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82-526: H. K. Ayliff was an English theatre director who directed Shakespeare in contemporary dress as early as the 1920s, as well as Yellow Sands on Broadway . H.K. Ayliff was one of a triumvirate of celebrated British theatre directors during the years between the two world wars, the others being Tyrone Guthrie and Basil Dean . Henry Kiell Ayliff was born 1871 in Grahamstown , Cape Colony , grandson of English settlers of 1820. He moved to England as

164-575: A chapter in a continuous dramatic narrative. The Oresteia is the only extant example of this type of connected trilogy, but there is evidence that Aeschylus often wrote such trilogies. The satyr plays that followed his tragic trilogies also drew from myth. The satyr play Proteus , which followed the Oresteia , treated the story of Menelaus' detour in Egypt on his way home from the Trojan War . It

246-622: A character in the play and claims, at line 1022, that his Seven against Thebes "made everyone watching it to love being warlike". He claims, at lines 1026–7, that with The Persians he "taught the Athenians to desire always to defeat their enemies." Aeschylus goes on to say, at lines 1039ff., that his plays inspired the Athenians to be brave and virtuous. Aeschylus' works were influential beyond his own time. Hugh Lloyd-Jones draws attention to Richard Wagner 's reverence of Aeschylus. Michael Ewans argues in his Wagner and Aeschylus. The Ring and

328-402: A democratic Athens are praised. Prometheus Bound is attributed to Aeschylus by ancient authorities. Since the late 19th century, however, scholars have increasingly doubted this ascription, largely on stylistic grounds. Its production date is also in dispute, with theories ranging from the 480s BC to as late as the 410s. The play consists mostly of static dialogue. The Titan Prometheus

410-717: A falling object, but this story may be legendary and due to a misunderstanding of the iconography on Aeschylus' tomb. Aeschylus' work was so respected by the Athenians that after his death his tragedies were the only ones allowed to be restaged in subsequent competitions. His sons Euphorion and Euæon and his nephew Philocles also became playwrights. The inscription on Aeschylus' gravestone makes no mention of his theatrical renown, commemorating only his military achievements: Αἰσχύλον Εὐφορίωνος Ἀθηναῖον τόδε κεύθει μνῆμα καταφθίμενον πυροφόροιο Γέλας· ἀλκὴν δ' εὐδόκιμον Μαραθώνιον ἄλσος ἂν εἴποι καὶ βαθυχαιτήεις Μῆδος ἐπιστάμενος Beneath this stone lies Aeschylus, son of Euphorion,

492-411: A graduate programme based on the premise that directors are autodidacts who need as many opportunities to direct as possible. Under Fowler, graduate student directors would stage between five and ten productions during their three-year residencies, with each production receiving detailed critiques. As with many other professions in the performing arts, theatre directors would often learn their skills "on

574-545: A guide. The Furies track him down, and Athena steps in and declares that a trial is necessary. Apollo argues Orestes' case, and after the judges (including Athena) deliver a tie vote, Athena announces that Orestes is acquitted. She renames the Furies The Eumenides (The Good-spirited, or Kindly Ones), and extols the importance of reason in the development of laws. As in The Suppliants , the ideals of

656-686: A major part in the formation of dramatic literature from the Renaissance to the present, specifically in French and Elizabethan drama. He also claims that their influence went beyond just drama and applies to literature in general, citing Milton and the Romantics. Eugene O'Neill 's Mourning Becomes Electra (1931), a trilogy of three plays set in America after the Civil War, is modeled after

738-456: A nightmare in which she gives birth to a snake is recounted by the chorus. This leads her to order her daughter, Electra , to pour libations on Agamemnon's tomb (with the assistance of libation bearers) in hope of making amends. Orestes enters the palace pretending to bear news of his own death. Clytemnestra calls in Aegisthus to learn the news. Orestes kills them both. Orestes is then beset by

