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68-517: [REDACTED] Look up hi:ढाढ़ी  or hi:धाड़ी in Wiktionary, the free dictionary. Dhadi may refer to : Dhadi (music) , a genre of folk ballads from Punjab, India Dhadi (caste) , a subgroup of the Mirasi of Punjab, India, traditionally performers of the dhadi ballads Dhadi State , a former hill state of India , located in

136-554: A British civil servant, was next to publish a major but incomplete translation of the Guru Granth Sahib, covering the same ground as Trumpp. However, he interspersed his translation between Janamsakhis -based mythical history of the Sikh Gurus. A major source of his historical information was Suraj Prakash of Santokh Singh, and his primary translation advisor was the prominent Khalsa Sikh scholar Kahn Singh Nabha ,

204-472: A German philologist , published the first philological study and a major but incomplete English translation of the Guru Granth Sahib in 1877, after an eight-year study of the text and field interviews with Sikh intelligentsia of his time. Trumpp included his criticism of the Sikh scripture in the preface and introductory sections, and stated "Sikhism is a waning religion, that will soon belong to history". Many in

272-402: A annunciation metre), Ashtapadiyan (contemplative measure), Pehre (poems on the four parts of the day), Haftawaar or Var Sat (poems about the seven days of the week), Bara Maha (poems based on the twelve months of the year), Thhithi (astrological poems based on the fifteen lunar dates ) themes are found near the end of the most raga sections. In 1708, Guru Gobind Singh conferred

340-510: A central role in guiding the Sikh's way of life. No one can change or alter any of the writings of the Sikh gurus written in the Guru Granth Sahib. This includes sentences, words, structure, grammar, and meanings. This tradition was set by Guru Har Rai. He sent his eldest son Ram Rai as an emissary to the Mughal emperor Aurangzeb in Delhi. Aurangzeb, a devout Muslim ruler, objected to a verse in

408-402: A competing claimant to the Sikh guruship – had a copy of an earlier pothi ( palm-leaf manuscript ) with hymns and was distributing hymns of the earlier gurus along with his own of hymns. Guru Arjan considered these as spurious and became concerned about establishing an authentic anthology of approved hymns. Guru Arjan began compiling an officially approved version of the sacred scripture for

476-693: A difficult thought of science. One sings: having made the body he reduces it to ashes. Another sings: having taken life he gives it again. One sings: he is known (manifest), (but) seen afar off. Another sings: being present he sees in the presence. There is no end of sayings and tellings. The story, story is told by crores , crores, crores. He (i.e. God) goes on giving, they taking become tired. For ages and ages they go on eating. The Lord goes on executing his order. O Nanak! he expands unconcerned. [3] Translation by Max Arthur Macauliffe (1909) By His order bodies are produced; His order cannot be described. By His order souls are infused into them; by His order greatness

