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75-479: Hinotori (Japanese for Phoenix ) may refer to: Hinotori (satellite) , an astronomical satellite Hinotori (video game) , a 1987 video game Hino Tori , a manga series by Osamu Tezuka The brand name of the Kintetsu 80000 series train type "HINOTORI", a song by Takanashi Kiara from Hololive English from her album Point of View Topics referred to by

150-509: A Napoleon , have already been licked into that high-eddying Flame, and like moths consumed there. Still also have we to fear that incautious beards will get singed. For the rest, in what year of grace such Phoenix-cremation will be completed, you need not ask. The law of Perseverance is among the deepest in man: by nature he hates change; seldom will he quit his old house till it has actually fallen about his ears. Thus have I seen Solemnities linger as Ceremonies, sacred Symbols as idle Pageants, to

225-677: A halo , which emphasizes the bird's connection with the Sun . In the oldest images of phoenixes on record these nimbuses often have seven rays, like Helios (the Greek personification of the Sun). Pliny the Elder also describes the bird as having a crest of feathers on its head, and Ezekiel the Dramatist compared it to a rooster. The phoenix came to be associated with specific colors over time. Although

300-551: A 677-line 9th-century alliterative poem consisting of a paraphrase and abbreviation of Lactantius, followed by an explication of the Phoenix as an allegory for the resurrection of Christ . Þisses fugles gecynd   fela gelices bi þam gecornum   Cristes þegnum; beacnað in burgum   hu hi beorhtne gefean þurh fæder fultum   on þas frecnan tid healdaþ under heofonum   ond him heanna blæd in þam uplican   eðle gestrynaþ. This bird's nature  

375-589: A Living Society, and no longer fighting but working,—were it not perhaps prudent in Mankind to strike the bargain? Phoenixes are present and relatively common in European heraldry , which developed during the High Middle Ages . They most often appear as crests , and more rarely as charges . The heraldic phoenix is depicted as the head, chest and wings of an eagle rising from a fire; the entire creature

450-486: A flaming aureole enriches its head. Its crest shines with the sun's own light and shatters the darkness with its calm brilliance. Its legs are of Tyrian purple ; swifter than those of the Zephyrs are its wings of flower-like blue dappled with rich gold. According to Pliny the Elder, a senator Manilius ( Marcus Manilius ?) had written that the phoenix appeared at the end of each Great Year , which he wrote of "in

525-433: A red chest and white wings". Aelian was the last source on the griffin to add fresh information on the griffin, and late writers (into medieval times) merely rehashed existing material on griffins, with the exception of the lore about their "agate eggs" which emerged at some indistinct time later on (cf. infra). The griffin has been associated with various deities (Apollo, Dionysus, Nemesis), in Greek mythography but here,

600-413: A region of very rich soil but quite uninhabitable because griffins, a savage and tenacious breed of wild beasts, love.. the gold that is mined from deep within the earth there, and because they guard it with an amazing hostility to those who set foot there. The aforementioned Aelian ( Claudius Aelianus , d. 235 AD) added certain other embellishments, such as its reputation of "black plumage on its back with

675-419: A stag's life is four time a crow's, and a raven's life makes three stags old, while the phoenix outlives nine ravens, but we, the rich-haired Nymphs daughters of Zeus the aegis -holder, outlive ten phoenixes. Classical discourse on the subject of the phoenix attributes a potential origin of the phoenix to Ancient Egypt . Herodotus , writing in the 5th century BC, provides the following account of

750-755: Is a legendary creature with the body, tail, and back legs of a lion , and the head and wings of an eagle with its talons on the front legs. Because the lion was traditionally considered the king of the beasts, and the eagle the king of the birds, by the Middle Ages, the griffin was thought to be an especially powerful and majestic creature. Since classical antiquity, griffins were known for guarding treasures and priceless possessions. In Greek and Roman texts, griffins and Arimaspians were associated with gold deposits of Central Asia. The earliest classical writings derive from Aristeas (7th cent. BC), preserved by Herodotus and Aeschylus (mid 5th century BC), but

825-534: Is described as having a " visor " (i.e., beaks) made by Urartian craftsmen, similar to what is found on Greek protomes. Representations of griffin-like hybrids with four legs and a beaked head appeared in Ancient Egyptian art dating back to before 3000 BC. The oldest known depiction of a griffin-like animal in Egypt appears as a relief carving on slate on the cosmetic palette from Hierakonpolis ,

