67-805: Farewell Concert is the live recording of the band Cream 's final concert at the Royal Albert Hall on 26 November 1968. Aside from the band's reunion concert in 2005 it is Cream's only official full concert release on video. It was originally broadcast by the BBC on 5 January 1969. It was not released on video in the US until 1977. The opening acts for the concert were future progressive rock stars Yes , who were just starting out, and Taste , an Irish trio led by Rory Gallagher . There are in fact several versions of this film. They are as follows - Original theatrical release Television version In 2005,
134-685: A Baroque and Renaissance lutenist , playing four-string banjo and mandolin . The ORQ toured the college and concert circuit, opening four engagements with the Dinah Shore show in Las Vegas and elsewhere. Pappalardi studied classical music at the University of Michigan . Upon completing his studies and returning to New York, he was unable to find work and so became part of the Greenwich Village folk-music scene, where he made
201-467: A Grammy Lifetime Achievement Award in recognition of their contribution to, and influence upon, modern music. That same month, a "Classic Albums" DVD was released detailing the story behind the creation and recording of Disraeli Gears . On the day prior to the Grammy ceremony, Bruce made a public statement that more one-off performances of Cream had been planned: multiple dates in a few cities, similar to
268-430: A special extended edition of the concert appeared featuring full versions of all songs separated from the narration and interviews. Lasting 80 minutes, it was released on the official DVD reissue. The new version featured digitally remastered sound and video including three bonus songs. A short clip of White Room from the second set (the film used the version from the first show), together with D.J. John Peel introducing
335-406: A 2006 interview with Music Mart magazine, "It just got to the point where Eric said to me: 'I've had enough of this', and I said so have I. I couldn't stand it. The last year with Cream was just agony. It damaged my hearing permanently, and today I've still got a hearing problem because of the sheer volume throughout the last year of Cream. But it didn't start off like that. In 1966, it was great. It
402-516: A Cream reunion later in the year. It was later revealed that the potential performance was to be November 2007 in London as a tribute to Ahmet Ertegun . The band decided against it and this was confirmed by Bruce in a letter to the editor of the Jack Bruce fanzine, The Cuicoland Express , dated 26 September 2007: Dear Marc, We were going to do this tribute concert for Ahmet when it was to be at
469-494: A concert at The Forum in Los Angeles, California, on 19 October, and three new studio recordings (including "Badge", which was written by Clapton and George Harrison , who also played rhythm guitar and was credited as "L'Angelo Misterioso"). "I'm So Glad" was included among the live tracks. Cream's farewell tour consisted of 22 shows at 19 venues in the US from 4 October to 4 November 1968, and two final farewell concerts at
536-418: A farewell tour of the US and after playing two concerts in London. Jack Bruce was quoted as saying "Travel can kill a group. It becomes boring, tiring and very depressing." Cream were eventually persuaded to do one final album, appropriately titled Goodbye . The album was recorded in late 1968 and released in early 1969, after the band had broken up. It comprised six songs: three live recordings dating from
603-527: A home video, Farewell Concert . Bruce died in 2014 followed by Baker in 2019, leaving Clapton as the only surviving member of the group. In 1993, Cream were inducted into the Rock and Roll Hall of Fame . They were included in both Rolling Stone and VH1 's lists of the "100 Greatest Artists of All Time", at number 67 and 61 respectively. They were also ranked number 16 on VH1's "100 Greatest Artists of Hard Rock". By July 1966, Eric Clapton 's career with
670-513: A name for himself as an arranger; he appeared on albums by Tom Paxton , Vince Martin and Fred Neil for Elektra Records . Thereafter he moved into record production, initially concentrating on folk and folk-rock acts for artists such as The Youngbloods and Joan Baez . As a producer, Pappalardi is perhaps best known for his work with Cream , beginning with their second album, Disraeli Gears . He contributed instrumentation for his studio arrangements and he and his wife, Gail Collins , wrote
737-651: A solo album ( Don't Worry, Ma ) and recorded with Kazuo Takeda's band Creation (who had opened for a reunited Mountain during their 1973 tour of Japan). In May 1973, the British music magazine NME reported that Pappalardi would be producing and playing bass on Queen of the Night , the debut album for Maggie Bell , former singer of Stone the Crows , but this proved to be false. He produced The Dead Boys album We Have Come for Your Children in 1978. He also worked on
SECTION 10
