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103-482: In the Shiva temple , when Indra and Brihaspati were going towards Mount Kailasha to meet Shiva , their way was blocked by a naked yogi with matted hair and a radiant face. The yogi was Shiva himself, who had taken the form to test the knowledge of Indra and Brihaspati . Indra did not recognize the yogi and was infuriated at the fact that the man was not moving out of their way. Indra asked him to move, but

206-444: A Vishnu temple, Krishna temple, Rama temple, Narayana temple, Shiva temple, Lakshmi temple, Ganesha temple, Durga temple, Hanuman temple, Surya temple, etc. It is this garbha-griya which devotees seek for darsana (literally, a sight of knowledge, or vision ). Above the vastu-purusha-mandala is a superstructure with a dome called Shikhara in north India, and Vimana in south India, that stretches towards

309-422: A Hindu temple project would start with a Yajamana (patron), and include a Sthapaka (guru, spiritual guide and architect-priest), a Sthapati (architect) who would design the building, a Sutragrahin (surveyor), and many Vardhakins (workers, masons, painters, plasterers, overseers) and Taksakas (sculptors). While the temple is under construction, all those working on the temple were revered and considered sacerdotal by

412-619: A Hindu yogin, states Gopinath Rao, one who has realised the Self and the Universal Principle within himself, there is no need for any temple or divine image for worship. However, for those who have yet to reach this height of realization, various symbolic manifestations through images, murtis and icons as well as mental modes of worship are offered as one of the spiritual paths in the Hindu way of life. Some ancient Hindu scriptures like

515-500: A UNESCO World Heritage site. The Indian rock-cut architecture evolved in Maharashtran temple style in the 1st millennium CE. The temples are carved from a single piece of rock as a complete temple or carved in a cave to look like the interior of a temple. Ellora Temple is an example of the former, while The Elephanta Caves are representative of the latter style. The Elephanta Caves consist of two groups of caves—the first

618-511: A bed and meal to pilgrims. They relied on any voluntary donation the visitor may leave and to land grants from local rulers. Some temples have operated their kitchens on a daily basis to serve the visitor and the needy, while others during major community gatherings or festivals. Examples include the major kitchens run by Hindu temples in Udupi (Karnataka), Puri (Odisha) and Tirupati (Andhra Pradesh). The tradition of sharing food in smaller temple

721-488: A brief introduction to 12 types of Hindu temples. Other texts, such as Pancaratra Prasada Prasadhana compiled by Daniel Smith and Silpa Ratnakara compiled by Narmada Sankara provide a more extensive list of Hindu temple types. Ancient Sanskrit manuals for temple construction discovered in Rajasthan, in northwestern region of India, include Sutradhara Mandana's Prasadamandana (literally, manual for planning and building

824-404: A chakra (discus) created from his toe. Upon his death, his soul merged with Shiva, just like Vrinda's soul had merged with Parvati. Shiva temple Traditional A Hindu temple , also known as Mandir , Devasthanam , Pura , or Kovil , is a sacred place where Hindus worship and show their devotion to deities through worship, sacrifice, and prayers. It is considered the house of

927-463: A fearsome creature ( Kīrttimukha ) sprang from his brow and nearly killed Rahu, the messenger who had delivered the demand. War being determined, Jalandhara marched first to Kailasha; but finding that Shiva had forsaken it and taken up a position on a mountain near Lake Manasa, he surrounded the mountain with his troops. Nandi marched against them, and spread destruction; however, the army of the gods suffered many losses. Parvati then urged Shiva to enter

1030-502: A house or a palace. A house-themed temple is a simple shelter that serves as a deity's home. The temple is a place where the devotee visits, just like he or she would visit a friend or relative. The use of moveable and immoveable images is mentioned by Pāṇini . In the Bhakti school of Hinduism, temples are venues for puja , which is a hospitality ritual, where the deity is honored, and where devotee calls upon, attends to and connects with

1133-478: A humble yogi who lived in the cremation grounds and the jungle as a naked ascetic, he was unworthy of the fairest goddess. He added that since Jalandhara was the powerful new lord of the heavens, the underworld, and the Earth, he was more worthy of her. Upon hearing these insults, Shiva produced a thunderous sound and a great lion-like monster from his brow named Kirtimukha . The monster chased and seized Rahu with

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1236-446: A main temple surrounded by smaller temples and shrines, but these are still arranged by principles of symmetry, grids and mathematical precision. An important principle found in the layout of Hindu temples is mirroring and repeating fractal-like design structure, each unique yet also repeating the central common principle, one which Susan Lewandowski refers to as "an organism of repeating cells". The ancient texts on Hindu temple design,

1339-601: A natural source of water is not present. Here too, they recommend that a pond be built preferably in front or to the left of the temple with water gardens. If water is neither present naturally nor by design, water is symbolically present at the consecration of the temple or the deity. Temples may also be built, suggests Visnudharmottara in Part III of Chapter 93, inside caves and carved stones, on hill tops affording peaceful views, on mountain slopes overlooking beautiful valleys, inside forests and hermitages, next to gardens, or at

1442-455: A number of ways. For example, one method of classification is the dimensionality of completion: Another way of classification is by the expressive state of the image: A Hindu temple may or may not include a murti or images, but larger temples usually do. Personal Hindu temples at home or a hermitage may have a pada for yoga or meditation, but be devoid of anthropomorphic representations of god. Nature or others arts may surround him or her. To

