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80-527: Lord Richard Buckley (born Richard Myrle Buckley ; April 5, 1906 – November 12, 1960) was an American stand-up comedian and recording artist, who in the 1940s and 1950s created a character that was, according to The New York Times , "an unlikely persona ... part English royalty, part Dizzy Gillespie ." Michael Packenham, writing in The Baltimore Sun , described him as "a magnificent stand-up comedian... Buckley's work, his very presence, projected

160-488: A cause. She had left the Termite Terrace in 1943 and did not meet Clampett again until 1960. She did, however, hear from people whom Clampett helped break into the animation business and/or mentored. Clampett is survived by his three children who preserve his work. They are Robert Clampett Jr., who worked for his father as a puppeteer at Bob Clampett Productions; Ruth Clampett, an author of several books, including

240-470: A contract that stipulated Clampett would host the documentary and also have approval over the final cut. Jackson also claimed that Clampett was very reluctant speaking about the other directors and their contributions. Though Clampett's contribution to the Warner Brothers animation legacy was considerable and inarguable, he has been criticized by his peers as "a shameless self-promoter who provoked

320-794: A daughter Laurie (b. 1951) and a son Richard (b. 1952). In the autumn of 1960, Buckley's manager Harold L. Humes organized a series of club dates in New York City, and arranged for him to make another appearance on The Ed Sullivan Show (that was broadcast from the Ed Sullivan Theater in New York). However, on October 19, 1960, while Buckley was making a public appearance at the Jazz Gallery in St. Mark's Place in Manhattan,

400-422: A few months short of graduating in 1931. He found a job at a doll factory owned by his aunt, Charlotte Clark . Clark was looking for an appealing item to sell and Clampett suggested Mickey Mouse , whose popularity was growing. Unable to find a drawing of the character anywhere, Clampett took his sketchpad to the movie theater and came out with several sketches. Clark was concerned with copyright, so they drove to

480-868: A kind of nondescript dinosaur sock puppet that later evolved into Cecil." In high school, Clampett drew a full-page comic about the nocturnal adventures of a cat, later published in color in a Sunday edition of the Los Angeles Times . King Features took note and offered Clampett a "cartoonist's contract" beginning a $ 75 a week after high school. King Features allowed him to work in their Los Angeles art department on Saturdays and vacations during high school. King Features occasionally printed his cartoons for encouragement, and paid his way through Otis Art Institute , where he learned to paint in oils and to sculpt. Clampett attended Glendale High School and Hoover High School in Glendale , California , but left Hoover

560-589: A license could mean arrest, revoking cards could permanently end careers – a threat that had been used in the past for political purposes or to solicit payoffs from performers. At a hearing two days later to have his card reinstated, Buckley was supported by more than three dozen major figures in the entertainment and arts world. However, it developed into a confrontation between NYPD Commissioner Stephen P. Kennedy and Buckley's friends and supporters, including Quincy Jones , George Plympton , and Norman Mailer . Three weeks later, on November 12, 1960, Buckley died from

640-546: A live audience for the same reason. Jessica Delfino holds the record for most comedy sets performed in one night by a female comedian. Phyllis Diller holds the Guinness World Record for most laughs per minute, with 12. Taylor Goodwin holds the Guinness World Record for most jokes told in an hour with 550. Lee Evans sold £7 million worth of tickets for his 2011 tour in a day,

720-657: A magazine article in 1946, shortly after he left the studio, Clampett repeatedly referred to himself as "the creator" of Bugs Bunny, often adding the side-note that he used Clark Gable 's carrot-eating scene in It Happened One Night as inspiration for his "creation". (Clampett can be observed making this claim in Bugs Bunny: Superstar .) The other two directorial fathers Bugs is claimed to have had are Tex Avery , who directed A Wild Hare , his first official short; and Robert McKimson , who drew

800-410: A money prize to whichever member of the staff turned in the best original story. Clampett's story won first prize and was made into My Green Fedora , also directed by Freleng. Clampett felt encouraged after these successes and began writing more story contributions. After Schlesinger realized he needed another unit, he made a deal with Tex Avery , naming Clampett his collaborator. They were moved to

