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94-621: Made the Following Bestseller Lists: This article about a romance novel of the 2000s is a stub . You can help Misplaced Pages by expanding it . See guidelines for writing about novels . Further suggestions might be found on the article's talk page . Romance novel A romance novel or romantic novel is a genre fiction novel that primary focuses on the relationship and romantic love between two people, typically with an emotionally satisfying and optimistic ending. Authors who have contributed to

188-571: A statuette . Authors who have won at least three RITA Awards within a specific category of romance (e.g., Long Contemporary Romance, Romantic Suspense) is inducted into the RWA Hall of Fame. The first inductee was Nora Roberts. Other authors honored include Jo Beverley , Julia Quinn , and Jennifer Greene . After controversies concerning the lack of diversity in RITA winners , the RITA Award

282-408: A "decency code", and rejected more sexually explicit material that Mills and Boon submitted for reprinting. Realizing that the genre was popular, Richard Bonneycastle finally decided to read a romance novel. He chose one of the more explicit novels and enjoyed it. On his orders, the company conducted a market test with the novel he had read and discovered that it outsold a similar, tamer novel. Overall,

376-464: A 90–100% sellout rate each month. A 1982 survey of romance readers confirmed that the new styles of writing were attracting new readers to the genre. 35% of the readers surveyed had begun reading romances after 1977. An additional 31% of those surveyed had been readers for between 6 and 10 years, meaning they had become interested in the genre after 1972, when Woodiwiss' revolutionary novel was published. This means that two-thirds of those surveyed joined

470-410: A book of letter templates. Richardson accepted the request, but only if the letters had a moral purpose. As Richardson was writing the series of letters turned into a story. Writing in a new form, the novel, Richardson attempted to both instruct and entertain. Richardson wrote Pamela as a conduct book , a sort of manual which codified social and domestic behavior of men, women, and servants, as well as

564-403: A different imprint. The Board began to focus more on diversity and inclusion efforts, leading to a backlash from some of its white members. In summer 2017, founding RWA member Linda Howard posted on an internal forum that "'Diversity for the sake of diversity is discrimination'". The resulting furor led Howard to leave the organization. Many authors pointed to the RITA awards as evidence that

658-522: A finalist for the Best Inspirational Romance RITA, was accused of antisemitism . The hero of her novel, For Such a Time , was a Nazi concentration camp commandant, and the heroine was an imprisoned Jew who later converted to Christianity. At the same conference, an editor for a major publisher admitted that they did not purchase any books by non-white authors or featuring non-white characters; those were instead segregated to

752-566: A love story between a beautiful and talented maiden and a handsome young scholar. Some examples of these novels include Ping Shan Leng Yan , Haoqiu zhuan , Iu-Kiao-Li , Huatu yuan , Qiao Lian Zhu , Wu Mei Yuan , Bai Gui Zhi , Jin Yun Qiao , Ting Yue Lou , Wu Jiang Xue , Lin er bao , Ying Yun meng , Tiehua xianshi , Shuishi yuan , Jinxiang ting , Erdu mei quanzhuan , Dingqing ren , Qingmeng tuo and Zhuchun yuan . They feature themes influenced by

846-638: A manuscript, can join as non-voting associate members. Booksellers and librarians can join as non-voting affiliate members. All members receive the RWA's magazine, the Romance Writer Report . Every summer, the RWA holds a national conference. In 2007, approximately 1,900 members attended the conference in Dallas , Texas , participating in workshops and attending lectures designed for both published and unpublished authors. A Librarian's Day started

940-480: A more sensitive man. Despite the broadening of some aspects of the plot, other taboos remained, and publishers discouraged authors from writing about controversial subjects such as terrorism, warfare, and masculine sports. Romance novels began to contain more humor beginning in the 1990s, as Julie Garwood began introducing a great deal of humor into her historical romances. The romance novel began to expand in other ways as well. In 1989, author Jude Deveraux became

1034-497: A narrative in order to provide a more morally concerned literature option for young audiences. This conduct book genre has a long history. The Romance novelist, Maria Edgeworth , influenced Victorian era motifs and authors with many of her works including Belinda (1801) and Helen (1834). An admirer of Edgeworth, Jane Austen, further influenced the Romance genre and Victorian era with her novel Pride and Prejudice (1813), which

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1128-545: A new style of writing romance, concentrating primarily on historical fiction tracking the monogamous relationship between a helpless heroine and the hero who rescued her, even if he had been the one to place her in danger. The covers of these novels tended to feature scantily clad women being grabbed by the hero, and caused the novels to be referred to as " bodice rippers". Cover arts of this style are referred to as clinch covers . A Wall Street Journal article in 1980 referred to these bodice rippers as "publishing's answer to

