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37-469: Open air is "the unconfined atmosphere ... outside buildings". In the loosest sense, an open-air museum is any institution that includes one or more buildings in its collections, including farm museums, historic house museums , and archaeological open-air museums . Mostly, "open-air museum" is applied to a museum that specializes in the collection and re-erection of multiple old buildings at large outdoor sites, usually in settings of recreated landscapes of

74-669: A collection consistent with the historical structure. Some museums choose to collect pieces original to the period, while not original to the house. Others, fill the home with replicas of the original pieces, reconstructed with the help of historic records. Still other museums adopt a more aesthetic approach and use the homes to display the architecture and artistic objects. Because historic homes have often existed through different generations and have been passed on from one family to another, volunteers and professionals also must decide which historical narrative to tell their visitors. Some museums grapple with this issue by displaying different eras in

111-475: A golden thumb" refers to the profit the miller makes as a result of this skill. The shape of a miller's thumb is said to have the appearance of the head of a fish. The European bullhead ( Cottus gobio ), a freshwater fish, is commonly called a miller's thumb for this reason. Miller (also known as Millar) is a common surname derived from the old English surname Milleiir . The name, and its many other variants, can be found widely across Europe in countries like

148-495: A home. Historic house museums are held to a variety of standards, including those of the International Council of Museums . Houses are transformed into museums for a number of different reasons. For example, the homes of famous writers are frequently turned into writer's home museums to support literary tourism . Historic house museums are sometimes known as a "memory museum", which is a term used to suggest that

185-536: A large tract of land adjacent to King Oscar's royal collections, probably with a merger between them in mind. The open-air Norsk Folkemuseum was opened at Bygdøy in 1902. In 1907 the royal collections were incorporated after the death of King Oscar and the dissolution of the union with Sweden . Most open-air museums concentrate on rural culture. However, since the opening of the first town museum, The Old Town in Aarhus , Denmark , in 1914, town culture has also become

222-634: A large, fixed stone as a base and another movable stone operated by hand, similar to a mortar and pestle . As technology and millstones (the bedstone and rynd ) improved, more elaborate machines such as watermills and windmills were developed to do the grinding work. These mills harnessed available energy sources including animal, water, wind, and electrical power. Mills are some of the oldest factories in human history, so factories making other items are sometimes known as mills, for example, cotton mills and steel mills . These factory workers are also called millers. The rynd in pre-reformation Scotland

259-602: A living-history museum, had a different, slightly later origin than the European, and the visitor experience is different. The first was Henry Ford 's Greenfield Village in Dearborn, Michigan (1928), where Ford intended his collection to be "a pocket edition of America". Colonial Williamsburg (opened in 1934), though, had a greater influence on museum development in North America. It influenced such projects through

296-499: A particular area, social-class or historical period. The " narrative " of the people who lived there guides this approach, and dictates the manner in which it is completed. Another alternative approach, deployed by nonprofit organization House Museum , includes contemporary art integration, where artists are invited to respond to the physical and conceptual history of a site, thus injecting contemporary perspectives and value into historic places. In each kind of museum, visitors learn about

333-486: A professor of history and political science, further adds to social history and its relationship to locations by saying – Following this historical movement, the concept of " open-air museums " became prominent. These particular types of museums had interpreters in costume re-enact the lives of communities in earlier eras, which would then be performed to modern audiences. They often occupied large wooden architecture buildings or outdoor sites and landscapes, that were true to

370-429: A scope of open-air museums. In many cases, new town quarters are being constructed in existing rural culture museums. Living-history museums, including living-farm museums and living museums , are open-air museums where costumed interpreters portray period life in an earlier era. The interpreters act as if they are living in a different time and place and perform everyday household tasks, crafts, and occupations. The goal

407-400: A year, more than fifty percent of historic house museums received fewer than 5,000 visitors per year. These museums are also unique in that the actual structure belongs to the museum collection as a historical object. While some historic home museums are fortunate to possess a collection containing many of the original furnishings once present in the home, many face the challenge of displaying

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444-1074: Is a person who operates a mill , a machine to grind a grain (for example corn or wheat) to make flour . Milling is among the oldest of human occupations. "Miller", "Milne" and other variants are common surnames, as are their equivalents in other languages around the world (" Melnyk " in Ukrainian , " Meunier " in French , " Müller " or " Mueller " in German , " Mulder " and " Molenaar " in Dutch , " Molnár " in Hungarian , " Molinero " in Spanish , " Molinaro " or " Molinari " in Italian , " Mlinar " in South Slavic languages etc.). Milling existed in hunter-gatherer communities, and later millers were important to