880-471: A ramshackle building used by gardeners and WB custodial staff for storage of cleaning supplies, solvents, brooms, lawnmowers and other implements. Working apart from the other animators in the small, dilapidated wooden building in the middle of the Vitaphone lot, Avery and Clampett soon discovered they were not the only inhabitants - they shared the building with thousands of tiny termites . They christened

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960-546: A rubbery, flexible animation quality visible in all Clampett's shorts, and Maltin noted an "energetic, comic anarchy". While Clampett's cartoons were not as well known in the latter half of the 20th century because television syndicators only had the rights to the post-1948 Warner cartoons, his creations have increased in notoriety and acclaim in recent decades. Martha Sigall recalled Clampett as "an enthusiastic and fun type of guy". She describes him as consistently nice to her and very generous when it came to gifts or donations to

1040-450: A single cartoon for Republic, It's a Grand Old Nag , featuring the equine character Charlie Horse and produced at Bob Clampett Productions. Republic management, however, had second thoughts due to dwindling profits, and they discontinued the series. Clampett took his direction credit under the name " Kilroy ". In 1949, Clampett turned his attention to television, where he created the famous puppet show Time for Beany . The show, featuring

1120-421: A specified number of paying guests with them to receive stage time. As well as being a mainstay of the comedy circuit, festivals often also showcase up-and-coming acts, with promoters and agents using the festivals to seek out new talent. Experienced comics with a following may produce a television special or a comedy album . It may be recorded on tour or at a show advertised and performed specifically for

1200-579: A stroke at New York City's Columbus Hospital . His funeral was at the Frank E. Campbell Funeral Chapel at 81st Street and Madison Avenue in New York City on November 16, 1960. Buckley was cremated at the Ferndale Cemetery in Hartsdale, New York. The scandal of Buckley's death, partially attributed to the seizure of his cabaret card, helped lead to the transfer of authority over cabaret cards from

1280-486: A studio-wide drive to get ideas for an animal version of Our Gang commenced. Clampett submitted a drawing of a pig (Porky) and a black cat (Beans), and, in an imitation of the lettering on a can of Campbell's Pork and Beans, wrote "Clampett's Porky and Beans." Porky debuted in the Friz Freleng-directed I Haven't Got a Hat in 1935. Around the same time, Schlesinger announced a studio-wide contest, with

1360-659: Is buried in Forest Lawn Hollywood Hills . Since 1984, The Bob Clampett Humanitarian Award is given each year at the Eisner Awards . Recipients of the award include June Foray , Jack Kirby , Sergio Aragonés , Patrick McDonnell , Maggie Thompson , Ray Bradbury and Mark Evanier . Clampett's Tin Pan Alley Cats (1943) was chosen by the Library of Congress as a "prime example of

1440-455: Is difficult to successfully sue for joke theft regardless due to the idea–expression distinction . According to Anna Spagnolli, stand-up comedy audiences "are both 'co-constructors of the situation' and 'co-responsible for it ' ". In stand-up comedy, an unspoken contract with the audience allows for the exploration of unexpected, controversial, or scandalous subjects. The reception of a joke, whether met with laughter or disapproval, hinges on

1520-403: Is one of the tracks on the 1969 bootleg recording Great White Wonder . Composer David Amram composed a concerto for alto saxophone and orchestra titled Ode to Lord Buckley , and dedicated it to Buckley's memory. Arlo Guthrie has cited Lord Buckley and Bill Cosby as the primary inspirations behind his song " Alice's Restaurant ". George Harrison 's solo song " Crackerbox Palace "

1600-505: The Looney Tunes animated series from Warner Bros. as well as the television shows Time for Beany and Beany and Cecil . He was born and raised not far from Hollywood and, early in life, showed an interest in animation and puppetry. After dropping out of high school in 1931, he joined the team at Harman-Ising Productions and began working on the studio's newest short subjects, Looney Tunes and Merrie Melodies . Clampett

1680-474: The British aristocracy . Buckley enjoyed smoking marijuana . He wrote reports of his first experiences with LSD , under the supervision of Dr. Oscar Janiger , and of his trip in a United States Air Force jet. Lord Buckley claimed to have been married six times. He had a son, Fred Buckley. His final marriage was to dancer Elizabeth Hanson (whom he referred to in public as "Lady Buckley"), with whom he had

