101-578: Jermyn Street Theatre is a performance venue situated on Jermyn Street , in London's West End . It is an Off West End studio theatre. Jermyn Street Theatre opened in August 1994. It was formerly the changing rooms for staff at a Spaghetti House restaurant and originally the cellar of the Kent & Sussex Tavern up until 1838. The space was transformed under the leadership of Howard Jameson and Penny Horner into
202-425: A baritone dove, he gave us "I'll See You Again" and the other bat's-wing melodies of his youth. Nothing he does on these occasions sounds strained or arid; his tanned, leathery face is still an enthusiast's.... If it is possible to romp fastidiously, that is what Coward does. He owes little to earlier wits, such as Wilde or Labouchere . Their best things need to be delivered slowly, even lazily. Coward's emerge with
303-606: A perfumers in the street, has display cabinets acquired directly from the Great Exhibition in 1851. Forming part of the St James's Art District, there are a number of art galleries in Jermyn Street, including The Sladmore Gallery . Shops in this district are required to display art as part of their lease. Among the restaurants in the street are the historic Wiltons, the long established Rowley's Restaurant,
404-528: A 1968 Off-Broadway production of Private Lives at the Theatre de Lys starring Elaine Stritch , Lee Bowman and Betsy von Furstenberg , and directed by Charles Nelson Reilly . Despite this impressive cast, Coward's popularity had risen so high that the theatre poster for the production used an Al Hirschfeld caricature of Coward ( pictured above ) instead of an image of the production or its stars. The illustration captures how Coward's image had changed by
505-513: A 70-seat studio theatre . They both remain the Chair of the Board and Executive Director respectively. In 1995, Neil Marcus became the first Artistic Director and Jermyn Street received their Lottery Grant in 1997. During this time, producer Chris Grady contributed to Jermyn Street Theatre's development. Princess Michael of Kent became the theatre's patron in 1995 and David Babani, later the founder of
606-905: A bust of him in the library in Teddington, near where he was born. In 2008 an exhibition devoted to Coward was mounted at the National Theatre in London. The exhibition was later hosted by the Museum of Performance & Design in San Francisco and the Academy of Motion Picture Arts and Sciences in Beverly Hills , California. In June 2021 an exhibition celebrating Coward opened at the Guildhall Art Gallery in
707-588: A cabaret performer, performing his own songs, such as " Mad Dogs and Englishmen ", " London Pride ", and " I Went to a Marvellous Party ". Coward's plays and songs achieved new popularity in the 1960s and 1970s, and his work and style continue to influence popular culture. He did not publicly acknowledge his homosexuality, but it was discussed candidly after his death by biographers including Graham Payn , his long-time partner, and in Coward's diaries and letters, published posthumously. The former Albery Theatre (originally
808-482: A carefully crafted image. As a suburban boy who had been taken up by the upper classes he rapidly acquired the taste for high life: "I am determined to travel through life first class." He first wore a dressing gown onstage in The Vortex and used the fashion in several of his other famous plays, including Private Lives and Present Laughter . George Walden identifies him as a modern dandy . In connection with
909-459: A cigarette holder: "I looked like an advanced Chinese decadent in the last phases of dope." Soon after that, Coward wrote: He soon became more cautious about overdoing the flamboyance, advising Cecil Beaton to tone down his outfits: "It is important not to let the public have a loophole to lampoon you." However, Coward was happy to generate publicity from his lifestyle. In 1969 he told Time magazine, "I acted up like crazy. I did everything that
1010-562: A combination of cheek and chic, pose and poise". Coward attended a dance academy in London as a child, making his professional stage début at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards. Many of his works, such as Hay Fever , Private Lives , Design for Living , Present Laughter , and Blithe Spirit , have remained in
1111-558: A complex hydraulic stage. Its 1933 film adaptation won the Academy Award for best picture. Coward's intimate-scale hits of the period included Private Lives (1930) and Design for Living (1932). In Private Lives , Coward starred alongside his most famous stage partner, Gertrude Lawrence, together with the young Laurence Olivier . It was a highlight of both Coward's and Lawrence's career, selling out in both London and New York. Coward disliked long runs, and after this he made
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#17327721111891212-489: A cycle of ten short plays, presented in various permutations across three evenings. One of these plays, Still Life , was expanded into the 1945 David Lean film Brief Encounter . Tonight at 8.30 was followed by a musical, Operette (1938), from which the most famous number is "The Stately Homes of England", and a revue entitled Set to Music (1938, a Broadway version of his 1932 London revue, Words and Music ). Coward's last pre-war plays were This Happy Breed ,
1313-612: A dance academy in London, Coward's first professional engagement was in January 1911 as Prince Mussel in the children's play The Goldfish . In Present Indicative , his first volume of memoirs, Coward wrote: One day ... a little advertisement appeared in the Daily Mirror .... It stated that a talented boy of attractive appearance was required by a Miss Lila Field to appear in her production of an all-children fairy play: The Goldfish. This seemed to dispose of all argument. I