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900-496: Is different from Wikidata All article disambiguation pages All disambiguation pages Phoenix (mythology) The origin of the phoenix has been attributed to Ancient Egypt by Herodotus and later 19th-century scholars, but other scholars think the Egyptian texts may have been influenced by classical folklore. Over time, the phoenix motif spread and gained a variety of new associations; Herodotus , Lucan , Pliny

975-813: Is much like to the chosen   servants of Christ; pointeth out to men   how they bright joy through the Father's aid   in this perilous time may under heaven possess,   and exalted happiness in the celestial   country may gain. In the 14th century, Italian poet Dante Alighieri refers to the phoenix in Canto XXIV of the Divine Comedy 's Inferno : Così per li gran savi si confessa che la fenice more e poi rinasce, quando al cinquecentesimo anno appressa; erba né biado in sua vita non pasce, ma sol d'incenso lagrime e d'amomo, e nardo e mirra son l'ultime fasce. Even thus by

1050-808: Is never depicted. Scholars have observed analogues to the phoenix in a variety of cultures. These analogues include the Hindu garuda (गरुड) and bherunda (भेरुण्ड), the Russian firebird (жар-птица), the Persian simorgh (سیمرغ), the Georgian paskunji (ფასკუნჯი), the Arabian anqa (عنقاء), the Turkish Konrul , also called Zümrüdü Anka ("emerald anqa"), the Tibetan Me byi karmo ,

1125-459: Is not uniquely applied to the griffin beast, and tštš ( Teš-teš ) has also been used to denote the god Osiris elsewhere. Most statuary representations of griffins depict them with bird-like forelegs and talons , although in some older illustrations griffins have a lion's forelegs (see bronze figure, right); they generally have a lion's hindquarters. Its eagle's head is conventionally given prominent ears ; these are sometimes described as

1200-520: Is spiritual, the second is by fire, the third is by water. Just as the phoenix appears as a witness concerning the angels , so the case of the water hydri in Egypt, which has been a witness to those going down into the baptism of a true man. The two bulls in Egypt posses a mystery, the Sun and the Moon, being a witness to Sabaoth : namely, that over them Sophia received the universe; from the day that she made

1275-620: Is that it is as large as an eagle, and has a gleam of gold round its neck and all the rest of it is purple, but the tail blue picked out with rosecoloured feathers and the throat picked out with tufts, and a feathered crest adorning its head. According to Claudian 's poem "The Phoenix", arcanum radiant oculi iubar. igneus ora cingit honos. rutilo cognatum vertice sidus attollit cristatus apex tenebrasque serena luce secat. Tyrio pinguntur crura veneno. antevolant Zephyros pinnae, quas caerulus ambit flore color sparsoque super ditescit in auro. A mysterious fire flashes from its eye, and

1350-618: Is that these derive from the bumps (furrows) on a lion's snout. Another view regards the wart as deriving from the bumpy cockscomb on a rooster or other such fowls. Griffin-like animals were depicted on cylinder seals in Mesopotamia c. 3000 BC, perhaps as early as the Uruk period (4000–3100BC) and subsequent Proto-Elamite ( Jemdet Nasr ) period. An example of a winged lion with beaks, unearthed in Susa (cf. fig. right ) dates to

1425-554: The Achaemenian Persian Empire . Russian jewelry historian Elena Neva maintained that the Achaemenids considered the griffin "a protector from evil, witchcraft, and secret slander", but no writings exist from Achaemenid Persia to support her claim. R.L. Fox (1973) remarks that a "lion-griffin" attacks a stag in a pebble mosaic at Pella , from the 4th century BC, perhaps serving as an emblem of

1500-465: The Bennu , a solar bird similar in some respects to the Greek phoenix. However, the Egyptian sources regarding the bennu are often problematic and open to a variety of interpretations. Some of these sources may have actually been influenced by Greek notions of the phoenix, rather than the other way around. The phoenix is sometimes pictured in ancient and medieval literature and medieval art as endowed with

1575-679: The Chinese Fenghuang (鳳凰) and Zhuque (朱雀). These perceived analogues are sometimes included as part of the Motif-Index of Folk-Literature phoenix motif (B32). There are many works of modern literature make reference to the phoenix. Examples include: Griffin The griffin , griffon , or gryphon ( Ancient Greek : γρύψ , romanized :  grýps ; Classical Latin : grȳps or grȳpus ; Late and Medieval Latin : gryphes , grypho etc.; Old French : griffon )

