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137-455: The LBC Crew ( Long Beach City Crew ) were a hip-hop trio from Long Beach, California . They were the first act to be executively-produced by Snoop Dogg . During their time with Death Row, the LBC Crew recorded a previously unreleased album entitled Haven't U Heard... which remained unreleased until February 8, 2011 when it was released by WideAwake/Death Row. They had a hit single with

274-588: A crash cymbal sound was not available except as an expensive third-party modification. A cheaper version of the LM-1 was released in 1982 called the LinnDrum . Priced at $ 2,995 (equivalent to $ 9,500 in 2023), not all of its voices were tunable, but crash cymbal was included as a standard sound. Like its predecessor the LM-1, it featured swappable sound chips. The LinnDrum can be heard on records such as The Cars ' Heartbeat City and Giorgio Moroder 's soundtrack for

411-465: A producer . They also incorporate synthesizers, drum machines, and live bands. Rappers may write, memorize, or improvise their lyrics and perform their works a cappella or to a beat. Hip hop music predates the introduction of rapping into hip hop culture, and rap vocals are absent from many hip hop tracks, such as " Hip Hop, Be Bop (Don't Stop) " by Man Parrish ; " Chinese Arithmetic " by Eric B. & Rakim ; "Al-Naafiysh (The Soul)" and "We're Rocking

548-566: A "voice" for the disenfranchised youth of low-income and marginalized economic areas, as the hip hop culture reflected the social, economic and political realities of their lives. Hip hop's early evolution occurred around the time that sampling technology and drum-machines became widely available to the general public at a cost that was affordable to the average consumer—not just professional studios. Drum-machines and samplers were combined in machines that came to be known as MPC 's or ' Music Production Centers ', early examples of which would include

685-638: A 1984 history of hip hop. Hip hop and rap music are often used interchangeably but the term "hip hop" has also been historically used to describe a culture of which music is a part. Historically hip hop is a cultural movement that emerged in the South Bronx in New York City during the 1970s which included MCing (or rapping), graffiti art (or aerosol art), break dancing, DJing and knowledge. Musical genres from which hip hop developed include funk , blues , jazz and rhythm and blues recordings from

822-473: A Bentley Rhythm Ace. French singer-songwriter Léo Ferré mixed a drum machine with a symphonic orchestra in the song "Je t'aimais bien, tu sais..." in his album L'Espoir , released in 1974. Miles Davis ' live band began to use a drum machine in 1974 (played by percussionist James Mtume ), which can be heard on Dark Magus (1977). Osamu Kitajima 's progressive psychedelic rock album Benzaiten (1974) also used drum machines. In 1972, Eko released

959-416: A DJ mixer. Prior to 1979, recorded hip hop music consisted mainly of PA system soundboard recordings of live party shows and early hip hop mixtapes by DJs. Puerto Rican DJ Disco Wiz is credited as the first hip hop DJ to create a "mixed plate," or mixed dub recording, when, in 1977, he combined sound bites, special effects and paused beats to technically produce a sound recording. The first hip hop record

1096-563: A Roland 808. Later, samplers such as the E-mu SP-1200 allowed not only more memory but more flexibility for creative production. This allowed the filtration and layering different hits, and with a possibility of re-sequencing them into a single piece. With the emergence of a new generation of samplers such as the AKAI S900 in the late 1980s, producers did not have to create complex, time-consuming tape loops. Public Enemy 's first album

1233-466: A basic chorus, to allow the performer to gather his thoughts (e.g. "one, two, three, y'all, to the beat"). Later, the MCs grew more varied in their vocal and rhythmic delivery, incorporating brief rhymes, often with a sexual or scatological theme, in an effort to differentiate themselves and to entertain the audience. These early raps incorporated the dozens, a product of African American culture. Kool Herc &

1370-663: A best-selling genre in the mid-1990s and the top-selling music genre by 1999. Hip hop became a category at the Grammy Awards in 1989 with the addition of the Best Rap Performance award and was given to DJ Jazzy Jeff & the Fresh Prince for their song "Parents Just Don't Understand". In 1990, they became the first hip hop act to perform at the Grammys. The popularity of hip hop music continued through

1507-737: A black D.J., as were other white DJ's at the station. Dr. Hep Cat's rhymes were published in a dictionary of jive talk, The Jives of Dr. Hepcat , in 1953. Jockey jack is the infamous Jack the Rapper of Family Affair fame, after his radio convention that was a must attend for every rap artist in the 1980s and 1990s These jive talking rappers of the 1950s black appeal radio format were the source and inspiration of Soul singer James Brown , and musical 'comedy' acts such as Rudy Ray Moore , Pigmeat Markham and Blowfly that are often considered "godfathers" of hip hop music. Within New York City, performances of spoken-word poetry and music by artists such as

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1644-422: A compact electronic rhythm pattern generator using " diode matrix" ( U.S. patent 3,358,068 in 1967), and fully transistorized electronic rhythm machine with pre-programmed patterns, Select-A-Rhythm (SAR1), was released. As a result of its robustness and enough compact size, these rhythm machines were gradually installed on the electronic organ as an accompaniment of organists and finally spread widely. In

1781-529: A cornerstone of the emerging electronic, dance , and hip hop genres, popularized by early hits such as Marvin Gaye 's " Sexual Healing " and Afrika Bambaataa and the Soulsonic Force 's " Planet Rock ". The 808 was eventually used on more hit records than any other drum machine; its popularity with hip hop in particular has made it one of the most influential inventions in popular music, comparable to

1918-424: A distinction is generally made between drum machines (which can play back pre-programmed or user-programmed beats or patterns) and electronic drums (which have pads that can be struck and played like an acoustic drum kit), there are some drum machines that have buttons or pads that allow the performer to play drum sounds "live", either on top of a programmed drum beat or as a standalone performance. Drum machines have

2055-519: A drum machine on their songs " Peking O " and " Spoon ". The 1972 Timmy Thomas single " Why Can't We Live Together "/"Funky Me" featured a distinctive use of a drum machine and keyboard arrangement on both tracks. Another early example of electronic drums used by a rock band is Obscured by Clouds by Pink Floyd in 1972. The first album on which a drum machine produced all the percussion was Kingdom Come 's Journey , recorded in November 1972 using

2192-678: A drum machine was " Saved by the Bell " by Robin Gibb , which reached #2 in Britain in 1969. Drum machine tracks were also heavily used on the Sly & the Family Stone album There's a Riot Goin' On , released in 1971. Sly & the Family Stone was the first group to have a number #1 pop single that used a drum machine: that single was " Family Affair ". The German krautrock band Can also used

