Bennu ( / ˈ b ɛ n uː / ) is an ancient Egyptian deity linked with the Sun, creation, and rebirth. He may have been the original inspiration for the phoenix legends that developed in Greek mythology .
103-403: B C D F G H I K M N P Q R S T U W According to Egyptian mythology , Bennu was a self-created being said to have played a role in the creation of the world . He was said to be the ba (personality component of the soul) of the sun deity Ra , and to have enabled the creative actions of Atum . The deity was said to have flown over
206-503: A Yellow Wagtail ( Motacilla flava ), but no clear reason is given. However, the same bird is used in the spelling of a word 'bn.t' in a painted limestone relief wall fragment from the suntemple of the Vth Dynasty Old Kingdom king Niuserre . This hieroglyph clearly shows traces of blue-grey paint on much of the bird body, indicating that it referenced a different bird species. The shape and colour seem to point rather to
309-683: A benben stone (representing Ra and the name of the top stone of a pyramid) or in a willow tree (representing Osiris). Because of the connection with Osiris, Bennu sometimes wears the Atef crown, instead of the solar disk. Remains of a giant, human-sized heron species, thought to have gone extinct around 1500 BC, were discovered in the United Arab Emirates in 1977. It lived on the Arabian Peninsula and shared many characteristics with Bennu, and scientists believe it may have been
412-622: A moral , fable , allegory or a parable , or collection of traditional stories, understood to be false. It came eventually to be applied to similar bodies of traditional stories among other polytheistic cultures around the world. Thus "mythology" entered the English language before "myth". Johnson 's Dictionary , for example, has an entry for mythology, but not for myth. Indeed, the Greek loanword mythos ( pl. mythoi ) and Latinate mythus (pl. mythi ) both appeared in English before
515-449: A "disease of language". He speculated that myths arose due to the lack of abstract nouns and neuter gender in ancient languages. Anthropomorphic figures of speech , necessary in such languages, were eventually taken literally, leading to the idea that natural phenomena were in actuality conscious or divine. Not all scholars, not even all 19th-century scholars, accepted this view. Lucien Lévy-Bruhl claimed that "the primitive mentality
618-404: A (Mediterranean) Kingfisher ( Alcedo atthis ) for which, however, another name was in use: 'hn.t<y' (lit. 'the one of the canal'). It could be surmised that a Kingfisher flying low over water and shrieking loudly would be a reasonable mythical basis for the creator deity Atum of Heliopolis as having risen from the first dark waters, called Nun, in order to start his creation of the world. If so,
721-449: A book on the comparative study of mythology and religion—argued that humans started out with a belief in magical rituals; later, they began to lose faith in magic and invented myths about gods, reinterpreting their rituals as religious rituals intended to appease the gods. Historically, important approaches to the study of mythology have included those of Vico , Schelling , Schiller , Jung , Freud , Lévy-Bruhl , Lévi-Strauss , Frye ,
824-457: A complete account of a myth and often describe only brief fragments. Inspired by the cycles of nature, the Egyptians saw time in the present as a series of recurring patterns, whereas the earliest periods of time were linear. Myths are set in these earliest times, and myth sets the pattern for the cycles of the present. Present events repeat the events of myth, and in doing so renew maat ,
927-477: A failed or obsolete mode of thought, often by interpreting myth as the primitive counterpart of modern science within a unilineal framework that imagined that human cultures are travelling, at different speeds, along a linear path of cultural development. One of the dominant mythological theories of the latter 19th century was nature mythology , the foremost exponents of which included Max Müller and Edward Burnett Tylor . This theory posited that "primitive man"
1030-527: A fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality . Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in
1133-446: A methodology that allows us to understand the complexity of the myth and its manifestations in contemporary times, is justified. Because "myth" is sometimes used in a pejorative sense, some scholars have opted for "mythos" instead. "Mythos" now more commonly refers to its Aristotelian sense as a "plot point" or to a body of interconnected myths or stories, especially those belonging to a particular religious or cultural tradition. It
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#17327649897301236-535: A myth can be highly controversial. Many religious adherents believe that the narratives told in their respective religious traditions are historical without question, and so object to their identification as myths while labelling traditional narratives from other religions as such. Hence, some scholars may label all religious narratives as "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars may abstain from using
1339-451: A mythical family, the Ennead , that was said to have created the world. It included the most important deities of the time but gave primacy to Atum and Ra. The Egyptians also overlaid old religious ideas with new ones. For instance, the god Ptah , whose cult was centered at Memphis , was also said to be the creator of the world. Ptah's creation myth incorporates older myths by saying that it
1442-486: A pattern of behavior to be imitated, testifies to the efficacy of ritual with its practical ends and establishes the sanctity of cult . Another definition of myth comes from myth criticism theorist and professor José Manuel Losada . According to Cultural Myth Criticism, the studies of myth must explain and understand "myth from inside", that is, only "as a myth". Losada defines myth as "a functional, symbolic and thematic narrative of one or several extraordinary events with
