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71-458: According to Hesiod , the Hydra was the offspring of Typhon and Echidna . It had poisonous breath and blood so virulent that even its scent was deadly. The Hydra possessed many heads , the exact number of which varies according to the source. Later versions of the Hydra story add a regeneration feature to the monster: for every head chopped off, the Hydra would regrow two heads. Heracles required

142-512: A laurel staff, a symbol of poetic authority ( Theogony 22–35). Fanciful though the story might seem, the account has led ancient and modern scholars to infer that he was not a professionally trained rhapsode or he would have been presented with a lyre instead. Some scholars have seen Perses as a literary creation, a foil for the moralizing that Hesiod develops in Works and Days , but there are also arguments against that theory. For example, it

213-418: A deep interest in a wide range of 'philosophical' issues, from the nature of divine justice to the beginnings of human society. Aristotle ( Metaphysics 983b–987a) believed that the question of first causes may even have started with Hesiod ( Theogony 116–53) and Homer ( Iliad 14.201, 246). He viewed the world from outside the charmed circle of aristocratic rulers, protesting against their injustices in

284-479: A girl's brothers and murdered in reprisal despite his advanced age while the true culprit (his Milesian fellow-traveler) managed to escape. Greeks in the late 5th and early 4th centuries BC considered their oldest poets to be Orpheus , Musaeus , Hesiod and Homer —in that order. Thereafter, Greek writers began to consider Homer earlier than Hesiod. Devotees of Orpheus and Musaeus were probably responsible for precedence being given to their two cult heroes and maybe

355-537: A hive. In the horror of the triumph of violence over hard work and honor, verses describing the "Golden Age" present the social character and practice of nonviolent diet through agriculture and fruit-culture as a higher path of living sufficiently. In addition to the Theogony and Works and Days , numerous other poems were ascribed to Hesiod during antiquity. Modern scholarship has doubted their authenticity, and these works are generally referred to as forming part of

426-529: A just and all-powerful god can allow the unjust to flourish in this life". He recalls Aristophanes in his rejection of the idealised hero of epic literature in favour of an idealized view of the farmer. Yet the fact that he could eulogize kings in Theogony (80 ff., 430, 434) and denounce them as corrupt in Works and Days suggests that he could resemble whichever audience he composed for. Various legends accumulated about Hesiod and they are recorded in several sources: Two different—yet early—traditions record

497-572: A lot of formulaic phrases that are not found in Homer, which indicates that he may have been writing within a different tradition. Bibliotheca (Pseudo-Apollodorus) The Bibliotheca ( Ancient Greek : Βιβλιοθήκη , Bibliothēkē , 'Library'), also known as the Bibliotheca of Pseudo-Apollodorus , is a compendium of Greek myths and heroic legends , genealogical tables and histories arranged in three books, generally dated to

568-467: A proto-historical perspective in Hesiod, a view rejected by Paul Cartledge , for example, on the grounds that Hesiod advocates a not-forgetting without any attempt at verification. Hesiod has also been considered the father of gnomic verse . He had "a passion for systematizing and explaining things". Ancient Greek poetry in general had strong philosophical tendencies and Hesiod, like Homer, demonstrates

639-479: A six-headed Hydra, its number of heads was first fixed in writing by Alcaeus (c. 600 BC), who gave it nine heads. Simonides , writing a century later, increased the number to fifty, while Euripides , Virgil , and others did not give an exact figure. Heraclitus the Paradoxographer rationalized the myth by suggesting that the Hydra would have been a single-headed snake accompanied by its offspring. Like

710-399: A tone of voice that has been described as having a "grumpy quality redeemed by a gaunt dignity" but, as stated in the biography section, he could also change to suit the audience. This ambivalence appears to underlie his presentation of human history in Works and Days , where he depicts a golden period when life was easy and good, followed by a steady decline in behaviour and happiness through

781-623: Is a contested issue in scholarly circles ( see § Dating below ). Epic narrative allowed poets such as Homer no opportunity for personal revelations. However Hesiod's extant work comprises several didactic poems in which he went out of his way to let his audience in on a few details of his life. There are three explicit references in Works and Days , as well as some passages in his Theogony , that support inferences made by scholars. The former poem says that his father came from Cyme in Aeolis (on