2329-427: A form of empowerment and self-expression has solidified its significance beyond mere entertainment, making it a significant cultural force worldwide. The origin of the phrase "hip-hop" is unknown but a very old example of the phrase appears in scene II of an anonymously written satirical play from 1671 called The Rehearsal , thought to be written by George Villiers, 2nd Duke of Buckingham and others. A character in

2466-481: A hip hop trio signed to Sugar Hill Records , the first all-female group to release a hit rap record, Funk You Up . The roots of rapping are found in African American music and bear similarities to traditional African music , particularly that of the griots of West African culture. The African American traditions of signifyin' , the dozens , and jazz poetry all influence hip hop music, as well as

2603-456: A historic building. The equipment consisted of numerous speakers, turntables, and one or more microphones. By using this technique, DJs could create a variety of music, but according to Rap Attack by David Toop "At its worst the technique could turn the night into one endless and inevitably boring song". KC the Prince of Soul , a rapper-lyricist with Pete DJ Jones, is often credited with being

2740-571: A member of the Cold Crush Brothers , stated that "hip hop saved a lot of lives". For inner-city youth, participating in hip hop culture became a way of dealing with the hardships of life as minorities within America, and an outlet to deal with the risk of violence and the rise of gang culture. MC Kid Lucky mentions that "people used to break-dance against each other instead of fighting". Inspired by DJ Kool Herc, Afrika Bambaataa created

2877-443: A multitude of ways to obtain fills , breakdowns and other elements that the programmer sees fit, which in turn could be sequenced with song-sequence — essentially the drum machine plays back the programmed patterns from memory in an order the programmer has chosen. The machine will quantize entries that are slightly off-beat in order to make them exactly in time. If the drum machine has MIDI connectivity, then one could program

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3014-614: A paradigm shift in the development of hip hop, with the introduction of samples from rock music, as demonstrated in the albums King of Rock and Licensed to Ill . Hip hop prior to this shift is characterized as old-school hip hop . In 1980, the Roland Corporation launched the TR-808 Rhythm Composer. It was one of the earliest programmable drum machines, with which users could create their own rhythms rather than having to use preset patterns. Though it

3151-424: A range of capabilities, which go from playing a short beat pattern in a loop, to being able to program or record complex song arrangements with changes of meter and style. Drum machines have had a lasting impact on popular music in the 20th century. The Roland TR-808 , introduced in 1980, significantly influenced the development of dance music , especially electronic dance music , and hip hop . Its successor,

3288-519: A reaction against disco and eventually incorporated characteristics of hip hop during the early 1980s. The DJ-based genre of electronic music behaved similarly, eventually evolving into underground styles known as house music in Chicago and techno in Detroit. The 1980s marked the diversification of hip hop as the genre developed more complex styles. New York City became a veritable laboratory for

3425-503: A result, the hip hop genre, barely known outside of the Bronx at the time, grew at an astounding rate from 1977 onward. DJ Kool Herc's house parties gained popularity and later moved to outdoor venues to accommodate more people. Hosted in parks, these outdoor parties became a means of expression and an outlet for teenagers, where "instead of getting into trouble on the streets, teens now had a place to expend their pent-up energy." Tony Tone,

3562-588: A rhythmic delivery of poetic speech. In the early 1990s, a professor of African American studies at Temple University said, "Hip-hop is something that blacks can unequivocally claim as their own." By the 21st century, the field of rappers had diversified by both race and gender. The music developed as part of the broader hip-hop culture , a subculture defined by four key stylistic elements: MCing /rapping, DJing/ scratching with turntables , breakdancing , and graffiti art . While often used to refer solely to rapping and rap music, "hip hop" more properly denotes

3699-470: A street organization called Universal Zulu Nation , centered on hip hop, as a means to draw teenagers out of gang life, drugs and violence. The lyrical content of many early rap groups focused on social issues, most notably in the seminal track "The Message" by Grandmaster Flash and the Furious Five , which discussed the realities of life in the housing projects. "Young black Americans coming out of

3836-438: A way that mimicked the rhythmic cadence of soldiers marching. Cowboy later worked "hip hop" into a part of his stage performance saying something along the lines of what was adopted by other artists such as The Sugarhill Gang in 1979 in one of the earliest rap records " Rapper's Delight "I said a hip-hop, a hibbit, hibby-dibby, hip-hip-hop and you don't stop". Universal Zulu Nation founder and music artist Afrika Bambaataa

3973-584: Is credited with first using the term as a five element culture of which the music belonged; although it is also suggested that it was sometimes used as a derogatory term. The term was used in an article of February 24, 1979 by reporter Robert Flipping Jr. in the New Pittsburgh Courier The article is about DJs and discothèque nightclubs in Pittsburgh and does not mention rap music but says this: "D.J. Starsky ( Lovebug Starsky ), one of

4110-638: Is the rhythmic spoken delivery of rhymes and wordplay, delivered at first without accompaniment and later done over a beats . This spoken style was influenced by the African American style of "capping", a performance where men tried to outdo each other in originality of their language and tried to gain the favor of the listeners. The basic elements of hip hop—boasting raps, rival "posses" (groups), uptown "throw-downs", and political and social commentary—were all long present in African American music. MCing and rapping performers moved back and forth between

4247-463: Is this dictionary is: "Hip-hop, adv. [v. hip + hop v.; or re-duplication of hop, with alternation of lighter and heavier vowel : cf. drip-drop, tip-top: With hopping movement; with successive hops." A similar phrase "hippity hop" of unknown origin goes to least back to the 1800s and appears in a poem, "Spring Weather", written by Elizabeth Cummings published in an 1882 children's magazine called Wide Awake . The illustrated poem begins "Hippity hop to

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4384-481: Is usually considered new wave and fuses heavy pop music elements, but there is an extended rap by Harry near the end. Boxer Muhammad Ali , as an influential African American celebrity, was widely covered in the media. Ali influenced several elements of hip hop music. Both in the boxing ring and in media interviews, Ali became known in the 1960s for being "rhyming trickster". Ali used a "funky delivery" for his comments, which included "boasts, comical trash talk , [and]

4521-611: Is widely regarded to be the Sugarhill Gang 's " Rapper's Delight ", from 1979. It was the first hip hop record to gain widespread popularity in the mainstream and was where hip hop music got its name from (from the opening bar). However, much controversy surrounds this assertion as some regard the March 1979 single " King Tim III (Personality Jock) " by the Fatback Band , as a rap record. There are various other claimants for

