Misplaced Pages

#911088

64-568: GRIMMS were an English pop rock , comedy, and poetry group, originally formed as a merger of The Scaffold with two members of the Bonzo Dog Doo-Dah Band and the Liverpool Scene for two concerts in 1971 at the suggestion of John Gorman. The band's name is an acronym, formed from the initial letters of each original member's surname: During the late 1960s, The Scaffold and The Bonzo Dog Band had each already achieved

128-504: A Scaffold album, the lines between the two bands became increasingly blurred as Innes, Halsall, Megginson, Money and Conway all made significant musical contributions to the LP. Innes himself recorded and released his own solo debut How Sweet To Be An Idiot in the same year backed by Roberts, Halsall, Richards and Conway. McGough and Patten, meanwhile, also continued their ongoing parallel careers as published poets. As for GRIMMS itself, although

192-651: A breakfast show did not come naturally to them. They were replaced by Zoe Ball and Kevin Greening eight months later in October 1997; Greening soon moved on, leaving Ball as sole presenter. The reinvention of the station happened at a fortuitous time, with the rise of Britpop in the mid-1990s – bands like Oasis , Blur and Pulp were popular and credible at the time, and the station's popularity rose with them. Documentaries like John Peel's Lost in Music , which looked at

256-495: A controversial and youth-orientated movement by bringing in club DJ Pete Tong amongst others. There had been a dance music programme on Radio 1 since 1987 and Pete Tong (now the current longest-serving DJ at the station) was the second DJ to present an all dance music show. This quickly gave birth to the Essential Mix where underground DJs mix electronic and club based music in a two-hour slot. Dance and urban music has been

320-618: A countdown by the Controller of Radios 1 and 2, Robin Scott , and a jingle, recorded at PAMS in Dallas , Texas, beginning "The voice of Radio 1" – were: And, good morning everyone. Welcome to the exciting new sound of Radio 1. This was the first use of US-style jingles on BBC radio, but the style was familiar to listeners who were acquainted with Blackburn and other DJs from their days on pirate radio. The reason jingles from PAMS were used

384-441: A gaggle of others, some transferred from pirate stations, such as Keith Skues , Ed Stewart , Mike Raven , David Ryder , Jim Fisher , Jimmy Young , Dave Cash , Kenny Everett , Simon Dee , Terry Wogan , Duncan Johnson , Doug Crawford , Tommy Vance , Chris Denning , and Emperor Rosko . Many of the most popular pirate radio voices, such as Simon Dee, had only a one-hour slot per week ("Midday Spin"). I want to slag off all

448-739: A more overtly musical affair than before and felt they had succeeded by the end of recording, but once the album was released, GRIMMS finally fizzled out as the members went their separate ways and somehow never regrouped again. Although Sleepers proved to be the band's swansong, in the liner notes of the expanded CD reissue of the album the key members are reported as considering it their best and most cohesive recorded statement. UK releases UK releases US release Pop rock Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and " power pop " have been used to describe more commercially successful music that uses elements from, or

512-533: A network of transmitters which had carried the Light Programme. Most were of comparatively low power, at less than 50 kilowatts, leading to patchy coverage of the country. The first disc jockey to broadcast on the new station was Tony Blackburn , who had previously been on Radio Caroline and Radio London , and presented what became known as the Radio 1 Breakfast Show . The first words on Radio 1 – after

576-490: A new programme, The Friday Rock Show . and on 23 November Radio 1 moved from 247m (1214 kHz) to 275 & 285m (1053 & 1089 kHz) medium wave as part of a plan to improve national AM reception, and to conform with the Geneva Frequency Plan of 1975 . Annie Nightingale , whose first Radio 1 programme aired on 5 October 1969, was Britain's first national female DJ (the earliest record presenter

640-468: A new weekend breakfast show. In 1985, Radio 1 relocated from its studios in Broadcasting House to Egton House . In March 1985, Ranking Miss P became the first black female DJ on the station, hosting a reggae programme. In July, Andy Kershaw also joined the station. Simon Mayo joined the station in 1986, while Smith re-joined to replace Read on the breakfast show. In response to

