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Deoksugung

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Deoksugung ( Korean :  덕수궁 ) also known as Gyeongun-gung , Deoksugung Palace , or Deoksu Palace , is a walled compound of palaces in Seoul that was inhabited by members of Korea 's royal family during the Joseon monarchy until the annexation of Korea by Japan in 1910. It is one of the " Five Grand Palaces " built by the kings of the Joseon dynasty and designated as a Historic Site . The buildings are of varying styles, including some of natural cryptomeria wood), painted wood , and stucco . Some buildings were built of stone to replicate western palatial structures.

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30-592: In addition to the traditional palace buildings, there are also forested gardens, a statue of King Sejong the Great and the National Museum of Art, which holds special exhibitions. The palace is located near City Hall Station . Deoksugung, like the other " Five Grand Palaces " in Seoul, was heavily damaged during the colonial period of Korea. Currently, only one third of the structures that were standing before

60-727: A bronze colossus of Constantine and the marble colossus of Constantine show the enormous scale of some imperial statues; other examples are recorded, notably one of Nero . The wonders of the world include several statues from antiquity, with the Colossus of Rhodes and the Statue of Zeus at Olympia among the Seven Wonders of the Ancient World . While sculpture generally flourished in European Medieval art ,

90-502: A Korean royal palace. Although it was built by a Russian architect in a European style, it also features Korean elements. It was transformed into a cafeteria during the Japanese occupation. Seokjojeon is a Neo-Renaissance style building designed in 1898 by British architect John Reginald Harding, used for diplomatic and high-level government meetings. In 2014 its interior was restored to its Korean Empire-period appearance and now houses

120-410: A durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size. A sculpture that represents persons or animals in full figure, but that is small enough to lift and carry is a statuette or figurine , whilst those that are more than twice life-size are regarded as a colossal statues . Statues have been produced in many cultures from prehistory to the present;

150-484: A fire destroyed some of the buildings. The palace was then renamed Deoksugung in 1907, as a reference to a wish for longevity of the emperor. Emperor Gojong died in Hamnyeongjeon. Under Japanese rule after 1910, the palace grounds were operated as a public park, the territory was reduced to one-third and the number of buildings to one-tenth of the original. Daehanmun Gate, originally called Daeanmun before 1906,

180-477: A general ban, it was hardly encouraged in this period. Justinian was one of the last Emperors to have a full-size statue made, and secular statues of any size became virtually non-existent after iconoclasm ; and the artistic skill for making statues was lost in the process. Italian Renaissance sculpture rightly regarded the standing statue as the key form of Roman art , and there was a great revival of statues of both religious and secular figures, to which most of

210-702: A similar object of similar age found in Morocco , has also been claimed to be a statuette. The Löwenmensch figurine and the Venus of Hohle Fels , both from Germany , are the oldest confirmed statuettes in the world, dating to 35,000-40,000 years ago. The oldest known life-sized statue is Urfa Man found in Turkey which is dated to around 9,000 BC. Throughout history, statues have been associated with cult images in many religious traditions, from Ancient Egypt , Ancient India , Ancient Greece , and Ancient Rome to

240-526: Is at the heart of a popular urban myth in Seoul, as it is said that all couples who walk down this road are fated to break-up. Deoksugung was originally the residence of Grand Prince Wolsan , the older brother of King Seongjong . This residence became a royal 'palace' during the Imjin war after all of the other palaces were burned in 1592 during the Imjin wars. King Seonjo was the first Joseon king to reside at

270-661: Is evidence that many statues were painted in bright colors. Most of the color has weathered off over time; small remnants were removed during cleaning; in some cases small traces remained that could be identified. A travelling exhibition of 20 coloured replicas of Greek and Roman works, alongside 35 original statues and reliefs, was held in Europe and the United States in 2008: Gods in Color: Painted Sculpture of Classical Antiquity. Details such as whether