4658-829: The DMX , which also featured digitally sampled sounds and a "swing" feature similar to the one found on the Linn machines. It became very popular in its own right, becoming a staple of the nascent hip-hop scene. Other manufacturers soon began to produce machines, e.g. the Sequential Circuits Drumtraks and Tom, the E-mu Drumulator and the Yamaha RX11 . In 1986, the SpecDrum by Cheetah Marketing , an inexpensive 8-bit sampling drum external module for

4795-619: The Do It Any Way You Wanna Do rhythm by the People's Choice as re-recorded by Sly and Robbie ), where he even used a New York accent, consciously aiming at the new NYC rap market. The Jamaican DJ dance music was deeply rooted in the sound system tradition that made music available to poor people in a very poor country where live music was only played in clubs and hotels patronized by the middle and upper classes. By 1973 Jamaican sound system enthusiast DJ Kool Herc moved to

4932-607: The Donca-Matic DA-20 , using vacuum tube circuits for sounds and a mechanical wheel for rhythm patterns. It was a floor-type machine with a built-in speaker, and featured a keyboard for manual play, in addition to the multiple automatic rhythm patterns. Its price was comparable with the average annual income of Japanese at that time. Next, their effort was focused on the improvement of reliability and performance, along with size and cost reductions. Unstable vacuum tube circuits were replaced with reliable transistor circuits on

5069-523: The Fender Stratocaster 's influence on rock . Its sounds continue to be used as samples included with music software and modern drum machines. The 808 was followed in 1983 by the TR-909 , the first Roland drum machine to use MIDI , which synchronizes devices built by different manufacturers. It was also the first Roland drum machine to use samples for some sounds. Like the 808, the 909

5206-758: The Linn 9000 . The first sampler that was broadly adopted to create this new kind of music was the Mellotron used in combination with the TR-808 drum machine. Mellotrons and Linn's were succeeded by the Akai , in the late 1980s. Turntablist techniques – such as rhythmic " scratching " (pushing a record back and forth while the needle is in the groove to create new sounds and sound effects , an approach attributed to Grand Wizzard Theodore ), beat mixing and/or beatmatching , and beat juggling – eventually developed along with

5343-482: The TR-909 , introduced in 1983, heavily influenced techno and house music . The first drum machine to use samples of real drum kits, the Linn LM-1 , was introduced in 1980 and was adopted by rock and pop artists including Prince and Michael Jackson . In the late 1990s, software emulations began to overtake the popularity of physical drum machines housed in a separate plastic or metal chassis. In 1930–32,

5480-554: The Univox brand by the distributor at that time, Unicord Corporation. In 1965, Nippon Columbia filed a patent for an automatic rhythm instrument. It described it as an "automatic rhythm player which is simple but capable of electronically producing various rhythms in the characteristic tones of a drum, a piccolo and so on." It has some similarities to Seeburg's slightly earlier 1964 patent. In 1967, Ace Tone founder Ikutaro Kakehashi (later founder of Roland Corporation ) developed

5617-687: The ZX Spectrum , was introduced, with a price less than £30, when similar models cost around £250. In 1980, the Roland Corporation launched the TR-808 Rhythm Composer. It was one of the earliest programmable drum machines, with which users could create their own rhythms rather than having to use preset patterns. Unlike the more expensive LM-1, the 808 is completely analog , meaning its sounds are generated non-digitally via hardware rather than samples (prerecorded sounds). Launched when electronic music had yet to become mainstream,

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5754-421: The break section of the song, showing off athleticism, spinning on the stage to 'break-dance' in the distinctive, frenetic style. Although there were some early MCs that recorded solo projects of note, such as DJ Hollywood , Kurtis Blow , and Spoonie Gee , the frequency of solo artists did not increase until later with the rise of soloists with stage presence and drama, such as LL Cool J . Most early hip hop

5891-494: The call and response patterns of African and African American religious ceremonies. Early popular radio disc jockeys of the Black-appeal radio period broke into broadcast announcing by using these techniques under the jive talk of the post WWII swing era in the late 1940s and the 1950s. DJ Nat D. was the M.C. at one of the most pitiless places for any aspiring musician trying to break into show business, Amateur Night at

6028-656: The "Graffiti Capital of the World" in 1971. Philadelphia native DJ Lady B recorded "To the Beat Y'All" in 1979, and became the first female solo hip hop artist to record music. Schoolly D , starting in 1984 and also from Philadelphia, began creating a style that would later be known as gangsta rap . Hip hop music was influenced by disco music, as disco also emphasized the key role of the DJ in creating tracks and mixes for dancers, and old school hip hop often used disco tracks as beats. At

6165-436: The 'talking blues' tradition. The first full-length Jamaican DJ record was a duet on a Rastafarian topic by Kingston ghetto dwellers U-Roy and Peter Tosh named Righteous Ruler (produced by Lee "Scratch" Perry in 1969). The first DJ hit record was Fire Corner by Coxsone's Downbeat sound system DJ, King Stitt that same year; 1970 saw a multitude of DJ hit records in the wake of U-Roy's early, massive hits, most famously Wake

6302-514: The 1960s, 1950s, and earlier, including several records by Bo Diddley and gospel group The Jubalaires , whose 1946 song "Noah" is often named as the first recorded instance of rap . Muhammad Ali 's 1963 spoken-word album I Am the Greatest is regarded by some writers as an early example of hip hop. Pigmeat Markham 's 1968 single " Here Comes the Judge " is one of several songs said to be

6439-628: The 1970s, when block parties became increasingly popular in New York City, particularly among African American youth residing in the Bronx . At block parties, DJs played percussive breaks of popular songs using two turntables and a DJ mixer to be able to play breaks from two copies of the same record, alternating from one to the other and extending the " break ". Hip-hop's early evolution occurred as sampling technology and drum machines became widely available and affordable. Turntablist techniques such as scratching and beatmatching developed along with

6576-458: The 808 received mixed reviews for its unrealistic drum sounds and was a commercial failure. Having built approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use, and idiosyncratic sounds, particularly its deep, "booming" bass drum . It became

6713-562: The Alesis D4 and Roland TD-8 are popular examples. Unless such a sound module also features a sequencer, it is, strictly speaking, not a drum machine. In the 2010s a revival of interest in analogue synthesis resulted in a new wave of analogue drum machines, ranging from the budget-priced Korg Volca Beats and Akai Rhythm Wolf to the mid-priced Arturia DrumBrute, and the high-end MFB Tanzbär and Dave Smith Instruments Tempest. Roland's TR-08 and TR-09 Rhythm Composers were digital recreations of

