Misplaced Pages

Los Angeles Film Critics Association

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
#492507

80-733: The Los Angeles Film Critics Association ( LAFCA ) is an American film critic organization founded in 1975. Its membership comprises film critics from Los Angeles –based print and electronic media. In December of each year, the organization votes on the Los Angeles Film Critics Association Awards , honoring members of the film industry who have excelled in their fields over the calendar year. These awards are presented each January. The LAFCA also honors industry veterans with its annual Career Achievement Award, and promising talent with its annual New Generation Award. Film critic Film criticism

160-520: A 0 to 10 scale, while some rely on the star rating system of 1–5, 0–5 or 0–4 stars. The votes are then converted into an overall rating and ranking for any particular film. Some of these community driven review sites include Letterboxd , Reviewer, Movie Attractions, Flixster , FilmCrave , Flickchart and Everyone's a Critic . Rotten Tomatoes and Metacritic aggregate both scores from accredited critics and those submitted by users. On these online review sites, users generally only have to register with

240-558: A book titled Projected Fears , and ending the book during the year 2006 involved Phillips saying that American horror films had fallen into the cycle of being movies that had predictability. Film theory is also part of academic film criticism, since two main film theories have been created. The first main film theory is the part-whole theory. This theory pertains to Eisenstein's philosophy that segments of films are not artistic works on their own, and they are just unemotional aspects of reality. When those segments of films are sequenced in

320-414: A confidant of Agee's soul-wrestling. He published the letters after Agee's death. The New York Times Book Review called The Letters of James Agee to Father Flye (1962) "comparable in importance to F. Scott Fitzgerald' s ' The Crackup ' and Thomas Wolfe's letters as a self-portrait of the artist in the modern American scene." Agee's mother married St. Andrew's bursar Father Erskine Wright in 1924, and

400-587: A considerable part of it. Soon after graduation from Harvard University , he married Olivia Saunders (aka "Via") on January 28, 1933; they divorced in 1938. Later that same year, he married Alma Mailman. They divorced in 1941, and Alma moved to Mexico with their year-old son Joel to live with Communist politician and writer Bodo Uhse . Agee began living in Greenwich Village with Mia Fritsch, whom he married in 1946. They had two daughters, Julia (1946–2016, known throughout life as Deedee) and Andrea, and

480-467: A duration of eight weeks of time, which displays the fact that film critics are influential towards how well films perform in box offices. Film critics are able to influence the choices of people in the public who decide on whether or not they will view a film. Film critics frequently receive invitations to early viewings of movies before the movies are available to all of the moviegoers who aren't film critics, and viewing films at early points in time allows

560-464: A film critic for The Nation . Agee was an ardent champion of Charlie Chaplin 's then unpopular film Monsieur Verdoux (1947), since recognized as a classic. He was a great admirer of Laurence Olivier 's Henry V and Hamlet , especially Henry V . He also was an ardent champion of D. W. Griffith 's The Birth of a Nation , which he lavishly praised for its stylistic innovations and virtuosity without critically commenting on its celebration of

640-463: A film critic must enjoy the movies that they are criticizing. In this specific regard, a film critic must also want to make their reviews persuade other people watch the movies that the film critic has criticized. In the academic field of films and cinema, several studies involving research have discovered a positive connection between film critics evaluating films and how well the films perform with audience members. Also, studies involving research in

720-714: A film's suitability for children. Others focus on a religious perspective (e.g. CAP Alert). Still others highlight more esoteric subjects such as the depiction of science in fiction films. One such example is Insultingly Stupid Movie Physics by Intuitor . Some online niche websites provide comprehensive coverage of the independent sector; usually adopting a style closer to print journalism. They tend to prohibit advertisement and offer uncompromising opinions free of any commercial interest. Their film critics normally have an academic film background. The Online Film Critics Society , an international professional association of Internet-based cinema reviewers, consists of writers from all over

