56-463: Epic Records is an American record label owned by Sony Music Entertainment , a subsidiary of Sony Corporation of America , the American division of Japanese conglomerate Sony . The label was founded predominantly as a jazz and classical music label in 1953, but later expanded its scope to include a more diverse range of genres, including pop , R&B , rock , and hip hop . Epic Records
112-551: A "record group" which is, in turn, controlled by a music group. The constituent companies in a music group or record group are sometimes marketed as being "divisions" of the group. From 1929 to 1998, there were six major record labels, known as the Big Six: PolyGram was merged into Universal Music Group (UMG) in 1999, leaving the remaining record labels to be known as the Big Five. In 2004, Sony and BMG agreed to
168-405: A 50% profit-share agreement, aka 50–50 deal, not uncommon. In addition, independent labels are often artist-owned (although not always), with a stated intent often being to control the quality of the artist's output. Independent labels usually do not enjoy the resources available to the "big three" and as such will often lag behind them in market shares. However, frequently independent artists manage
224-666: A Thing ", " I'm Real ", " Play ", and " Ain't it Funny ". With her second album, Lopez became the first female solo artist, under the record company, to reach the number one spot on the Billboard 200 . The 2002 remix album J TO THA L-O! The Remixes , which served as a follow-up to Lopez's sophomore effort, was the first remix album to debut at number one on the Billboard 200, and became the fourth best selling remix album of all time, behind albums by Michael Jackson (fellow Epic Records artist), Madonna and The Beatles . Furthermore, in
280-562: A US Senate committee, that the Byrds never received any of the royalties they had been promised for their biggest hits, " Mr. Tambourine Man " and " Turn! Turn!, Turn! ". A contract either provides for the artist to deliver completed recordings to the label, or for the label to undertake the recording with the artist. For artists without a recording history, the label is often involved in selecting producers, recording studios , additional musicians, and songs to be recorded, and may supervise
336-479: A bigger company. If this is the case it can sometimes give the artist greater freedom than if they were signed directly to the big label. There are many examples of this kind of label, such as Nothing Records , owned by Trent Reznor of Nine Inch Nails ; and Morning Records, owned by the Cooper Temple Clause , who were releasing EPs for years before the company was bought by RCA . If an artist and
392-408: A conventional cash advance to sign the artist, who would receive a royalty for sales after expenses were recouped. With the release of the artist's first album, however, the label has an option to pay an additional $ 200,000 in exchange for 30 percent of the net income from all touring, merchandise, endorsements, and fan-club fees. Atlantic would also have the right to approve the act's tour schedule, and
448-681: A deal with Clive Davis whereby Richie Furay 's new band Poco (having signed with Atlantic due to Furay's contract from being in Buffalo Springfield ) would sign with Epic. During the 1960s, Epic oversaw the smaller subsidiary CBS labels including Okeh Records and Date Records . In 1968, Epic recordings began being distributed in the UK by CBS after the distribution deal with EMI expired that year; Epic itself launched in England around 1971. Sony Corporation bought CBS Records in 1987, and
504-713: A familiar trademark for many jazz and classical releases. This has included such notables as the Berlin Philharmonic , Charles Rosen , the Juilliard String Quartet , Antal Doráti conducting the Hague Philharmonic, and George Szell conducting the Cleveland Orchestra . By 1960, Epic became better known for signing newer, fledgling acts. By the end of the 1960s, Epic earned its first gold records and had evolved into
560-798: A formidable hit-making force in rock and roll , R&B and country music . Among its many acts, it included Roy Hamilton , Bobby Vinton , the Dave Clark Five , the Hollies , Tammy Wynette , Donovan , the Yardbirds , Lulu , July , Helen Shapiro , Cliff Richard , and Jeff Beck . Several of the British artists on the Epic roster during the 1960s were the result of CBS's Epic/ Okeh units' 1962 international distribution deal with EMI ; Epic recordings were issued via this arrangement by EMI on
616-822: A fraction of the $ 80 million deal Carey had previously signed with Virgin Records ; Virgin later rescinded that deal after poor sales. That same month, it was announced that R&B group Jodeci had signed to the label and planned to release their first studio album in 20 years. Wondaland Records, singer Janelle Monáe 's imprint, entered into a joint venture with Epic in 2015. Acts on Wondaland include Jidenna , St. Beauty , Deep Cotton and Roman GianArthur . In 2016, Jennifer Lopez returned to Sony Music, six years after leaving in favor of Island Def Jam and Capitol Records . Lopez's multi-album deal reunited her with Reid, whom she signed with at Island Def Jam in 2010. In January 2017, 21 Savage signed to Epic. On May 11, 2017, it