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852-490: Is anything to judge by, since he describes the routines of prosperous yeomanry rather than peasants. His farmer employs a friend ( Works and Days 370) as well as servants (502, 573, 597, 608, 766), an energetic and responsible ploughman of mature years (469 ff.), a slave boy to cover the seed (441–6), a female servant to keep house (405, 602) and working teams of oxen and mules (405, 607f.). One modern scholar surmises that Hesiod may have learned about world geography, especially

923-534: Is generally regarded by Western authors as 'the first written poet in the Western tradition to regard himself as an individual persona with an active role to play in his subject.' Ancient authors credited Hesiod and Homer with establishing Greek religious customs. Modern scholars refer to him as a major source on Greek mythology , farming techniques, early economic thought, Archaic Greek astronomy , cosmology , and ancient time-keeping . The dating of Hesiod's life

994-498: Is indicated as author on some surviving manuscripts, this Apollodorus has been mistakenly identified with Apollodorus of Athens (born c.  180 BC E), a student of Aristarchus of Samothrace who also worked in Alexandria. It is known—from references in the minor scholia on Homer—that Apollodorus of Athens did leave a similar comprehensive repertory on mythology, in the form of a verse chronicle. The mistaken attribution

1065-434: Is quite common for works of moral instruction to have an imaginative setting as a means of getting the audience's attention, but it could be difficult to see how Hesiod could have traveled around the countryside entertaining people with a narrative about himself if the account was known to be fictitious. Gregory Nagy , on the other hand, sees both Pérsēs ("the destroyer" from πέρθω , pérthō ) and Hēsíodos ("he who emits

1136-539: Is transmitted intact via a medieval manuscript tradition. Classical authors also attributed to Hesiod a lengthy genealogical poem known as Catalogue of Women or Ehoiai (because sections began with the Greek words ē hoiē, "Or like the one who ..."). It was a mythological catalogue of the mortal women who had mated with gods, and of the offspring and descendants of these unions. Several additional hexameter poems were ascribed to Hesiod: In addition to these works,

1207-621: The Bibliothèque nationale de France , in Paris. The first printed edition of the Bibliotheca of Pseudo-Apollodorus was published in Rome in 1555. Benedetto Egio (Benedictus Aegius) of Spoleto , was the first to divide the text in three books. Hieronymus Commelinus  [ fr ] published an improved text at Heidelberg , 1559. The first text based on comparative manuscripts

1278-494: The Homeridae were responsible in later antiquity for promoting Homer at Hesiod's expense. The first known writers to locate Homer earlier than Hesiod were Xenophanes and Heraclides Ponticus , though Aristarchus of Samothrace was the first actually to argue the case. Ephorus made Homer a younger cousin of Hesiod, the 5th century BC historian Herodotus ( Histories II, 53) evidently considered them near-contemporaries, and

1349-589: The Mushhushshu . Eurystheus , the king of the Tiryns , sent Heracles (or Hercules) to slay the Hydra, which Hera had raised just to slay Heracles. Upon reaching the swamp near Lake Lerna , where the Hydra dwelt, Heracles covered his mouth and nose with a cloth to protect himself from the poisonous fumes. He shot flaming arrows into the Hydra's lair, the spring of Amymone , a deep cave from which it emerged only to terrorize neighboring villages. He then confronted

1420-525: The Shield of Heracles (see Hesiod's Greek below). Moreover, they both refer to the same version of the Prometheus myth. Yet even these authentic poems may include interpolations. For example, the first ten verses of the Works and Days may have been borrowed from an Orphic hymn to Zeus (they were recognised as not the work of Hesiod by critics as ancient as Pausanias). Some scholars have detected

1491-454: The Suda lists an otherwise unknown "dirge for Batrachus, [Hesiod's] beloved". Portrait of Hesiod from Augusta Treverorum ( Trier ), from the end of the 3rd century AD. The mosaic is signed in its central field by the maker, 'MONNUS FECIT' ('Monnus made this'). The figure is identified by name: 'ESIO-DVS' ('Hesiod'). It is the only known authenticated portrait of Hesiod. The Roman bronze bust,

