Misplaced Pages

#544455

87-536: Each tale in the Konjaku Monogatarishū starts with the phrase once upon a time ( 今は昔 ) (lit. now long ago), which in its Japanese reading is pronounced ima wa mukashi . The Sino-Japanese reading of this phrase is konjaku , and it is from the Chinese-style reading that the collection is named. The Konjaku Monogatarishū is commonly known by the shorter name " Konjaku Monogatari ". Since it

174-413: A kun -reading) ; kun -only are common for Japanese-coined kanji ( kokuji ). Some common kanji have ten or more possible readings; the most complex common example is 生 , which is read as sei , shō , nama , ki , o-u , i-kiru , i-kasu , i-keru , u-mu , u-mareru , ha-eru , and ha-yasu , totaling eight basic readings (the first two are on , while

261-544: A ⟨g⟩ element to encode any non-standard character or glyph, including gaiji. The g stands for gaiji . There is no definitive count of kanji characters, just as there is none of Chinese characters generally. The Dai Kan-Wa Jiten , which is considered to be comprehensive in Japan, contains about 50,000 characters. The Zhonghua Zihai , published in 1994 in China, contains about 85,000 characters, but

348-457: A Stupid Man"), and Bungeiteki na, amari ni bungeiteki na ("Literary, All Too Literary", 1927). Towards the end of his life, Akutagawa suffered from visual hallucinations and anxiety over the fear that he had inherited his mother's mental disorder. In 1927, he survived a suicide attempt, together with a friend of his wife. He later died of suicide after taking an overdose of Veronal , which had been given to him by Mokichi Saitō on 24 July of

435-515: A Withered Field", 1918), Jigoku hen ("Hell Screen", 1918); Hōkyōnin no shi ("The Death of a Christian", 1918), and Butōkai ("The Ball", 1920). Akutagawa was a strong opponent of naturalism . He published Mikan ("Mandarin Oranges", 1919) and Aki ("Autumn", 1920) which have more modern settings. In 1921, Akutagawa interrupted his writing career to spend four months in China , as a reporter for

522-737: A label for its sound), kanji are also called mana ( 真名 , literally "true name", in reference to the character being used as a label for its meaning). In modern Japanese, kanji are used to write certain words or parts of words (usually content words such as nouns , adjective stems , and verb stems ), while hiragana are used to write inflected verb and adjective endings, phonetic complements to disambiguate readings ( okurigana ), particles , and miscellaneous words which have no kanji or whose kanji are considered obscure or too difficult to read or remember. Katakana are mostly used for representing onomatopoeia , non-Japanese loanwords (except those borrowed from ancient Chinese ),

609-454: A long gairaigo word may be the reading (this is classed as kun'yomi —see single character gairaigo , below)—the character 糎 has the seven kana reading センチメートル senchimētoru "centimeter", though it is generally written as "cm" (with two half-width characters, so occupying one space); another common example is '%' (the percent sign), which has the five kana reading パーセント pāsento . There are many kanji compounds that use

696-527: A major part of the Japanese writing system during the time of Old Japanese and are still used, along with the subsequently-derived syllabic scripts of hiragana and katakana . The characters have Japanese pronunciations ; most have two, with one based on the Chinese sound. A few characters were invented in Japan by constructing character components derived from other Chinese characters. After

783-762: A milk production business. His mother experienced mental illness shortly after his birth , so he was adopted and raised by his maternal uncle, Michiaki Akutagawa, from whom he received the Akutagawa family name. He was interested in classical Chinese literature from an early age, as well as in the works of Mori Ōgai and Natsume Sōseki . He entered the First High School in 1910 and developed relationships with classmates such as Kan Kikuchi , Kume Masao , Yūzō Yamamoto , and Tsuchiya Bunmei  [ ja ] , all of whom would later become authors. He began writing after entering Tokyo Imperial University (now

870-614: A mixture of on'yomi and kun'yomi , known as jūbako ( 重箱 , multi-layered food box) or yutō ( 湯桶 , hot liquid pail) words (depending on the order), which are themselves examples of this kind of compound (they are autological words ): the first character of jūbako is read using on'yomi , the second kun'yomi ( on-kun , Japanese : 重箱読み ). It is the other way around with yu-tō ( kun-on , Japanese : 湯桶読み ). Formally, these are referred to as jūbako-yomi ( 重箱読み , jūbako reading) and yutō-yomi ( 湯桶読み , yutō reading) . In both these words,

