Oslo Concert Hall ( Oslo Konserthus ) is a concert hall located in Vika , a part of Oslo city centre in Norway . It is the base of the Oslo Philharmonic Orchestra ( Oslo-Filharmonien ), but it also aims to be one of the premier music venues for the general musical and cultural life of Norway, offering a broad variety of musical styles from classical, world music, and popular entertainment by both Norwegian and international artists and groups. It presents more than 300 events yearly and receives more than 200,000 visitors.
56-498: For a long time, Oslo lacked a proper concert hall, and the Oslo Philharmonic did not have a regular hall for their rehearsals. Sometimes the rehearsals could be on different locations every day through the same project. After decades of debate and delay, an architectal competition was arranged in 1955 and final drafts for the concert hall were presented in 1965, based on Gösta Åbergh ’s winning proposal. Oslo Konserthus AS
112-413: A 2 + 2 ⁄ 3 ft or other mutation stop and/or a small mixture , and some have an 8 ft reed stop (such as a regal ). Still larger positives may have a 4 ft principal or a second 8 ft stop, the latter often treble-only. More complex examples feature a divided keyboard, which allows each stop to be activated separately in the treble and bass portions of the keyboard. This makes it possible to play
168-530: A church and a concert organ became harder to draw. In the late 19th century and early 20th century, symphonic organs flourished in secular venues in the United States and the United Kingdom, designed to replace symphony orchestras by playing transcriptions of orchestral pieces. Symphonic and orchestral organs largely fell out of favor as the orgelbewegung (organ reform movement) took hold in
224-468: A console to produce the sounds or deliver the sound samples. Touch screen monitors allows the user to control the virtual organ console; a traditional console and its physical stop and coupler controls is not required. In such a basic form, a virtual organ can be obtained at a much lower cost than other digital classical organs. Mechanical organs include: The wind can also be created by using pressurized steam instead of air. The steam organ, or calliope ,
280-462: A different pitch and tone. These instruments are commonly found in churches and concert halls , where they have long been associated with liturgical music and grand ceremonial occasions. Mechanical or electronic systems are used by non-pipe organs to emulate the sound of pipe organs. Predecessors to the organ include: The organ is a relatively old musical instrument , dating from the time of Ctesibius of Alexandria (285–222 BC), who invented
336-413: A digital or electronic organ that generates the sound with digital signal processing (DSP) chips, or a combination of pipes and electronics. It may be called a church organ or classical organ to differentiate it from the theatre organ , which is a different style of instrument. However, as classical organ repertoire was developed for the pipe organ and in turn influenced its development, the line between
392-617: A distinctive tremolo , became the most popular. Though originally produced to replace organs in the church, the Hammond organ, especially the model B-3, became popular in jazz , particularly soul jazz , and in gospel music . Since these were the roots of rock and roll , the Hammond organ became a part of the rock and roll sound. It was widely used in rock and popular music during the 1960s and 1970s by bands like Emerson, Lake and Palmer , Procol Harum , Santana and Deep Purple . Its popularity resurged in pop music around 2000, in part due to
448-415: A drummer and a third instrumentalist (either jazz guitar or saxophone). In the 2000s, many performers use electronic or digital organs, called clonewheel organs , as they are much lighter and easier to transport than the heavy, bulky B-3. Performers of 20th century popular organ music include William Rowland who composed "Piano Rags"; George Wright (1920–1998) and Virgil Fox (1912–1980), who bridged both
504-406: A maximum capacity of more than 1,600 and the small hall has 266. The foyers can be used as exhibition areas, and the bars have a capacity of serving up to 1,400 people. Also the open area in front of the hall and the premises below belong to Oslo Konserthus AS. The Stenersen Museum ( Stenersenmuseet ), with its café Diorama , are located in the latter. In 2000 Mariss Jansons , then conductor of
560-506: A melody and an accompaniment simultaneously on different registrations. Most positives have just one manual keyboard and no pedals , but there are examples with a set of pedal pulldowns or even a pedal stop or two, as well as rarer ones with two manuals. Before electricity, positives required either the player or a second person to operate the bellows in order to supply wind to the instrument, but most modern positives include electric blowers for this purpose. The positive organ differs from
616-426: A pipe organ would not be a possibility. Far smaller and cheaper to buy than a corresponding pipe instrument, and in many cases portable, they have taken organ music into private homes and into dance bands and other new environments, and have almost completely replaced the reed organ. The Hammond organ was the first successful electric organ , released in the 1930s. It used mechanical, rotating tonewheels to produce
