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125-565: The comics were written in serial works or "adventures" in a manner that parodied interactive fiction games. The characters' actions were originally driven by commands suggested by fans in the comics' official forum , but fan suggestions were eventually abandoned due to the size of the fanbase and the author's desire to tell a more coherent story. The comics tended to draw inspiration from video games, imitating and parodying genres such as RPGs and simulation games . They frequently reference other aspects of current internet culture. Despite its name,

250-478: A collection containing most of Infocom's games, followed in 1996 by Classic Text Adventure Masterpieces of Infocom . After the decline of the commercial interactive fiction market in the 1990s, an online community eventually formed around the medium. In 1987, the Usenet newsgroup rec.arts.int-fiction was created, and was soon followed by rec.games.int-fiction . By custom, the topic of rec.arts.int-fiction

375-426: A collection containing most of Infocom's games, followed in 1996 by Classic Text Adventure Masterpieces of Infocom . After the decline of the commercial interactive fiction market in the 1990s, an online community eventually formed around the medium. In 1987, the Usenet newsgroup rec.arts.int-fiction was created, and was soon followed by rec.games.int-fiction . By custom, the topic of rec.arts.int-fiction

500-531: A divorce, he was looking for a way to connect with his two young children. Over the course of a few weekends, he wrote a text based cave exploration game that featured a sort of guide/narrator who spoke in full sentences and who understood simple two word commands that came close to natural English. Adventure was programmed in Fortran for the PDP-10 . Crowther's original version was an accurate simulation of part of

625-425: A divorce, he was looking for a way to connect with his two young children. Over the course of a few weekends, he wrote a text based cave exploration game that featured a sort of guide/narrator who spoke in full sentences and who understood simple two word commands that came close to natural English. Adventure was programmed in Fortran for the PDP-10 . Crowther's original version was an accurate simulation of part of

750-419: A form of video game , either in the form of an adventure game or role-playing game . In common usage, the term refers to text adventures , a type of adventure game where the entire interface can be " text-only ", however, graphical text adventure games, where the text is accompanied by graphics (still images, animations or video) still fall under the text adventure category if the main way to interact with

875-623: A former Implementor at Infocom, started a new game company, Cascade Mountain Publishing, whose goals were to publish interactive fiction. Despite the Interactive Fiction community providing social and financial backing, Cascade Mountain Publishing went out of business in 2000. Other commercial endeavors include: Peter Nepstad's 1893: A World's Fair Mystery , several games by Howard Sherman published as Malinche Entertainment , The General Coffee Company's Future Boy!, Cypher ,

1000-493: A former Implementor at Infocom, started a new game company, Cascade Mountain Publishing, whose goals were to publish interactive fiction. Despite the Interactive Fiction community providing social and financial backing, Cascade Mountain Publishing went out of business in 2000. Other commercial endeavors include: Peter Nepstad's 1893: A World's Fair Mystery , several games by Howard Sherman published as Malinche Entertainment , The General Coffee Company's Future Boy!, Cypher ,

1125-546: A game, and caused a growth boom in the online interactive fiction community. Despite the lack of commercial support, the availability of high quality tools allowed enthusiasts of the genre to develop new high quality games. Competitions such as the annual Interactive Fiction Competition for short works, the Spring Thing for longer works, and the XYZZY Awards , further helped to improve the quality and complexity of

1250-426: A game, and caused a growth boom in the online interactive fiction community. Despite the lack of commercial support, the availability of high quality tools allowed enthusiasts of the genre to develop new high quality games. Competitions such as the annual Interactive Fiction Competition for short works, the Spring Thing for longer works, and the XYZZY Awards , further helped to improve the quality and complexity of

1375-640: A graphically enhanced cyberpunk game and various titles by Textfyre . Emily Short was commissioned to develop the game City of Secrets but the project fell through and she ended up releasing it herself. The games that won both the Interactive Fiction Competition and the XYZZY Awards are All Roads (2001), Slouching Towards Bedlam (2003), Vespers (2005), Lost Pig (2007), Violet (2008), Aotearoa (2010), Coloratura (2013), and The Wizard Sniffer (2017). The original Interactive fiction Colossal Cave Adventure

