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14-787: The license was written in July 2000, with contributions from the mailing list copyleft_attitude@april.org and, in particular, with French lawyers Mélanie Clément-Fontaine and David Geraud, and French artists Isabelle Vodjdani and Antoine Moreau. It followed meetings held by Copyleft Attitude Antoine Moreau, with the artists gathered around the magazine Allotopie : Francis Deck, Antonio Gallego , Roberto Martinez, and Emma Gall. They took place at "Accès Local" in January 2000 and "Public" in March 2000, two places of contemporary art in Paris . In 2005, Moreau wrote

28-639: A catalog of Manuel de Falla's works kept in his archive. During this task Gallego recovered from sketches the original 1915 version. The reconstruction process is detailed in his book Manuel de Falla y El amor brujo . Gallego published many articles and a dozen books including: Teatro de la Zarzuela The Teatro de la Zarzuela is a theatre in Madrid , Spain . The theatre is today mainly devoted to zarzuela (the Spanish traditional musical theatre genre), as well as operetta and recitals . The theatre

42-617: A memoir edited by Liliane Terrier entitled in French : Le copyleft appliqué à la création artistique. Le collectif Copyleft Attitude et la Licence Art Libre (Copyleft applied to artistic creation. The Copyleft Attitude collective and the Free Art License). In 2007, version 1.3 of the Free Art License was amended to provide greater legal certainty and optimum compatibility with other copyleft licenses. The license

56-470: A theatre form that alternates spoken and sung scenes. Its promoters were established masters of the genre such as Francisco Asenjo Barbieri , Joaquín Gaztambide , Rafael Hernando , José Inzenga , baritono Francisco de Salas, librettist Luis de Olona and composer Cristóbal Oudrid , under Francisco de las Rivas, an important banker. In the second half of the nineteenth century, Teatro de la Zarzuela became Madrid's leading zarzuela theatre, staging many of

70-533: Is the Community of Madrid Orchestra . The ceiling originally featured magnificent works by the painters Francisco Hernández Tomé and Manuel Castellanos, but these were destroyed in renovations and structural changes that were made in 1956. The theatre then was acquired by the Sociedad General de Autores , although much of the facade and interior ornamentation was lost. Later it became the property of

84-916: The Complutense University of Madrid . A disciple of Federico Sopeña, Gallego has been the Technical Secretary of the National Chalcography, a Professor of Aesthetics and History of Music at the Valencia Conservatory , and a Professor of Musicology at the Madrid Royal Conservatory . He directed the Cultural Services of the Fundación Juan March between 1980 and 2005. He was appointed a member of

98-728: The Open Knowledge Foundation lists FAL 1.2 and 1.3 as one of the licenses conformant with the principles outlined in the Open Definition. The Free Art License 1.3 has been declared compatible with CC BY-SA 4.0, but incompatible with the GNU GPL. It is recommended by the Free Software Foundation in the following terms: "We don't take the position that artistic or entertainment works must be free, but if you want to make one free, we recommend

112-656: The Real Academia de Bellas Artes de San Fernando in 1996 and a member of the Real Academia de Extremadura de las Letras y las Artes in 2002. A founding member of the Spanish Society of Musicology (SEdeM), Gallego directed its Journal between 1978 and 1980. In 1992, he wrote the libretto for Miguel Ángel Coria 's opera Belisa , adapted from García Lorca 's play Amor de Don Perlimplín con Belisa en su jardín . The work premiered on May 15, 1992, at

126-563: The Teatro de la Zarzuela in Madrid. El amor brujo , one of the most important works of Manuel de Falla , was first performed in April 1915 in Madrid, Spain . Falla continued to work on the music until completing the 1925 version premiered in Paris, France . Both the original 1915 score and the following 1916 version were considered lost. In 1986, Antonio Gallego was commissioned to compile

140-746: The Free Art License." The Free Art License 1.3 is equivalent to the Creative Commons Attribution-Share Alike (CC BY-SA) 4.0 license. On October 21, 2014, after public discussions, the Copyleft Attitude collective announced that the Free Art License is now legally compatible with the Creative Commons Attribution-Share Alike 4.0 International (CC BY-SA 4.0) license. The Creative Commons organization warmly welcomed this decision as it had defended this compatibility since

154-762: The beginning. Antonio Gallego Antonio Gallego Gallego (1942-2024) was a Spanish writer and musicologist. Antonio Gallego was born in Zamora, Spain in 1942 and was raised in La Vera . He studied at the Colegio Sagrado Corazón of the Society of Jesus in Carrión de los Condes , and music at the conservatories of Salamanca and Valladolid , law at the University of Salamanca , and arts at

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168-510: The great masterworks. On November 9, 1909 the building was virtually destroyed by fire. The rebuild by Cesareo Iradier reduced the amount of wood and metal, and in 1914 Maestro Luna raised the curtain with his orchestra to reopen the theatre. With the Teatro Real opera house closed from 1925 to 1997, Teatro de la Zarzuela remained Madrid's leading venue throughout the period and hosted most major opera events. The theatre's resident ensemble

182-597: Was designed by architect Jerónimo de la Gándara and built by José María Sánchez Guallart on the initiative of the Spanish Lyrical Company to provide a space for performances of operettas in the Spanish capital. It was modelled on the La Scala theatre in Milan with its three-level horseshoe form and opened to the public on 10 October 1856, the birthday of Queen Isabella II . The name refers to zarzuela,

196-466: Was inspired by FLOSS licenses and issues related but not exclusive to digital arts: It was born out of the observation of the world of free software and the Internet, but its applicability is not limited to digital support. Version 1.1 was adopted by art organizations like Constant (Brussels) and was translated into English by artist and technologist Antoine Schmitt . The Open Definition website of

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