129-617: Hidimba Devi Temple , locally known as Dhungari Temple, also known variously as the Hadimba Temple , is a Hindu Temple , located in Manāli , a hill station in the State of Himāchal Pradesh in north India . It is an ancient cave temple dedicated to Hidimbi Devi, wife of Bhima , a figure in the Indian epic Mahābhārata . The temple is surrounded by a cedar forest called Dhungiri Van Vihar at
258-538: A Mimamsa scholar, "thinks of the Veda as something to be trained and mastered to be put into practical ritual use", noticing that "it is not the meaning of the mantras that is most essential [...] but rather the perfect mastering of their sound form." According to Galewicz, Sayana saw the purpose ( artha ) of the Veda as the " artha of carrying out sacrifice", giving precedence to the Yajurveda . For Sayana, whether
387-444: A Vishnu temple, Krishna temple, Rama temple, Narayana temple, Shiva temple, Lakshmi temple, Ganesha temple, Durga temple, Hanuman temple, Surya temple, etc. It is this garbha-griya which devotees seek for darsana (literally, a sight of knowledge, or vision ). Above the vastu-purusha-mandala is a superstructure with a dome called Shikhara in north India, and Vimana in south India, that stretches towards
516-444: A 24-meter-tall wooden "shikhar" or tower above the sanctuary. The tower consists of three square roofs covered with timber tiles and a fourth brass cone-shaped roof at the top. The earth goddess Durga forms the theme of the main door carvings. Also depicted are animals, foliate designs, dancers, scenes from Lord Krishna ’s life and Navagrahas . The temple base is made out of whitewashed, mud-covered stonework. An enormous rock occupies
645-422: A Hindu temple project would start with a Yajamana (patron), and include a Sthapaka (guru, spiritual guide and architect-priest), a Sthapati (architect) who would design the building, a Sutragrahin (surveyor), and many Vardhakins (workers, masons, painters, plasterers, overseers) and Taksakas (sculptors). While the temple is under construction, all those working on the temple were revered and considered sacerdotal by
774-619: A Hindu yogin, states Gopinath Rao, one who has realised the Self and the Universal Principle within himself, there is no need for any temple or divine image for worship. However, for those who have yet to reach this height of realization, various symbolic manifestations through images, murtis and icons as well as mental modes of worship are offered as one of the spiritual paths in the Hindu way of life. Some ancient Hindu scriptures like
903-500: A UNESCO World Heritage site. The Indian rock-cut architecture evolved in Maharashtran temple style in the 1st millennium CE. The temples are carved from a single piece of rock as a complete temple or carved in a cave to look like the interior of a temple. Ellora Temple is an example of the former, while The Elephanta Caves are representative of the latter style. The Elephanta Caves consist of two groups of caves—the first
1032-511: A bed and meal to pilgrims. They relied on any voluntary donation the visitor may leave and to land grants from local rulers. Some temples have operated their kitchens on a daily basis to serve the visitor and the needy, while others during major community gatherings or festivals. Examples include the major kitchens run by Hindu temples in Udupi (Karnataka), Puri (Odisha) and Tirupati (Andhra Pradesh). The tradition of sharing food in smaller temple
1161-488: A brief introduction to 12 types of Hindu temples. Other texts, such as Pancaratra Prasada Prasadhana compiled by Daniel Smith and Silpa Ratnakara compiled by Narmada Sankara provide a more extensive list of Hindu temple types. Ancient Sanskrit manuals for temple construction discovered in Rajasthan, in northwestern region of India, include Sutradhara Mandana's Prasadamandana (literally, manual for planning and building
1290-464: A common noun means "knowledge". The term in some contexts, such as hymn 10.93.11 of the Rigveda , means "obtaining or finding wealth, property", while in some others it means "a bunch of grass together" as in a broom or for ritual fire . The term "Vedic texts" is used in two distinct meanings: The corpus of Vedic Sanskrit texts includes: While production of Brahmanas and Aranyakas ceased with
1419-502: A house or a palace. A house-themed temple is a simple shelter that serves as a deity's home. The temple is a place where the devotee visits, just like he or she would visit a friend or relative. The use of moveable and immoveable images is mentioned by Pāṇini . In the Bhakti school of Hinduism, temples are venues for puja , which is a hospitality ritual, where the deity is honored, and where devotee calls upon, attends to and connects with
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#17327910049821548-446: A main temple surrounded by smaller temples and shrines, but these are still arranged by principles of symmetry, grids and mathematical precision. An important principle found in the layout of Hindu temples is mirroring and repeating fractal-like design structure, each unique yet also repeating the central common principle, one which Susan Lewandowski refers to as "an organism of repeating cells". The ancient texts on Hindu temple design,
1677-601: A natural source of water is not present. Here too, they recommend that a pond be built preferably in front or to the left of the temple with water gardens. If water is neither present naturally nor by design, water is symbolically present at the consecration of the temple or the deity. Temples may also be built, suggests Visnudharmottara in Part III of Chapter 93, inside caves and carved stones, on hill tops affording peaceful views, on mountain slopes overlooking beautiful valleys, inside forests and hermitages, next to gardens, or at
1806-622: A number of older Veda manuscripts in Nepal that are dated from the 11th century onwards. The Vedas, Vedic rituals and its ancillary sciences called the Vedangas , were part of the curriculum at ancient universities such as at Taxila , Nalanda and Vikramashila . According to Deshpande, "the tradition of the Sanskrit grammarians also contributed significantly to the preservation and interpretation of Vedic texts." Yāska (4th c. BCE ) wrote
1935-455: A number of ways. For example, one method of classification is the dimensionality of completion: Another way of classification is by the expressive state of the image: A Hindu temple may or may not include a murti or images, but larger temples usually do. Personal Hindu temples at home or a hermitage may have a pada for yoga or meditation, but be devoid of anthropomorphic representations of god. Nature or others arts may surround him or her. To
2064-511: A particular area, or kingdom. Each school followed its own canon. Multiple recensions (revisions) are known for each of the Vedas. Thus, states Witzel as well as Renou, in the 2nd millennium BCE, there was likely no canon of one broadly accepted Vedic texts, no Vedic “Scripture”, but only a canon of various texts accepted by each school. Some of these texts have survived, most lost or yet to be found. Rigveda that survives in modern times, for example,
2193-822: A region spanning the Indian subcontinent, Persia and the European area, and some greater details are found in the Vedic era texts such as the Grhya Sūtras. Only one version of the Rigveda is known to have survived into the modern era. Several different versions of the Sama Veda and the Atharva Veda are known, and many different versions of the Yajur Veda have been found in different parts of South Asia. The texts of