1545-464: A ripe fruit. So, Hanuman leapt up towards the Sun with extreme speed. Vayu , the wind god and his celestial father, blew cold wind on him to protect him from the burning Sun. Coincidentally, Rahu was meant to swallow the Sun and eclipse it that day. As Rahu approached the Sun, he saw Hanuman about to eat it. Hanuman saw Rahu and thought Rahu to be a fruit as well, so he attempted to eat him too. Rahu fled to

1648-452: A sacred space. It represents the triple-knowledge (trayi- vidya ) of the Vedic vision by mapping the relationships between the cosmos ( brahmaṇḍa ) and the cell (pinda) by a unique plan based on astronomical numbers. Subhash Kak sees the temple form and its iconography to be a natural expansion of Vedic ideology related to recursion, change and equivalence. In ancient Indian texts, a temple

1751-437: A social meaning. Some temples have served as a venue to mark festivals, to celebrate arts through dance and music, to get married or commemorate marriages, the birth of a child, other significant life events or the death of a loved one. In political and economic life, Hindu temples have served as a venue for succession within dynasties and landmarks around which economic activity thrived. Almost all Hindu temples take two forms:

1854-400: A symbolic product of knowledge and human thought, while the circle is considered earthly, human and observed in everyday life (moon, sun, horizon, water drop, rainbow). Each supports the other. The square is divided into perfect 64 (or in some cases 81) sub-squares called padas. Each pada is conceptually assigned to a symbolic element, sometimes in the form of a deity. The central square(s) of

1957-500: A temple). Manasara , a text of South Indian origin, estimated to be in circulation by the 7th century CE, is a guidebook on South Indian temple design and construction. Isanasivagurudeva paddhati is another Sanskrit text from the 9th century describing the art of temple building in India in south and central India. In north India, Brihat-samhita by Varāhamihira is the widely cited ancient Sanskrit manual from 6th century describing

2060-501: A wife, Parvati . He proposed that Shiva hand over Parvati to him: How can you live on alms and yet keep the beautiful Parvati? Give her to me, and wander from house to house with your alms bowl. You have fallen from your vow. You are a yogi, what need have you for the gem of wives? You live in the woods attended by goblins and ghosts ; being a naked yogi , you should give your wife to one who will appreciate her better than you do. Upon hearing these insults, Shiva became so angry that

2163-416: Is a yantra , a design laying out a Hindu temple in a symmetrical, self-repeating structure derived from central beliefs, myths, cardinality and mathematical principles. The four cardinal directions help create the axis of a Hindu temple, around which is formed a perfect square in the space available. The circle of the mandala circumscribes the square. The square is considered divine for its perfection and as

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2266-560: Is a large group of five Hindu caves and the second is a smaller group of two Buddhist caves. The Hindu caves contain rock-cut stone sculptures, representing the Shaiva Hindu sect, dedicated to the god Shiva. A typical, ancient Hindu temple has a profusion of arts—from paintings to sculpture, from symbolic icons to engravings, from thoughtful layout of space to fusion of mathematical principles with Hindu sense of time and cardinality. Ancient Sanskrit texts classify murtis and images in

2369-457: Is a place of pilgrimage, known in India as a Tirtha . It is a sacred site whose ambience and design attempts to symbolically condense the ideal tenets of the Hindu way of life. In a Hindu temple, all the cosmic components that produce and maintain life are there, from fire to water, from depictions of the natural world to gods, from genders that are feminine or masculine to those that are everlasting and universal. Susan Lewandowski states that

2472-791: Is a spiritual destination for many Hindus, as well as landmarks around which ancient arts, community celebrations and the economy have flourished. Hindu temple architecture are presented in many styles, are situated in diverse locations, deploy different construction methods, are adapted to different deities and regional beliefs, and share certain core ideas, symbolism and themes. They are found in South Asia, particularly India and Nepal , Bangladesh , Pakistan , Sri Lanka , in Southeast Asian countries such as Cambodia , Vietnam , Malaysia , and Indonesia , and countries such as Canada , Fiji , France , Guyana , Kenya , Mauritius ,

2575-505: Is also associated with science and occultism. Like Ketu, Rahu is also an enemy against the Sun and Moon. It is generally considered as a malefic planet in astrology. Jyotisha is Hindu astrology, which entails the concepts of Nakshatra (see also List of Natchathara temples ), Navagraha (see also List of Navagraha temples) , and Saptarishi (included in the list of Hindu deities whose dedicated temples are found at various Hindu pilgrimage sites to which Hindus take yatra ). Rāhu

2678-503: Is everywhere in a Hindu temple. Life principles such as the pursuit of joy, connection and emotional pleasure (kama) are fused into mystical, erotic and architectural forms in Hindu temples. These motifs and principles of human life are part of the sacred texts of the Hindus, such as its Upanishads; the temples express these same principles in a different form, through art and spaces. For example, Brihadaranyaka Upanisad (4.3.21) recites: In

2781-432: Is grand. In Hindu tradition, this is discarded in favor of an open and diffusive architecture, where the secular world was not separated from the sacred, but transitioned and flowed into the sacred. The Hindu temple has structural walls, which were patterned usually within the 64-grid, or other geometric layouts. Yet the layout was open on all sides, except for the core space with a single opening for darsana. The temple space