544-1463: A distinct tradition, and of the native Sikh clergy. He used considerable freedom in restating the archaic poetry into a "vaguely psalm-like translation". ਹੁਕਮੀ ਹੋਵਨਿ ਆਕਾਰ ਹੁਕਮੁ ਨ ਕਹਿਆ ਜਾਈ ॥ ਹੁਕਮੀ ਹੋਵਨਿ ਜੀਅ ਹੁਕਮਿ ਮਿਲੈ ਵਡਿਆਈ ॥ ਹੁਕਮੀ ਉਤਮੁ ਨੀਚੁ ਹੁਕਮਿ ਲਿਖਿ ਦੁਖ ਸੁਖ ਪਾਈਅਹਿ ॥ ਇਕਨਾ ਹੁਕਮੀ ਬਖਸੀਸ ਇਕਿ ਹੁਕਮੀ ਸਦਾ ਭਵਾਈਅਹਿ ॥ ਹੁਕਮੈ ਅੰਦਰਿ ਸਭੁ ਕੋ ਬਾਹਰਿ ਹੁਕਮ ਨ ਕੋਇ ॥ ਨਾਨਕ ਹੁਕਮੈ ਜੇ ਬੁਝੈ ਤ ਹਉਮੈ ਕਹੈ ਨ ਕੋਇ ॥੨॥ ਗਾਵੈ ਕੋ ਤਾਣੁ ਹੋਵੈ ਕਿਸੈ ਤਾਣੁ ॥ ਗਾਵੈ ਕੋ ਦਾਤਿ ਜਾਣੈ ਨੀਸਾਣੁ ॥ ਗਾਵੈ ਕੋ ਗੁਣ ਵਡਿਆਈਆ ਚਾਰ ॥ ਗਾਵੈ ਕੋ ਵਿਦਿਆ ਵਿਖਮੁ ਵੀਚਾਰੁ ॥ਗਾਵੈ ਕੋ ਸਾਜਿ ਕਰੇ ਤਨੁ ਖੇਹ ॥ ਗਾਵੈ ਕੋ ਜੀਅ ਲੈ ਫਿਰਿ ਦੇਹ ॥ ਗਾਵੈ ਕੋ ਜਾਪੈ ਦਿਸੈ ਦੂਰਿ ॥ ਗਾਵੈ ਕੋ ਵੇਖੈ ਹਾਦਰਾ ਹਦੂਰਿ ॥ ਕਥਨਾ ਕਥੀ ਨ ਆਵੈ ਤੋਟਿ ॥ ਕਥਿ ਕਥਿ ਕਥੀ ਕੋਟੀ ਕੋਟਿ ਕੋਟਿ ॥ ਦੇਦਾ ਦੇ ਲੈਦੇ ਥਕਿ ਪਾਹਿ ॥ ਜੁਗਾ ਜੁਗੰਤਰਿ ਖਾਹੀ ਖਾਹਿ ॥ ਹੁਕਮੀ ਹੁਕਮੁ ਚਲਾਏ ਰਾਹੁ ॥ ਨਾਨਕ ਵਿਗਸੈ ਵੇਪਰਵਾਹੁ ॥੩॥ Hukmī hovan ākār hukam na kahiā jāī. Hukmī hovan jīa hukam milai vadiāī. Hukmī utam nīch hukam likh dukh sukh pāīah. Iknā hukmī bakhsīs ik hukmī sadā bhavāīah. Hukmai andar sabh ko bāhar hukam na koe. Nānak hukmai je bujhai ta haumai kahai na koe. ॥2॥ Gāvai ko tāṇ hovai kisai tāṇ. Gāvai ko dāt jāṇai nīsāṇ. Gāvai ko guṇ vadiāīā chār. Gāvai ko vidiā vikham vīchār. Gāvai ko sāj kare tan kheh. Gāvai ko jīa lai fir deh. Gāvai ko jāpai disai dūr. Gāvai ko vekhai hādrā hadūr. Kathnā kathī na āvai tot. Kath kath kathī kotī kot kot. Dedā de laide thak pāhi. Jugā jugantar khāhī khāhi. Hukmī hukam chalāe rāhu. Nānak vigsai veparvāhu. Translation by Ernest Trumpp (1877) By (his) order are made

612-499: A particular religious affiliation. Guru Hargobind Sahib fostered the Dhadis and refined their repertoire. Along with singing Gurbani , their songs came to deal with the tales of heroism and valour and was used to entertain as well as to fill the army with warrior's spirit. Two Dhadis of that age, Bhai Natha and Bhai Abdulla, are still remembered with respect. Bhai Abdulla was a gifted poet and used to sing his own compositions in

680-427: A pothi. The features in its Gurmukhi script and the language suggest that the hymns are significantly older, and that the pre-canonical hymns were being written down in early Sikhism and preserved by the Sikh Gurus prior to the editing by Guru Arjan. The existence of Guru Harsahai manuscript attests to the early tradition of Sikh scripture, its existence in variant forms and a competition of ideas on its contents including