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1500-554: A graphically enhanced cyberpunk game and various titles by Textfyre . Emily Short was commissioned to develop the game City of Secrets but the project fell through and she ended up releasing it herself. The games that won both the Interactive Fiction Competition and the XYZZY Awards are All Roads (2001), Slouching Towards Bedlam (2003), Vespers (2005), Lost Pig (2007), Violet (2008), Aotearoa (2010), Coloratura (2013), and The Wizard Sniffer (2017). The original Interactive fiction Colossal Cave Adventure

1625-638: A group of enthusiasts called the InfoTaskForce and the subsequent development of an interpreter for Z-Code story files. As a result, it became possible to play Infocom's work on modern computers. For years, amateurs with the IF community produced interactive fiction works of relatively limited scope using the Adventure Game Toolkit and similar tools. The breakthrough that allowed the interactive fiction community to truly prosper, however,

1750-454: A group of enthusiasts called the InfoTaskForce and the subsequent development of an interpreter for Z-Code story files. As a result, it became possible to play Infocom's work on modern computers. For years, amateurs with the IF community produced interactive fiction works of relatively limited scope using the Adventure Game Toolkit and similar tools. The breakthrough that allowed the interactive fiction community to truly prosper, however,

1875-503: A large fan community as made evident by the increasing amount of fan art and cosplay at comic book conventions . The rapid rise in the popularity of Homestuck led to its recognition at the Toronto Comics Art Festival for two years running, and it brought, on average, over 600,000 unique views to the site daily. An adventure game spinoff of Homestuck titled Hiveswap was released September 14, 2017, and

2000-508: A large number of platforms, and took standardized "story files" as input. In a non-technical sense, Infocom was responsible for developing the interactive style that would be emulated by many later interpreters. The Infocom parser was widely regarded as the best of its era. It accepted complex, complete sentence commands like "put the blue book on the writing desk" at a time when most of its competitors parsers were restricted to simple two word verb-noun combinations such as "put book". The parser

2125-508: A large number of platforms, and took standardized "story files" as input. In a non-technical sense, Infocom was responsible for developing the interactive style that would be emulated by many later interpreters. The Infocom parser was widely regarded as the best of its era. It accepted complex, complete sentence commands like "put the blue book on the writing desk" at a time when most of its competitors parsers were restricted to simple two word verb-noun combinations such as "put book". The parser

2250-525: A narrative work, the software programs ELIZA (1964–1966) and SHRDLU (1968–1970) can formally be considered early examples of interactive fiction, as both programs used natural language processing to take input from their user and respond in a virtual and conversational manner. ELIZA simulated a psychotherapist that appeared to provide human-like responses to the user's input, while SHRDLU employed an artificial intelligence that could move virtual objects around an environment and respond to questions asked about

2375-525: A narrative work, the software programs ELIZA (1964–1966) and SHRDLU (1968–1970) can formally be considered early examples of interactive fiction, as both programs used natural language processing to take input from their user and respond in a virtual and conversational manner. ELIZA simulated a psychotherapist that appeared to provide human-like responses to the user's input, while SHRDLU employed an artificial intelligence that could move virtual objects around an environment and respond to questions asked about

2500-414: A new group of authors (many of whom have worked on the series in the past) under the name "Homestuck Independent Creative Union", spearheaded by Hiveswap composer James Roach and Hussie acting as Executive Producer. Updates are planned to be monthly and several have already been published. On April 2, 2018, the site was updated to automatically redirect to Homestuck.com, although the majority of content on

2625-431: A prison cell, first launched on September 25, 2006. The first page of Jailbreak is the only panel of any MS Paint Adventures work actually created using MS Paint ; Hussie created the rest of Jailbreak and later webcomics using Photoshop . Jailbreak was written entirely as a forum adventure, and the first suggestion anyone posted was taken, however ridiculous, leading to a rambling and haphazard story line. Jailbreak