1545-536: A poetic description of the sea as "raging" was eventually taken literally and the sea was then thought of as a raging god. Some thinkers claimed that myths result from the personification of objects and forces. According to these thinkers, the ancients worshiped natural phenomena, such as fire and air, gradually deifying them. For example, according to this theory, ancients tended to view things as gods, not as mere objects. Thus, they described natural events as acts of personal gods, giving rise to myths. According to
1648-600: A primordial age when the world had not achieved its later form. Origin myths explain how a society's customs , institutions , and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals . The word "myth" comes from Ancient Greek μῦθος ( mȳthos ), meaning 'speech, narrative, fiction, myth, plot'. In turn, Ancient Greek μυθολογία ( mythología , 'story', 'lore', 'legends', or 'the telling of stories') combines
1751-621: A scholarly term for "[a] traditional story, especially one concerning the early history of a people or explaining a natural or social phenomenon, and typically involving supernatural beings or events." The Greek term mythología was then borrowed into Late Latin , occurring in the title of Latin author Fulgentius ' 5th-century Mythologiæ to denote what is now referred to as classical mythology —i.e., Greco-Roman etiological stories involving their gods. Fulgentius' Mythologiæ explicitly treated its subject matter as allegories requiring interpretation and not as true events. The Latin term
1854-404: A single, canonical version of any myth, the Egyptians adapted the broad traditions of myth to fit the varied purposes of their writings. Most Egyptians were illiterate and may therefore have had an elaborate oral tradition that transmitted myths through spoken storytelling. Susanne Bickel suggests that the existence of this tradition helps explain why many texts related to myth give little detail:
1957-565: A step further, incorporating the study of the transcendent dimension (its function, its disappearance) to evaluate the role of myth as a mirror of contemporary culture. Cultural myth criticism Cultural myth criticism, without abandoning the analysis of the symbolic , invades all cultural manifestations and delves into the difficulties in understanding myth today. This cultural myth criticism studies mythical manifestations in fields as wide as literature , film and television , theater , sculpture , painting , video games , music , dancing ,
2060-436: A transcendent, sacred and supernatural referent; that lacks, in principle, historical testimony; and that refers to an individual or collective, but always absolute, cosmogony or eschatology". According to the hylistic myth research by assyriologist Annette Zgoll and classic philologist Christian Zgoll , "A myth can be defined as an Erzählstoff [narrative material] which is polymorphic through its variants and – depending on
2163-576: A world of the remote past, very different from that of the present. Definitions of "myth" vary to some extent among scholars, though Finnish folklorist Lauri Honko offers a widely-cited definition: Myth, a story of the gods, a religious account of the beginning of the world , the creation , fundamental events, the exemplary deeds of the gods as a result of which the world, nature and culture were created together with all parts thereof and given their order, which still obtains. A myth expresses and confirms society's religious values and norms, it provides
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#17327649897302266-421: Is a condition of the human mind and not a stage in its historical development." Recent scholarship, noting the fundamental lack of evidence for "nature mythology" interpretations among people who actually circulated myths, has likewise abandoned the key ideas of "nature mythology". Frazer saw myths as a misinterpretation of magical rituals, which were themselves based on a mistaken idea of natural law. This idea
2369-465: Is a form of understanding and telling stories that are connected to power, political structures, and political and economic interests. These approaches contrast with approaches, such as those of Joseph Campbell and Eliade , which hold that myth has some type of essential connection to ultimate sacred meanings that transcend cultural specifics. In particular, myth was studied in relation to history from diverse social sciences. Most of these studies share
2472-486: Is always one self-generated creator god that emerges from the eternal watery darkness Nun , for example, the creator god in different times and places had been identified separately as Ptah , Ra , Amun , Atum , or Khnum . The Egyptian word written m3ˁt, often rendered maat or ma'at, refers to the fundamental order of the universe in Egyptian belief. Established at the creation of the world, maat distinguishes
2575-401: Is analogous to ancient near eastern cosmology, early Greek cosmology , and other cosmological systems, which may be collectively labelled as adhering to a "cradle cosmology" model insofar as they share a cluster of common features, including a flat earth surfaced by a solid firmament , a primordial watery chaos, a cosmic center, a rotating sky above the earth, an Ocean located at and surrounding
2678-568: Is difficult to determine whether a culture's myths developed before rituals or vice versa. Questions about this relationship between myth and ritual have spawned much discussion among Egyptologists and scholars of comparative religion in general. In ancient Egypt, the earliest evidence of religious practices predates written myths. Rituals early in Egyptian history included only a few motifs from myth. For these reasons, some scholars have argued that, in Egypt, rituals emerged before myths. But because
2781-423: Is nobody's truth. Myths are somebody's truth." One theory claims that myths are distorted accounts of historical events. According to this theory, storytellers repeatedly elaborate upon historical accounts until the figures in those accounts gain the status of gods. For example, the myth of the wind-god Aeolus may have evolved from a historical account of a king who taught his people to use sails and interpret