800-504: A foreword by Archibald MacLeish . In the summer of 1936, Agee spent eight weeks on assignment for Fortune with photographer Walker Evans , living among sharecroppers in Alabama . Fortune did not publish his article, but Agee turned the material into his 1941 book Let Us Now Praise Famous Men . It sold only 600 copies before being remaindered . Another manuscript from the same assignment discovered in 2003, titled Cotton Tenants,

880-484: A freelancer in the 1950s, Agee continued to write magazine articles while working on movie scripts; he developed a friendship with photographer Helen Levitt . In 1947 and 1948, Agee wrote an untitled screenplay for Charlie Chaplin, in which the Tramp survives a nuclear holocaust ; posthumously titled The Tramp's New World , the text was published in 2005. The commentary Agee wrote for the 1948 documentary The Quiet One

SECTION 10

#1732780131493

960-574: A growing belief in the film industry that critic aggregators (especially Rotten Tomatoes ) are increasing the collective influence of film critics. The underperformance of several films in 2017 was blamed on their low scores on Rotten Tomatoes. This has led to studies such as one commissioned by 20th Century Fox claiming that younger viewers give the website more credibility than the major studio marketing , which undercuts its effectiveness. Today, fan-run film analysis websites like Box Office Prophets, CineBee and Box Office Guru routinely factor more into

1040-553: A manifesto proclaiming cinema to be the "Sixth Art" (later "Seventh Art"). For many decades after, film was still being accorded less prestige than longer-established art forms. In Sweden, serious film criticism was spearheaded by Bengt Idestam-Almquist , whom the Swedish Film Institute has called the father of Swedish film criticism . By the 1920s, critics were analyzing film for its merit and value, and as more than just entertainment. The growing popularity of

1120-492: A score to each in order to gauge the general reception a film receives. Another aggregator is the Movie Review Query Engine , which is a large data storage on the internet that stores interviews, reviews about movies, news, and other kinds of materials that pertain to specific films. These areas of storage are not intended to help people find specific films or movie content that has aired on television, but

1200-401: A selective amount of German movies. Barry also wrote film criticisms for French movies that were made as experiments. Barry wrote film criticisms with a critical amount of analysis. Judith Crist and Pauline Kael were two of the most influential film critics of the 1960s and 1970s. The Internet led to a decline in jobs at small newspapers where women were more likely to review films, whereas

1280-461: A similar format. They usually include summaries of the plot of the film to either refresh the plot to the reader or reinforce an idea of repetition in the film's genre. After this, there tends to be discussions about the cultural context, major themes and repetitions, and details about the legacy of the film. Academic film criticism, or film studies can also be taught in academia, and is featured in many California colleges because they are located near

1360-603: A son, John. In 1951 in Santa Barbara , Agee, a hard drinker and chain-smoker, suffered a heart attack; on May 16, 1955, he was in Manhattan when he suffered a fatal heart attack in a taxi cab en route to a doctor's appointment. He was buried on a farm he owned at Hillsdale, New York , property still held by Agee descendants. During his lifetime, Agee enjoyed only modest public recognition. Since his death, his literary reputation has grown. In 1957, his novel A Death in

1440-478: A staple among most print media. As the decades passed, some critics gained fame, and a few became household names, among them James Agee , Andrew Sarris , Pauline Kael , and more recently Roger Ebert and Peter Travers . The film industry also got the chance to see that sound was able to influence how people behaved in movie theaters. When people spoke or made other kinds of sounds, they would be causing disruptions that created difficulties for people to listen to

1520-399: A traditional style. Writing about academic films puts emphasis on generalized statements that can be verified. Writing academic films also involves film critics preferring to view films that are typical, instead of viewing films that are bizarre. That is because ordinary kinds of films can be reviewed with generalized statements that can be verified. There have been many complaints against