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#1732782579878672-621: A joint venture and merged their recorded music division to create the Sony BMG label (which would be renamed Sony Music Entertainment after a 2008 merger); BMG kept its music publishing division separate from Sony BMG and later sold BMG Music Publishing to UMG. In 2007, the remaining record labels—then known as the Big Four—controlled about 70% of the world music market , and about 80% of the United States music market. In 2012,
728-476: A label want to work together, whether an artist has contacted a label directly, usually by sending their team a demo, or the Artists & Repertoire team of the label has scouted the artist and reached out directly, they will usually enter in to a contractual relationship. A label typically enters into an exclusive recording contract with an artist to market the artist's recordings in return for royalties on
784-462: A large international media group , or somewhere in between. The Association of Independent Music (AIM) defines a 'major' as "a multinational company which (together with the companies in its group) has more than 5% of the world market(s) for the sale of records or music videos." As of 2012 , there are only three labels that can be referred to as "major labels": Universal Music Group , Sony Music , and Warner Music Group . In 2014, AIM estimated that
840-605: A return by recording for a much smaller production cost of a typical big label release. Sometimes they are able to recoup their initial advance even with much lower sales numbers. On occasion, established artists, once their record contract has finished, move to an independent label. This often gives the combined advantage of name recognition and more control over one's music along with a larger portion of royalty profits. Artists such as Dolly Parton , Aimee Mann , Prince , Public Enemy , among others, have done this. Historically, companies started in this manner have been re-absorbed into
896-454: Is often marketed as a "unit" or "division" of the parent label, though in most cases, they operate as pseudonym for it and do not exist as a distinct business operation or separate business structure (although trademarks are sometimes registered). A record label may give a musical act an imprint as part of their branding, while other imprints serve to house other activities, such as side ventures of that label. Music collectors often use
952-684: Is owned by Sony Group Corporation ). Record labels and music publishers that are not under the control of the big three are generally considered to be independent ( indie ), even if they are large corporations with complex structures. The term indie label is sometimes used to refer to only those independent labels that adhere to independent criteria of corporate structure and size, and some consider an indie label to be almost any label that releases non-mainstream music, regardless of its corporate structure. Independent labels are often considered more artist-friendly. Though they may have less sales power, indie labels typically offer larger artist royalty with
1008-598: The Columbia label. Other British artists appearing on Epic were a result of signings to the new UK CBS affiliate formed after the acquisition of Oriole Records (UK) in August 1964. Epic was involved in a notable "trade" of artists. Graham Nash was signed to Epic because of his membership in The Hollies. When the newly formed Crosby, Stills & Nash wanted to sign with Atlantic Records , Ahmet Ertegun worked out
1064-463: The free software and open source movements and the success of Linux . In the mid-2000s, some music publishing companies began undertaking the work traditionally done by labels. The publisher Sony/ATV Music, for example, leveraged its connections within the Sony family to produce, record, distribute, and promote Elliott Yamin 's debut album under a dormant Sony-owned imprint , rather than waiting for
1120-510: The "parent" of any sublabels. Vanity labels are labels that bear an imprint that gives the impression of an artist's ownership or control, but in fact represent a standard artist/label relationship. In such an arrangement, the artist will control nothing more than the usage of the name on the label, but may enjoy a greater say in the packaging of their work. An example of such a label is the Neutron label owned by ABC while at Phonogram Inc. in
1176-418: The 6 (as part of WORK Group ), which was a critical and commercial success, going-on to sell over 8 million copies worldwide. Lopez's sophomore album, J.Lo (2001), experienced similar—if not greater—success, initially selling over 8 million copies worldwide, and gaining multi-platinum status under Epic Records. The record spawned several international and domestic hits, including " Love Don't Cost
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#17327825798781232-463: The Fray , Modest Mouse , Matisyahu and Sean Kingston . However, she delayed the scheduled release of Shakira 's album She Wolf by insisting that the album contain another song – " Give It Up to Me " featuring Lil Wayne and uncredited Timbaland . This delay probably caused She Wolf to perform less well in the market. Epic staff members described Ghost as "abrasive" and a "loose cannon". She