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1760-663: The Marquis de Sade ("The Bad-Rapping of the Marquis de Sade, the King of Bad Cats"). He retold several classic documents such as the Gettysburg Address and a version of Edgar Allan Poe 's " The Raven ." In " Mark Antony 's Funeral Oration", he recast Shakespeare 's "Friends, Romans, countrymen, lend me your ears" as "Hipsters, flipsters, and finger-poppin' daddies: knock me your lobes." Reportedly, some of his comic material

1840-566: The New York Police Department (NYPD) stopped him over allegations he had "falsified information" on his application to get a New York City cabaret card ; specifically he had omitted to record a 1941 arrest for marijuana possession. Cabaret cards had been a legal requirement since Prohibition for anyone, including performers, who wished to work in New York's nightclubs or the entertainment industry. Because working without

1920-507: The jester's privilege , which is the right to discuss and mock anything freely without being punished. Social commentators have referred to the concepts of "punching up" and "punching down" in attempting to describe who should be the "butt of the joke". This carries the assumption that, relative to the comedian's own socio-political identity , comedy should "punch up" at the rich and powerful without "punching down" at those who are marginalized and less fortunate. Many comedians have criticized

2000-587: The American Television Archive. Some of this animosity appears to have come from Clampett's perceived "golden boy" status at the studio (Clampett's mother was said to be a close friend of cartoon producer Leon Schlesinger ), which allowed him to ignore studio rules that everyone else was expected to follow. In addition, Mel Blanc , the voice actor who worked with Clampett at the same studio for ten years, also accused Clampett of being an "egotist who took credit for everything." Beginning with

2080-584: The Disney studio. Walt and Roy Disney were delighted, and they set up a business not far from the Disney studio. Clampett recalled his short time working for Disney: "Walt Disney himself sometimes came over in an old car to pick up the dolls; he would give them out to visitors to the studio and at sales meetings. I helped him load the dolls in the car. One time his car, loaded with Mickeys, wouldn't start, and I pushed while Walt steered, until it caught, and he took off." Clampett was, in his words, so "enchanted" by

2160-614: The Sandwich Islands . Charles Farrar Browne (April 26, 1834 – March 6, 1867), better known by his nom de plume , Artemus Ward, is considered America's first stand-up comedian. The first documented use of "stand-up" appeared in The Stage in 1911, describing Nellie Perrier delivering 'stand-up comic ditties in a chic and charming manner'. However, this referred to a performance of comedy songs rather than stand-up comedy in its modern form. The term appeared again in

2240-596: The Warner Bros. cartoons. Clampett, whose collection of drawings, films and memorabilia from the golden days of Termite Terrace was legendary, provided nearly all of the behind-the-scenes drawings and home-movie footage for the film; furthermore, his wife, Sody Clampett, is credited as the film's production coordinator. In an audio commentary recorded for Bugs Bunny: Superstar , director Larry Jackson claimed that in order to secure Clampett's participation and access to Clampett's collection of Warners history, he had to sign

2320-559: The appeal of stand up is in appreciation of the skill of the performer, as studies have shown that many people find the idea of standing on stage daunting; research on the subject has consistently found that the fear of public speaking is more intense than the fear of dying . The audience is integral to live comedy, both as a foil to the comedian and as a contributing factor to the overall experience. The use of canned laughter in television comedy reveals this, with shows often seeming "dry" or dull without it. Shows may be filmed in front of

2400-452: The armed forces, Frank Tashlin rejoined Schlesinger as director, and that unit was eventually turned over to Robert McKimson . Milton Gray notes that from The Hep Cat (1942) on, the cartoons become even more wild as Clampett's experimentation reached a peak. Clampett later created the character of Tweety , introduced in A Tale of Two Kitties in 1942. His cartoons grew increasingly violent, irreverent, and surreal, not beholden to even

2480-399: The audience's understanding of the premise and appreciation of the punchline. A seasoned comic is able to instantly react to the audience's reaction and use it to further the narrative. Stand-up comedy, distinct from traditional performing arts, features a lone comedian directly engaging the audience. Success hinges on creating spontaneity, fostering intimacy, and deterring heckling. Part of