481-551: Is not only associated with the individual but is a shared experience. It also focused on the way individual memory is influenced by social structures, as a way of continuing socialisation by producing memory as collective experience. An example of a site that utilizes collective memory is the Hiroshima Peace Memorial Park in Japan. It was restored and is based on the dialectics of memory, however it also has

518-535: Is to demonstrate older lifestyles and pursuits to modern audiences. Household tasks might include cooking on an open hearth , churning butter , spinning wool and weaving , and farming without modern equipment. Many living museums feature traditional craftsmen at work, such as a blacksmith , pewtersmith , silversmith , weaver , tanner , armorer , cooper , potter , miller , sawyer , cabinet-maker , woodcarver , printer , doctor, and general storekeeper . The North American open-air museum, more commonly called

555-408: The development of agriculture . The materials ground by millers are often foodstuffs and particularly grain . The physical grinding of the food allows for the easier digestion of its nutrients and saves wear on the teeth. Non-food substances needed in a fine, powdered form, such as building materials , may be processed by a miller. The most basic tool for a miller was the quern-stone —simply

592-551: The 1970s and 1980s, as the Revolutionary War's bicentennial set off a wave of patriotism and alerted Americans to the destruction of their physical heritage. The tradition of restoring homes of the past and designating them as museums draws on the English custom of preserving ancient buildings and monuments. Initially homes were considered worthy of saving because of their associations with important individuals, usually of

629-764: The Nordic Museum. Skansen, opened to the public in 1891, was a more ambitious undertaking, including farm buildings from across Sweden , folk costumes, live animals, folk music, and demonstrations of folk crafts. The second open-air museum in the world to open its doors was also in Sweden: Kulturen in Lund in 1892 . In 1894 the Norwegian Museum of Cultural History ( Norsk Folkemuseum ) was founded in Oslo by Hans Aall , inspired by Skansen. Aall bought

666-419: The city of Ivrea , Italy , commemorates a spirited "Mugnaia" (miller's daughter) who supposedly refused to let a local duke exercise his right of the first night , and proceeded to chop the duke's head off and spark a revolution. Whatever the historical validity of the story, it is significant it was the daughter of a miller to whom folk tradition assigned this rebellious role. As an important part of his job,

703-539: The continent as Mystic Seaport , Plimoth Patuxet (formerly Plimoth Plantation), and Fortress Louisbourg . The approach to interpretation tends to differentiate the North American from the European model. In Europe, the tendency is to usually focus on the buildings. In North America, many open-air museums include interpreters who dress in period costume and conduct period crafts and everyday work. The living museum is, therefore, viewed as an attempt to recreate to

740-511: The darker aspects of the American past (e.g., slavery and other forms of injustice). Even before such critiques were published, sites such as Williamsburg and others had begun to add more interpretation of difficult history. Historic house museum A historic house museum is a house of historic significance that is preserved as a museum . Historic furnishings may be displayed in a way that reflects their original placement and usage in

777-403: The elite classes, like former presidents, authors, or businessmen. Increasingly, Americans have fought to preserve structures characteristic of a more typical American past that represents the lives of everyday people. Historic house museums usually operate with small staffs and on limited budgets. Many are run entirely by volunteers and often do not meet the professional standards established by

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814-420: The era, adding to authenticity. Collective memory is sometimes used in the resurrection of historic house museums; however, not all historic house museums use this approach. The notion of collective memory originated from philosopher and sociologist Maurice Halbwachs , in "La Memoire Collective" ("On Collective Memory", 1950). This extended thesis examines the role of people and place, and how collective memory

851-508: The fullest extent conditions of a culture , natural environment , or historical period . The objective is immersion, using exhibits so that visitors can experience the specific culture, environment or historical period using the physical senses. Performance and historiographic practices at American living museums have been critiqued in the past several years by scholars in anthropology and theater for creating false senses of authenticity and accuracy, and for neglecting to bear witness to some of

888-651: The history of everyday living by people from all segments of society. The idea of the open-air museum dates to the 1790s. The first proponent of the idea was the Swiss thinker Charles de Bonstetten , and was based on a visit to an exhibit of sculptures of Norwegian peasants in native costumes in the park of Fredensborg Palace in Denmark ,"Valley of the Norsemen". He believed that traditional peasant houses should be preserved against modernity, but failed to attract support for