2884-405: Is laid out in a series of courts ( mandapas ). The outermost regions may incorporate the negative and suffering side of life with the symbolism of evil, asuras and rakshashas ; but in small temples this layer is dispensed with. When present, this outer region diffuse into the next inner layer that bridges as human space, followed by another inner Devika padas space and symbolic arts incorporating

2987-824: Is mentioned explicitly in a pair of scriptures from the Samyutta Nikaya of the Pali Canon . In the Candima Sutta and the Suriya Sutta, Rahu attacks Surya , the Sun deity and Chandra , the Moon deity before being compelled to release them by their recitation of a brief stanza conveying their reverence for the Buddha . The Buddha responds by enjoining Rāhu to release them, which Rāhu does rather than have his "head split into seven pieces". The verses recited by

3090-624: Is mentioned in the Puranic texts . The tales begin in the "remotest periods of the earliest of time, when the devas and asuras churned the ocean of milk to extract from it the amrita , the elixir of immortality." Mohini , the female avatar of Vishnu , started distributing amrita to the devas . However, one of the asuras, Svarbhanu , sat in the row of devas and drank the amrita. Surya and Chandra noticed him and they informed Mohini; however, by that time, Svarbhanu had already become immortal. Vishnu, as Mohini, cut off Svarbhanu's head with his discus,

3193-417: Is the name of six methods or alternate viewpoints of understanding truth. These are Nyaya, Vaisesika, Sankhya, Yoga, Mimamsa and Vedanta —which flowered into individual schools of Hinduism, each of which is considered a valid, alternate path to understanding truth and achieving self-realization in the Hindu way of life. From names to forms, from images to stories carved into the walls of a temple, symbolism

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3296-415: Is typically called prasada . Hindu temples are found in diverse locations each incorporating different methods of construction and styles: In arid western parts of India, such as Rajasthan and Gujarat, Hindu communities built large walk-in wells that served as the only source of water in dry months but also served as social meeting places and carried religious significance. These monuments went down into

3399-609: The Netherlands , South Africa , Suriname , Tanzania , Trinidad and Tobago , Uganda , the United Kingdom , the United States , Australia , New Zealand , and other countries with a significant Hindu population. The current state and outer appearance of Hindu temples reflect arts, materials and designs as they evolved over two millennia; they also reflect the effect of conflicts between Hinduism and Islam since

3502-584: The Sudarshana Chakra . Svarbhanu, henceforth referred to as Rahu and Ketu, could not die, but his head was separated from his body; his head came to be known as Rahu, while his body came to be known as Ketu. Following this event, Rahu and Ketu gained the status of planets, and could influence the lives of humans on Earth . Rahu and Ketu became bitter enemies with Surya (Sun) and Chandra (Moon) for exposing his deception and leading to his decapitation. For this, Rahu pursues them and attempts to consume

3605-564: The Telika Mandir in Gwalior , built in the 8th century CE, is not a square but a rectangle in 2:3 proportion. Further, the temple explores a number of structures and shrines in 1:1, 1:2, 1:3, 2:5, 3:5 and 4:5 ratios. These ratios are exact, suggesting that the architect intended to use these harmonic ratios, and the rectangle pattern was not a mistake, nor an arbitrary approximation. Other examples of non-square harmonic ratios are found at

3708-523: The Vāstu-puruṣa-mandala and Vastu Śāstras , do not limit themselves to the design of a Hindu temple. They describe the temple as a holistic part of its community, and lay out various principles and a diversity of alternate designs for home, village and city layout along with the temple, gardens, water bodies and nature. A predominant number of Hindu temples exhibit the perfect-square grid principle. However, there are some exceptions. For example,

3811-400: The equivalency of the macrocosm and the microcosm . A temple incorporates all elements of the Hindu cosmos—presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and the essence of life—symbolically presenting dharma , artha , kama , moksha , and karma . The spiritual principles symbolically represented in Hindu temples are detailed in

3914-419: The garbha-griya (literally, "womb house")—a small, perfect square, windowless, enclosed space without ornamentation that represents universal essence. In or near this space is typically a cult image—which, though many Indians may refer to casually as an idol, is more formally known as a murti, or the main worshippable deity, who varies with each temple. Often this murti gives the temple a local name, such as

4017-514: The 10th-century attached medical care along with their religious and educational roles. This is evidenced by various inscriptions found in Bengal, Andhra Pradesh and elsewhere. An inscription dated to about 930 CE states the provision of a physician to two matha to care for the sick and destitute. Another inscription dated to 1069 at a Vishnu temple in Tamil Nadu describes a hospital attached to

4120-585: The 12th century. The Swaminarayanan Akshardham in Robbinsville, New Jersey , between the New York and Philadelphia metropolitan areas, was inaugurated in 2014 as one of the world's largest Hindu temples. A Hindu temple reflects a synthesis of arts, the ideals of dharma , beliefs, values and the way of life cherished under Hinduism. It is a link between man, deities, and the Universal Puruṣa in