704-567: A permanent feature on Radio 1 since with club DJs such as Judge Jules , Danny Rampling , Trevor Nelson , and the Dreem Teem all moving from London's Kiss 100 to the station. Listening numbers continued to decline. The breakfast show and the UK Top 40 continued to struggle. In 2000, Zoe Ball was replaced in the mornings by close friend and fellow ladette Sara Cox . The success of Moyles' show has come alongside increased success for

SECTION 10

#1732757211912

768-590: A respectable measure of success independently of each other in the UK, through their regular appearances on television and radio and their respective chart successes in 1968 with 'Lily The Pink' and 'The Urban Spaceman'. By 1970, while The Scaffold still remained active, The Bonzo Dog Band were technically no longer a going concern. Some members of the Bonzos would however briefly reform in 1971 to record Let's Make Up and Be Friendly to fulfill their recording contract, and as

832-399: A result Neil Innes and Vivian Stanshall assembled a band to tour the UK during 1971 and 72. This group, billed variously as 'Freaks' or 'Bonzo Dog Freaks' occasionally featured Andy Roberts, who was also a close long-time associate of The Scaffold. During this period, Innes and Stanshall also guested on The Scaffold's 'Do The Albert' single and some of their more obscure musical ventures such as

896-457: A weekly late night show presented by a well known Internet personality called The Internet Takeover . Shows have been presented by various YouTubers such as Jim Chapman and Hannah Witton . In January 2015, Clara Amfo replaced Jameela Jamil as host of The Official Chart on Sundays (4   pm – 7   pm) and in March, Zane Lowe left Radio 1 and was replaced by Annie Mac on

960-534: Is a noun-adjective that music critics often use in reference to guitar pop with a bright mood. Critic Philip Auslander argues that the distinction between pop and rock is more pronounced in the US than in the UK. He claims that in the US, pop has roots in white crooners such as Perry Como , whereas rock is rooted in African-American music influenced by forms such as rock and roll . Auslander points out that

1024-464: Is thought to be Jean Metcalfe of Family Favourites , but given that Metcalfe only presented the programme she is not considered a "true" DJ) and became its longest-serving presenter, having constantly evolved her musical tastes with the times. In 1978, Al Matthews became the first black disc jockey to join Radio 1. His Saturday night show Discovatin ' was broadcast for over two years. During

1088-566: The BBC . It specialises in modern popular music and current chart hits throughout the day. The station provides alternative genres at night, including electronica , dance, hip hop and indie , while its sister station 1Xtra plays black contemporary music , including hip hop and R&B . Radio 1 also runs two online streams, Radio 1 Dance , dedicated to dance music, and Radio 1 Anthems , dedicated to throwback music; both are available to listen only on BBC Sounds . Radio 1 broadcasts throughout

1152-399: The "real" initial version of GRIMMS, despite the acronym which only included the names of six of them. Others who appeared live and on record with the band throughout its existence included (amongst many others): All the band members were paid the same wage on the road, and members who weren't performing in a show would sit with the audience. Roberts, Richards and Stanshall do not appear on

1216-504: The 1960s, Frith termed it "folk rock", and the pop-infused styles of the 1970s were called "pop rock". Moore-Gilbert claims that this approach unfairly puts rock at the apex and makes every other influence become an add-on to the central core of rock. In Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau discussed the term "pop-rock" in the context of popular music's fragmentation along stylistic lines in

1280-449: The 1970s; he regarded "pop-rock" as a "monolith" that "straddled" all burgeoning movements and subgenres in the popular and semipopular music marketplace at the time, including singer-songwriter music, art rock , heavy metal , boogie , country rock , jazz fusion , funk , disco , urban contemporary , and new wave , but not punk rock . BBC Radio 1 BBC Radio 1 is a British national radio station owned and operated by

1344-457: The 1990s the Britpop boom declined, and manufactured chart pop (boy bands and acts aimed at sub-teenagers) came to dominate the charts. New-genre music occupied the evenings (indie on weekdays and dance at weekends), with a mix of specialist shows and playlist fillers through late nights. The rise of rave culture through the late 1980s and early 1990s gave the station the opportunity to move into

SECTION 20

#1732757211912

1408-546: The BBC 'Radio Weeks' promotions that took Radio 1, 2 and 4 shows on the road – drew some of the largest crowds of the decade. The station undoubtedly played a role in maintaining the high sales of 45 rpm single records, although it benefited from a lack of competition, apart from Radio Luxembourg , and from Manx Radio in the Isle of Man. ( Independent Local Radio did not begin until October 1973, took many years to cover virtually all of