1288-456: The UK. At one point artist Lizzie Tear (under contract with ABC themselves) appeared on the imprint, but it was devoted almost entirely to ABC's offerings and is still used for their re-releases (though Phonogram owns the masters of all the work issued on the label). However, not all labels dedicated to particular artists are completely superficial in origin. Many artists, early in their careers, create their own labels which are later bought out by
1344-546: The United States would typically bear a 4th & B'way logo and would state in the fine print, "4th & B'way™, an Island Records, Inc. company". Collectors discussing labels as brands would say that 4th & B'way is a sublabel or imprint of just "Island" or "Island Records". Similarly, collectors who choose to treat corporations and trademarks as equivalent might say 4th & B'way is an imprint and/or sublabel of both Island Records, Ltd. and that company's sublabel, Island Records, Inc. However, such definitions are complicated by
1400-407: The album will sell better if the artist complies with the label's desired requests or changes. At times, the record label's decisions are prudent ones from a commercial perspective, but these decisions may frustrate artists who feel that their art is being diminished or misrepresented by such actions. In other instances, record labels have shelved artists' albums with no intention of any promotion for
1456-411: The artist from their contract, leaving the artist in a state of limbo. Artists who have had disputes with their labels over ownership and control of their music have included Taylor Swift , Tinashe , Megan Thee Stallion , Kelly Clarkson , Thirty Seconds to Mars , Clipse , Ciara , JoJo , Michelle Branch , Kesha , Kanye West , Lupe Fiasco , Paul McCartney , and Johnny Cash . In
1512-415: The artist in question. Reasons for shelving can include the label deciding to focus its resources on other artists on its roster, or the label undergoing a restructure where the person that signed the artist and supports the artist's vision is no longer present to advocate for the artist. In extreme cases, record labels can prevent the release of an artist's music for years, while also declining to release
1568-425: The artist is established and has a loyal fan base. For that reason, labels now have to be more relaxed with the development of artists because longevity is the key to these types of pact. Several artists such as Paramore , Maino , and even Madonna have signed such types of deals. A look at an actual 360 deal offered by Atlantic Records to an artist shows a variation of the structure. Atlantic's document offers
1624-484: The artists may be downloaded free of charge or for a fee that is paid via PayPal or other online payment system. Some of these labels also offer hard copy CDs in addition to direct download. Digital Labels are the latest version of a 'net' label. Whereas 'net' labels were started as a free site, digital labels represent more competition for the major record labels. The new century brought the phenomenon of open-source or open-content record labels. These are inspired by
1680-603: The company was renamed Sony Music in 1991. It began splitting European operations into two separate labels, Epic and Columbia, in 1992, and in 1997, Sony Music Australia and New Zealand followed suit. In 2004, Sony merged with music distributor BMG , bringing Arista Records , Columbia Records, Epic Records, J Records , Jive Records , RCA Records , and Zomba Group of Companies to one parent company known as Sony BMG Music Entertainment . In 2008, Sony bought out BMG for $ 1.2 billion, bringing all affiliated labels together as Sony Music Entertainment International, SMEI. The merger
1736-403: The company. Some independent labels become successful enough that major record companies negotiate contracts to either distribute music for the label or in some cases, purchase the label completely, to the point where it functions as an imprint or sublabel. A label used as a trademark or brand and not a company is called an imprint , a term used for a similar concept in publishing . An imprint
Epic Records - Misplaced Pages Continue
1792-400: The corporate mergers that occurred in 1989 (when Island was sold to PolyGram) and 1998 (when PolyGram merged with Universal). PolyGram held sublabels including Mercury, Island and Motown. Island remained registered as corporations in both the United States and UK , but control of its brands changed hands multiple times as new companies were formed, diminishing the corporation's distinction as
1848-416: The early days of the recording industry, recording labels were absolutely necessary for the success of any artist. The first goal of any new artist or band was to get signed to a contract as soon as possible. In the 1940s, 1950s, and 1960s, many artists were so desperate to sign a contract with a record company that they sometimes ended up signing agreements in which they sold the rights to their recordings to
1904-512: The end of their contract with EMI when their album In Rainbows was released as a " pay what you want " sales model as an online download, but they also returned to a label for a conventional release. Research shows that record labels still control most access to distribution. Computers and internet technology led to an increase in file sharing and direct-to-fan digital distribution, causing music sales to plummet in recent years. Labels and organizations have had to change their strategies and