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1650-511: The Lamassu , an Assyrian protective deity, often depicted with a bull or lion's body, eagle's wings, and human's head. Sumerian and Akkadian mythology feature the demon Anzu , half man and half bird, associated with the chief sky god Enlil . This was a divine storm-bird linked with the southern wind and the thunder clouds. Jewish mythology speaks of the Ziz , which resembles Anzu, as well as

1725-572: The Linear B mention above from Mycenaean Greece , the earliest clear mention of the phoenix in ancient Greek literature occurs in a fragment of the Precepts of Chiron , attributed to 8th-century BC Greek poet Hesiod . In the fragment, the wise centaur Chiron tells a young hero Achilles the following, describing the phoenix's lifetime as 972 times the length of a long-lived human's: A chattering crow lives now nine generations of aged men, but

1800-534: The Mycenaean Greek po-ni-ke , which probably meant " griffin ", though it might have meant " palm tree ". That word is probably a borrowing from a West Semitic word for madder , a red dye made from Rubia tinctorum . The word Phoenician appears to be from the same root, meaning "those who work with red dyes". So phoenix may mean "the Phoenician bird" or "the purplish-red bird". Apart from

1875-919: The Two Dog Palette dated to the Early Dynastic Period , c.  3300–3100  BC. Griffin-type creatures combining raptor heads and mammalian bodies were depicted in the Levant , Syria , and Anatolia during the Middle Bronze Age , dated at about 1950–1550 BC. Griffin-type animals appeared in the art of ancient Crete in the MM III Period (1650–1600 BC) in Minoan chronology , found on sealings from Zakro and miniature frescos dated to this period. One early example of griffin-types in Minoan art occurs in

1950-588: The "curled tresses" that are the signature of Uratrian workmanship. Even the ornate crests on Minoan griffins (such as the fresco of the Throne Room, figure top of page) may be a development of these curled tresses. One prominent characteristic of the cauldron griffins is the "top-knob between the brows" (seemingly situated at the top of the head ). The top-knob feature has clear oriental origins. Jack Leonard Benson says these appendages were "topknots" subsequently rendered as "knobs" in later development of

2025-592: The 15th century BC frescoes of the Throne Room of the Bronze Age Palace of Knossos , as restored by Sir Arthur Evans . The griffin-like hybrid became a fixture of Aegean culture since the Late Bronze Age , but the animal called the gryps, gryphon, or griffin in Greek writings did not appear in Greek art until about 700 BC, or rather, it was "rediscovered" as artistic motif in

2100-405: The 19th-century novel Sartor Resartus by Thomas Carlyle , Diogenes Teufelsdröckh uses the phoenix as a metaphor for the cyclical pattern of history, remarking upon the "burning of a World-Phoenix" and the " Palingenesia , or Newbirth of Society " from its ashes: When the Phoenix is fanning her funeral pyre, will there not be sparks flying! Alas, some millions of men, and among them such as

2175-723: The 4th millennium B.C., and is a unique example of a griffin-like animal with a male lion's mane . However, this monster then ceased to continue to be expressed after the Elamite culture. What the Sumerians of the Early Dynastic period portrayed instead were winged lions, and the lion-headed eagle ( Imdugud ). In the Akkadian Empire that succeeded Sumer, early examples (from early 3rd millennium BC ) of lions with bird heads appeared on cylinder seals, shown pulling

2250-623: The 8th to 7th centuries BC, adapting the style of griffin current in Neo-Hittite art. It became quite popular in the 6th and 5th centuries BC, when the Greeks first began to record accounts of the "gryps" creature from travelers to Asia, such as Aristeas of Proconnesus. A number of bronze griffin protomes on cauldrons have been unearthed in Greece (on Samos , and at Olympia , etc., cf. fig. right). Early Greek and early Etruscan (e.g.