820-667: A procession which was followed by a competition of boys singing dithyrambs , and all culminated in a pair of dramatic competitions. The first competition Aeschylus would have participated in involved three playwrights each presenting three tragedies and one satyr play . A second competition involving five comedic playwrights followed, and the winners of both competitions were chosen by a panel of judges. Aeschylus entered many of these competitions, and various ancient sources attribute between seventy and ninety plays to him. Only seven tragedies attributed to him have survived intact: The Persians , Seven Against Thebes , The Suppliants ,

902-673: A ruling dynasty in Argos. The other 49 Danaids are absolved of their murders, and married off to unspecified Argive men. The satyr play following this trilogy was titled Amymone , after one of the Danaids. Besides a few missing lines, the Oresteia of 458 BC is the only complete trilogy of Greek plays by any playwright still extant (of Proteus , the satyr play which followed, only fragments are known). Agamemnon and The Libation Bearers ( Choephoroi ) and The Eumenides together tell

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984-453: A show has opened (premiered before a regular audience), theatre directors are generally considered to have fulfilled their function. From that point forward the stage manager is left in charge of all essential concerns. Aeschylus Aeschylus ( UK : / ˈ iː s k ɪ l ə s / , US : / ˈ ɛ s k ɪ l ə s / ; ‹See Tfd› Greek : Αἰσχύλος Aischýlos ; c.  525 /524 – c.  456 /455 BC)

1066-444: A spectacular coup de théâtre . A scale is brought on stage and Hector's body is placed in one scale and gold in the other. The dynamic dancing of the chorus of Trojans when they enter with Priam is reported by Aristophanes . The children of Niobe , the heroine, have been slain by Apollo and Artemis because Niobe had gloated that she had more children than their mother, Leto . Niobe sits in silent mourning on stage during most of

1148-595: A talent as a director. He married Gertrude Homewood, an actress, in 1907. They had three children, Susan born in 1908, Esther in 1910 and David in 1916. In 1922 he started working as director at Barry Jackson ’s Birmingham Repertory Theatre . In April 1923 Cymbeline , the first of a series of modern-dress Shakespeare productions, caused quite a furore. Other important productions were the first production of Shaw’s five-part epic Back to Methuselah , Pirandello 's Six Characters in Search of an Author for which he also wrote

1230-542: A trilogy about the madness and subsequent suicide of the Greek hero Ajax . Aeschylus seems to have written about Odysseus ' return to Ithaca after the war (including his killing of his wife Penelope 's suitors and its consequences) in a trilogy consisting of The Soul-raisers , Penelope , and The Bone-gatherers . Other suggested trilogies touched on the myth of Jason and the Argonauts ( Argô , Lemnian Women , Hypsipylê ),

1312-806: A young man to study painting at the Royal Academy Schools and in Paris. In 1901 he gave up painting and studied acting under Herman Vezin, playing several parts in London and the provinces, including Juggins in Bernard Shaw ’s Fanny's First Play at the Royal Court Theatre in Sloane Square . He frequently joined with other out-or-work actors in putting on one-off show-case productions, often directing these, and so developing

1394-410: Is also sometimes used to mean a stage director, most commonly in ballet . A more common term for theatre director in French is metteur en scène . Post World War II , the actor-manager slowly started to disappear, and directing become a fully fledged artistic activity within the theatre profession. The director originating artistic vision and concept, and realizing the staging of a production, became

1476-735: Is an art form that has grown with the development of theatre theory and theatre practice. With the emergence of new trends in theatre, so too have directors adopted new methodologies and engaged in new practices. Interpretation of the drama, by the late twentieth century, had become central to the director's work. Relativism and psychoanalytic theory influenced the work of innovative directors such as Peter Brook , Ingmar Bergman , Peter Stein , and Giorgio Strehler . Kimberly Senior, director of Disgraced on Broadway, explains her role as director by saying “I get to take things that were previously in one dimension and put them into three dimensions using my imagination and intellect and people skills.” Once

