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LAByrinth Theater Company

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Theatre Row is an entertainment district of Off Broadway theatres on 42nd Street in the Midtown and Hell's Kitchen neighborhoods of Manhattan in New York City , west of Ninth Avenue . The space originally referred to a 1977 redevelopment project to convert adult entertainment venues into theatres between Ninth and Tenth Avenues on the south side of 42nd Street. However with the success of the district the name is often used to describe any theatre on either side of the street from Ninth Avenue to the Hudson River as more theatres have been built along the street.

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13-469: LAByrinth Theater Company is a non-profit, Off-Broadway theater company based in New York City. Led by Philip Seymour Hoffman and John Ortiz for many years, its current artistic director is Aaron Weiner. The New York Times described it in 2014 as "an ethnically diverse downtown troupe that has mounted several critically acclaimed new works". LAByrinth Theater Company was founded in 1992 and

26-509: A new outlet for "poets, playwrights, actors, songwriters, and designers. ... The first great Off-Broadway musical was the 1954 revival" of The Threepenny Opera , which proved that off-Broadway productions could be financially successful. Critic John Gassner argued at the time, however, that "Broadway is just as eclectic – and just as footless – as 'Off-Broadway'." Theatre Row , on West 42nd Street between 9th and 10th Avenues in Manhattan,

39-482: Is a concentration of off-Broadway and off-off-Broadway theatres. It was developed in the mid-1970s and modernized in 2002. Many off-Broadway shows have had subsequent runs on Broadway, including such musicals as Hair , Godspell , Little Shop of Horrors , Sunday in the Park with George , Rent , Grey Gardens , Urinetown , Avenue Q , The 25th Annual Putnam County Spelling Bee , Rock of Ages , In

52-555: Is a production of a play , musical , or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan 's Theater District , the hub of the American theatre industry. It later became defined by

65-569: Is based on the capacity given for the respective theatre at the Internet Off-Broadway Database . Theatre Row (New York City) From east to west, theatres along Theatre Row are: Theatre Row was first established in 1977 in conjunction with the 42nd Street Development Corporation in an effort to convert adult entertainment venues into Off Broadway theatres. The first theatres involved in 1977 were: This article relating to roads and streets in New York City

78-600: The Lucille Lortel Award (created in 1985 by the League of Off-Broadway Theatres & Producers), and the Drama League Award . Although off-Broadway shows are not eligible for Tony Awards , an exception was made in 1956 (before the rules were changed), when Lotte Lenya won Best Performance by a Featured Actress in a Musical for the off-Broadway production of The Threepenny Opera . Capacity

91-667: The Broadway Box are the Laura Pels Theatre and The Theater Center . The off-Broadway movement started in the 1950s as a reaction to the perceived commercialism of Broadway and provided less expensive venues for shows that have employed many future Broadway artists. An early success was Circle in the Square Theatre 's 1952 production of Summer and Smoke by Tennessee Williams . According to theatre historians Ken Bloom and Frank Vlastnik, off-Broadway offered

104-932: The Heights , Spring Awakening , Next to Normal , Hedwig and the Angry Inch , Fun Home , Hamilton , Dear Evan Hansen , Hadestown , and Kimberly Akimbo . In particular, two that became Broadway hits, Grease and A Chorus Line , encouraged other producers to premiere their shows off-Broadway. Plays that have moved from off-Broadway houses to Broadway include Doubt , I Am My Own Wife , Bridge & Tunnel , The Normal Heart , and Coastal Disturbances . Other productions, such as Stomp , Blue Man Group , Altar Boyz , Perfect Crime , Forbidden Broadway , Nunsense , Naked Boys Singing , Bat Boy: The Musical , and I Love You, You're Perfect, Now Change have had runs of many years off-Broadway, never moving to Broadway. The Fantasticks ,

117-574: The League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the size of the venue, a theatre was considered a Broadway (rather than off-Broadway) house if it was within the "Broadway Box", extending from 40th Street north to 54th Street and from Sixth Avenue west to Eighth Avenue , including Times Square and West 42nd Street . This change to

130-462: The contractual definition of "off-Broadway" benefited theatres satisfying the 499-seat criterion because of the lower minimum required salary for Actors' Equity performers at Off-Broadway theatres as compared with the salary requirements of the union for Broadway theatres. The adoption of the 499-seat criterion occurred after a one-day strike in January 1974. Examples of off-Broadway theatres within

143-678: The group adopted the LAByrinth name as it attracted a multi-cultural troupe of performers, builders and trades. In 2017, Dane Laffrey , Scott Zielinski, and Michael Urie won Obie Awards presented by the American Theatre Wing . Off-Broadway An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres , but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production"

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156-681: The longest-running musical in theatre history, spent its original 42-year run off-Broadway and had another off-Broadway run from 2006 to 2017. Off-Broadway shows, performers, and creative staff are eligible for the following awards: the New York Drama Critics' Circle Award , the Outer Critics Circle Award , the Drama Desk Award , the Obie Award (presented since 1956 by The Village Voice ),

169-501: Was originally begun as Latino Actors Base (LAB) by Gary Perez , John Ortiz , David Deblinger, and Paul Calderón . LAB used the INTAR Theatre , on West 52nd Street. In those early days, the company attracted mainly Latino actors who would perform theatrical exercises together "for three hours each week… given the opportunity and support not only to act, but to write, direct, produce, sweep, paint, hang lights, etcetera." With time,

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