957-430: A new kanji spelling is produced. Most often the word is a noun, which may be a simple noun (not a compound or derived from a verb), or may be a verb form or a fusional pronunciation. For example, the word 相撲 ( sumō , “ sumo ”) is originally from the verb 争う ( sumau , “to vie, to compete”), while 今日 ( kyō , “today”) is fusional (from older ke , “this” + fu , “day”). In rare cases, jukujikun

SECTION 10

#1732776496545

1044-520: A number of Chinese characters for their sound, rather than for their meaning. Man'yōgana written in cursive style evolved into hiragana (literally "fluttering kana " in reference to the motion of the brush during cursive writing), or onna-de , that is, "ladies' hand", a writing system that was accessible to women (who were denied higher education ). Major works of Heian-era literature by women were written in hiragana . Katakana (literally "partial kana ", in reference to

1131-462: A paradigm, the authorship would have utilized pre-conceived common traits which were attributable to specific animals. The animals and their respective traits would have been common and implicit knowledge in ancient Japan and therefore known ubiquitously. The types of tales in Konjaku which include the use of anthropomorphic animals can be broadly classified into categories, in which a particular moral

1218-534: A problem for information interchange, as the code point used to represent an external character will not be consistent from one computer or operating system to another. Gaiji were nominally prohibited in JIS X 0208-1997 where the available number of code-points was reduced to only 940. JIS X 0213-2000 used the entire range of code-points previously allocated to gaiji , making them completely unusable. Most desktop and mobile systems have moved to Unicode negating

1305-462: A profound influence in shaping Japanese culture, language, literature, history, and records. Inkstone artifacts at archaeological sites dating back to the earlier Yayoi period were also found to contain Chinese characters. Although some characters, as used in Japanese and Chinese, have similar meanings and pronunciations, others have meanings or pronunciations that are unique to one language or

1392-489: A single word will have many such kanji spellings. An extreme example is hototogisu ( lesser cuckoo ) , which may be spelt in many ways, including 杜鵑 , 時鳥 , 子規 , 不如帰 , 霍公鳥 , 蜀魂 , 沓手鳥 , 杜宇 , 田鵑 , 沓直鳥 , and 郭公 —many of these variant spellings are particular to haiku poems. Ry%C5%ABnosuke Akutagawa Ryūnosuke Akutagawa ( 芥川 龍之介 , Akutagawa Ryūnosuke , 1 March 1892 – 24 July 1927) , art name Chōkōdō Shujin ( 澄江堂主人 ) ,

1479-450: A surname). This phenomenon is observed in animal names that are shortened and used as suffixes for zoological compound names, for example when 黄金虫 , normally read as koganemushi , is shortened to kogane in 黒黄金虫 kurokogane , although zoological names are commonly spelled with katakana rather than with kanji. Outside zoology, this type of shortening only occurs on a handful of words, for example 大元帥 daigen(sui) , or

1566-640: A total of 2,528 characters, showing the standard for kanji used by ministries and agencies and in general society. In 1946, after World War II and under the Allied Occupation of Japan , the Japanese government, guided by the Supreme Commander of the Allied Powers , instituted a series of orthographic reforms, to help children learn and to simplify kanji use in literature and periodicals. The number of characters in circulation

1653-427: Is jukujikun for tonakai , from Ainu, but the on'yomi reading of junroku is also used. In some cases, Japanese coinages have subsequently been borrowed back into Chinese , such as 鮟鱇 ( ankō , “ monkfish ”). The underlying word for jukujikun is a native Japanese word or foreign borrowing, which either does not have an existing kanji spelling (either kun'yomi or ateji ) or for which

1740-455: Is a reading based on the pronunciation of a native Japanese word, or yamato kotoba , that closely approximated the meaning of the Chinese character when it was introduced. As with on'yomi , there can be multiple kun'yomi for the same kanji, and some kanji have no kun'yomi at all. Ateji ( 当て字 ) are characters used only for their sounds. In this case, pronunciation

1827-406: Is a reference to a line from the Konjaku Monogatarishū , the last part figuratively meaning that he was scared; he felt as if his hair was standing on end . Kanji#On'yomi (Sino-Japanese reading) Kanji ( 漢字 , Japanese pronunciation: [kaɲdʑi] ) are the logographic Chinese characters adapted from the Chinese script used in the writing of Japanese . They were made

SECTION 20

#1732776496545

1914-608: Is accentuated. Many of the tales which appear in the Konjaku are also found in other collections, such as ghost story collections. All these tales, having passed into the common consciousness, have been retold many times over the succeeding centuries. Modern writers have adapted tales from the Konjaku Monogatarishū : a famous example is Akutagawa Ryūnosuke 's In a Grove (well known in the West from Kurosawa 's film Rashomon ). Other authors who have written stories based on tales from

