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Longleat

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John Dibblee Crace (1838 – 18 November 1919) was a distinguished British interior designer who provided decorative schemes for the British Museum , the National Gallery , the Royal Academy , Tyntesfield and Longleat among many other notable buildings.

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60-626: Longleat is a stately home about 4 miles (7 km) west of Warminster in Wiltshire, England. A leading and early example of the Elizabethan prodigy house , it is a Grade I listed building and the seat of the Marquesses of Bath . Longleat is set in 1,000 acres (400 ha) of parkland landscaped by Capability Brown , along with 4,000 acres (1,600 ha) of let farmland and 4,000 acres (1,600 ha) of woodland, which includes

120-459: A Center Parcs holiday village. It was the first stately home to open to the public, and the Longleat estate has the first safari park outside Africa and other attractions including a hedge maze . The house was built by Sir John Thynne and designed mainly by Robert Smythson , after Longleat Priory was destroyed by fire in 1567. It took 12 years to complete and is widely regarded as one of

180-455: A château or a Schloss can be a fortified or unfortified building, a country house, similar to an Ansitz , is usually unfortified. If fortified, it is called a castle, but not all buildings with the name "castle" are fortified (for example Highclere Castle in Hampshire ). The term stately home is subject to debate, and avoided by historians and other academics. As a description of

240-700: A country house, the term was first used in a poem by Felicia Hemans , "The Homes of England", originally published in Blackwood's Magazine in 1827. In the 20th century, the term was later popularised in a song by Noël Coward , and in modern usage it often implies a country house that is open to visitors at least some of the time. In England, the terms "country house" and "stately home" are sometimes used vaguely and interchangeably; however, many country houses such as Ascott in Buckinghamshire were deliberately designed not to be stately, and to harmonise with

300-617: A film location, including: Libel (1959); several episodes of the BBC science-fiction television series Doctor Who , and for 30 years a Doctor Who Exhibition was hosted on the grounds, with an event celebrating the series's 20th anniversary being held at the house at Easter 1983; the Indian Hindi film Mohabbatein (2000); and the BBC show How to Improve Your Memory (2006). The music video for Toni Braxton 's 1993 single " Breathe Again "

360-428: A fortunate few; it was the centre of its own world, providing employment to hundreds of people in the vicinity of its estate . In previous eras, when state benefits were unheard of, those working on an estate were among the most fortunate, receiving secured employment and rent-free accommodation. At the summit of this category of people was the indoor staff of the country house. Unlike many of their contemporaries prior to

420-529: A mixture of high architecture , often as interpreted by a local architect or surveyor, and determined by practicality as much as by the whims of architectural taste. An example of this is Brympton d'Evercy in Somerset, a house of many periods that is unified architecturally by the continuing use of the same mellow, local Ham Hill stone . The fashionable William Kent redesigned Rousham House only to have it quickly and drastically altered to provide space for

480-463: Is also home to Center Parcs Longleat Forest , a holiday resort . [REDACTED] Media related to Longleat at Wikimedia Commons Stately home An English country house is a large house or mansion in the English countryside. Such houses were often owned by individuals who also owned a town house . This allowed them to spend time in the country and in the city—hence, for these people,

540-473: Is politics; they talk politics; and they make politics, quite spontaneously. There are no written terms for distinguishing between vast country palaces and comparatively small country houses; the descriptive terms, which can include castle , manor and court , provide no firm clue and are often only used because of a historical connection with the site of such a building. Therefore, for ease or explanation, Britain's country houses can be categorised according to

600-567: Is the ITV series Downton Abbey . John Dibblee Crace Crace was the eldest of eleven surviving children of John Gregory Crace (1809–1889), interior decorator and author, and his wife, Sarah Jane Hine Langley (1815–1894), the daughter of John Inwood Langley (1790–1874) of Greenwich , a civil servant at the Royal Naval Hospital . His father was renowned as a decorator who was in partnership for eight years with A.W.N. Pugin ,

660-651: The Register of Historic Parks and Gardens of special historic interest in 1987. Other Grade I listed buildings on the Longleat Estate include: the stables, the orangery , and the boathouse and bridge over the lake. Longleat Safari Park opened in 1966 as the first drive-through safari park outside Africa, and is home to over 500 animals, including Rothschild's giraffes , Grant's zebras , Rhesus monkeys , rhinos , African lions , Amur tigers and grey wolves . Cheetahs , koalas and spotted hyenas are among