2884-405: Is not needed for myth, any statement that conveys an idea about the nature or actions of a god can be called "mythic". Like myths in many other cultures, Egyptian myths serve to justify human traditions and to address fundamental questions about the world, such as the nature of disorder and the ultimate fate of the universe . The Egyptians explained these profound issues through statements about
2987-472: Is often thought to differ from genres such as legend and folktale in that neither are considered to be sacred narratives. Some kinds of folktales, such as fairy stories , are not considered true by anyone, and may be seen as distinct from myths for this reason. Main characters in myths are usually gods , demigods or supernatural humans, while legends generally feature humans as their main characters. Many exceptions and combinations exist, as in
3090-579: Is related to the Egyptian verb wbn , meaning "to rise in brilliance" or "to shine". The Pyramid Texts , which date to the Old Kingdom , refer to the 'bnw' as a symbol of Atum, and it may have been the original form of Bennu. In this word the shape of a bird used is definitely not that of a heron, but a small singing bird. The German Wörterbuch der ägyptischen Sprache (Dictionary of the Egyptian Language) surmised that this might have been
3193-636: Is sometimes known as "mythography", a term also used for a scholarly anthology of myths or of the study of myths generally. Key mythographers in the Classical tradition include: Other prominent mythographies include the thirteenth-century Prose Edda attributed to the Icelander Snorri Sturluson , which is the main surviving survey of Norse Mythology from the Middle Ages. Jeffrey G. Snodgrass (professor of anthropology at
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3296-510: Is sometimes used specifically for modern, fictional mythologies, such as the world building of H. P. Lovecraft . Mythopoeia ( mytho- + -poeia , 'I make myth') was termed by J. R. R. Tolkien , amongst others, to refer to the "conscious generation" of mythology. It was notoriously also suggested, separately, by Nazi ideologist Alfred Rosenberg . Comparative mythology is a systematic comparison of myths from different cultures. It seeks to discover underlying themes that are common to
3399-406: Is that religious ideas differed over time and in different regions. The local cults of various deities developed theologies centered on their own patron gods. As the influence of different cults shifted, some mythological systems attained national dominance. In the Old Kingdom (c. 2686–2181 BC) the most important of these systems was the cults of Ra and Atum, centered at Heliopolis . They formed
3502-510: Is the Ennead who carry out Ptah's creative commands. Thus, the myth makes Ptah older and greater than the Ennead. Many scholars have seen this myth as a political attempt to assert the superiority of Memphis' god over those of Heliopolis. By combining concepts in this way, the Egyptians produced an immensely complicated set of deities and myths. Egyptologists in the early twentieth century thought that politically motivated changes like these were
3605-514: Is the collection of myths from ancient Egypt , which describe the actions of the Egyptian gods as a means of understanding the world around them. The beliefs that these myths express are an important part of ancient Egyptian religion . Myths appear frequently in Egyptian writings and art , particularly in short stories and in religious material such as hymns , ritual texts, funerary texts , and temple decoration. These sources rarely contain
3708-579: The Iliad , Odyssey and Aeneid . Moreover, as stories spread between cultures or as faiths change, myths can come to be considered folktales, their divine characters recast as either as humans or demihumans such as giants , elves and faeries . Conversely, historical and literary material may acquire mythological qualities over time. For example, the Matter of Britain (the legendary history of Great Britain, especially those focused on King Arthur and
3811-457: The Republic . His critique was primarily on the grounds that the uneducated might take the stories of gods and heroes literally. Nevertheless, he constantly referred to myths throughout his writings. As Platonism developed in the phases commonly called Middle Platonism and neoplatonism , writers such as Plutarch , Porphyry , Proclus , Olympiodorus , and Damascius wrote explicitly about
3914-860: The Theologia Mythologica (1532). The first modern, Western scholarly theories of myth appeared during the second half of the 19th century —at the same time as "myth" was adopted as a scholarly term in European languages. They were driven partly by a new interest in Europe's ancient past and vernacular culture, associated with Romantic Nationalism and epitomised by the research of Jacob Grimm (1785–1863). This movement drew European scholars' attention not only to Classical myths, but also material now associated with Norse mythology , Finnish mythology , and so forth. Western theories were also partly driven by Europeans' efforts to comprehend and control
4017-622: The Colorado State University ) has termed India's Bhats as mythographers. Myth criticism is a system of anthropological interpretation of culture created by French philosopher Gilbert Durand . Scholars have used myth criticism to explain the mythical roots of contemporary fiction, which means that modern myth criticism needs to be interdisciplinary . Professor Losada offers his own methodologic, hermeneutic and epistemological approach to myth. While assuming mythopoetical perspectives, Losada's Cultural Myth Criticism takes
4120-549: The Greek and Roman eras (332 BC–641 AD), Greco-Roman culture had little influence on Egyptian mythology. Scholars have difficulty defining which ancient Egyptian beliefs are myths . The basic definition of myth suggested by the Egyptologist John Baines is "a sacred or culturally central narrative ". In Egypt, the narratives that are central to culture and religion are almost entirely about events among