4223-515: The 4th century CE suggest the existence of schools around Hindu temples, called Ghatikas or Mathas , where the Vedas were studied. In south India, 9th century Vedic schools attached to Hindu temples were called Calai or Salai , and these provided free boarding and lodging to students and scholars. The temples linked to Bhakti movement in the early 2nd millennium, were dominated by non-Brahmins. These assumed many educational functions, including

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4326-638: The 64- or 81-grid is dedicated to Brahman (not to be confused with brahmin, the scholarly and priestly class in India), and are called Brahma padas . The 49-grid design is called Sthandila and is of great importance in creative expressions of Hindu temples in South India, particularly in Prakaras . The symmetric Vastu-purusa-mandala grids are sometimes combined to form a temple superstructure with two or more attached squares. The temples face sunrise, and

4429-408: The 6th century CE. Vastu-Sastra manuals included chapters on home construction, town planning, and how efficient villages, towns and kingdoms integrated temples, water bodies and gardens within them to achieve harmony with nature. While it is unclear, states Barnett, as to whether these temple and town planning texts were theoretical studies and if or when they were properly implemented in practice,

4532-467: The Airavata and mistook it for yet another fruit. When he approached in his giant form, Indra struck his left jaw with a thunderbolt and injured him. Hanuman began falling back towards the Earth when he was caught by Vayu. Furious over his son's injury, Vayu withdrew all the air from the universe until all the devas, the asuras, and men began to suffer and suffocate. They appealed to Brahma , who revealed

4635-548: The Jabaladarshana Upanishad appear to endorse this idea Rahu Rāhu ( Sanskrit : राहु , [REDACTED] ) is one of the nine major celestial bodies ( navagraha ) in Hindu texts and the king of meteors. It represents the ascension of the Moon in its precessional orbit around the Earth, also referred as the north lunar node, and along with Ketu , is a "shadow planet" that causes eclipses. Despite having no physical existence, Rahu has been allocated

4738-623: The Naresar temple site of Madhya Pradesh and at the Nakti-Mata temple near Jaipur , Rajasthan. Michael Meister suggests that these exceptions mean that the ancient Sanskrit manuals for temple building were guidelines, and Hinduism permitted its artisans flexibility in expression and aesthetic independence. A Hindu temple is a symbolic reconstruction of the universe and the universal principles that enable everything in it to function. The temples reflect Hindu philosophy and its diverse views on

4841-415: The Sun and Moon. Since Rahu is the head without the body, the Sun and Moon exit from his throat when he tries to swallow them. This recurring cycle creates the grahana , an eclipse of the Sun and the Moon, which represents the temporary revenge of Rahu. The Rig Veda mentiones that during an solar eclipse, the sons of Atri were conflicted and succedeed to free Surya. Following his ascent to power,

4944-479: The age of 25. Apart from specialist technical competence, the manuals suggest that best Silpins for building a Hindu temple are those who know the essence of Vedas and Agamas, consider themselves as students, keep well verse with principles of traditional sciences and mathematics, painting and geography. Further they are kind, free from jealousy, righteous, have their sense under control, of happy disposition, and ardent in everything they do. According to Silparatna,

5047-409: The ancient Sanskrit texts of India (for example, the Vedas and Upanishads ), while their structural rules are described in various ancient Sanskrit treatises on architecture ( Bṛhat Saṃhitā , Vāstu Śāstras ). The layout, the motifs, the plan and the building process recite ancient rituals, geometric symbolisms, and reflect beliefs and values innate within various schools of Hinduism. A Hindu temple

5150-617: The artworks and sculptures within them, were considered by the ancient Sanskrit texts to deploy arts whose number are unlimited, Kala (techniques) that were 64 in number, and Vidya (science) that were of 32 types. The Hindu manuals of temple construction describe the education, characteristics of good artists and architects. The general education of a Hindu Shilpin in ancient India included Lekha or Lipi (alphabet, reading and writing), Rupa (drawing and geometry), Ganana (arithmetic). These were imparted from age 5 to 12. The advanced students would continue in higher stages of Shilpa Sastra studies till

5253-474: The asura Jalandhara was advised by the great sage Narada to seek out a consort. Narada hinted that the beautiful Parvati , consort of Shiva , would be an excellent choice. Infatuated with her beauty and impaired in his judgment, Jalandhara summoned his emissary Rahu, and sent him to the mountain Kailasa , to demand that Shiva give up his wife to Jalandhara. Rahu delivered the message informing Shiva that being

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5356-608: The asura Kalanemi. Jalandhara ruled with justice and nobility. One day, the sage Bhargava (Shukra) came to meet Jalandhara. He narrated the tales of Hiranyakashipu and Virochana . He also told him how Vishnu had severed Rahu's head during the episode of the Samudra Manthana . The asura came to believe that the devas had treacherously taken his father Varuna 's treasures. He sent one of his messengers, Ghasmara, to Indra to ask him to return his father's treasures. However, Indra refused to do so. A fierce battle ensued between

5459-467: The battlefield. Upon seeing Shiva and his avatars dominate the battlefield, Jalandhara created an illusion. This distracted his army, but not himself. Meanwhile, Jalandhara disguised himself as Shiva and went to Parvati in order to trick her. Parvati recognised him and fled, growing beyond infuriated. The goddess meditated on Vishnu , and when he appeared, she demanded that he deceive Vrinda, just like Jalandhara had tried to deceive her. He himself has shown