1222-403: A romantic relationship, although the novel can also contain subplots that do not specifically relate to the main characters' romantic love. Furthermore, a romance novel must have an "emotionally satisfying and optimistic ending." Others, including Leslie Gelbman, a president of Berkley Books , define the genre more simply, stating only that a romance must make the "romantic relationship between

1316-525: A set threshold from royalties or advances. Authors who use vanity publishers who offer little or no editing or promotional help do not qualify for PAN. Members may also join local or online RWA chapters. These provide writers with the opportunity to meet, share critiques, and learn the art of writing. With this practice, "romance writers are the only authors who train their own competition and pride themselves on sharing what they know." Industry professionals, as well as aspiring authors who have not completed

1410-409: A single U.S. print run, remaining on a bookseller's shelves until they are sold out or until the next month's titles are released and take their place. Writers for the largest publisher of category romance, Harlequin/Mills & Boon , can find their novels translated into 26 languages and sold in over 100 international markets. Romance Writers of America Romance Writers of America ( RWA )

1504-478: A story line, how to use firefighter lingo, or how to pick the cover art for your book. The annual conference features a literacy signing, where the public is invited to meet close to 500 authors and gain autographs. In 2007, the event raised almost $ 60,000 for literacy charities. The RWA funds several scholarships for members to attend the national conference. The scholarships pay for travel, lodging, and registration fees. The RWA holds an awards ceremony during

1598-527: Is a gold medallion in a heart shape. In 1990 the Golden Medallion was replaced with the RITA Award . Named for the RWA's first president, Rita Clay Estrada , the award signifies excellence in one of 12 categories of romantic fiction. Authors and editors submit published works for consideration near the end of the year. A few months later, finalists are announced. The winners are presented with

1692-535: Is an American non-profit writers' association founded in 1980. Its mission is to "advance the professional and common business interests of career-focused romance writers through networking and advocacy and by increasing public awareness of the romance genre." Relevant works must be themed around the development of a romantic relationship between two people, and there must be a happy ending. As well as published authors, those with complete but unpublished manuscripts are eligible for membership. Authors are eligible to join

1786-599: Is not Romance Fiction. However, both scholarly analysis and the conversations between Gabaldon and her publisher about whether to market the books as romances, reveal that the discourse about genre labels is more nuanced. In 2022, it was announced that the best-selling "cult" Winston Brother series by self-published "smart-romance" author, Penny Reid , has been optioned for a television adaptation by Tomorrow Studios. Romance novels are divided into two sub-sets, category romances, also known as series romances, and single title romances. Many authors write only within one of

1880-441: Is not directly a subcategory of the romance novel genre, because in women's fiction the heroine's relationship with her family or friends may be as important as her relationship with the hero. There is a lot of controversy among romance authors about what should and should not be included in plots of romance novels. Some romance novel authors and readers believe the genre has additional restrictions, from plot considerations (such as

1974-470: The Big Mac : They are juicy, cheap, predictable, and devoured in stupefying quantities by legions of loyal fans." The term bodice ripper is now considered offensive to many in the romance industry. In this new style of historical romance, heroines were independent and strong-willed and were often paired with heroes who evolved into caring and compassionate men who truly admired the women they loved. This

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2068-639: The New York Times' s 100 Notable Books of the Year, an honor that is exceedingly rare for a romance. Many authors began to debate whether the RITA Awards were truly representative of excellence in the industry. The Board released a statement "“apologiz[ing] to our members of color and LGBTQ+ members for putting them in a position where they feel unwanted and unheard.” At the conference in July 2019, two of

2162-570: The protagonists ' meeting early on in the story), to avoiding themes (such as adultery ). Other disagreements have centered on the firm requirement for a happy ending; some readers admit stories without a happy ending, if the focus of the story is on the romantic love between the two main characters (e.g., Romeo and Juliet ). While the majority of romance novels meet the stricter criteria, there are also many books widely considered to be romance novels that deviate from these rules. The Romance Writers of America's definition of romance novels includes only

2256-606: The 1930s. Their books were sold in North America by Harlequin Enterprises Ltd , which began direct marketing to readers and allowing mass-market merchandisers to carry the books. An early American example of a mass-market romance was Kathleen E. Woodiwiss ' The Flame and the Flower (1972), published by Avon Books . This was the first single-title romance novel to be published as an original paperback in

