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Gabinetto Vieusseux

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The Gabinetto Scientifico Letterario G. P. Vieusseux , founded in 1819 by Giovan Pietro Vieusseux , a merchant and publisher from Geneva , is a library in Florence , Italy . It played a vital role in linking the culture of Italy with that of other European countries in the 19th century, and also became one of the chief reference points for the Risorgimento movement.

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28-803: It began as a reading room that provided leading European periodicals for Florentines and visitors from abroad in a setting that encouraged conversation and the exchange of ideas. A circulating library with the latest publications in Italian , French and English was installed next to the reading room . Giacomo Leopardi and Alessandro Manzoni frequented the Gabinetto Vieusseux when they were in Florence, as did Stendhal , Schopenhauer , J. F. Cooper , Thackeray , Dostoevsky , George Gissing , Mark Twain , Émile Zola , André Gide , Kipling , Aldous Huxley and D. H. Lawrence . The institute

56-438: A periodical publication or simply a periodical ) is a published work that appears in a new edition on a regular schedule. The most familiar example is a newspaper , but a magazine or a journal are also examples of periodicals. These publications cover a wide variety of topics, from academic, technical, trade, and general interest to leisure and entertainment . Articles within a periodical are usually organized around

84-772: A '#' is used. The first issue of a periodical is sometimes also called a premiere issue or charter issue. The first issue may be preceded by dummy or zero issues. A last issue is sometimes called the final issue. Periodicals are often characterized by their period (or frequency ) of publication. This information often helps librarians make decisions about whether or not to include certain periodicals in their collection. It also helps scholars decide which journal to submit their paper to. Periodicals are often classified as either popular or scholarly. Popular periodicals are usually magazines (e.g., Ebony and Esquire ). Scholarly journals are most commonly found in libraries and databases. Examples are The Journal of Psychology and

112-605: A data bank full of information about particular written materials and documented mediations from the 20th century. Another data base has been organized for the gathering of works of art (drawings, prints, paintings, and sculpture) in the collections of the Contemporary Archives. By May 2004 there were 1,616 files for as many pieces in the collection. This archive is open to the users of the Institute. The collections of photographic material are also inspected with

140-526: A detailed analysis of their state of conservation. These files were created using the “scheda F” of the Ministero per i Beni culturali e le attività culturali (BBCC; Ministry for Arts and Culture) as a reference. The Restoration Laboratory was opened in 1968 on the premises of Palazzo Acciaiuoli della Certosa, alongside the framework that developed after the November 4, 1966 flood caused enormous damage to

168-482: A predetermined number of editions. By contrast, a novel might be published in monthly parts, a method revived after the success of The Pickwick Papers by Charles Dickens . This approach is called part-publication , particularly when each part is from a whole work, or a serial , for example in comic books . It flourished during the nineteenth century, for example with Abraham John Valpy 's Delphin Classics , and

196-468: A regular occurrence. Between December 1988 and January 1999, the laboratory transferred to its current location on Via Maggio. Four restorers work in the laboratory. The Specialized Library collects works that deal with the various aspects of the physical preservation of documents. It is open to the public during the same hours as the Contemporary Archives. It has a catalogue that is completely computerized and organized by subject that allows for perusal of

224-401: A serial publication. A book series is also a serial publication, but is not typically called a periodical. An encyclopedia or dictionary is also a book, and might be called a serial publication if it is published in many different editions over time. Periodicals are typically published and referenced by volume and issue (also known as issue number or number). Volume typically refers to

252-400: A single main subject or theme and include a title, date of publication, author(s), and brief summary of the article. A periodical typically contains an editorial section that comments on subjects of interest to its readers. Other common features are reviews of recently published books and films, columns that express the authors' opinions about various topics, and advertisements. A periodical is

280-570: The Journal of Social Work . Trade magazines are also examples of periodicals. They are written for an audience of professionals in the world. As of the early 1990s, there were over 6,000 academic, business, scientific, technical, and trade publications in the United States alone. These examples are related to the idea of an indefinitely continuing cycle of production and publication: magazines plan to continue publishing, not to stop after

308-596: The Contemporary Archives opened in the Gabinetto G.P. Vieusseux under the leadership its director at the time, Alessandro Bonsanti, to whom the archives are now dedicated. Established with the principal goal of collecting diverse material related to influential contemporary figures, the Archives, housed in the beautiful 14th-century rooms of the city-owned Palazzo Corsini Suarez, distinguishes itself in

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336-552: The Gabinetto G.P. Vieusseux’s collection. The Recovery Center focused on books published after 1850 and periodicals from 1900 onward, and the Restoration Laboratory treated the oldest materials. These two divisions merged into one laboratory in 1984. In the early seventies, with the return of the full activity of the Gabinetto Vieusseux, the laboratory began to occupy itself with all other needs for

364-495: The Institute’s restoration, apart from those damaged in the flood. many of the archived materials required even urgent assistance, especially with the opening of the Contemporary Archives in 1974. Also in the mid-seventies, the Restoration Laboratory connected with many other institutes and agencies and assisted them with restorations, collaborations, and advice. Also, visits from volunteers and trainees from various countries became