5562-514: The birth charts). This coincides with the precessional orbit of the Moon or the ~18 year rotational cycle of the lunar ascending and descending nodes on the Earth's ecliptic plane. This also corresponds to a saros , a period of approximately 223 synodic months (approximately 6585.3211 days, or 18 years, 11 days, 8 hours), that can be used to predict eclipses of the Sun and Moon. Rahu rules the zodiac sign of Aquarius together with Shani (traditional ruling planet). Astronomically, Rahu and Ketu denote

5665-577: The cause of their distress and accompanied them to the wind god in order to appease him. Brahma revived Hanuman, and the other deities took turns bestowing different blessings, boons, and powers upon him. During the events of Mahabharata, Rahu himself took incarnation as a king, Kratha. Since Rahu and Ketu are two opposite lunar nodes, they always appear in diametrically opposite houses in horoscopes . Both nodes are always in retrograde motion. In Hindu astrology , Rahu represents materialism, mischief, fear, dissatisfaction, obsession and confusion. Rahu

5768-606: The central space typically is surrounded by an ambulatory for the devotee to walk around and ritually circumambulate the Purusa, the universal essence. Often this space is visually decorated with carvings, paintings or images meant to inspire the devotee. In some temples, these images may be stories from Hindu Epics; in others, they may be Vedic tales about right and wrong or virtues and vice; in yet others, they may be murtis of locally worshipped deities. The pillars, walls and ceilings typically also have highly ornate carvings or images of

5871-468: The centre of the temple, typically below and sometimes above or next to the deity , is mere hollow space with no decoration, symbolically representing Purusa , the Supreme Principle, the sacred Universal, one without form, which is omnipresent, connects everything, and is the essence of everyone. A Hindu temple is meant to encourage reflection, facilitate purification of one's mind, and trigger

5974-574: The cosmos and on truth. Hinduism has no traditional ecclesiastical order, no centralized religious authorities, no governing body, no prophet nor any binding holy book save the Vedas; Hindus can choose to be polytheistic , pantheistic , monistic , or atheistic . Within this diffuse and open structure, spirituality in Hindu philosophy is an individual experience, and referred to as kṣaitrajña ( Sanskrit : क्षैत्रज्ञ ) ). It defines spiritual practice as one's journey towards moksha , awareness of self,

6077-460: The court of the king of the devas, Indra , and complained that while he was meant to satisfy his hunger with the Sun, there was now a bigger Rahu who tried to consume the Sun and himself. Indra set out on Airavata , his divine elephant, to investigate alongside Rahu, who retreated once more when he saw how enormous Hanuman had grown. Hanuman was playing with the Sun's chariot and reached for Rahu again. As Rahu cried out to Indra for help, Hanuman saw

6180-521: The deity. In other schools of Hinduism, the person may simply perform japa , or meditation, or yoga , or introspection in his or her temple. Palace-themed temples often incorporate more elaborate and monumental architecture. The appropriate site for a temple, suggests ancient Sanskrit texts, is near water and gardens, where lotus and flowers bloom, where swans, ducks and other birds are heard, and where animals rest without fear of injury or harm. These harmonious places were recommended in these texts with

6283-404: The design and construction of Nagara style of Hindu temples. A Hindu temple design follows a geometrical design called vastu-purusha-mandala . The name is a composite Sanskrit word with three of the most important components of the plan. Mandala means circle, Purusha is universal essence at the core of Hindu tradition, while Vastu means the dwelling structure. The Vastu-purusha-mandala

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6386-458: The devas and the asuras. Many warriors were killed on both sides. Shukra revived the asuras using his amṛtajīvinī vidya . Brihaspati revived the dead devas by using the medicinal herbs from the Drona mountain. Shukra counselled Jalandhara to uproot the mountain so that Brihaspati would be unable to employ the medicinal herbs to revive the devas. Jalandhara acquiesced and hurled the mountain Drona into

6489-500: The devas were defeated by asuras, and Jalandhara became the lord of the three worlds (heaven, earth, and the underworld). He confiscated all the jewels that the devas and the gandharvas had hoarded during the Samudra Manthana and ruled virtuously, with nobody in his realm sick or lean. The devas were unhappy about their defeat, dejected at their being stripped of their authority. The divine sage, Narada , upon consulting with

6592-574: The devas, went to see Jalandhara. On being asked the purpose of his visit by Jalandhara, he described the beauty of Kailasha where Shiva lived, and that he wondered if any other place matched its beauty. In response, Jalandhara showed off his riches to Narada, who commented that he did not have the most beautiful woman as his wife. Narada then continued to describe Shiva's residence and also described to him about Parvati's beauty. Jalandhara sent his messenger Rahu to Shiva and accused him of hypocrisy, pointing out that Shiva claimed to be an ascetic but kept

6695-432: The discovery of higher truths, true nature of reality, and a consciousness that is liberated and content. A Hindu temple reflects these core beliefs. The central core of almost all Hindu temples is not a large communal space; the temple is designed for the individual, a couple or a family—a small, private space to allow visitors to experience darsana . Darsana is itself a symbolic word. In ancient Hindu scripts, darsana