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#1732798710999672-589: A secular and recital instrument in the Classical music tradition. Early organs include: Medieval organs include: The pipe organ is the largest musical instrument . These instruments vary greatly in size, ranging from a cubic meter to a height reaching five floors, and are built in churches, synagogues, concert halls, and homes. Small organs are called " positive " (easily placed in different locations) or " portative " (small enough to carry while playing). The pipes are divided into ranks and controlled by
728-410: A single short keyboard to huge instruments with over 10,000 pipes . A large modern organ typically has three or four keyboards ( manuals ) with five octaves (61 notes) each, and a two-and-a-half octave (32-note) pedal board . Wolfgang Amadeus Mozart called the organ the "King of instruments". Some of the biggest instruments have 64-foot pipes (a foot here means "sonic-foot", a measure quite close to
784-574: Is especially popular nowadays for basso continuo work; positives for more independent use tend to be higher. From the Middle Ages through Renaissance and Baroque the instrument came in many different forms, including processional and tabletop organs that have profited relatively less from the renewed popularity the type in general has enjoyed from the Orgelbewegung onwards. A well-known instance of an early positive or portable organ of
840-435: Is placed in a small room, that this diminutive organ can fill with sound. It is often confined to chamber organ repertoire, as often the organs have too few voice capabilities to rival the grand pipe organs in the performance of the classics. The sound and touch are unique to the instrument, sounding nothing like a large organ with few stops drawn out, but rather much more intimate. They are usually tracker instruments, although
896-498: The French Classical school also flourished. François Couperin , Nicolas Lebègue , André Raison , and Nicolas de Grigny were French organist-composers of the period. Bach knew Grigny's organ output well, and admired it. In England, Handel was famous for his organ-playing no less than for his composing; several of his organ concertos, intended for his own use, are still frequently performed. After Bach's death in 1750,
952-581: The Hammond organ have an established role in a number of popular-music genres, such as blues, jazz, gospel, and 1960s and 1970s rock music. Electronic and electromechanical organs were originally designed as lower-cost substitutes for pipe organs. Despite this intended role as a sacred music instrument, electronic and electromechanical organs' distinctive tone – often modified with electronic effects such as vibrato , rotating Leslie speakers , and overdrive – became an important part of
1008-467: The Latin verb ponere , "to place") is a small, usually one-manual, pipe organ that is built to be more or less mobile. It was common in sacred and secular music between the 10th and the 18th centuries, in chapels and small churches, as a chamber organ and for the basso continuo in ensemble works. The smallest common kind of positive, hardly higher than the keyboard, is called chest or box organ and
1064-539: The Oslo Philharmonic Orchestra , resigned his position after disputes with the city over the poor acoustics of the hall. [REDACTED] Media related to Oslo Konserthus at Wikimedia Commons Organ (music) In music , the organ is a keyboard instrument of one or more pipe divisions or other means (generally woodwind or electric ) for producing tones. The organs have usually two or three, up to five, manuals for playing with
1120-438: The integrated circuit enabled another revolution in electronic keyboard instruments. Digital organs sold since the 1970s utilize additive synthesis , then sampling technology (1980s) and physical modelling synthesis (1990s) are also utilized to produce the sound. Virtual pipe organs use MIDI to access samples of real pipe organs stored on a computer, as opposed to digital organs that use DSP and processor hardware inside
1176-449: The portative organ in that it is larger and is not played while strapped at a right angle to the performer's body. It also has a larger keyboard (typically 49 notes or more in modern examples, often 45 or so notes with a short octave in older ones), while a portative may have as few as 12 or 13 notes. The positive is also not to be confused with the regal , a small keyboard instrument that contains short-length reed pipes. However, since
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#17327987109991232-616: The water organ . It was played throughout the Ancient Greek and Ancient Roman world, particularly during races and games. During the early medieval period it spread from the Byzantine Empire , where it continued to be used in secular (non-religious) and imperial court music, to Western Europe , where it gradually assumed a prominent place in the liturgy of the Catholic Church . Subsequently, it re-emerged as