2350-627: The 1950s, the company began offering the books for sale through newsagents across the United Kingdom. A Canadian company, Harlequin Enterprises , began distributing in North America in 1957 the category romances published by Mills & Boon. Mary Bonneycastle, wife of Harlequin founder Richard Bonneycastle, and her daughter, Judy Burgess, exercised editorial control over which Mills & Boon novels Harlequin reprinted. They had

2444-590: The 1974 publication of Woodiwiss' second novel, The Wolf and the Dove and two more sexually graphic novels by newcomer Rosemary Rogers , Sweet Savage Love and Dark Fires . The latter sold two million copies in its first three months of release. By 1975, Publishers Weekly had reported that the "Avon originals" had sold a combined 8 million copies . The following year over 150 historical romance novels, many of them paperback originals, were published, selling over 40 million copies . The success of these novels prompted

2538-429: The 1980s, by Marion Chesney (pen name M.C. Beaton), who was known more widely for her detective series featuring Hamish MacBeth and Agatha Raisin . Strong sales of popular romance novels make this the largest segment of the global book market. The genre boomed in the 1980s, with the addition of many different categories of romance and an increased number of single-title romances, but popular authors started pushing

2632-432: The 1980s, many plot lines that were once thought to be taboo by the romance publishing industry have become much more accepted into the mainstream of romance fiction. For example, in the 20th century it was rare to find a book with a hero who was in the military or professional sports. In the 21st century, however, such characters are relatively common and even have their own sub-genres within the romance category. By 2000,

2726-504: The Board rescinded the punishment. Eight members of the group's Board of Directors, all women of color, resigned as a block. RWA President Carolyn Jewell also resigned. There was significant backlash to the sanctioning of Milan. The annual RITA awards were cancelled after many judges resigned and hundreds of authors withdrew their books from consideration. Most of the major publishers in the industry announced they would not attend or support

2820-537: The Nobel laureate Gabriel García Márquez received critical praise for his romance novel Love in the Time of Cholera . Arthur Schopenhauer held that, if poets and novelists across continents have not stopped producing romance novels since millennia, it is because no other topic is more relevant and so the theme never gets old. According to Schopenhauer, romance/love is more important than other topics because it affects

2914-436: The RITA winners, M. Malone and Kennedy Ryan, were black women, and one woman, Nisha Sharma, was the first winner of South Asian descent. In August 2019, many authors participated in a Twitter discussion about racism and gatekeeping within the romance publishing industry. Courtney Milan , a Chinese-American author, joined the discussion and critiqued a book written by a current acquiring editor, Kathryn Lynn Davis. Milan labeled

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3008-593: The RWA announced that it was replacing the Rita Awards with the Vivian Awards, named after Vivian Stephens , the organization's founder, a black editor, "in an attempt to move on from the controversy" and to recognise that "happily ever afters are for everyone”. In May 2024, the RWA filed for Chapter 11 bankruptcy , stating that it owed millions of dollars in contracts to convention centers for hotel rooms. An 80% decline in membership since 2019, described by

3102-463: The RWA if they are actively pursuing a career writing romance novels . According to the RWA, the main plot of a romance novel must revolve around the two people as they develop romantic love for each other and work to build a relationship together. Both the conflict and the climax of the novel should be directly related to that core theme of developing a romantic relationship, although the novel can also contain subplots that do not specifically relate to

3196-511: The US. Nancy Coffey was the senior editor who negotiated a multi-book deal with Woodiwiss. In the UK, the romance genre was long established through the works of prolific author, Georgette Heyer , which contain many tropes and stereotypes, some of which, have recently been edited out of some of her novels. In the 1950s emerging bestselling British romance writers included Catherine Cookson , followed in

3290-520: The annual RWA conference because they questioned the RWA's support of diversity and inclusion. The Cultural, Interracial, and Multicultural Special Interest Chapter of the RWA, which hosted authors whose local chapters were not perceived as welcoming to women of color, started a petition to recall new President Damon Suede. Suede and the RWA Executive Director resigned on January 9, 2020. More board resignations followed. In May 2020,

3384-586: The annual conference. In 1982, the RWA presented its first award, the Golden Medallion, in four categories. The categories expanded to six in 1983, eight by 1989 and eventually twelve. For many years, the RWA also honored unpublished authors with a Golden Heart Award. The first round was judged by a panel of RWA members. One hundred manuscripts are chosen as finalists. The finalists' manuscripts are judged by acquiring editors from romance publishing houses. Generally, about 30% of Golden Heart finalists find their work accepted by print publishers. The award itself