1600-918: Is also associated with structuralism, which involves controlling a situation in an attempt to make it be coherent, and all the aspects of a situation are assumed to be in a structured order. Academic film criticism tackles many aspects of film making and production as well as distribution. These disciplines include camera work, digitalization, lighting, and sound. Narratives, dialogues, themes, and genres are among many other things that academic film critics take into consideration and evaluate when engaging in critique. Some notable academic film critics include André Bazin , Jean-Luc Godard and François Truffaut (all writers for Cahiers du Cinéma ); Kristin Thompson , David Bordwell , and Sergei Eisenstein . Godard, Truffaut and Eisenstein were also film directors. The critics that participated in academic film criticism during

1680-440: Is also associated with the cultural type of criticism, which is also referred to as academic criticism, and academic criticism is able to primarily make interpretations of films from the viewpoint of directors while the interpretations place emphasis on parallels that films have with previous works that were deemed to be of high quality. Film was introduced in the late 19th century. The earliest artistic criticism of film emerged in

SECTION 20

#1732780131493

1760-467: Is also associated with the journalistic type of criticism, which is grounded in the media's effects being developed, and journalistic criticism resides in standard structures such as newspapers. Journal articles pertaining to films served as representatives for the film critics who desired to increase the amount of communication about movies to a high degree that ascended above content that was normally featured in popular publications. The critics who work in

1840-402: Is analytical and thorough with detail. The third way in how film critics are able to write criticisms that involve critical discussions containing rationality involves critics making blatant statements that are scientific in regards to the workings of films, and how the films are able to affect people. In fact, viewers can watch films to see if they are affected by the movies in the same way that

1920-539: Is associated with formalism, which involves visual aspects and the rules regarding how they are organized as if they were forms of artwork. Formalism also involves stages of development occurring in an orderly manner, such as learning easy instructions before learning difficult ones. Stages of development in formalism also involved organized stages of development that are orderly, and one example involves people learning simple instructions before they have to follow instructions that involve complexity. Academic film criticism

2000-467: Is believed to be the essay submitted to Fortune editors. The 30,000-word text, accompanied by photographs by Walker Evans, was published as a book in June 2013. John Jeremiah Sullivan wrote, "This is not merely an early, partial draft of Famous Men, in other words, not just a different book; it's a different Agee, an unknown Agee. Its excellence should enhance his reputation." A significant difference between

2080-601: Is some dispute over the extent of his participation in the writing of The Night of the Hunter . Let Us Now Praise Famous Men has grown to be considered Agee's masterpiece. Ignored on its original publication in 1941, the book has been placed among the greatest literary works of the 20th century by the New York School of Journalism and the New York Public Library . It was the inspiration for

2160-438: Is the analysis and evaluation of films and the film medium. In general, film criticism can be divided into two categories: Academic criticism by film scholars , who study the composition of film theory and publish their findings and essays in books and journals, and general journalistic criticism that appears regularly in press newspapers , magazines and other popular mass-media outlets. Academic film criticism rarely takes

2240-400: Is the creation of documentaries on nature and films that are about wild creatures. Film critics are able to be influencers in the circumstances of persuading moviegoers to view or not view in the beginning weeks of movies being available for people to view them. Research has found that negative and positive film reviews are connected to the amounts of money that films earn in box offices over

2320-479: Is to help readers decide whether they want to see a particular film. A film review will typically explain the premise of the film before discussing its merits or flaws. The verdict is often summarized using a rating system, such as 5- or 4-star scales , academic-style grades, and pictograms (such as those used by the San Francisco Chronicle ). Film reviews are created with the purposes of making

2400-487: The Aaron Copland opera The Tender Land . David Simon , journalist and creator of acclaimed television series The Wire , credited the book with impacting him early in his career and influencing his practice of journalism. The composer Samuel Barber set sections of "Descriptions of Elysium" from Permit Me Voyage to music, composing a song based on "Sure On This Shining Night". In addition, he set prose from