1414-403: A drama about a working-class family, and Present Laughter , a comic self-caricature with an egomaniac actor as the central character. These were first performed in 1942, although they were both written in 1939. Between 1929 and 1936 Coward recorded many of his best-known songs for His Master's Voice (HMV), now reissued on CD, including the romantic " I'll See You Again " from Bitter Sweet ,
1515-462: A farce, Look After Lulu! (1959), and a tragi-comic study of old age, Waiting in the Wings (1960), both of which were successful despite "critical disdain". Coward argued that the primary purpose of a play was to entertain, and he made no attempt at modernism, which he felt was boring to the audience although fascinating to the critics. His comic novel, Pomp and Circumstance (1960), about life in
1616-403: A few mildly dirty stories, and I loved her from then onwards." In 1914, when Coward was fourteen, he became the protégé and probably the lover of Philip Streatfeild , a society painter. Streatfeild introduced him to Mrs Astley Cooper and her high society friends. Streatfeild died from tuberculosis in 1915, but Mrs Astley Cooper continued to encourage her late friend's protégé, who remained
1717-463: A frank biography once Coward was safely dead. Coward's most important relationship, which began in the mid-1940s and lasted until his death, was with the South African stage and film actor Graham Payn. Coward featured Payn in several of his London productions. Payn later co-edited with Sheridan Morley a collection of Coward's diaries, published in 1982. Coward's other relationships included
1818-771: A frequent guest at her estate, Hambleton Hall in Rutland. Coward continued to perform during most of the First World War, appearing at the Prince of Wales Theatre in 1916 in The Happy Family and on tour with Amy Brandon Thomas 's company in Charley's Aunt . In 1917, he appeared in The Saving Grace , a comedy produced by Hawtrey. Coward recalled in his memoirs, "My part was reasonably large and I
1919-427: A full-scale producing theatre, with eight to ten productions making up an annual season. The theatre's creative output is focused on staging new plays, rare revivals, innovative adaptations of European classics, and outstanding musicals, alongside one-off literary events. Jermyn Street Theatre is committed to ensuring that at least fifty percent of all on stage and off stage creatives are women. In 2018, Littler directed
2020-506: A great demand for new Coward plays. In 1925 he premiered Fallen Angels , a three-act comedy that amused and shocked audiences with the spectacle of two middle-aged women slowly getting drunk while awaiting the arrival of their mutual lover. Hay Fever , the first of Coward's plays to gain an enduring place in the mainstream theatrical repertoire, also appeared in 1925. It is a comedy about four egocentric members of an artistic family who casually invite acquaintances to their country house for
2121-575: A hit 1963 revival of Private Lives in London and then New York. Invited to direct Hay Fever with Edith Evans at the National Theatre , he wrote in 1964, "I am thrilled and flattered and frankly a little flabbergasted that the National Theatre should have had the curious perceptiveness to choose a very early play of mine and to give it a cast that could play the Albanian telephone directory." Other examples of "Dad's Renaissance" included
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#17327721111892222-585: A night club, were financial failures. Further blows in this period were the deaths of Coward's friends Charles Cochran and Gertrude Lawrence, in 1951 and 1952 respectively. Despite his disappointments, Coward maintained a high public profile; his performance as King Magnus in Shaw's The Apple Cart for the Coronation season of 1953, co-starring Margaret Leighton , received much coverage in the press, and his cabaret act, honed during his wartime tours entertaining
2323-402: A one-act satire, The Better Half , about a man's relationship with two women. It had a short run at The Little Theatre, London, in 1922. The critic St John Ervine wrote of the piece, "When Mr Coward has learned that tea-table chitter-chatter had better remain the prerogative of women he will write more interesting plays than he now seems likely to write." The play was thought to be lost until
2424-419: A playwright with The Vortex . The story is about a nymphomaniac socialite and her cocaine-addicted son (played by Coward). Some saw the drugs as a mask for homosexuality; Kenneth Tynan later described it as "a jeremiad against narcotics with dialogue that sounds today not so much stilted as high-heeled". The Vortex was considered shocking in its day for its depiction of sexual vanity and drug abuse among
2525-481: A playwright with The Young Idea . The play opened in London in 1923, after a provincial tour, with Coward in one of the leading roles. The reviews were good: "Mr Noël Coward calls his brilliant little farce a 'comedy of youth', and so it is. And youth pervaded the Savoy last night, applauding everything so boisterously that you felt, not without exhilaration, that you were in the midst of a 'rag'." One critic, who noted
2626-566: A repertory season of South African drama and new works by Jonathan Lewis ( A Level Playing Field) , Sarah Daniels ( Soldiers' Wives) , and American playwright Rae Spiegel (Dry Land) . Biggs also revived The First Man by American playwright Eugene O'Neill , First World War drama Flowers of the Forest by John Van Druten, and First Episode , Terence Rattigan 's first play, directed by Tom Littler . In 2017, Tom Littler became Artistic Director and Executive Producer. His first production