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2560-608: The biggest first-day sale of a British comedy tour. Ricky Gervais set a new Guinness World Record for the highest gross from a single stand-up performance with his tour "Armageddon." The performance at the Hollywood Bowl in Los Angeles, California, on May 6, 2023, garnered £1,410,000 ($ 1,790,206.50). Bob Clampett Robert Emerson Clampett Sr. (May 8, 1913 – May 2, 1984) was an American animator , director , producer and puppeteer best known for his work on

2640-408: The building " Termite Terrace ", a name eventually used by historians to describe the entire studio. The two soon developed an irreverent style of animation that would set Warner Bros. apart from its competitors. They were soon joined by animators Chuck Jones , Virgil Ross and Sid Sutherland , and worked virtually without interference on their new, groundbreaking style of humor for the next year. It

2720-413: The cartoon business". He reveals that Jones was angry at Clampett for making some generalizations in his 1970 interview with Funnyworld that gave Clampett too much credit, including taking sole credit for not only Bugs and Daffy but also Jones's Sniffles character and Freleng's Yosemite Sam . He writes that Jones began making additional accusations against Clampett, such as that Clampett would "go around

2800-514: The cultural rhetoric concerning "punching up" and "punching down", including Colin Quinn , who described the terms as a product of activism and "not created by humorous people." Appropriation and plagiarism are considered "social crimes" by most stand-ups. There have been several high-profile accusations of joke theft, some ending in lawsuits for copyright infringement. Those accused will sometimes claim cryptomnesia or parallel thinking, but it

2880-533: The definitive Bugs Bunny model sheet. Depending on the source, Bugs' primary creator could be either Jones or Freleng. Some argue that, based on a viewing of the early Bugs cartoons of the late 1930s and early 1940s, the character was not "created" by one director, but evolved in personality, voice, and design over several years through the collective efforts of Clampett, Avery, Jones, Freleng, McKimson, Mel Blanc, Cal Dalton , Ben Hardaway and Bob Givens . In Bugs Bunny: Superstar , Clampett also takes credit for drawing

2960-460: The development of routines, which they construct and refine with jokes and interconnected "bits." These bits form an interwoven narrative, leading to the "closer," the final joke that ties the show's themes together for a satisfying conclusion. Most jokes are the juxtaposition of two incongruous things and are made up of the premise, set-up, and punchline , often adding a twist, topper ,or tagline for an intensified or extra laugh. Delivery relies on

3040-789: The early 1940s. During World War II, Buckley performed extensively for armed services on USO tours, where he formed a lasting friendship with Ed Sullivan . In the 1950s, Buckley hit his stride with a combination of exaggeratedly aristocratic bearing and carefully enunciated rhythmic hipster slang. He was known for wearing a waxed mustache along with white tie and tails. He sometimes wore a pith helmet . Occasionally performing to music, he punctuated his monologues with scat singing and sound effects. His most significant tracks are retellings of historical or legendary events, like "My Own Railroad" and "The Nazz". The latter, first recorded in 1952, describes Jesus' working profession as "carpenter kitty." Other historical figures include Gandhi ("The Hip Gahn") and

3120-671: The faintest hint of real-world physics, and his characters have been argued to be easily the most rubbery and wacky of all the Warner directors'. Clampett was heavily influenced by the Spanish surrealist artist Salvador Dalí , as is most visible in Porky in Wackyland (1938), wherein the entire short takes place within a Dalí -esque landscape complete with melting objects and abstracted forms. Clampett and his work can even be considered part of

3200-501: The financially ailing Ub Iwerks , whom Schlesinger subcontracted to produce several Porky Pig shorts. These shorts featured the short-lived and generally unpopular Gabby Goat as Porky's sidekick. Despite Clampett and Jones' contributions, however, Iwerks was the only credited director. Clampett's first cartoon with a directorial credit was Porky's Badtime Story . Under the Warner system, Clampett had complete creative control over his own films, within severe money and time limitations (he

3280-399: The hero and rotoscoped it into the film. Clampett planned to leave Leon Schlesinger Productions, but Schlesinger offered him a promotion to director and more money if he would stay. Clampett was promoted to director in late 1936, directing a color sequence in the feature When's Your Birthday? (1937). This led to what was essentially a co-directing stint with fellow animator Chuck Jones for