2001-534: Is also applied to inflectional words (verbs and adjectives), in which case there is frequently a corresponding Chinese word. The most common example of an inflectional jukujikun is the adjective 可愛い ( kawai-i , “cute”), originally kawafayu-i ; the word ( 可愛 ) is used in Chinese , but the corresponding on'yomi is not used in Japanese. By contrast, "appropriate" can be either 相応しい ( fusawa-shii , as jukujikun ) or 相応 ( sōō , as on'yomi ). Which reading to use can be discerned by

2088-480: Is an anthology rather than a single tale, however, the longer title is more accurate. The Konjaku Monogatarishū is divided according to the region of the text. The first five volumes, the 天竺 ( Tenjiku ) section, contain tales set in India. The next five volumes, the 震旦 ( Shintan ) section, contain tales set in China. The remainder of the anthology, the 本朝 ( Honchō ) section, contains tales from Japan. It

2175-567: Is determined by contextual cues (such as whether the character represents part of a compound word versus an independent word), the exact intended meaning of the word, and its position within the sentence. For example, 今日 is mostly read kyō , meaning "today", but in formal writing it is instead read konnichi , meaning "nowadays", which is understood from context. Furigana is used to specify ambiguous readings, such as rare, literary, or otherwise non-standard readings. This ambiguity may arise due to more than one reading becoming activated in

2262-412: Is important to note that the arrangement of the stories is in parallel to how Buddhism travelled to Japan. The collection emphasizes the path that Buddhism took to Japan in order to further understand what Buddhism means to Japan. First, Buddhism leaves India and becomes very popular in China. As many things have been borrowed from the Chinese, Buddhism then travels to Japan. Each move leads to a morphing of

2349-432: Is set in the early missionary period. The portrayal of women in Akutagawa's stories was mainly shaped by the influence of three women who acted as his mother figures. Most significant was his biological mother Fuku, from whom he worried about inheriting her madness. Although Akutagawa was removed from Fuku eight months after his birth, he identified strongly with her and believed that, if at any moment he might go mad, life

2436-953: Is still based on a standard reading, or used only for meaning (broadly a form of ateji , narrowly jukujikun ). Therefore, only the full compound—not the individual character—has a reading. There are also special cases where the reading is completely different, often based on a historical or traditional reading. The analogous phenomenon occurs to a much lesser degree in Chinese varieties , where there are literary and colloquial readings of Chinese characters —borrowed readings and native readings. In Chinese these borrowed readings and native readings are etymologically related, since they are between Chinese varieties (which are related), not from Chinese to Japanese (which are not related). They thus form doublets and are generally similar, analogous to different on'yomi , reflecting different stages of Chinese borrowings into Japanese. Longer readings exist for non- Jōyō characters and non-kanji symbols, where

2523-415: Is written in Japanese by using the same characters as in traditional Chinese , and both refer to the character writing system known in Chinese as hanzi ( traditional Chinese : 漢字 ; simplified Chinese : 汉字 ; pinyin : hànzì ; lit. ' Han characters'). The significant use of Chinese characters in Japan first began to take hold around the 5th century AD and has since had

2610-526: The Nihon Shoki and Kojiki , a semi-legendary scholar called Wani was dispatched to Japan by the (Korean) Kingdom of Baekje during the reign of Emperor Ōjin in the early fifth century, bringing with him knowledge of Confucianism and Chinese characters. The earliest Japanese documents were probably written by bilingual Chinese or Korean officials employed at the Yamato court. For example,

2697-406: The kyōiku kanji, plus 1,110 additional kanji taught in junior high and high school. In publishing, characters outside this category are often given furigana . The jōyō kanji were introduced in 1981, replacing an older list of 1,850 characters known as the tōyō kanji ( 当用漢字 , general-use kanji) , introduced in 1946. Originally numbering 1,945 characters, the jōyō kanji list

Konjaku Monogatarishū - Misplaced Pages Continue

2784-474: The on'yomi has a long vowel; long vowels in Japanese generally are derived from sound changes common to loans from Chinese, hence distinctive of on'yomi . These are the Japanese form of hybrid words . Other examples include basho ( 場所 , "place", kun-on , 湯桶読み ) , kin'iro ( 金色 , "golden", on-kun , 重箱読み ) and aikidō ( 合気道 , the martial art Aikido ", kun-on-on , 湯桶読み ) . Ateji often use mixed readings. For instance,