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720-399: The agricultural depressions of the 1870s , the estates, of which country houses were the hub, provided their owners with incomes. However, the late 19th and early 20th centuries were the swansong of the traditional English country house lifestyle. Increased taxation and the effects of World War I led to the demolition of hundreds of houses ; those that remained had to adapt to survive. While

780-512: The 1850s, with the English economy booming, new mansions were built in one of the many revivalist architectural styles popular throughout the 19th century. The builders of these new houses were able to take advantage of the political unrest in Europe that gave rise to a large trade in architectural salvage. This new wave of country house building is exemplified by the Rothschild properties in

840-419: The 18th century with houses such as Castle Howard , Kedleston Hall and Holkham Hall . Such building reached its zenith from the late 17th century until the mid-18th century; these houses were often completely built or rebuilt in their entirety by one eminent architect in the most fashionable architectural style of the day and often have a suite of Baroque state apartments, typically in enfilade , reserved for

900-474: The 20th century, they slept in proper beds, wore well-made adequate clothes and received three proper meals a day, plus a small wage. In an era when many still died from malnutrition or lack of medicine, the long working hours were a small price to pay. As a result of the aristocratic habit of only marrying within the aristocracy, and whenever possible to a sole heiress, many owners of country houses owned several country mansions, and would visit each according to

960-696: The Flight into Egypt – worth more than £5m – was stolen from the drawing room in January 1995. It was found in a plastic shopping bag in London in 2002. Longleat staged the Red Bull Air Race in 2005. A copy of the painting The Fallen Madonna , a running joke from the BBC television sitcom 'Allo 'Allo! , was made for Henry Thynne and hangs in Longleat House. The house has been much used as

1020-567: The International Exhibition in 1862. Crace decorated the interior of Two Temple Place , William Waldorf Astor 's London estate office, in the style of French Renaissance from about 1892 to 1895. For Astor, he also designed furniture and decorated the home in Cliveden. He similarly redecorated Longleat for John Thynne, 4th Marquess of Bath . Considered the acme of 'High Victorianism', he designed decorative schemes for

1080-544: The Orangery. Henry Thynne, 3rd Marquess of Bath (1797–1837) was succeeded by John Thynne, 4th Marquess of Bath (1831–1896) who collected Italian fine arts. He employed John Crace , whose prior work included Brighton Pavilion , Woburn Abbey , Chatsworth House and the Palace of Westminster , to add Italian renaissance style interiors. Thomas Thynne, 5th Marquess of Bath (1862–1946) inherited in 1896. During World War I ,

1140-621: The ante-library, with a magnificent Venetian painting on the ceiling; the Red Library, which displays many of the 40,000 books in the house; the Breakfast Room, with a ceiling to match the ante-library; the Lower Dining Room; the bathroom and bath-bedroom: the bath is a lead-lined tub of coopered construction , originally filled by hand from buckets and drained the same way; taps and drains are now provided. The lead lining

1200-467: The best-known examples of the showy prodigy house , often built with the intention of attracting the monarch to visit. By the reign of Charles I , Inigo Jones and his form of Palladianism had changed the face of English domestic architecture completely, with the use of turrets and towers as an architectural reference to the earlier castles and fortified houses completely disappearing. The Palladian style, in various forms, interrupted briefly by baroque ,

1260-471: The brother of Charles I ; the upper west corridor; the Grand Staircase; and the banqueting suite on the top floor: the furniture and interiors designed by Claire Rendall, the dining table commissioned from John Makepeace and the chandelier from Jocelyn Burton . The house was designated as a Grade I listed building in 1968. The formal gardens, pleasure grounds and parkland were listed Grade I on

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1320-524: The circumstances of their creation. The great houses are the largest of the country houses; in truth palaces, built by the country's most powerful – these were designed to display their owners' power or ambitions to power. Really large unfortified or barely fortified houses began to take over from the traditional castles of the crown and magnates during the Tudor period, with vast houses such as Hampton Court Palace and Burghley House , and continued until

1380-523: The country saw the building of the first of the unfortified great houses. Henry VIII 's Dissolution of the Monasteries saw many former ecclesiastical properties granted to the King's favourites, who then converted them into private country houses. Woburn Abbey , Forde Abbey and many other mansions with abbey or priory in their name became private houses during this period. Other terms used in

1440-428: The design of the wing around the next corner. These varying "improvements", often criticised at the time, today are the qualities that make English country houses unique. Wealthy and influential people, often bored with their formal duties, go to the country in order to get out of London, the ugliest and most uncomfortable city in the world; they invented the long week-end to stay away as long as possible. Their métier