6798-936: The donations (melvarum) they collected from devotees. According to James Heitzman, these donations came from a wide spectrum of the Indian society, ranging from kings, queens, officials in the kingdom to merchants, priests and shepherds. Temples also managed lands endowed to it by its devotees upon their death. They would provide employment to the poorest. Some temples had large treasury, with gold and silver coins, and these temples served as banks. Hindu temples over time became wealthy from grants and donations from royal patrons as well as private individuals. Major temples became employers and patrons of economic activity. They sponsored land reclamation and infrastructure improvements, states Michell, including building facilities such as water tanks, irrigation canals and new roads. A very detailed early record from 1101 lists over 600 employees (excluding

6901-714: The earth towards subterranean water, up to seven storeys, and were part of a temple complex. These vav (literally, stepwells) had intricate art reliefs on the walls, with numerous murtis and images of Hindu deities, water spirits and erotic symbolism. The step wells were named after Hindu deities; for example, Mata Bhavani's Stepwell , Ankol Mata Vav, Sikotari Vav and others. The temple ranged from being small single pada (cell) structure to large nearby complexes. These stepwells and their temple compounds have been variously dated from late 1st millennium BCE through 11th century CE. Of these, Rani ki vav , with hundreds of art reliefs including many of Vishnu deity avatars , has been declared

7004-565: The eastern states of India. Other ancient texts found expand these architectural principles, suggesting that different parts of India developed, invented and added their own interpretations. For example, in the Saurastra tradition of temple building found in western states of India, the feminine form, expressions and emotions are depicted in 32 types of Nataka-stri compared to 16 types described in Silpa Prakasa . Silpa Prakasa provides

7107-410: The embrace of the beloved, one forgets the whole world, everything both within and without; in the same way, one who embraces the Self knows neither within nor without. The architecture of Hindu temples is also symbolic. The whole structure fuses the daily life and its surroundings with the divine concepts, through a structure that is open yet raised on a terrace, transitioning from the secular towards

7210-400: The entrance for the devotee is typically this east side. The mandala pada facing sunrise is dedicated to Surya , the sun-god. The Surya pada is flanked by the padas of Satya, the deity of Truth, on one side and Indra , the king of the demigods, on other. The east and north faces of most temples feature a mix of gods and demigods; while the west and south feature demons and demigods related to

7313-406: The explanation that such are the places where gods play, and thus the best site for Hindu temples. The gods always play where lakes are, where the sun's rays are warded off by umbrellas of lotus leaf clusters, and where clear waterpaths are made by swans whose breasts toss the white lotus hither and thither, where swans, ducks, curleys and paddy birds are heard, and animals rest nearby in

7416-558: The exposition, recitation and public discourses of Sanskrit and Vedic texts. Some temple schools offered wide range of studies, ranging from Hindu scriptures to Buddhist texts, grammar, philosophy, martial arts, music and painting. By the 8th century, Hindu temples also served as the social venue for tests, debates, team competition and Vedic recitals called Anyonyam . According to Kenneth G. Zysk—a professor specializing in Indology and ancient medicine, Hindu mathas and temples had by

7519-454: The fire from his eye towards the ocean and upon meeting with the ocean it assumed the form of a boy. The boy cried terribly, which caused Brahma to descend from his abode. The ocean told Brahma that he did not know where the boy came from. Brahma then told him that the boy would one day become the emperor of the asuras , that he could only be killed by Shiva , and that after his death, he would return to third eye . Jalandhara's childhood

7622-433: The forest. She recognised that it was Vishnu in disguise, and curses him that someday someone would trick his own wife (which becomes true when Sita is kidnapped by Ravana ) just like how he had tricked her, that he would roam about in distress with Shesha ( Lakshmana ), and that he would seek the help of monkeys ( vanaras ). Saying thus, she entered the fire to immolate herself. After her death, her soul left her form from

7725-424: The four just and necessary pursuits of life—kama, artha, dharma and moksa. This walk around is called pradakshina . Large temples also have pillared halls, called mandapa —one of which, on the east side, serves as the waiting room for pilgrims and devotees. The mandapa may be a separate structure in older temples, but in newer temples this space is integrated into the temple superstructure. Mega-temple sites have

7828-480: The funeral pyre, joining Parvati. Jalandhara, hearing of this deception and his wife's death, was enraged and left Mount Kailasha , returning to the battlefield. The illusion ending, Shiva and his forces realised the truth. Shiva engaged Shumbha and Nishumbha in battle, but they soon fled. They were later killed by Parvati. Jalandhara then engaged Shiva in battle. Towards the end of the battle, when most of Jalandhara's army had been slaughtered, Shiva beheaded him with

7931-473: The god to whom it is dedicated. Hindu temple architecture, which makes extensive use of squares and circles, has its roots in Vedic traditions, which also influence the temples' construction and symbolism. Through astronomical numbers and particular alignments connected to the temple's location and the relationship between the deity and the worshipper, the temple's design also illustrates the idea of recursion and

8034-661: The head of a town street. Ancient builders of Hindu temples created manuals of architecture, called Vastu-Sastra (literally "science" of dwelling; vas-tu is a composite Sanskrit word; vas means "reside", tu means "you"); these contain Vastu-Vidya (literally, knowledge of dwelling) and Sastra meaning system or knowledge in Sanskrit. There exist many Vastu-Sastras on the art of building temples, such as one by Thakkura Pheru , describing where and how temples should be built. Sanskrit manuals have been found in India since