2871-522: The Osaka Mainichi Shinbun . The trip was stressful and he suffered from various illnesses, from which his health would never recover. Shortly after his return he published Yabu no naka (" In a Grove ", 1922). During the trip, Akutagawa visited numerous cities of southeastern China including Nanjing , Shanghai , Hangzhou and Suzhou . Before his travel, he wrote a short story " The Christ of Nanjing  [ ja ] "; concerning

2958-655: The Latin alphabet , Cyrillic script , Greek alphabet , Arabic numerals , etc. for use in information processing. They have had numerous revisions. The current standards are: Gaiji ( 外字 , literally "external characters") are kanji that are not represented in existing Japanese encoding systems . These include variant forms of common kanji that need to be represented alongside the more conventional glyph in reference works and can include non-kanji symbols as well. Gaiji can be either user-defined characters, system-specific characters or third-party add-on products. Both are

3045-643: The Meiji Restoration , Japan made its own efforts to simplify the characters, now known as shinjitai , by a process similar to China 's simplification efforts , with the intention to increase literacy among the common folk. Since the 1920s, the Japanese government has published character lists periodically to help direct the education of its citizenry through the myriad Chinese characters that exist. There are nearly 3,000 kanji used in Japanese names and in common communication . The term kanji in Japanese literally means " Han characters". It

3132-580: The 1,026 first kanji characters that Japanese children learn in elementary school, from first grade to sixth grade. The grade-level breakdown is known as the gakunen-betsu kanji haitōhyō ( 学年別漢字配当表 ) , or the gakushū kanji ( 学習漢字 ) . This list of kanji is maintained by the Japanese Ministry of Education and prescribes which kanji characters and which kanji readings students should learn for each grade. The jōyō kanji ( 常用漢字 , regular-use kanji) are 2,136 characters consisting of all

3219-485: The 7th century, a record of trading for cloth and salt. The Japanese language had no written form at the time Chinese characters were introduced, and texts were written and read only in Chinese. Later, during the Heian period (794–1185), a system known as kanbun emerged, which involved using Chinese text with diacritical marks to allow Japanese speakers to read Chinese sentences and restructure them into Japanese on

3306-464: The Buddhist monk Tobane Sōjō, and a third one proposes a Buddhist monk living somewhere in the vicinity of Kyoto or Nara during the late Heian period. So far no substantive evidence has emerged to decide the question and no general consensus has formed. The date of the work is also uncertain. From the events depicted in some of the tales it seems likely that it was written down at some point during

3393-491: The Chinese Christian community; according to his own imaginative vision of Nanjing, as influenced by classical Chinese literature. Akutagawa's stories were influenced by his belief that the practice of literature should be universal and could bring together Western and Japanese cultures. The idea can be seen in the way that Akutagawa used existing works from a variety of cultures and time periods and either rewrites

3480-615: The Chinese pronunciation but was not the Chinese pronunciation or reading itself, similar to the English pronunciation of Latin loanwords. There also exist kanji created by the Japanese and given an on'yomi reading despite not being a Chinese-derived or a Chinese-originating character. Some kanji were introduced from different parts of China at different times, and so have multiple on'yomi , and often multiple meanings. Kanji invented in Japan ( kokuji ) would not normally be expected to have on'yomi , but there are exceptions, such as

3567-419: The Japanese court. In ancient times, paper was so rare that people wrote kanji onto thin, rectangular strips of wood, called mokkan ( 木簡 ). These wooden boards were used for communication between government offices, tags for goods transported between various countries, and the practice of writing. The oldest written kanji in Japan discovered so far were written in ink on wood as a wooden strip dated to

Konjaku Monogatarishū - Misplaced Pages Continue

3654-564: The Konjaku include Jun'ichirō Tanizaki and Hori Tatsuo . The setsuwa ("spoken story") in Konjaku Monogatari Shū has two main purposes: religious and secular. The religious aspect is important in leading the reader into a deeper understanding of Buddhism and what it means to the Japanese people . These stories try to appeal to average people of the time by presenting Buddhism in a simple yet meaningful way, one that people from any background can understand. In these tales both

3741-587: The Rashomon Gate taken from Akutagawa's Rashōmon . Ukrainian composer Victoria Poleva wrote the ballet Gagaku (1994), based on Akutagawa's Hell Screen . Japanese composer Mayako Kubo wrote an opera entitled Rashomon , based on Akutagawa's story. The German version premiered in Graz, Austria in 1996, and the Japanese version in Tokyo in 2002. The central conceit of the story (i.e. conflicting accounts of

3828-459: The University of Tokyo) in 1913, where he studied English literature . While still a student, he proposed marriage to a childhood friend, Yayoi Yoshida, but his adoptive family did not approve the union. In 1916 he became engaged to Fumi Tsukamoto  [ ja ] , whom he married in 1918. They had three children: Hiroshi Akutagawa (1920–1981) was an actor, Takashi Akutagawa (1922–1945)