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3360-663: The host, compere, or emcee "warms up" the audience and introduces the other performers. This is followed by the opener, the feature, and then the headliner. The host may also act as the opener for smaller shows. Proven comics tend to earn regular bookings at clubs that are part of a chain and comedy venues. Jobbing stand-ups may perform sets at two or more venues on the same day. Clubs and small venues often run open mic events; these slots may be booked in advance or left for walk-ins. Comedians use open mics to work on material or to show off their skills to get an opener slot. "Bringer shows" are shows that require amateur performers to bring

3440-470: The lead in the Buffalo Billy television show. In the late 1950s, Clampett was hired by Associated Artists Productions to catalog the pre-August 1948 Warner cartoons it had just acquired. He also created an animated version of the puppet show called Beany and Cecil , whose 26 half-hour episodes were first broadcast on ABC in 1962 and were rerun on the network for five years. Clampett's studio

3520-729: The masculine and gender-neutral terms stand-up comedian and stand-up comic , or by the feminine term stand-up comedienne . Performances can take place in various venues, including comedy clubs , comedy festivals , bars, nightclubs , colleges, or theaters . Stand-up comedy originated in various traditions of popular entertainment in the late 19th century. These include vaudeville , the stump-speech monologues of minstrel shows, dime museums , concert saloons , freak shows , variety shows , medicine shows , American burlesque , English music halls , circus clown antics , Chautauqua , and humorist monologues, such as those delivered by Mark Twain in his 1866 touring show Our Fellow Savages of

3600-400: The model sheet for the first Porky Pig cartoon, I Haven't Got a Hat (1935), even though it was actually drawn by Friz Freleng . Animation historian Milton Gray details the long and bitter rivalry between Clampett and Jones in his essay "Bob Clampett Remembered". Gray, a personal friend of Clampett, calls the controversy "a deliberate and vicious smear campaign by one of Bob's rivals in

3680-848: The music and mores of our times" and a print was buried in a time capsule in Washington, D.C. , so future generations might see it. Porky in Wackyland (1938) was inducted into the National Film Registry of the Library of Congress in 2000, deemed "culturally, historically, or aesthetically significant." Animator John Kricfalusi , best known for being the creator of Nickelodeon 's The Ren & Stimpy Show , got to know Clampett in his later years and has reflected on those times as inspirational. Kricfalusi cited Clampett as his favorite animator and Clampett's The Great Piggy Bank Robbery (1946) as his favorite cartoon: "I saw this thing and it completely changed my life, I thought it

3760-422: The new medium of sound cartoons that he tried to join Disney as an animator. While Disney wanted to hire Clampett, they ultimately turned him down due to them having had enough animators at that time, so Clampett instead joined Harman-Ising Studios in 1931 for ten dollars a week. Leon Schlesinger viewed one of Clampett's 16mm films and was impressed, offering him an assistant position at the studio. His first job

3840-473: The new studio. In his first years at the studio, Clampett mostly worked for Friz Freleng , under whose guidance Clampett grew into an able animator. By the time he joined Harman-Ising, Clampett was only 17 years old. By 1934, Schlesinger was in a bit of a crisis trying to find a well-known cartoon character. He noted that the Our Gang series consisted of nothing but "little kids doing things together," and

3920-473: The occasion, at least two original compositions were unveiled, with Gonzales debuting "Old McDonald Did the Twist" and Monk performing "The Lord Buckley Blast." Buckley's work has been sampled by Jaylib and Madvillain . Only four albums and three singles were released in his lifetime, but many collections have been released since, including: Stand-up comedy A performer in this genre can be known by

4000-628: The oilfields. He moved to Galveston, Texas where he got a job at the Million Dollar Aztec Theatre. By the mid-1930s, he was performing as emcee in Chicago at Leo Seltzer 's dance marathons at the Chicago Coliseum , In the late 1930s he worked for Al Capone who described Buckley as "the only person who can make me laugh" - Capone set Buckley with his own club, Chez Buckley , on Western Avenue where he through

4080-429: The peak of his creativity and against everyone's advice. In 1946, two years after Warner Bros. bought out Leon Schlesinger's studio, his key executives Henry Binder and Ray Katz went to Screen Gems , the cartoon division of Columbia Pictures , and asked Clampett to join them as the studio's creative head. He ultimately worked as a screenwriter and gag writer for the studio. Clampett was now working for three studios at