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2750-452: A single linear storyline. In Bard Quest , Hussie provided choices as hyperlinks in a choose-your-own-adventure format. It was the first adventure to be hosted on its own website, but was ultimately left unfinished due to the difficulty Hussie faced in maintaining the complex web of branching storylines. Bard Quest was updated from June 12 to July 6, 2007, after which the site was left on hiatus. A parody of interactive fiction games and

2875-434: A single player environment. Interactive fiction features two distinct modes of writing: the player input and the game output. As described above, player input is expected to be in simple command form ( imperative sentences ). A typical command may be: > PULL Lever The responses from the game are usually written from a second-person point of view , in present tense . This is because, unlike in most works of fiction,

3000-434: A single player environment. Interactive fiction features two distinct modes of writing: the player input and the game output. As described above, player input is expected to be in simple command form ( imperative sentences ). A typical command may be: > PULL Lever The responses from the game are usually written from a second-person point of view , in present tense . This is because, unlike in most works of fiction,

3125-415: A small number of games for other systems. Interactive fiction Interactive fiction ( IF ) is software simulating environments in which players use text commands to control characters and influence the environment. Works in this form can be understood as literary narratives , either in the form of Interactive narratives or Interactive narrations . These works can also be understood as

3250-446: A special version of the first three Zork titles together with plot-specific coins and other trinkets. This concept would be expanded as time went on, such that later game feelies would contain passwords, coded instructions, page numbers, or other information that would be required to successfully complete the game. Interactive fiction became a standard product for many software companies. By 1982 Softline wrote that "the demands of

3375-446: A special version of the first three Zork titles together with plot-specific coins and other trinkets. This concept would be expanded as time went on, such that later game feelies would contain passwords, coded instructions, page numbers, or other information that would be required to successfully complete the game. Interactive fiction became a standard product for many software companies. By 1982 Softline wrote that "the demands of

3500-402: A step-up from previous adventures which exclusively used GIF images for animation. Ten major soundtrack albums have been released under the comic's own record label, What Pumpkin, in addition to fourteen side albums. Homestuck has a large following and fandom. Homestuck has been compared to James Joyce 's Ulysses in relation to the webcomic's complexity and how the task of finishing it

3625-399: A textual exchange and accept similar commands from players as do works of IF; however, since interactive fiction is single player, and MUDs, by definition, have multiple players, they differ enormously in gameplay styles. MUDs often focus gameplay on activities that involve communities of players, simulated political systems, in-game trading, and other gameplay mechanics that are not possible in

3750-399: A textual exchange and accept similar commands from players as do works of IF; however, since interactive fiction is single player, and MUDs, by definition, have multiple players, they differ enormously in gameplay styles. MUDs often focus gameplay on activities that involve communities of players, simulated political systems, in-game trading, and other gameplay mechanics that are not possible in

3875-662: A troll, elves, and a volcano, which some claim is based on Mount Doom , but Woods says was not. In early 1977, Adventure spread across ARPAnet , and has survived on the Internet to this day. The game has since been ported to many other operating systems , and was included with the floppy-disk distribution of Microsoft's MS-DOS 1.0 OS. Adventure is a cornerstone of the online IF community; there currently exist dozens of different independently programmed versions, with additional elements, such as new rooms or puzzles, and various scoring systems. The popularity of Adventure led to

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4000-607: A troll, elves, and a volcano, which some claim is based on Mount Doom , but Woods says was not. In early 1977, Adventure spread across ARPAnet , and has survived on the Internet to this day. The game has since been ported to many other operating systems , and was included with the floppy-disk distribution of Microsoft's MS-DOS 1.0 OS. Adventure is a cornerstone of the online IF community; there currently exist dozens of different independently programmed versions, with additional elements, such as new rooms or puzzles, and various scoring systems. The popularity of Adventure led to