2480-640: The Ku Klux Klan . Agee on Film (1958) collected his writings of this period. Three writers listed it as one of the best film-related books ever written in a 2010 poll by the British Film Institute . In 1948, Agee quit his job to become a freelance writer. One of his assignments was a well-received article for Life Magazine about the silent movie comedians Charles Chaplin , Buster Keaton , Harold Lloyd and Harry Langdon . The article has been credited for reviving Keaton's career. As

Los Angeles Film Critics Association - Misplaced Pages Continue

2560-563: The Monthly , where his first short stories, plays, poetry and articles were published. Despite barely passing many of his high school courses, Agee was admitted to Harvard College 's class of 1932, where he lived in Thayer Hall and Eliot House . At Harvard, Agee took classes taught by Robert Hillyer and I. A. Richards ; his classmate in those was the future poet and critic Robert Fitzgerald , with whom he later worked at Time . Agee

2640-574: The "Knoxville" section of A Death in the Family in his work for soprano and orchestra titled Knoxville: Summer of 1915 . "Sure On This Shining Night" has also been set to music by composers René Clausen , Z. Randall Stroope , and Morten Lauridsen . In late 1979, the filmmaker Ross Spears premiered his film AGEE: A Sovereign Prince of the English Language , which was later nominated for an Academy Award for Best Documentary Feature and

2720-495: The Family (based on the events surrounding his father's death) was published posthumously and in 1958 won the Pulitzer Prize for fiction. In 2007, Michael Lofaro published a restored edition of the novel using Agee's original manuscripts. Agee's work had been heavily edited before its original publication by publisher David McDowell. Agee's reviews and screenplays have been collected in two volumes of Agee on Film . There

2800-572: The artwork highlight social justice issues? Does it adequately meet Equality and Diversity briefs? Is the artwork, in one of the words of the age, problematic ?" As of 2021, movie critics earned a yearly average salary of $ 63,474. As of 2013, American film critics earned about US$ 82,000 a year. Newspaper and magazine critics made $ 27,364-$ 49,574. Online movie critics earned $ 2-$ 200 per review. TV critics made up to $ 40,000-$ 60,000 per month. James Agee James Rufus Agee ( / ˈ eɪ dʒ iː / AY -jee ; November 27, 1909 – May 16, 1955)

2880-460: The author. Another challenge in film criticism pertains to film critics being pressured into writing reviews that are hasty, since users of the internet will give their attention to other topics if film critics do not post movie reviews quickly. Community-driven review sites, that allow internet users to submit personal movie reviews, have allowed the common movie goer to express their opinion on films. Many of these sites allow users to rate films on

2960-796: The characters, movie plots, and the directors be known in detailed descriptions to influence audience members into deciding if films need to be viewed or be ignored. Some well-known journalistic critics are James Agee ( Time , The Nation ); Vincent Canby ( The New York Times ); Roger Ebert ( Chicago Sun-Times ); Mark Kermode (BBC, The Observer ); James Berardinelli ; Philip French ( The Observer ); Pauline Kael ( The New Yorker ); Manny Farber ( The New Republic , Time , The Nation ); Peter Bradshaw ( The Guardian ); Michael Phillips ( Chicago Tribune ); Andrew Sarris ( The Village Voice ); Joel Siegel ( Good Morning America ); Jonathan Rosenbaum ( Chicago Reader ); and Christy Lemire ( What The Flick?! ). Roger Ebert and Gene Siskel popularised

3040-601: The conversations that were occurring in films. Audience members changed how they behaved in movie theaters, since they would shush people as a way of communicating the messages related to telling other people that they needed to be silent. By keeping themselves in silence, audience members such as film critics were able to make all of their attention be on the movies that they were watching. Film critics working for newspapers , magazines , broadcast media , and online publications mainly review new releases, although they also review older films. An important task for these reviews

3120-413: The critical response to the 2015 film The Intern , which received mixed reviews from critics: The critical response to The Intern was fascinating. There's a subset of male critics that clearly see Nancy Meyers as code for chick flick and react with according bile. What's very interesting, though, is that I think female critics, working in an industry that is coded as very male, if not macho, often feel

