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61-458: Christophe Le Friant ( French: [kʁistɔf lə fʁijɑ̃] ; born 10 May 1969), better known by his stage name Bob Sinclar ( French: [bɔb sɛ̃klaʁ] ), is a French record producer , DJ and remixer . He is the owner of the record label Yellow Productions . A native of Paris , Le Friant began DJing in the 1980s under the name Chris the French Kiss . During this time he

122-489: A Grammy nomination, the Recording Academy defines a producer: The person who has overall creative and technical control of the entire recording project, and the individual recording sessions that are part of that project. He or she is present in the recording studio or at the location recording and works directly with the artist and engineer. The producer makes creative and aesthetic decisions that realize both

183-473: A film school to get a bachelor's degree studying film or cinema. Film students generally study the basic skills used in making a film. This includes, for example, preparation, shot lists and storyboards, blocking, communicating with professional actors, communicating with the crew, and reading scripts. Some film schools are equipped with sound stages and post-production facilities. Besides basic technical and logistical skills, students also receive education on

244-423: A broad project, the creation of a popular music recording may be split across three specialists: the executive producer , who oversees business partnerships and financing; the vocal producer or vocal arranger, who aids vocal performance via expert critique and coaching of vocal technique, and the record producer or music producer, who, often called simply the producer, directs the overall creative process of recording

305-471: A cylinder. By the 1930s, a gramophone etched it laterally across a disc. Constrained in tonal range, whether bass or treble, and in dynamic range , records made a grand, concert piano sound like a small, upright piano, and maximal duration was four and a half minutes. Selections and performance were often altered accordingly, and playing this disc—the wax master—destroyed it. The finality often caused anxiety that restrained performance to prevent error. In

366-608: A film director. Some film directors started as screenwriters , cinematographers , producers , film editors or actors. Other film directors have attended film school. Directors use different approaches. Some outline a general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write their own screenplays or collaborate on screenplays with long-standing writing partners. Other directors edit or appear in their films or compose music score for their films. A film director's task

427-485: A flat fee for the project, as a weekly salary, or as a daily rate. A handful of top Hollywood directors made from $ 133.3 million to $ 257.95 million in 2011, such as James Cameron and Steven Spielberg , but the average United States film directors and producers made $ 89,840 in 2018. A new Hollywood director typically gets paid around $ 400,000 for directing their first studio film. The average annual salary in England

488-407: A leading A&R man of the 1950s. During the decade, A&R executives increasingly directed songs' sonic signatures, although many still simply teamed singers with musicians, while yet others exercised virtually no creative influence. The term record producer in its current meaning—the creative director of song production—appearing in a 1953 issue of Billboard magazine, became widespread in

549-516: A musical element while playing a previously recorded record, Les Paul developed a recording technique called "sound on sound". By this, the final recording could be built piece by piece and tailored, effecting an editing process. In one case, Paul produced a song via 500 recorded discs. But, besides the tedium of this process, it serially degraded the sound quality of previously recorded elements, rerecorded as ambient sound. Yet in 1948, Paul adopted tape recording, enabling true multitrack recording by

610-403: A musical project can vary in depth and scope. Sometimes in popular genres the producer may create the recording's entire sound and structure. However, in classical music recording, for example, the producer serves as more of a liaison between the conductor and the engineering team. The role is often likened to that of a film director though there are important differences. It is distinct from

671-542: A new technique, " overdubbing ". To enable overdubbing, Paul revised the tape recorder itself by adding a second playback head, and terming it the preview head . Joining the preexisting recording head, erase head, and playback head, the preview head allows the artist to hear the extant recording over headphones playing it in synchrony, "in sync", with the present performance being recorded alone on an isolated track. This isolation of multiple tracks enables countless mixing possibilities. Producers began recording initially only

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732-551: A recent trend of more attention to women directors in India, brought on partly by Amazon and Netflix moving into the industry. Of the movies produced in Nollywood , women direct only 2%. There are many different awards for film directing, run by various academies , critics associations , film festivals , and guilds . The Academy Award for Best Director and Cannes Film Festival Award for Best Director are considered among

793-531: A set of recordings in Los Angeles. Later, folklorist Archie Green called this perhaps the earliest printed use of A&R man . Actually, it says neither "A&R man" nor even "A&R", an initialism perhaps coined by Billboard magazine in 1946, and entering wide use in the late 1940s. In the 1920s and 1930s, A&R executives, like Ben Selvin at Columbia Records , Nathaniel Shilkret at Victor Records, and Bob Haring at Brunswick Records became