1558-540: Is assumed, based on the evidence provided by a catalogue of Aeschylean play titles, scholia , and play fragments recorded by later authors, that three other extant plays of his were components of connected trilogies: Seven Against Thebes was the final play in an Oedipus trilogy, and The Suppliants and Prometheus Bound were each the first play in a Danaid trilogy and Prometheus trilogy, respectively. Scholars have also suggested several completely lost trilogies, based on known play titles. A number of these treated myths about

1640-562: Is bound to a rock throughout, which is his punishment from the Olympian Zeus for providing fire to humans. The god Hephaestus and the Titan Oceanus and the chorus of Oceanids all express sympathy for Prometheus' plight. Prometheus is met by Io , a fellow victim of Zeus' cruelty. He prophesies her future travels, revealing that one of her descendants will free Prometheus. The play closes with Zeus sending Prometheus into

1722-558: Is not hatred; what we need in the United States is not violence and lawlessness; but is love and wisdom, and compassion toward one another, and a feeling of justice toward those who still suffer within our country, whether they be white or whether they be black ... Let us dedicate ourselves to what the Greeks wrote so many years ago: to tame the savageness of man and make gentle the life of this world." The quotation from Aeschylus

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1804-752: The Battle of Plataea in 479 BC. Ion of Chios was a witness for Aeschylus' war record and his contribution in Salamis. Salamis holds a prominent place in The Persians , his oldest surviving play, which was performed in 472 BC and won first prize at the Dionysia. Aeschylus was one of many Greeks who were initiated into the Eleusinian Mysteries , an ancient cult of Demeter based in his home town of Eleusis. According to Aristotle , Aeschylus

1886-621: The Battle of Salamis . It is unique among surviving Greek tragedies in that it describes a recent historical event. The Persians focuses on the popular Greek theme of hubris and blames Persia's loss on the pride of its king. It opens with the arrival of a messenger in Susa , the Persian capital, bearing news of the catastrophic Persian defeat at Salamis, to Atossa , the mother of the Persian King Xerxes . Atossa then travels to

1968-535: The Furies , who avenge the murders of kin in Greek mythology. The third play addresses the question of Orestes' guilt. The Furies drive Orestes from Argos and into the wilderness. He makes his way to the temple of Apollo and begs Apollo to drive the Furies away. Apollo had encouraged Orestes to kill Clytemnestra, so he bears some of the guilt for the murder. Apollo sends Orestes to the temple of Athena with Hermes as

2050-588: The Great Dionysia . His family was wealthy and well established. His father, Euphorion, was said to be a member of the Eupatridae , the ancient nobility of Attica, but this might be a fiction invented by the ancients to account for the grandeur of Aeschylus' plays. As a youth, Aeschylus worked at a vineyard until, according to the 2nd-century AD geographer Pausanias , the god Dionysus visited him in his sleep and commanded him to turn his attention to

2132-474: The Oresteia . Before writing his acclaimed trilogy, O'Neill had been developing a play about Aeschylus, and he noted that Aeschylus "so changed the system of the tragic stage that he has more claim than anyone else to be regarded as the founder (Father) of Tragedy." During his presidential campaign in 1968, Senator Robert F. Kennedy quoted the Edith Hamilton translation of Aeschylus on the night of

2214-666: The Yale School of Drama produced a number of pioneering directors with D.F.A. (Doctor of Fine Arts) and M.F.A. degrees in Drama (rather than English) who contributed to the expansion of professional resident theaters in the 1960s and 1970s. In the early days such programmes typically led to the staging of one major thesis production in the third (final) year. At the University of California, Irvine , Keith Fowler (a Yale D.F.A. and ex-producer of two LORT companies) led for many years

2296-454: The chorus . Only seven of Aeschylus's estimated 70 to 90 plays have survived in complete form. There is a long-standing debate regarding the authorship of one of them , Prometheus Bound , with some scholars arguing that it may be the work of his son Euphorion . Fragments from other plays have survived in quotations, and more continue to be discovered on Egyptian papyri . These fragments often give further insights into Aeschylus' work. He