3200-779: The different review sites, even though there are certain movies that are well-rated (or poorly-rated) across the board. Research has found that moviegoers are inclined to leave reviews for films that are not available in movie theaters, and the amount of reviews will decrease as the films earn more money each week. When the amount of money that films earn in movie theaters is increasing, the expected quantity of movie reviews that were posted at prior points in time also increases. This ends up making individuals experience increases in their desires to write movie reviews about films that are earning high quantities of money. When movies are given high ratings, those high ratings are able to persuade viewers of movies to watch other films that share aspects of

3280-478: The early 1900s. The first paper to serve as a critique of the film came out of The Optical Lantern and Cinematograph Journal , followed by the Bioscope in 1908. Film is a relatively new form of art, in comparison to music , literature and painting which have existed since ancient times. Early writing on film sought to argue that films could also be considered a form of art. In 1911, Ricciotto Canudo wrote

Los Angeles Film Critics Association - Misplaced Pages Continue

3360-476: The existences of movie critics who had respect for films, and those new film critics sought to make film criticism be a respected job. In the 1940s, new forms of criticism emerged. Essays analyzing films were written with a distinctive charm and style, and sought to persuade the reader to accept the critic's argument. This trend brought film criticism into the mainstream, gaining the attention of many popular magazines; this eventually made film reviews and critiques

3440-489: The fact that criticisms cannot communicate messages for forms of artwork, and only the artworks can communicate their messages. The second way in how film critics are able to write criticisms that involve critical discussions containing rationality involves critics analyzing their reasons for not liking specific movies, and critics must discover if they dislike movies for the same criteria that caused them to initially dislike specific movies. That requires utilizing criticism that

3520-433: The fact that the industry related to film even attempted to use intimidation as a way of making movie critics cease with reviewing films. In the year of 1948, a critic named Eileen Arnot Robertson was forcibly removed from her job as a critic. Despite the fact that she filed a lawsuit against the film industry, the film industry said that Robertson's firing did not occur out of maliciousness. These difficult challenges led to

3600-418: The fields of films and cinema have discovered a connection between film critics evaluating films and audience members having interests or no interests in viewing those films. Based in the perspective of an audience member, a review serves as more than an object that is useful for making decisions. Listening to a review from a critic, watching a critic's review, and reading a critic's review are all ways in which

3680-596: The film classics The African Queen and The Night of the Hunter . Agee was born in Knoxville, Tennessee , to Hugh James Agee and Laura Whitman Tyler, at Highland Avenue and 15th Street, which was renamed James Agee Street, in what is now the Fort Sanders neighborhood . When Agee was six, his father was killed in an automobile accident. From the age of seven, Agee and his younger sister, Emma, were educated in several boarding schools . The most prominent of these

3760-599: The film critics to write film reviews that are influential to other moviegoers. Film critics have access to information regarding the earliest phases of films, unlike the public, and the earliest phases of films are when film critics are the only reliable sources of information pertaining to the movies that will be in theaters. Research has also displayed the fact that film critics desire to give moviegoers encouragement towards viewing films that are worth viewing while they also display innovation, instead of viewing movies that are simplistic. However, in recent years, there has been

3840-595: The film critics were affected by them. The fourth way in how film critics are able to write criticisms that involve critical discussions containing rationality involves critics being less arrogant when they want they perceptions of films to be talked about, and critics must be aware of criticisms that have been published. The critics who want to argue must base their arguments in criticisms that have been stated by other critics. The fourth way in how film critics are able to write criticisms that involve critical discussions containing rationality pertains to critics moving away from

3920-502: The film-criticism industry for its underrepresentation of women. A study of the top critics on Rotten Tomatoes shows that 91 per cent of writers for movie or entertainment magazines and websites are men, as are 90 per cent of those for trade publications, 80 per cent of critics for general interest magazines like Time , and 70 per cent of reviewers for radio formats such as NPR . Writing for The Atlantic , Kate Kilkenny argued that women were better represented in film criticism before