2322-400: A sacred space. It represents the triple-knowledge (trayi- vidya ) of the Vedic vision by mapping the relationships between the cosmos ( brahmaṇḍa ) and the cell (pinda) by a unique plan based on astronomical numbers. Subhash Kak sees the temple form and its iconography to be a natural expansion of Vedic ideology related to recursion, change and equivalence. In ancient Indian texts, a temple
2451-441: A single god , agnosticism , and monistic beliefs where "there is an absolute reality that goes beyond the gods and that includes or transcends everything that exists." Indra , Agni , and Yama were popular subjects of worship by polytheist organizations. Each of the four Vedas were shared by the numerous schools, but revised, interpolated and adapted locally, in and after the Vedic period, giving rise to various recensions of
2580-437: A social meaning. Some temples have served as a venue to mark festivals, to celebrate arts through dance and music, to get married or commemorate marriages, the birth of a child, other significant life events or the death of a loved one. In political and economic life, Hindu temples have served as a venue for succession within dynasties and landmarks around which economic activity thrived. Almost all Hindu temples take two forms:
2709-400: A symbolic product of knowledge and human thought, while the circle is considered earthly, human and observed in everyday life (moon, sun, horizon, water drop, rainbow). Each supports the other. The square is divided into perfect 64 (or in some cases 81) sub-squares called padas. Each pada is conceptually assigned to a symbolic element, sometimes in the form of a deity. The central square(s) of
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#17327910049822838-500: A temple). Manasara , a text of South Indian origin, estimated to be in circulation by the 7th century CE, is a guidebook on South Indian temple design and construction. Isanasivagurudeva paddhati is another Sanskrit text from the 9th century describing the art of temple building in India in south and central India. In north India, Brihat-samhita by Varāhamihira is the widely cited ancient Sanskrit manual from 6th century describing
2967-416: Is a yantra , a design laying out a Hindu temple in a symmetrical, self-repeating structure derived from central beliefs, myths, cardinality and mathematical principles. The four cardinal directions help create the axis of a Hindu temple, around which is formed a perfect square in the space available. The circle of the mandala circumscribes the square. The square is considered divine for its perfection and as
3096-560: Is a large group of five Hindu caves and the second is a smaller group of two Buddhist caves. The Hindu caves contain rock-cut stone sculptures, representing the Shaiva Hindu sect, dedicated to the god Shiva. A typical, ancient Hindu temple has a profusion of arts—from paintings to sculpture, from symbolic icons to engravings, from thoughtful layout of space to fusion of mathematical principles with Hindu sense of time and cardinality. Ancient Sanskrit texts classify murtis and images in
3225-457: Is a place of pilgrimage, known in India as a Tirtha . It is a sacred site whose ambience and design attempts to symbolically condense the ideal tenets of the Hindu way of life. In a Hindu temple, all the cosmic components that produce and maintain life are there, from fire to water, from depictions of the natural world to gods, from genders that are feminine or masculine to those that are everlasting and universal. Susan Lewandowski states that
3354-478: Is a sacred place where Hindus worship and show their devotion to deities through worship, sacrifice, and prayers. It is considered the house of the god to whom it is dedicated. Hindu temple architecture, which makes extensive use of squares and circles, has its roots in Vedic traditions, which also influence the temples' construction and symbolism. Through astronomical numbers and particular alignments connected to
3483-791: Is a spiritual destination for many Hindus, as well as landmarks around which ancient arts, community celebrations and the economy have flourished. Hindu temple architecture are presented in many styles, are situated in diverse locations, deploy different construction methods, are adapted to different deities and regional beliefs, and share certain core ideas, symbolism and themes. They are found in South Asia, particularly India and Nepal , Bangladesh , Pakistan , Sri Lanka , in Southeast Asian countries such as Cambodia , Vietnam , Malaysia , and Indonesia , and countries such as Canada , Fiji , France , Guyana , Kenya , Mauritius ,
3612-468: Is attested to by the preservation of the most ancient Indian religious text, the Rigveda , as redacted into a single text during the Brahmana period, without any variant readings within that school. The Vedas were orally transmitted by memorization, and were written down only after 500 BCE, All printed editions of the Vedas that survive in the modern times are likely the version existing in about
3741-637: Is derived from the root vid- "to know". This is reconstructed as being derived from the Proto-Indo-European root *weyd- , meaning "see" or "know". The noun is from Proto-Indo-European *weydos , cognate to Greek (ϝ)εἶδος "aspect", "form" . This is not to be confused with the homonymous 1st and 3rd person singular perfect tense véda , cognate to Greek (ϝ)οἶδα ( (w)oida ) "I know". Root cognates are Greek ἰδέα , English wit , Latin videō "I see", Russian ве́дать ( védat' ) "to know", etc. The Sanskrit term veda as
3870-503: Is everywhere in a Hindu temple. Life principles such as the pursuit of joy, connection and emotional pleasure (kama) are fused into mystical, erotic and architectural forms in Hindu temples. These motifs and principles of human life are part of the sacred texts of the Hindus, such as its Upanishads; the temples express these same principles in a different form, through art and spaces. For example, Brihadaranyaka Upanisad (4.3.21) recites: In
3999-439: Is followed by artha - bodha , perception of their meaning." Mukherjee explains that the Vedic knowledge was first perceived by the rishis and munis . Only the perfect language of the Vedas, as in contrast to ordinary speech, can reveal these truths, which were preserved by committing them to memory. According to Mukherjee, while these truths are imparted to the student by the memorized texts, "the realization of Truth " and
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4128-432: Is grand. In Hindu tradition, this is discarded in favor of an open and diffusive architecture, where the secular world was not separated from the sacred, but transitioned and flowed into the sacred. The Hindu temple has structural walls, which were patterned usually within the 64-grid, or other geometric layouts. Yet the layout was open on all sides, except for the core space with a single opening for darsana. The temple space
4257-465: Is in only one extremely well preserved school of Śåkalya, from a region called Videha , in modern north Bihar , south of Nepal . The Vedic canon in its entirety consists of texts from all the various Vedic schools taken together. There were Vedic schools that believed in polytheism in which numerous gods had different natural functions, henotheistic beliefs where only one god was worshipped but others were thought to exist, monotheistic beliefs in