1288-573: The 14th century, though similar designs were common in the Eastern Mediterranean from the early Byzantine period (from the 4th century AD) and precursors, such as the hydraulic organ , have been found dating to the late Hellenistic period (1st century BC). Along with the clock , it was considered one of the most complex human-made mechanical creations before the Industrial Revolution . Pipe organs range in size from
1344-581: The 15th century. In the Renaissance and Baroque periods, positive organs were used at many kinds of civil and religious functions. They were used in the homes and chapels of the rich, at banquets and court events, in choirs and music schools, and in the small orchestras of Jacopo Peri and Claudio Monteverdi at the dawn of the musical drama or opera. Many positives, both of the box and 'cupboard' types, can be divided into upper and lower parts to be more easily moved. The lower part then usually contains
1400-420: The 20th-century organ repertoire. Organ was also used a lot for improvisation , with organists such as Charles Tournemire , Marcel Dupré , Pierre Cochereau , Pierre Pincemaille and Thierry Escaich . Some composers incorporated the instrument in symphonic works for its dramatic effect, notably Mahler , Holst , Elgar , Scriabin , Respighi , and Richard Strauss . Saint-Saëns 's Organ Symphony employs
1456-614: The 4th century occurs on the obelisk erected to the memory of Theodosius I on his death in AD 395. Among the illuminated manuscripts of the British Museum there are many miniatures representing interesting varieties of the portable organ of the Middle Ages, including Add. MS. 29902 (fol. 6), Add. MS. 27695b (fol. 13), and Cotton MS. Tiberius A VII. fol. 104d., all of the 14th century, and Add. MS. 28962 and Add. MS. 17280, both of
1512-474: The Brooklyn Dodgers, hired baseball's first full-time organist, Gladys Goodding . Over the years, many ballparks caught on to the trend, and many organists became well-known and associated with their parks or signature tunes. Positive organ A positive organ (also positiv organ , positif organ , portable organ , chair organ , or simply positive , positiv , positif , or chair ) (from
1568-755: The English measurement unit) and it sounds to an 8 Hz frequency fundamental tone. Perhaps the most distinctive feature is the ability to range from the slightest sound to the most powerful, plein-jeu impressive sonic discharge, which can be sustained in time indefinitely by the organist. For instance, the Wanamaker organ , located in Philadelphia , US, has sonic resources comparable with three simultaneous symphony orchestras. Another interesting feature lies in its intrinsic " polyphony " approach: each set of pipes can be played simultaneously with others, and
1624-655: The Hammond organ include Bob Dylan , Counting Crows , Pink Floyd , Hootie & the Blowfish , Sheryl Crow , Vulfpeck , Sly Stone and Deep Purple . In the United States and Canada, organ music is commonly associated with several sports, most notably baseball , basketball , and ice hockey . The first baseball team to introduce an organ was the Chicago Cubs , who put an organ in Wrigley Field as an experiment in 1941 for two games. Ebbets Field , home of
1680-509: The Orgelbewegung revival of small organs, small positives to be played with both hands have also come to be called 'portatives' in many cases, especially when their pipes are arranged without housing in a chromatic row like in the genuine portative. The Positive is also a traditional department of a large organ, often placed behind the organist's back and more or less the size of a separate positive organ. In England it became known as
1736-467: The Tibia pipe family as its foundation stops and the regular use of a tremulant possessing a depth greater than that on a classical organ. Theatre organs tend not to take nearly as much space as standard organs, relying on extension (sometimes called unification) and higher wind pressures to produce a greater variety of tone and larger volume of sound from fewer pipes. Unification gives a smaller instrument
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1792-482: The availability of clonewheel organs that were light enough for one person to carry. In contrast to Hammond's electro-mechanical design, Allen Organ Company introduced the first totally electronic organ in 1938, based on the stable oscillator designed and patented by the company's founder, Jerome Markowitz. Allen continued to advance analog tone generation through the 1960s with additional patents. In 1971, in collaboration with North American Rockwell, Allen introduced
1848-438: The bellows, blower and/or treadle, and perhaps a few of the largest pipes. Wheels, casters or a custom-made hand truck are other aids to mobility, which have become vastly more common in modern times. Positive organs typically exhibit few stops due to their small size and portable nature; a specification of 8 ft Gedackt (capped), 4 ft flute and 2 ft principal (diapason) is common. Somewhat larger positives may also have
1904-588: The capability of a much larger one, and works well for monophonic styles of playing (chordal, or chords with solo voice). The sound is, however, thicker and more homogeneous than a classically designed organ. In the US the American Theater Organ Society (ATOS) has been instrumental in programs to preserve examples of such instruments. A chamber organ is a small pipe organ, often with only one manual, and sometimes without separate pedal pipes that