#1732780496753804-460: A welcome breath of fresh air to Clapton in comparison to the psychedelia and volume that had defined Cream. Furthermore, he had read a scathing Cream review in Rolling Stone , a publication he had much admired, in which the reviewer, Jon Landau , called him a "master of the blues cliché". In the wake of that article, Clapton wanted to end Cream and pursue a different musical direction. At
871-422: Is because footage from both sets, with the band wearing different clothes and Clapton using a Gibson Firebird for the first set, a Gibson 335 for the second, were edited together. The BBC used four static cameras and two hand held cams, all recording onto video tape, whilst Palmer himself filmed footage at the front of the stage, utilising a 16mm film camera. The difference in quality can be detected easily during
938-477: Is much worse than the sound of the other 3 shows of this box set. The original film has often been criticized for both its mediocre sound and visual effects: The audio is a turgid sonic sludge. The visuals are even worse, with director Tony Palmer jerking the camera around as if this were an episode of NYPD Blue, layering the picture with dated and distracting psychedelic light effects, and providing far too many close-ups of Bruce's teeth (and almost no wide shots of
1005-411: Is often considered to be the band's defining effort, successfully blending psychedelic British rock with American blues. Disraeli Gears also included "Sunshine of Your Love", which became the group's unofficial anthem, and is probably their best-known song today. Bruce and Pete Brown came upon the idea in a state of near desperation in the wee hours. In a last-ditch attempt to salvage something from
1072-463: Is over." Bruce died on 25 October 2014 and Baker died on 6 October 2019, leaving Clapton as the last surviving member. Band members Session contributors Felix Pappalardi Felix Albert Pappalardi Jr. (December 30, 1939 – April 17, 1983) was an American music producer, songwriter, vocalist, and bassist . He is best known as the bassist and co-lead vocalist of the band Mountain , whose song " Mississippi Queen " peaked at number 21 on
1139-535: Is the first platinum-selling double album . They scored international hits with singles such as " Sunshine of Your Love " (1967) and " White Room " (1968). Tensions between Bruce and Baker led to their decision in May 1968 to break up, although the band were persuaded to make a final album, Goodbye , and to tour, culminating in two final farewell concerts at the Royal Albert Hall on 25 and 26 November 1968 which were filmed and shown in theatres, then in 1977 released as
1206-542: The Billboard Hot 100 and became a classic rock radio staple. Originating in the eclectic music scene in New York's Greenwich Village , he became closely attached to the British power trio Cream , writing, arranging, and producing for their second album Disraeli Gears . As a producer for Atlantic Records , he worked on several projects with guitarist Leslie West ; in 1969 their partnership evolved into
1273-551: The NBC show Hot Hero Sandwich in 1979. Pappalardi was shot and killed by his wife, Gail Collins Pappalardi , on April 17, 1983, in their apartment on the East Side of Manhattan , with a derringer he had given her as a gift a few months previously. She was subsequently charged with second-degree murder and was found guilty of the lesser criminally negligent homicide . He is interred next to his mother at Woodlawn Cemetery in
1340-417: The Rock and Roll Hall of Fame and re-formed to perform at the induction ceremony . Initially, the trio were wary about performing, until encouraging words from Robbie Robertson inspired them to try. The set consisted of "Sunshine of Your Love", "Crossroads", and "Born Under a Bad Sign", a song they had previously played live just three times. Clapton mentioned in his acceptance speech that their rehearsal
1407-574: The Royal Albert Hall on 25 and 26 November 1968. The final US gig was at the Rhode Island Auditorium on 4 November. The band arrived late, and due to local restrictions, were able to perform only two songs, "Toad" and a 20+ minute version of "Spoonful". The two Royal Albert Hall concerts were filmed for a BBC documentary and released on video (and later DVD) as Farewell Concert . Both shows were sold out and attracted more attention than any other Cream concert, but their performance
SECTION 20
#17327804967531474-467: The University of Michigan . In 1964, Pappalardi was a member of Max Morath 's Original Rag Quartet (ORQ) in their premier engagement at New York City's Village Vanguard . Along with Pappalardi on guitarrón (Mexican acoustic bass) were pianist-singer Morath, who revived classic ragtime played in the Scott Joplin manner, Barry Kornfeld, a New York studio folk and jazz guitarist, and Jim Tyler ,
1541-613: The Bluesbreakers in November 1965; the two also had recorded together as part of an ad hoc group dubbed Powerhouse (which also included Steve Winwood and Paul Jones ). Impressed with Bruce's vocals and technical prowess, Clapton wanted to work with him on an ongoing basis. In contrast, while Bruce was in Bond's band, he and Baker had been notorious for their quarrelling. Their volatile relationship included on-stage fights and