4386-405: Is laid out in a series of courts ( mandapas ). The outermost regions may incorporate the negative and suffering side of life with the symbolism of evil, asuras and rakshashas ; but in small temples this layer is dispensed with. When present, this outer region diffuse into the next inner layer that bridges as human space, followed by another inner Devika padas space and symbolic arts incorporating
4515-514: Is remembered"). This indigenous system of categorization was adopted by Max Müller and, while it is subject to some debate, it is still widely used. As Axel Michaels explains: These classifications are often not tenable for linguistic and formal reasons: There is not only one collection at any one time, but rather several handed down in separate Vedic schools; Upanişads [...] are sometimes not to be distinguished from Āraṇyakas [...]; Brāhmaṇas contain older strata of language attributed to
4644-593: Is revered as a deity. While Navaratri conventionally sees the worship of Goddess Durga , the spiritual spotlight in Manali shifts to Goddess Hidimba. The temple draws considerable crowds, particularly during Navaratri, attesting to the fervent devotion of the worshippers. Annually, the locals enthusiastically observe the Hidimba Devi Fair, a cherished tradition coinciding with the arrival of spring. The Hidimba Devi Temple has intricately carved wooden doors and
4773-533: Is the Vedic period itself, where incipient lists divide the Vedic texts into three (trayī) or four branches: Rig, Yajur, Sama and Atharva. Each Veda has been subclassified into four major text types – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies such as newborn baby's rites of passage, coming of age, marriages, retirement and cremation, sacrifices and symbolic sacrifices),
4902-417: Is the name of six methods or alternate viewpoints of understanding truth. These are Nyaya, Vaisesika, Sankhya, Yoga, Mimamsa and Vedanta —which flowered into individual schools of Hinduism, each of which is considered a valid, alternate path to understanding truth and achieving self-realization in the Hindu way of life. From names to forms, from images to stories carved into the walls of a temple, symbolism
5031-415: Is typically called prasada . Hindu temples are found in diverse locations each incorporating different methods of construction and styles: In arid western parts of India, such as Rajasthan and Gujarat, Hindu communities built large walk-in wells that served as the only source of water in dry months but also served as social meeting places and carried religious significance. These monuments went down into
5160-481: The Saṃhitās ; there are various dialects and locally prominent traditions of the Vedic schools. Nevertheless, it is advisable to stick to the division adopted by Max Müller because it follows the Indian tradition, conveys the historical sequence fairly accurately, and underlies the current editions, translations, and monographs on Vedic literature." Among the widely known śrutis include the Vedas and their embedded texts –
5289-527: The Nirukta , which reflects the concerns about the loss of meaning of the mantras, while Pāṇinis (4th c. BCE) Aṣṭādhyāyī is the most important surviving text of the Vyākaraṇa traditions. Mimamsa scholar Sayanas (14th c. CE) major Vedartha Prakasha is a rare commentary on the Vedas, which is also referred to by contemporary scholars. Yaska and Sayana, reflecting an ancient understanding, state that
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5418-572: The Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation , philosophy and spiritual knowledge). Some scholars add a fifth category – the Upāsanās (worship). The texts of the Upanishads discuss ideas akin to the heterodox sramana traditions. The Samhitas and Brahmanas describe daily rituals and are generally meant for
5547-822: The Brahmacharya and Gr̥hastha stages of the Chaturashrama system, while the Aranyakas and Upanishads are meant for the Vānaprastha and Sannyasa stages, respectively. Vedas are śruti ("what is heard"), distinguishing them from other religious texts, which are called smr̥ti ("what is remembered"). Hindus consider the Vedas to be apauruṣeya , which means "not of a man, superhuman" and "impersonal, authorless", revelations of sacred sounds and texts heard by ancient sages after intense meditation. The Vedas have been orally transmitted since
5676-550: The Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (text discussing meditation, philosophy and spiritual knowledge). The Upasanas (short ritual worship-related sections) are considered by some scholars as the fifth part. Witzel notes that the rituals, rites and ceremonies described in these ancient texts reconstruct to a large degree the Indo-European marriage rituals observed in
5805-609: The Netherlands , South Africa , Suriname , Tanzania , Trinidad and Tobago , Uganda , the United Kingdom , the United States , Australia , New Zealand , and other countries with a significant Hindu population. The current state and outer appearance of Hindu temples reflect arts, materials and designs as they evolved over two millennia; they also reflect the effect of conflicts between Hinduism and Islam since
5934-574: The Pandavas , killed him. Bhima and Hidimb's sister, Hidimbi, then got married and had a son, Ghatotkacha , (who later proved to be a great warrior in the war against Kauravas ). When Bhima and his brothers returned from exile, Hidimbi did not accompany him, but stayed back and did tapasyā (a combination of meditation, prayer, and penance) so as to eventually attain the status of a goddess. Hindu Temple Traditional A Hindu temple , also known as Mandir , Devasthanam , Pura , or Kovil ,
6063-516: The Samhitas , the Upanishads , the Brahmanas and the Aranyakas . The well-known smṛtis include Bhagavad Gita , Bhagavata Purana and the epics Ramayana and Mahabharata , amongst others. Hindus consider the Vedas to be apauruṣeyā , which means "not of a man, superhuman" and "impersonal, authorless". The Vedas, for orthodox Indian theologians, are considered revelations seen by ancient sages after intense meditation, and texts that have been more carefully preserved since ancient times. In
6192-564: The Telika Mandir in Gwalior , built in the 8th century CE, is not a square but a rectangle in 2:3 proportion. Further, the temple explores a number of structures and shrines in 1:1, 1:2, 1:3, 2:5, 3:5 and 4:5 ratios. These ratios are exact, suggesting that the architect intended to use these harmonic ratios, and the rectangle pattern was not a mistake, nor an arbitrary approximation. Other examples of non-square harmonic ratios are found at
6321-523: The Vāstu-puruṣa-mandala and Vastu Śāstras , do not limit themselves to the design of a Hindu temple. They describe the temple as a holistic part of its community, and lay out various principles and a diversity of alternate designs for home, village and city layout along with the temple, gardens, water bodies and nature. A predominant number of Hindu temples exhibit the perfect-square grid principle. However, there are some exceptions. For example,
6450-419: The garbha-griya (literally, "womb house")—a small, perfect square, windowless, enclosed space without ornamentation that represents universal essence. In or near this space is typically a cult image—which, though many Indians may refer to casually as an idol, is more formally known as a murti, or the main worshippable deity, who varies with each temple. Often this murti gives the temple a local name, such as