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1562-481: The conventional metre and language of epic. However, the Shield of Heracles is now known to be spurious and probably was written in the sixth century BC. Many ancient critics also rejected Theogony (e.g., Pausanias 9.31.3), even though Hesiod mentions himself by name in that poem. Theogony and Works and Days might be very different in subject matter, but they share a distinctive language, metre, and prosody that subtly distinguish them from Homer's work and from

1633-505: The "Hesiodic corpus" whether or not their authorship is accepted. The situation is summed up in this formulation by Glenn Most : "Hesiod" is the name of a person; "Hesiodic" is a designation for a kind of poetry, including but not limited to the poems of which the authorship may reasonably be assigned to Hesiod himself. Of these works forming the extended Hesiodic corpus, only the Shield of Heracles ( Ἀσπὶς Ἡρακλέους , Aspis Hērakleous )

1704-663: The 4th century BC sophist Alcidamas in his work Mouseion even brought them together for an imagined poetic ágōn ( ἄγών ), which survives today as the Contest of Homer and Hesiod . Most scholars today agree with Homer's priority but there are good arguments on either side. Hesiod certainly predates the lyric and elegiac poets whose work has come down to the modern era. Imitations of his work have been observed in Alcaeus , Epimenides , Mimnermus , Semonides , Tyrtaeus and Archilochus , from which it has been inferred that

1775-512: The 7th century BC (within a century or so of Hesiod's death), claims that Hesiod lies buried at Orchomenus, a town in Boeotia. According to Aristotle 's Constitution of Orchomenus, when the Thespians ravaged Ascra the villagers sought refuge at Orchomenus, where, following the advice of an oracle, they collected the ashes of Hesiod and set them in a place of honour in their agora , next to

1846-587: The 8th century BC. ( Theogony 337–45). Hesiod mentions a poetry contest at Chalcis in Euboea where the sons of one Amphidamas awarded him a tripod ( Works and Days 654–662). Plutarch identified this Amphidamas with the hero of the Lelantine War between Chalcis and Eretria and he concluded that the passage must be an interpolation into Hesiod's original work, assuming that the Lelantine War

1917-724: The Argonauts 4. Early Argive mythology (the Inachids, Belid line) 5. Heracles, and the Heraclids 6. Cretan and Theban mythology (the Inachids, Agenorid line). 7. The Theban Wars 8. Arcadian mythology (the Pelasgids) 9. Laconian and Trojan mythology (the Atlantids) 10. The Asopids 11. The Kings of Athens Epitome 12. The Pelopids 13. The Trojan war 14. The returns A certain "Apollodorus"

1988-551: The Euboeans), and possibly his move west had something to do with that, since Euboea is not far from Boeotia , where he eventually established himself and his family. The family association with Aeolian Cyme might explain his familiarity with Eastern myths, evident in his poems, though the Greek world might have already developed its own versions of them. In spite of Hesiod's complaints about poverty, life on his father's farm could not have been too uncomfortable if Works and Days

2059-467: The Hydra grow back three heads each time; the Suda does not give a number. Depictions of the monster dating to c. 500 BC show it with a double tail as well as multiple heads, suggesting the same regenerative ability at work, but no literary accounts have this feature. The Hydra had many parallels in ancient Near Eastern religions . In particular, Sumerian , Babylonian , and Assyrian mythology celebrated

2130-434: The Hydra in this way, Heracles called on his nephew Iolaus for help. His nephew then came upon the idea (possibly inspired by Athena ) of using a firebrand to scorch the neck stumps after each decapitation. Heracles cut off each head and Iolaus cauterized the open stumps. Seeing that Heracles was winning the struggle, Hera sent a giant crab to distract him. He crushed it under his mighty foot. The Hydra's one immortal head