2378-428: The chorus . Aeschylus added a second actor, allowing for greater dramatic variety, while the chorus played a less important role. He is sometimes credited with introducing skenographia , or scene-decoration, though Aristotle gives this distinction to Sophocles. Aeschylus is also said to have made the costumes more elaborate and dramatic, and made his actors wear platform boots ( cothurni ) to make them more visible to

2460-474: The 1933 Malvern Festival and a revival of The Farmers Wife at The Apollo Theatre . He died in Cambridgeshire in 1949. Theatre director If the production is a new piece of writing or a (new) translation of a play, the director may also work with the playwright or a translator. In contemporary theatre, after the playwright , the director is generally the principle visionary, making decisions on

2542-466: The 470s BC, having been invited by Hiero I , tyrant of Syracuse , a major Greek city on the eastern side of the island. He produced The Women of Aetna during one of these trips (in honor of the city founded by Hieron), and restaged his Persians . By 473 BC, after the death of Phrynichus , one of his chief rivals, Aeschylus was the yearly favorite in the Dionysia, winning first prize in nearly every competition. In 472 BC, Aeschylus staged

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2624-562: The Argive-Egyptian war threatened in the first play has transpired. King Pelasgus was killed during the war, and Danaus rules Argos. Danaus negotiates a settlement with Aegyptus, a condition of which requires his 50 daughters to marry the 50 sons of Aegyptus. Danaus secretly informs his daughters of an oracle which predicts that one of his sons-in-law would kill him. He orders the Danaids to murder their husbands therefore on their wedding night. His daughters agree. The Danaids would open

2706-522: The Athenian, who perished in the wheat-bearing land of Gela; of his noble prowess the grove of Marathon can speak, and the long-haired Persian knows it well. The seeds of Greek drama were sown in religious festivals for the gods, chiefly Dionysus , the god of wine. During Aeschylus' lifetime, dramatic competitions became part of the City Dionysia , held in spring. The festival opened with

2788-461: The English version, and the very popular The Farmer's Wife by Eden Phillpotts . Many productions transferred to London during this period, and HK also found himself being employed by London managements such as C.B.Cochran for several productions. In 1929 Barry Jackson instituted a Summer Festival of plays at Malvern. Initially this was dedicated to the plays of George Bernard Shaw, but from 1931

2870-473: The Greek word for "teacher," indicates that the work of these early directors combined instructing their performers with staging their work. In medieval times, the complexity of vernacular religious drama, with its large scale mystery plays that often included crowd scenes, processions and elaborate effects, gave the role of director (or stage manager or pageant master ) considerable importance. A miniature by Jean Fouquet from 1460 (pictured) bears one of

2952-492: The Greeks that his epitaph commemorates his participation in the Greek victory at Marathon while making no mention of his success as a playwright. Aeschylus was born around 525 BC in Eleusis , a small town about 27 kilometres (17 mi) northwest of Athens , in the fertile valleys of western Attica . Some scholars argue that the date of Aeschylus's birth may be based on counting back 40 years from his first victory in

3034-520: The Oresteia (London: Faber. 1982) that the influence was so great as to merit a direct character by character comparison between Wagner's Ring and Aeschylus's Oresteia . But a critic of that book, while not denying that Wagner read and respected Aeschylus, has described the arguments as unreasonable and forced. J.T. Sheppard argues in the second half of his Aeschylus and Sophocles: Their Work and Influence that Aeschylus and Sophocles have played

3116-616: The Stage: From Naturalism to Growtowski , and Will's The Director in a Changing Theatre (1976). Because of the relatively late emergence of theatre directing as a performing arts profession when compared with for instance acting or musicianship, a rise of professional vocational training programmes in directing can be seen mostly in the second half of the 20th century. Most European countries nowadays know some form of professional directing training, usually at drama schools or conservatoires , or at universities. In Britain,

3198-659: The Trojan War. One, collectively called the Achilleis , comprised Myrmidons , Nereids and Phrygians (alternately, The Ransoming of Hector ). Another trilogy apparently recounted the entrance of the Trojan ally Memnon into the war, and his death at the hands of Achilles ( Memnon and The Weighing of Souls being two components of the trilogy). The Award of the Arms , The Phrygian Women , and The Salaminian Women suggest