6579-499: The Ŗik (words) without understanding their inner meaning or essence, the knowledge of dharma and Parabrahman . Mukherjee concludes that in the Rigvedic education of the mantras "the contemplation and comprehension of their meaning was considered as more important and vital to education than their mere mechanical repetition and correct pronunciation." Mookei refers to Sayana as stating that "the mastery of texts, akshara-praptī ,
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#17327910049826708-536: The "correct tradition" ( sampradaya ) has as much authority as the written Shastra", explaining that the tradition "bears the authority to clarify and provide direction in the application of knowledge". The emphasis in this transmission is on the "proper articulation and pronunciation of the Vedic sounds", as prescribed in the Shiksha , the Vedanga (Vedic study) of sound as uttered in a Vedic recitation, mastering
6837-514: The 10th-century attached medical care along with their religious and educational roles. This is evidenced by various inscriptions found in Bengal, Andhra Pradesh and elsewhere. An inscription dated to about 930 CE states the provision of a physician to two matha to care for the sick and destitute. Another inscription dated to 1069 at a Vishnu temple in Tamil Nadu describes a hospital attached to
6966-585: The 12th century. The Swaminarayanan Akshardham in Robbinsville, New Jersey , between the New York and Philadelphia metropolitan areas, was inaugurated in 2014 as one of the world's largest Hindu temples. A Hindu temple reflects a synthesis of arts, the ideals of dharma , beliefs, values and the way of life cherished under Hinduism. It is a link between man, deities, and the Universal Puruṣa in
7095-476: The 14th century BCE, the only epigraphic record of Indo-Aryan contemporary to the Rigvedic period. He gives 150 BCE ( Patañjali ) as a terminus ante quem for all Vedic Sanskrit literature, and 1200 BCE (the early Iron Age ) as terminus post quem for the Atharvaveda. The Vedas were orally transmitted since their composition in the Vedic period for several millennia. The authoritative transmission of
7224-419: The 16th century CE. The canonical division of the Vedas is fourfold ( turīya ) viz., Of these, the first three were the principal original division, also called " trayī vidyā "; that is, "the triple science" of reciting hymns (Rigveda), performing sacrifices (Yajurveda), and chanting songs (Samaveda). The Rig Veda most likely was composed between c. 1500 BCE and 1200 BCE. Witzel notes that it
7353-503: The 2nd millennium BCE with the help of elaborate mnemonic techniques . The mantras, the oldest part of the Vedas, are recited in the modern age for their phonology rather than the semantics , and are considered to be "primordial rhythms of creation", preceding the forms to which they refer. By reciting them the cosmos is regenerated, "by enlivening and nourishing the forms of creation at their base." The various Indian philosophies and Hindu sects have taken differing positions on
7482-515: The 4th century CE suggest the existence of schools around Hindu temples, called Ghatikas or Mathas , where the Vedas were studied. In south India, 9th century Vedic schools attached to Hindu temples were called Calai or Salai , and these provided free boarding and lodging to students and scholars. The temples linked to Bhakti movement in the early 2nd millennium, were dominated by non-Brahmins. These assumed many educational functions, including
7611-638: The 64- or 81-grid is dedicated to Brahman (not to be confused with brahmin, the scholarly and priestly class in India), and are called Brahma padas . The 49-grid design is called Sthandila and is of great importance in creative expressions of Hindu temples in South India, particularly in Prakaras . The symmetric Vastu-purusa-mandala grids are sometimes combined to form a temple superstructure with two or more attached squares. The temples face sunrise, and
7740-408: The 6th century CE. Vastu-Sastra manuals included chapters on home construction, town planning, and how efficient villages, towns and kingdoms integrated temples, water bodies and gardens within them to achieve harmony with nature. While it is unclear, states Barnett, as to whether these temple and town planning texts were theoretical studies and if or when they were properly implemented in practice,
7869-621: The Brahmin communities considered study to be a "process of understanding". A literary tradition is traceable in post-Vedic times, after the rise of Buddhism in the Maurya period , perhaps earliest in the Kanva recension of the Yajurveda about the 1st century BCE; however oral tradition of transmission remained active. Jack Goody has argued for an earlier literary tradition, concluding that
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#17327910049827998-608: The Hindu Epic Mahabharata , the creation of Vedas is credited to Brahma . The Vedic hymns themselves assert that they were skillfully created by Rishis (sages), after inspired creativity, just as a carpenter builds a chariot. The oldest part of the Rig Veda Samhita was orally composed in north-western India ( Punjab ) between c. 1500 and 1200 BCE, while book 10 of the Rig Veda, and
8127-486: The Jabaladarshana Upanishad appear to endorse this idea Vedas Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas The Vedas ( / ˈ v eɪ d ə z / or / ˈ v iː d ə z / ; Sanskrit : वेदः , romanized : Vēdaḥ , lit. 'knowledge'), sometimes collectively called
8256-623: The Naresar temple site of Madhya Pradesh and at the Nakti-Mata temple near Jaipur , Rajasthan. Michael Meister suggests that these exceptions mean that the ancient Sanskrit manuals for temple building were guidelines, and Hinduism permitted its artisans flexibility in expression and aesthetic independence. A Hindu temple is a symbolic reconstruction of the universe and the universal principles that enable everything in it to function. The temples reflect Hindu philosophy and its diverse views on
8385-509: The Upanishads discuss ideas akin to the heterodox sramana -traditions. Nasadiya Sukta (Hymn of non-Eternity): Who really knows? Who can here proclaim it? Whence, whence this creation sprang? Gods came later, after the creation of this universe. Who then knows whence it has arisen? Whether God's will created it, or whether He was mute; Only He who is its overseer in highest heaven knows, He only knows, or perhaps He does not know. — Rig Veda 10.129.6–7 The Rigveda Samhita
8514-444: The Upanishads. This has inspired later Hindu scholars such as Adi Shankara to classify each Veda into karma-kanda (कर्म खण्ड, action/sacrificial ritual-related sections, the Samhitas and Brahmanas ); and jnana-kanda (ज्ञान खण्ड, knowledge/spirituality-related sections, mainly the Upanishads'). Vedas are śruti ("what is heard"), distinguishing them from other religious texts, which are called smṛti ("what
8643-727: The Veda , are a large body of religious texts originating in ancient India . Composed in Vedic Sanskrit , the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism . There are four Vedas: the Rigveda , the Yajurveda , the Samaveda and the Atharvaveda . Each Veda has four subdivisions – the Samhitas ( mantras and benedictions ), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas ),
