not easily defined, they are generally described as including the cross ,

10502-476: The modern Persian language , the griffin has come to be called šērdāl ( Persian : شیردال ), meaning 'lion-eagle'. However, the practice of referring to ancient Iranian griffin objects or monuments as sherdal , is not followed by other current archaeological scholarship (e.g., here ). Possible Old or Middle Iranian names for the creature have been discussed. Middle Persian Sēnmurw in Sasanian culture

10620-430: The name implies, the usual number of divisions is four, but the principle has been extended to very large numbers of "quarters". Quarters are numbered from the dexter chief (the corner nearest to the right shoulder of a man standing behind the shield), proceeding across the top row, and then across the next row and so on. When three coats are quartered, the first is repeated as the fourth; when only two coats are quartered,

10738-685: The next, representing a particular person or line of descent. The medieval heralds also devised arms for various knights and lords from history and literature. Notable examples include the toads attributed to Pharamond , the cross and martlets of Edward the Confessor , and the various arms attributed to the Nine Worthies and the Knights of the Round Table . These too are readily dismissed as fanciful inventions, rather than evidence of

10856-601: The occasional depiction of objects in this manner, the overuse of charges in their natural colours is often cited as indicative of bad heraldic practice. The practice of landscape heraldry, which flourished in the latter part of the eighteenth and early part of the nineteenth century, made extensive use of non-heraldic colours. One of the most important conventions of heraldry is the so-called " rule of tincture ". To provide for contrast and visibility, metals should never be placed on metals, and colours should never be placed on colours. This rule does not apply to charges which cross

10974-401: The older, undulating pattern, now known as vair ondé or vair ancien , the bells of each tincture are curved and joined at the base. There is no fixed rule as to whether the argent bells should be at the top or the bottom of each row. At one time vair commonly came in three sizes, and this distinction is sometimes encountered in continental heraldry; if the field contains fewer than four rows,

11092-410: The pelts were sewn together, forming an undulating, bell-shaped pattern, with interlocking light and dark rows. The heraldic fur is depicted with interlocking rows of argent and azure, although the shape of the pelts, usually referred to as "vair bells", is usually left to the artist's discretion. In the modern form, the bells are depicted with straight lines and sharp angles, and meet only at points; in

11210-560: The physical descriptions are not very explicit. Thus even though they are sharp-beaked, their being likened to "unbarking hounds of Zeus" has led to the speculation they were seen as wingless. Pliny the Elder (1st century) was the first to explicitly state that griffins were winged and long eared. But Apollonius of Tyana wrote that griffins did not have true bird wings, but only membranous webbed feet that only gave them capability of short-distanced flight. Writers after Aelian (3rd century AD) did not add new material to griffin lore, except for

11328-728: The plain cauldrons imported from the Near East. Detractors (notably K. R. Maxwell-Hyslop ) believe that (early examples of ) the griffin-ornamented cauldron, in its entirely, were crafted in the East, though excavated finds from the Orient are scarce. In Central Asia , the griffin image was included in Scythian "animal style" artifacts of the 6th–4th centuries BC, but no writings explain their meaning. The Golden Pectoral from Tovsta Mohyla , interred in Scythian king's burial site, perhaps commissioned to Greek goldsmiths , who engraved

11446-445: The position that Luristan examples must be counted as developments of the "lion-griffin" type, even when it exhibits "stylization .. approaching the beak of a bird". The Luristan griffin-like creatures resemble and perhaps are descended from Assyrian creatures, possibly influenced by Mitannian animals, or perhaps there had been parallel development in both Assyrian and Elamite cultures. Bird-headed mammal images appeared in art of

11564-405: The representation struck on the tetradrachm coinage of Attica. Apollo rode a griffin to Hyperboria each winter, leaving Delphi, or so it was believed. Apollo riding griffin is known from multiple examples of red-figure pottery . And Apollo hitched griffins to his chariot according to Claudian . Dionysus was also depicted on a griffin-chariot or mounting griffin; the motif was borrowed from