854-448: A woman the reins of an immense, creative project like making a record." Ultimately, the reasons are multiple and not fully clear, although prominently proposed factors include types of sexism and scarcity of female role models in the profession. Women producers known for producing records not their own include Sonia Pottinger, Sylvia Robinson and Carla Olson. In January 2018, a research team led by Stacy L. Smith, founder and director of

915-520: A yearly salary from ¥4 million to ¥10 million, and the Directors Guild of Japan requires a minimum payment of ¥3.5 million. Korean directors make 300 million to 500 million won for a film, and beginning directors start out making around 50 million won. A Korean director who breaks into the Chinese market might make 1 billion won for a single film. According to a 2018 report from UNESCO ,

976-740: Is a film criticism concept that holds that a film director's film reflects the director's personal creative vision, as if they were the primary "auteur" (the French word for "author"). In spite of—and sometimes even because of—the production of the film as part of an industrial process, the auteur's creative voice is distinct enough to shine through studio interference and the collective process. Some film directors started as screenwriters , film editors , producers , actors , or film critics , as well as directing for similar media like television and commercials. Several American cinematographers have become directors, including Barry Sonnenfeld , originally

1037-402: Is a music creating project's overall supervisor whose responsibilities can involve a range of creative and technical leadership roles. Typically the job involves hands-on oversight of recording sessions; ensuring artists deliver acceptable and quality performances, supervising the technical engineering of the recording, and coordinating the production team and process. The producer's involvement in

1098-660: Is more forgiving of overmodulation , whereby dynamic peaks exceed the maximal recordable signal level: tape's limitation, a physical property, is magnetic capacity, which tapers off, smoothing the overmodulated waveform even at a signal nearly 15 decibels too "hot", whereas a digital recording is ruined by harsh distortion of " clipping " at any overshoot. In digital recording, however, a recent advancement, 32-bit float , enables DAWs to undo clipping. Still, some criticize digital instruments and workflows for excess automation, allegedly impairing creative or sonic control. In any case, as production technology has drastically changed, so have

1159-440: Is the first step in a broader effort to improve those numbers and increase diversity and inclusion for all in the music industry." Film director The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget . There are many pathways to becoming

1220-418: Is to envisage a way to translate a screenplay into a fully formed film, and then to realize this vision. To do this, they oversee the artistic and technical elements of film production. This entails organizing the film crew in such a way to achieve their vision of the film and communicating with the actors. This requires skills of group leadership, as well as the ability to maintain a singular focus even in

1281-738: Is £50,440, in Canada is $ 62,408, and in Western Australia it can range from $ 75,230 to $ 97,119. In France, the average salary is €4000 per month, paid per project. Luc Besson was the highest paid French director in 2017, making €4.44 million for Valerian and the City of a Thousand Planets . That same year, the top ten French directors' salaries in total represented 42% of the total directors' salaries in France. Film directors in Japan average

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1342-825: The Annenberg Inclusion Initiative, based in the USC Annenberg School for Communication and Journalism , issued a report, estimating that in the prior several years, about 2% of popular songs' producers were female. Also that month, Billboard magazine queried, "Where are all the female music producers?" Upon the Annenberg Inclusion Initiative's second annual report, released in February 2019, its department at USC reported, "2018 saw an outcry from artists, executives and other music industry professionals over

1403-707: The "bed tracks"—the rhythm section , including the bassline , drums, and rhythm guitar—whereas vocals and instrument solos could be added later. A horn section , for example, could record a week later, and a string section another week later. A singer could perform her own backup vocals, or a guitarist could play 15 layers. Across the 1960s, popular music increasingly switched from acoustic instruments, like piano, upright bass , acoustic guitar , and brass instruments , to electronic instruments, like electric guitars , keyboards , and synthesizers , employing instrument amplifiers and speakers. These could mimic acoustic instruments or create utterly new sounds. Soon, by combining

1464-432: The 1940s advent of tape recording —which Les Paul promptly innovated further to develop multitrack recording —and the 1950s rise of electronic instruments, turned record production into a specialty. In popular music, then, producers like George Martin , Phil Spector and Brian Eno led its evolution into its present use of elaborate techniques and unrealistic sounds, creating songs impossible to originate live. After

1525-462: The 1940s, during World War II, the Germans refined audio recording onto magnetic tape—uncapping recording duration and allowing immediate playback, rerecording, and editing—a technology that premised emergence of record producers in their current roles. Early in the recording industry, a record was attained by simply having all of the artists perform together live in one take. In 1945, by recording

1586-522: The 1960s. Still, a formal distinction was elusive for some time more. A&R managers might still be creative directors, like William "Mickey" Stevenson , hired by Berry Gordy , at the Motown record label. In 1947, the American market gained audio recording onto magnetic tape. At the record industry's 1880s dawn, rather, recording was done by phonograph , etching the sonic waveform vertically into