2325-535: The Barberini) examples of cauldron-griffins may have been of Syric-Urartian make, based on evidence (the "tendrils" or "tresses" motif was already touched upon, above), but "Vannic (Urartian) originals" have yet to be found (in the Orient). It has thus been controversially argued (by Ulf Jantzen  [ de ] ) that these attachments had always since the earliest times been crafted by Greek workshops, added to

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2400-489: The Elder , Pope Clement I , Lactantius , Ovid , and Isidore of Seville are among those who have contributed to the retelling and transmission of the phoenix motif. Over time, extending beyond its origins, the phoenix could variously "symbolize renewal in general as well as the sun, time, the Roman Empire , metempsychosis , consecration , resurrection , life in the heavenly Paradise , Christ , Mary , virginity ,

2475-770: The Mesopotamian lion-griffin. There is also the Armenian term Paskuč ( Armenian : պասկուչ ) that had been used to translate Greek gryp 'griffin' in the Septuagint , which H. P. Schmidt characterized as the counterpart of the simurgh. However, the cognate term Baškuč (glossed as 'griffin') also occurs in Middle Persian, attested in the Zoroastrian cosmological text Bundahishn XXIV (supposedly distinguishable from Sēnmurw which also appears in

2550-428: The Sun and Moon, she put a seal upon her heaven, unto eternity. And the worm that has been born out of the phoenix is a human being as well. It is written concerning it, "the just man will blossom like a phoenix". And the phoenix first appears in a living state, and dies, and rises again, being a sign of what has become apparent at the consummation of the age. The anonymous 10th century Old English Exeter Book contains

2625-634: The ancient Greek Phoenix . The Bible mentions the Ziz in Psalms 50:11. This is also similar to a cherub . The cherub, or sphinx, was very popular in Phoenician iconography. In ancient Crete, griffins became very popular, and were portrayed in various media. A similar creature is the Minoan Genius . In the Hindu religion, Garuda is a large bird-like creature that serves as a mount ( vahana ) of

2700-411: The ant into his description of griffins. Later, Pliny the Elder became the first to explicitly state the griffins as having wings and long ears. In one of the two passages, Pliny also located the "griffons" in Æthiopia . According to Adrienne Mayor , Pliny also wrote, "griffins were said to lay eggs in burrows on the ground and these nests contained gold nuggets ". Apollonius of Tyana , who

2775-498: The ball and puts his parent inside, after which he covers over the opening with fresh myrrh, and the ball is then of exactly the same weight as at first; so he brings it to Egypt, plastered over as I have said, and deposits it in the temple of the Sun. Such is the story they tell of the doings of this bird. In the 19th century, scholastic suspicions appeared to be confirmed by the discovery that Egyptians in Heliopolis had venerated

2850-400: The cauldron Griffins. Benson's emphasis is that the Greeks attached a stylized "anorganic" topknot or an "inorganic" plug on the griffin's head (due to lack of information), while in contrast, a known oriental example (stone protomes from Nimrud ) is simple but more "plausible" (naturalistic), resembling a forelock. A cluster of "warts" between the eyes are also mentioned. One conjecture

2925-531: The chariots for its rider, the weather god. The "lion-griffin" on Akkadian seals are also shown as fire-belching, and shaggy (at the neck) in particular examples. The bronzeworks of Luristan , the North and North West region of Iran in the Iron Age , include examples of Achaemenid art depicting both the "bird-griffin" and "lion-griffin" designs, such as are found on horse-bits . Bernard Goldman maintains

3000-399: The consulship of Gnaeus Cornelius and Publius Licinius ", that is, in 96 BC, that a cycle was 540 years, and that it was 215 into the cycle (i.e. it began in 311 BC). Another of Pliny's sources, Cornelius Valerianus, is cited for an appearance of the phoenix in 36 AD "in the consulship of Quintus Plautius and Sextus Papinius ". Pliny states that a purported phoenix seen in Egypt in 47 AD

3075-410: The consummation of the age. There are [...] three men, and also his posterities, unto the consummation of the world: the spirit-endowed of eternity, and the soul-endowed, and the earthly. Likewise, there are three phoenixes in paradise—the first is immortal, the second lives 1,000 years; as for the third, it is written in the sacred book that it is consumed. So, too, there are three baptisms—the first

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3150-591: The cycle was either 500 years or 1461 years (which was the Great Year based on the Egyptian Sothic cycle ), and that it had previously been seen in the reigns first of Sesosis, then of Amasis, and finally of Ptolemy (third of the Macedonian dynasty). A third recording was made by Cassius Dio , who also said that the phoenix was seen in the consulship of Quintus Plautus and Sextus Papinius. In time,