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4160-585: The police to the Licensing Department. Ed Sullivan reflected, "he was impractical as many of his profession are, but the vivid Buckley will long be remembered by all of us." "The jingle-jangle morning" in " Mr. Tambourine Man " is a phrase Bob Dylan said he took from Lord Buckley. from the line, "Jingle jangle bells all over", in "Scrooge." Early in his career Dylan performed " Black Cross ", one of Lord Buckley's signature pieces, originally written in 1948 by Joseph S. Newman . Dylan's version

4240-636: The puppet show Time for Beany in 1949. A later animated version of the series, Beany and Cecil , was initially broadcast on ABC in 1962 and rerun until 1967. It is considered the first fully creator-driven television series and carried the byline "a Bob Clampett Cartoon". In his later years, Clampett toured college campuses and animation festivals as a lecturer on the history of animation. His Warner cartoons have seen renewed praise in decades since for their surrealistic qualities, energetic and outrageous animation, and irreverent, wordplay-laden humor. Animation historian Jerry Beck lauded Clampett for "putting

4320-427: The purpose. A TV special originally released on television, video on demand , or in film theatre's may be re-released as an album on audio CD , LP record , or audio streaming . A "half-hour special" is typically between 20 and 35 minutes in runtime excluding commercial breaks and an "hour-long special" is typically between 40 and 65 minutes excluding commercial breaks. Stand-up comedians define their craft through

4400-533: The same time: Warner Bros., Screen Gems, and his new independent studio, Bob Clampett Productions. Deciding "this was too much of a good thing" and seeking more creative freedom than WB would allow, he made the decision to leave WB shortly after joining Screen Gems. That same year, Republic Pictures incorporated animation (by Walter Lantz ) into its Gene Autry feature film Sioux City Sue . It turned out well enough for Republic to dabble in animated cartoons. Bob Clampett, now working solely for his own studio, directed

4480-656: The sense that life's most immortal truths lie in the inextricable weaving together of love and irony—affection for all humanity married to laughter." Buckley's unique stage persona anticipated aspects of the Beat Generation sensibility, and influenced contemporary figures as varied as Dizzy Gillespie , Lenny Bruce , Wavy Gravy , Del Close , and, even after Buckley's death, Ken Kesey , George Harrison , Tom Waits , Frank Zappa , Robin Williams , and Jimmy Buffett . Bob Dylan , in his book Chronicles , said "Buckley

4560-624: The song is performed "with much respect to Lord Richard Buckley." Buffett performed his version less frequently after being sued for copyright infringement by Buckley's son in 1983. This lawsuit prompted the writing of "The Lawyer and the Asshole." George Carlin , during his acceptance speech at the Second Annual Comedy Hall Of Fame Awards, mentioned a long list of his comedy influences, and ended with "the great, great, great Lord Buckley." This can be heard in

4640-487: The streets of Tuolumne, singing for coins from passersby. When he was a bit older, Buckley got a job in the local lumber camps as a "tree topper," which was considered an especially dangerous position. It involved climbing up to the very top of a tall tree, cutting off the tip and then securing ropes that would guide the rest of the tree as it was felled. After quitting his job in Tuolumne, he travelled to Mexico to work in

4720-452: The studio at night, looking at other directors' storyboards for ideas he could steal for his own cartoons." Jones wrote a letter of accusations in 1975 and, according to Gray, distributed copies to every fan he met—seemingly the genesis of the growing controversy. Gray asserts that Clampett was a "kind, generous man [who was] deeply hurt and saddened by Jones's accusations. […] I feel that Bob Clampett deserves tremendous respect and gratitude for

4800-494: The studio in May 1945, leaving a handful of shorts unfinished before they were picked up again by other studio directors. The generally accepted story was that Clampett left over matters of artistic freedom, despite some people claimed that he left the studio on his own. Clampett's style was becoming increasingly divergent from those of Freleng and Jones. In any event, Clampett was fired by Leon Schlesinger's successor, Edward Selzer , who

4880-885: The surreal movement, as it incorporated film as well as static media. It was largely Clampett's influence that would impel the Warners directors to shed the final vestiges of all Disney influence. Clampett was also known for creating some brief voices or sound effects in some of the cartoons. One of these became a personal trademark: a vocal sound accompanying the iris-out closing of every Clampett cartoon (" Bay-woop! ") Clampett liked to bring contemporary cultural movements into his cartoons, especially jazz ; film, magazines, comics, novels, and popular music are referenced in Clampett shorts, most visible in Book Revue (1946), where performers are drawn onto various celebrated books. Clampett