300-429: Is located 5-1 Geongdong-gil/Deoksugung-gil, Jung-gu. The nearest subway station is City Hall Station (Station #132 on Line 1 , Station #201 on Line 2 ). 37°33′58″N 126°58′29″E  /  37.56618°N 126.97485°E  / 37.56618; 126.97485 Statue A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or cast in

330-544: Is now the statue of Diana on the Aventine . For a successful Greek or Roman politician or businessman (who donated considerable sums to public projects for the honour), having a public statue, preferably in the local forum or the grounds of a temple was an important confirmation of status, and these sites filled up with statues on plinths (mostly smaller than those of their 19th century equivalents). Fragments in Rome of

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360-400: Is the main gate of the current palace. The main hall, Junghwajeon Hall is where the state affairs, official meetings were held and where the throne is located. It used to be a two-story building but was rebuilt in 1906 with only one story. Junghwamun Gate is the gate that leads to the main hall. Originally it featured a walled corridor, thus allowing people to only enter the main hall through

390-643: The Korean Empire History Hall. The Seokjojeon West Building was opened in 1938 as the House of Yi Art Museum, and continues to be used as an art museum today, housing the National Museum of Modern and Contemporary Art . Jungmyeongjeon Hall, across Deoksugung-gil separate to the rest of the palace, was built to be a royal library but when the 1904 fire broke out, the emperor temporarily used it as his private residence. Deoksugung entry

420-577: The Renaissance, since excavated classical sculptures, which had lost their coloring, became regarded as the best models. The Venus of Berekhat Ram , an anthropomorphic pebble found on the Golan Heights and dated to at least 230,000 years before present, is claimed to be the oldest known statuette. However, researchers are divided as to whether its shape is derived from natural erosion or was carved by an early human . The Venus of Tan-Tan ,

450-446: The boulevard named Taepyeongno . Seoul Museum of Art is also nearby. The museum has hosted many special exhibitions, including those of the works of van Gogh , Monet , and René Magritte . The head offices of three daily newspapers, The Chosun Ilbo , The Dong-A Ilbo and Kyunghyang Shinmun , are near the city hall. Seoul Plaza Hotel is located across from the city hall. This Seoul Metropolitan Subway station article

480-436: The crucified Christ. As yet, full-size standing statues of saints and rulers were uncommon, but tomb effigies , generally lying down, were very common for the wealthy from about the 14th century, having spread downwards from royal tombs in the centuries before. While Byzantine art flourished in various forms, sculpture and statue making witnessed a general decline; although statues of emperors continued to appear. An example

510-415: The gate. The walls were destroyed. Hamnyengjeon Hall is Emperor Gojong's bedroom, located at the east wing of the palace. This is where the fire broke out in 1904, officially because of the heating system, but it has been suspected that it was done by the Japanese to eliminate Gojong. Jeonggwanheon is a modern pavilion built in the royal garden in 1900, and was the first Western-style building ever built in

540-731: The leading figures contributed, led by Donatello and Michelangelo . The equestrian statue, a great technical challenge, was mastered again, and gradually statue groups. These trends intensified in Baroque art , when every ruler wanted to have statues made of themself, and Catholic churches filled with crowds of statues of saints, although after the Protestant Reformation religious sculpture largely disappeared from Protestant churches, with some exceptions in large Lutheran German churches. In England, churches instead were filled with increasing elaborate tomb monuments , for which

570-515: The most popular form until the Ptolemaic period ( c.  300 BC ). The focal point of the cella or main interior space of a Roman or Greek temple was a statue of the deity it was dedicated to. In major temples these could be several times life-size. Other statues of deities might have subordinate positions along the side walls. The oldest statue of a deity in Rome was the bronze statue of Ceres in 485 BC. The oldest statue in Rome