6850-462: The Black community. Old-school hip hop was the first mainstream wave of the genre, marked by its disco influence and party-oriented lyrics. The 1980s marked the diversification of hip hop as the genre developed more complex styles and spread around the world. New-school hip hop was the genre's second wave, marked by its electro sound, and led into golden age hip hop , an innovative period between

6987-422: The Bronx to its global reach today, hip hop has served as a voice for the disenfranchised, shedding light on issues such as racial inequality, poverty, and police brutality. Artists such as Public Enemy , Tupac Shakur , and Kendrick Lamar have used their platforms to address systemic injustices, fostering dialogue and inspiring activism. Hip hop's ability to confront societal issues while simultaneously providing

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7124-465: The Bronx, taking with him Jamaica's sound system culture, and teamed up with another Jamaican, Coke La Rock, at the mike. Although other influences, most notably musical sequencer Grandmaster Flowers of Brooklyn and Grandwizard Theodore of the Bronx contributed to the birth of hip hop in New York, and although it was downplayed in most US books about hip hop, the main root of this sound system culture

7261-732: The Caribbean, where Jocko Henderson and Jockey Jack were American DJs who were listened to at night from broadcast transmitters located in Miami, Florida. Jocko came to have an outsized influence on Jamaican Emcees during the '50s as the R&;B music played on the Miami stations was different from that played on JBC , which re-broadcast BBC and local music styles. In Jamaica, DJs would set up large roadside sound systems in towns and villages, playing music for informal gatherings, mostly folks who wandered down from country hills looking for excitement at

7398-547: The ComputeRhythm, which was one of the first programmable drum machines. It had a 6-row push-button matrix that allowed the user to enter a pattern manually. The user could also push punch cards with pre-programmed rhythms through a reader slot on the unit. Another stand-alone drum machine released in 1975, the PAiA Programmable Drum Set was also one of the first programmable drum machines, and

7535-547: The Doggy Style imprint. Lil C-Style remained part of disorganized Death Row camp. And Techniec recently signed to The Game 's The Black Wall Street Records then left to start his own label. Early on in the LBC Crew's lifespan, a small dispute broke out between Lil' C-Style and Snoop Dogg over C-Style's royalties (he claimed he wasn't being paid enough for them). The argument was never settled, resulting in C-Style damaging

7672-733: The Donca-Matic DC-11 in the mid-1960s. In 1966, the bulky mechanical wheel was also replaced with a compact transistor circuit on the Donca-Matic DE-20 and DE-11. In 1967, the Mini Pops MP-2 was developed as an option for the Yamaha Electone (electric organ), and Mini Pops was established as a series of compact desktop rhythm machines. In the United States, Mini Pops MP-3, MP-7, etc. were sold under

7809-507: The FR-1 Rhythm Ace, in 1967. It offered 16 preset patterns, and four buttons to manually play each instrument sound ( cymbal , claves , cowbell and bass drum ). The rhythm patterns could also be cascaded together by pushing multiple rhythm buttons simultaneously, and the possible combination of rhythm patterns were more than a hundred (on the later models of Rhythm Ace, the individual volumes of each instrument could be adjusted with

7946-404: The Furious Five who is sometimes credited with the term as it relates to Hip Hop as we know it today (although it was not documented). Lovebug Starski , Keef Cowboy, and DJ Hollywood used the term when the music was still known as disco rap . It is believed by some that Cowboy created the term while teasing a friend who had just joined the U.S. Army, by singing the words "hip/hop/hip/hop" in

8083-522: The Herculoids were the first hip hop group to gain recognition in New York, but the number of MC teams increased over time. Often these were collaborations between former gangs , such as Afrikaa Bambaataa 's Universal Zulu Nation —now an international organization. Melle Mel , a rapper with the Furious Five is often credited with being the first rap lyricist to call himself an "MC". During

8220-461: The Last Poets , Gil Scott-Heron and Jalal Mansur Nuriddin had a significant impact on the post-civil rights era culture of the 1960s and '1970s, and thus the social environment in which hip hop music was created. AM radio at many stations were limited by the 'broadcast Day' as special licenses were required to transmit at night. Those that had such licenses were heard far out to sea and in

8357-574: The Music Play " (1983), Freeez 's "I.O.U." (1983), Midnight Star 's "Freak-a-Zoid" (1983), Chaka Khan 's " I Feel For You " (1984). DJ Pete Jones, Eddie Cheeba, DJ Hollywood , and Love Bug Starski were disco-influenced hip hop DJs. Their styles differed from other hip hop musicians who focused on rapid-fire rhymes and more complex rhythmic schemes. Afrika Bambaataa , Paul Winley, Grandmaster Flash , and Bobby Robinson were all members of third s latter group. In Washington, D.C. go-go emerged as

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8494-570: The Palace theatre on Beale Street in Memphis, Tennessee. There he was master of ceremonies from 1935 until 1947 along with his sideman, D.J. Rufus Thomas . It was there he perfected the dozens, signifyin' and the personality jock jive patter that would become his schtick when he became the first black radio announcer on the air south of the Mason–Dixon line. Jive popularized black appeal radio, it

8631-635: The Planet" by Hashim ; and "Destination Earth" by Newcleus . However, the majority of the genre has been accompanied by rap vocals, such as the Sci-fi influenced electro hip hop group Warp 9 . Female rappers appeared on the scene in the late 1970s and early 80s, including Bronx artist MC Sha-Rock , member of the Funky Four Plus One , credited with being the first female MC and the Sequence ,

8768-611: The Side Man, which generates sounds mechanically by a rotating disc, similar to a music box . A slider controls the tempo (between 34 and 150 beats per minute). Sounds can also be triggered individually through buttons on a control panel. The Side Man was a success and drew criticism from the American Federation of Musicians, which ruled in 1961 that its local jurisdictions could not prohibit Side Man use, though it could not be used for dancing. Wurlitzer ceased production of

8905-605: The Sideman in 1969. In 1960, Raymond Scott constructed the Rhythm Synthesizer and, in 1963, a drum machine called Bandito the Bongo Artist . Scott's machines were used for recording his album Soothing Sounds for Baby series (1964). During the 1960s, the implementation of rhythm machines had evolved into fully solid-state ( transistorized ) from early electro-mechanical with vacuum tubes , and also size

9042-583: The Town and many others. As the tradition of remix (which also started in Jamaica where it was called 'version' and 'dub') developed, established young Jamaican DJ/rappers from that period, who had already been working for sound systems for years, were suddenly recorded and had many local hit records, widely contributing to the reggae craze triggered by Bob Marley's impact in the 1970s. The main Jamaican DJs of