392-954: The Study of the Relationships Between Science and Literature was founded with its center close to the Centro Romantico. Fosco Maraini’s Asian Library and Photograph Archives were given to the Centro Romantico thanks to the support of the Ente Cassa di Risparmio di Firenze . 1. Coustillas, Pierre ed. London and the Life of Literature in Late Victorian England: the Diary of George Gissing, Novelist. Brighton: Harvester Press, 1978, pp. 123–5. Periodical A periodical literature (also called

420-406: The attention to visitors from abroad were all fundamental for the initiatives that led to the creation of the Gabinetto Vieusseux; they also took note of a great number of influential non-political characters in Florence and Tuscany’s recent history. The activity of research and the distribution of its findings extend into manifold aspects of our current culture, and the consultation and the support of

448-433: The comparisons of many different cultures and experiences, which characterized Giovan Piero Vieusseux’s salon. This dissemination of information, the vast number of conversations through letters from different countries, the network of correspondence among booksellers, the circulation of publications and reviews, the documentation of scientific progression, the reading public, the illumination of social and economic issues, and

476-549: The conservation of books damaged in the 1966 flood , the Centro Romantico, specializing in studies in romanticism and the 19th century, and the Archivio Contemporaneo, now named after Bonsanti, which houses manuscripts, private papers and private libraries donated by leading figures in 20th-century culture. The library continues to expand according to the criteria laid down by its founder. The institute also organizes meetings, conferences and exhibitions throughout

504-478: The integrity of the documents and collections: use, storage, maintenance, exhibitions, and reproductions, etc. Making up the Center are the restoration laboratory, a laboratory for photographs and microfilm, a division for the digitalization of documents, and a specialized library that is also open to the public. The Center has created data bases in order to manage its activities; in particular, it has created files of

532-629: The landscape of the many institutes established because of its aim to conserve the multi-faceted nature of disciplines of study, and therefore of those disciplines’ documentation. This documentation ranges from creative literature (narrative and poetry) to literary criticism, from music to theater, from architecture to painting, from photographs to art criticism. Currently the Archives house more than 130 “funds,” or collections related to individual authors, in total more than 500,000 documents and 70,000 volumes added by donation, deposit, and loan. Once organized and inventoried, these collections are available to

560-417: The latest edition of this style, a work with volume number 17 and issue number 3 may be written as follows: Sometimes, periodicals are numbered in absolute numbers instead of volume-relative numbers, typically since the start of the publication. In rare cases, periodicals even provide both: a relative issue number and an absolute number. There is no universal standard for indicating absolute numbers, but often

588-513: The number of years the publication has been circulated, and issue refers to how many times that periodical has been published during that year. For example, the April 2011 publication of a monthly magazine first published in 2002 would be listed as, "volume 10, issue 4". Roman numerals are sometimes used in reference to the volume number. When citing a work in a periodical, there are standardized formats such as The Chicago Manual of Style . In

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616-471: The original language and in translation, travel accounts, essays on cultural history of the 19th and 20th centuries, and biographies. The tradition of leisure reading, however, is still provided for with a large collection of detective stories and best-sellers of various genres. In total there are about 2,700 journals, in several languages, of which nearly 600 are from the 19th century; there are about 350 currently circulation journals available. In October 1975

644-437: The periodicals. It holds 63 periodicals and about 600 publications among monographs and other resources, amounting to about 5,350 entries. The Centro Romantico , using the documents preserved at the Institute as a point of departure, promotes research and initiatives about European society in the 19th century. In particular, however, this division of the Gabinetto Vieusseux examines the acquisition and diffusion of knowledge and

672-438: The public according to the precise rules intended to protect this important cultural resource. Consultation is available by appointment and requires a letter of introduction for students. The Conservation Center is the division of the Gabinetto Vieusseux that oversees the physical protection of the collection housed in the Institute. It collaborates with the other divisions to look over all activities that could interfere with

700-589: The research make up a part of the duties of the Centro. Among the works currently in progress are the computerized thematic and nominative index of the Vieusseux Letters, the catalogue of the correspondences of Giovan Pietro Vieusseux, and the computerized archive concerning European society in the 19th century, which is still in the stages of preparation. In November 1997, the Italian Society for

728-412: The surveys in order to analyze the documents’ state of conservation continuously. These files keep track of the most important technical features subject to eventual mutation or damage as well as characteristic elements of the documents. The surveys, which are useful for research and can set aside specific documents, are carried out systematically on the collections in the Contemporary Archives and make up

756-685: The year; in 1995 the quarterly review founded by Bonsanti in 1966 “Antologia Vieusseux” (new series) resumed publication. The cosmopolitan character of this library during the 19th century, expressed in its two sections, “lending library” and the reading room for journals, remains its unique feature even today, especially for the nature of the collection. Today the library’s collection, expanded through acquisition and numerous donations, amounts to about 300,000 monographs in several languages (Italian, French, English, and some sources in German), offering today full documentation of 19th- and 20th-century literature in

784-569: Was run privately by the Vieusseux family until 1919 when it became a foundation with a governing body headed by the Mayor of Florence or one of his delegates. Its work continued in the 20th century under the direction of distinguished men of letters such as Bonaventura Tecchi , Eugenio Montale and, for forty years, Alessandro Bonsanti , who set up three new departments: the Laboratory for

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