2727-729: A rule of starring in a play for no more than three months at any venue. Design for Living , written for Alfred Lunt and Lynn Fontanne , was so risqué, with its theme of bisexuality and a ménage à trois , that Coward premiered it in New York, knowing that it would not survive the censor in London. In 1933 Coward wrote, directed and co-starred with the French singer Yvonne Printemps in both London and New York productions of an operetta, Conversation Piece (1933). He next wrote, directed and co-starred with Lawrence in Tonight at 8.30 (1936),
2828-563: A sense of comedy, and if he can overcome a tendency to smartness, he will probably produce a good play one of these days." The Times , on the other hand, was enthusiastic: "It is a remarkable piece of work from so young a head – spontaneous, light, and always 'brainy'." The play ran for a month (and was Coward's first play seen in America), after which Coward returned to acting in works by other writers, starring as Ralph in The Knight of
2929-572: A tropical British colony, met with more critical success. Coward's final stage success came with Suite in Three Keys (1966), a trilogy set in a hotel penthouse suite. He wrote it as his swan song as a stage actor: "I would like to act once more before I fold my bedraggled wings." The trilogy gained glowing reviews and did good box office business in the UK. In one of the three plays, A Song at Twilight , Coward abandoned his customary reticence on
3030-532: A typescript was found in 2007 in the archive of the Lord Chamberlain's Office , the official censor of stage plays in the UK until 1968. In 1921, Coward made his first trip to America, hoping to interest producers there in his plays. Although he had little luck, he found the Broadway theatre stimulating. He absorbed its smartness and pace into his own work, which brought him his first real success as
3131-481: Is a political comedy set in a British colony; Quadrille (1952) is a drama about Victorian love and elopement; and Nude with Violin (1956, starring John Gielgud in London and Coward in New York) is a satire on modern art and critical pretension. A revue, Sigh No More (1945), was a moderate success, but two musicals, Pacific 1860 (1946), a lavish South Seas romance, and Ace of Clubs (1950), set in
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3232-509: Is located on Jermyn Street, as well as shoe- and boot-makers John Lobb . A number of other related businesses occupy premises on the street, such as Sartoria dei Duchi - Atri, the men's luxury goods brand Alfred Dunhill , who opened its shop on the corner of Jermyn Street and Duke Street in 1907; barbers Geo.F. Trumper , and Taylor of Old Bond Street ; and cigar shop Davidoff of London . The street also contains Britain's oldest cheese shop, Paxton & Whitfield , trading since 1797. Floris,
3333-563: Is one of the best of its date in the West End". He calls no 93, which houses cheesemakers Paxton & Whitfield , "another good one". 51°30′30″N 0°08′12″W / 51.5084°N 0.1367°W / 51.5084; -0.1367 No%C3%ABl Coward Sir Noël Peirce Coward (16 December 1899 – 26 March 1973) was an English playwright, composer, director, actor, and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style,
3434-619: Is to the south of, parallel, and adjacent to Piccadilly . Jermyn Street is known as a street for gentlemen's-clothing retailers in the West End . In around 1664, the street was created by and named after Henry Jermyn, 1st Earl of St Albans , as part of his development of the St James's area of central London. It was first recorded as "Jarman Streete" in the 1667 rate books of St Martin's, which listed 56 properties on it. In 1675, there were 108 names listed. Many tailors owned or still own
3535-400: The 1943 Academy Awards ceremony. Coward played a naval captain, basing the character on his friend Lord Louis Mountbatten . Lean went on to direct and adapt film versions of three Coward plays. Coward's most enduring work from the war years was the hugely successful black comedy Blithe Spirit (1941), about a novelist who researches the occult and hires a medium. A séance brings back
3636-615: The Arts Theatre and later would transfer to the New York's 59E59 Theatre In 2011, Jermyn Street Theatre received a Peter Brook Empty Space Award nomination. One year later, the theatre won The Stage 100 Best Fringe Theatre. Following the rising success of Jermyn Street Theatre under the artistic direction of Gene David Kirk was Anthony Biggs who took over as Artistic Director in 2013. He focused on international playwrights and new works. During Biggs' time, Jermyn Street Theatre produced
3737-506: The City of London . Coward was homosexual but, following the convention of his times, this was never publicly mentioned. The critic Kenneth Tynan's description in 1953 was close to an acknowledgment of Coward's sexuality: "Forty years ago he was Slightly in Peter Pan , and you might say that he has been wholly in Peter Pan ever since. No private considerations have been allowed to deflect
3838-706: The D. W. Griffith film Hearts of the World in an uncredited role. He began writing plays, collaborating on the first two ( Ida Collaborates (1917) and Women and Whisky (1918)) with his friend Esmé Wynne. His first solo effort as a playwright was The Rat Trap (1918) which was eventually produced at the Everyman Theatre , Hampstead , in October 1926. During these years, he met Lorn McNaughtan, who became his private secretary and served in that capacity for more than forty years, until her death. In 1920, at
3939-477: The Great Depression , writing a succession of popular hits. They ranged from large-scale spectaculars to intimate comedies. Examples of the former were the operetta Bitter Sweet (1929), about a woman who elopes with her music teacher, and the historical extravaganza Cavalcade (1931) at Drury Lane , about thirty years in the lives of two families, which required a huge cast, gargantuan sets and