9179-456: The United States and young immigrants and children of immigrants from countries in the Caribbean. Some were influenced by the vocal style of the earliest African American radio MCs (including Jocko Henderson 's Rocket Ship Show of the 1950s, which rhymed and was influenced by scat singing ), which could be heard over the radio in Jamaica. The first records by Jamaican DJs, including Sir Lord Comic ( The Great Wuga Wuga , 1967) came as part of

9316-399: The ability to make slight variations in their playing, such as playing "ahead of the beat" or "behind the beat" for sections of a song, in contrast to a drum machine that plays a pre-programmed rhythm. As well, human drummers play a "tremendously wide variety of rhythmic variations" that drum machines cannot reproduce. Drum machines developed out of a need to create drum beats when a drum kit

9453-450: The basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers "break-boys" and "break-girls", or simply "b-boys" and "b-girls". According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". DJs such as Grand Wizzard Theodore , Grandmaster Flash , and Jazzy Jay refined and developed

9590-444: The birth of hip hop in the hip hop culture. It is hard to pinpoint the exact musical influences that most affected the sound and culture of early hip hop because of the multicultural nature of New York—hip hop's early pioneers were influenced by a mix of cultures, due to the city's diversity. The city experienced a heavy Jamaican hip hop influence during the 1990s. This influence was brought on by cultural shifts particularly because of

9727-402: The breaks. Rapping developed as a vocal style in which the artist speaks or chants along rhythmically with an instrumental or synthesized beat . Hip hop music was not officially recorded to play on radio or television until 1979, largely due to poverty during the genre's birth and lack of acceptance outside ghetto neighborhoods. The genre of music began spreading through block parties throughout

9864-569: The candy Shop four little men in a row" and the phrase appears a few more times. The hopping depicted in the illustration seems to crossover later to describing dances such as the Lindy Hop , which began in Harlem in the late 1920s. Later dance parties in the 1970s with DJs predated rap music but rap music would evolve out of them. In an article in Medium , Jeff Chang writes: "Father Amde Hamilton of

10001-469: The civil rights movement have used hip hop culture in the 1980s and 1990s to show the limitations of the Hip Hop Movement." Hip hop gave young African Americans a voice to let their issues be heard; "Like rock-and-roll, hip hop is vigorously opposed by conservatives because it romanticises violence, law-breaking, and gangs". It also gave people a chance for financial gain by "reducing the rest of

10138-513: The creation of new hip hop sounds. Early examples of the diversification process can be heard in tracks such as Grandmaster Flash's " The Adventures of Grandmaster Flash on the Wheels of Steel " (1981), a single consisting entirely of sampled tracks as well as Afrika Bambaataa 's " Planet Rock " (1982), and Warp 9 's " Nunk ", (1982) which signified the fusion of hip hop music with electro . In addition, Rammellzee & K-Rob 's "Beat Bop" (1983)

10275-413: The crossover success of its artists. During the late 2000s and early 2010s "blog era", rappers were able to build up a following through online methods of music distribution, such as social media and blogs, and mainstream hip hop took on a more melodic, sensitive direction following the commercial decline of gangsta rap. The trap and mumble rap subgenres have become the most popular form of hip hop during

10412-466: The crowd. Eventually, this introducing role developed into longer sessions of spoken, rhythmic wordplay, and rhyming, which became rapping. By 1979, hip hop music had become a mainstream genre. Herc also developed upon break-beat deejaying, where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This form of music playback, using hard funk and rock, formed

10549-440: The drum machine with a computer or another MIDI device. While drum machines have been used much in popular music since the 1980s, "...scientific studies show there are certain aspects of human-created rhythm that machines cannot replicate, or can only replicate poorly" such as the "feel" of human drumming and the ability of a human drummer to respond to changes in a song as it is being played live onstage. Human drummers also have

10686-550: The earliest hip hop record. Leading up to hip hop, there were spoken-word artists such as the Last Poets who released their debut album in 1970, and Gil Scott-Heron , who gained a wide audience with his 1971 track " The Revolution Will Not Be Televised ". These artists combined spoken word and music to create a kind of "proto-rap" vibe. Hip hop as music and culture formed during the 1970s in New York City . As expressed by Mark D. Naison of Fordham University , "Hip hop

10823-624: The early 1960s, a nightclub owner in Tokyo, Tsutomu Katoh was consulted by a notable accordion player, Tadashi Osanai , about the rhythm machine he used for accompaniment in the club, a Wurlitzer Side Man. Osanai, a graduate of the Department of Mechanical Engineering at the University of Tokyo , convinced Katoh to finance his efforts to build a better one. In 1963, their new company Keio-Giken (later Korg ) released their first rhythm machine,

10960-406: The early 1970s B-boying arose during block parties, as b-boys and b-girls got in front of the audience to dance in a distinctive and frenetic style. The style was documented for release to a worldwide audience for the first time in documentaries and movies such as Style Wars , Wild Style , and Beat Street . The term "B-boy" was coined by DJ Kool Herc to describe the people who would wait for

11097-556: The early 1970s were King Stitt , Samuel the First , Count Machuki, Johnny Lover (who 'versioned' songs by Bob Marley and the Wailers as early as 1971), Dave Barker, Scotty, Lloyd Young, Charlie Ace and others, as well as soon-to-be reggae stars U-Roy , Dennis Alcapone , I-Roy , Prince Jazzbo , Prince Far I , Big Youth and Dillinger . Dillinger scored the first international rap hit record with Cocaine in my Brain in 1976 (based on

11234-420: The early days of hip hop were characterized by divisions between fans and detractors of disco music. Hip hop had largely emerged as "a direct response to the watered down, Europeanised, disco music that permeated the airwaves". The earliest hip hop was mainly based on hard funk loops sourced from vintage funk records. By 1979, disco instrumental loops/tracks had become the basis of much hip hop music. This genre

11371-570: The end of the week. There the DJs would allow 'Toasts' by an Emcee, which copied the style of the American DJs listened to on AM transistor radios. It was by this method that Jive talk, rapping and rhyming was transposed to the island and locally the style was transformed by 'Jamaican lyricism', or the local patois . Hip hop as music and culture formed during the 1970s in New York City from the multicultural exchange between African American youth from

11508-434: The endless quotabl[e]" lines. According to Rolling Stone , his " freestyle skills" (a reference to a type of vocal improvisation in which lyrics are recited with no particular subject or structure) and his "rhymes, flow, and braggadocio " would "one day become typical of old-school MCs" like Run-DMC and LL Cool J , the latter citing Ali as an influence. Hip hop music in its infancy has been described as an outlet and