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4960-588: The talents of voice artists Stan Freberg and Daws Butler , would earn Clampett three Emmys . Groucho Marx and Albert Einstein were both fans of the series. In 1952, he created the Thunderbolt the Wondercolt television series and the 3D prologue to Bwana Devil featuring Beany and Cecil. In 1954, he directed Willy the Wolf (the first puppet variety show on television), as well as creating and voicing

5040-697: The televised show. A feature-length documentary, Too Hip for the Room: The Righteous Reign of Lord Buckley was released in 2016. On December 5, 1960, largely on the initiative of WEVD 's Mort Fega, a jazz memorial tribute to the late Buckley—as well as a benefit fundraiser for his widow and children—was held at the same venue in which he had last performed, the Jazz Gallery in New York. Participants included, among others, Ornette Coleman , Dizzy Gillespie , Dizzy Reece , Thelonious Monk , Ed Blackwell , Nick Stabulas , and Babs Gonzales , as well as comedians Orson Bean and Larry Storch . For

5120-426: The use of intonation, inflection, attitude, and timing as well as other stylistic devices, such as the rule of three , idioms, archetypes, or wordplay. Another popular joke structure is the paraprosdokian , a surprising punchline that changes the context or meaning of the setup. In order to falsely frame their stories as true or to free themselves of responsibility for breaking social conventions, comedians can use

5200-483: The wonderful work that he left us." Other Warner Bros. peers, such as musical coordinator Carl Stalling and animator Tex Avery , stood by Clampett during his talks on the animation industry in the 1960s and 1970s. Clampett died of a heart attack on May 2, 1984, in Detroit, Michigan , six days before his 71st birthday, while touring the country to promote the home video release of Beany & Cecil cartoons. He

5280-789: The word 'looney' in Looney Tunes ." Clampett was born on May 8, 1913 in San Diego, California to Robert Caleb Clampett and Mildred Joan Merrifield. His father was born in Nenagh , County Tipperary , Ireland in 1882, and immigrated to the United States with his parents at age two in 1884. Clampett showed art skills by the age of five. From the beginning, he was intrigued with and influenced by Douglas Fairbanks , Lon Chaney , Charlie Chaplin , Buster Keaton and Harold Lloyd , and began making film short-subjects in his garage when he

5360-546: The wrath of his former Warner's colleagues in later years for allegedly claiming credit for ideas that were not his." Chuck Jones particularly disliked Clampett and deliberately avoided making any mention of his association with him in his 1979 compilation film The Bugs Bunny/Road Runner Movie (compiled by Jones, in which Jones lists himself and other Warners directors), though he did briefly mention working with Clampett in his 1989 autobiography Chuck Amuck: The Life and Times of An Animated Cartoonist and his 1998 interview for

5440-412: The “Stage Gossip” column of The Yorkshire Evening Post on November 10, 1917. The article discussed the career of a comedian Finlay Dunn, stating that Dunn was "what he calls a stand-up comedian'" during the latter part of the 19th century. However, the term may have been used retrospectively. Stand-up has multiple genres and styles with their formats. Common ones include: In a typical stand-up show,

5520-635: Was 12. Living in Hollywood as a young boy, he and his mother Joan lived next door to Charlie Chaplin and his brother Sydney Chaplin . Clampett also recalled watching his father play handball at the Los Angeles Athletic Club with another of the great silent comedians, Harold Lloyd. From his teens on, Clampett showed an interest in animation . He had made hand puppets as a child and, before adolescence, completed what animation historian Milt Gray describes as "a sort of prototype,

5600-502: Was a good source for censorship stories, though the accuracy of his recollections has been disputed. According to an interview published in Funnyworld #12 (1971), Clampett had a method for ensuring that certain elements of his films would escape the censors' cuts. He added extremely suggestive or objectionable gags aimed just at the censors; they would focus on cutting those and thus leave in the ones he actually wanted. Clampett left