4000-409: The first draft has been read by scholars, most notably Jeffrey Couchman of Columbia University . He credited Agee in the essay, "Credit Where Credit Is Due". Also false were reports that Agee was fired from the film. Laughton renewed Agee's contract and directed him to cut the script in half, which Agee did. Later, apparently at Robert Mitchum 's request, Agee visited the set to settle a dispute between

4080-407: The form of a montage, then the films are artwork. The second film theory is that films are related to reality. Bazin 's philosophy involves movies being connected to the real world, which is reality. Green film criticism is defined as eco-cinecriticism. This pertains to the specific film critics who are interested in environmental types of films. The cinematic counterpart to writings about nature

SECTION 50

#1732780131493

4160-405: The form of a review; instead it is more likely to analyse the film and its place in the history of its genre, the industry and film history as a whole. Film criticism is also labeled as a type of writing that perceives films as possible achievements and wishes to convey their differences, as well as the films being made in a level of quality that is satisfactory or unsatisfactory. Film criticism

4240-520: The home of the United States film industry: Hollywood . Some of these colleges include University of California, Davis , University of California, Berkeley , University of California, Los Angeles , Stanford University , as well as many other colleges across the world. Academic criticism is typically divided and taught in the form of many different disciplines that tackle critique in different manors. These can include: Academic film criticism

4320-424: The idea that artwork such as a film shall have clear meanings. Instead, critics must view artwork such as films to be the results of working hard, many hours of thinking, and ideas being compromised for meanings to not be clear. This research concludes that film critics must repeatedly view films as a way of studying them, if they desire to write thorough reviews on those particular films. Secondly, film critics have

4400-595: The media are normally commissionaires who affect culture, since the judgments and choices of critics have the effect of influencing what audience members perceive about objects that are supplied to them, and critics are also able to influence how the audience members choose to think about objects that are supplied to them. In the current era of history, film criticism is rich in having digital devices that allow films to be analyzed through visual and auditory methods that involve critical strategies of creativity that allow people to become immersed in film criticism. Film criticism

4480-404: The medium caused major newspapers to start hiring film critics. In the 1930s, the film industry saw audiences grow increasingly silent as films were now accompanied by sound. However, in the late 1930s audiences became influenced by print news sources reporting on movies and criticism became largely centered around audience reactions within the theaters. In the decades of the 1930s and the 1940s,

4560-404: The more male-dominated jobs at major newspapers survived better. The Internet also encouraged a growth in niche review websites that were even more male-dominated than older media. Kilkenny also suggested that the shortage of female critics was related to the shortage of female opinion columnists. Clem Bastow, culture writer at The Guardian Australia , discussed the possible effects of this on

4640-811: The movies that viewers prefer to see. The explanations for why movies are given high ratings are able to reach online groups of people who watch movies, and the explanations for movies having high ratings are explained through the usage of reviews that are posted in those online groups. More often known as film theory or film studies , academic critique explores cinema beyond journalistic film reviews. These film critics try to examine why film works, how it works aesthetically or politically, what it means, and what effects it has on people. Rather than write for mass-market publications their articles are usually published in scholarly journals and texts which tend to be affiliated with university presses; or sometimes in up-market magazines. Most academic criticism of film often follows

4720-498: The need to go hard on certain films for women, presumably because they worry that they'll be dismissed, critically speaking, if they praise a film like The Intern as though they're only reviewing it favorably because they're women. Matt Reynolds of Wired pointed out that "men tend to look much more favorably on films with more masculine themes, or male leading actors." On online review sites such as IMDb , this leads to skewed, imbalanced review results as 70 per cent of reviewers on