1960-479: The classical and religious areas of music. Church-style pipe organs are sometimes used in rock music . Examples include Tangerine Dream , Rick Wakeman (with Yes and solo), Keith Emerson (with The Nice and Emerson, Lake and Palmer ), George Duke (with Frank Zappa ), Dennis DeYoung (with Styx ), Arcade Fire , Muse , Roger Hodgson (formerly of Supertramp ), Natalie Merchant (with 10,000 Maniacs ), Billy Preston and Iron Butterfly . Artists using
2016-408: The development of the electronic organ. It generated its sounds using reeds similar to those of an accordion . Smaller, cheaper and more portable than the corresponding pipe instrument, these were widely used in smaller churches and in private homes, but their volume and tonal range was extremely limited. They were generally limited to one or two manuals; they seldom had a pedalboard. The chord organ
2072-448: The hands and a pedalboard for playing with the feet. With the use of registers, several groups of pipes can be connected to one manual. The organ has been used in various musical settings, particularly in classical music . Music written specifically for the organ is common from the Renaissance to the present day. Pipe organs , the most traditional type, operate by forcing air through pipes of varying sizes and materials, each producing
2128-607: The middle of the 20th century, and organ builders began to look to historical models for inspiration in constructing new instruments. Today, modern builders construct organs in a variety of styles for both secular and sacred applications. The theatre organ or cinema organ was designed to accompany silent movies . Like a symphonic organ, it is made to replace an orchestra. However, it includes many more gadgets, such as mechanical percussion accessories and other imitative sounds useful in creating movie sound accompaniments such as auto horns, doorbells, and bird whistles. It typically features
2184-417: The modern builders are often building electropneumatic chamber organs. Keyboard pieces that predate Beethoven may usually be as easily played on a chamber organ as on a piano or harpsichord, and a chamber organ is sometimes preferable to a harpsichord for continuo playing as it is more suitable for producing a sustained tone. The pump organ , reed organ or harmonium, was the other main type of organ before
2240-487: The most important organist-composers before 1650. Influenced in part by Sweelinck and Frescobaldi, the North German school rose from the mid-17th century onwards to great prominence, with leading members of this school having included Buxtehude , Franz Tunder , Georg Böhm , Georg Philipp Telemann , and above all Johann Sebastian Bach , whose contributions to organ music continue to reign supreme. During this time,
2296-410: The organ more as an equitable orchestral instrument than for purely dramatic effect. Poulenc wrote the sole organ concerto since Handel's to have achieved mainstream popularity. Because the organ has both manuals and pedals, organ music has come to be notated on three staves . The music played on the manuals is laid out like music for other keyboard instruments on the top two staves, and the music for
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2352-525: The organ's prominence gradually shrank, as the instrument itself increasingly lost ground to the piano . Nevertheless, Felix Mendelssohn , César Franck , and the less famous A.P.F. Boëly (all of whom were themselves expert organists) led, independently of one another, a resurgence of valuable organ writing during the 19th century. This resurgence, much of it informed by Bach's example, achieved particularly impressive things in France (even though Franck himself
2408-499: The pedals is notated on the third stave or sometimes, to save space, added to the bottom of the second stave as was the early practice. To aid the eye in reading three staves at once, the bar lines are broken between the lowest two staves; the brace surrounds only the upper two staves. Because music racks are often built quite low to preserve sightlines over the console, organ music is usually published in oblong or landscape format. Electronic organs and electromechanical organs such as
2464-448: The predecessor to modern portable keyboards , as they included one-touch chords, rhythm and accompaniment devices, and other electronically assisted gadgets. Lowrey was the leading manufacturer of this type of organs in the smaller (spinet) instruments. In the 1960s and 1970s, a type of simple, portable electronic organ called the combo organ was popular, especially with pop, Ska (in the late 1970s and early 1980s) and rock bands, and
2520-457: The slight imperfections in tuning. Hybrids , starting in the early 20th century, incorporate a few ranks of pipes to produce some sounds, and use electronic circuits or digital samples for other sounds and to resolve borrowing collisions. Major manufacturers include Allen , Walker, Compton , Wicks, Marshall & Ogletree, Phoenix, Makin Organs, Wyvern Organs and Rodgers . The development of