11645-471: The era, including The Human League 's Dare , Gary Numan 's Dance , Devo 's New Traditionalists , and Ric Ocasek 's Beatitude . Prince bought one of the first LM-1s and used it on nearly all of his most popular albums, including 1999 and Purple Rain . Many of the drum sounds on the LM-1 were composed of two chips that were triggered at the same time, and each voice was individually tunable with individual outputs. Due to memory limitations,

11782-522: The film Scarface . It was feared the LM-1 would put every session drummer in Los Angeles out of work and it caused many of L.A.'s top session drummers ( Jeff Porcaro is one example) to purchase their own drum machines and learn to program them themselves in order to stay employed. Linn even marketed the LinnDrum specifically to drummers. Following the success of the LM-1, Oberheim introduced

11919-596: The first rap lyricist to call himself an "MC". Street gangs were prevalent in the poverty of the South Bronx, and much of the graffiti, rapping, and b-boying at these parties were all artistic variations on the competition and one-upmanship of street gangs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation , a loose confederation of street-dance crews, graffiti artists, and rap musicians. By

12056-481: The heightened immigration of Jamaicans to New York and the American-born Jamaican youth who were coming of age during the 1990s. In the 1970s, block parties became increasingly popular in New York, particularly among African American, Caribbean and Hispanic youth residing in the Bronx . Block parties incorporated DJs, who played popular genres of music, especially funk and soul music . Due to

12193-633: The influential rap precursors the Watts Prophets once told me that, when he was growing up along Central Avenue in 1950s Los Angeles, the older folks used to call teen house parties 'them old hippity hops'." The earliest known instance of "hip hop" as a compound phrase in a song lyric is in a song about dancing by the doo-wop group the Dovells in 1963 called You Can't Sit Down , the lyric is: "...you gotta slop, bop, flip flop, hip hop, never stop". Keef Cowboy , rapper with Grandmaster Flash and

12330-518: The innovative and hard-to-use Rhythmicon was developed by Léon Theremin at the request of Henry Cowell , who wanted an instrument that could play compositions with multiple rhythmic patterns , based on the overtone series , that were far too hard to perform on existing keyboard instruments. The invention could produce sixteen different rhythms, each associated with a particular pitch , either individually or in any combination, including en masse, if desired. Received with considerable interest when it

12467-421: The late 1970s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc. The New York City blackout of 1977 saw widespread looting, arson, and other citywide disorders especially in the Bronx where a number of looters stole DJ equipment from electronics stores. As

12604-411: The late 1990s to early-2000s "bling era" with hip hop influences increasingly finding their way into other genres of popular music, such as neo soul , nu metal , and R&B . The United States also saw the success of regional styles such as crunk , a Southern genre that emphasized the beats and music more than the lyrics, and alternative hip hop began to secure a place in the mainstream, due in part to

12741-452: The local dance hall culture, which featured 'specials,' unique mixes or 'versions' pressed on soft discs or acetate discs, and rappers (called DJs) such as King Stitt , Count Machuki, U-Roy , I-Roy , Big Youth and many others. Recordings of talk-over, which is a different style from the dancehall's DJ style, were also made by Jamaican artists such as Prince Buster and Lee "Scratch" Perry ( Judge Dread ) as early as 1967, somehow rooted in

12878-552: The mid-1980s and mid-1990s that also developed hip hop's own album era . The gangsta rap subgenre , focused on the violent lifestyles and impoverished conditions of inner-city African American youth, gained popularity at this time. West Coast hip hop was dominated by G-funk in the early-mid 1990s, while East Coast hip hop was dominated by jazz rap , alternative hip hop , and hardcore hip hop . Hip hop continued to diversify at this time with other regional styles emerging, such as Southern rap and Atlanta hip hop . Hip hop became

13015-454: The mid-late 2010s and early 2020s. In 2017, rock music was usurped by hip hop as the most popular genre in the United States. In recent years, hip hop's influence has transcended musical boundaries, impacting fashion, language, and cultural trends worldwide. Amidst its evolution, hip hop has also been a vehicle for social commentary and political expression, reflecting the struggles and aspirations of marginalized communities. From its roots in

13152-724: The more prominent based disc jockeys ... He is also responsible for the derivation of the 'Hip-Hop'." Lovebug Starsky is also credited for the term by Afrika Bambaataa in a January 1982 interview by Michael Holman in the East Village Eye . Holman stating "Hip hop: the all inclusive tag for the rapping, breaking, graffiti-writing, crew fashion wearing street sub-culture." The term gained further currency in September of that year in another Bambaataa interview in The Village Voice , by Steven Hager , later author of

13289-400: The music scene outside of New York City; it could be found in cities as diverse as Los Angeles, Atlanta , Chicago, Washington, D.C., Baltimore , Dallas , Kansas City , San Antonio , Miami, Seattle , St. Louis , New Orleans , Houston , and Toronto . Indeed, " Funk You Up " (1979), the first hip hop record released by a female group, and the second single released by Sugar Hill Records ,

13426-576: The original TR-808 and 909, while Behringer released an analogue clone of the 808 as the Behringer RD-8 Rhythm Designer. Korg released an analog drum machine, the Volca Beats , in 2013. Programming of drum machines varies from product to product. On most products, it can be done in real time : the user creates drum patterns by pressing the trigger pads as though a drum kit were being played; or using step-sequencing :

13563-599: The original tape of LBC's debut album beyond repair, and telling Snoop he no longer wanted to be part of the group. Hip hop music African Asian Middle Eastern European North American Oceanic South American Hip hop or hip-hop , formerly known as disco rap , is a genre of popular music that originated in the early 1970s from the African American community. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music (usually built around drum beats ) that often accompanies rapping ,

13700-465: The pattern is built up over time by adding individual sounds at certain points by placing them, as with the TR-808 and TR-909, along a 16-step bar. For example, a generic 4-on-the-floor dance pattern could be made by placing a closed high hat on the 3rd, 7th, 11th, and 15th steps, then a kick drum on the 1st, 5th, 9th, and 13th steps, and a clap or snare on the 5th and 13th. This pattern could be varied in

13837-462: The people who helped establish hip hop culture, including DJ Kool Herc , DJ Disco Wiz , Grandmaster Flash , and Afrika Bambaataa were of Latin American or Caribbean origin. DJ Kool Herc is widely recognized as the creator of hip hop, credited with pioneering the technique of extending the instrumental "breakbeat" on a record during a party in the Bronx on August 11, 1973, which is considered to be