3225-473: The deity Vishnu . It is also the name for the constellation Aquila . Local lore on the gryps or griffin was gathered by Aristeas of Proconnesus, a Greek who traveled to the Altai region between Mongolia and NW China in the 7th century BC. Although Aristeas's original poem was lost, the gryps lore preserved in secondhand accounts by the playwright Aeschylus (ca. 460 BC), and later his contemporary, Herodotus

3300-556: The exceptional man, and certain aspects of Christian life". Some scholars have claimed that the poem De ave phoenice may present the mythological phoenix motif as a symbol of Christ's resurrection . The modern English word phoenix entered the English language from Latin , later reinforced by French . The word first entered the English language by way of a borrowing of Latin phoenīx into Old English ( fenix ). This borrowing

3375-477: The extent of three hundred years and more after all life and sacredness had evaporated out of them. And then, finally, what time the Phoenix Death-Birth itself will require, depends on unseen contingencies.—Meanwhile, would Destiny offer Mankind, that after, say two centuries of convulsion and conflagration, more or less vivid, the fire-creation should be accomplished, and we to find ourselves again in

3450-457: The first heaven with full power, she chased those rulers out of their heavens and cast them into the sinful world, so that there they should dwell, in the form of evil spirits upon the earth. [...], so that in their world it might pass the thousand years in paradise—a soul-endowed living creature called "phoenix". It kills itself and brings itself back to life as a witness to the judgement against them, for they did wrong to Adam and his race, unto

3525-428: The general make and size are almost exactly that of the eagle . They tell a story of what this bird does, which does not seem to me to be credible: that he comes all the way from Arabia , and brings the parent bird, all plastered over with myrrh , to the temple of the Sun , and there buries the body. In order to bring him, they say, he first forms a ball of myrrh as big as he finds that he can carry; then he hollows out

3600-520: The god Apollo due to "syncretism between the two gods". At the Temple of Hera at Samos , a griffin-themed bronze "wine-cup" or "cauldron" had been installed, according to Herodotus. The vessel was attached griffin heads around the rim (like the protomes , described above): it was an Argolic or Argive krater , according to the text, standing on a tripod shaped like colossal figures. The notion that griffins lay stones or agate instead of eggs

3675-536: The gold which the griffins collected from various areas in the periphery (presumably including the Armaspi's territorial stream, the stream of Pluto "rolling with gold"). The equestrian Arimaspi would ride off with the loot, and the griffins would give pursuit. Aeschylus likened the gryps to "silent hounds of Zeus" That they are called dogs or hounds here has led to the conjecture that Aeschylus considered them wingless or flightless. Whereas Ctesias , had located

3750-502: The great sages 'tis confessed The phoenix dies, and then is born again, When it approaches its five-hundredth year; On herb or grain it feeds not in its life, But only on tears of incense and amomum , And nard and myrrh are its last winding-sheet . In the 17th-century play Henry VIII by English playwrights William Shakespeare and John Fletcher , Archbishop Cranmer says in Act V, Scene v in reference to Elizabeth (who

3825-454: The griffin's neck, carven on some of the Greek protomes. The tendril motif emerged at the beginning of the first millennium, BC., in various parts of the Orient. The "double spiral of hair running downwards from the base of the ear" is said to be a hallmark of Iranian (Uratrian) art. The Etruscan cauldron-griffins (e.g., from Barberini tomb  [ it ] , figure right ) also bear

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3900-583: The griffins in India, and more explicitly classed them as beaked, four-legged birds. Herodotus also mentions elsewhere that there are gold-collecting ants in Kashmir , India, and this has been interpreted by modern scholars as "doublets or garbled versions" of the lore of gold-hoarding griffins. It appears that the accounts of griffins given by Pliny had been admixed with the lore of these gold-guarding ants of India, and later Aelian also inserted attributes of

3975-514: The historian. Herodotus explains (via Aristeas) that the gold-guarding griffin supposedly dwelled further north from the one-eyed Arimaspi people who robbed the gold from the fabulous creatures. Aristeas is said to have been informed through the Issedones people neighboring region to the Arimaspi, in the northern extremes (of Central Asia). Aeschylus also concurs that the Arimaspi robbed