1608-656: The Cream hit " Strange Brew " with Eric Clapton . He also produced The Youngbloods' first album As a musician, Pappalardi is widely recognized as a bassist, vocalist, and founding member of the American hard rock band (and heavy metal forerunner) Mountain , a band born out of his working with future bandmate Leslie West 's soul -inspired rock and roll band The Vagrants , and producing West's 1969 Mountain solo album. The band's original incarnation actively recorded and toured between 1969 and 1971. Pappalardi produced
1675-708: The Dominos , and in his own long and varied solo career. Bruce began a varied and successful solo career with the 1969 release of Songs for a Tailor , while Baker formed a jazz-fusion ensemble, Ginger Baker's Air Force , from the remnants of Blind Faith, with Winwood, Blind Faith bassist Rick Grech , Graham Bond on saxophone, and guitarist Denny Laine of the Moody Blues and (later) Wings . All three members continued to explore new musical ideas and partnerships, play concerts and record music for over four decades after ending Cream. In 1993, Cream were inducted into
1742-496: The Graham Bond Organisation and had grown tired of Graham Bond 's drug addictions and bouts of mental instability. "I had always liked Ginger", explained Clapton. "Ginger had come to see me play with the Bluesbreakers. After the gig he drove me back to London in his Rover. I was very impressed with his car and driving. He was telling me that he wanted to start a band, and I had been thinking about it too." Each
1809-574: The Royal Albert Hall and Madison Square Garden shows. However, this story was denied by both Clapton and Baker, first by Clapton in The Times in April 2006. When asked about Cream, Clapton said: "No. Not for me. We did it and it was fun. But life is too short. I've got lots of other things I would rather do, including staying at home with my kids. The thing about that band was that it
1876-577: The Royal Albert Hall but decided to pass when it was moved to the O2 Arena and seemed to be becoming overly commercial. The headlining act for the O2 Arena Ahmet Ertegun Tribute Concert (postponed to December 2007) turned out to be from another reunited English hard-rock act, Led Zeppelin . In an interview with BBC 6 Music in April 2010, Bruce confirmed that there would be no more Cream shows, stating simply, "Cream
1943-482: The Sixth Annual Windsor Jazz & Blues Festival. Being new and with few original songs to its credit, they performed blues reworkings that thrilled the large crowd and earned it a warm reception. In October the band also got a chance to jam with Jimi Hendrix , who had recently arrived in London. Hendrix was a fan of Clapton's music, and wanted a chance to play with him onstage. It was during
2010-561: The UK charts and number 39 in the US. It was evenly split between self-penned originals and blues covers, including "Four Until Late", " Rollin' and Tumblin' ", "Spoonful", " I'm So Glad " and "Cat's Squirrel". The rest of the songs were written by either Jack Bruce or Ginger Baker. ("I Feel Free", a UK hit single, was included on only the American edition of the LP.) The track " Toad " contained one of
2077-478: The World" and "Toad". From its creation, Cream was faced with some fundamental problems that would later lead to its dissolution in November 1968. The antagonism between Bruce and Baker created tensions in the band. Clapton also felt that the members of the band did not listen to each other enough. Equipment during these years had also improved; new Marshall amplifier stacks produced more power, and Jack Bruce pushed
Farewell Concert - Misplaced Pages Continue
2144-539: The Yardbirds and John Mayall & the Bluesbreakers had earned him a reputation as the premier blues guitarist in Britain. Clapton, however, found the environment of Mayall's band confining, and sought to expand his playing in a new band. In 1966, Clapton met Ginger Baker , then the drummer of the Graham Bond Organisation , for which Jack Bruce had played bass guitar, harmonica and piano. Baker felt stifled in
2211-455: The actual performance with great enthusiasm, disregarding the poor quality of the video. Cream (band) Cream were a British rock supergroup formed in London in 1966. The group consisted of bassist Jack Bruce , guitarist Eric Clapton and drummer Ginger Baker . Bruce was the primary songwriter and vocalist, although Clapton and Baker contributed to songs. Formed by members of previously successful bands, they are widely considered
2278-624: The band Mountain. The band lasted less than five years, but their work influenced the first generation of heavy metal and hard rock music. Pappalardi continued to work as a producer, session musician, and songwriter until he was shot and killed by his wife Gail Collins in 1983. Pappalardi was born in the Bronx , New York City, to an Italian family who immigrated from Gravina in Puglia . A classically trained musician, he graduated from New York City's High School of Music & Art and attended