1647-501: The 1980s, production's move from analog to digital further expanded possibilities. By now, DAWs, or digital audio workstations , like Logic Pro , Pro Tools and Studio One , turn an ordinary computer into a production console, whereby a solitary novice can become a skilled producer in a thrifty home studio. In the 2010s, efforts began to increase the prevalence of producers and engineers who are women, heavily outnumbered by men and prominently accoladed only in classical music. As

1708-404: The 1990 C+C Music Factory 's song " Gonna Make You Sweat (Everybody Dance Now) ", under the label Defected Records . In 2008, Sinclar also recorded, along with Steve Edwards, "Together". In 2009, he released " Lala Song " with the band The Sugarhill Gang , a remix of the band's 1979 hit " Rapper's Delight ", that was one of the very early hip hop songs and the first to hit the top 40 charts. In

1769-657: The 2000s, several of Sinclar's releases became international hits, being particularly popular in Europe. Some of his most popular hits include "The Beat Goes On" (2002), " Love Generation " (2005, featuring Gary "Nesta" Pine ) and " World, Hold On (Children of the Sky) " (2006, featuring Steve Edwards ). In 2006, Sinclar received the TMF Award Best Dance International (Belgium), and released the song " Rock This Party (Everybody Dance Now) ", which samples

1830-475: The 2010s, Sinclar became a very prolific music producer. In 2011, he released a song with Italian showgirl Raffaella Carrà called "Far l'amore", a remixed version of Carrà's 1976 song "A far l'amore comincia tu". In 2013, Sinclar released a single called "Summer Moonlight", while in 2015 he collaborated with Dawn Tallman for a track titled "Feel the Vibe". In 2016, he released the track "Someone Who Needs Me", under

1891-1123: The Berlin/Brandenburg TV station RBB (Berlin-Brandenburg Broadcasting) and ARTE . In recent decades American directors have primarily been coming out of USC , UCLA , AFI , Columbia University , and NYU , each of which is known for cultivating a certain style of filmmaking. Notable film schools outside of the United States include Beijing Film Academy , Centro de Capacitación Cinematográfica in Mexico City, Dongseo University in South Korea, FAMU in Prague, Film and Television Institute of India , HFF Munich , La Fémis in Paris, Tel Aviv University , and Vancouver Film School . Film directors usually are self-employed and hired per project based on recommendations and industry reputation. Compensation might be arranged as

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1952-528: The Coen brothers' Director of Photography; Wally Pfister , cinematographer on Christopher Nolan 's three Batman films made his directorial debut with Transcendence (2014). Despite the misnomer, assistant director has become a completely separate career path and is not typically a position for aspiring directors, but there are exceptions in some countries such as India where assistant directors are indeed directors-in-training. Many film directors have attended

2013-647: The Kinks produced some of their own songs, although many such songs are officially credited to specialist producers. Yet especially influential was the Beach Boys, whose band leader Brian Wilson took over from his father Murry within a couple of years after the band's commercial breakthrough. By 1964, Wilson had taken Spector's techniques to unseen sophistication. Wilson alone produced all Beach Boys recordings between 1963 and 1967. Using multiple studios and multiple attempts of instrumental and vocal tracks, Wilson selected

2074-409: The artist's and label's goals in the creation of musical content. Other duties include, but are not limited to: keeping budgets and schedules; adhering to deadlines; hiring musicians, singers, studios, and engineers; overseeing other staffing needs; and editing (Classical projects). The producer often selects and collaborates with a mixing engineer, who focuses on the especially technological aspects of

2135-469: The best combinations of performance and audio quality, and used tape editing to assemble a composite performance. The 1980s advent of digital processes and formats rapidly replaced analog processes and formats, namely, tape and vinyl. Although recording onto quality tape, at least half an inch wide and traveling 15 inches per second, had limited "tape hiss" to silent sections, digital's higher signal-to-noise ratio , SNR, abolished it. Digital also imparted to

2196-517: The capabilities of tape, multitrack recording, and electronic instruments, producers like Phil Spector , George Martin , and Joe Meek rendered sounds unattainable live. Similarly, in jazz fusion , Teo Macero , producing Miles Davis 's 1970 album Bitches Brew , spliced sections of extensive improvisation sessions. In the 1960s, rock acts like the Beatles , the Rolling Stones , and