748-485: A selection of texts of dhadi compositions. As the word is used by the Sikh Gurus, it's clear that Dhadis has a history of hundreds of years. The sixth Sikh guru , Guru Hargobind fostered and promoted the Dhadi art and transformed the tradition from singing the praises of landlords or rulers to sing the praises of the true God. Dhadis were mainly emerged in the time of the sixth Sikh master Guru Hargobind who established

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816-537: A temple. The Granth is revered as eternal gurbānī and the spiritual authority in Sikhism. Guru Nanak composed hymns, which were sung by his followers in rāga set to music. His successor, Guru Angad , opened centers and distributed these hymns. The community would sing the hymns and his agents collected donations. This tradition was continued by the third and fourth gurus as well. The fifth guru, Guru Arjan, discovered that Prithi Chand – his eldest brother and

884-476: Is a religion founded by Guru Nanak . It considers its scripture, the Guru Granth Sahib , as the living Guru . Sikhs install it in the sanctum of Sikh temples, and devotees reverentially greet it by bowing and prostrating before it. Since the early 20th century, Farquhar and other scholars consider it as a form of idolatry that believers practice the matha tekna (bowing down and touching one's head to

952-412: Is always the focal point in any gurdwara, seated on a raised platform known as a Takht (throne), while the congregation of devotees sits on the floor and prostrate before the guru as a sign of respect. The Guru Granth Sahib is given the greatest respect and honour. Sikhs cover their heads and remove their shoes while in the presence of this sacred scripture, their eternal living guru. The Guru Granth Sahib

1020-504: Is an ensemble or band of Dhadis which usually consists of three or four Dhadis: one Sarangi master/player, two dhadd players and one telling the story by a lecture. The singers sing one by one or together like chorus according to the lyrics. The Dhadis today are the integral part of Sikh and Punjabi music . The tradition has broadened its repertoire, including religious compositions, heroic ballads, folklores , folk love stories, history, romance and other types of folk songs. Normally,

1088-463: Is arduous; Some sing that He fashioneth the body and again destroyeth it; Some that He taketh away the soul and again restoreth it; Some that He appeareth far from mortal gaze; Some that He is all-seeing and omnipresent. Millions of men give millions upon millions of descriptions of Him, but they fail to describe Him. The Giver giveth; the receiver groweth weary of receiving. In every age man subsisteth by His bounty. The Commander by His order hath laid out

1156-523: Is different from Wikidata All article disambiguation pages All disambiguation pages Dhadi (music) The word Dhadi can be translated in English to be a minstrel or bard . The word is used several times in the Sikh religious text , Guru Granth Sahib , in the meaning of humbleness. In his compositions, Guru Nanak Dev Ji called himself a Dhadhi of God. The word is also appeared in

1224-422: Is normally carried on the head and as a sign of respect, never touched with unwashed hands or put on the floor. It is attended with all signs of royalty, with a canopy placed over it. A chaur (fan whisk) is waved above the Guru Granth Sahib. The Guru Granth Sahib is taken care of by a Granthi , who is responsible for reciting from the sacred hymns and leading Sikh prayers. The Granthi also acts as caretaker for

1292-706: Is now preserved at the Toshakhana in Nanded, Maharashtra. The compositions of Guru Gobind Singh were not included in the Guru Granth Sahib and set into the Dasven Padsah ka Granth , which is more popularly known as the Dasam Granth . The compilation and release of this definitive edition of the latter was completed by Bhai Mani Singh. The Akali Nihang sect of Sikhs consider the Dasam Granth and

1360-538: Is obtained. By His order men are high or low; by His order they obtain preordained pain or pleasure. By His order some obtain their reward; by His order others must ever wander in transmigration. All are subject to His order; none is exempt from it. He who understandeth God's order, O Nanak , is never guilty of egoism. [2] Some sing His power according to their abilities; Some sing His gifts according to their knowledge of His signs; Some sing His attributes, His greatness, and His deeds; Some sing His knowledge whose study

1428-416: Is treated like a person and venerated with elaborate ceremonies which are a daily means of "merit bestowing ministrations". These daily ritual ministrations and paying of homage for the scripture by Sikhs, states Myrvold, is not unique to Sikhism. It moulds "meanings, values and ideologies" and creates a framework for congregational worship, states Myrvold, that is found in all major faiths. Ernest Trumpp ,