3478-484: The book and its portrayal of a half-Chinese heroine as racist. Davis and the publisher for whom she works, Suzan Tisdale, filed RWA ethics complaints against Milan, who was at the time the chair of the Ethics Committee. In late December 2019, the Board voted to suspend Milan for one year and ban her from leadership for life; within a few days, after questions were raised about the process used to sanction Milan,

3572-727: The book industry characterize books dealing with same-sex relationships as F/F, and M/M. Many famous literary fiction romance novels end tragically. Examples include: Wuthering Heights by Emily Brontë , Anna Karenina by Leo Tolstoy , The Thorn Birds by Colleen McCullough , Norwegian Wood by Haruki Murakami , Atonement by Ian McEwan , and The Song of Achilles by Madeline Miller . The genre of works of extended prose fiction dealing with romantic love existed in classical Greece. The titles of over twenty such ancient Greek romance novels are known, but most of them have only survived in an incomplete, fragmentary form. Only five ancient Greek romance novels have survived to

3666-524: The books. The romance genre has sometimes generated criticism. Some critics point to a lack of suspense, as it may seem obvious that the hero and heroine will eventually resolve their issues, and wonder whether it is beneficial "for women to be whiling away so many hours reading impossibly glamorized love stories." According to fiction author Melissa Pritchard , a romance novel "perpetuates something slightly dangerous, that there's this notion, that there's this perfect love out there, and it can distract you from

3760-478: The boundaries of both the genre and plot, as well as creating more contemporary characters. Women will pick up a romance novel knowing what to expect, and this foreknowledge of the reader is very important. When the hero and heroine meet and fall in love, maybe they don't know they're in love but the reader does. Then a conflict will draw them apart, but you know in the end they'll be back together, and preferably married or planning to be by page 192. One definition of

3854-456: The by-laws should be changed to define romance as between a woman and a man. Nora Roberts, one of the most prolific and famous romance authors, wrote a letter of protest that the question had been included. The then-president of the board of directors responded in an email that she was worried "the lesbians were going to take over" the RWA. There was a community uproar, and the matter was dropped. Another uproar ensued in 2015 when Kate Breslin,

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3948-551: The company almost 10% of the market for paperback books. That year the company began distributing its own books in the United States instead of through Simon & Schuster 's Pocket Books . In 1980 Simon & Schuster formed Silhouette Books to publish its own romance novels, beginning what The New York Times called "perhaps the most bitter war in American book publishing history." The company sought to take advantage of

4042-445: The conference, and, in 2007, over 150 librarians attended presentations by some of the more popular romance authors, including Jayne Ann Krentz , Suzanne Brockmann , Nora Roberts , Shana Abe , and Susan Elizabeth Phillips . Each year, some of the workshops are business-oriented, focusing on how to pitch a novel or write for multiple publishers. Other workshops focus on creative pursuits, including how to use swords and sword fights in

4136-498: The context of rape. In this novel and those that followed, the rape was depicted as more of a fantasy; the heroine is rarely if ever shown experiencing terror, stress, or trauma as a result. The popular, mass market version of the historical romance, which Walter Scott developed in the early 19th century, is seen as beginning in 1921, when Georgette Heyer published The Black Moth . This is set in 1751, but many of Heyer's novels were inspired by Jane Austen's novels and are set around

4230-536: The covers had begun to evolve from featuring a scantily clad couple to showing a view of the landscape featured in the novel. In the earliest Harlequin romance novels, heroines were typically nurses and secretaries, but as time has passed and women have entered the workforce in larger numbers, romance heroines have spanned the career spectrum. Modern romance novels now feature more balanced relationships between men and women. Some important literary figures received critical acclaim for their romance novels. For instance,

4324-618: The development of this genre include Maria Edgeworth , Samuel Richardson , Jane Austen , and Charlotte Brontë . Romance novels encompass various subgenres, such as fantasy , contemporary , historical romance , paranormal fiction , and science fiction . Women have traditionally been the primary readers of romance novels, but according to the Romance Writers of America , 16% of men read romance novels. A thriving genre of works conventionally referred to as "romance novels" existed in ancient Greece. Other precursors can be found in

4418-598: The early 2000s, though, more books in the romance genre featured heroes and heroines with physical and mental impairments. Mary Balogh 's Simply Love , published in 2006, features a hero with facial scarring and nerve damage who overcomes fears of rejection due to his physical appearance to enter a romantic relationship and family unit by the end of the novel. This was a substantial shift from past narratives where disabled characters were "de-eroticized" and not given storylines that included sex or romantic love. Additionally, autistic characters have gained more representation in