1472-468: The BBC was a turn-off for some, and needle time restrictions prevented it from playing as many records as offshore stations had. It also had limited finances and often, as in January 1975, suffered disproportionately when the BBC had to make financial cutbacks, strengthening an impression that it was regarded as a lower priority by senior BBC executives. Despite this, it gained massive audiences, becoming

1536-435: The UK and was initially a mixture of music and talk). Alan Freeman 's "Saturday Rock Show" was voted "Best Radio Show" five years running by readers of a national music publication, and was then axed by controller Derek Chinnery. News coverage on the station was boosted in 1973 when Newsbeat bulletins aired for the first time, and Richard Skinner joined the station as one of the new programme's presenters. On air, 1978

1600-435: The UK on FM between 97.1 MHz and 99.7 MHz , digital radio , digital TV and BBC Sounds. It was launched in 1967 to meet the demand for music generated by pirate radio stations, when the average age of the UK population was 27. The BBC claims that it targets the 15–29 age group, and the average age of its UK audience since 2009 is 30. BBC Radio 1 started 24-hour broadcasting on 1 May 1991. According to RAJAR ,

1664-448: The band's albums, the line-up remained flexible enough to allow him to occasionally return for guest spots at concerts afterwards. Henri, Giles and Money all left after the live album was released in early 1973, to be replaced by Halsall and Conway. During this busy period McGough, McGear, Gorman and Roberts also remained a going concern on their own terms as The Scaffold, releasing the album Fresh Liver , also on Island Records. Ostensibly

1728-442: The band's first Island Records LP, Grimms , which was a live recording compiled from a run of UK shows in 1972. Roberts and Richards were committed to touring with the band Plainsong in 1972 and so missed the performances during which the first album was recorded. The notoriously mercurial Stanshall, meanwhile, had essentially already left the group before the LP was recorded, but although he consequently never appeared on any of

1792-409: The band's line-up was in a constant state of flux, it nevertheless retained a core membership of about 10 players right through to the end of 1973. GRIMMS' own second LP of 1973, the studio album Rockin' Duck , received generally favourable press, but shortly after its release tensions among the band's leaders reached breaking point, preventing the group from capitalising on the good reviews. During

1856-462: The breakfast show in January 1994, Bannister hired Chris Evans to present the breakfast show in April 1995. Evans was a popular presenter but was dismissed in 1997 after he demanded to present the breakfast show for only four days per week. Evans was replaced from 17 February 1997 by Mark and Lard – Mark Radcliffe and his sidekick Marc Riley – who found the slick, mass-audience style required for

1920-651: The chief executive of RadioCentre, was "to identify both areas of best practice and possible savings." The controller of Radio 1 and sister station 1Xtra changed to Ben Cooper on 28 October 2011, following the departure of Andy Parfitt. Ben Cooper answered to the Director of BBC Audio and Music, Tim Davie. On 7 December 2011, Ben Cooper's first major changes to the station were announced. Skream & Benga, Toddla T , Charlie Sloth and Friction replaced Judge Jules, Gilles Peterson , Kissy Sell Out and Fabio & Grooverider. A number of shows were shuffled to incorporate

1984-456: The concept of pop rock, which blends pop and rock, is at odds with the typical conception of pop and rock as opposites. Auslander and several other scholars, such as Simon Frith and Grossberg, argue that pop music is often depicted as an inauthentic, cynical, "slickly commercial", and formulaic form of entertainment. In contrast, rock music is often heralded as an authentic, sincere, and anti-commercial form of music, which emphasizes songwriting by

GRIMMS - Misplaced Pages Continue

2048-448: The country by having that play list monopoly. — Joe Strummer Initially, the station was unpopular with some of its target audience who, it is claimed, disliked the fact that much of its airtime was shared with Radio 2 and that it was less unequivocally aimed at a young audience than the offshore stations, with some DJs such as Jimmy Young being in their 40s. The very fact that it was part of an "establishment" institution such as

2112-443: The early weekend shows. Gary Davies and Janice Long also joined, hosting Saturday night late and evening shows respectively. In 1984, Robbie Vincent joined to host a Sunday evening soul show. Mike Smith left for a while to present BBC1's Breakfast Time ; Gary Davies then took over the weekday lunchtime slot. Bruno Brookes joined and replaced Peter Powell as presenter of the teatime show, with Powell replacing Blackburn on