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1496-451: Is written, in order of appearance with page numbers: Each raga section contains the typical compositions of the Gurus in chronological order by Guru (who wrote in that raga ) followed by the typical compositions of the bhagats at the end however some form of certain types of special compositions such as the common recurring Vaar s (longer ballad type poems), Chhands (poems based on

1564-622: The Mahman Prakash , an early Sikh manuscript, Guru Angad Dev had taught and spread Gurmukhi at the suggestion of Guru Nanak Dev who invented the Gurmukhi script. The word Gurmukhī translates to "from the mouth of the guru". It descended from the Laṇḍā scripts and was used from the outset for compiling Sikh scriptures. The Sikhs assign a high degree of sanctity to the Gurmukhī script. It is

1632-586: The Mul Mantar . Many minor variations, and three significant Adi Granth recensions, are known; these provide insights into how the Sikh scripture was compiled, edited and revised over time. There is a fourth significant version called the Lahori bir, but it primarily differs in how the hymns are arranged and the final pages of the Adi Granth. In 1604, the first edition of the Sikh scripture, Adi Granth,

1700-505: The Sarbloh Granth as extensions of the Guru Granth Sahib. As such, they refer to these scriptures as Sri Dasam Guru Granth Sahib, and Sri Sarbloh Guru Granth Sahib. They call the Guru Granth Sahib, Aad Guru Granth Sahib. They also sometimes refer to the granths as "Durbar", such as Aad Guru Durbar. The Sarbloh Granth has another name, as Sri Manglacharan Purana. They believe that all three of these scriptures are authentic, written by

1768-621: The khanda , the scimitar, the axe, the rifle, and the arrow. The saif , the dagger, the spear: these indeed are our pirs (saints)! For this reason, weapons are meant to be kept in front of the Guru Granth Sahib. Number of hymns contributed to the Guru Granth Sahib The Guru Granth Sahib contains predominantly hymns of the following Sikh Gurus: Guru Nanak, Guru Angad, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Teg Bahadur. Whilst these six gurus are widely accepted as having their writings included in

1836-400: The "color" and, more specifically, the emotion or mood produced by a combination or sequence of pitches. A rāga is composed of a series of melodic motifs, based upon a definite scale or mode of the seven svara psalmizations, that provide a basic structure around which the musician performs. Gurbani raags are not time dependent. Following is the list of all sixty rāgas under which Gurbani

1904-571: The 18th-century and preserved in Guru Harsahai (35 kilometers west of Faridkot, Punjab ) till 1969, when the state government requested it be displayed for the 500 years celebrations. It was moved for the first time in over 200 years and briefly displayed in Patiala for the event. Thereafter, the Sodhis consented to transfers. In 1970, however, during another such transfer, this early version of

1972-468: The 19th and 20th-century, several manuscript versions of the Adi Granth and the Guru Granth Sahib hymns were discovered. This triggered contesting theories about authenticity and how the canonical text of Sikhism evolved over time. There are five views: The entire Guru Granth Sahib is written in the Gurmukhi script, which was standardized by Guru Angad in the 16th century. According to Sikh tradition and

2040-516: The 2000s, a translation by Sant Singh Khalsa appeared on major Sikhism-related websites such as 3HO /Sikh Dharma Brotherhood's Sikhnet.com. According to Namdhari Sikh literature, Diwan Buta Singh was the first person to print an edition of the Guru Granth Sahib, which was likely printed in 1868 or even earlier. Early printed editions of the Guru Granth Sahib from the late-19th century were not only printed in Gurmukhi script but also Perso-Arabic script , as evidenced by eighteen different editions of

2108-413: The Adi Granth manuscript was stolen. However, photos of some pages have survived. This manuscript is claimed by the Sodhis to be the oldest and one written in part by Guru Nanak. However, this claim is first observed only much later, in texts attributed to the 17th-century Hariji, the grandson of Prithi Chand. Based on the evidence in the surviving photos, it is unlikely that Guru Nanak wrote or maintained