13974-446: The percussion breaks, creating a musical accompaniment or base that could be rapped over in a manner similar to signifying . Rapping , also referred to as MCing or emceeing, is a vocal style in which the artist speaks lyrically and rhythmically, in rhyme and verse, generally to an instrumental or synthesized beat . Beats, almost always in 4/4 time signature , can be created by sampling and/or sequencing portions of other songs by

14111-453: The play named Bayes says: "Ay, is't not, I gad, ha? For, to go off hip hop, hip hop, upon this occasion, is a thousand times better than any conclusion in the world, I gad." This play and two other later sources are mentioned as an entry "Hip-hop" in a multi-volume dictionary from 1901 called A New English Dictionary on Historical Principles , in Volume 5 H to K , on page 296; the definition

14248-470: The positive reception, DJs began isolating the percussive breaks of popular songs. This technique was common in Jamaican dub music , and was largely introduced into New York by immigrants from the Caribbean, including DJ Kool Herc, one of the pioneers of hip hop. Herc has repeatedly denied any direct connections between Jamaican musical traditions and early hip hop, stating that his own biggest influence

14385-405: The practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music , though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing , turntablism , scratching , beatboxing , and instrumental tracks . Hip hop as both a musical genre and a culture was formed during

14522-498: The predominance of songs packed with a mix of boasting, 'slackness' and sexual innuendo and a more topical, political, socially conscious style. The role of the MC originally was as a Master of Ceremonies for a DJ dance event. The MC would introduce the DJ and try to pump up the audience. The MC spoke between the DJ's songs, urging everyone to get up and dance. MCs would also tell jokes and use their energetic language and enthusiasm to rev up

14659-473: The preset rhythm-pattern generator using diode matrix circuit, which has some similarities to the earlier Seeburg and Nippon Columbia patents. Kakehashi's patent describes his device as a "plurality of inverting circuits and/or clipper circuits" which "are connected to a counting circuit to synthesize the output signal of the counting circuit" where the "synthesized output signal becomes a desired rhythm." Ace Tone commercialized its preset rhythm machine, called

14796-486: The resulting sound was not very close to that of the real instrument, each model tended to have a unique character. For this reason, many of these early machines have achieved a certain "cult status" and are now sought after by producers for use in production of modern electronic music , most notably the Roland TR-808 . The Linn LM-1 Drum Computer, released in 1980 at $ 4,995 (equivalent to $ 18,500 in 2023),

14933-497: The same rhyming, cadence laden rap style. Once the white owned stations realized the new upstarts were grabbing their black market share and that Big Band and swing jazz was no longer 'hip', some white DJ's emulated the southern 'mushmouth' and jive talk, letting their audience think they too were African American, playing the blues and Be-Bop . John R Richbourg had a southern drawl that listeners to Nashville's WLAC nighttime R&B programming were never informed belonged not to

15070-411: The same time however, hip hop music was also a backlash against certain subgenres of late 1970s disco. While the early disco was African American and Italian-American-created underground music developed by DJs and producers for the dance club subculture, by the late 1970s, disco airwaves were dominated by mainstream, expensively recorded music industry -produced disco songs. According to Kurtis Blow ,

15207-854: The small knobs or faders). The FR-1 was adopted by the Hammond Organ Company for incorporation within their latest organ models. In the US, the units were also marketed under the Multivox brand by Peter Sorkin Music Company, and in the UK, marketed under the Bentley Rhythm Ace brand. A number of other preset drum machines were released in the 1970s, but early examples of the use can be found on The United States of America 's eponymous album from 1967–8. The first major pop song to use

15344-577: The song " Beware of My Crew ", from the A Thin Line Between Love and Hate soundtrack album , which was originally intended to be for their debut album. They played on Snoop Dogg's second album Tha Doggfather . The group disbanded following the collapse of Death Row. Since then, unreleased material from the group emerged on the underground. The LBC Crew remained visible figures in West-Coast hip-hop. Bad Azz released two solo albums under

15481-595: The song that first popularized rap music in the United States and around the world. In 1982, Afrika Bambaataa released the single " Planet Rock ", which incorporated electronica elements from Kraftwerk 's " Trans-Europe Express " and "Numbers" as well as YMO 's "Riot in Lagos". The Planet Rock sound also spawned a hip-hop electronic dance trend, electro music , which included songs such as Planet Patrol 's "Play at Your Own Risk" (1982), C Bank's "One More Shot" (1982), Cerrone 's "Club Underworld" (1984), Shannon 's " Let

15618-427: The title of first hip hop record. By the early 1980s, all the major elements and techniques of the hip hop genre were in place, and by 1982, the electronic (electro) sound had become the trend on the street and in dance clubs. New York City radio station WKTU featured Warp 9 's " Nunk ", in a commercial to promote the station's signature sound of emerging hip hop Though not yet mainstream, hip hop had begun to permeate

15755-412: The use of breakbeats, including cutting and scratching. As turntable manipulation continued to evolve a new technique that came from it was needle dropping. Needle dropping was created by Grandmaster Flash, it is prolonged short drum breaks by playing two copies of a record simultaneously and moving the needle on one turntable back to the start of the break while the other played. The approach used by Herc

15892-608: The use of loops, and music workstations with integrated sequencing and drum sounds. TR-808 and other digitized drum machine sounds can be found in archives on the Internet. However, traditional drum machines are still being made by companies such as Roland Corporation (under the name Boss ), Zoom , Korg and Alesis , whose SR-16 drum machine has remained popular since it was introduced in 1991. There are percussion-specific sound modules that can be triggered by pickups, trigger pads , or through MIDI. These are called drum modules ;

16029-419: The world to consumers of its social concerns." In late 1979, Debbie Harry of Blondie took Nile Rodgers of Chic to such an event, as the main backing track used was the break from Chic's " Good Times ". The new style influenced Harry, and Blondie's later hit single from 1981 " Rapture " became the first single containing hip hop elements to hit number one on the U.S. Billboard Hot 100 —the song itself

16166-431: Was James Brown , from whom he says rap originated. Even before moving to the U.S., Herc says his biggest influences came from American music: I was listening to American music in Jamaica and my favorite artist was James Brown. That's who inspired me. A lot of the records I played were by James Brown. Herc also says that he was not influenced by Jamaican sound system parties, as he was too young to experience them when he

16303-507: Was Jamaican. The roots of rap in Jamaica are explained in detail in Bruno Blum 's book, 'Le Rap'. DJ Kool Herc and Coke La Rock provided an influence on the vocal style of rapping by delivering simple poetry verses over funk music breaks, after party-goers showed little interest in their previous attempts to integrate reggae-infused toasting into musical sets. DJs and MCs would often add call and response chants, often consisting of