2201-448: The Hydra, wielding either a harvesting sickle (according to some early vase-paintings), a sword, or his famed club. Heracles then attempted to cut off the Hydra's heads but each time that he did so, one or two more heads (depending on the source) would grow back in its place. The Hydra was invulnerable as long as it retained at least one head. The struggle is described by the mythographer Apollodorus : realizing that he could not defeat

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2272-600: The Near East .) Works and Days is a poem of over 800 lines which revolves around two general truths: labour is the universal lot of Man, but he who is willing to work will get by. Scholars have interpreted this work against a background of agrarian crisis in mainland Greece , which inspired a wave of documented colonisations in search of new land. Works and Days may have been influenced by an established tradition of didactic poetry based on Sumerian, Hebrew, Babylonian and Egyptian wisdom literature. This work lays out

2343-456: The assistance of his nephew Iolaus to cut off all of the monster's heads and burn the neck using a sword and fire. The oldest extant Hydra narrative appears in Hesiod's Theogony , while the oldest images of the monster are found on a pair of bronze fibulae dating to c. 700 BC. In both these sources, the main motifs of the Hydra myth are already present: a multi-headed serpent that is slain by Heracles and Iolaus . While these fibulae portray

2414-413: The beast she raised to kill him, placed it in the dark blue vault of the sky as the constellation Hydra . She then turned the crab into the constellation Cancer . Heracles would later use arrows dipped in the Hydra's poisonous blood to kill other foes during his remaining labors, such as Stymphalian Birds and the giant Geryon . He later used one to kill the centaur Nessus ; and Nessus' tainted blood

2485-477: The catalogue of rivers in Theogony (337–45), listening to his father's accounts of his own sea voyages as a merchant. The father probably spoke in the Aeolian dialect of Cyme but Hesiod probably grew up speaking the local Boeotian, belonging to the same dialect group. However whilst his poetry features some Aeolisms there are no words that are certainly Boeotian. His basic language was the main literary dialect of

2556-696: The coast of Anatolia , a little south of the island of Lesbos ) and crossed the sea to settle at a hamlet near Thespiae in Boeotia named Ascra , "a cursed place, cruel in winter, hard in summer, never pleasant" ( Works 640). Hesiod's patrimony ( property inherited from one's father or male ancestor ) in Ascra, a small piece of ground at the foot of Mount Helicon , occasioned lawsuits with his brother Perses , who at first seems to have cheated him of his rightful share thanks to corrupt authorities or ‘kings’ but later became impoverished and ended up scrounging from

2627-488: The compilation of myth in the Bibliotheca . The Bibliotheca was written in the first or second century CE by an author who is referred to as Pseudo-Apollodorus to differentiate from Apollodorus of Athens, who did not write the Bibliotheca . The text is largely intact except for the last section, ending in the middle of the narrative of Theseus . In the later scholarship it is used as a reference material. Source: 1. Theogony 2. The Deucalionids 3. Jason and

2698-644: The conventional dialect of epic verse, which was Ionian. Comparisons with Homer, a native Ionian, can be unflattering. Hesiod's handling of the dactylic hexameter was not as masterful or fluent as Homer's and one modern scholar refers to his "hobnailed hexameters". His use of language and meter in Works and Days and Theogony distinguishes him also from the author of the Shield of Heracles . All three poets, for example, employed digamma inconsistently, sometimes allowing it to affect syllable length and meter, sometimes not. The ratio of observance/neglect of digamma varies between them. The extent of variation depends on how

2769-427: The death of Odysseus . The narratives are organized by genealogy, chronology and geography in summaries of myth. The myths are sourced from a wide number of sources like early epic, early Hellenistic poets, and mythographical summaries of tales. Homer and Hesiod are the most frequently named along with other poets. Oral tradition and the plays written by Aeschylus , Sophocles and Euripides also factored into

2840-699: The deeds of the war and hunting god Ninurta , whom the Angim credited with slaying 11 monsters on an expedition to the mountains, including a seven-headed serpent (possibly identical with the Mushmahhu ) and Bashmu , whose constellation (despite having a single Head) was later associated by the Greeks with the Hydra . The constellation is also sometimes associated in Babylonian contexts with Marduk 's dragon,