2257-422: The director ensures that all individuals involved in the film production are working towards an identical vision for the completed film. The set of varying challenges they have to tackle has been described as "a multi-dimensional jigsaw puzzle with egos and weather thrown in for good measure". It adds to the pressure that the success of a film can influence when and how they will work again, if at all. Generally,

2318-435: The director works with the editor to edit the material into the director's cut . Well-established directors have the " final cut privilege ", meaning that they have the final say on which edit of the film is released. For other directors, the studio can order further edits without the director's permission. The director is one of the few positions that requires intimate involvement during every stage of film production . Thus,

2379-425: The film industry throughout the world has a disproportionately higher number of male directors compared to female directors, and they provide as an example the fact that only 20% of films in Europe are directed by women. 44% of graduates from a sample of European films schools are women, and yet women are only 24% of working film directors in Europe. However only a fraction of film school graduates aspire to direct with

2440-460: The industry are Logic Pro and Pro Tools. Physical devices involved include the main mixer, MIDI controllers to communicate among equipment, the recording device itself, and perhaps effects gear that is outboard. Yet literal recording is sometimes still analog, onto tape, whereupon the raw recording is converted to a digital signal for processing and editing, as some producers still find audio advantages to recording onto tape. Conventionally, tape

2501-669: The knowledge demands, although DAWs enables novices, even teenagers at home, to learn production independently. Some have attained professional competence before ever working with an artist. Among female record producers, Sylvia Moy was the first at Motown , Gail Davies the first on Nashville's Music Row , and Ethel Gabriel , with RCA , the first at a major record label . Lillian McMurry , owning Trumpet Records , produced influential blues records. Meanwhile, Wilma Cozart Fine produced hundreds of records for Mercury Records ' classical division. For classical production, three women have won Grammy awards, and Judith Sherman 's 2015 win

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2562-735: The label Spinnin' Records , with whom he also released a collaboration with Akon , titled "'Til the Sun Rise Up". In June 2018, he released a single called "I Believe", that was very popular, particularly in Italy and other parts of Europe. In May 2021, he collaborated with the vocalist Molly Hammar to produce the song "We Could Be Dancing". Sinclar has produced dozens of official remixes over his long career, including those of songs by artists such as Jamiroquai , Moby , James Brown , Madonna , Annalisa and Rihanna . Studio albums Record producer A record producer or music producer

2623-507: The lack of women in music" and "the plight of women in music", where women were allegedly being "stereotyped, sexualized, and shut out". Also in February 2019, the Recording Academy 's Task Force on Diversity and Inclusion announced an initiative whereby over 200 artists and producers—ranging from Cardi B and Taylor Swift to Maroon 5 and Quincy Jones —agreed to consider at least two women for each producer or engineer position. The academy's website, Grammy.com , announced, "This initiative

2684-472: The majority entering the industry in other roles. In Hollywood, women make up only 12.6 percent of film directors, as reported by a UCLA study of the 200 top theatrical films of 2017, but that number is a significant increase from 6.9% in 2016. As of 2014, there were only 20 women in the Directors Guild of Japan out of the 550 total members. Indian film directors are also greatly underrepresented by women, even compared to other countries, but there has been

2745-576: The manufacturing of record discs. After World War II , pioneering A&R managers who transitioned influentially to record production as now understood, while sometimes owning independent labels, include J. Mayo Williams and John Hammond . Upon moving from Columbia Records to Mercury Records , Hammond appointed Mitch Miller to lead Mercury's popular recordings in New York. Miller then produced country-pop crossover hits by Patti Page and by Frankie Laine , moved from Mercury to Columbia, and became

2806-774: The music a perceived "pristine" sound quality, if also a loss of analog recordings' perceived "warm" quality and better-rounded bass. Yet whereas editing tape media requires physically locating the target audio on the ribbon, cutting there, and splicing pieces, editing digital media offers inarguable advantages in ease, efficiency, and possibilities. In the 1990s, digital production reached affordable home computers via production software. By now, recording and mixing are often centralized in DAWs, digital audio workstations —for example, Pro Tools , Logic Pro , Ableton , Cubase , Reason , and FL Studio —for which plugins , by third parties, effect virtual studio technology . DAWs fairly standard in

2867-548: The nature of professional relationships that occur during film production. A full degree course can be designed for up to five years of studying. Future directors usually complete short films during their enrollment. The National Film School of Denmark has the student's final projects presented on national TV. Some film schools retain the rights for their students' works. Many directors successfully prepared for making feature films by working in television. The German Film and Television Academy Berlin consequently cooperates with

2928-415: The position of film director is widely considered to be a highly stressful and demanding one. It has been said that "20-hour days are not unusual". Some directors also take on additional roles, such as producing, writing or editing. Under European Union law, the film director is considered the "author" or one of the authors of a film, largely as a result of the influence of auteur theory . Auteur theory