4040-580: The OMs , demonstrably the greatest living English playwright." Time wrote that "in the 60s... his best work, with its inspired inconsequentiality, seemed to exert not only a period charm but charm, period." By the end of the 1960s, Coward developed arteriosclerosis and, during the run of Suite in Three Keys , struggled with bouts of memory loss. This also affected his work in The Italian Job , and he retired from acting immediately afterwards. Coward
4141-563: The Savoy Hotel . During one air raid on the area around the Savoy he joined Carroll Gibbons and Judy Campbell in impromptu cabaret to distract the captive guests from their fears. Another of Coward's wartime projects, as writer, star, composer and co-director (alongside David Lean), was the naval film drama In Which We Serve . The film was popular on both sides of the Atlantic, and he was awarded an honorary certificate of merit at
Jermyn Street Theatre - Misplaced Pages Continue
4242-589: The diæresis (" I didn't put the dots over the 'e' in Noël. The language did. Otherwise it's not Noël but Nool!"). The press and many book publishers failed to follow suit, and his name was printed as 'Noel' in The Times , The Observer and other contemporary newspapers and books. "Why", asked Coward, "am I always expected to wear a dressing-gown, smoke cigarettes in a long holder and say 'Darling, how wonderful'?" The answer lay in Coward's assiduous cultivation of
4343-488: The 1960s: he was no longer seen as the smooth 1930s sophisticate, but as the doyen of the theatre. As The New Statesman wrote in 1964, "Who would have thought the landmarks of the Sixties would include the emergence of Noël Coward as the grand old man of British drama? There he was one morning, flipping verbal tiddlywinks with reporters about "Dad's Renaissance"; the next he was ... beside Forster , T. S. Eliot and
4444-575: The Burning Pestle in Birmingham and then London. He did not enjoy the role, finding Francis Beaumont and his sometime collaborator John Fletcher "two of the dullest Elizabethan writers ever known ... I had a very, very long part, but I was very, very bad at it". Nevertheless, The Manchester Guardian thought that Coward got the best out of the role, and The Times called the play "the jolliest thing in London". Coward completed
4545-555: The Menier Chocolate Factory, took over as artistic director in 1998 until 2001. Jermyn Street Theatre has become a staple of London's Off-West End studio theatre. It received a lot of attention following successful productions of Barefoot in the Park directed by Sally Hughes and starring Alan Cox and Rachel Pickup , and Helping Harry directed by Nickolas Grace and starring Adrian Lukis and Simon Dutton . In
4646-580: The Mint ), the mid-18th century highwayman and apothecary William Plunkett , the Duchess of Richmond , the Countess of Northumberland and the artist John Keyse Sherwin (in whose rooms in 1782 the actress Sarah Siddons sat for him for her portrait as Euphrasia ) . The Gun Tavern was one of the great resorts for foreigners of revolutionary tastes during the end of the 18th century, whilst Grenier's Hotel
4747-407: The National Theatre's 2008 exhibition, The Independent commented, "His famous silk, polka-dot dressing gown and elegant cigarette holder both seem to belong to another era. But 2008 is proving to be the year that Britain falls in love with Noël Coward all over again." As soon as he achieved success he began polishing the Coward image: an early press photograph showed him sitting up in bed holding
4848-655: The New Theatre) in London was renamed the Noël Coward Theatre in his honour in 2006. Coward was born in 1899 in Teddington , Middlesex , a south-western suburb of London. His parents were Arthur Sabin Coward (1856–1937), a piano salesman, and Violet Agnes Coward (1863–1954), daughter of Henry Gordon Veitch, a captain and surveyor in the Royal Navy . Noël Coward was the second of their three sons,
4949-493: The OffWestEnd Award for Best Artistic Director 2022. In autumn 2022, Stella Powell-Jones and David Doyle succeeded Tom Littler as Artistic Director and Executive Producer respectively, working alongside Executive Director Penny Horner to form a management team of three. Source: Jermyn Street Jermyn Street is a one-way street in the St James's area of the City of Westminster in London, England . It
5050-765: The Queen Mother replied, "I came because he was my friend." The Noël Coward Theatre in St Martin's Lane , originally opened in 1903 as the New Theatre and later called the Albery, was renamed in his honour after extensive refurbishment, re-opening on 1 June 2006. A statue of Coward by Angela Conner was unveiled by the Queen Mother in the foyer of the Theatre Royal, Drury Lane in 1998. There are also sculptures of Coward displayed in New York and Jamaica, and
5151-682: The Second World War up until 1 April. It was through Crowley that Nancy Cunard resided in a flat in Jermyn Street. New Zealand chefs and entertainers, Hudson and Halls , lived in a flat at No. 60 in the 1990s. Jermyn Street shops traditionally sell shirts and other gentlemen's apparel, such as hats, shoes, shaving brushes , colognes , braces and collar stiffeners . The street is famous for its resident shirtmakers such as Turnbull & Asser , Hawes & Curtis , Thomas Pink , Hilditch & Key , Harvie & Hudson, Emma Willis, and Charles Tyrwhitt . Gentlemen's outfitters Hackett