4800-458: The opinions of the general public on films produced. Research says that academic studies pertaining to films had a thorough histiography pertaining to films, which also included different styles of films throughout history. However, the academic studies almost made film criticism reach its end. The academic type of writing pertaining to films had created knowledge, which ended up appearing in areas that had been useful for writing film criticisms in

4880-807: The practice of reviewing films via a television program, in the show Siskel & Ebert At the Movies , which became syndicated in the 1980s. Both critics had established their careers in print media, and continued to write reviews for newspapers during the run of their television show. Research says that there are ways in how film critics are able to write criticisms that involve critical discussions containing rationality. When critics are looking for film criticisms that are factual, they must not behave with excessive optimism or be too demanding. Creations and criticisms are activities that humans participate in, and these activities cannot be substituted out for an objective list of morals to be utilized. Humans are restrained by

SECTION 60

#1732780131493

4960-408: The published script was written by the film's director, Charles Laughton . Reports that Agee's screenplay for Hunter was not used have been proved false by the 2004 discovery of his first draft, which although 293 pages in length, contains many scenes included in the film that Laughton directed. Laughton seemed to have edited great parts of the script because it was too long. While not yet published,

5040-458: The review is useful to an audience member. The critic's review is able to be referenced in conversations where audience members communicate with other individuals, and audience members can communicate messages about the artistic film that was critically examined or connect the criticism to problems that occur in society. Websites such as Rotten Tomatoes and Metacritic seek to improve the usefulness of film reviews by compiling them and assigning

5120-722: The rise of the Internet. In the past, when film was considered less prestigious than visual art and literature, it was easier for women to break into film criticism. In the year 1929, Iris Barry was a female film critic from Britain. When Barry lived in London, she earned money from being a writer for magazines, a newspaper, and periodical articles. Barry wrote film criticisms that discussed films that were made in Britain, films that were made in America, and Barry only wrote film criticisms on

5200-548: The site are men. A study using Johanson analysis was used evaluate the representation of women in 270 films. Johanson complied statistics for the year 2015 on how having a female protagonist affected a movie, with the following results: James Harris, writing for The Critic , argued that "Previously engaging review sites such as Vox , The Guardian and The Onion AV Club have all become The World Social Justice Website , and they are now assessing works in all disciplines in line with wider social justice criteria. Does

5280-420: The site in order to submit reviews. This means that they are a form of open access poll , and have the same advantages and disadvantages; notably, there is no guarantee that they will be a representative sample of the film's audience. In some cases, online review sites have produced wildly differing results to scientific polling of audiences. Likewise, reviews and ratings for many movies can greatly differ between

5360-505: The sound effects or images from the other films to be used in criticizing the sounds or images that pertain to the YouTube clips that are being criticized. Film critics are also reviewers who are amateurs on websites such as IMDb. Also, many postings from amateur film critics are on IMDb. Some websites specialize in narrow aspects of film reviewing. For instance, there are sites that focus on specific content advisories for parents to judge

5440-432: The star and Laughton. Letters and documents in the archive of Agee's agent Paul Kohner bear this out; they were documented by Laughton's biographer Simon Callow , whose BFI book about The Night of the Hunter sets this part of the record straight. Couchman, the author of a 2009 book about The Night of the Hunter , writes that Agee's screenplay would have been a film about six hours long, so Laughton had to cut and edit

5520-610: The storages are able to help people find reliable film criticisms that can be used as readings for students. Blogs are a good example to view in relation to how the internet has grown to where social networks and live chats exist alongside websites such as YouTube where people can post their own content. That is because blogging has created new ways for people to make themselves engage with cinematic movies. People who engage themselves with movies choose to participate in various forms of film criticism by using video or DVD clips from YouTube that are placed alongside parts of other films for

5600-505: The task of making sure that they are highly informed about the film and film critics are also responsible for initiating the discussions about the films. Film critics are also responsible for knowing the creators of the films. Thirdly, film critics must blatantly state their own biases and preferences without associating them with any theories. Fourthly, film critics must appreciate the films that are given positive criticisms and film critics must not be ungrateful towards those films. Finally,