16440-480: Was a 'slow jam' which had a dub influence with its use of reverb and echo as texture and playful sound effects. " Light Years Away ", by Warp 9 (1983), (produced and written by Lotti Golden and Richard Scher) described as a "cornerstone of early 80s beatbox afrofuturism," by the UK paper, The Guardian , introduced social commentary from a sci-fi perspective. In the 1970s, hip hop music typically used samples from funk and later, from disco. The mid-1980s marked

16577-527: Was a commercial failure, but had a lasting influence on popular music after cheap units circulated on the used market; alongside the Roland TB-303 bass synthesizer, it influenced the development of electronic genres such as techno , house and acid . By 2000, standalone drum machines had become less common, partly supplanted by general-purpose hardware samplers controlled by sequencers (built-in or external), software-based sequencing and sampling and

16714-436: Was a commercial failure, over the course of the decade the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use, and idiosyncratic sounds, particularly its deep, "booming" bass drum . It became a cornerstone of the emerging electronic, dance, and hip hop genres, popularized by early hits such as Afrika Bambaataa and the Soulsonic Force 's " Planet Rock ". The 808

16851-430: Was born multicultural", gaining influences from African American and Anglo-Caribbean musical traditions, as well as African American and Latin American dancing traditions. Hip hop music in its infancy has been described as an outlet and a voice for the disenfranchised youth of marginalized backgrounds and low-income areas, as the hip hop culture reflected the social, economic and political realities of their lives. Many of

16988-468: Was called "disco rap". Ironically, the rise of hip hop music also played a role in the eventual decline in disco's popularity. The disco sound had a strong influence on early hip hop music. Most of the early rap/hip-hop songs were created by isolating existing disco bass-guitar bass lines and dubbing over them with MC rhymes. the Sugarhill Gang used Chic 's " Good Times " as the foundation for their 1979 hit " Rapper's Delight ", generally considered to be

17125-405: Was created with the help of large tape loops. The process of looping a break into a breakbeat now became more commonly done with a sampler, now doing the job which so far had been done manually by the DJs using turntables. In 1989, DJ Mark James, under the moniker "45 King", released "The 900 Number", a breakbeat track created by synchronizing samplers and vinyl records. Drum machine While

17262-406: Was dominated by groups where collaboration between the members was integral to the show. An example would be the early hip hop group Funky Four Plus One , who performed in such a manner on Saturday Night Live in 1981. The earliest hip hop music was performed live, at house parties and block party events, and it was not recorded. DJs would play breaks from popular songs using two turntables and

17399-515: Was eventually used on more hit records than any other drum machine; its popularity with hip hop in particular has made it one of the most influential inventions in popular music, comparable to the Fender Stratocaster 's influence on rock. Over time sampling technology became more advanced. However, earlier producers such as Marley Marl used drum machines to construct their beats from small excerpts of other beats in synchronisation , in his case, triggering three Korg sampling-delay units through

17536-437: Was in Jamaica. In a 2020 interview, DJ Kool Herc's sister Cindy Campbell said that she wanted Jamaica to reclaim hip hop because, as she put it, "we are the ones who bought the style and the technique to America, which [later] became hip-hop." Because the percussive breaks in funk, soul and disco records were generally short, Herc and other DJs began using two turntables to extend the breaks. On August 11, 1973, DJ Kool Herc

17673-499: Was performed by the Sequence , a group from Columbia, South Carolina which featured Angie Stone . Despite the genre's growing popularity, Philadelphia was, for many years, the only city whose contributions could be compared to New York City's. Hip hop music became popular in Philadelphia in the late 1970s. The first released record was titled "Rhythm Talk", by Jocko Henderson . The New York Times had dubbed Philadelphia

17810-673: Was publicly introduced in 1932, the Rhythmicon was soon set aside by Cowell. In 1957, Harry Chamberlin, an engineer from Iowa, created the Chamberlin Rhythmate, which allowed users to select between 14 tape loops of drum kits and percussion instruments performing various beats. Like the Chamberlin keyboard , the Rhythmate was intended for family singalongs. Around 100 units were sold. In 1959, Wurlitzer released

17947-469: Was reduced to desktop size from earlier floor type. In the early 1960s, a home organ manufacturer, Gulbransen (later acquired by Fender ) cooperated with an automatic musical equipment manufacturer Seeburg Corporation , and released early compact rhythm machines Rhythm Prince (PRP), although, at that time, these sizes were still as large as small guitar amp head, due to the use of bulky electro-mechanical pattern generators. Then in 1964, Seeburg invented

18084-405: Was released. A key difference between such early machines and more modern equipment is that they use sound synthesis rather than digital sampling in order to generate their sounds. For example, a snare drum or maraca sound would typically be created using a burst of white noise whereas a bass drum sound would be made using sine waves or other basic waveforms . This meant that while

18221-565: Was sold as a kit with parts and instructions which the buyer would use to build the machine. In 1975, Ace Tone released the Rhythm Producer FR-15 that enables the modification of the pre-programmed rhythm patterns. In 1978, Roland released the Roland CR-78 , the first microprocessor -based programmable rhythm machine, with four memory storage for user patterns. In 1979, a simpler version with four sounds, Boss DR-55,

18358-464: Was soon widely copied, and by the late 1970s, DJs were releasing 12-inch records where they would rap to the beat. Popular tunes included Kurtis Blow 's " The Breaks " and the Sugarhill Gang 's " Rapper's Delight ". Herc and other DJs would connect their equipment to power lines and perform at venues such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, now officially

18495-412: Was the DJ at his sister's back-to-school party. He extended the beat of a record by using two record players, isolating the percussion "breaks" by using a mixer to switch between the two records. Herc's experiments with making music with record players became what we now know as breaking or " scratching ". A second key musical element in hip hop music is emceeing (also called MCing or rapping). Emceeing

18632-416: Was the first drum machine to use digital samples. It also featured revolutionary rhythmic concepts such as swing factors, shuffle, accent, and real-time programming, all of which have since rooted themselves in beat box technology. Only about 500 were ever made, but its effect on the music industry was extensive. Its distinctive sound almost defines 1980s pop, and it can be heard on hundreds of hit records from

18769-564: Was the language of the black youth, the double entendres and slightly obscene wordplay was a godsend to radio, re-invigorating ratings at flagging outlets that were losing audience share and flipping to the new format of R&B with black announcers . The 10% of African Americans who heard his broadcasts found that the music he promoted on radio in 1949 was also in the jukeboxes up north in the cities. They were also finding other D.J's like Chicago's Al Benson on WJJD , Austin's Doctor Hep Cat on KVET and Atlanta's Jockey Jack on WERD speaking

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