11682-462: The right from the viewpoint of the bearer of the arms and "sinister" (from Latin sinistra , "left") means to the bearer's left. The dexter side is considered the side of greatest honour (see also dexter and sinister ). A more versatile method is quartering , division of the field by both vertical and horizontal lines. This practice originated in Spain ( Castile and León ) after the 13th century. As

11800-418: The rise of firearms rendered the mounted knight increasingly irrelevant during the sixteenth and seventeenth centuries, and the tournament faded into history, the military character of heraldry gave way to its use as a decorative art. Freed from the limitations of actual shields and the need for arms to be easily distinguished in combat, heraldic artists designed increasingly elaborate achievements, culminating in

11918-576: The same text). Middle Persian Paškuč is also attested in Manichaean magical texts (Manichaean Middle Persian: pškwc ), and this must have meant a "griffin or a monster like a griffin" according to W. B. Henning . The griffin was given names which were descriptive epithets, such as tštš or tesh-tesh meaning "Tearer[-in-pieces]" inscribed on a griffin image found in a tomb at Deir El Bersha ; and sfr / srf "fiery one", attested at Beni Hasan . The descriptive epithet "Tearer"

12036-433: The second is also repeated as the third. The quarters of a personal coat of arms correspond to the ancestors from whom the bearer has inherited arms, normally in the same sequence as if the pedigree were laid out with the father's father's ... father (to as many generations as necessary) on the extreme left and the mother's mother's...mother on the extreme right. A few lineages have accumulated hundreds of quarters, though such

12154-426: The senior line. These cadency marks are usually shown smaller than normal charges, but it still does not follow that a shield containing such a charge belongs to a cadet branch. All of these charges occur frequently in basic undifferenced coats of arms. To marshal two or more coats of arms is to combine them in one shield, to express inheritance, claims to property, or the occupation of an office. This can be done in

12272-585: The shape of the vair bell is replaced by a T -shaped figure, known as a potent from its resemblance to a crutch. Although it is really just a variation of vair, it is frequently treated as a separate fur. When the same patterns are composed of tinctures other than argent and azure, they are termed vairé or vairy of those tinctures, rather than vair ; potenté of other colours may also be found. Usually vairé will consist of one metal and one colour, but ermine or one of its variations may also be used, and vairé of four tinctures, usually two metals and two colours,

12390-436: The shield. Some arms, particularly those of the nobility, are further embellished with supporters, heraldic figures standing alongside or behind the shield; often these stand on a compartment , typically a mound of earth and grass, on which other badges , symbols, or heraldic banners may be displayed. The most elaborate achievements sometimes display the entire coat of arms beneath a pavilion, an embellished tent or canopy of

12508-408: The shields. These in turn came to be decorated with fan-shaped or sculptural crests, often incorporating elements from the shield of arms; as well as a wreath or torse , or sometimes a coronet , from which depended the lambrequin or mantling . To these elements, modern heraldry often adds a motto displayed on a ribbon, typically below the shield. The helmet is borne of right, and forms no part of

12626-806: The three-dimensional figure placed on the top of the mounted knights' helms as a further means of identification. In most heraldic traditions, a woman does not display a crest, though this tradition is being relaxed in some heraldic jurisdictions, and the stall plate of Lady Marion Fraser in the Thistle Chapel in St Giles, Edinburgh, shows her coat on a lozenge but with helmet, crest, and motto. Griffin The griffin , griffon , or gryphon ( Ancient Greek : γρύψ , romanized :  grýps ; Classical Latin : grȳps or grȳpus ; Late and Medieval Latin : gryphes , grypho etc.; Old French : griffon )

12744-548: The title "King of Heralds", which eventually became " King of Arms ." In the earliest period, arms were assumed by their bearers without any need for heraldic authority. However, by the middle of the fourteenth century, the principle that only a single individual was entitled to bear a particular coat of arms was generally accepted, and disputes over the ownership of arms seems to have led to gradual establishment of heraldic authorities to regulate their use. The earliest known work of heraldic jurisprudence , De Insigniis et Armis ,