600-548: The occupation remain. Deoksugung Palace is special among Korean palaces. It has a modern and a western style garden and fountain. The Changing of the Royal Guard, in front of Daehanmun (Gate), is a very popular event for many visitors. The royal guard was responsible for opening and closing the palace gate during the Joseon dynasty. Outside of the palace is a picturesque road with a stone wall. The Deoksugung Stonewall walkway

630-618: The oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art . The world's tallest statue, Statue of Unity , is 182 metres (597 ft) tall and is located near the Narmada dam in Gujarat , India. Ancient statues often show the bare surface of the material of which they are made. For example, many people associate Greek classical art with white marble sculpture, but there

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660-522: The paint was applied in one or two coats, how finely the pigments were ground or exactly which binding medium would have been used in each case—all elements that would affect the appearance of a finished piece—are not known. Gisela Richter goes so far as to say of classical Greek sculpture, "All stone sculpture, whether limestone or marble, was painted, either wholly or in part." Medieval statues were also usually painted, with some still retaining their original pigments. The coloring of statues ceased during

690-448: The palace. King Gwanghaegun was crowned in this palace in 1608, and renamed it Gyeongun-gung ( Korean :  경운궁 ; Hanja :  慶運宮 ) in 1611. After the official palace was moved to the rebuilt Changdeokgung in 1618, it was mostly used as an auxiliary palace was renamed Seogung (West Palace). During its history, it alternated between being a royal residential palace and a temporary residence. Gojong of Joseon ordered

720-462: The position of the hooves of horses in equestrian statues indicated the rider's cause of death has been disproved. City Hall Station (Seoul) City Hall Station is a station on Seoul Subway lines 1 (Blue Line) and 2 (Green Line) . As its name suggests, Seoul City Hall is located right next to the station. Deoksugung , a historic palace of the Joseon dynasty , is on the other side of

750-532: The present. Egyptian statues showing kings as sphinxes have existed since the Old Kingdom , the oldest being for Djedefre ( c.  2500 BC ). The oldest statue of a striding pharaoh dates from the reign of Senwosret I ( c.  1950 BC ) and is the Egyptian Museum, Cairo. The Middle Kingdom of Egypt (starting around 2000 BC) witnessed the growth of block statues which then became

780-506: The restoration of Gyeongun-gung from August 1896. In 1897, after the period when Emperor Gojong took refuge in the Russian legation , he returned to this place and named it Gyeongungung again. The Government used 80,000 Dollars for constructing and expanding the facilities of the palace. In 1900, electricity and fencing was installed. After Emperor Gojong abdicated the throne to Emperor Sunjong , he continued to live in this palace. In 1904,

810-531: The single statue was not one of the most common types, except for figures of the Virgin Mary , usually with Child, and the corpus or body of Christ on crucifixes . Both of these appeared in all size up to life-size, and by the late Middle Ages many churches, even in villages, had a crucifixion group around a rood cross . The Gero Cross in Cologne is both one of the earliest and finest large figures of

840-672: The ultimate models were continental extravagances such as the Papal tombs in Rome, those of the Doges of Venice , or the French royal family. In the late 18th and 19th century there was a growth in public open air statues of public figures on plinths. As well as monarches, politicians, generals, landowners, and eventually artists and writers were commemorated. World War I saw the war memorial , previously uncommon, become very widespread, and these were often statues of generic soldiers. Starting with

870-498: The work of Maillol around 1900, the human figures embodied in statues began to move away from the various schools of realism that had been followed for thousands of years. The Futurist and Cubist schools took this metamorphism even further until statues, often still nominally representing humans, had lost all but the most rudimentary relationship to the human form. By the 1920s and 1930s statues began to appear that were completely abstract in design and execution. The notion that

900-587: Was the statue of Justinian (6th century) which stood in the square across from the Hagia Sophia until the fall of Constantinople in the 15th century. Part of the decline in statue making in the Byzantine period can be attributed to the mistrust the Church placed in the art form, given that it viewed sculpture in general as a method for making and worshiping idols . While making statues was not subject to

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