4223-472: The Nile flooded , renewing the fertility of the soil and allowing the highly productive farming that sustained Egyptian civilization. Thus the Egyptians saw water and the sun as symbols of life and thought of time as a series of natural cycles. This orderly pattern was at constant risk of disruption: unusually low floods resulted in famine , and high floods destroyed crops and buildings. The hospitable Nile valley
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4326-505: The gods . Actual narratives about the gods' actions are rare in Egyptian texts, particularly from early periods, and most references to such events are mere mentions or allusions. Some Egyptologists, like Baines, argue that narratives complete enough to be called "myths" existed in all periods, but that Egyptian tradition did not favor writing them down. Others, like Jan Assmann , have said that true myths were rare in Egypt and may only have emerged partway through its history, developing out of
4429-661: The myth of Osiris . Many of the texts are likely much older than their first known written copies, and they therefore provide clues about the early stages of Egyptian religious belief. During the First Intermediate Period (c. 2181–2055 BC), the Pyramid Texts developed into the Coffin Texts , which contain similar material and were available to non-royals. Succeeding funerary texts, like the Book of
4532-734: The Dead in the New Kingdom and the Books of Breathing from the Late Period (664–323 BC) and after, developed out of these earlier collections. The New Kingdom also saw the development of another type of funerary text, containing detailed and cohesive descriptions of the nocturnal journey of the sun god. Texts of this type include the Amduat , the Book of Gates , and the Book of Caverns . Temples , whose surviving remains date mostly from
4635-469: The Egyptians adapted mythology to serve a wide variety of purposes. The development of Egyptian myth is difficult to trace. Egyptologists must make inferences about its earliest phases, based on written sources that appeared much later. One obvious influence on myth is the Egyptians' natural surroundings . Each day the sun rose and set, bringing light to the land and regulating human activity; each year
4738-423: The Egyptians, the most important human maintainer of maat is the pharaoh . In myth the pharaoh is the son of a variety of deities. As such, he is their designated representative, obligated to maintain order in human society just as they do in nature, and to continue the rituals that sustain them and their activities. Myth Myth is a genre of folklore consisting primarily of narratives that play
4841-584: The Internet and other artistic fields . Myth criticism, a discipline that studies myths (mythology contains them, like a pantheon its statues), is by nature interdisciplinary: it combines the contributions of literary theory, the history of literature, the fine arts and the new ways of dissemination in the age of communication. Likewise, it undertakes its object of study from its interrelation with other human and social sciences, in particular sociology , anthropology and economics . The need for an approach, for
4944-482: The Kingfisher 'bnw' or 'bn.t' is a good match for the mythical and cultic Nile goose (I.e. 'smn') of the creator deity Amun in later periods, imagined to have been honking loudly in the primeval dark above the still waters in order to bring forth all creation by its voice. New Kingdom artwork shows Bennu as a huge grey heron with a long beak and a two-feathered crest. Sometimes Bennu is depicted as perched on
5047-451: The Late and Greco-Roman periods when, according to scholars such as Heike Sternberg, Egyptian myths reached their most fully developed state. The attitudes toward myth in nonreligious Egyptian texts vary greatly. Some stories resemble the narratives from magical texts, while others are more clearly meant as entertainment and even contain humorous episodes. A final source of Egyptian myth is
5150-433: The New Kingdom and later, are another important source of myth. Many temples had a per-ankh , or temple library, storing papyri for rituals and other uses. Some of these papyri contain hymns, which, in praising a god for its actions, often refer to the myths that define those actions. Other temple papyri describe rituals, many of which are based partly on myth. Scattered remnants of these papyrus collections have survived to
5253-567: The Soviet school, and the Myth and Ritual School . The critical interpretation of myth began with the Presocratics . Euhemerus was one of the most important pre-modern mythologists. He interpreted myths as accounts of actual historical events, though distorted over many retellings. Sallustius divided myths into five categories: Plato condemned poetic myth when discussing education in
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#17327649897305356-553: The animal model for the deity. In reference to this, archaeologist Dr. Ella Hoch from the Geological Museum at Copenhagen University named it the Bennu heron ( Ardea bennuides ). Like Atum and Ra, Bennu was probably worshipped in the deities' cult centre at Heliopolis . Bennu also appears on funerary scarab amulets as a symbol of rebirth. The Greek historian Herodotus , writing about Egyptian customs and traditions in
5459-565: The beliefs that Egyptians held in some eras of their history are more poorly understood than the beliefs in better documented times. Many gods appear in artwork from the Early Dynastic Period of Egypt's history (c. 3100–2686 BC), but little about the gods' actions can be gleaned from these sources because they include minimal writing. The Egyptians began using writing more extensively in the Old Kingdom, in which appeared