8772-454: The Veda can be interpreted in three ways, giving "the truth about gods , dharma and parabrahman ." The pūrva-kāņda (or karma-kanda ), the part of the Veda dealing with ritual, gives knowledge of dharma , "which brings us satisfaction." The uttara-kanda (or jnana-kanda ), the part of the Veda dealing with the knowledge of the absolute, gives knowledge of Parabrahma , "which fulfills all of our desires." According to Holdrege, for
8901-429: The Vedas bear hallmarks of a literate culture along with oral transmission, but Goody's views have been strongly criticised by Falk, Lopez Jr,. and Staal, though they have also found some support. The Vedas were written down only after 500 BCE, but only the orally transmitted texts are regarded as authoritative, given the emphasis on the exact pronunciation of the sounds. Witzel suggests that attempts to write down
9030-450: The Vedas is by an oral tradition in a sampradaya from father to son or from teacher ( guru ) to student ( shishya ), believed to be initiated by the Vedic rishis who heard the primordial sounds . Only this tradition, embodied by a living teacher, can teach the correct pronunciation of the sounds and explain hidden meanings, in a way the "dead and entombed manuscript" cannot do. As Leela Prasad states, "According to Shankara ,
9159-480: The Vedas. Schools of Indian philosophy that acknowledge the importance or primal authority of the Vedas comprise Hindu philosophy specifically and are together classified as the six "orthodox" ( āstika ) schools. However, śramaṇa traditions, such as Charvaka , Ajivika , Buddhism , and Jainism , which did not regard the Vedas as authoritative, are referred to as "heterodox" or "non-orthodox" ( nāstika ) schools. The Sanskrit word véda "knowledge, wisdom"
9288-414: The Vedic texts towards the end of 1st millennium BCE were unsuccessful, resulting in smriti rules explicitly forbidding the writing down of the Vedas. Due to the ephemeral nature of the manuscript material (birch bark or palm leaves), surviving manuscripts rarely surpass an age of a few hundred years. The Sampurnanand Sanskrit University has a Rigveda manuscript from the 14th century; however, there are
9417-457: The advent of writing in the early first millennium CE. According to Staal , criticising the Goody -Watt hypothesis "according to which literacy is more reliable than orality", this tradition of oral transmission "is closely related to Indian forms of science" and "by far the more remarkable" than the relatively recent tradition of written transmission. While according to Mookerji, understanding
9546-479: The age of 25. Apart from specialist technical competence, the manuals suggest that best Silpins for building a Hindu temple are those who know the essence of Vedas and Agamas, consider themselves as students, keep well verse with principles of traditional sciences and mathematics, painting and geography. Further they are kind, free from jealousy, righteous, have their sense under control, of happy disposition, and ardent in everything they do. According to Silparatna,
9675-488: The alphabet as a mnemotechnical device , "matching physical movements (such as nodding the head) with particular sounds and chanting in a group" and visualizing sounds by using mudras (hand signs). This provided an additional visual confirmation, and also an alternate means to check the reading integrity by the audience, in addition to the audible means. Houben and Rath note that a strong "memory culture" existed in ancient India when texts were transmitted orally, before
9804-409: The ancient Sanskrit texts of India (for example, the Vedas and Upanishads ), while their structural rules are described in various ancient Sanskrit treatises on architecture ( Bṛhat Saṃhitā , Vāstu Śāstras ). The layout, the motifs, the plan and the building process recite ancient rituals, geometric symbolisms, and reflect beliefs and values innate within various schools of Hinduism. A Hindu temple
9933-617: The artworks and sculptures within them, were considered by the ancient Sanskrit texts to deploy arts whose number are unlimited, Kala (techniques) that were 64 in number, and Vidya (science) that were of 32 types. The Hindu manuals of temple construction describe the education, characteristics of good artists and architects. The general education of a Hindu Shilpin in ancient India included Lekha or Lipi (alphabet, reading and writing), Rupa (drawing and geometry), Ganana (arithmetic). These were imparted from age 5 to 12. The advanced students would continue in higher stages of Shilpa Sastra studies till
10062-606: The central space typically is surrounded by an ambulatory for the devotee to walk around and ritually circumambulate the Purusa, the universal essence. Often this space is visually decorated with carvings, paintings or images meant to inspire the devotee. In some temples, these images may be stories from Hindu Epics; in others, they may be Vedic tales about right and wrong or virtues and vice; in yet others, they may be murtis of locally worshipped deities. The pillars, walls and ceilings typically also have highly ornate carvings or images of
10191-468: The centre of the temple, typically below and sometimes above or next to the deity , is mere hollow space with no decoration, symbolically representing Purusa , the Supreme Principle, the sacred Universal, one without form, which is omnipresent, connects everything, and is the essence of everyone. A Hindu temple is meant to encourage reflection, facilitate purification of one's mind, and trigger
10320-522: The cosmos and on truth. Hinduism has no traditional ecclesiastical order, no centralized religious authorities, no governing body, no prophet nor any binding holy book save the Vedas; Hindus can choose to be polytheistic , pantheistic , monistic , or atheistic . Within this diffuse and open structure, spirituality in Hindu philosophy is an individual experience, and referred to as kṣaitrajña ( Sanskrit : क्षैत्रज्ञ ) ). It defines spiritual practice as one's journey towards moksha , awareness of self,
10449-410: The cosmos is regenerated, "by enlivening and nourishing the forms of creation at their base. As long as the purity of the sounds is preserved, the recitation of the mantras will be efficacious, irrespective of whether their discursive meaning is understood by human beings." Frazier further notes that "later Vedic texts sought deeper understanding of the reasons the rituals worked", which indicates that
10578-521: The deity. In other schools of Hinduism, the person may simply perform japa , or meditation, or yoga , or introspection in his or her temple. Palace-themed temples often incorporate more elaborate and monumental architecture. The appropriate site for a temple, suggests ancient Sanskrit texts, is near water and gardens, where lotus and flowers bloom, where swans, ducks and other birds are heard, and where animals rest without fear of injury or harm. These harmonious places were recommended in these texts with
10707-404: The design and construction of Nagara style of Hindu temples. A Hindu temple design follows a geometrical design called vastu-purusha-mandala . The name is a composite Sanskrit word with three of the most important components of the plan. Mandala means circle, Purusha is universal essence at the core of Hindu tradition, while Vastu means the dwelling structure. The Vastu-purusha-mandala