8137-427: The intention of devouring him. Rahu pleaded with Shiva for his life and retracted his claims, instead praising Shiva and seeking protection and refuge with him. In response, Shiva called off Kirtimukha’s attack and set Rahu free to relay these events back to Jalandhara. When Hanuman was an infant, he was once left unattended by his earthly mother and father. He became hungry, and when the Sun rose, he believed it to be

8240-491: The man did not budge. After not receiving a response, Indra became enraged and threatened him with his thunderbolt. Upon this action Indra's arm, became paralysed and Shiva neutralised the thunderbolt. Shiva became angry upon this action of Indra and his eyes turned red, frightening Indra . The anger caused his third eye to open, nearly killing Indra . Brihaspati recognised Shiva and prayed to him, requesting him to pardon Indra . To avoid killing Indra , Shiva sent

8343-532: The manuals suggest that town planning and Hindu temples were conceived as ideals of art and integral part of Hindu social and spiritual life. The Silpa Prakasa of Odisha, authored by Ramacandra Bhattaraka Kaulacara in the 9th or 10th centuries CE, is another Sanskrit treatise on Temple Architecture. Silpa Prakasa describes the geometric principles in every aspect of the temple and symbolism such as 16 emotions of human beings carved as 16 types of female figures. These styles were perfected in Hindu temples prevalent in

8446-432: The ocean. Demoralised, the devas requested Vishnu for his aid. A fierce battle was fought between Jalandhara and Vishnu, who rode upon Garuda and wielded his divine sword, Nandaka . Vishnu was impressed by Jalandhara's valiance in battle and granted him a boon of his choice. Jalandhara requested his brother-in-law Vishnu to stay in his eponymous city, bringing with him his followers and his wife, Lakshmi . Without his help,

8549-476: The path. Know that to be the way in the same manner. At my bidding, make the chastity of his wife violated. O Viṣṇu, that great Daitya cannot be killed otherwise. In the earth there is no other virtue equal to chastity. Vishnu caused Vrinda to dream that Jalandhara had been killed by Shiva. Posing as an ascetic, he creates the illusion that Jalandhara is then restored to life by him. Delighted to see her husband restored to life, Vrinda sported with him for many days in

8652-452: The patron as well as others witnessing the construction. Further, it was a tradition that all tools and materials used in temple building and all creative work had the sanction of a sacrament. For example, if a carpenter or sculptor needed to fell a tree or cut a rock from a hill, he would propitiate the tree or rock with prayers, seeking forgiveness for cutting it from its surroundings, and explaining his intent and purpose. The axe used to cut

8755-509: The points of intersection of the paths of the Sun and the Moon as they move on the celestial sphere . Therefore, Rahu and Ketu are respectively called the north and the south lunar nodes . Eclipses occur when the Sun and the Moon are at one of these points, giving rise to the understanding of swallowing of the Sun and the Moon by the snake. Rahu is responsible for causing the solar eclipse . Rahu

8858-554: The positive and joyful side of life about the good and the gods. This divine space then concentrically diffuses inwards and lifts the guest to the core of the temple, where resides the main murti , as well as the space for the Purusa, and ideas held to be most sacred principles in Hindu tradition. The symbolism in the arts and temples of Hinduism, suggests Edmund Leach, is similar to those in Christianity and other major religions of

8961-529: The priests) of the Brihadisvara Temple, Thanjavur , still one of the largest temples in Tamil Nadu . Most worked part-time and received the use of temple farmland as reward. For those thus employed by the temple, according to Michell, "some gratuitous services were usually considered obligatory, such as dragging the temple chariots on festival occasions and helping when a large building project

9064-503: The process of inner realization within the devotee. The specific process is left to the devotee's school of belief. The primary deity of different Hindu temples varies to reflect this spiritual spectrum. In Hindu tradition, there is no dividing line between the secular and the lonely sacred. In the same spirit, Hindu temples are not just sacred spaces; they are also secular spaces. Their meaning and purpose have extended beyond spiritual life to social rituals and daily life, offering thus

9167-452: The sacred, inviting the visitor inwards and upwards towards the Brahma pada, the temple's central core, a symbolic space marked by its spire ( shikhara, vimana ). The ancient temples had grand, intricately carved entrances but no doors, and they lacked a boundary wall. In most cultures, suggests Edmund Leach , a boundary and gateway separates the secular and the sacred, and this gateway door

9270-674: The shade of Nicula trees on the river banks. The gods always play where rivers have for their braclets the sound of curleys and the voice of swans for their speech, water as their garment, carps for their zone, the flowering trees on their banks as earrings, the confluence of rivers as their hips, raised sand banks as breasts and plumage of swans their mantle. The gods always play where groves are near, rivers, mountains and springs, and in towns with pleasure gardens. While major Hindu temples are recommended at sangams (confluence of rivers), river banks, lakes and seashore, Brhat Samhita and Puranas suggest temples may also be built where

9373-696: The sick and needy in the 1st millennium, but with the destruction of Buddhist centers after the 12th century, the Hindu religious institutions assumed these social responsibilities. According to George Michell, Hindu temples in South India were active charity centers and they provided free meal for wayfarers, pilgrims and devotees, as well as boarding facilities for students and hospitals for the sick. The 15th and 16th century Hindu temples at Hampi featured storage spaces (temple granary, kottara ), water tanks and kitchens. Many major pilgrimage sites have featured dharmashalas since early times. These were attached to Hindu temples, particularly in South India, providing