3280-503: The abyss because Prometheus will not tell him of a potential marriage which could prove Zeus' downfall. Prometheus Bound seems to have been the first play in a trilogy, the Prometheia . In the second play, Prometheus Unbound , Heracles frees Prometheus from his chains and kills the eagle that had been sent daily to eat Prometheus' perpetually regenerating liver, then believed the source of feeling. We learn that Zeus has released

3362-414: The artistic conception and interpretation of the play and its staging. Different directors occupy different places of authority and responsibility, depending on the structure and philosophy of individual theatre companies. Directors use a wide variety of techniques, philosophies, and levels of collaboration. In ancient Greece , the birthplace of European drama, the writer bore principal responsibility for

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3444-541: The assassination of Martin Luther King Jr. Kennedy was notified of King's murder before a campaign stop in Indianapolis, Indiana, and was warned not to attend the event due to fears of rioting from the mostly African-American crowd. Kennedy insisted on attending and delivered an impromptu speech that delivered news of King's death. Acknowledging the audience's emotions, Kennedy referred to his own grief at

3526-509: The audience. According to a later account of Aeschylus' life, the chorus of Furies in the first performance of the Eumenides were so frightening when they entered that children fainted and patriarchs urinated and pregnant women went into labour. Aeschylus wrote his plays in verse. No violence is performed onstage. The plays have a remoteness from daily life in Athens, relating stories about

3608-429: The burial of Polynices, and Antigone declares her intention to defy this edict. The play was the third in a connected Oedipus trilogy. The first two plays were Laius and Oedipus . The concluding satyr play was The Sphinx . Aeschylus continued his emphasis on the polis with The Suppliants ( Hiketides ) in 463 BC. The play gives tribute to the democratic undercurrents which were running through Athens and preceding

3690-418: The day after the wedding. It is revealed that 49 of the 50 Danaids killed their husbands. Hypermnestra did not kill her husband, Lynceus, and helped him escape. Danaus is angered by his daughter's disobedience and orders her imprisonment and possibly execution. In the trilogy's climax and dénouement, Lynceus reveals himself to Danaus and kills him, thus fulfilling the oracle. He and Hypermnestra will establish

3772-504: The earliest depictions of a director at work. Holding a prompt book, the central figure directs, with the aid of a long stick, the proceedings of the staging of a dramatization of the Martyrdom of Saint Apollonia . According to Fouquet, the director's tasks included overseeing the erecting of a stage and scenery (there were no permanent, purpose-built theatre structures at this time, and performances of vernacular drama mostly took place in

3854-423: The establishment of a democratic government in 461. The Danaids (50 daughters of Danaus , founder of Argos ) flee a forced marriage to their cousins in Egypt. They turn to King Pelasgus of Argos for protection, but Pelasgus refuses until the people of Argos weigh in on the decision (a distinctly democratic move on the part of the king). The people decide that the Danaids deserve protection and are allowed within

3936-475: The first prize at the City Dionysia thirteen times. This compares favorably with Sophocles' reported eighteen victories (with a substantially larger catalogue, an estimated 120 plays), and dwarfs the five victories of Euripides, who is thought to have written roughly 90 plays. One hallmark of Aeschylean dramaturgy appears to have been his tendency to write connected trilogies in which each play serves as

4018-752: The gods would restore the winds and allow the Greek fleet to sail to Troy. Clytemnestra was also unhappy that Agamemnon kept the Trojan prophetess Cassandra as his concubine. Cassandra foretells the murder of Agamemnon and of herself to the assembled townsfolk, who are horrified. She then enters the palace knowing that she cannot avoid her fate. The ending of the play includes a prediction of the return of Orestes , son of Agamemnon, who will seek to avenge his father. The Libation Bearers opens with Orestes' arrival at Agamemnon's tomb, from exile in Phocis . Electra meets Orestes there. They plan revenge against Clytemnestra and her lover, Aegisthus . Clytemnestra's account of