10836-432: The discovery of higher truths, true nature of reality, and a consciousness that is liberated and content. A Hindu temple reflects these core beliefs. The central core of almost all Hindu temples is not a large communal space; the temple is designed for the individual, a couple or a family—a small, private space to allow visitors to experience darsana . Darsana is itself a symbolic word. In ancient Hindu scripts, darsana
10965-883: The donations (melvarum) they collected from devotees. According to James Heitzman, these donations came from a wide spectrum of the Indian society, ranging from kings, queens, officials in the kingdom to merchants, priests and shepherds. Temples also managed lands endowed to it by its devotees upon their death. They would provide employment to the poorest. Some temples had large treasury, with gold and silver coins, and these temples served as banks. Hindu temples over time became wealthy from grants and donations from royal patrons as well as private individuals. Major temples became employers and patrons of economic activity. They sponsored land reclamation and infrastructure improvements, states Michell, including building facilities such as water tanks, irrigation canals and new roads. A very detailed early record from 1101 lists over 600 employees (excluding
11094-714: The earth towards subterranean water, up to seven storeys, and were part of a temple complex. These vav (literally, stepwells) had intricate art reliefs on the walls, with numerous murtis and images of Hindu deities, water spirits and erotic symbolism. The step wells were named after Hindu deities; for example, Mata Bhavani's Stepwell , Ankol Mata Vav, Sikotari Vav and others. The temple ranged from being small single pada (cell) structure to large nearby complexes. These stepwells and their temple compounds have been variously dated from late 1st millennium BCE through 11th century CE. Of these, Rani ki vav , with hundreds of art reliefs including many of Vishnu deity avatars , has been declared
11223-565: The eastern states of India. Other ancient texts found expand these architectural principles, suggesting that different parts of India developed, invented and added their own interpretations. For example, in the Saurastra tradition of temple building found in western states of India, the feminine form, expressions and emotions are depicted in 32 types of Nataka-stri compared to 16 types described in Silpa Prakasa . Silpa Prakasa provides
11352-410: The embrace of the beloved, one forgets the whole world, everything both within and without; in the same way, one who embraces the Self knows neither within nor without. The architecture of Hindu temples is also symbolic. The whole structure fuses the daily life and its surroundings with the divine concepts, through a structure that is open yet raised on a terrace, transitioning from the secular towards
11481-600: The end of the Vedic period, additional Upanishads were composed after the end of the Vedic period. The Brahmanas , Aranyakas , and Upanishads , among other things, interpret and discuss the Samhitas in philosophical and metaphorical ways to explore abstract concepts such as the Absolute ( Brahman ), and the soul or the self ( Atman ), introducing Vedanta philosophy, one of the major trends of later Hinduism . In other parts, they show evolution of ideas, such as from actual sacrifice to symbolic sacrifice, and of spirituality in
11610-400: The entrance for the devotee is typically this east side. The mandala pada facing sunrise is dedicated to Surya , the sun-god. The Surya pada is flanked by the padas of Satya, the deity of Truth, on one side and Indra , the king of the demigods, on other. The east and north faces of most temples feature a mix of gods and demigods; while the west and south feature demons and demigods related to
11739-406: The explanation that such are the places where gods play, and thus the best site for Hindu temples. The gods always play where lakes are, where the sun's rays are warded off by umbrellas of lotus leaf clusters, and where clear waterpaths are made by swans whose breasts toss the white lotus hither and thither, where swans, ducks, curleys and paddy birds are heard, and animals rest nearby in
11868-476: The exponents of karma-kandha the Veda is to be "inscribed in the minds and hearts of men" by memorization and recitation, while for the exponents of the jnana-kanda and meditation the Vedas express a transcendental reality which can be approached with mystical means. Holdrege notes that in Vedic learning "priority has been given to recitation over interpretation" of the Samhitas. Galewicz states that Sayana,
11997-558: The exposition, recitation and public discourses of Sanskrit and Vedic texts. Some temple schools offered wide range of studies, ranging from Hindu scriptures to Buddhist texts, grammar, philosophy, martial arts, music and painting. By the 8th century, Hindu temples also served as the social venue for tests, debates, team competition and Vedic recitals called Anyonyam . According to Kenneth G. Zysk—a professor specializing in Indology and ancient medicine, Hindu mathas and temples had by
12126-452: The foot of the Himālayas . The sanctuary is built over a huge rock jutting out of the ground which was worshiped as an image of the deity. The structure was built in 1553 by Maharaja Bahadur Singh. The Hidimba Devi temple is 24 meters tall. The Hidimba Devi temple was built in 1553 CE by Maharaja Bahadur Singh. The temple is built around a cave where Devi Hidimba performed meditation. Hidimbi
12255-424: The four just and necessary pursuits of life—kama, artha, dharma and moksa. This walk around is called pradakshina . Large temples also have pillared halls, called mandapa —one of which, on the east side, serves as the waiting room for pilgrims and devotees. The mandapa may be a separate structure in older temples, but in newer temples this space is integrated into the temple superstructure. Mega-temple sites have
12384-534: The four kinds of mantras into four Samhitas (Collections). The Vedas are among the oldest sacred texts . The bulk of the Rigveda Samhita was composed in the northwestern region (Punjab) of the Indian subcontinent , most likely between c. 1500 and 1200 BCE, although a wider approximation of c. 1700–1100 BCE has also been given. The other three Samhitas are considered to date from
12513-661: The head of a town street. Ancient builders of Hindu temples created manuals of architecture, called Vastu-Sastra (literally "science" of dwelling; vas-tu is a composite Sanskrit word; vas means "reside", tu means "you"); these contain Vastu-Vidya (literally, knowledge of dwelling) and Sastra meaning system or knowledge in Sanskrit. There exist many Vastu-Sastras on the art of building temples, such as one by Thakkura Pheru , describing where and how temples should be built. Sanskrit manuals have been found in India since
12642-411: The inside of the temple, only a 7.5 cm (3 inch) tall brass image representing goddess Hidimba Devi. A rope hangs down in front of the rock, and according to a legend, in bygone days religious zealots would tie the hands of "sinners" by the rope and then swing them against the rock. About seventy metres away from the temple, there is a shrine dedicated to Goddess Hidimba's son, Ghatotkacha , who