5562-470: The concept of the Oedipus complex in his 1899 The Interpretation of Dreams . Jung likewise tried to understand the psychology behind world myths. Jung asserted that all humans share certain innate unconscious psychological forces, which he called archetypes . He believed similarities between the myths of different cultures reveals the existence of these universal archetypes. The mid-20th century saw
5665-659: The cosmos. Therefore, if only narratives are myths, mythology is a major element in Egyptian religious understanding, but not as essential as it is in many other cultures. The true realm of the gods is mysterious and inaccessible to humans. Mythological stories use symbolism to make the events in this realm comprehensible. Not every detail of a mythic account has symbolic significance. Some images and incidents, even in religious texts, are meant simply as visual or dramatic embellishments of broader, more meaningful myths. Few complete stories appear in Egyptian mythological sources. These sources often contain nothing more than allusions to
5768-475: The creation of the world and the movements of the sun occur in Egyptian texts, some very different from each other. The relationships between gods were fluid, so that, for instance, the goddess Hathor could be called the mother, wife, or daughter of the sun god Ra . Separate deities could even be syncretized , or linked, as a single being. Thus the creator god Atum was combined with Ra to form Ra-Atum. One commonly suggested reason for inconsistencies in myth
5871-597: The cultures, stories and religions they were encountering through colonialism . These encounters included both extremely old texts such as the Sanskrit Rigveda and the Sumerian Epic of Gilgamesh , and current oral narratives such as mythologies of the indigenous peoples of the Americas or stories told in traditional African religions . The intellectual context for nineteenth-century scholars
5974-503: The early evidence is so sparse, the question may never be resolved for certain. In private rituals, which are often called "magical", the myth and the ritual are particularly closely tied. Many of the myth-like stories that appear in the rituals' texts are not found in other sources. Even the widespread motif of the goddess Isis rescuing her poisoned son Horus appears only in this type of text. The Egyptologist David Frankfurter argues that these rituals adapt basic mythic traditions to fit
6077-495: The edges of the earth. The study of Egyptian cosmology is, however, done within certain limitations. There are no systematic accounts of creation from ancient Egyptian literature, and so cosmological views are pieced together from a variety of brief references across different texts as well as some pictorial evidence. A second issue is that views of Egyptian cosmology evolved over the long span of Egypt's history, and different regions also had different cosmological systems: while there
6180-553: The essence and behavior of deities into terms that humans can understand. Each variant of a myth represents a different symbolic perspective, enriching the Egyptians' understanding of the gods and the world. Mythology profoundly influenced Egyptian culture. It inspired or influenced many religious rituals and provided the ideological basis for kingship. Scenes and symbols from myth appeared in art in tombs, temples, and amulets . In literature, myths or elements of them were used in stories that range from humor to allegory, demonstrating that
6283-757: The events to which they relate, and texts that contain actual narratives tell only portions of a larger story. Thus, for any given myth the Egyptians may have had only the general outlines of a story, from which fragments describing particular incidents were drawn. Moreover, the gods are not well-defined characters, and the motivations for their sometimes inconsistent actions are rarely given. Egyptian myths are not, therefore, fully developed tales. Their importance lay in their underlying meaning, not their characteristics as stories. Instead of coalescing into lengthy, fixed narratives, they remained highly flexible and non- dogmatic . So flexible were Egyptian myths that they could seemingly conflict with each other. Many descriptions of
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#17327649897306386-460: The fifth century BC, wrote that the people at Heliopolis described the "phoenix" to him. They said it lived for 500 years before dying, resuscitating, building a funerary egg with myrrh for the paternal corpse, and carrying it to the temple of the Sun at Heliopolis. His description of the phoenix likens it to an eagle with red and gold plumage, reminiscent of the sun. Long after Herodotus, the theme of
6489-517: The fire, pyre, and ashes of the dying bird, ultimately associated with the Greek phoenix, developed in Greek traditions. The name "phoenix" could be derived from "Bennu", and its rebirth and connections with the sun resemble the beliefs about Bennu; however, Egyptian sources do not mention a death of the deity. Egyptian mythology This is an accepted version of this page B C D F G H I K M N P Q R S T U W Egyptian mythology
6592-493: The first example of "myth" in 1830. The main characters in myths are usually non-humans, such as gods , demigods , and other supernatural figures. Others include humans, animals, or combinations in their classification of myth. Stories of everyday humans, although often of leaders of some type, are usually contained in legends , as opposed to myths. Myths are sometimes distinguished from legends in that myths deal with gods, usually have no historical basis, and are set in
6695-506: The first major source of Egyptian mythology: the Pyramid Texts . These texts are a collection of several hundred incantations inscribed in the interiors of pyramids beginning in the 24th century BC. They were the first Egyptian funerary texts , intended to ensure that the kings buried in the pyramid would pass safely through the afterlife. Many of the incantations allude to myths related to the afterlife, including creation myths and