4050-537: The identifiable attested "accounts" presented in scholarship are largely not literary, but artistic, or numismatic . The griffin was naturally linked to Apollo, given the existence of the cultus of Hyperborean Apollo , with a cult center at the Greek colony of Olbia on the Black Sea . And even the main Temple of Apollo at Delphi featured a statue of the god flanked by griffins, or so it can be presumed based on

4125-401: The image of a griffin attacking a horse. Other Scythian artifacts show griffins attacking horses, stags, and goats. Griffins are typically shown attacking horses, deer, and humans in Greek art. Nomads were said to steal griffin-guarded gold according to Scythian oral traditions reported by Greek and Roman travelers. Several ancient mythological creatures are similar to the griffin. These include

4200-525: The kingdom of Macedon or a personal emblem of Antipater , one of Alexander 's successors. A golden frontal half of a griffin-like animal from the Ziwiye hoard (near Saqqez city) in Kurdistan Province , Iran resembles the western protomes in style. They were of Urartian workmanship (neither Assyrian or Scythian), though the hoard itself may have represented a Scythian burial. The animal

4275-500: The later lore that griffins deposited agate stone among the eggs in their nest. Pliny placed the griffins in Æthiopia , and Ctesias (5th century BC) in greater India . Scholars have observed that legends about the gold-digging ants of India may have contaminated griffin lore. In the Christian era, Isidore of Seville (7th century AD) wrote that griffins were a great enemy of horses. This notion may have readily developed from

4350-562: The lion's ears, but are often elongated (more like a horse 's), and are sometimes feathered. The griffin of Greece, as depicted in cast bronze cauldron protomes (cf. below), has a squat face with short beaks that are open agape as if screaming, with the tongue showing. There is also a "top-knob" on its head or between the brows. There may also be so-called "tendrils", or curled "spiral-locks" depicted, presumably representing either hair/mane or feather/crest locks dangling down. Single- or double-streaked tendrils hang down both sides and behind

4425-476: The modern Persian language , the griffin has come to be called šērdāl ( Persian : شیردال ), meaning 'lion-eagle'. However, the practice of referring to ancient Iranian griffin objects or monuments as sherdal , is not followed by other current archaeological scholarship (e.g., here ). Possible Old or Middle Iranian names for the creature have been discussed. Middle Persian Sēnmurw in Sasanian culture

4500-659: The motif and concept of the phoenix extended from its origins in ancient Greek folklore. For example, the classical motif of the phoenix continues into the Gnostic manuscript On the Origin of the World from the Nag Hammadi Library collection in Egypt generally dated to the 4th century: Thus when Sophia Zoe saw that the rulers of darkness had laid a curse upon her counterparts, she was indignant. And coming out of

4575-431: The phoenix as similar in size to an eagle, but Lactantius and Ezekiel the Dramatist both claim that the phoenix was larger, with Lactantius declaring that it was even larger than an ostrich . According to Pliny's Natural History , aquilae narratur magnitudine, auri fulgore circa colla, cetero purpureus, caeruleam roseis caudam pinnis distinguentibus, cristis fauces, caputque plumeo apice honestante. The story

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4650-702: The phoenix was generally believed to be colorful and vibrant, sources provide no clear consensus about its coloration. Tacitus says that its color made it stand out from all other birds. Some said that the bird had peacock-like coloring, and Herodotus 's claim of the Phoenix being red and yellow is popular in many versions of the story on record. Ezekiel the Tragedian declared that the phoenix had red legs and striking yellow eyes, but Lactantius said that its eyes were blue like sapphires and that its legs were covered in yellow-gold scales with rose-colored talons. Herodotus, Pliny, Solinus , and Philostratus describe

4725-421: The phoenix: [The Egyptians] have also another sacred bird called the phoenix which I myself have never seen, except in pictures. Indeed it is a great rarity, even in Egypt, only coming there (according to the accounts of the people of Heliopolis) once in five hundred years, when the old phoenix dies. Its size and appearance, if it is like the pictures, are as follow: The plumage is partly red, partly golden, while

4800-560: The physical descriptions are not very explicit. Thus even though they are sharp-beaked, their being likened to "unbarking hounds of Zeus" has led to the speculation they were seen as wingless. Pliny the Elder (1st century) was the first to explicitly state that griffins were winged and long eared. But Apollonius of Tyana wrote that griffins did not have true bird wings, but only membranous webbed feet that only gave them capability of short-distanced flight. Writers after Aelian (3rd century AD) did not add new material to griffin lore, except for