4512-480: The elements that modern women could relate to, and soon began to touch on themes such as single parenthood, adoption, and abuse. The 21st century brought additional changes to the genre that included diversifying main characters and plots to incorporate identities that had not previously been represented. Scholars of romance novel history have observed that characters with disabilities have been largely underrepresented in mainstream media, including romance novels. By

4606-417: The finalists for RITAs. Some authors of color, including RWA Lifetime Achievement Award Winner Beverly Jenkins and popular novelist Helen Hoang , refused to enter their books at all. In other cases, the books were entered but did not score highly enough to become a finalist. At the annual conference that year, Lifetime Achievement Award Winner Suzanne Brockmann gave a speech denouncing white supremacy within

4700-516: The financial and critical success of the adaptations of two successful series of novels: Outlander by Diana Gabaldon , and Bridgerton by Julia Quinn , by paid television network, STARZ and streaming service, Netflix . Debates about whether these novels fall inside or outside the contemporary romance genre, and the extent to which they transcend the genre to be multi-genre, has received mainstream media attention in part due to Gabaldon's frequent and prominent assertions that her Outlander series

4794-553: The first futuristic romance, combining elements of traditional romance novels and science fiction. The relationships had also modernized: by the 1990s, it was rare to see a book that featured a man raping his future wife. In the mid-to-late 1980s, contemporary romances began to feature women in more male-dominated jobs, such as offshore oil rigs and the space program. The age range of heroines also began to expand, so that books began to feature women who had already reached 30 and even 40. Heroes also changed, with some authors veering towards

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4888-476: The first romance author to transition from writing original mass market paperbacks to being published in hardcover. Her novel, A Knight in Shining Armor , "became a natural bestseller." Several authors found success writing single-title romances set in contemporary times, and publishing houses began to encourage the growth in the genre. Because the novels were set in modern times, they could include more of

4982-420: The focus on a developing romantic relationship and an optimistic ending. The RWA has struggled with diversity and inclusion. More than 80% of its members are white, as compared to about 61% of the population of the United States. As the industry changed, there was resistance to including authors of romance novels which featured homosexual love stories. A 2005 poll in the Romance Writer Report asked members if

5076-500: The focus on a developing romantic relationship and an optimistic ending. Escapism is important; an Avon executive observed that "The phone never rings, the baby never cries and the rent's never overdue in romances." There are many publishers, libraries, bookstores, and literary critics who continue to go by the traditional definition of romance to categorize books. A romance novel can be set in any time period and in any location. In recent years, romance novels have even expanded into

5170-455: The formats, but others, including Jennifer Crusie and Jayne Ann Krentz , have achieved success in both formats. Category romances are short, usually no more than 200 pages, or about 55,000 words. The books are published in clearly delineated lines, with a certain number of books published in each line every month. In many cases, the books are numbered sequentially within the line. These novels have widespread distribution—often worldwide—and

5264-458: The galaxy. There are no specific restrictions on what can or cannot be included in a romance novel. Even controversial subjects are addressed in romance novels, including topics such as date rape , domestic violence , addiction , and disability. The combination of time frame, location, and plot elements does, however, help a novel to fit into one of several romance subgenres. Despite the numerous possibilities this framework allows, many people in

5358-440: The genre after it had begun to change. The number of category romance lines increased at a rapid pace, and by 1985 there were 16 separate lines producing a total of 80 novels per month. The sudden increase in category romance lines meant an equally sudden increase in demand for writers of the new style of romance novel. This tight market caused a proportionate decrease in the quality of the novels that were being released. By 1984,

5452-400: The genre has additional restrictions, from plot considerations such as the protagonists meeting early on in the story, to avoiding themes such as adultery . Disagreements have centered on the firm requirement for a happy ending, or the place of same-sex relationships within the genre. Some readers admit stories without a happy ending, if the focus of the story is on the romantic love between

5546-573: The gothic novel and Elizabethan drama , and "demonstrate[s] the flexibility of the romance novel form." While the literary fiction romance continued to develop in the 20th century, the new subgenre of genre fiction, which first developed in the 19th century, started to become more popular after the First World War . In 1919, E. M. Hull 's novel The Sheik was published in the United Kingdom . The novel, which became hugely popular,

5640-494: The hero and the heroine ... the core of the book." In general, romance novels reward characters who are good people and penalize those who are evil, and a couple who fights for and believes in their relationship will likely be rewarded with unconditional love. Bestselling author Nora Roberts sums up the genre, saying: "The books are about the celebration of falling in love and emotion and commitment, and all of those things we really want." Women's fiction (including " chick lit ")