6798-402: The foremost functions of myth is to establish models for behavior and that myths may provide a religious experience. By telling or reenacting myths, members of traditional societies detach themselves from the present, returning to the mythical age, thereby coming closer to the divine. Honko asserted that, in some cases, a society reenacts a myth in an attempt to reproduce the conditions of
6901-400: The fragments of narration that appear in the earliest writings. Recently, however, Vincent Arieh Tobin and Susanne Bickel have suggested that lengthy narration was not needed in Egyptian mythology because of its complex and flexible nature. Tobin argues that narrative is even alien to myth, because narratives tend to form a simple and fixed perspective on the events they describe. If narration
7004-510: The fundamental order of the universe. Amongst the most important episodes from the mythic past are the creation myths , in which the gods form the universe out of primordial chaos; the stories of the reign of the sun god Ra upon the earth; and the Osiris myth , concerning the struggles of the gods Osiris , Isis , and Horus against the disruptive god Set . Events from the present that might be regarded as myths include Ra's daily journey through
7107-422: The gods at the beginning of time and later passed to the human pharaohs ; warfare originates when humans begin fighting each other after the sun god's withdrawal into the sky. Myths also describe the supposed beginnings of less fundamental traditions. In a minor mythic episode, Horus becomes angry with his mother Isis and cuts off her head. Isis replaces her lost head with that of a cow. This event explains why Isis
7210-402: The gods. Egyptian deities represent natural phenomena, from physical objects like the earth or the sun to abstract forces like knowledge and creativity. The actions and interactions of the gods, the Egyptians believed, govern the behavior of all of these forces and elements. For the most part, the Egyptians did not describe these mysterious processes in explicit theological writings. Instead,
7313-446: The ideas that emerged through those changes also have deeper meaning. Multiple versions of the same myth express different aspects of the same phenomenon; different gods that behave in a similar way reflect the close connections between natural forces. The varying symbols of Egyptian mythology express ideas too complex to be seen through a single lens. The sources that are available range from solemn hymns to entertaining stories. Without
7416-423: The influential development of a structuralist theory of mythology , led by Lévi-Strauss . Strauss argued that myths reflect patterns in the mind and interpreted those patterns more as fixed mental structures, specifically pairs of opposites (good/evil, compassionate/callous), rather than unconscious feelings or urges. Meanwhile, Bronislaw Malinowski developed analyses of myths focusing on their social functions in
7519-711: The knights of the Round Table ) and the Matter of France , seem distantly to originate in historical events of the 5th and 8th centuries, respectively, and became mythologised over the following centuries. In colloquial use, "myth" can also be used of a collectively held belief that has no basis in fact, or any false story. This usage, which is often pejorative , arose from labelling the religious myths and beliefs of other cultures as incorrect, but it has spread to cover non-religious beliefs as well. As commonly used by folklorists and academics in other relevant fields, such as anthropology , "myth" has no implication whether
7622-565: The local deities into a unified national tradition. Geraldine Pinch suggests that early myths may have formed from these relationships. Egyptian sources link the mythical strife between the gods Horus and Set with a conflict between the regions of Upper and Lower Egypt , which may have happened in the late Predynastic era or in the Early Dynastic Period . After these early times, most changes to mythology developed and adapted preexisting concepts rather than creating new ones, although there were exceptions. Many scholars have suggested that
7725-459: The myth of the sun god withdrawing into the sky, leaving humans to fight among themselves, was inspired by the breakdown of royal authority and national unity at the end of the Old Kingdom ( c. 2686 BC – 2181 BC). In the New Kingdom (c. 1550–1070 BC), minor myths developed around deities like Yam and Anat who had been adopted from Canaanite religion . In contrast, during
7828-465: The myth-ritual theory, myth is tied to ritual. In its most extreme form, this theory claims myths arose to explain rituals. This claim was first put forward by Smith , who argued that people begin performing rituals for reasons not related to myth. Forgetting the original reason for a ritual, they account for it by inventing a myth and claiming the ritual commemorates the events described in that myth. James George Frazer —author of The Golden Bough ,
7931-583: The mythical age. For example, it might reenact the healing performed by a god at the beginning of time in order to heal someone in the present. Similarly, Barthes argued that modern culture explores religious experience. Since it is not the job of science to define human morality, a religious experience is an attempt to connect with a perceived moral past, which is in contrast with the technological present. Pattanaik defines mythology as "the subjective truth of people communicated through stories, symbols and rituals." He says, "Facts are everybody's truth. Fiction
8034-430: The myths of multiple cultures. In some cases, comparative mythologists use the similarities between separate mythologies to argue that those mythologies have a common source. This source may inspire myths or provide a common "protomythology" that diverged into the mythologies of each culture. A number of commentators have argued that myths function to form and shape society and social behaviour. Eliade argued that one of