12771-589: The knowledge of paramatman as revealed to the rishis is the real aim of Vedic learning, and not the mere recitation of texts. The supreme knowledge of the Absolute, para Brahman - jnana , the knowledge of rta and satya , can be obtained by taking vows of silence and obedience sense-restraint, dhyana , the practice of tapas (austerities), and discussing the Vedanta . The four Vedas were transmitted in various śākhā s (branches, schools). Each school likely represented an ancient community of
12900-445: The mantras had meaning depended on the context of their practical usage. This conception of the Veda, as a repertoire to be mastered and performed, takes precedence over the internal meaning or "autonomous message of the hymns." Most Śrauta rituals are not performed in the modern era, and those that are, are rare. Mukherjee notes that the Rigveda, and Sayana's commentary, contain passages criticizing as fruitless mere recitation of
13029-532: The manuals suggest that town planning and Hindu temples were conceived as ideals of art and integral part of Hindu social and spiritual life. The Silpa Prakasa of Odisha, authored by Ramacandra Bhattaraka Kaulacara in the 9th or 10th centuries CE, is another Sanskrit treatise on Temple Architecture. Silpa Prakasa describes the geometric principles in every aspect of the temple and symbolism such as 16 emotions of human beings carved as 16 types of female figures. These styles were perfected in Hindu temples prevalent in
13158-502: The meaning ( vedarthajnana or artha - bodha ) of the words of the Vedas was part of the Vedic learning , Holdrege and other Indologists have noted that in the transmission of the Samhitas , the emphasis is on the phonology of the sounds ( śabda ) and not on the meaning ( artha ) of the mantras. Already at the end of the Vedic period their original meaning had become obscure for "ordinary people", and niruktas , etymological compendia, were developed to preserve and clarify
13287-525: The meaning of the mantras, in contrast to the number of commentaries on the Brahmanas and Upanishads, but states that the lack of emphasis on the "discursive meaning does not necessarily imply that they are meaningless". In the Brahmanical perspective, the sounds have their own meaning, mantras are considered as "primordial rhythms of creation", preceding the forms to which they refer. By reciting them
13416-598: The original meaning of many Sanskrit words. According to Staal, as referenced by Holdrege, though the mantras may have a discursive meaning, when the mantras are recited in the Vedic rituals "they are disengaged from their original context and are employed in ways that have little or nothing to do with their meaning". The words of the mantras are "themselves sacred", and "do not constitute linguistic utterances ". Instead, as Klostermaier notes, in their application in Vedic rituals they become magical sounds, "means to an end". Holdrege notes that there are scarce commentaries on
13545-574: The other Samhitas were composed between 1200 and 900 BCE more eastward, between the Yamuna and the Ganges rivers, the heartland of Aryavarta and the Kuru Kingdom ( c. 1200 – c. 900 BCE ). The "circum-Vedic" texts, as well as the redaction of the Samhitas, date to c. 1000 –500 BCE. According to tradition, Vyasa is the compiler of the Vedas, who arranged
13674-452: The patron as well as others witnessing the construction. Further, it was a tradition that all tools and materials used in temple building and all creative work had the sanction of a sacrament. For example, if a carpenter or sculptor needed to fell a tree or cut a rock from a hill, he would propitiate the tree or rock with prayers, seeking forgiveness for cutting it from its surroundings, and explaining his intent and purpose. The axe used to cut
13803-554: The positive and joyful side of life about the good and the gods. This divine space then concentrically diffuses inwards and lifts the guest to the core of the temple, where resides the main murti , as well as the space for the Purusa, and ideas held to be most sacred principles in Hindu tradition. The symbolism in the arts and temples of Hinduism, suggests Edmund Leach, is similar to those in Christianity and other major religions of
13932-529: The priests) of the Brihadisvara Temple, Thanjavur , still one of the largest temples in Tamil Nadu . Most worked part-time and received the use of temple farmland as reward. For those thus employed by the temple, according to Michell, "some gratuitous services were usually considered obligatory, such as dragging the temple chariots on festival occasions and helping when a large building project
14061-503: The process of inner realization within the devotee. The specific process is left to the devotee's school of belief. The primary deity of different Hindu temples varies to reflect this spiritual spectrum. In Hindu tradition, there is no dividing line between the secular and the lonely sacred. In the same spirit, Hindu temples are not just sacred spaces; they are also secular spaces. Their meaning and purpose have extended beyond spiritual life to social rituals and daily life, offering thus
14190-458: The sacred Vedas included up to eleven forms of recitation of the same text. The texts were subsequently "proof-read" by comparing the different recited versions. Forms of recitation included the jaṭā-pāṭha (literally "mesh recitation") in which every two adjacent words in the text were first recited in their original order, then repeated in the reverse order, and finally repeated in the original order. That these methods have been effective,
14319-452: The sacred, inviting the visitor inwards and upwards towards the Brahma pada, the temple's central core, a symbolic space marked by its spire ( shikhara, vimana ). The ancient temples had grand, intricately carved entrances but no doors, and they lacked a boundary wall. In most cultures, suggests Edmund Leach , a boundary and gateway separates the secular and the sacred, and this gateway door
14448-674: The shade of Nicula trees on the river banks. The gods always play where rivers have for their braclets the sound of curleys and the voice of swans for their speech, water as their garment, carps for their zone, the flowering trees on their banks as earrings, the confluence of rivers as their hips, raised sand banks as breasts and plumage of swans their mantle. The gods always play where groves are near, rivers, mountains and springs, and in towns with pleasure gardens. While major Hindu temples are recommended at sangams (confluence of rivers), river banks, lakes and seashore, Brhat Samhita and Puranas suggest temples may also be built where
14577-696: The sick and needy in the 1st millennium, but with the destruction of Buddhist centers after the 12th century, the Hindu religious institutions assumed these social responsibilities. According to George Michell, Hindu temples in South India were active charity centers and they provided free meal for wayfarers, pilgrims and devotees, as well as boarding facilities for students and hospitals for the sick. The 15th and 16th century Hindu temples at Hampi featured storage spaces (temple granary, kottara ), water tanks and kitchens. Many major pilgrimage sites have featured dharmashalas since early times. These were attached to Hindu temples, particularly in South India, providing
14706-459: The sky. Sometimes, in makeshift temples, the dome may be replaced with symbolic bamboo with few leaves at the top. The vertical dimension's cupola or dome is designed as a pyramid, a cone or other mountain-like shape, once again using the principle of concentric circles and squares. Scholars suggest that this shape is inspired by the cosmic mountain of Meru or Himalayan Kailasa, the abode of the gods, according to Vedic mythology. In larger temples,