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2176-520: The Adi Granth with some variations include the Bahoval pothi (c. 1600), Vanjara pothi (c. 1601) and Bhai Rupa pothi (c. 1603). Another early variant manuscript is called the Guru Harsahai pothi, preserved by Sodhis and is believed to be the one that existed before Guru Arjan's compilation and one he gave to his eldest brother Prithi Chand . It was initially installed in Amritsar, then was moved in

2244-455: The Guru Granth Sahib is of a society based on divine freedom, mercy, love, belief in one god and justice without oppression of any kind. While the Granth acknowledges and respects the scriptures of Hinduism and Islam , it does not imply a moral reconciliation with either of these religions. It is installed in a Sikh gurdwara (temple). A Sikh typically prostrates before it on entering such

2312-521: The Guru Granth Sahib, Macauliffe criticized Hinduism and wrote an introduction that presented the hymns of Sikh Gurus as Christian-like with affinities to "Protestant virtues and ethics", presumably for a British audience. Macauliffe's translation was well received by the Sikh community, and they considered it closer to how they interpret their scripture. Post-colonial scholarship has questioned Macauliffe's accounting for and incorporation of Sikh traditions as "uncritical" and "dubious", though one that pleased

2380-488: The Guru Granth Sahib, keeping the scripture covered in clean cloths, known as rumala , to protect from heat and dust. The Guru Granth Sahib rests on a manji sahib under a rumala until brought out again. Several rituals are performed every day in major Sikh gurdwaras (temples) such as the Golden Temple . These rituals treat the scripture as a living person, a guru, out of respect. The rituals include: Sikhism

2448-422: The Guru Granth Sahib, there are some who argue compositions of Guru Har Rai and Guru Gobind Singh are also included. A Salok Mahalla Satvan (7) and Dohra Mahalla Dasvan (10) have been attributed by some to the seventh and tenth gurus, respectively. It also contains hymns and verses of thirteen Hindu Bhakti movement sant poets (saints) and two Muslim saint poets. There are also idolatry verses for

2516-475: The Guru's court. The vogue of the Dhadi tradition rose quickly during this period. Dhadis usually perform in groups of three, where heroic ballads are musically performed but "interspersed with chanted narratives." The overall tone of a dhadi performance tends to be highly charged and is full of emotions. However, the source for the hymns they sing are not sourced from the sanctified works of literature, so

2584-531: The Gurus and are one of the same. For this reason, they will often place the Dasam and Aad Granths on the same level and on the same throne (also known as the palki). They also sometimes do this for the Sarbloh Granth as well. In virtually all Sikh Gurdwaras , one will find an assortment of weapons such as swords , daggers, war quoits , etc. in front of the Guru Granth Sahib. This was brought about due to

2652-447: The Gurus such as Guru Nanak fused into some pages, those composed by bards (Bhatts). The hymns and verses are different lengths, some very long, others being just a few line verses. Twenty-two of the thirty-one ragas contain the contributions of bhagats . The following is a list of contributors whose hymns are present in the Guru Granth Sahib as well as the number of hymns they contributed: Bhagats: Bhatts: Pirs: Gursikhs: In

2720-526: The Indian subcontinent. In addition, several unauthorized versions were in circulation, issued by sects founded by one of the sons or relatives of earlier Sikh Gurus such as Prithi Chand , Guru Arjan's elder brother. Guru Gobind Singh issued the definitive final edition that included the hymns of his father, and closed the canon. This manuscript is called the Damdama bir, and a 1707 rare copy of this manuscript

2788-455: The Jathas are known by the leader's name; for example, Dhadi Jatha of Nirmal Singh Noor. Popularly Known Dhadi Jatha Groups Guru Granth Sahib The Guru Granth Sahib ( Punjabi : ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ , pronounced [ɡʊɾuː ɡɾənt̪ʰᵊ säː(ɦ)(ɪ)bᵊ(˦)] ) is the central holy religious scripture of Sikhism , regarded by Sikhs as the final, sovereign and eternal Guru following