8137-403: The myths were already known to every Egyptian. Very little evidence of this oral tradition has survived, and modern knowledge of Egyptian myths is drawn from written and pictorial sources. Only a small proportion of these sources has survived to the present, so much of the mythological information that was once written down has been lost. This information is not equally abundant in all periods, so
8240-565: The narrative may be understood as true or otherwise. Among biblical scholars of both the Old and New Testament, the word "myth" has a technical meaning, in that it usually refers to "describe the actions of the other‐worldly in terms of this world" such as the Creation and the Fall. Since "myth" is popularly used to describe stories that are not objectively true , the identification of a narrative as
8343-671: The present. It is possible that the collections included more systematic records of myths, but no evidence of such texts has survived. Mythological texts and illustrations, similar to those on temple papyri, also appear in the decoration of the temple buildings. The elaborately decorated and well-preserved temples of the Ptolemaic and Roman periods (305 BC–AD 380) are an especially rich source of myth. The Egyptians also performed rituals for personal goals such as protection from or healing of illness. These rituals are often called "magical" rather than religious, but they were believed to work on
8446-451: The principal reason for the contradictory imagery in Egyptian myth. However, in the 1940s, Henri Frankfort , realizing the symbolic nature of Egyptian mythology, argued that apparently contradictory ideas are part of the "multiplicity of approaches" that the Egyptians used to understand the divine realm. Frankfort's arguments are the basis for much of the more recent analysis of Egyptian beliefs. Political changes affected Egyptian beliefs, but
8549-484: The rationalization of myths, putting themes formerly imbued with mythological qualities into pragmatic contexts. An example of this would be following a cultural or religious paradigm shift (notably the re-interpretation of pagan mythology following Christianization ). Interest in polytheistic mythology revived during the Renaissance , with early works of mythography appearing in the sixteenth century, among them
8652-543: The real world. He is associated with the idea that myths such as origin stories might provide a "mythic charter"—a legitimisation—for cultural norms and social institutions . Thus, following the Structuralist Era ( c. 1960s –1980s), the predominant anthropological and sociological approaches to myth increasingly treated myth as a form of narrative that can be studied, interpreted, and analyzed like ideology, history, and culture. In other words, myth
8755-445: The relationships and interactions of the gods illustrated such processes implicitly. Most of Egypt's gods, including many of the major ones, do not have significant roles in any mythic narratives, although their nature and relationships with other deities are often established in lists or bare statements without narration. For the gods who are deeply involved in narratives, mythic events are very important expressions of their roles in
8858-562: The risk of making such negative events real. The conventions of Egyptian art were also poorly suited for portraying whole narratives, so most myth-related artwork consists of sparse individual scenes. References to myth also appear in non-religious Egyptian literature , beginning in the Middle Kingdom. Many of these references are mere allusions to mythic motifs, but several stories are based entirely on mythic narratives. These more direct renderings of myth are particularly common in
8961-405: The same principles as temple ceremonies, evoking mythical events as the basis for the ritual. Information from religious sources is limited by a system of traditional restrictions on what they could describe and depict. The murder of the god Osiris , for instance, is never explicitly described in Egyptian writings. The Egyptians believed that words and images could affect reality, so they avoided
9064-452: The specific ritual, creating elaborate new stories (called historiolas ) based on myth. In contrast, J. F. Borghouts says of magical texts that there is "not a shred of evidence that a specific kind of 'unorthodox' mythology was coined... for this genre." Much of Egyptian mythology consists of origin myths , explaining the beginnings of various elements of the world, including human institutions and natural phenomena. Kingship arises among
9167-421: The symbolic interpretation of traditional and Orphic myths. Mythological themes were consciously employed in literature, beginning with Homer . The resulting work may expressly refer to a mythological background without itself becoming part of a body of myths ( Cupid and Psyche ). Medieval romance in particular plays with this process of turning myth into literature. Euhemerism , as stated earlier, refers to
9270-464: The term "myth" altogether for purposes of avoiding placing pejorative overtones on sacred narratives. In present use, "mythology" usually refers to the collection of myths of a group of people. For example, Greek mythology , Roman mythology , Celtic mythology and Hittite mythology all describe the body of myths retold among those cultures. "Mythology" can also refer to the study of myths and mythologies. The compilation or description of myths
9373-483: The variant – polystratic; an Erzählstoff in which transcending interpretations of what can be experienced are combined into a hyleme sequence with an implicit claim to relevance for the interpretation and mastering of the human condition." Scholars in other fields use the term "myth" in varied ways. In a broad sense, the word can refer to any traditional story , popular misconception or imaginary entity. Though myth and other folklore genres may overlap, myth
9476-426: The waters of Nun that existed before creation, landing on a rock and issuing a call that determined the nature of creation. He was also a symbol of rebirth and, therefore, was associated with Osiris . Some of the titles of Bennu were "He Who Came Into Being by Himself", and "Lord of Jubilees "; the latter epithet referring to the belief that Bennu periodically renewed himself like the sun was thought to do. His name