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#17327721111895252-752: The Second World War. It is a Grade II listed building . In the 1950s, Coward left the UK for tax reasons, receiving harsh criticism in the press. He first settled in Bermuda but later bought houses in Jamaica and Switzerland ( Chalet Covar in the village of Les Avants , near Montreux ), which remained his homes for the rest of his life. His expatriate neighbours and friends included Joan Sutherland , David Niven , Richard Burton and Elizabeth Taylor , and Julie Andrews and Blake Edwards in Switzerland and Ian Fleming and his wife Ann in Jamaica. Coward
5353-636: The Stage Award for Fringe Theatre of the Year, making it the first theatre to win the award twice. Their contribution to groundbreaking digital work, and support for theatre freelancers during lockdown was recognised at the 2022 Critics Circle Awards, where they won an award for "Exceptional theatre-making during lockdown" alongside Nica Burns , the National Theatre , the Old Vic , and Original Theatre Company. In his final year as Artistic Director, Littler won
5454-811: The West End: The Vortex , Fallen Angels , Hay Fever and On with the Dance . Coward was turning out numerous plays and acting in his own works and others'. Soon his frantic pace caught up with him while starring in The Constant Nymph . He collapsed and was ordered to rest for a month; he ignored the doctors and sailed for the US to start rehearsals for his play This Was a Man . In New York he collapsed again, and had to take an extended rest, recuperating in Hawaii. Other Coward works produced in
5555-489: The World in 80 Days (1956), Our Man in Havana (1959), Bunny Lake Is Missing (1965), Boom! (1968) and The Italian Job (1969). Stage and film opportunities he turned down in the 1950s included an invitation to compose a musical version of Pygmalion (two years before My Fair Lady was written), and offers of the roles of the king in the original stage production of The King and I , and Colonel Nicholson in
5656-571: The age of 20, Coward starred in his own play, the light comedy I'll Leave It to You . After a three-week run in Manchester it opened in London at the New Theatre (renamed the Noël Coward Theatre in 2006), his first full-length play in the West End. Neville Cardus 's praise in The Manchester Guardian was grudging. Notices for the London production were mixed, but encouraging. The Observer commented, "Mr Coward... has
5757-828: The children's play Where the Rainbow Ends . Coward played in the piece in 1911 and 1912 at the Garrick Theatre in London's West End . In 1912 Coward also appeared at the Savoy Theatre in An Autumn Idyll (as a dancer in the ballet) and at the London Coliseum in A Little Fowl Play , by Harold Owen, in which Hawtrey starred. Italia Conti engaged Coward to appear at the Liverpool Repertory Theatre in 1913, and in
5858-426: The comic " Mad Dogs and Englishmen " from Words and Music , and "Mrs Worthington". With the outbreak of the Second World War Coward abandoned the theatre and sought official war work. After running the British propaganda office in Paris, where he concluded that "if the policy of His Majesty's Government is to bore the Germans to death I don't think we have time", he worked on behalf of British intelligence. His task
5959-506: The curtain calls and spitting at Coward as he left the theatre. Coward later said of this flop, "My first instinct was to leave England immediately, but this seemed too craven a move, and also too gratifying to my enemies, whose numbers had by then swollen in our minds to practically the entire population of the British Isles." By 1929 Coward was one of the world's highest-earning writers, with an annual income of £50,000, more than £3 million in terms of 2020 values. Coward thrived during
6060-502: The drive of his career; like Gielgud and Rattigan , like the late Ivor Novello, he is a congenital bachelor." Coward firmly believed his private business was not for public discussion, considering " any sexual activities when over-advertised" to be tasteless. Even in the 1960s, Coward refused to acknowledge his sexual orientation publicly, wryly observing, "There are still a few old ladies in Worthing who don't know." Despite this reticence, he encouraged his secretary Cole Lesley to write
6161-517: The duke's death, "I suddenly find that I loved him more than I knew." Coward maintained close friendships with many women, including the actress and author Esmé Wynne-Tyson, his first collaborator and constant correspondent; Gladys Calthrop , who designed sets and costumes for many of his works; his secretary and close confidante Lorn Loraine; the actresses Gertrude Lawrence, Joyce Carey and Judy Campbell; and "his loyal and lifelong amitié amoureuse ", Marlene Dietrich . In his profession, Coward
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#17327721111896262-415: The eldest of whom had died in 1898 at the age of six. Coward's father lacked ambition and industry, and family finances were often poor. Coward was bitten by the performing bug early and appeared in amateur concerts by the age of seven. He attended the Chapel Royal Choir School as a young child. He had little formal schooling but was a voracious reader. Encouraged by his ambitious mother, who sent him to
6363-658: The film The Bridge on the River Kwai . Invited to play the title role in the 1962 film Dr. No , he replied, "No, no, no, a thousand times, no." In the same year, he turned down the role of Humbert Humbert in Lolita , saying, "At my time of life the film story would be logical if the 12-year-old heroine was a sweet little old lady." In the mid-1960s and early 1970s successful productions of his 1920s and 1930s plays, and new revues celebrating his music, including Oh, Coward! on Broadway and Cowardy Custard in London, revived Coward's popularity and critical reputation. He dubbed this comeback "Dad's Renaissance". It began with