1500-427: The early 1970s, hundreds of country houses were demolished . Houses that survived destruction are now mostly Grade I or II listed as buildings of historic interest with restrictions on restoration and re-creation work. However such work is usually very expensive. Several houses have been restored, some over many years. For example at Copped Hall where the restoration started in 1995 continues to this day. Although

1560-403: The eminent Gothic revival architect, and was head of a decorating firm founded in 1768 by his great-great-grandfather Edward Crace, a coach-decorator and keeper of the king's pictures. Edward and his son Frederick were responsible for the decoration of Brighton Pavilion and other Royal palaces. Crace came to fame with his Victorian Gothic and Renaissance -style furniture which he exhibited at

1620-584: The finest examples of Elizabethan architecture in Britain. It continues to be the seat of the Thynn family, who have held the title of Marquess of Bath since 1789; the eighth and present Marquess is Ceawlin Thynn . Longleat was previously an Augustinian priory . The name comes from " leat ", an artificial waterway or channel such as that which supplies a watermill . Sir Charles Appleton (1515–1580) purchased Longleat for Sir John Thynn in 1541 for £53. Appleton

1680-422: The formal gardens with a landscaped park and dramatic drives and entrance roads. Thomas Thynne, 2nd Marquess of Bath (1765–1837) employed Jeffry Wyatville to modernise the house and received advice from Humphrey Repton on the grounds. Wyatville demolished several parts of the house, including Wren's staircase, and replaced them with galleries and a grand staircase. He also constructed many outbuildings including

1740-430: The gardens around the house to allow for tourists. The safari park opened in 1966. Alexander Thynn, 7th Marquess of Bath (1932–2020) was an artist and mural painter with a penchant for mazes and labyrinths: he created the hedge maze, the love labyrinth, the sun maze, the lunar labyrinth and King Arthur's maze on the property. Ceawlin Thynn, 8th Marquess of Bath (born 1974) inherited in 2020. A Titian work, Rest on

1800-479: The home counties and Bletchley Park (rebuilt in several styles, and famous for its code-breaking role in World War II). The slow decline of the English country house coincided with the rise not just of taxation, but also of modern industry, along with the agricultural depression of the 1870s. By 1880, this had led some owners into financial shortfalls as they tried to balance maintenance of their estates with

1860-503: The house was used as a temporary hospital. During World War II , it became the evacuated Royal School for Daughters of Officers of the Army . An American hospital was also constructed in the grounds; Henry Thynne, 6th Marquess of Bath (1905–1992) inherited in 1946. Faced with considerable death duties he sold large parts of the wider estates; to allow Longleat itself to survive, he opened the house to public visitors. Russell Page redesigned

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1920-567: The house; and was succeeded by Thomas Thynne (1646–1682), and then Thomas Thynne, 1st Viscount Weymouth (1640–1714) who started the house's large book collection. Formal gardens, canals, fountains and parterres were created by George London with sculptures by Arnold Quellin and Chevalier David. The Best Gallery, Long Gallery, Old Library and Chapel were all added by Christopher Wren. Thomas Thynne, 2nd Viscount Weymouth (1710–1751) married Louisa Carteret . Thomas Thynne, 1st Marquess of Bath (1734–1796) employed Capability Brown who replaced

1980-435: The household. These houses were always an alternative residence to a London house. During the 18th and 19th centuries, for the highest echelons of English society, the country house served as a place for relaxing, hunting and running the country with one's equals at the end of the week, with some houses having their own theatre where performances were staged. The country house, however, was not just an oasis of pleasure for

2040-556: The immediately preceding war then in World War I, were now paying far higher rates of tax, and agricultural incomes had dropped. Thus, the solution for many was to hold contents auctions and then demolish the house and sell its stone, fireplaces , and panelling . This is what happened to many of Britain's finest houses. Despite this slow decline, so necessary was the country house for entertaining and prestige that in 1917 Viscount Lee of Fareham donated his country house Chequers to

2100-438: The income they provided. Some relied on funds from secondary sources such as banking and trade while others, like the severely impoverished Duke of Marlborough , sought to marry American heiresses to save their country houses and lifestyles. The ultimate demise began immediately following World War I . The members of the huge staff required to maintain large houses had either left to fight and never returned, departed to work in