3915-557: The basics of this religion so by that time it arrived in Japan, it became a new form of Buddhism for the Japanese. The subject-matter is largely drawn from Buddhist and popular folklore . The anthology contains no mythology , and references to Shinto -related themes are notably few. The Buddhist tales cover a wide range of topics; both historical tales about the development, transmission and spread of Buddhism along with dogmatic tales which emphasize karmic retribution. The folkloric tales mostly depict encounters between human beings and

4002-417: The brain. Kanji readings are categorized as either on'yomi ( 音読み , literally "sound reading" ) , from Chinese, or kun'yomi ( 訓読み , literally "meaning reading" ) , native Japanese, and most characters have at least two readings—at least one of each. However, some characters have only a single reading, such as kiku ( 菊 , "chrysanthemum", an on -reading) or iwashi ( 鰯 , "sardine",

4089-687: The broader sense "nowadays" or "current", such as 今日的 ("present-day"), although in the phrase konnichi wa ("good day"), konnichi is typically spelled wholly with hiragana rather than with the kanji 今日 . Jukujikun are primarily used for some native Japanese words, such as Yamato ( 大和 or 倭 , the name of the dominant ethnic group of Japan, a former Japanese province as well as ancient name for Japan), and for some old borrowings, such as 柳葉魚 ( shishamo , literally "willow leaf fish") from Ainu, 煙草 ( tabako , literally “smoke grass”) from Portuguese, or 麦酒 ( bīru , literally “wheat alcohol”) from Dutch, especially if

4176-400: The character 働 "to work", which has the kun'yomi " hatara(ku) " and the on'yomi " dō ", and 腺 "gland", which has only the on'yomi " sen "—in both cases these come from the on'yomi of the phonetic component, respectively 動 " dō " and 泉 " sen ". The kun'yomi ( 訓読み , [kɯɰ̃jomi] , lit. "meaning reading") , the native reading,

4263-431: The characters' individual on'yomi or kun'yomi . From the point of view of the character, rather than the word, this is known as a nankun ( 難訓 , "difficult reading") , and these are listed in kanji dictionaries under the entry for the character. Gikun are other readings assigned to a character instead of its standard readings. An example is reading 寒 (meaning "cold") as fuyu ("winter") rather than

4350-514: The characters, and only infrequently as konchō , the on'yomi of the characters. The most common reading is kesa , a native bisyllabic Japanese word that may be seen as a single morpheme , or as a compound of ke (“this”, as in kefu , the older reading for 今日 , “today”), and asa , “morning”. Likewise, 今日 ("today") is also jukujikun , usually read with the native reading kyō ; its on'yomi , konnichi , does occur in certain words and expressions, especially in

4437-454: The city of Sapporo ( サッポロ ), whose name derives from the Ainu language and has no meaning in Japanese, is written with the on-kun compound [札幌] Error: {{Lang}}: invalid parameter: |4= ( help ) (which includes sokuon as if it were a purely on compound). Gikun ( 義訓 ) and jukujikun ( 熟字訓 ) are readings of kanji combinations that have no direct correspondence to

SECTION 50

#1732776496545

4524-488: The diplomatic correspondence from King Bu of Wa to Emperor Shun of Liu Song in 478 AD has been praised for its skillful use of allusion . Later, groups of people called fuhito were organized under the monarch to read and write Classical Chinese . During the reign of Empress Suiko (593–628), the Yamato court began sending full-scale diplomatic missions to China, which resulted in a large increase in Chinese literacy at

4611-693: The early half of the 12th century, after the year 1120. The oldest extant copy of the Konjaku Monogatarishū is the Suzuka Manuscript ( 鈴鹿家旧蔵本 ). Designated as a National Treasure in 1996, it was assembled by a Shinto priest named Tsuretane Suzuka in the Kamakura period (1185–1333). The manuscript was then brought to Kyoto University by a descendant who was a librarian at the university for donation and archiving. The manuscript has been scanned and made available in digital format on

4698-574: The entire word—rather than each part of the word being centered over its corresponding character, as is often done for the usual phono-semantic readings. Broadly speaking, jukujikun can be considered a form of ateji , though in narrow usage, " ateji " refers specifically to using characters for sound and not meaning (sound-spelling), whereas " jukujikun " refers to using characters for their meaning and not sound (meaning-spelling). Many jukujikun (established meaning-spellings) began as gikun (improvised meaning-spellings). Occasionally,