12862-469: The tradition that horseback-riding Arimaspians raided the griffin gold. The derivation of this word remains uncertain. It could be related to the Greek word γρυπός (grypos), meaning 'curved', or 'hooked'. Greek γρύφ (gryph) from γρύφ 'hook-nosed' is suggested. It could also have been an Anatolian loan word derived from a Semitic language; compare the Hebrew word for cherub כרוב kərúv . In

12980-434: The type associated with the medieval tournament, though this is only very rarely found in English or Scots achievements. The primary element of a heraldic achievement is the shield, or escutcheon, upon which the coat of arms is depicted. All of the other elements of an achievement are designed to decorate and complement these arms, but only the shield of arms is required. The shape of the shield, like many other details,

13098-421: The use of standards topped with the images or symbols of various gods, and the names of kings appear upon emblems known as serekhs , representing the king's palace, and usually topped with a falcon representing the god Horus , of whom the king was regarded as the earthly incarnation. Similar emblems and devices are found in ancient Mesopotamian art of the same period, and the precursors of heraldic beasts such as

13216-447: Was a fabulous composite creature, and Russian archaeologist Boris A. Litvinskij  [ ru ] argued for the possibility that the application of this term may extend to the griffin. The term Sēnmurw is recognized as the etymological ancestor of simurgh , which is generally regarded as a mythological bird (rather than a composite) in later medieval Persian literature, though some argue that this bird may have originated from

13334-414: Was a gentleman of coat armour. These claims are now regarded as the fantasy of medieval heralds, as there is no evidence of a distinctive symbolic language akin to that of heraldry during this early period; nor do many of the shields described in antiquity bear a close resemblance to those of medieval heraldry; nor is there any evidence that specific symbols or designs were passed down from one generation to

13452-523: Was given a shield of this description when he was knighted by his father-in-law, Henry I , in 1128; but this account probably dates to about 1175. The earlier heraldic writers attributed the lions of England to William the Conqueror , but the earliest evidence of the association of lions with the English crown is a seal bearing two lions passant, used by the future King John during the lifetime of his father, Henry II , who died in 1189. Since Henry

13570-604: Was nearly coeval with Pliny, gave a somewhat unique account of the griffin, claiming them to be lion-sized, and having no true wings, and instead had paws "webbed with red membranes", that gave them ability to makes leaps of flight of only a short distance. Pomponius Mela (fl. AD 43) wrote in his Book ii. 6: In Europe, constantly falling snow makes those places contiguous with the Riphaean Mountains .. so impassable that, in addition, they prevent those who deliberately travel here from seeing anything. After that comes

13688-567: Was not always strictly adhered to, and a general exception was usually made for sovereigns, whose arms represented an entire nation. Sometimes an oval shield, or cartouche, was substituted for the lozenge; this shape was also widely used for the arms of clerics in French, Spanish, and Italian heraldry, although it was never reserved for their use. In recent years, the use of the cartouche for women's arms has become general in Scottish heraldry, while both Scottish and Irish authorities have permitted

13806-555: Was the son of Geoffrey Plantagenet, it seems reasonable to suppose that the adoption of lions as an heraldic emblem by Henry or his sons might have been inspired by Geoffrey's shield. John's elder brother, Richard the Lionheart , who succeeded his father on the throne, is believed to have been the first to have borne the arms of three lions passant-guardant, still the arms of England, having earlier used two lions rampant combatant, which arms may also have belonged to his father. Richard

13924-474: Was written about 1350 by Bartolus de Saxoferrato , a professor of law at the University of Padua . The most celebrated armorial dispute in English heraldry is that of Scrope v Grosvenor (1390), in which two different men claimed the right to bear azure, a bend or . The continued proliferation of arms, and the number of disputes arising from different men assuming the same arms, led Henry V to issue

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