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2856-514: The Punjabi industry’s earliest—and the memories of older audience members, a picture is presented of the dhadi genre in its heyday of the early 20th century. The focus is on the dhadis who performed popular ballads; their prominent personalities, geographical distribution, compositional forms, narrative themes, performance manner, and other aspects of the genre are described. The article concludes with biographical sketches of two contemporary dhadis and

2924-518: The Sikh community regarded these introductory remarks to his translation as extremely offensive. Nonetheless, according to Indologist Mark Juergensmeyer, Ernest Trumpp's years of scholarship, translations, and field notes and discussions with Sikhs at the Golden Temple remain valuable reference works for contemporary scholars. Akshaya Kumar holds Trumpp's translation to be "literal and mechanical" emphasizing preciseness and fastidiously retaining

2992-467: The Sikh community. Macauliffe's version has been widely followed by later scholars and translators. According to Christopher Shackle, a scholar of Languages and Religion, Macauliffe's approach to translation was to work with Khalsa Sikh reformists of the 1890s ( Singh Sabha ) and exegetically present the scripture in a "progressive monotheism" fold that deserved the support of the British administration as

3060-508: The Sikh community. He sent his associates across the Indian subcontinent to collect the circulating hymns of Sikh gurus and convinced Mohan, the son of Guru Amar Das, to give him the collection of the religious writings of the first three gurus in a humble manner by singing the hymns registered in Guru Granth Sahib , 248. O Mohan, your temple is so lofty, and your mansion is unsurpassed. O Mohan, your gates are so beautiful. They are

3128-450: The Sikh high court, Akal Takht , and established Dhadhis to sing the previously composed Gurbani from Guru Granth Sahib . Later, the contemporary Dhadis repertoire had broadened to include heroic ballads known as Vaars . In that age only the lower caste people, i.e. Mirasis , used to sing as the profession was not considered to be noble or respectable for higher classes/castes. While Mirasis were Muslims , Dhadis were not confined to

3196-480: The Sikh scripture ( Asa ki Var ) that stated, "the clay from a Musalman's grave is kneaded into potter's lump", considering it an insult to Islam . Ram Rai tried to please the emperor by explaining that the text was miscopied and modified it, substituting "Musalman" with "Beiman" (faithless, evil) which Aurangzeb approved. The willingness to change a word led Guru Har Rai to bar his son from his presence, and name his younger son as his successor. The Guru Granth Sahib

3264-663: The Simla Hills See also [ edit ] Dadhi , village in Punjab, India Dhari (disambiguation) Topics referred to by the same term [REDACTED] This disambiguation page lists articles associated with the title Dhadi . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Dhadi&oldid=1169753994 " Category : Disambiguation pages Hidden categories: Short description

3332-468: The author of Gurmat Prabhakar and Hum Hindu Nahin . Macauliffe's translation appeared embedded in the six-volume The Sikh Religion and was published by Oxford University Press in 1909. Unlike Trumpp, who was unconcerned with the sensibilities of the Sikhs, Macauliffe used his editorial abilities to incorporate such considerations. According to Indologist Giorgio Shan, while Trumpp criticized Sikhism and

3400-687: The emphasis of a martial spirit within the Sikh religion, as well as an influential composition from the Dasam Granth known as the Shastar Naam Mala , written by Guru Gobind Singh . Within this composition, it praises various types of weapons from all over the world, including swords, saifs, curved swords (tulwars), arrows, guns, etc. There is a famous line within the composition which states, ਅਸ ਕ੍ਰਿਪਾਨ ਖੰਡੋ ਖੜਗ ਤੁਪਕ ਤਬਰ ਅਰੁ ਤੀਰ ॥ ਸੈਫ ਸਰੋਹੀ ਸੈਹਥੀ ਯਹੈ ਹਮਾਰੈ ਪੀਰ ॥੩॥ romanized: As Kripan Khando Kharag, Tupak Tabar Ar Teer || Saif Sarohee Saithhee, Yehai Hamare Pir ||3|| Translation: The kirpan ,