2176-556: The end of the year Halsall had also left GRIMMS (and would soon go on to join Hiseman's new group Tempest ). During 1974, GRIMMS suspended operations entirely when The Scaffold, at McGear's instigation, reunited for a major tour in support of surprise hit single "Liverpool Lou", and most of the remaining GRIMMS – with the notable exception of Patten – accompanied them. The Scaffold then elected to record another, final album, Sold Out , and those commitments stymied any GRIMMS activity until

2240-604: The following year. GRIMMS eventually reconvened early in 1975 to tour and to film a television special entitled GRIMMS on Women shown as part of the BBC series The Camera and the Song . Gorman, Innes, McGough, Roberts, Richards and Megginson were rejoined in this endeavour by Patten and a returning Zoot Money, and new arrival 'Admiral' John Halsey (formerly of Patto and currently of Innes' backing band Fatso, and later to reunite with Innes and Ollie Halsall in The Rutles ) entered

2304-513: The form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Christopher Waterman, it is defined as an "upbeat variety of rock music" represented by artists and bands such as Andy Kim , the Bells , Paul McCartney , Lighthouse , and Peter Frampton . The term "pop" has been used since the early forties to refer to popular music in general, but in

2368-612: The growth in dance and rap music, Jeff Young joined in October 1987 with the Big Beat show. At the end of the year Nicky Campbell , Mark Goodier and Liz Kershaw all joined, and Janice Long left. Mayo replaced Smith on the breakfast show in May 1988. In September, Goodier and Kershaw took over weekend breakfasts with Powell departing. Campbell took over weekday evenings as part of a move into night-time broadcasting as 1 October 1988 saw Radio 1 extend broadcast hours until 02:00; previously

2432-444: The influence that the use of drugs have had over popular musicians, received critical acclaim but were slated inside Broadcasting House . At just before 09:00 on 1 July 1994, Radio 1 broadcast on medium wave for the final time. In March 1995, Radio 1 hosted an "Interactive Radio Night" with Jo Whiley and Steve Lamacq broadcasting from Cyberia , an internet café and featuring live performances by Orbital via ISDN . Later in

2496-499: The mid-1950s, it began to be used for a distinct genre, aimed at a youth market, often characterized as a softer alternative to rock and roll. In the aftermath of the British Invasion , from about 1967, it was increasingly used in opposition to the term rock, to describe a form that was more commercial, ephemeral and accessible. As of the 2010s, "guitar pop rock" and " indie rock " are roughly synonymous terms. " Jangle "

2560-539: The most listened-to station in the world, with audiences of over ten million claimed for some of its shows (up to twenty million for some of the combined Radio 1 and Radio 2 shows). In the early-to-mid-1970s Radio 1 presenters were rarely out of the British tabloids, thanks to the Publicity Department's high-profile work. The touring summer live broadcasts called the Radio 1 Roadshow – usually as part of

2624-632: The new line-up. On 28 February 2012, further changes were announced. Greg James and Scott Mills swapped shows and Jameela Jamil , Gemma Cairney and Danny Howard joined the station. The new line-up of DJs for In New DJs We Trust was also announced with B.Traits , Mosca, Jordan Suckley and Julio Bashmore hosting shows on a four weekly rotation. This new schedule took effect on Monday, 2 April 2012. In September 2012, Nick Grimshaw replaced Chris Moyles as host of "Radio 1's Breakfast Show". Grimshaw previously hosted Mon-Thurs 10pm-Midnight, Weekend Breakfast and Sunday evenings alongside Annie Mac. Grimshaw

GRIMMS - Misplaced Pages Continue

2688-501: The people in charge of radio stations. Firstly, Radio 1. They outlawed the pirates and then didn't, as they promised, cater for the market the pirates created. Radio 1 and 2, most afternoons, run concurrently and the whole thing has slid right back to where it was before the pirates happened. They've totally fucked it. There's no radio station for young people any more. It's all down to housewives and trendies in Islington. They're killing