5734-406: The heroine typically wins, sometimes overcoming great odds so that she is no longer a victim. Peer-reviewed academic scholarship examining romance novels has increased enormously in the last few decades. Scholars are analysing the significance and impact of the genre, increasingly from a feminist , gender and equity studies perspective. The profile of the romance genre has also been raised by

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5828-531: The literary fiction of the 18th and 19th centuries, including Samuel Richardson's sentimental novel Pamela, or Virtue Rewarded (1740) and the novels of Jane Austen . Austen inspired Georgette Heyer , the British author of historical romance set around the time Austen lived, as well as detective fiction . Heyer's first romance novel, The Black Moth (1921), was set in 1751. The British company Mills & Boon began releasing romance novels for women in

5922-607: The main characters' romantic love. Furthermore, a romance novel must have an "emotionally satisfying and optimistic ending." Authors are divided into two tracks, PRO and PAN. The PRO network is for authors who have completed a manuscript but not yet published it. Once a PRO member, they are able to view online workshops and booklets about the business of publishing. PAN is the Published Author Network. Approximately 2,000 members qualify for PAN. These authors have seen their novels published in print and have earned

6016-500: The mainstream press claim that "all [romance novels] seem to read alike." Stereotypes of the romance genre abound. For instance, some believe that all romance novels are similar to those of Danielle Steel , featuring rich, glamorous people traveling to exotic locations. Many romance readers disagree that Steel writes romance at all, considering her novels more mainstream fiction. Mass-market or formulaic romance novels are sometimes referred to as "smut" or female pornography , and are

6110-448: The market was saturated with category lines and readers had begun to complain of redundancy in plots. The following year, the "dampening effect of the high level of redundancy associated with series romances was evident in the decreased number of titles being read per month." Harlequin's return rate, which had been less than 25% in 1978, when it was the primary provider of category romance, swelled to 60%. The genre continued to expand in

6204-432: The men were not, and both members of the couple were described as beautiful. Category romance lines were slower to react to some of the changes that had swept the historical romance subgenre. Despite the fact that the former Mills & Boon lines were now owned by a North American company, the lines did not have any American writers until 1975, when Harlequin purchased a novel by Janet Dailey . Dailey's novels provided

6298-440: The mid-to-late 1980s, as publishers realized that the more popular authors were often those who stretched the boundaries of the genre. A 1984 novel by LaVyrle Spencer featured an overweight, middle-aged hero who had to make drastic changes to his lifestyle to win the heroine, while a 1987 Dailey novel involved an ugly hero and a heroine who was searching for her birth mother. Jayne Ann Krentz 's 1986 novel Sweet Starfire became

6392-536: The most popular form of modern erotica for women. While some romance novels do contain more erotic acts, in other romance novels the characters do no more than kiss chastely. The romance genre runs the spectrum between these two extremes. Because women buy 90% of all romance novels, most romance novels are told from a woman's viewpoint, in either first or third person . Although most romance novels are about heterosexual pairings, there are romance novels that deal with same-sex relationships , and some participants in

6486-508: The novels point out the heroine's eccentricities, such as wanting to marry for love. Heyer was a prolific author, and wrote one to two historical romance novels per year until her death in 1974. During the Ming and Qing dynasties in China, there was a mass circulation and flourishment of a type of printed romantic novels called caizi jiaren ("scholar and beauty"), which typically involves

6580-737: The novels were short and formulaic, featuring heroines who were sweet, compassionate, pure and innocent. The few heroines who worked did so in traditional female jobs, including as nurses , governesses and secretaries . Intimacy in the novels never extended beyond a chaste kiss between the protagonists. On October 1, 1971, Harlequin purchased Mills & Boon. By this point, the romance novel genre "had been popularized and distributed widely to an enthusiastic audience" in Great Britain . In an attempt to duplicate Mills & Boon's success in North America, Harlequin improved their distribution and marketing system. By choosing to sell their books "where

6674-526: The organization and the industry. In an effort to address the controversy, the Board changed some of the contest rules, including by tracking scores by individual judges to attempt to detect bias. They also required that some of the judges in each category be librarians or booksellers, and that at least one judge should be a person of color or a queer person. Of the 80 authors who were finalists in 2019, three were women of color. The finalist list excluded author Alyssa Cole , whose submission had been named one of