2160-491: The landscape, while some of the great houses such as Kedleston Hall and Holkham Hall were built as "power houses" to dominate the landscape, and were most certainly intended to be "stately" and impressive. In his book Historic Houses: Conversations in Stately Homes , the author and journalist Robert Harling documents nineteen "stately homes"; these range in size from the vast Blenheim Palace and Castle Howard to

2220-544: The latter two are ducal palaces, Montacute, although built by a Master of the Rolls to Queen Elizabeth I, was occupied for the next 400 years by his descendants, who were gentry without a London townhouse , rather than aristocracy. They finally ran out of funds in the early 20th century. However, the vast majority of English country houses, often owned at different times by gentlemen and peers , are an evolution of one or more styles with facades and wings in different styles in

2280-655: The minuscule Ebberston Hall , and in architecture from the Jacobean Renaissance of Hatfield House to the eccentricities of Sezincote . The book's collection of stately homes also includes George IV's Brighton town palace, the Royal Pavilion . The country houses of England have evolved over the last five hundred years. Before this time, larger houses were usually fortified, reflecting the position of their owners as feudal lords , de facto overlords of their manors . The Tudor period of stability in

2340-416: The most eminent guests, the entertainment of whom was of paramount importance in establishing and maintaining the power of the owner. The common denominator of this category of English country houses is that they were designed to be lived in with a certain degree of ceremony and pomp. It was not unusual for the family to have a small suite of rooms for withdrawing in privacy away from the multitude that lived in

2400-487: The most recent additions to the safari park. Four lion cubs were born in September 2011, making a total of ten cubs born that year, and Disney named two of them Simba and Nala as part of a co-promotion agreement for the upcoming Lion King 3D film. Longleat House was built in the sixteenth century by Sir John Thynn on the site of a dissolved priory, and in 1949 became the first stately home in Britain to be opened to

2460-399: The munitions factories, or filled the void left by the fighting men in other workplaces. Of those who returned after the war, many left the countryside for better-paid jobs in towns. The final blow for many country houses came following World War II ; having been requisitioned during the war, they were returned to the owners in poor repair. Many estate owners, having lost their heirs, if not in

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2520-468: The names of houses to describe their origin or importance include palace , castle , court , hall , mansion , park , house , manor , and place . It was during the second half of the reign of Elizabeth I , and under her successor, James I , that the first architect-designed mansions, thought of today as epitomising the English country house, began to make their appearance. Burghley House , Longleat House , and Hatfield House are among

2580-454: The nation for the use of a prime minister who might not possess one of his or her own. Chequers still fulfills that need today as do both Chevening House and Dorneywood , donated for sole use of high-ranking ministers of the Crown. Today, many country houses have become hotels, schools, hospitals and museums, while others have survived as conserved ruins, but from the early 20th century until

2640-560: The operation of the Longleat Forest holiday village. The Longleat hedge maze is considered the world's longest, with 1.69 miles (2.72 km) of pathway. The layout was by maze designer Greg Bright. Over 16,000 English yews form the walls surrounding a central tower, and there are six raised footbridges. Longleat Woods ( grid reference ST795435 ) is a 249.9 ha (618 acres) biological Site of Special Scientific Interest in Somerset, notified in 1972. Longleat Forest

2700-468: The owner of a "power house" or a small manor, the inhabitants of the English country house have become collectively referred to as the ruling class, because this is exactly what they did in varying degrees, whether by having high political influence and power in national government, or in the day-to-day running of their own localities or "county" in such offices as lord/deputy lieutenant , magistrates , or occasionally even clergy. The Country house mystery

2760-529: The owner's twelve children. Canons Ashby , home to poet John Dryden 's family, is another example of architectural evolution: a medieval farmhouse enlarged in the Tudor era around a courtyard, given grandiose plaster ceilings in the Stuart period , and then having Georgian façades added in the 18th century. The whole is a glorious mismatch of styles and fashions that seamlessly blend together. These could be called

2820-512: The ownership or management of some houses has been transferred to a private trust , most notably at Chatsworth , other houses have transferred art works and furnishings under the Acceptance in Lieu scheme to ownership by various national or local museums, but retained for display in the building. This enables the former owners to offset tax, the payment of which would otherwise have necessitated

2880-462: The private sale of the art works. For example, tapestries and furniture at Houghton Hall are now owned by the Victoria and Albert Museum . In addition, increasing numbers of country houses hold licences for weddings and civil ceremonies . Another source of income is to use the house as a venue for parties, a film location or a corporate entertainment venue. While many country houses are open to