5680-511: Was a wild place with an almost college fraternity -like atmosphere. Animators would frequently pull pranks such as gluing paper streamers to the wings of flies. Leon Schlesinger , who rarely ventured there, was reputed on one visit to have remarked in his lisping voice, "Pew, let me out of here! The only thing missing is the sound of a flushing toilet!!" On the side, Clampett directed a sales film, co-animated by Chuck Jones and in-betweened by Robert Cannon. Clampett filmed Cannon in live action as

5760-426: Was animating secondary characters in the first Merrie Melodie , Lady, Play Your Mandolin! (1931). The same year, Clampett began attending story meetings after submitting an idea eventually used for Smile, Darn Ya, Smile! . The two series were produced at Harman-Ising until mid-1933 when Harman and Ising left Schlesinger, who went on to found Leon Schlesinger Productions . Clampett left Harman and Ising and joined

5840-543: Was at 729 Seward Street in Hollywood, later a Klasky Csupo studio. In his later years, Bob Clampett toured college campuses and animation festivals as a lecturer on the history of animation . In 1974, he was awarded an Inkpot Award at the San Diego Comic Convention . In 1975, he was the focus of a documentary entitled Bugs Bunny: Superstar , the first documentary to examine the history of

5920-453: Was far less tolerant of him than Schlesinger had been. The Warner style that he was so instrumental in developing was leaving him behind. Warner Bros. had recently bought the rights to the entire Looney Tunes and Merrie Melodies studio from Schlesinger and, while his cartoons of 1946 are today considered on the cutting edge of the art for that period, at the time, Clampett was ready to seek new challenges. Clampett left at what some considered

6000-512: Was inspired by Buckley's former home in Los Angeles. The song mentions Buckley in the line "know well the Lord is well and inside of you," as well as Buckley's manager George Grief. Jimmy Buffett performed a version of Buckley's " God's Own Drunk " on his 1974 album Living and Dying in 3/4 Time and it became a signature piece for him until the release of Margaritaville in 1977. On his 1978 live album You Had to Be There , Buffett stated that

6080-552: Was only given $ 3,000 and four weeks to complete each short). During production of Porky's Duck Hunt in 1937, Avery created a character that would become Daffy Duck and Clampett animated the character for the first time. Clampett was so popular in theaters that Schlesinger told the other directors to imitate him, emphasizing gags and action. When Tex Avery departed in 1941, his unit was taken over by Clampett while Norman McCabe took over Clampett's old unit. Clampett finished Avery's remaining unfinished cartoons. When McCabe joined

6160-433: Was promoted to a directorial position in 1937. During his 15 years at the studio, he directed 84 cartoons later deemed classic, and designed some of the studio's most famous characters, including Porky Pig , Daffy Duck and Tweety . Among his most acclaimed films are Porky in Wackyland (1938) and The Great Piggy Bank Robbery (1946). He left Warner Bros. Cartoons in 1946 and turned his attention to television, creating

6240-551: Was the greatest thing I'd ever seen, and I still think it is." Animation historian Leonard Maltin has called Clampett's cartoons "unmistakable". Milton Gray believes that Schlesinger put Clampett in charge of the black and white cartoon division in order to save it, and many historians have singled out a scene in Porky's Duck Hunt , in which Daffy exits, as a defining Clampett moment. Maltin called it "a level of wackiness few moviegoers had ever seen". Historian Charles Solomon noted

6320-564: Was the hipster bebop preacher who defied all labels." Buckley's father, William Buckley, was from Manchester, England. He stowed away on a ship that eventually arrived in San Francisco. In California, William met Annie Bone. They married, and their son, Richard, was born in Tuolumne , a small town near Sonora , in a mountainous region where lumbering was a major industry. As children, Buckley and his sister, Nell, would often perform on

6400-680: Was written for him by Hollywood " beatnik " actor Mel Welles . Lord Buckley appeared on Groucho Marx 's popular TV program You Bet Your Life in 1956. In 1959, he voiced the beatnik character Go Man Van Gogh in "Wildman of Wildsville", an episode of the Bob Clampett animated series Beany and Cecil . (The character reappeared in several episodes made after Buckley's death, when he was voiced by Scatman Crothers .) Buckley adopted his "hipsemantic" delivery from his peers Cab Calloway , Louis Armstrong , Redd Foxx , Pearl Mae Bailey , Count Basie , and Frank Sinatra , as well as Hipsters and

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