1960-711: The imprint Vested In Culture through Epic Records. A year later, she was named president of Epic. In November 2014, Mosley Music Group created a joint venture with Sony Music- with marketing, publicity, distribution and overall label services provided by Epic. The joint venture was created due to Timbaland 's previous co-collaboration with Reid on Michael Jackson's posthumous album, Xscape . Previously operated by Interscope , most of MMG's roster moved to Epic. In 2015, Def Jam Recordings parted ways with Mariah Carey and Carey reunited with Reid at Epic. She had worked with Reid at Def Jam under The Island Def Jam Music Group in 2004. Carey's deals with both Def Jam and Epic were at
2016-734: The major divisions of EMI were sold off separately by owner Citigroup : most of EMI's recorded music division was absorbed into UMG; EMI Music Publishing was absorbed into Sony/ATV Music Publishing; finally, EMI's Parlophone and Virgin Classics labels were absorbed into Warner Music Group (WMG) in July 2013. This left the so-called Big Three labels. In 2020 and 2021, both WMG and UMG had their IPO with WMG starting trading at Nasdaq and UMG starting trading at Euronext Amsterdam and leaving only Sony Music as wholly-owned subsidiary of an international conglomerate ( Sony Entertainment which in turn
2072-433: The major labels (two examples are American singer Frank Sinatra 's Reprise Records , which has been owned by Warner Music Group for some time now, and musician Herb Alpert 's A&M Records , now owned by Universal Music Group). Similarly, Madonna 's Maverick Records (started by Madonna with her manager and another partner) was to come under control of Warner Music when Madonna divested herself of controlling shares in
2128-537: The majors had a collective global market share of some 65–70%. Record labels are often under the control of a corporate umbrella organization called a "music group ". A music group is usually affiliated to an international conglomerate " holding company ", which often has non-music divisions as well. A music group controls and consists of music-publishing companies, record (sound recording) manufacturers, record distributors, and record labels. Record companies (manufacturers, distributors, and labels) may also constitute
2184-570: The manufacturer's name, along with other information. Within the mainstream music industry , recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists , who assist performers in gaining positive media coverage, and arrange for their merchandise to be available via stores and other media outlets. Record labels may be small, localized and " independent " ("indie"), or they may be part of
2240-507: The output of recording sessions. For established artists, a label is usually less involved in the recording process. The relationship between record labels and artists can be a difficult one. Many artists have had conflicts with their labels over the type of sound or songs they want to make, which can result in the artist's artwork or titles being changed before release. Other artists have had their music prevented from release, or shelved. Record labels generally do this because they believe that
2296-415: The production, manufacture , distribution , marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists , artist financing and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays
Epic Records - Misplaced Pages Continue
2352-548: The record label in perpetuity. Entertainment lawyers are usually employed by artists to discuss contract terms. Due to advancing technology such as the Internet , the role of labels is rapidly changing, as artists are able to freely distribute their own material through online radio , peer-to-peer file sharing such as BitTorrent , and other services, at little to no cost, but with correspondingly low financial returns. Established artists, such as Nine Inch Nails , whose career
2408-474: The salaries of certain tour and merchandise sales employees hired by the artist. In addition, the label also offers the artist a 30 percent cut of the label's album profits—if any—which represents an improvement from the typical industry royalty of 15 percent. With the Internet now being the dominant source for obtaining music, netlabels have emerged. Depending on the ideals of the net label, music files from
2464-670: The second spot of the Billboard 200. Lopez's first full-length Spanish debut, Como Ama Una Mujer , became the first Spanish-language debut album to enter the top 10 of the Billboard 200, and has sold 1 million copies worldwide. This was Lopez's final studio album under Epic Records before her move to Island Def Jam and Capitol Records ; she released her first greatest hits compilation, Dance Again... The Hits , gaining critical success. In February 2009, Sony Music Group chairman Rob Stringer appointed singer-songwriter Amanda Ghost as president of Epic. Ghost, who had successfully promoted James Blunt to Grammy Award-winning status,