9476-459: The sky. Sometimes, in makeshift temples, the dome may be replaced with symbolic bamboo with few leaves at the top. The vertical dimension's cupola or dome is designed as a pyramid, a cone or other mountain-like shape, once again using the principle of concentric circles and squares. Scholars suggest that this shape is inspired by the cosmic mountain of Meru or Himalayan Kailasa, the abode of the gods, according to Vedic mythology. In larger temples,

9579-406: The status of the planet by ancient seers owing to its strong influence in astrology. Rahu is usually paired with Ketu , another shadow planet. The time of day considered to be under the influence of Rahu is called Rāhu kāla and is considered inauspicious. As per Hindu astrology, Rahu and Ketu have an orbital cycle of 18 years and are always 180 degrees from each other orbitally (as well as in

9682-566: The temple, listing the nurses, physicians, medicines and beds for patients. Similarly, a stone inscription in Andhra Pradesh dated to about 1262 mentions the provision of a prasutishala (maternity house), vaidya (physician), an arogyashala (health house) and a viprasattra (hospice, kitchen) with the religious center where people from all social backgrounds could be fed and cared for. According to Zysk, both Buddhist monasteries and Hindu religious centers provided facilities to care for

9785-770: The texts were copied when they wore out. In South India, temples and associated mathas served custodial functions, and a large number of manuscripts on Hindu philosophy , poetry, grammar and other subjects were written, multiplied and preserved inside the temples. Archaeological and epigraphical evidence indicates existence of libraries called Sarasvati-bhandara , dated possibly to early 12th-century and employing librarians, attached to Hindu temples. Palm-leaf manuscripts called lontar in dedicated stone libraries have been discovered by archaeologists at Hindu temples in Bali Indonesia and in 10th century Cambodian temples such as Angkor Wat and Banteay Srei . Inscriptions from

9888-594: The tree would be anointed with butter to minimize the hurt to the tree. Even in modern times, in some parts of India such as Odisha , Visvakarma Puja is a ritual festival every year where the craftsmen and artists worship their arts, tools and materials. Hindu temples served as nuclei of important social, economic, artistic and intellectual functions in ancient and medieval India. Burton Stein states that South Indian temples managed regional development function, such as irrigation projects, land reclamation, post-disaster relief and recovery. These activities were paid for by

9991-497: The underlying principle in a Hindu temple is the belief that all things are one, that everything is connected. The pilgrim is welcomed through 64-grid or 81-grid mathematically structured spaces, a network of art, pillars with carvings and statues that display and celebrate the four important and necessary principles of human life—the pursuit of artha (prosperity, wealth), of kama (pleasure, sex), of dharma (virtues, ethical life) and of moksha (release, self-knowledge). At

10094-401: The underworld. This vastu-purusha-mandala plan and symbolism is systematically seen in ancient Hindu temples on the Indian subcontinent as well as those in southeast Asia, with regional creativity and variations. Beneath the mandala's central square(s) is the space for the all-pervasive, all-connecting Universal Spirit, the highest reality , the purusha . This space is sometimes known as

10197-412: The war. Shiva carefully warned Parvati to be on her guard during his absence, as it was possible asuras in some disguise might visit her; after this, accompanied by Virabhadra and Manibhadra, two forms of his anger, Shiva went to the battlefield. Kartikeya came to fight with him, but was defeated. After his defeat, Ganesha tried to attack him, but was badly defeated by him and was left unconscious on

10300-455: The word "Silpin". "Silpa", explains Stella Kramrisch, is a multicolored word and incorporates art, skill, craft, ingenuity, imagination, form, expression and inventiveness of any art or craft. Similarly, "Shilpin", notes Kramrisch, is a complex Sanskrit word, describing any person who embodies art, science, culture, skill, and rhythm and employs creative principles to produce any divine form of expression. Silpins who built Hindu temples, as well as

10403-514: The world. Indian texts call the craftsmen and builders of temples "Silpin" ( Sanskrit : शिल्पिन् ), derived from "Silpa". One of the earliest mentions of the Sanskrit word "Silpa" is in Atharvaveda , from about 1000 BCE; according to scholars, the word was used to denote any work of art. Some scholars suggest that the word "Silpa" has no direct or one-word translation in English, nor does

10506-399: Was full of wonders. Borne up by the wind, he flew over the ocean; his pets were lions that he had caught; and the largest birds and fishes were subject to him. Jalandhara grew up to be a handsome man and was made the emperor of asuras by Shukra , their guru. Jalandhara was exceedingly powerful and was considered to be one of the mightiest asuras of all time. He married Vrinda , the daughter of

10609-634: Was undertaken". Temples also acted as refuge during times of political unrest and danger. Historically, the Scheduled Castes or Dalits were prohibited from the entry into temples. In contemporary times, the process of building a Hindu temple by emigrants and diasporas from South Asia has also served as a process of building a community, a social venue to network, reduce prejudice and seek civil rights together. John Guy and Jorrit Britschgi state Hindu temples served as centers where ancient manuscripts were routinely used for learning and where

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