6768-413: The organization did not take diversity and inclusion seriously. Any author could pay to nominate her books. Entrants can then elect to judge other nominees. Judges were not provided with training on scoring or avoiding bias. An RWA analysis of the previous 18 years of RITA finalists and winners showed that less than 0.5% of the finalists were black authors, and no black woman had even won. Jennifer Prokop,

6862-823: The organization has grappled to identify its core purpose; for example, is the organization primarily a social club or a place for professional networking. There have also been discussions within the membership about whether it is meant for published or unpublished authors, and which types of published authors should count. Part of its mission has been to advocate for authors. The RWA persuaded Harlequin books to register copyrights for authors' works and to allow writers to own their own pseudonyms. Previously, authors were forced to leave their pseudonym behind if they switched publishing houses, making it more difficult for their fans to follow. The RWA has also assisted members to escalate issues they have experienced with various technology platforms. Some romance novel authors and readers believe

6956-415: The perspective of the heroine. Unlike many of the novels of the time, Pamela had a happy ending, when after Mr. B attempts unsuccessfully to seduce and rape Pamela multiple times, he eventually rewards her virtue by sincerely proposing an equitable marriage to her. The book was one of the first bestsellers, with five editions printed in the first eleven months of release. Richardson began writing Pamela as

7050-421: The present day in a state of near-completion: Chareas and Callirhoe , Leucippe and Clitophon , Daphnis and Chloe , The Ephesian Tale , and The Ethiopian Tale . Precursors of the modern popular love-romance can also be found in the sentimental novel Pamela, or Virtue Rewarded , by Samuel Richardson , published in 1740. Pamela was the first popular novel to be based on a courtship as told from

7144-547: The romance genre since the turn of the century. The year 2010 saw Christine Feehan 's novel, Water Bound , featuring a heroine with autism as a significant plot point including a detailed and compassionate portrayal of living and coping with autism. Helen Hoang 's 2018 novel The Kiss Quotient , for example, focuses on the heroine's Asperger's syndrome . However, it is still rare to find romance novels in which there are characters with cognitive disabilities, and they are most likely to be included as secondary characters. Since

7238-652: The romance genre's "first look at heroines, heroes and courtships that take place in America, with American sensibilities, assumptions, history, and most of all, settings." Harlequin was unsure how the market would react to this new type of romance, and was unwilling to fully embrace it. In the late 1970s, a Harlequin editor rejected a manuscript by Nora Roberts , who has since become the top-selling romance author, because "they already had their American writer." Harlequin sold almost $ 70 million of its paperback romances in 1979 through 100,000 supermarkets and other stores, giving

7332-453: The romance genre." The romance industry boomed in the 1980s, and the RWA grew rapidly. In 2000, the RWA had an operating budget of over $ 1 million, the largest of any professional genre writers' organization. As of 2007, the organization had over 9,000 members and over 150 chapters. These include chapters arranged geographically as well as special-interest online chapters that focus on themes such as medical romance. As membership has grown,

7426-464: The romance reviewer for Kirkus Reviews , analyzed 60 books that were finalists for the 2019 RITAs and discovered that white authors overwhelmingly created worlds that were populated with white, cisgender, heterosexual characters, regardless of the time frame or setting of their novels. This was true even for paranormal stories that featured fictional creatures such as vampires. In 2018, several critically praised books by authors of color were not among

7520-483: The romantic Tang dynasty chuanqi fictions such as Yingying's Biography , The Tale of Li Wa and Huo Xiaoyu zhuan , as well as the popular works of Song and Yuan playwrights such as Bai Renfu , Zheng Guangzu and Wang Shifu . These novels reached their peak of popularity in the late Ming and early Qing periods, during the 17th century, when a myriad of novels of this type were sold and distributed. The overwhelming prevalence of this type of romance novels

7614-643: The signs that readers appreciated novels with more explicit sex scenes, and in 1980, several publishers entered the category romance market to fill that gap. That year, Dell launched their Candlelight Ecstasy line with Amii Lorin's The Tawny Gold Man , becoming the first line to waive the requirement that heroines be virgins. By the end of 1983 sales for the Candlelight Ecstasy line totaled $ 30 million. Silhoeutte also launched similar lines, Desire (sexually explicit) and Special Edition (sexually explicit and longer stories, up to 250 pages), each of which had

7708-420: The species (not only the individual), in the sense that romance and partner choice is generally a prerequisite to have offspring and continue maintaining the human species in future generations of humankind. Despite recent rehabilitation and merging of the genre with other genres, there is sometimes a negative stigma with the romance novel. Some dedicated readers are embarrassed to admit to buying or even reading