3468-467: The floor) at the door of a Gurdwara or before the Guru Granth Sahib, and other daily rituals such as putting the scripture to bed ( sukhasan ) in a bedroom ( sachkhand ), waking it up every morning, carrying it in a procession and re-opening it ( prakash ) in major Sikh Gurdwaras. When open in the sanctum of a Sikh Gurdwara, it is within an expensive brocade and attendants fan it as an act of homage. According to Kristina Myrvold, every Sikh scripture copy

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3536-667: The forms (of all things), his order (however) cannot be told. By his order are made the living beings, by his order greatness is obtained. By his order are the high and the low, by his order pain and pleasure are set down. By his order some are pardoned, some are by his order always caused to wander about (in transmigration). Every one is under (within) his order, exempt from his order is no one. Nanak ! if one understand his order, he will not speak in self-conceit. [2] One sings his (i.e. God's) power, if one has power (so to do). Another sings (his) liberality, if he knows (his) sign. One sings his beautiful qualities and greatnesses. — Another sings

3604-426: The generic title of Sant Bhasha . The Guru Granth Sahib was composed predominantly by six Sikh gurus: Guru Nanak , Guru Angad , Guru Amar Das , Guru Ram Das , Guru Arjan and Guru Tegh Bahadur . It also contains the traditions and teachings of fourteen Hindu Bhakti movement sants (saints), such as Ramananda , Kabir and Namdev among others, and one Muslim Sufi saint: Sheikh Farid . The vision in

3672-520: The lineage of the ten human gurus of the religion. The Adi Granth ( Punjabi : ਆਦਿ ਗ੍ਰੰਥ ), its first rendition, was compiled by the fifth guru , Guru Arjan (1564–1606). Its compilation was completed on 29 August 1604 and first installed inside the Golden Temple in Amritsar on 1 September 1604. Baba Buddha was appointed the first Granthi of the Golden Temple. Shortly afterwards Guru Hargobind added Ramkali Ki Vaar. Later, Guru Gobind Singh ,

3740-405: The musical performances of dhadis is not classified as "Sikh shabad kirtan" but it still forms a vital and important part of Sikh musicology. A further difference between dhadi performers and other Sikh music traditions is that the dhadis perform whilst standing up, meanwhile the other Sikh musician types perform whilst sitting down. Dhadi Jatha (ਢਾਡੀ-ਜੱਥਾ: Jatha means 'a team' or a group)

3808-664: The numeral "one" in the phrase Ik Oankar in his translation, in an attempt to bring the scripture closer to the Brahmanical-influenced interpretation of the sects that differed with the interpretation of the orthodox Khalsa . Trumpp's translation was seen to be a challenge to the administration's already-established view that the Sikhs were a distinct community, prompting the Khalsa to commission its own translation. Trumpp, as well as other translators, were commissioned by colonial administrators. Max Arthur Macauliffe ,

3876-486: The official script for writing Punjabi in the Indian State of Punjab. Gurus considered divine worship through shabad kirtan as the best means of attaining that state of bliss – vismad – which resulted in communion with God. The Guru Granth Sahib is divided by musical settings or rāgas into 1430 pages known as ang s "limbs" in Sikh tradition. It can be categorized into three sections: The word raga refers to

3944-628: The official versions and were the oldest publisher in Amritsar. However, in 2006, the Akal Takht banned them from printing the Sikh scripture after a sting operation showed that they were printing and mishandling the scripture as well as selling an illegal copy of the Sikh scripture to a Muslim seer. A subsidiary of the SGPC, the Delhi Sikh Gurudwara Management Committee, is the authorized printer and supplier of

4012-598: The scripture being printed in Perso-Arabic script at Lahore, Gujranwala, and Sialkot between the years 1871 and 1895. Official versions of the Guru Granth Sahib are produced in Amritsar by the Shiromani Gurdwara Parbandhak Committee (SGPC). The SGPC printers are the only authorized worldwide publisher of the scripture, states the Sikh religious body Akal Takht . Prior to 2006, Jeewan Singh Chattar Singh & Sons used to print