5680-501: The two moved to Rockland, Maine . Agee went to Knoxville High School for the 1924–25 school year, then traveled with Flye to Europe in the summer, when Agee was 16. On their return, Agee transferred to a boarding school in New Hampshire , entering the class of 1928 at Phillips Exeter Academy . Soon after, he began a correspondence with Dwight Macdonald . At Phillips Exeter, Agee was president of The Lantern Club and editor of

5760-453: The type of criticism pertaining to films had to overcome some difficult challenges. The first difficult challenge involves how film criticism in the 1930s decade did not have any stable foundations to reside on, and film criticism also involved critics having vocabularies that were limited. During the 1930s, the jobs of critics weren't perceived to be great and critics did not earn high wages for their work. The next difficult challenge involves

5840-533: The works is the use of original names in Cotton Tenants ; Agee assigned fictional names to the subjects of Famous Men to protect their identity. Agee left Fortune in 1937 while working on a book, then, in 1939, he took a book reviewing job at Time , sometimes reviewing up to six books per week; together, he and his friend Whittaker Chambers ran "the back of the book" for Time . In 1941, he became Time's film critic. From 1942 to 1948, he worked as

5920-568: The world, while New York Film Critics Online members handle reviews in the New York tri-state area. Online film criticism has provided online film critics with challenges related to journalism's purpose changing on the internet. For example, critics must contend with the drawback of too many critics being online to the extent of preventing critics from writing original statements. Critics can write original statements online, but there are websites that will steal their ideas and not give credit to

6000-512: The years between 2002 and 2006 had written reviews pertaining to the fact that they disapproved of modern films that were in the horror genre. In the year 2002, a critic named Reynold Humphries made his own discussion in The American Horror Film reach its end when he said that the horror genre's films were not good, and Humphries also stated that films in the horror genre weren't enjoyable. A critic named Kendall Phillips wrote

6080-400: Was an American novelist, journalist, poet, screenwriter and film critic. In the 1940s, writing for Time , he was one of the most influential film critics in the United States. His autobiographical novel , A Death in the Family (1957), won the author a posthumous 1958 Pulitzer Prize . Agee is also known as a co-writer of the book Let Us Now Praise Famous Men and as the screenwriter of

6160-434: Was awarded a Blue Ribbon at the 1980 American Film Festival. AGEE featured four of James Agee's friends—Dwight Macdonald, Robert Fitzgerald, Robert Saudek , and John Huston —as well as the three women to whom James Agee had been married. In addition, Father James Harold Flye was a featured interviewee. President Jimmy Carter speaks about his favorite book, Let Us Now Praise Famous Men . The Man Who Lives Here Is Loony ,

6240-529: Was editor-in-chief of the Harvard Advocate and delivered the class ode at his commencement . After graduation, Agee was hired by Time Inc. as a reporter, and moved to New York City, where he wrote for Fortune magazine from 1932 to 1937, although he is better known for his later film criticism in Time and The Nation . In 1934, he published his only volume of poetry, Permit Me Voyage , with

6320-407: Was his first contribution to a film that was completed and released. Agee's career as a movie scriptwriter was curtailed by his alcoholism . Nevertheless, he is one of the credited screenwriters on two of the most respected films of the 1950s: The African Queen (1951) and The Night of the Hunter (1955). His contribution to Hunter is shrouded in controversy. Some critics have claimed that

6400-678: Was near his mother's summer cottage two miles from Sewanee, Tennessee . Saint Andrews School for Mountain Boys was run by the monastic Order of the Holy Cross affiliated with the Episcopal Church . It was there that Agee's lifelong friendship with Episcopal priest Father James Harold Flye, a history teacher at St. Andrew's, and his wife, Grace Eleanor Houghton, began in 1919. As Agee's close friend and mentor, Flye corresponded with him on literary and other topics through life and became

#492507