925-409: The home's history within different rooms or sections of the structure. Others choose one particular narrative, usually the one deemed most historically significant, and restore the home to that particular period. There are a number of organizations around the world that dedicate themselves to the preservation, restoration, or promotion of historic house museums. They include: Miller A miller

962-711: The idea. The first major steps towards the creation of open-air museums was taken in Swedish union ruled Norway in 1881, when the Swedish union King Oscar II transferred four historic farm buildings and the stave church from Gol to the royal manor at Bygdøy near Oslo (Christiania) for public viewing. This, in turn, in 1884 and 1885 inspired Artur Hazelius , founder of the Nordic Museum in Stockholm , to establish his own open-air museum Skansen , adjacent to

999-446: The inclusion of joyous festivals to mask the turmoil. The Hiroshima Traces (1999) text takes a look at the importance of collective memory and how it is embedded in culture and place. Thus, collective memory does not only reside in a house or building, but it also resonates in outdoor space – particularly when a monumental event has occurred, such as war. Problematic creation of collective memory occurs within historic house museums when

1036-411: The miller repeatedly takes into his hand samples of the ground meal coming out of the spout in order to feel the quality and character of the product. The miller rubs the grain between his thumb and forefinger. After years of doing this, the miller's thumb changes shape and becomes broad and flattened. This is known as a "miller's thumb". Sayings such as "worth a millerˈs thumb" and "an honest miller hath

1073-411: The museum contains a collection of the traces of memory of the people who once lived there. It is often made up of the inhabitants' belongings and objects – this approach is mostly concerned with authenticity . Some museums are organised around the person who lived there or the social role the house had. Other historic house museums may be partially or completely reconstructed in order to tell the story of

1110-553: The museum industry. An independent survey conducted by Peggy Coats in 1990 revealed that sixty-five percent of historic house museums did not have a full-time staff, and 19 to 27 percent of historic homes employed only one full-time employee. Furthermore, the majority of these museums operated on less than $ 50,000 annually. The survey also revealed a significant disparity in the number of visitors between local house museums and national sites. While museums like Mount Vernon and Colonial Williamsburg were visited by over one million tourists

1147-403: The narrative of all people who lived there is dangerous. While some plantation museum narratives have changed following an outcry from the public and the academy, "plantation museums reflect, create, and contribute to racialized ways of understanding and organizing the world" by limiting or eliminating the narrative of the enslaved inhabitants. A degree of authenticity is also to be considered in

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1184-554: The narrative of non-family members is dismissed, ignored, or completely rejected. Within the Southern United States, plantation museums (the former homes of enslavers) constitute a significant portion of the museum community and contribute to the racialized collective memory of the United States. Because museums are responsible for "the building of identity, cultural memory and community", neglecting to include

1221-404: The past, and often including living history . Such institutions may, therefore, be described as building museums. European open-air museums tended to be sited originally in regions where wooden architecture prevailed, as wooden structures may be translocated without substantial loss of authenticity. Common to all open-air museums, including the earliest ones of the 19th century, is the teaching of

1258-472: The previous inhabitants through an explanation and exploration of social history . The idea of a historic house museum derives from a branch of history called social history that is solely based on people and their way of living. It became very popular in the mid-twentieth century among scholars who were interested in the history of people, as opposed to political and economical issues. Social history remains an influential branch of history. Philip J. Ethington,

1295-468: The public good and the preservation of American history, especially centered on the first U.S. president, General George Washington. Since the establishment of the country's first historic site in 1850, Washington's Revolutionary headquarters in New York, Americans have found a penchant for preserving similar historical structures. The establishment of historic house museums increased in popularity through

1332-405: The restoration and creation of a historic house museum. The space must be authentic in terms of truly replicating and representing the way it once stood in its original form and appear to be untouched and left in time. There are three steps when declaring if a space is authentic: The earliest projects for preserving historic homes began in the 1850s under the direction of individuals concerned with

1369-451: Was often carved on millers' gravestones as a symbol of their trade. In a traditional rural society, a miller is often wealthier than ordinary peasants, which can lead to jealousy. Millers are often accused of associating with thieves, and were targeted in bread riots at times of famine . Conversely, millers might be in a stronger position vis-a-vis feudal land owners than are ordinary peasants. The traditional carnival held annually in

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