2989-438: The precursors of record producers, supervising recording and often leading session orchestras. During the 1940s, major record labels increasingly opened official A&R departments, whose roles included supervision of recording. Meanwhile, independent recording studios opened, helping originate record producer as a specialty. But despite a tradition of some A&R men writing music, record production still referred to just

3050-463: The recording process, namely, operating the electronic equipment and blending the raw, recorded tracks of the chosen performances, whether vocal or instrumental, into a mix , either stereo or surround sound. Then a mastering engineer further adjusts this recording for distribution on the chosen media. A producer may work on only one or two songs or on an artist's entire album, helping develop the album's overall vision. The record producers may also take on

3111-407: The restrictions of the film's budget and the demands of the producer and studio (such as the need to get a particular age rating ). Directors also play an important role in post-production . While the film is still in production, the director sends " dailies " to the film editor and explains their overall vision for the film, allowing the editor to assemble an editor's cut . In post-production,

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3172-462: The role of an executive producer , who is mostly involved in the recording project on an administrative level, and from the audio engineer who operates the recording technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists do their own production. Some producers are their own engineers, operating

3233-438: The role of executive producer, managing the budget, schedules, contracts, and negotiations. (Artists and Repertoires) In the 1880s, the record industry began by simply having the artist perform at a phonograph . In 1924, the trade journal Talking Machine World , covering the phonography and record industry, reported that Eddie King, Victor Records ' manager of the "New York artist and repertoire department", had planned

3294-403: The sole superiors of the director are the producers and the studio that is financing the film, although sometimes the director can also be a producer of the same film. The role of a director differs from producers in that producers typically manage the logistics and business operations of the production, whereas the director is tasked with making creative decisions. The director must work within

3355-431: The song in its final mix. The producer's roles can include gathering ideas, composing music, choosing session musicians , proposing changes to song arrangements, coaching the performers, controlling sessions, supervising the audio mixing , and, in some cases, supervising the audio mastering . A producer may give creative control to the artists themselves, taking a supervisory or advisory role instead. As to qualifying for

3416-477: The stressful, fast-paced environment of a film set. Moreover, it is necessary to have an artistic eye to frame shots and to give precise feedback to cast and crew, thus, excellent communication skills are a must. Because the film director depends on the successful cooperation of many different creative individuals with possibly strongly contradicting artistic ideals and visions, they also need to possess conflict-resolution skills to mediate whenever necessary. Thus

3477-440: The technology across the project: preproduction, recording, mixing , and mastering . Record producers' precursors were "A&R men", who likewise could blend entrepreneurial, creative, and technical roles, but often exercised scant creative influence, as record production still focused, into the 1950s, on simply improving the record's sonic match to the artists' own live performance. Advances in recording technology, especially

3538-481: The vast majority have been men. Early in the 2010s, asked for insights that she herself had gleaned as a woman who has specialized successfully in the industry, Wendy Page remarked, "The difficulties are usually very short-lived. Once people realize that you can do your job, sexism tends to lower its ugly head." Still, when tasked to explain her profession's sex disparity, Page partly reasoned that record labels, dominated by men, have been, she said, "mistrustful of giving

3599-658: Was an early female record producer, having produced both of her Ivor Novello award-winning songs. Across the decades, many female artists have produced their own music. For instance, artists Kate Bush , Madonna , Mariah Carey , Janet Jackson , Beyoncé (even that of Destiny's Child and the Carters ), Lana Del Rey , Taylor Swift , and Lorde have produced or coproduced and Ariana Grande who produces and arranges her vocals as well as being an audio engineer. Still among specialists, despite some prominent women, including Missy Elliott in hip hop and Sylvia Massy in rock,

3660-455: Was her fifth. Yet in nonclassical, no woman has won Producer of the Year , awarded since 1975 and only one even nominated for a record not her own, Linda Perry. After Lauren Christy 's 2004 nomination, Linda Perry 's 2019 nomination was the next for a woman. On why no woman had ever won it, Perry commented, "I just don't think there are that many women interested." In the U.K., Lynsey de Paul

3721-542: Was more influenced by hip hop and jazz music and created music projects such as The Mighty Bop and Reminiscence Quartet , the latter with an ensemble of musicians and where Le Friant used the alias Desmond K . In 1998 Le Friant adopted name of Bob Sinclar after the titular character from the 1973 film Le Magnifique . He became known for popularising the "French touch" of house music with heavy use of sampled and filtered disco strings. He describes his musical style as inspired by "peace, love, and house music". In

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