4785-462: The fly, by changing word order and adding particles and verb endings, in accordance with the rules of Japanese grammar . This was essentially a kind of codified sight translation . Chinese characters also came to be used to write texts in the vernacular Japanese language , resulting in the modern kana syllabaries. Around 650 AD, a writing system called man'yōgana (used in the ancient poetry anthology Man'yōshū ) evolved that used

4872-459: The following year in the literary magazine Teikoku Bungaku ("Imperial Literature"), while still a student. The story, based on a twelfth-century tale, was not well received by Akutagawa's friends, who greatly criticized it. Nonetheless, Akutagawa gathered up the courage to visit his idol, Natsume Sōseki , in December 1915 for Sōseki's weekly literary circles. In November, he published the work in

4959-433: The historical male name suffix 右衛門 -emon , which was shortened from the word uemon . The kanji compound for jukujikun is often idiosyncratic and created for the word, and there is no corresponding Chinese word with that spelling. In other cases, a kanji compound for an existing Chinese word is reused, where the Chinese word and on'yomi may or may not be used in Japanese. For example, 馴鹿 (“reindeer”)

5046-435: The importance of structure versus lyricism in stories. Akutagawa argued that structure (how the story was told) was more important than the content or plot of the story, whereas Tanizaki argued the opposite. Akutagawa's final works include Kappa (1927), a satire based on the eponymous creature from Japanese folklore , Haguruma ("Spinning Gears" or "Cogwheels", 1927), Aru ahō no isshō ("A Fool's Life" or "The Life of

5133-438: The internet. In this work, specific human traits and characteristics such as the ability to think, feel and speak in a human form of cognition are assigned to various types of animals. By assigning human traits to the animals and through the utilization of these anthropomorphic animals, the authorship was more effectively able to communicate the various motifs, which impart a variety of moral teachings. To be able to implement such

5220-412: The limitation of kanji. After the Meiji Restoration and as Japan entered an era of active exchange with foreign countries, the need for script reform in Japan began to be called for. Some scholars argued for the abolition of kanji and the writing of Japanese using only kana or Latin characters. However, these views were not so widespread. However, the need to limit the number of kanji characters

5307-652: The literary magazine Teikoku Mongaku . In early 1916 he published "Hana" ("The Nose", 1916), which received a letter of praise from Sōseki and secured Akutagawa his first taste of fame. It was also at this time that Akutagawa started writing haiku under the haigo ( pen name ) Gaki . Akutagawa followed with a series of short stories set in Heian period , Edo period or early Meiji period Japan. These stories reinterpreted classical works and historical incidents. Examples of these stories include: Gesaku zanmai ("Absorbed in Letters", 1917) and Kareno-shō ("Gleanings from

SECTION 60

#1732776496545

5394-705: The majority of them are not in common use in any country, and many are obscure variants or archaic forms. A list of 2,136 jōyō kanji is regarded as necessary for functional literacy in Japanese. Approximately a thousand more characters are commonly used and readily understood by the majority in Japan and a few thousand more find occasional use, particularly in specialized fields of study but those may be obscure to most out of context. A total of 13,108 characters can be encoded in various Japanese Industrial Standards for kanji . Individual kanji may be used to write one or more different words or morphemes , leading to different pronunciations or "readings." The correct reading

5481-485: The names of plants and animals (with exceptions), and for emphasis on certain words. Since ancient times, there has been a strong opinion in Japan that kanji is the orthodox form of writing, but there were also people who argued against it. Kamo no Mabuchi , a scholar of the Edo period , criticized the large number of characters in kanji. He also appreciated the small number of characters in kana characters and argued for

5568-407: The need for gaiji for most users. Nevertheless, they persist today in Japan's three major mobile phone information portals, where they are used for emoji (pictorial characters). Unicode allows for optional encoding of gaiji in private use areas , while Adobe's SING (Smart INdependent Glyphlets) technology allows the creation of customized gaiji. The Text Encoding Initiative uses

5655-604: The original list published in 1952, but new additions have been made frequently. Sometimes the term jinmeiyō kanji refers to all 2,999 kanji from both the jōyō and jinmeiyō lists combined. Hyōgai kanji ( 表外漢字 , "unlisted characters") are any kanji not contained in the jōyō kanji and jinmeiyō kanji lists. These are generally written using traditional characters, but extended shinjitai forms exist. The Japanese Industrial Standards for kanji and kana define character code-points for each kanji and kana , as well as other forms of writing such as