2911-404: The definite article associated with digamma, oἱ. Though typical of epic, his vocabulary features some significant differences from Homer's. One scholar has counted 278 un-Homeric words in Works and Days , 151 in Theogony and 95 in Shield of Heracles . The disproportionate number of un-Homeric words in W & D is due to its un-Homeric subject matter. Hesiod's vocabulary also includes quite

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2982-512: The different subject matter between this poem and the Works and Days , most scholars, with some notable exceptions, believe that the two works were written by the same man. As M. L. West writes, "Both bear the marks of a distinct personality: a surly, conservative countryman, given to reflection, no lover of women or life, who felt the gods' presence heavy about him." An example: Hateful strife bore painful Toil, Neglect, Starvation, and tearful Pain, Battles, Combats... The Theogony concerns

3053-777: The earliest known source for the myths of Pandora , Prometheus and the Golden Age . The creation myth in Hesiod has long been held to have Eastern influences, such as the Hittite Song of Kumarbi and the Babylonian Enuma Elis . This cultural crossover may have occurred in the eighth- and ninth-century Greek trading colonies such as Al Mina in North Syria . (For more discussion, read Robin Lane Fox 's Travelling Heroes and Peter Walcot's Hesiod and

3124-521: The evidence is collected and interpreted but there is a clear trend, revealed for example in the following set of statistics. Hesiod does not observe digamma as often as the others do. That result is a bit counter-intuitive since digamma was still a feature of the Boeotian dialect that Hesiod probably spoke, whereas it had already vanished from the Ionic vernacular of Homer. This anomaly can be explained by

3195-509: The fact that Hesiod made a conscious effort to compose like an Ionian epic poet at a time when digamma was not heard in Ionian speech, while Homer tried to compose like an older generation of Ionian bards, when it was heard in Ionian speech. There is also a significant difference in the results for Theogony and Works and Days , but that is merely due to the fact that the former includes a catalog of divinities and therefore it makes frequent use of

3266-503: The farm, in the spring before the May harvest or the dead of winter. The personality behind the poems is unsuited to the kind of "aristocratic withdrawal" typical of a rhapsode but is instead "argumentative, suspicious, ironically humorous, frugal, fond of proverbs, wary of women." He was in fact a " misogynist " of the same calibre as the later poet Semonides . He resembles Solon in his preoccupation with issues of good versus evil and "how

3337-414: The firebrand, he declared that the labor had not been completed alone and as a result did not count toward the ten labors set for him. The mythic element is an equivocating attempt to resolve the submerged conflict between an ancient ten labors and a more recent twelve. Greek and Roman writers related that Hera placed the Hydra and crab as constellations in the night sky after Heracles slew him. When

3408-407: The first or second century AD. The author was traditionally thought to be Apollodorus of Athens , but that attribution is now considered to be pseudepigraphic. As a result, " Pseudo- " has been affixed to Apollodorus . The Bibliotheca of Pseudo-Apollodorus is a compressive collection of myths, genealogies and histories that presents a continuous history of Greek mythology from the Theogony to

3479-418: The five Ages of Man , as well as containing advice and wisdom, prescribing a life of honest labour and attacking idleness and unjust judges (like those who decided in favour of Perses ) as well as the practice of usury. It describes immortals who roam the earth watching over justice and injustice. The poem regards labor as the source of all good, in that both gods and men hate the idle, who resemble drones in

3550-594: The heroes of the Trojan War . Byzantine author John Tzetes , who lived in Constantinople in the twelfth century, often cited the Bibliotheca in his writings. It was almost lost in the 13th century, surviving in one now-incomplete manuscript, which was copied for Cardinal Bessarion in the 15th century. Any surviving manuscripts of the Bibliotheca are descended from a fourteenth century manuscript in

3621-405: The important intellectual Patriarch Photius I of Constantinople expressed its purpose: It has the following not ungraceful epigram: 'Draw your knowledge of the past from me and read the ancient tales of learned lore . Look neither at the page of Homer , nor of elegy , nor tragic muse , nor epic strain . Seek not the vaunted verse of the cycle ; but look in me and you will find in me all that