4100-486: The gods, or being set, like The Persians , far away. Aeschylus' work has a strong moral and religious emphasis. The Oresteia trilogy concentrated on humans' position in the cosmos relative to the gods and divine law and divine punishment. Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs , produced some 50 years after Aeschylus' death. Aeschylus appears as

4182-471: The importance of the deme over family tradition. In the last decade of the 6th century, Aeschylus and his family were living in the deme of Eleusis. The Persian Wars played a large role in Aeschylus' life and career. In 490 BC, he and his brother Cynegeirus fought to defend Athens against the invading army of Darius I of Persia at the Battle of Marathon . The Athenians emerged triumphant, and

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4264-696: The job"; to this purpose, theatres often employ trainee assistant directors or have in-house education schemes to train young theatre directors. Examples are the Royal National Theatre in London , which frequently organizes short directing courses, or the Orange Tree Theatre and the Donmar Warehouse on London's West End , which both employ resident assistant directors on a one-year basis for training purposes. Directing

4346-528: The jury sympathetic to the military service of him and his brothers during the Persian Wars. According to the 2nd-century AD author Aelian, Aeschylus' younger brother Ameinias helped to acquit Aeschylus by showing the jury the stump of the hand he had lost at Salamis, where he was voted bravest warrior. The truth is that the award for bravery at Salamis went not to Aeschylus' brother but to Ameinias of Pallene. Aeschylus travelled to Sicily once or twice in

4428-399: The last time, visiting the city of Gela , where he died in 456 or 455 BC. Valerius Maximus wrote that he was killed outside the city by a tortoise dropped by an eagle which had mistaken his head for a rock suitable for shattering the shell, and killed him. Pliny , in his Naturalis Historiæ , adds that Aeschylus had been staying outdoors to avoid a prophecy that he would be killed by

4510-553: The life of Perseus ( The Net-draggers , Polydektês , Phorkides ), the birth and exploits of Dionysus ( Semele , Bacchae , Pentheus ), and the aftermath of the war portrayed in Seven Against Thebes ( Eleusinians , Argives (or Argive Women ), Sons of the Seven ). The Persians ( Persai ) is the earliest of Aeschylus' extant plays. It was performed in 472 BC. It was based on Aeschylus' own experiences, specifically

4592-399: The mortal Peleus. The product of that union is Achilles, Greek hero of the Trojan War. After reconciling with Prometheus, Zeus probably inaugurates a festival in his honor at Athens. Of Aeschylus' other plays, only titles and assorted fragments are known. There are enough fragments (along with comments made by later authors and scholiasts) to produce rough synopses for some plays. This play

4674-472: The murder of Martin Luther King and, quoting a passage from the play Agamemnon (in translation), said: "My favorite poet was Aeschylus. And he once wrote: 'Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until in our own despair, against our will, comes wisdom through the awful grace of God.' What we need in the United States is not division; what we need in the United States

4756-430: The nascent art of tragedy. As soon as he woke, he began to write a tragedy, and his first performance took place in 499 BC, when he was 26 years old. He won his first victory at the Dionysia in 484 BC. In 510 BC, when Aeschylus was 15 years old, Cleomenes I expelled the sons of Peisistratus from Athens, and Cleisthenes came to power. Cleisthenes' reforms included a system of registration that emphasized

4838-432: The norm rather than the exception. Great forces in the emancipation of theatre directing as a profession were notable 20th-century theatre directors like Vladimir Nemirovich-Danchenko , Vsevolod Meyerhold , Yevgeny Vakhtangov , Michael Chekhov , Yuri Lyubimov (Russia), Orson Welles , Peter Brook , Peter Hall (Britain), Bertolt Brecht (Germany), Giorgio Strehler , and Franco Zeffirelli (Italy). A cautionary note

4920-412: The open air), casting and directing the actors (which included fining them for those that infringed rules), and addressing the audience at the beginning of each performance and after each intermission. From Renaissance times up until the 19th century, the role of director was often carried by the actor-manager . This would usually be a senior actor in a troupe who took the responsibility for choosing