2940-472: The public and derive income through that means, they remain homes, in some cases inhabited by the descendants of their original owners. The lifestyles of those living and working in a country house in the early 20th century were recreated in a BBC television programme, The Edwardian Country House , filmed at Manderston House in Scotland. Another television programme which features life in country houses

3000-468: The public on a commercial basis. The house, park and attractions are open from mid-February to the start of November each year. The 9,800-acre (4,000 ha) estate, of which the park occupies 900 acres (360 ha), has long been one of the top British tourist attractions, and has motivated other large landowners to generate income from their heritage in response to rising maintenance costs. Longleat leases 400 acres (160 ha) of land to Center Parcs for

3060-519: The season: Grouse shooting in Scotland , pheasant shooting and fox hunting in England. The Earl of Rosebery , for instance, had Dalmeny House in Scotland, Mentmore Towers in Buckinghamshire, and another house near Epsom just for the racing season. For many, this way of life, which began a steady decline in 1914, continued well into the 20th century, and for a few continues to this day. In

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3120-444: The second category of Britain's country houses are those that belonged to the squirearchy or landed gentry . These tend either to have evolved from medieval hall houses, with rooms added as required, or were purpose-built by relatively unknown local architects. Smaller, and far greater in number than the "power houses", these were still the epicentre of their own estate, but were often the only residence of their owner. However, whether

3180-572: The term distinguished between town and country. However, the term also encompasses houses that were, and often still are, the full-time residence for the landed gentry who dominated rural Britain until the Reform Act 1832 . Frequently, the formal business of the counties was transacted in these country houses, having functional antecedents in manor houses . With large numbers of indoor and outdoor staff, country houses were important as places of employment for many rural communities. In turn, until

3240-493: The true English country house. Wilton House , one of England's grandest houses, is in a remarkably similar vein; although, while the Drydens, mere squires, at Canons Ashby employed a local architect, at Wilton the mighty Earls of Pembroke employed the finest architects of the day: first Holbein , 150 years later Inigo Jones, and then Wyatt followed by Chambers. Each employed a different style of architecture, seemingly unaware of

3300-459: Was a builder with experience gained from working on The Old School Baltonsborough , Bedwyn Broil and Somerset House . In April 1567 the original house caught fire and burnt down. A replacement house was effectively completed by 1580. Adrian Gaunt, Alan Maynard, Robert Smythson , the Earl of Hertford and Humpfrey Lovell all contributed to the new building but most of the design was Sir John's work. He

3360-520: Was a popular genre of English detective fiction in the 1920s and 1930s; set in the residence of the gentry and often involving a murder in a country house temporarily isolated by a snowstorm or similar with the suspects all at a weekend house party. Following the Industrial Revolution of the 18th century, a third category of country houses was built as newly rich industrialists and bankers were eager to display their wealth and taste. By

3420-560: Was filmed at the house & gardens. The tour of the house comprises: the Elizabethan Great Hall, with a minstrels' gallery; The lower east corridor, a wide room originally used as servant access to the main rooms. This now holds fine furniture and paintings. Also on display are two visitor books, one showing the signatures of Elizabeth II and Philip, the other Albert ( George VI ) and Elizabeth (the Queen Mother);

3480-844: Was replaced in 2005. The room holds the first plumbed-in flush lavatory in the house; the State Dining Room, with a Meissen porcelain table centrepiece; the Saloon; the State Drawing Room, designed by Crace; the Robes Corridor; the Chinese Bedroom; the Music Room, with instruments including a barrel organ; the Prince of Wales Bedroom, so named because of a large painting of Henry Frederick, Prince of Wales ,

3540-532: Was the first of the Thynne 'dynasty' that have held unbroken ownership since the 16th century. Sir John's immediate descendants were Sir John Thynne the Younger (1555–1604) and then Sir Thomas Thynne ( ca. 1578–1639). Thomas's secret marriage to his family's enemy is said to have inspired Shakespeare's Romeo and Juliet ; Sir James Thynne (1605–1670) employed Sir Christopher Wren to carry out modifications to

3600-422: Was to predominate until the second half of the 18th century when, influenced by ancient Greek styles, it gradually evolved into the neoclassicism championed by such architects as Robert Adam . Some of the best known of England's country houses were the work of only one architect/designer, built in a relatively short, particular time: Montacute House , Chatsworth House , and Blenheim Palace are examples. While

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