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3692-573: The initial number of heads, the monster's capacity to regenerate lost heads varies with time and author. The first mention of this ability of the Hydra occurs with Euripides , where the monster grew back a pair of heads for each one severed by Heracles. In the Euthydemus of Plato , Socrates likens Euthydemus and his brother Dionysidorus to a Hydra of a sophistical nature who grows two arguments for every one refuted. Palaephatus , Ovid , and Diodorus Siculus concur with Euripides, while Servius has

3763-467: The latest possible date for him is about 650 BC. An upper limit of 750 BC is indicated by a number of considerations, such as the probability that his work was written down, the fact that he mentions a sanctuary at Delphi that was of little national significance before c. 750 BC ( Theogony 499), and he lists rivers that flow into the Euxine , a region explored and developed by Greek colonists beginning in

3834-491: The origins of the world ( cosmogony ) and of the gods ( theogony ), beginning with Chaos , Gaia , Tartarus and Eros , and shows a special interest in genealogy . Embedded in Greek myth , there remain fragments of quite variant tales, hinting at the rich variety of myth that once existed, city by city; but Hesiod's retelling of the old stories became, according to Herodotus , the accepted version that linked all Hellenes . It's

3905-405: The silver, bronze, and Iron Ages – except that he inserts a heroic age between the last two, representing its warlike men as better than their bronze predecessors. He seems in this case to be catering to two different world-views, one epic and aristocratic, the other unsympathetic to the heroic traditions of the aristocracy. The Theogony is commonly considered Hesiod's earliest work. Despite

3976-642: The site of Hesiod's grave. One, as early as Thucydides , reported in Plutarch, the Suda and John Tzetzes, states that the Delphic oracle warned Hesiod that he would die in Nemea , and so he fled to Locris , where he was killed at the local temple to Nemean Zeus, and buried there. This tradition follows a familiar ironic convention: the oracle predicts accurately after all. The other tradition, first mentioned in an epigram by Chersias of Orchomenus written in

4047-503: The so-called Pseudo-Seneca , of the late first century BC found at Herculaneum is now thought not to be of Seneca the Younger . It has been identified by Gisela Richter as an imagined portrait of Hesiod. In fact, it has been recognized since 1813 that the bust was not of Seneca when an inscribed herma portrait of Seneca with quite different features was discovered. Most scholars now follow Richter's identification. Hesiod employed

4118-622: The sun is in the sign of Cancer ( Latin for "The Crab"), the constellation Hydra has its head nearby. In fact, both constellations derived from the earlier Babylonian signs: Bashmu ("The Venomous Snake") and Alluttu ("The Crayfish "). Chronological listing of classical literature sources for the Lernaean Hydra: Hesiod Hesiod ( / ˈ h iː s i ə d / HEE -see-əd or / ˈ h ɛ s i ə d / HEH -see-əd ; ‹See Tfd› Greek : Ἡσίοδος Hēsíodos ; fl.   c. 700 BC )

4189-410: The text that has survived is generally placed in late 1st or second century BCE. The first mention of the work is by Photius, patriarch of Constantinople in 9th century CE, in his "account of books read". The last section of the Bibliotheca which breaks off during the section on Theseus is missing in surviving manuscripts, Photius had the full work and mentions that the lost section had myths about

4260-471: The thrifty poet ( Works 35, 396). Unlike his father Hesiod was averse to sea travel, but he once crossed the narrow strait between the Greek mainland and Euboea to participate in funeral celebrations for one Amphidamas of Chalcis and there won a tripod in a singing competition. He also describes meeting the Muses on Mount Helicon , where he had been pasturing sheep, when the goddesses presented him with

4331-453: The time, Homer's Ionian . It is probable that Hesiod wrote his poems down, or dictated them, rather than passing them on orally, as rhapsodes did—otherwise: the pronounced personality that now emerges from the poems would surely have been diluted through oral transmission from one rhapsode to another. Pausanias asserted that Boeotians showed him an old tablet made of lead on which the Works were engraved. If he did write or dictate, it