6464-435: The first complete West End revival of Noël Coward 's Tonight at 8.30 , featuring a cast of nine actors playing 73 roles. In his tenure, Jermyn Street Theatre often co-produced with regional theatres including York Theatre Royal , the Watermill Theatre , Theatre by the Lake , Theatre Royal Bath , Creation Theatre , the Stephen Joseph Theatre , and Guildford Shakespeare Company. During its closure over lockdown in 2020,
6565-587: The ghost of his first wife, causing havoc for the novelist and his second wife. With 1,997 consecutive performances, it broke box-office records for the run of a West End comedy, and was also produced on Broadway, where its original run was 650 performances. The play was adapted into a 1945 film , directed by Lean. Coward toured during 1942 in Blithe Spirit , in rotation with his comedy Present Laughter and his working-class drama This Happy Breed . In his Middle East Diary Coward made several statements that offended many Americans. In particular, he commented that he
6666-450: The home front than by intelligence work: "Go and sing to them when the guns are firing – that's your job!" Coward, though disappointed, followed this advice. He toured, acted and sang indefatigably in Europe, Africa, Asia and America. He wrote and recorded war-themed popular songs, including " London Pride " and " Don't Let's Be Beastly to the Germans ". His London home was wrecked by German bombs in 1941, and he took up temporary residence at
6767-467: The houses along the street and often let rooms to people. No. 22, Jermyn Street , for instance was once owned by Italian silk merchant Cesare Salvucci and a military tailor who rented rooms out to people such as the banker Theodore Rothschild . The Duke of Marlborough lived there when he was Colonel Churchill, as did Isaac Newton (at No. 88, from 1696 to 1700; he then moved next door to No. 87, from 1700 to 1709, during which time he worked as Warden of
6868-502: The influence of Bernard Shaw on Coward's writing, thought more highly of the play than of Coward's newly found fans: "I was unfortunately wedged in the centre of a group of his more exuberant friends who greeted each of his sallies with 'That's a Noëlism!'" The play ran in London from 1 February to 24 March 1923, after which Coward turned to revue , co-writing and performing in André Charlot 's London Calling! In 1924, Coward achieved his first great critical and financial success as
6969-539: The king irresponsible, telling Churchill, "England doesn't wish for a Queen Cutie." Coward disliked propaganda in plays: Nevertheless, his own views sometimes surfaced in his plays: both Cavalcade and This Happy Breed are, in the words of the playwright David Edgar , "overtly Conservative political plays written in the Brechtian epic manner." In religion, Coward was agnostic. He wrote of his views, "Do I believe in God? I can't say No and I can't say Yes, To me it's anybody's guess." Coward spelled his first name with
7070-532: The late 2000s, under the artistic direction of Gene David Kirk, Jermyn Street expanded its repertoire to include revivals of obscure plays such as the UK premiere of St John's Night by Henrik Ibsen , Little Eyolf starring Imogen Stubbs and Doreen Mantle by Henrik Ibsen , and the postwar classic The River Line by Charles Morgan . Samuel Beckett 's All That Fall , premiered at Jermyn Street Theatre in 2012, directed by Trevor Nunn and starring Eileen Atkins and Michael Gambon . It then transferred to
7171-482: The mid-to-late 1920s included the plays Easy Virtue (1926), a drama about a divorcée's clash with her snobbish in-laws; The Queen Was in the Parlour , a Ruritanian romance ; This Was a Man (1926), a comedy about adulterous aristocrats; The Marquise (1927), an eighteenth-century costume drama; Home Chat (1927), a comedy about a married woman's fidelity; and the revues On with the Dance (1925) and This Year of Grace (1928). None of these shows has entered
7272-757: The new Fortnum and Mason restaurant, and Franco's. Tramp nightclub and the 70-seat Jermyn Street Theatre (the West End 's smallest) are also on the street. Many of the buildings on Jermyn Street are owned by the Crown Estate . Most of the buildings appear in Survey of London in The Parish of St James Westminster Part 1 South of Piccadilly: Volumes 29 and 30 , Vol. 29 (1960), which can be viewed online. Nikolaus Pevsner writes in The Buildings of England that "The Mid Victorian shop-front of No 97
7373-709: The north coast of the island. A memorial service was held in St Martin-in-the-Fields in London on 29 May 1973, for which the Poet Laureate , John Betjeman , wrote and delivered a poem in Coward's honour, John Gielgud and Laurence Olivier read verse, and Yehudi Menuhin played Bach . On 28 March 1984 a memorial stone was unveiled by the Queen Mother in Poets' Corner , Westminster Abbey . Thanked by Coward's partner, Graham Payn , for attending,
7474-497: The numbers from his Las Vegas act. It was followed by productions of Blithe Spirit in which he starred with Claudette Colbert , Lauren Bacall and Mildred Natwick and This Happy Breed with Edna Best and Roger Moore . Despite excellent reviews, the audience viewing figures were moderate. During the 1950s and 1960s Coward continued to write musicals and plays. After the Ball , his 1953 adaptation of Lady Windermere's Fan ,
7575-642: The outbreak of the Second World War, Coward volunteered for war work, running the British propaganda office in Paris. He also worked with the Secret Service, seeking to use his influence to persuade the American public and government to help Britain. Coward won an Academy Honorary Award in 1943 for his naval film drama In Which We Serve and was knighted in 1970. In the 1950s he achieved fresh success as