4080-557: The scripture by his son and successor Guru Gobind Singh. In 1704 at Damdama Sahib , during a one-year respite from the heavy fighting with the Mughal Emperor Aurangzeb , Guru Gobind Singh and Bhai Mani Singh added the religious compositions of Guru Tegh Bahadur to the Adi Granth to create the final edition, called the Guru Granth Sahib. Prior to Guru Gobind Singh, three versions of the Adi Granth pothi with minor variations were in circulation at Sikh shrines across

4148-545: The scripture is divided into 31 main rāgas , with each Granth rāga subdivided according to length and author. The hymns in the scripture are arranged primarily by the rāgas in which they are read. The Guru Granth Sahib is written in the Gurmukhi script in various languages including Punjabi , Lahnda , regional Prakrits , Apabhramsa , Sanskrit , Hindi languages ( Braj Bhasha , Bangru , Awadhi , Old Hindi ), Bhojpuri , Sindhi , Marathi , Marwari , Bengali , Persian and Arabic . Copies in these languages often have

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4216-425: The tenth Sikh guru, added hymns of Guru Tegh Bahadur to the Adi Granth and affirmed the text as his successor. This second rendition became known as the Guru Granth Sahib and is also sometimes referred to as the Adi Granth. The text consists of 1,430 angs (pages) and 5,894 shabads (line compositions), which are poetically rendered and set to a rhythmic ancient north Indian classical form of music. The bulk of

4284-475: The title of "Guru of the Sikhs" upon the Adi Granth . The event was recorded in a Bhatt Vahi (a bard's scroll) by an eyewitness, Narbud Singh, who was a bard at the Rajput rulers' court associated with gurus. Sikhs since then have accepted the Guru Granth Sahib, the sacred scripture, as their eternal-living guru, as the embodiment of the ten Sikh Gurus, the highest religious and spiritual guide for Sikhs. It plays

4352-410: The way of the world. Nanak, God the unconcerned is happy. [3] The first complete English translation of the Guru Granth Sahib, by Gopal Singh , was published in 1960. A revised version published in 1978 removed archaic English words such as "thee" and "thou". In 1962, an eight-volume translation into English and Punjabi by Manmohan Singh was published by the Shiromani Gurdwara Parbandhak Committee . In

4420-587: The words as well as the syntax of the original verses, avoiding any creative and inventive restatement to empathize with a believer. On the other hand, Arvind-Pal Singh Mandair noted the clear influence from the Brahmanical leanings of his Nirmala collaborators, among the British-supported Sikh class which had been long enjoying British patronage as they helped to keep "hostile" elements under control. For example, they induced Trumpp to omit

4488-624: The worship-houses of the Saints. As his associates returned with their collections, Guru Arjan selected and edited the hymns for inclusion in the Adi Granth with Bhai Gurdas as his scribe. This effort yielded several drafts and manuscripts, some of which have survived into the modern era. The oldest surviving manuscript version of the Adi Granth is the Guru Nanak Dev University Manuscript 1245, which has been dated to c.  1599 . Other early editions of

4556-449: The writing of the third, fourth and fifth Guru and Bhagat Namdev . Dhadi refers both to a genre of Punjabi music and the performers who play it: a distinctly composed ensemble of ballad-singers. After briefly sketching the long yet hazy background of the art, this article reconstructs its more certain and recent history so far as it can be gleaned from the oral accounts of living dhadi performers. Taken with evidence of recordings—some of

4624-410: Was complete and officially approved by Guru Arjan. It was installed at the Golden Temple , with Baba Buddha as the first granthi or reader. No hymns were added by Guru Hargobind , Guru Har Rai and Guru Har Krishan . In the Sikh tradition, Guru Hargobind is credited for adding the rāga tunes for nine out of 22 Vars. The hymns of IX Guru Tegh Bahadur, after his beheading in Delhi, were added to

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