5002-579: The other Titans which he imprisoned at the conclusion of the Titanomachy , perhaps foreshadowing his eventual reconciliation with Prometheus. In the trilogy's conclusion, Prometheus the Fire-Bringer , it seems that the Titan finally warns Zeus not to sleep with the sea nymph Thetis , for she is fated to beget a son greater than the father. Not wishing to be overthrown, Zeus marries Thetis off to

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5084-458: The play. In the Republic , Plato quotes the line "God plants a fault in mortals when he wills to destroy a house utterly." These are the remaining 71 plays ascribed to Aeschylus which are known: The theatre was just beginning to evolve when Aeschylus started writing for it. Earlier playwrights such as Thespis had already expanded the cast to include an actor who was able to interact with

5166-599: The production that included the Persians , with Pericles serving as choregos . Aeschylus married and had two sons, Euphorion and Euaeon, both of whom became tragic poets. Euphorion won first prize in 431 BC in competition against both Sophocles and Euripides . A nephew of Aeschylus, Philocles (his sister's son), was also a tragic poet, and won first prize in the competition against Sophocles' Oedipus Rex . Aeschylus had at least two brothers, Cynegeirus and Ameinias . In 458 BC, Aeschylus returned to Sicily for

5248-543: The repertoire of work, staging it and managing the company. This was the case for instance with Commedia dell'Arte companies and English actor-managers like Colley Cibber and David Garrick . The modern theatre director can be said to have originated in the staging of elaborate spectacles of the Meininger Company under George II, Duke of Saxe-Meiningen . The management of large numbers of extras and complex stagecraft matters necessitated an individual to take on

5330-695: The role of overall coordinator. This gave rise to the role of the director in modern theatre, and Germany would provide a platform for a generation of emerging visionary theatre directors, such as Erwin Piscator and Max Reinhardt . Simultaneously, Constantin Stanislavski , principally an actor-manager, would set up the Moscow Art Theatre in Russia and similarly emancipate the role of the director as artistic visionary. The French regisseur

5412-413: The staging of his plays. Actors were generally semi-professionals, and the director oversaw the mounting of plays from the writing process all the way through to their performance, often acting in them too, as Aeschylus for example did. The author-director would also train the chorus , sometimes compose the music, and supervise every aspect of production. The fact that the director was called didaskalos ,

5494-591: The theme became ‘Five Centuries of English Drama’, starting with pre-Shakespeare, through Restoration , Georgian , Victorian , and ending with a new modern play. Most of these were directed by HK, when he was not otherwise engaged in the West End . The outbreak of war in 1939 saw the end of the Malvern Festivals though the Malvern Theatre management tried unsuccessfully to revive it when peace

5576-402: The throne of the city. After the first year, Eteocles refuses to step down. Polynices therefore undertakes war. The pair kill each other in single combat, and the original ending of the play consisted of lamentations for the dead brothers. But a new ending was added to the play some fifty years later: Antigone and Ismene mourn their dead brothers, a messenger enters announcing an edict prohibiting

5658-463: The tomb of Darius, her husband, where his ghost appears, to explain the cause of the defeat. It is, he says, the result of Xerxes' hubris in building a bridge across the Hellespont , an action which angered the gods. Xerxes appears at the end of the play, not realizing the cause of his defeat, and the play closes to lamentations by Xerxes and the chorus. Seven against Thebes ( Hepta epi Thebas )

5740-481: The tradition that theatre directors emerge from degree courses (usually in English literature) at the Oxbridge universities has meant that for a long time, professional vocational training did not take place at drama schools or performing arts colleges, although an increase in training programmes for theatre directors can be witnessed since the 1970s and 1980s. In American universities, the seminal directing program at

5822-415: The trilogy known as The Oresteia (the three tragedies Agamemnon , The Libation Bearers and The Eumenides ), and Prometheus Bound (whose authorship is disputed). With the exception of this last play – the success of which is uncertain – all of Aeschylus's extant tragedies are known to have won first prize at the City Dionysia. The Alexandrian Life of Aeschylus claims that he won