5742-485: The other. For example, 誠 means 'honest' in both languages but is pronounced makoto or sei in Japanese, and chéng in Standard Mandarin Chinese . Individual kanji characters and multi-kanji words invented in Japan from Chinese morphemes have been borrowed into Chinese, Korean, and Vietnamese in recent times. These are known as Wasei-kango , or Japanese-made Chinese words. For example,

5829-407: The practice of using a part of a kanji character) emerged via a parallel path: monastery students simplified man'yōgana to a single constituent element. Thus the two other writing systems, hiragana and katakana , referred to collectively as kana , are descended from kanji. In contrast with kana ( 仮名 , literally "borrowed name", in reference to the character being "borrowed" as

5916-594: The presence or absence of the -shii ending ( okurigana ). A common example of a verb with jukujikun is 流行る ( haya-ru , “to spread, to be in vogue”), corresponding to on'yomi 流行 ( ryūkō ). A sample jukujikun deverbal (noun derived from a verb form) is 強請 ( yusuri , “extortion”), from 強請る ( yusu-ru , “to extort”), spelling from 強請 ( kyōsei , “extortion”). Note that there are also compound verbs and, less commonly, compound adjectives, and while these may have multiple kanji without intervening characters, they are read using

6003-402: The readings contradict the kanji), or clarification if the referent may not be obvious. Jukujikun are when the standard kanji for a word are related to the meaning, but not the sound. The word is pronounced as a whole, not corresponding to sounds of individual kanji. For example, 今朝 ("this morning") is jukujikun . This word is not read as *ima'asa , the expected kun'yomi of

6090-482: The rest are kun ), or 12 if related verbs are counted as distinct. The on'yomi ( 音読み , [oɰ̃jomi] , lit. "sound(-based) reading") , the Sino-Japanese reading, is the modern descendant of the Japanese approximation of the base Chinese pronunciation of the character at the time it was introduced. It was often previously referred to as translation reading , as it was recreated readings of

6177-442: The reward for faith and the punishment for sin will be immediate. The secular aspect of these tales is that they can entertain an audience as well as provide enjoyment for an individual reader. A cryptic line in Akutagawa's classic short story " Rashōmon " says 「旧記の記者の語を借りれば、『頭身の毛も太る』ように感じたのである。」 ( To borrow a phrase from the writers of the chronicles of old, he felt as if 'even the hairs on his head and body had grown thick'. ) This

6264-487: The same events from different points of view, with none "definitive") has entered into storytelling as an accepted trope. In 1930, Tatsuo Hori , a writer, who saw himself as a disciple of Akutagawa, published his short story " Sei kazoku " (literally "The Holy Family"), which was written under the impression of Akutagawa's death and even paid reference to the dead mentor in the shape of the deceased character Kuki. In 1935, Akutagawa's lifelong friend Kan Kikuchi established

6351-413: The same year. In his will he wrote that he felt a "vague insecurity" ( ぼんやりした不安 , bon'yari shita fuan ) about the future. He was 35 years old. During the course of his short life, Akutagawa wrote 150 short stories. A number of these have been adapted into other media. Akira Kurosawa 's famous 1950 film Rashōmon retells Akutagawa's In a Bamboo Grove , with the title and the frame scenes set in

6438-575: The standard readings samu or kan , and instead of the usual spelling for fuyu of 冬 . Another example is using 煙草 (lit. "smoke grass") with the reading tabako ("tobacco") rather than the otherwise-expected readings of *kemuri-gusa or *ensō . Some of these, such as for tabako , have become lexicalized , but in many cases this kind of use is typically non-standard and employed in specific contexts by individual writers. Aided with furigana , gikun could be used to convey complex literary or poetic effect (especially if

6525-406: The story with modern sensibilities or creates new stories using ideas from multiple sources. Culture and the formation of a cultural identity is also a major theme in several of his works. In these stories, he explores the formation of cultural identity during periods in history where Japan was most open to outside influences. An example of this is his story "Hōkyōnin no Shi" ("The Martyr", 1918) which

6612-457: The supernatural. The typical characters are drawn from Japanese society of the time — nobility, warriors, monks, scholars, doctors, peasant farmers, fishermen, merchants, prostitutes, bandits, beggars, widows. Their supernatural counterparts are oni and tengu . The work is anonymous. Several theories of authorship have been put forward: one argues that the compiler was Minamoto no Takakuni , author of Uji Dainagon Monogatari ; another suggests

6699-411: The usual kun'yomi . Examples include 面白い ( omo-shiro-i , “interesting”, literally “face + white”) and 狡賢い ( zuru-gashiko-i , “sly”, lit. “cunning, crafty + clever, smart”). Typographically, the furigana for jukujikun are often written so they are centered across the entire word, or for inflectional words over the entire root—corresponding to the reading being related to