7676-459: The playwright Keith Winter, actors Louis Hayward and Alan Webb , his manager Jack Wilson and the composer Ned Rorem , who published details of their relationship in his diaries. Coward had a 19-year friendship with Prince George, Duke of Kent , but biographers differ on whether it was platonic. Payn believed that it was, although Coward reportedly admitted to the historian Michael Thornton that there had been "a little dalliance". Coward said, on
7777-552: The public view of Coward's flamboyant lifestyle, Churchill used as his reason for withholding the honour Coward's £200 fine for contravening currency regulations in 1941. Had the Germans invaded Britain, Coward was scheduled to be arrested and killed, as he was in The Black Book along with other figures such as Virginia Woolf , Paul Robeson , Bertrand Russell , C. P. Snow and H. G. Wells . When this came to light after
7878-402: The regular repertoire, but the last introduced one of Coward's best-known songs, "A Room with a View". His biggest failure in this period was the play Sirocco (1927), which concerns free love among the wealthy. It starred Ivor Novello , of whom Coward said, "the two most beautiful things in the world are Ivor's profile and my mind". Theatregoers hated the play, showing violent disapproval at
7979-461: The regular theatre repertoire. He composed hundreds of songs, in addition to well over a dozen musical theatre works (including the operetta Bitter Sweet and comic revues ), screenplays, poetry, several volumes of short stories, the novel Pomp and Circumstance , and a three-volume autobiography. Coward's stage and film acting and directing career spanned six decades, during which he starred in many of his own works, as well as those of others. At
8080-709: The same year he was cast as the Lost Boy Slightly in Peter Pan . He reappeared in Peter Pan the following year, and in 1915 he was again in Where the Rainbow Ends . He worked with other child actors in this period, including Hermione Gingold (whose mother threatened to turn "that naughty boy" out); Fabia Drake ; Esmé Wynne , with whom he collaborated on his earliest plays; Alfred Willmore, later known as Micheál Mac Liammóir ; and Gertrude Lawrence who, Coward wrote in his memoirs, "gave me an orange and told me
8181-411: The staccato, blind impulsiveness of a machine-gun. In 1955 Coward's cabaret act at Las Vegas, recorded live for the gramophone and released as Noël Coward at Las Vegas , was so successful that CBS engaged him to write and direct a series of three 90-minute television specials for the 1955–56 season. The first of these, Together With Music , paired Coward with Mary Martin , featuring him in many of
8282-533: The subject and played an explicitly homosexual character. The daring piece earned Coward new critical praise. He intended to star in the trilogy on Broadway but was too ill to travel. Only two of the Suite in Three Keys plays were performed in New York, with the title changed to Noël Coward in Two Keys , starring Hume Cronyn . Coward won new popularity in several notable films later in his career, such as Around
8383-431: The theatre responded with its Brave New World season of digital work, including the complete cycle of Shakespeare's sonnets performed by a mixture of graduating drama students and household names including Helena Bonham Carter and Olivia Colman and the acclaimed 15 Heroines with DigitalTheatre+ featuring adaptations of Ovid from writers including Juliet Gilkes Romero and Timberlake Wertenbaker . In 2021, they won
8484-635: The troops, was a supreme success, first in London at the Café de Paris , and later in Las Vegas . The theatre critic Kenneth Tynan wrote: To see him whole, public and private personalities conjoined, you must see him in cabaret ... he padded down the celebrated stairs ... halted before the microphone on black-suede-clad feet, and, upraising both hands in a gesture of benediction, set about demonstrating how these things should be done. Baring his teeth as if unveiling some grotesque monument, and cooing like
8585-598: The upper classes. Its notoriety and fiery performances attracted large audiences, justifying a move from a small suburban theatre to a larger one in the West End. Coward, still having trouble finding producers, raised the money to produce the play himself. During the run of The Vortex , Coward met Jack Wilson , an American stockbroker (later a director and producer), who became his business manager and lover. At first Wilson managed Coward's business affairs well, but later abused his position to embezzle from his employer. The success of The Vortex in both London and America caused
8686-474: The war, Coward wrote an alternative reality play, Peace in Our Time , depicting an England occupied by Nazi Germany . Coward's new plays after the war were moderately successful but failed to match the popularity of his pre-war hits. Relative Values (1951) addresses the culture clash between an aristocratic English family and a Hollywood actress with matrimonial ambitions; South Sea Bubble (1951)
8787-451: The war, Coward wrote: "If anyone had told me at that time I was high up on the Nazi blacklist, I should have laughed ... I remember Rebecca West , who was one of the many who shared the honour with me, sent me a telegram which read: 'My dear – the people we should have been seen dead with'." Churchill's view was that Coward would do more for the war effort by entertaining the troops and
8888-507: The weekend and bemuse and enrage each other's guests. Some writers have seen elements of Coward's old mentor, Mrs Astley Cooper, and her set in the characters of the family. By the 1970s the play was recognised as a classic, described in The Times as a "dazzling achievement; like The Importance of Being Earnest , it is pure comedy with no mission but to delight, and it depends purely on the interplay of characters, not on elaborate comic machinery." By June 1925 Coward had four shows running in