5904-404: The victory was celebrated across the city-states of Greece. Cynegeirus was killed while trying to prevent a Persian ship retreating from the shore, for which his countrymen extolled him as a hero. In 480 BC, Aeschylus was called into military service again, together with his younger brother Ameinias , against Xerxes I 's invading forces at the Battle of Salamis . Aeschylus also fought at

5986-505: The violent story of the family of Agamemnon , king of Argos . Aeschylus begins in Greece, describing the return of King Agamemnon from his victory in the Trojan War , from the perspective of the townspeople (the Chorus) and his wife, Clytemnestra . Dark foreshadowings build to the death of the king at the hands of his wife, who was angry that their daughter Iphigenia was killed so that

6068-411: The walls of Argos despite Egyptian protests. A Danaid trilogy had long been assumed because of The Suppliants' cliffhanger ending. This was confirmed by the 1952 publication of Oxyrhynchus Papyrus 2256 fr. 3. The constituent plays are generally agreed to be The Suppliants and The Egyptians and The Danaids . A plausible reconstruction of the trilogy's last two-thirds runs thus: In The Egyptians ,

6150-456: Was accused of asebeia (impiety) for revealing some of the cult's secrets on stage. Other sources claim that an angry mob tried to kill Aeschylus on the spot but he fled the scene. Heracleides of Pontus asserts that the audience tried to stone Aeschylus. Aeschylus took refuge at the altar in the orchestra of the Theater of Dionysus. He pleaded ignorance at his trial. He was acquitted, with

6232-402: Was an ancient Greek tragedian often described as the father of tragedy . Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle , he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with

6314-632: Was based on books 18 and 19 and 22 of the Iliad . It follows the Daughters of Nereus, the sea god, who lament Patroclus' death. A messenger tells how Achilles (perhaps reconciled to Agamemnon and the Greeks) slew Hector . After a brief discussion with Hermes , Achilles sits in silent mourning over Patroclus. Hermes then brings in King Priam of Troy , who wins over Achilles and ransoms his son's body in

6396-582: Was based on books 9 and 16 of the Iliad . Achilles sits in silent indignation over his humiliation at Agamemnon's hands for most of the play. Envoys from the Greek army attempt to reconcile Achilles to Agamemnon , but he yields only to Patroclus , who then battles the Trojans in Achilles' armour. The bravery and death of Patroclus are reported in a messenger's speech, which is followed by mourning. This play

6478-473: Was introduced by the famed director Sir Tyrone Guthrie who said "the only way to learn how to direct a play, is ... to get a group of actors simple enough to allow you to let you direct them, and direct." A number of seminal works on directing and directors include Toby Cole and Helen Krich's 1972 Directors on Directing: A Sourcebook of the Modern Theatre , Edward Braun's 1982 book The Director and

6560-423: Was likely the first dramatist to present plays as a trilogy . His Oresteia is the only extant ancient example. At least one of his plays was influenced by the Persians' second invasion of Greece (480–479 BC). This work, The Persians , is one of very few classical Greek tragedies concerned with contemporary events, and the only one extant. The significance of the war with Persia was so great to Aeschylus and

6642-456: Was performed in 467 BC. It has the contrasting theme of the interference of the gods in human affairs. Another theme, with which Aeschylus' would continually involve himself, makes its first known appearance in this play, namely that the polis was a key development of human civilization. The play tells the story of Eteocles and Polynices , the sons of the shamed king of Thebes , Oedipus . Eteocles and Polynices agree to share and alternate

6724-611: Was restored. Mr. and Mrs. Ayliff retired to their country cottage in Cambridgeshire at the outbreak of war, but in 1943 he returned to Birmingham to direct Shaw’s Heartbreak House and play the part of Capt. Shotover, Barrie’s Quality Street and another modern-dress production of The Taming of the Shrew with the young Margaret Leighton as Katherine. In 1947 he directed a revival of James Bridie ’s A Sleeping Clergyman at London’s Criterion Theatre , which he had first directed at

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