2345-399: The band did record Howlin' Wolf 's " Sitting on Top of the World " and Albert King 's "Born Under a Bad Sign". According to a BBC interview with Clapton, the record company, Atco Records , also handling Albert King, asked the band to cover "Born Under a Bad Sign", which became a popular track off the record. The opening song, "White Room", became a radio staple. Another song, "Politician",
2412-685: The band members themselves. Before deciding upon "Cream", the band considered calling themselves "Sweet 'n' Sour Rock 'n' Roll". Of the trio, Clapton had the biggest reputation in England; however, he was unknown in the United States, having left the Yardbirds before " For Your Love " hit the American Top Ten . The band made its unofficial debut at the Twisted Wheel on 29 July 1966. Its official debut came two nights later at
2479-456: The band onstage, was shown on the BBC1 programme "The Rock And Roll Years" in the late 1980s. In June 2014, it was given a Blu-ray / DVD release. Album release In March 2020, the concert was released as part of the live album Goodbye Tour - Live 1968 , being the first time the Royal Albert Hall concert was officially released via audio format. Sadly the sound of this Royal Albert hall concert
2546-559: The band to one song per concert. They returned to record Disraeli Gears in New York between 11 and 15 May 1967. This, the band's second album, was released in November 1967 and reached the top five in the charts on both sides of the Atlantic. Produced by Felix Pappalardi (who later co-founded the Cream-influenced quartet Mountain ) and engineer Tom Dowd , it was recorded at Atlantic Studios in New York. Disraeli Gears
2613-432: The band was getting worse by the minute. Blind Faith , a band that included both Clapton and Baker, was formed after the demise of Cream, following an attempt by Clapton to recruit Steve Winwood into Cream in the hope that he would help act as a buffer between Bruce and Baker. Inspired by more song-based acts, Clapton went on to perform very different, less improvisational material with Delaney & Bonnie , Derek and
2680-515: The band's albums, and co-wrote and arranged a number of the band's songs with Collins and West. The band's signature song " Mississippi Queen " was heard regularly on classic rock radio stations. They also had a hit with the song "Nantucket Sleighride" written by Pappalardi and Collins. Pappalardi generally played Gibson basses on Mountain's live and studio recordings. He was most often seen with an EB-1 violin bass but there are also photographs of him playing an EB-0 live (likely because they had
2747-600: The band's live sets. Although they consistently played "Tales of Brave Ulysses" and "Sunshine of Your Love", several songs from Disraeli Gears were quickly dropped from performances in mid-1967, favouring longer jams instead of short pop songs . "We're Going Wrong" was the only additional song from the album the group performed live. In fact, at their 2005 reunion shows in London , the band played only three songs from Disraeli Gears : "Outside Woman Blues", " We're Going Wrong ", and "Sunshine of Your Love"; at their three October 2005 performances in New York, "Tales of Brave Ulysses"
Farewell Concert - Misplaced Pages Continue
2814-474: The band's third release, Wheels of Fire , which topped the American charts. The album was recorded in a spate of short sessions from July 1967 to June 1968. Still a relative novelty, the double album of two LP records was well-suited to extended solos. The Wheels of Fire studio recordings showcased the band moving away from the blues and more towards a semi- progressive rock style highlighted by odd time signatures and various orchestral instruments. However,
2881-578: The beginning of the band's farewell tour on 4 October 1968, in Oakland, California, nearly the entire set consisted of songs from Wheels of Fire : "White Room", "Politician", "Crossroads", "Spoonful", and "Deserted Cities of the Heart", with "Passing the Time" taking the place of "Toad" for a drum solo. "Passing the Time" and "Deserted Cities" were quickly removed from the setlist and replaced by "Sitting on Top of
2948-529: The broadcast. However, the BBC "Pete Drummond" version was better quality overall, and is the only version that has these 16mm film clips removed – the remastered release on the 2005 DVD presents both audio and video in excellent quality. Ginger Baker himself has lashed out in an interview against the Farewell Concert video, stating: "Cream was so much better than that." Nonetheless, most Cream fans regard
3015-403: The day before the ceremony had marked the first time they had played together in 25 years. This performance spurred rumours of a reunion tour. Bruce and Baker said in later interviews that they were, indeed, interested in touring as Cream. A formal reunion did not take place immediately, as Clapton, Bruce and Baker continued to pursue solo projects, although the latter two worked together again in