9579-739: The winds. Herodotus (fifth-century BCE) and Prodicus made claims of this kind. This theory is named euhemerism after mythologist Euhemerus ( c. 320 BCE ), who suggested that Greek gods developed from legends about humans. Some theories propose that myths began as allegories for natural phenomena: Apollo represents the sun, Poseidon represents water, and so on. According to another theory, myths began as allegories for philosophical or spiritual concepts: Athena represents wise judgment, Aphrodite romantic desire, and so on. Müller supported an allegorical theory of myth. He believed myths began as allegorical descriptions of nature and gradually came to be interpreted literally. For example,
9682-405: The word mȳthos with the suffix - λογία ( -logia , 'study') in order to mean 'romance, fiction, story-telling.' Accordingly, Plato used mythología as a general term for 'fiction' or 'story-telling' of any kind. In Anglicised form, this Greek word began to be used in English (and was likewise adapted into other European languages) in the early 19th century, in a much narrower sense, as
9785-499: The world and its otherworldly counterpart, the Duat . Recurring themes in these mythic episodes include the conflict between the upholders of maat and the forces of disorder, the importance of the pharaoh in maintaining maat , and the continual death and regeneration of the gods. The details of these sacred events differ greatly from one text to another and often seem contradictory. Egyptian myths are primarily metaphorical, translating
9888-406: The world from the chaos that preceded and surrounds it. Maat encompasses both the proper behavior of humans and the normal functioning of the forces of nature, both of which make life and happiness possible. Because the actions of the gods govern natural forces and myths express those actions, Egyptian mythology represents the proper functioning of the world and the sustenance of life itself. To
9991-552: The writings of Greek and Roman writers like Herodotus and Diodorus Siculus , who described Egyptian religion in the last centuries of its existence. Prominent among these writers is Plutarch , whose work De Iside et Osiride contains, among other things, the longest ancient account of the myth of Osiris. These authors' knowledge of Egyptian religion was limited because they were excluded from many religious practices, and their statements about Egyptian beliefs are affected by their biases about Egypt's culture. Egyptian cosmology
10094-1029: Was central to the " myth and ritual " school of thought. According to Frazer, humans begin with an unfounded belief in impersonal magical laws. When they realize applications of these laws do not work, they give up their belief in natural law in favor of a belief in personal gods controlling nature, thus giving rise to religious myths. Meanwhile, humans continue practicing formerly magical rituals through force of habit, reinterpreting them as reenactments of mythical events. Finally, humans come to realize nature follows natural laws, and they discover their true nature through science. Here again, science makes myth obsolete as humans progress "from magic through religion to science." Segal asserted that by pitting mythical thought against modern scientific thought, such theories imply modern humans must abandon myth. The earlier 20th century saw major work developing psychoanalytical approaches to interpreting myth, led by Sigmund Freud , who, drawing inspiration from Classical myth, began developing
10197-618: Was primarily concerned with the natural world. It tended to interpret myths that seemed distasteful to European Victorians —such as tales about sex, incest, or cannibalism—as metaphors for natural phenomena like agricultural fertility . Unable to conceive impersonal natural laws, early humans tried to explain natural phenomena by attributing souls to inanimate objects, thus giving rise to animism . According to Tylor, human thought evolved through stages, starting with mythological ideas and gradually progressing to scientific ideas. Müller also saw myth as originating from language, even calling myth
10300-530: Was profoundly shaped by emerging ideas about evolution . These ideas included the recognition that many Eurasian languages—and therefore, conceivably, stories—were all descended from a lost common ancestor (the Indo-European language ) which could rationally be reconstructed through the comparison of its descendant languages. They also included the idea that cultures might evolve in ways comparable to species. In general, 19th-century theories framed myth as
10403-554: Was sometimes depicted with the horns of a cow as part of her headdress. Some myths may have been inspired by historical events. The unification of Egypt under the pharaohs, at the end of the Predynastic Period around 3100 BC, made the king the focus of Egyptian religion, and thus the ideology of kingship became an important part of mythology. In the wake of unification, gods that were once local patron deities gained national importance, forming new relationships that linked
10506-468: Was surrounded by harsh desert, populated by peoples the Egyptians regarded as uncivilized enemies of order. For these reasons, the Egyptians saw their land as an isolated place of stability, or maat , surrounded and endangered by chaos. These themes—order, chaos, and renewal—appear repeatedly in Egyptian religious thought. Another possible source for mythology is ritual. Many rituals make reference to myths and are sometimes based directly on them. But it
10609-545: Was then adopted in Middle French as mythologie . Whether from French or Latin usage, English adopted the word "mythology" in the 15th century, initially meaning 'the exposition of a myth or myths', 'the interpretation of fables', or 'a book of such expositions'. The word is first attested in John Lydgate 's Troy Book ( c. 1425 ). From Lydgate until the 17th or 18th century, "mythology" meant
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