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4402-531: The tomb of Minyas , their eponymous founder. Eventually they came to regard Hesiod too as their "hearth-founder" ( οἰκιστής , oikistēs ). Later writers attempted to harmonize these two accounts. Yet another account taken from classical sources, cited by author Charles Abraham Elton in his Remains of Hesiod the Ascræan, Including the Shield of Hercules by Hesiod , depicts Hesiod as being falsely accused of rape by

4473-651: The voice" from ἵημι , híēmi and αὐδή , audḗ ) as fictitious names for poetical personae . It might seem unusual that Hesiod's father migrated from Anatolia westwards to mainland Greece, the opposite direction to most colonial movements at the time, and Hesiod himself gives no explanation for it. However, around 750 BC or a little later, there was a migration of seagoing merchants from his original home in Cyme in Anatolia to Cumae in Campania (a colony they shared with

4544-420: The world contains'. Photius is one of the first surviving reviews of the use of the Bibliotheca in the field. Throughout the 12th and 13th centuries BCE, the Bibliotheca was referred to in scholarship about Ancient Greece most often found in letters from scholars of the time. Much of the modern scholarship on the work has focused on the interpretation of its manuscripts by various translators and compilers of

4615-470: Was an ancient Greek poet generally thought to have been active between 750 and 650 BC, around the same time as Homer . Several of Hesiod's works have survived in their entirety. Among these are Theogony , which tells the origins of the gods, their lineages, and the events that led to Zeus 's rise to power, and Works and Days , a poem that describes the five Ages of Man , offers advice and wisdom, and includes myths such as Pandora's box . Hesiod

4686-542: Was applied to the Tunic of Nessus , by which the centaur had his posthumous revenge. Both Strabo and Pausanias report that the stench of the river Anigrus in Elis, making all the fish of the river inedible, was reputed to be due to the Hydra's poison, washed from the arrows Heracles used on the centaur. When Eurystheus, the agent of Hera who was assigning The Twelve Labors to Heracles, found out that Iolaus had handed Heracles

4757-484: Was cut off with a golden sword given to Heracles by Athena. Heracles placed the head—still alive and writhing—under a great rock on the sacred way between Lerna and Elaius, and dipped his arrows in the Hydra's poisonous blood. Thus, his second task was complete. The alternate version of this myth is that after cutting off one head he then dipped his sword in its neck and used its venom to burn each head so it could not grow back. Hera, upset that Heracles had slain

4828-487: Was made by scholars following Photius' mention of the name, though Photius did not name him as the Athenian and the name was in common use at the time. For chronological reasons, Apollodorus of Athens could not have written the book, the author of the Bibliotheca is at times referred to as the "Pseudo-Apollodorus", to distinguish him from Apollodorus of Athens. Modern works often simply call him "Apollodorus". The form of

4899-426: Was perhaps as an aid to memory or because he lacked confidence in his ability to produce poems extempore, as trained rhapsodes could do. It certainly was not in a quest for immortal fame since poets in his era had probably no such notions for themselves. However some scholars suspect the presence of large-scale changes in the text and attribute it to oral transmission. Possibly he composed his verses during idle times on

4970-490: Was that of Christian Gottlob Heyne , Göttingen , 1782–83. Subsequent editions Jurgen Muller (1841) and Richard Wagner (1894) collated earlier manuscripts. In 1921 Sir James George Frazer published an epitome of the book by conflating two manuscript summaries of the text, which included the lost section. The Bibliotheca has been referenced in scholarship throughout history. As a mythographical work It has influenced scholarship on Greek Mythology. An epigram recorded by

5041-700: Was too late for Hesiod. Modern scholars have accepted his identification of Amphidamas but disagreed with his conclusion. The date of the war is not known precisely but estimates placing it around 730–705 BC fit the estimated chronology for Hesiod. In that case, the tripod that Hesiod won might have been awarded for his rendition of Theogony , a poem that seems to presuppose the kind of aristocratic audience he would have met at Chalcis. Three works have survived which were attributed to Hesiod by ancient commentators: Works and Days , Theogony , and Shield of Heracles . Only fragments exist of other works attributed to him. The surviving works and fragments were all written in

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