4875-564: The plain cauldrons imported from the Near East. Detractors (notably K. R. Maxwell-Hyslop ) believe that (early examples of ) the griffin-ornamented cauldron, in its entirely, were crafted in the East, though excavated finds from the Orient are scarce. In Central Asia , the griffin image was included in Scythian "animal style" artifacts of the 6th–4th centuries BC, but no writings explain their meaning. The Golden Pectoral from Tovsta Mohyla , interred in Scythian king's burial site, perhaps commissioned to Greek goldsmiths , who engraved

4950-445: The position that Luristan examples must be counted as developments of the "lion-griffin" type, even when it exhibits "stylization .. approaching the beak of a bird". The Luristan griffin-like creatures resemble and perhaps are descended from Assyrian creatures, possibly influenced by Mitannian animals, or perhaps there had been parallel development in both Assyrian and Elamite cultures. Bird-headed mammal images appeared in art of

5025-405: The representation struck on the tetradrachm coinage of Attica. Apollo rode a griffin to Hyperboria each winter, leaving Delphi, or so it was believed. Apollo riding griffin is known from multiple examples of red-figure pottery . And Apollo hitched griffins to his chariot according to Claudian . Dionysus was also depicted on a griffin-chariot or mounting griffin; the motif was borrowed from

5100-413: The same term [REDACTED] This disambiguation page lists articles associated with the title Hinotori . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Hinotori&oldid=1173242956 " Category : Disambiguation pages Hidden categories: Short description

5175-518: The same text). Middle Persian Paškuč is also attested in Manichaean magical texts (Manichaean Middle Persian: pškwc ), and this must have meant a "griffin or a monster like a griffin" according to W. B. Henning . The griffin was given names which were descriptive epithets, such as tštš or tesh-tesh meaning "Tearer[-in-pieces]" inscribed on a griffin image found in a tomb at Deir El Bersha ; and sfr / srf "fiery one", attested at Beni Hasan . The descriptive epithet "Tearer"

5250-416: The tradition that horseback-riding Arimaspians raided the griffin gold. The derivation of this word remains uncertain. It could be related to the Greek word γρυπός (grypos), meaning 'curved', or 'hooked'. Greek γρύφ (gryph) from γρύφ 'hook-nosed' is suggested. It could also have been an Anatolian loan word derived from a Semitic language; compare the Hebrew word for cherub כרוב kərúv . In

5325-447: Was a fabulous composite creature, and Russian archaeologist Boris A. Litvinskij  [ ru ] argued for the possibility that the application of this term may extend to the griffin. The term Sēnmurw is recognized as the etymological ancestor of simurgh , which is generally regarded as a mythological bird (rather than a composite) in later medieval Persian literature, though some argue that this bird may have originated from

5400-455: Was brought to the capital and exhibited in the Comitium in time for the 800th anniversary of the foundation of Rome by Romulus , though he added that "nobody would doubt that this phoenix was a fabrication". A second recording of the phoenix was made by Tacitus , who said that the phoenix had appeared instead in 34 AD "in the consulship of Paulus Fabius and Lucius Vitellius " and that

5475-470: Was later reinforced by French influence, which had also borrowed the Latin noun. In time, the word developed specialized use in the English language: For example, the term could refer to an "excellent person" (12th century), a variety of heraldic emblem (15th century), and the name of a constellation (17th century). The Latin word comes from Greek φοῖνιξ ( phoinix ). The Greek word is first attested in

5550-604: Was nearly coeval with Pliny, gave a somewhat unique account of the griffin, claiming them to be lion-sized, and having no true wings, and instead had paws "webbed with red membranes", that gave them ability to makes leaps of flight of only a short distance. Pomponius Mela (fl. AD 43) wrote in his Book ii. 6: In Europe, constantly falling snow makes those places contiguous with the Riphaean Mountains .. so impassable that, in addition, they prevent those who deliberately travel here from seeing anything. After that comes

5625-442: Was to become Queen Elizabeth I ): ... Nor shall this peace sleep with her; but as when The bird of wonder dies, the maiden phoenix, Her ashes new create another heir As great in admiration as herself; So shall she leave her blessedness to one, When heaven shall call her from this cloud of darkness, Who from the sacred ashes of her honour Shall star-like rise as great in fame as she was, And so stand fix'd ... In

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