2752-480: The reins fully in October 1993. His aim was to rid the station of its " Smashie and Nicey " image in order to appeal to the under-25s. Although originally launched as a youth station, by the early 1990s, its loyal listeners and DJs had aged with the station over its 25-year history. Many long-standing DJs, such as Simon Bates , Dave Lee Travis , Alan Freeman , Bob Harris , Paul Gambaccini , Gary Davies , and later Steve Wright, Bruno Brookes and Johnnie Walker left

2816-535: The scene. Halsey had a highly developed sense of comedic timing honed during his days in Patto which brought much to GRIMMS' live performances of the period. It was also around this time that GRIMMS released a book of poetry, lyrics, prose and art based loosely around their exploits on tour entitled 'Clowns on the Road'. By the time it came to record their third and what turned out to be final album Sleepers in 1976, Halsey

2880-430: The singers and bands, instrumental virtuosity, and a "real connection with the audience". Frith's analysis of the history of popular music from the 1950s to the 1980s has been criticized by B. J. Moore-Gilbert, who argues that Frith and other scholars have overemphasized the role of rock in the history of popular music by naming every new genre using the "rock" suffix. Thus, when a folk-oriented style of music developed in

2944-402: The six founder members were augmented by various friends and guest musicians - at the second appearance, for example, Keith Moon played drums (Moon had also played with 'Freaks', most notably on their BBC Radio One session in March 1971). However, once GRIMMS was more formally organised by 1972, regular personnel were quickly added, including: These eleven musicians, poets and performers formed

3008-608: The station broadcasts to a weekly audience of 7.3 million with a listening share of 4.5% as of March 2024. Radio 1 was established in 1967 (along with the more middle-of-the-road BBC Radio 2 ) as a successor to the BBC Light Programme , which had broadcast popular music and other entertainment since 1945. Radio 1 was conceived as a direct response to the popularity of offshore pirate radio stations such as Radio Caroline and Radio London , which had been declared illegal by Act of Parliament . Radio 1's initial format

3072-429: The station had closed for the night at midnight. From September 1988, Radio 1 began its FM switch-on, with further major transmitter switch-ons in 1989 and 1990. It was not until the mid-1990s that all existing BBC radio transmitters had Radio 1 added. Previously, Radio 1 had "borrowed" Radio 2's VHF/FM frequencies for around 25 hours each week. On 1 May 1991, Radio 1 began 24-hour broadcasting, although only on FM, as

3136-545: The station in general. In 2006, DJs Scott Mills and Zane Lowe won gold Sony Radio Awards , while the station itself came away with the best station award. A new evening schedule was introduced in September 2006, dividing the week by genre. The licence-fee funding of Radio 1, alongside Radio 2, is often criticised by the commercial sector. In the first quarter of 2011 Radio 1 was part of an efficiency review conducted by John Myers . His role, according to Andrew Harrison,

3200-406: The station or were dismissed, and in January 1995, older music (typically anything recorded before 1990) was dropped from the daytime playlist . Many listeners rebelled as the first new DJs to be introduced represented a crossover from other parts of the BBC (notably Bannister and Trevor Dann's former colleagues at the BBC's London station, GLR ) with Emma Freud and Danny Baker . Another problem

3264-436: The station – including Edith Bowman, Nihal and Rob da Bank. Huw Stephens gained a new show hosting 10   pm – 1   am Monday–Wednesday with Alice Levine presenting weekends 1   pm – 4   pm. Radio 1's Residency also expanded with Skream joining the rotational line-up on Thursday nights (10   pm – 1   am). From December 2014 to April 2016, Radio 1 included

SECTION 50

#1732757211912

3328-406: The station's MW transmitters were switched off between midnight and 06:00. In 1992, Radio 1, for the first and only time, covered a general election . Their coverage was presented by Nicky Campbell . In his last few months as controller, Johnny Beerling commissioned a handful of new shows that in some ways set the tone for what was to come under Matthew Bannister . One of these " Loud'n'proud "

3392-460: The station. The changes took effect in January 2013. Former presenter Sara Cox hosted her last show on Radio 1 in February 2014 before moving back to Radio 2. In March 2014, Gemma Cairney left the weekend breakfast show to host the weekday early breakfast slot, swapping shows with Dev. In September 2014, Radio 1 operated a series of changes to their output which saw many notable presenters leave