3082-614: The earliest examples of a drum solo in rock music as Ginger Baker expanded upon his early composition "Camels and Elephants", written in 1965 with the Graham Bond Organisation . The band first visited the US in March 1967 to play nine dates at the RKO 58th Street Theatre in New York City. There was little impact, as impresario Murray the K placed them at the bottom of a six-act bill that performed three times per date, eventually reducing
3149-447: The early organisation that they decided Bruce would serve as the group's lead vocalist. While Clapton was shy about singing, he occasionally harmonised with Bruce, and in time, took lead vocals on several Cream tracks including " Four Until Late ", " Strange Brew ", "World of Pain", " Outside Woman Blues ", "Crossroads", and " Badge ". The band's debut album, Fresh Cream , was recorded and released in 1966. The album reached number 6 in
3216-516: The entire band). The band had performed two sets at the Albert Hall, but it is believed only the second set was filmed in its entirety. Several times during the performance, it is apparent that the on-screen shot is not in sync with the audio. In fact, in several songs, including during Ginger Baker 's drum solo, he seems to change clothes at lightning speed due to careless post-editing, as well as Eric Clapton playing two different guitars. This
3283-618: The first supergroup. Cream were highly regarded for the instrumental proficiency of each of their members. During their brief three-year career, the band released four albums: Fresh Cream (1966), Disraeli Gears (1967), Wheels of Fire (1968), and Goodbye (1969). Beginning with Disraeli Gears , the band was joined in the studio by producer and multi-instrumentalist Felix Pappalardi . Their music spanned rock styles such as blues rock , psychedelia , and hard rock . Throughout their career, they sold more than 15 million records worldwide. The group's third album, Wheels of Fire (1968),
3350-551: The first time the band had played "Badge" and "Pressed Rat and Warthog" live. Inspired by the success of the reunion, the band agreed to an additional set of three shows at the Madison Square Garden in New York City, from 24 to 26 October 2005. According to Clapton, these concerts did not live up to the Royal Albert Hall performances due to, among other reasons, lack of rehearsal and the resurgence of old grudges among band members. In February 2006, Cream received
3417-439: The idea, I said no, and then he phoned me up and eventually convinced me to do it. I was on my best behaviour and I did everything I could to make things go as smooth as possible, and I was really pleasant to Jack. Baker and Bruce appeared on stage in London when Baker was awarded a lifetime achievement award by legendary cymbal manufacturer Zildjian . Bruce told Detroit's WCSX radio station in May 2007 that there were plans for
SECTION 50
#17327804967533484-433: The long and fruitless night at his apartment, the bleary-eyed Bruce pulled out his double bass again and played a riff. At that point, Brown looked out the window and saw the sun was about to rise: "It's getting near dawn", he said to himself. Brown put the words on paper then thought some more: "When lights close their tired eyes". Later on, Eric Clapton added the song's refrain. The album was originally slated for release in
3551-440: The mid-1990s as two-thirds of the power trio BBM with Irish blues rock guitarist Gary Moore . At Clapton's request, Cream reunited for a series of four shows, on 2, 3, 5, and 6 May 2005 at the Royal Albert Hall in London, the venue of their final concerts in 1968. Although the three musicians chose not to speak publicly about the shows, Clapton would later state that he had become more "generous" in regard to his past, and that
3618-479: The physical health of Bruce and Baker was a major factor: Bruce had recently undergone a transplant for liver cancer in 2003, and had almost lost his life, while Baker had severe arthritis. Tickets for all four shows sold out in under an hour. The performances were recorded for a live CD and DVD. Among those in attendance were Bill Wyman , Steve Winwood , Paul McCartney , Ringo Starr , Roger Waters , Brian May , Jimmy Page , and Mick Taylor . The reunion marked
3685-404: The sabotage of one another's instruments. After Baker fired Bruce from the band, Bruce continued to arrive for gigs; ultimately, Bruce was driven away from the band after Baker threatened him at knifepoint. Baker and Bruce tried to put aside their differences for the good of Baker's new trio, which he envisioned as collaborative, with each of the members contributing to music and lyrics. The band
3752-401: The same pickup configuration and scale length). Pappalardi obtained his sound by playing Gibson basses with a single Humbucker in the neck through a set of Sunn amplifiers that, he claimed, once belonged to Jimi Hendrix . Pappalardi was forced to retire because of partial deafness , ostensibly from his high-volume shows with Mountain. He continued producing throughout the 1970s, released