14835-544: The temple's location and the relationship between the deity and the worshipper, the temple's design also illustrates the idea of recursion and the equivalency of the macrocosm and the microcosm . A temple incorporates all elements of the Hindu cosmos—presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and the essence of life—symbolically presenting dharma , artha , kama , moksha , and karma . The spiritual principles symbolically represented in Hindu temples are detailed in
14964-566: The temple, listing the nurses, physicians, medicines and beds for patients. Similarly, a stone inscription in Andhra Pradesh dated to about 1262 mentions the provision of a prasutishala (maternity house), vaidya (physician), an arogyashala (health house) and a viprasattra (hospice, kitchen) with the religious center where people from all social backgrounds could be fed and cared for. According to Zysk, both Buddhist monasteries and Hindu religious centers provided facilities to care for
15093-484: The text. Some texts were revised into the modern era, raising significant debate on parts of the text which are believed to have been corrupted at a later date. The Vedas each have an Index or Anukramani , the principal work of this kind being the general Index or Sarvānukramaṇī . Prodigious energy was expended by ancient Indian culture in ensuring that these texts were transmitted from generation to generation with inordinate fidelity. For example, memorization of
15222-407: The texts "literally forward and backward in fully acoustic fashion". Houben and Rath note that the Vedic textual tradition cannot simply be characterized as oral, "since it also depends significantly on a memory culture". The Vedas were preserved with precision with the help of elaborate mnemonic techniques , such as memorizing the texts in eleven different modes of recitation ( pathas ), using
15351-770: The texts were copied when they wore out. In South India, temples and associated mathas served custodial functions, and a large number of manuscripts on Hindu philosophy , poetry, grammar and other subjects were written, multiplied and preserved inside the temples. Archaeological and epigraphical evidence indicates existence of libraries called Sarasvati-bhandara , dated possibly to early 12th-century and employing librarians, attached to Hindu temples. Palm-leaf manuscripts called lontar in dedicated stone libraries have been discovered by archaeologists at Hindu temples in Bali Indonesia and in 10th century Cambodian temples such as Angkor Wat and Banteay Srei . Inscriptions from
15480-526: The time of the Kuru Kingdom , approximately c. 1200–900 BCE. The "circum-Vedic" texts, as well as the redaction of the Samhitas, date to c. 1000 –500 BCE, resulting in a Vedic period , spanning the mid 2nd to mid 1st millennium BCE, or the Late Bronze Age and the Iron Age . The Vedic period reaches its peak only after the composition of the mantra texts, with the establishment of
15609-594: The tree would be anointed with butter to minimize the hurt to the tree. Even in modern times, in some parts of India such as Odisha , Visvakarma Puja is a ritual festival every year where the craftsmen and artists worship their arts, tools and materials. Hindu temples served as nuclei of important social, economic, artistic and intellectual functions in ancient and medieval India. Burton Stein states that South Indian temples managed regional development function, such as irrigation projects, land reclamation, post-disaster relief and recovery. These activities were paid for by
15738-497: The underlying principle in a Hindu temple is the belief that all things are one, that everything is connected. The pilgrim is welcomed through 64-grid or 81-grid mathematically structured spaces, a network of art, pillars with carvings and statues that display and celebrate the four important and necessary principles of human life—the pursuit of artha (prosperity, wealth), of kama (pleasure, sex), of dharma (virtues, ethical life) and of moksha (release, self-knowledge). At
15867-401: The underworld. This vastu-purusha-mandala plan and symbolism is systematically seen in ancient Hindu temples on the Indian subcontinent as well as those in southeast Asia, with regional creativity and variations. Beneath the mandala's central square(s) is the space for the all-pervasive, all-connecting Universal Spirit, the highest reality , the purusha . This space is sometimes known as
15996-569: The various shakhas all over Northern India which annotated the mantra samhitas with Brahmana discussions of their meaning, and reaches its end in the age of Buddha and Panini and the rise of the Mahajanapadas (archaeologically, Northern Black Polished Ware ). Michael Witzel gives a time span of c. 1500 to c. 500 –400 BCE. Witzel makes special reference to the Near Eastern Mitanni material of
16125-455: The word "Silpin". "Silpa", explains Stella Kramrisch, is a multicolored word and incorporates art, skill, craft, ingenuity, imagination, form, expression and inventiveness of any art or craft. Similarly, "Shilpin", notes Kramrisch, is a complex Sanskrit word, describing any person who embodies art, science, culture, skill, and rhythm and employs creative principles to produce any divine form of expression. Silpins who built Hindu temples, as well as
16254-455: The world. Indian texts call the craftsmen and builders of temples "Silpin" ( Sanskrit : शिल्पिन् ), derived from "Silpa". One of the earliest mentions of the Sanskrit word "Silpa" is in Atharvaveda , from about 1000 BCE; according to scholars, the word was used to denote any work of art. Some scholars suggest that the word "Silpa" has no direct or one-word translation in English, nor does
16383-658: Was born after she married Bhima . The most surprising feature of the temple or what believers could call the most reassuring feature of the temple is the fact that inside the temple the imprint of the feet of the Goddess carved on a block of stone is worshipped. The Indian epic Mahabharata narrates that the Pāndavas stayed in Himachal during their exile. In Manali , the strongest person there, named Hidimb and brother of Hidimba, attacked them, and in fight Bhima , strongest amongst
16512-577: Was supposed to have lived there with her brother Hidimb , and not much is known about their parents. Born into a Rakshasa family, Hidimba vowed to marry one who would defeat her brother Hidimb, who was supposed to be very brave and fearless. During the Pandava 's exile, when they visited Manali , Bhima , one of the five Pandavas defeated Hidimb. Thereafter, Hidimba married Bhima and gave birth to their son Ghatotkacha . The veneration of Hidimba Devi holds significant cultural prominence in Manali, where she
16641-634: Was undertaken". Temples also acted as refuge during times of political unrest and danger. Historically, the Scheduled Castes or Dalits were prohibited from the entry into temples. In contemporary times, the process of building a Hindu temple by emigrants and diasporas from South Asia has also served as a process of building a community, a social venue to network, reduce prejudice and seek civil rights together. John Guy and Jorrit Britschgi state Hindu temples served as centers where ancient manuscripts were routinely used for learning and where
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