2520-412: The second week at number-one for the remix album, Lopez's remixed single Ain't It Funny (Murder Remix) (with Ja Rule ), was also number one, making Lopez the only artist in history to have a number one remix album and single in the same week. Lopez's third studio album, released in late 2002, was also a success, titled This is me... Then ; the record sold 6 million copies worldwide and peaked at
2576-419: The selling price of the recordings. Contracts may extend over short or long durations, and may or may not refer to specific recordings. Established, successful artists tend to be able to renegotiate their contracts to get terms more favorable to them, but Prince 's much-publicized 1994–1996 feud with Warner Bros. Records provides a strong counterexample, as does Roger McGuinn 's claim, made in July 2000 before
2632-703: The show. In February 2012, Epic Records signed experimental hip-hop/punk rap trio, Death Grips , under the recommendation of, then executive vice president of marketing, Angelica Cob-Baehler . They released their, arguably, most commercially successful album The Money Store (album) in April 2012. They were later dropped from the label following conflict due to cancelling a tour to work on their next album, No Love Deep Web , and releasing it for legal download on Peer-to-peer connection site, BitTorrent , to bypass Epic Records' desire to release it in 2013. In 2013, Sylvia Rhone , former president of Universal Motown , launched
2688-400: The term sublabel to refer to either an imprint or a subordinate label company (such as those within a group). For example, in the 1980s and 1990s, 4th & B'way Records (pronounced as "Broadway") was a trademarked brand owned by Island Records Ltd. in the UK and by a subordinate branch, Island Records, Inc., in the United States. The center label on a 4th & Broadway record marketed in
2744-399: The time served as the label's primary logo. Record label [REDACTED] [REDACTED] [REDACTED] "Big Three" music labels A record label or record company is a brand or trademark of music recordings and music videos , or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates
2800-433: The way they work with artists. New types of deals called "multiple rights" or "360" deals are being made with artists, where labels are given rights and percentages to artist's touring, merchandising, and endorsements . In exchange for these rights, labels usually give higher advance payments to artists, have more patience with artist development, and pay higher percentages of CD sales. These 360 deals are most effective when
2856-477: Was an unconventional and controversial choice for president because she had no corporate executive experience. She was expected to reverse the trend of declining sales at Epic by promoting the label's newer and mid-tier artists such as Augustana . Stringer also merged Epic and Columbia to form the Columbia/Epic Label Group in 2009, with himself as acting chairman. Ghost scored hit records for
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#17327825798782912-604: Was announced that Reid would exit as the label's CEO. Following his exit, it was reported that Reid had been accused of sexual harassment by multiple Epic employees. On April 23, 2019, it was announced that Rhone had been appointed as Chair and CEO of the label. In April 2023, Sony Music UK announced the relaunch of Epic Records UK as one of their frontline labels, with former publishing executive Sarah Lockhart appointed as president. Unlike sister label Columbia, Epic has gone through five different logos. Some logos were temporarily revived for period reissues. The years shown below list
2968-654: Was approved by the European Union in 2009. Epic Soundtrax was founded as a film soundtrack label in 1992. It was central to Epic's 1990s success, with 11 soundtrack releases cumulatively selling more than 40 million records over a three-year period. Notable releases included soundtrack albums for Honeymoon in Vegas , Singles , Sleepless in Seattle , Forrest Gump , Philadelphia , and Judgment Night . In 1999, Jennifer Lopez released her debut album On
3024-455: Was developed with major label backing, announced an end to their major label contracts, citing that the uncooperative nature of the recording industry with these new trends is hurting musicians, fans and the industry as a whole. However, Nine Inch Nails later returned to working with a major label, admitting that they needed the international marketing and promotional reach that a major label can provide. Radiohead also cited similar motives with
3080-524: Was fired in October 2010, with Stringer apologizing for his mistake: "I owe the people at Epic..." In July 2011, L.A. Reid became the CEO of Epic Records, signing artists such as TLC , Toni Braxton , Cher Lloyd , Avril Lavigne , Outkast , Future , Yo Gotti , Ciara , Meghan Trainor , DJ Khaled , and Travis Scott . Epic also signed the winners of The X Factor during the seasons that Reid appeared on
3136-585: Was launched in 1953 by the Columbia Records unit of CBS , for the purpose of marketing jazz , pop , and classical music that did not fit the theme of its more mainstream Columbia Records label. Initial classical music releases were from Philips Records which distributed Columbia product in Europe. Pop talent on co-owned Okeh Records were transferred to Epic which made Okeh a rhythm and blues label. Epic's bright-yellow, black, and blue logo became
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