7802-419: The time Austen lived, in the later Regency period . Because Heyer's romances are set more than 100 years earlier, she includes carefully researched historical detail to help her readers understand the period. Unlike other popular love-romance novels of the time, Heyer's novels used the setting as a major plot device. Her characters often exhibit twentieth-century sensibilities, and more conventional characters in

7896-409: The two main characters (e.g. Romeo and Juliet ). Others believe the definition should be more strictly worded to include only heterosexual pairing. While the majority of romance novels meet the stricter criteria, there are also many books that are widely considered to be romance novels that deviate from these rules. Therefore, the general definition, as embraced by the RWA and publishers, includes only

7990-518: The untapped talent of the American writers. They published several lines of category romance, and encouraged their writers to create stronger heroines and less dominant heroes. Authors were also expected to address contemporary issues where appropriate. Silhouette soon saw their market share expand, and in 1984, Harlequin acquired them. Despite the acquisition, Silhouette continued to retain editorial control and to publish various lines under their own imprint. Harlequin had also failed to adapt quickly to

8084-411: The women are," they allowed many mass-market merchandisers and even supermarkets to sell the books, all of which were exactly 192 pages. Harlequin then began a reader service, selling directly to readers who agreed to purchase a certain number of books each month. In the US, modern romance genre fiction was born in 1972, with Avon's publication of Kathleen Woodiwiss' The Flame and the Flower , which

8178-439: The word "romance" is: "the feelings and behavior of two people who are in a loving and sexual relationship with each other." According to the Romance Writers of America , the main plot of a mass-market romance novel must revolve about the two people as they develop romantic love for each other and work to build a relationship. Both the conflict and the climax of the novel should be directly related to that core theme of developing

8272-431: The work of loving yourself." Romance novelists attribute the stigma to the fact that romance is, according to some, a genre "written almost exclusively by women for women." Romance novelist Jennifer Crusie counters that in the modern romance novel "a woman is rewarded with unconditional love [only] if she remains true to herself," while novelist Susan Elizabeth Phillips believes that romance novels are popular because

8366-566: Was adapted into a movie (1921), which established star Rudolph Valentino as the top male actor of the time. The hero of this book was an iconic alpha male who kidnapped the heroine and won her admiration through his forceful actions. The novel was one of the first modern works to introduce the rape fantasy , a theme explored in Samuel Richardson's Pamela (1740). Although women were gaining more independence in life, publishers believed that readers would only accept premarital sex in

8460-687: Was called "the best romance novel ever written." In the early part of the Victorian era , the Brontë sisters , like Edgeworth and Austen, wrote literary fiction that influenced later popular fiction. While Maria Edgeworth introduced the orphaned heroine archetype in her Romantic works Belinda (1801) and Helen (1834), Charlotte Brontë later adapted the archetype for the Victorian audience in Jane Eyre (1847). Brontë's romance incorporates elements of both

8554-667: Was famously mocked in Cao Xueqin 's The Dream of the Red Chamber , where it ridicules: "There are thousands of such "caizi jiaren" ["scholar and beauty"] books, and yet they are all alike!". Moreover, these Chinese romance novels would also go on to have an enduring influence on both Eastern and Western literatures. In the 1930s, the British publishers Mills & Boon began releasing hardback romance novels. The books were sold through weekly two-penny libraries and were known as "the books in brown" for their brown binding. In

8648-430: Was in contrast to the contemporary romances published during this time, which were often characterized by weak females who fell in love with overbearing alpha males . Although these heroines had active roles in the plot, they were "passive in relationships with the heroes." Across the genre, heroines during this time were usually aged 16–21, with the heroes slightly older, usually around 30. The women were virgins , while

8742-647: Was replaced in 2021 with the Vivian Award. The Romance Writers of America was founded in 1980 in Houston , Texas , by romance editor Vivian Stephens and 37 authors in the romance genre, including the original co-founders Rita Clay Estrada and Parris Afton Bonds , first President and Vice President, According to their by-laws, the organization's purpose is to “advance the professional and common business interests of career-focused romance writers through networking and advocacy and by increasing public awareness of

8836-503: Was the first of the modern " bodice ripper " romance novels to follow "the principals into the bedroom." Aside from its content, the book was revolutionary in that it was one of the first single-title romance novels to be published as an original paperback , rather than being first published in hardcover , and, like the category romances, was distributed in drug stores and other mass-market merchandising outlets. The novel went on to sell 2.35 million copies. Avon followed its release with

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