6786-623: The word for telephone , 電話 denwa in Japanese, was derived from the Chinese words for "electric" and "conversation." It was then calqued as diànhuà in Mandarin Chinese, điện thoại in Vietnamese and 전화 jeonhwa in Korean. Chinese characters first came to Japan on official seals, letters, swords, coins, mirrors, and other decorative items imported from China . The earliest known instance of such an import

6873-725: The word was borrowed before the Meiji period . Words whose kanji are jukujikun are often usually written as hiragana (if native), or katakana (if borrowed); some old borrowed words are also written as hiragana , especially Portuguese loanwords such as かるた ( karuta ) from Portuguese " carta " (English “card”) or てんぷら ( tempura ) from Portuguese " tempora " (English “times, season”), as well as たばこ ( tabako ). Sometimes, jukujikun can even have more kanji than there are syllables, examples being kera ( 啄木鳥 , “woodpecker”), gumi ( 胡頽子 , “silver berry, oleaster”), and Hozumi ( 八月朔日 ,

6960-696: Was a Japanese writer active in the Taishō period in Japan . He is regarded as the "father of the Japanese short story ", and Japan's premier literary award, the Akutagawa Prize , is named after him. He took his own life at the age of 35 through an overdose of barbital . Ryūnosuke Akutagawa was born in Irifune , Kyōbashi , Tokyo City (present-day Akashi, Chūō , Tokyo ), the eldest son of businessman Toshizō Niihara and his wife Fuku. His family owned

7047-475: Was expanded to 2,136 in 2010. Some of the new characters were previously jinmeiyō kanji; some are used to write prefecture names: 阪 , 熊 , 奈 , 岡 , 鹿 , 梨 , 阜 , 埼 , 茨 , 栃 and 媛 . As of September 25, 2017, the jinmeiyō kanji ( 人名用漢字 , kanji for use in personal names) consists of 863 characters. Kanji on this list are mostly used in people's names and some are traditional variants of jōyō kanji. There were only 92 kanji in

7134-792: Was killed as a student draftee in Burma, and Yasushi Akutagawa (1925–1989) was a composer. Following graduation, Akutagawa taught briefly at the Naval Engineering School in Yokosuka, Kanagawa as an English language instructor, before deciding to devote his efforts to writing fulltime. In 1914, Akutagawa and his former high school friends revived the literary journal Shinshichō ("New Currents of Thought"), where they published translations of William Butler Yeats and Anatole France along with works they had written themselves. Akutagawa published his second short story " Rashōmon "

7221-416: Was marked by deteriorating physical and mental health . Much of his work during this period is distinctly autobiographical , some with text taken directly from his diaries. His works during this period include Daidōji Shinsuke no hansei ("The Early Life of Daidōji Shinsuke", 1925) and Tenkibo ("Death Register", 1926). At this time, Akutagawa had a highly publicized dispute with Jun'ichirō Tanizaki over

7308-466: Was meaningless. His aunt Fuki played the most prominent role in his upbringing, controlling much of Akutagawa's life as well as demanding much of his attention, especially as she grew older. The women who appear in Akutagawa's stories, much like his mother figures, were for the most part written as dominating, aggressive, deceitful, and selfish. Conversely, men were often represented as the victims of such women. The final phase of Akutagawa's literary career

7395-526: Was reduced, and formal lists of characters to be learned during each grade of school were established. Some characters were given simplified glyphs , called shinjitai ( 新字体 ) . Many variant forms of characters and obscure alternatives for common characters were officially discouraged. These are simply guidelines, so many characters outside these standards are still widely known and commonly used; these are known as hyōgaiji ( 表外字 ) . The kyōiku kanji ( 教育漢字 , lit. "education kanji") are

7482-550: Was the King of Na gold seal given by Emperor Guangwu of Han to a Wa emissary in 57 AD. Chinese coins as well as inkstones from the first century AD have also been found in Yayoi period archaeological sites. However, the Japanese people of that era probably had little to no comprehension of the script, and they would remain relatively illiterate until the fifth century AD, when writing in Japan became more widespread. According to

7569-639: Was understood, and in May 1923, the Japanese government announced 1,962 kanji characters for regular use. In 1940, the Japanese Army decided on the "Table of Restricted Kanji for Weapons Names" ( 兵器名称用制限漢字表 , heiki meishō yō seigen kanji hyō ) which limited the number of kanji that could be used for weapons names to 1,235. In 1942, the National Language Council announced the "Standard Kanji Table" ( 標準漢字表 , hyōjun kanji-hyō ) with

#544455