8989-603: Was knighted in 1970, and was elected a fellow of the Royal Society of Literature . He received a Tony Award for lifetime achievement in 1970. In 1972, he was awarded an honorary Doctor of Letters degree by the University of Sussex . At the age of 73, Coward died at his home, Firefly Estate , in Jamaica on 26 March 1973 of heart failure and was buried three days later on the brow of Firefly Hill, overlooking
9090-535: Was "less impressed by some of the mournful little Brooklyn boys lying there in tears amid the alien corn with nothing worse than a bullet wound in the leg or a fractured arm". After protests from both The New York Times and The Washington Post , the Foreign Office urged Coward not to visit the United States in January 1945. He did not return to America again during the war. In the aftermath of
9191-413: Was a talented boy, God knows, and, when washed and smarmed down a bit, passably attractive. There appeared to be no earthly reason why Miss Lila Field shouldn't jump at me, and we both believed that she would be a fool indeed to miss such a magnificent opportunity. The leading actor-manager Charles Hawtrey , whom the young Coward idolised and from whom he learned a great deal about the theatre, cast him in
9292-523: Was a witness at the Flemings' wedding, but his diaries record his exasperation with their constant bickering. Coward's political views were conservative, but not unswervingly so: he despised the government of Neville Chamberlain for its policy of appeasing Nazi Germany, and he differed sharply with Winston Churchill over the abdication crisis of 1936. Whereas Churchill supported Edward VIII 's wish to marry "his cutie", Wallis Simpson , Coward thought
9393-418: Was expected of me. Part of the job." Time concluded, "Coward's greatest single gift has not been writing or composing, not acting or directing, but projecting a sense of personal style, a combination of cheek and chic, pose and poise." Coward's distinctive clipped diction arose from his childhood: his mother was deaf and Coward developed his staccato style of speaking to make it easier for her to hear what he
9494-480: Was in the care of the orphanage. He became Collinson's godfather and helped him to get started in show business. When Collinson was a successful director, he invited Coward to play a role in The Italian Job . Graham Payn also played a small role in the film. In 1926, Coward acquired Goldenhurst Farm , in Aldington, Kent , making it his home for most of the next thirty years, except when the military used it during
9595-529: Was patronised by French refugees. At the Brunswick Hotel, Louis Napoleon took up his residence under the assumed name of Count D'Arenberg on his escape from captivity in the fortress of Ham . Though he did not live there, a statue of the dandy Beau Brummell stands on Jermyn Street at its junction with Piccadilly Arcade , as embodying its elegant clothing values. Aleister Crowley lived in No. 93 during
9696-524: Was really quite good in it, owing to the kindness and care of Hawtrey's direction. He took endless trouble with me ... and taught me during those two short weeks many technical points of comedy acting which I use to this day." In 1918, Coward was conscripted into the Artists Rifles but was assessed as unfit for active service because of a tubercular tendency, and he was discharged on health grounds after nine months. That year he appeared in
9797-425: Was saying; it also helped him eradicate a slight lisp. His nickname, "The Master", "started as a joke and became true", according to Coward. It was used of him from the 1920s onwards. Coward himself made light of it: when asked by a journalist why he was known as "The Master", he replied, "Oh, you know – Jack of all trades, master of none." He could, however, joke about his own immodesty: "My sense of my importance to
9898-562: Was the last musical he premiered in the West End; his last two musicals were first produced on Broadway. Sail Away (1961), set on a luxury cruise liner, was Coward's most successful post-war musical, with productions in America, Britain and Australia. The Girl Who Came to Supper , a musical adaptation of The Sleeping Prince (1963), ran for only three months. He directed the successful 1964 Broadway musical adaptation of Blithe Spirit , called High Spirits . Coward's late plays include
9999-401: Was the world premiere of Howard Brenton 's The Blinding Light . This marked the sixth production Littler has directed at Jermyn Street Theatre. Previous credits include praised revivals of Stephen Sondheim 's Anyone Can Whistle and Saturday Night which transferred to the Arts Theatre . Since Tom Littler's appointment as Artistic Director, Jermyn Street Theatre has been re-launched into
10100-419: Was to use his celebrity to influence American public and political opinion in favour of helping Britain. He was frustrated by British press criticism of his foreign travel while his countrymen suffered at home, but he was unable to reveal that he was acting on behalf of the Secret Service. In 1942 George VI wished to award Coward a knighthood for his efforts, but was dissuaded by Winston Churchill . Mindful of
10201-493: Was widely admired and loved for his generosity and kindness to those who fell on hard times. Stories are told of the unobtrusive way in which he relieved the needs or paid the debts of old theatrical acquaintances who had no claim on him. From 1934 until 1956, Coward was the president of the Actors Orphanage , which was supported by the theatrical industry. In that capacity, he befriended the young Peter Collinson , who
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