3456-531: The summer months a Wednesday show was also broadcast featuring live acts. At the start of 1981, Mike Read took over The Radio 1 Breakfast Show from Dave Lee Travis . Towards the end of the year, Steve Wright started the long-running Steve Wright in the Afternoon show. In 1982, the new Radio 1's Weekend Breakfast Show started, initially with Tony Blackburn supported by Maggie Philbin and Keith Chegwin . Adrian John and Pat Sharp also joined for

3520-462: The theme song to the 1972 movie 'Burke And Hare'. A more formal grouping of the talents involved seemingly became inevitable. Neil Innes said about the eventual formation of GRIMMS: "I don't know what attracted the Scaffold to the Bonzos; we were incredibly anarchic, which was probably something shared by the Scaffold as well. Hence GRIMMS, this leap in the dark." For GRIMMS' initial performances,

3584-468: The tour behind the album in late 1973, a violent outburst from Patten towards McGear on the band's tour bus in Manchester led to McGear leaving the group. During this tour Neil Innes was absent for certain dates and John Hiseman also sat in on drums to cover for the outgoing Conway, and the absence of Innes and presence of Hiseman can be heard on a BBC Radio 1 In Concert broadcast from this period. By

3648-600: Was " Flowers in the Rain " by The Move , the number 2 record in that week's Top 20 (the number 1 record, The Last Waltz by Engelbert Humperdinck , would have been inappropriate for the station's sound). The second single was " Massachusetts " by the Bee Gees . The breakfast show remains the most prized slot in the Radio 1 schedule, with every change of breakfast show presenter generating considerable media interest. The initial rota of staff included John Peel , Pete Myers , and

3712-458: Was influenced in particular by Radio London's American-style Top 40 format, in which music was divided into categories played in strict rotation. The new service was initially promoted in the summer of 1967 by trails (voiced by Kenny Everett ) which referred to it as "Radio 247", the station's temporary working title. Radio 1 was launched at 7:00   am on Saturday 30 September 1967. Broadcasts were on 1214 kHz AM (247 metres), using

3776-449: Was replaced by Phil Taggart and Alice Levine on the 10pm-Midnight show. In November 2012, another series of changes were announced. This included the departure of Reggie Yates and Vernon Kay. Jameela Jamil was announced as the new presenter of The Official Chart . Matt Edmondson moved to weekend mornings with Tom Deacon briefly replacing him on Wednesday nights. Daniel Howell and Phil Lester , famous YouTubers and video bloggers, joined

3840-541: Was that the Musicians' Union would not agree to a single fee for the singers and musicians if the jingles were made "in-house" by the BBC; they wanted repeat fees each time one was played. The first music to be heard on the station was an extract from "Beefeaters" by Johnny Dankworth . " Theme One ", specially composed for the launch by George Martin was played for the first time before Radio 1 officially launched at 7 am. The first complete record played on Radio 1

3904-499: Was that, at the time, Radio 2 was sticking resolutely to a format which appealed mainly to those who had been listening since the days of the Light Programme , and commercial radio, which was targeting the "Radio 1 and a half" audience, consequently enjoyed a massive increase in its audience share at Radio 1's expense. After the departure of Steve Wright, who had been unsuccessfully moved from his long-running afternoon show to

SECTION 60

#1732757211912

3968-488: Was the UK's first national radio series aimed at a gay audience, which was produced in Manchester and aired from August 1993. Far from being a "parting quirk", the show was a surprise hit and led to the network's first coverage of the large outdoor Gay Pride event in 1994. The Man Ezeke became Radio 1's first black regular daytime presenter when he began hosting on Sunday lunchtimes in January 1993. Bannister took

4032-465: Was the busiest year of the decade. David Jensen replaced Dave Lee Travis as host of the weekday drivetime programme so that DLT could replace Noel Edmonds as presenter of the Radio 1 Breakfast show. Later in the year the Sunday teatime chart show was extended from a Top 20 countdown to a Top 40 countdown, and Tommy Vance , one of the station's original presenters, rejoined the station to present

4096-406: Was unavailable and Patten and Money had both left again (although Money later contributed vocals to one track). Drummer Timmy Donald (whose name was misspelled as Donnell in the original LP credits) had joined them for the album sessions, which left the final version of GRIMMS with 'only' seven members (Gorman, Roberts, Innes, McGough, Megginson, Richards and Donald). The band set out to make the album

#911088