2576-474: The sound of popular music. The electric organ, especially the Hammond B-3, has occupied a significant role in jazz ever since Jimmy Smith made it popular in the 1950s. It can function as a replacement for both piano and bass in the standard jazz combo. The Hammond organ is the centrepiece of the organ trio , a small ensemble which typically includes an organist (playing melodies, chords and basslines),
2632-475: The sound waveforms. Its system of drawbars allowed for setting volumes for specific sounds, and it provided vibrato-like effects. The drawbars allow the player to choose volume levels. By emphasizing certain harmonics from the overtone series, desired sounds (such as 'brass' or 'string') can be imitated. Generally, the older Hammond drawbar organs had only preamplifiers and were connected to an external, amplified speaker. The Leslie speaker , which rotates to create
2688-595: The sounds mixed and interspersed in the environment, not in the instrument itself. Most organs in Europe, the Americas, and Australasia can be found in Christian churches. The introduction of church organs is traditionally attributed to Pope Vitalian in the 7th century. Due to its simultaneous ability to provide a musical foundation below the vocal register, support in the vocal register, and increased brightness above
2744-511: The use of hand stops and combination pistons . Although the keyboard is not expressive as on a piano and does not affect dynamics (it is binary; pressing a key only turns the sound on or off), some divisions may be enclosed in a swell box , allowing the dynamics to be controlled by shutters. Some organs are totally enclosed, meaning that all the divisions can be controlled by one set of shutters. Some special registers with free reed pipes are expressive. It has existed in its current form since
2800-404: The vocal register, the organ is ideally suited to accompany human voices , whether a congregation , a choir , or a cantor or soloist. Most services also include solo organ repertoire for independent performance rather than by way of accompaniment, often as a prelude at the beginning the service and a postlude at the conclusion of the service. Today this organ may be a pipe organ (see above),
2856-546: The world's first commercially available digital musical instrument. The first Allen Digital Organ is now in the Smithsonian Institution. Frequency divider organs used oscillators instead of mechanical parts to make sound. These were even cheaper and more portable than the Hammond. They featured an ability to bend pitches . From the 1940s up until the 1970s, small organs were sold that simplified traditional organ stops. These instruments can be considered
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#17327987109992912-412: Was a signature sound in the rock music of the period, such as The Doors and Iron Butterfly . The most popular combo organs were manufactured by Farfisa and Vox . Conn-Selmer and Rodgers , dominant in the market for larger instruments, also made electronic organs that used separate oscillators for each note rather than frequency dividers, giving them a richer sound, closer to a pipe organ, due to
2968-515: Was founded in October 1966 and, on 22 March 1977, the concert hall was finally opened. In September the same year, a specially build organ (with 7000 pipes) from Göttingen , Germany was installed. It was the largest organ in Norway until 2014. The building consists of two concert halls , several meeting and practise rooms, large foyers and bars, a box office and an office wing. The main hall has
3024-529: Was invented by Laurens Hammond in 1950. It provided chord buttons for the left hand, similar to an accordion. Other reed organ manufacturers have also produced chord organs, most notably Magnus from 1958 to the late 1970s. Since the 1930s, pipeless electric instruments have been available to produce similar sounds and perform similar roles to pipe organs. Many of these have been bought both by houses of worship and other potential pipe organ customers, and also by many musicians both professional and amateur for whom
3080-478: Was invented in the United States in the 19th century. Calliopes usually have very loud and clean sound. Calliopes are used as outdoors instruments, and many have been built on wheeled platforms. The organ has had an important place in classical music , particularly since the 16th century. Spain's Antonio de Cabezón , the Netherlands' Jan Pieterszoon Sweelinck , and Italy's Girolamo Frescobaldi were three of
3136-758: Was of Belgian birth). Major names in French Romantic organ composition are Charles-Marie Widor , Louis Vierne , Alexandre Guilmant , Charles Tournemire , and Eugène Gigout . Of these, Vierne and Tournemire were Franck pupils. In Germany, Max Reger (late 19th century) owes much to the harmonic daring of Liszt (himself an organ composer) and of Wagner . Paul Hindemith produced three organ sonatas and several works combining organ with chamber groups. Sigfrid Karg-Elert specialized in smaller organ pieces, mostly chorale-preludes. Among French organist-composers, Marcel Dupré , Maurice Duruflé , Olivier Messiaen and Jean Langlais made significant contributions to
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