3819-412: The same. I tell you this – there won't ever be any more Cream gigs, because he did Mr. Hyde in New York last year." When asked to elaborate, Baker replied: Oh, he shouted at me on stage, he turned his bass up so loud that he deafened me on the first gig. What he does is that he apologises and apologises, but I'm afraid, to do it on a Cream reunion gig, that was the end. He killed the magic, and New York
3886-491: The summer of 1967, but the record label opted to scrap the planned cover and repackage it with a new psychedelic cover, designed by artist Martin Sharp , and the resulting changes delayed its release for several months. The cover was remarkable for the time, with a psychedelic design patterned over a publicity photo of the trio. Although the album is considered one of Cream's finest efforts, it has never been well represented in
3953-497: The volume levels higher, creating tension for Baker, who would have trouble competing with roaring stacks. Clapton spoke of a concert during which he stopped playing and neither Baker nor Bruce noticed. Clapton has also commented that Cream's later gigs mainly consisted of its members showing off. Cream decided that they would break up in May 1968 during a tour of the US. Later, in July, the band announced that they would break up after
4020-626: Was all to do with its limits ... it was an experiment." In an interview in the UK magazine Music Mart , about the release of a DVD about the Blind Faith concert in Hyde Park 1969, Baker commented about his unwillingness to continue the Cream reunion. These comments were far more specific and explosive than Clapton's, as they were centred around his relationship with Jack Bruce. Ginger said, "When he's Dr. Jekyll, he's fine ... It's when he's Mr. Hyde that he's not. And I'm afraid he's still
4087-813: Was also included in the setlist. In August 1967, the band played their first headlining dates in the US, first at The Fillmore in San Francisco and later at The Pinnacle in Los Angeles. The concerts were a great success and proved very influential on both the band itself and the flourishing hippie scene surrounding them. Upon discovering a growing listening audience, the band began to stretch out on stage, incorporating more time in their repertoire, some songs reaching jams of twenty minutes. Long, drawn-out jams in numbers like "Spoonful", "N.S.U.", "I'm So Glad", and "Sweet Wine" became live favourites, while songs like "Sunshine of Your Love", "Crossroads", and "Tales of Brave Ulysses" remained reasonably short. In 1968 came
SECTION 60
#17327804967534154-431: Was impressed with the other's playing abilities, prompting Baker to ask Clapton to join his new, then-unnamed group. Clapton immediately agreed, on the condition that Baker hire Bruce, who had joined Manfred Mann since leaving Graham Bond, as the group's bassist; according to Clapton, Baker was so surprised at the suggestion that he almost crashed the car. Clapton had met Bruce when the bassist/vocalist briefly played with
4221-444: Was like 1968 ... It was just a get through the gig, get the money sort of deal. I was absolutely amazed. I mean, he demonstrated why he got the sack from Graham Bond and why Cream didn't last very long on stage in New York. I didn't want to do it in the first place simply because of how Jack was. I have worked with him several times since Cream, and I promised myself that I would never work with him again. When Eric first came up with
4288-458: Was named "Cream", as Clapton, Bruce, and Baker were already considered the "cream of the crop" amongst blues and jazz musicians in the exploding British music scene . Initially, the group were referred to and billed as "The Cream", but starting officially with its first record releases, the trio came to be known as "Cream". Despite this, the band was referred to as "The Cream" on several occasions by promoters and disc jockeys, and even on occasion by
4355-511: Was really a wonderful experience musically, and it just went into the realms of stupidity." Bruce and Baker's combustible relationship proved even worse as a result of the strain put upon the band by non-stop touring, forcing Clapton to play the perpetual role of peacekeeper. Clapton had also become interested in the music of Bob Dylan 's former backing group, now known as the Band , and their debut album, Music from Big Pink , which proved to be
4422-438: Was regarded by many as below standard. Baker himself said of the concerts: "It wasn't a good gig ... Cream was better than that ... We knew it was all over. We knew we were just finishing it off, getting it over with." Bruce had three Marshall stacks on stage for the farewell shows but one acted only as a spare, and he only used one or two, depending on the song. In an interview from Cream: Classic Artists , he added that
4489-625: Was written by the band while waiting to perform live at the BBC. The album's second disc included three live recordings from the Winterland Ballroom and one from the Fillmore. Clapton's second solo from "Crossroads" has made it to the top 20 in multiple "greatest guitar solo" lists. After the completion of Wheels of Fire in mid-1968, the band members had grown tired of their exhausting touring schedule and increasingly loud jamming, and wanted to go their separate ways. Baker stated in
#752247