4125-566: A wider variety of sentences. For instance one might type "open the large door, then go west", or "go to the hall". With the Z-machine, Infocom was able to release most of their games for most popular home computers of the time simultaneously, including Apple II , Atari 8-bit computers , IBM PC compatibles , Amstrad CPC / PCW (one disc worked on both machines), Commodore 64 , Commodore Plus/4 , Commodore 128 , Kaypro CP/M , TI-99/4A , Macintosh , Atari ST , Amiga , and TRS-80 . During

4250-509: A wider variety of sentences. For instance one might type "open the large door, then go west", or "go to the hall". With the Z-machine, Infocom was able to release most of their games for most popular home computers of the time simultaneously, including Apple II , Atari 8-bit computers , IBM PC compatibles , Amstrad CPC / PCW (one disc worked on both machines), Commodore 64 , Commodore Plus/4 , Commodore 128 , Kaypro CP/M , TI-99/4A , Macintosh , Atari ST , Amiga , and TRS-80 . During

4375-437: Is a partially canon continuation of Homestuck that ran from April 13 to April 20, 2019. This also is formatted differently from the other adventures, as there are no pictures. There are two different plotlines, a "more canon" one represented by meat, and a "less canonical" one, represented by candy. Homestuck: Beyond Canon is the second most recent work of Homestuck's franchise. It was launched on October 25, 2019, and continues

4500-512: Is a spin-off of Homestuck . Within Homestuck , the comic Sweet Bro and Hella Jeff is written by the character Dave Strider, and several actual comics were produced by Hussie. It is presented in a different format than the other adventures, formatted more similarly to that of a traditional comic, having multiple panels per page. Other works have been sequels of MS Paint Adventure stories, but never hosted on that website. The Homestuck Epilogues

4625-503: Is an example of effort justification . Homestuck ' s Adventure Game Kickstarter reached approximately $ 2,485,506 of a pledged $ 700,000 by the ending of the fund, and had 24,346 backers. The video game was expected to be released some time in early to mid 2015, but was delayed to January 2016 and then again to January 2017 until September 14, 2017, when Hiveswap was released. Hussie also stated that he will make an epilogue for Homestuck with Viz Media's help. Sweet Bro and Hella Jeff

4750-399: Is believed to have originated with Deadline (1982), the third Infocom title after Zork I and II . When writing this game, it was not possible to include all of the information in the limited (80KB) disk space, so Infocom created the first feelies for this game; extra items that gave more information than could be included within the digital game itself. These included police interviews,

4875-399: Is believed to have originated with Deadline (1982), the third Infocom title after Zork I and II . When writing this game, it was not possible to include all of the information in the limited (80KB) disk space, so Infocom created the first feelies for this game; extra items that gave more information than could be included within the digital game itself. These included police interviews,

5000-638: Is for this reason that game designers and programmers can be referred to as an implementer , often shortened to "Imp", rather than a writer. In early 1979, the game was completed. Ten members of the MIT Dynamics Modelling Group went on to join Infocom when it was incorporated later that year. In order to make its games as portable as possible, Infocom developed the Z-machine , a custom virtual machine that could be implemented on

5125-446: Is for this reason that game designers and programmers can be referred to as an implementer , often shortened to "Imp", rather than a writer. In early 1979, the game was completed. Ten members of the MIT Dynamics Modelling Group went on to join Infocom when it was incorporated later that year. In order to make its games as portable as possible, Infocom developed the Z-machine , a custom virtual machine that could be implemented on

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5250-675: Is inspired by games like The Sims , Spore and EarthBound . As in Problem Sleuth , the adventure is characterised by time travel , mystery, a complex fictional universe, and frequent references to pop culture and previous adventures. Changes from previous stories include an emphasis on contemporary society, such as online gaming and Internet culture , which contrasts with the historical settings of Bard Quest and Problem Sleuth . Additionally, this adventure introduced complex Flash animations and games, many making use of music and assets contributed by other artists. This represented

5375-566: Is interactive fiction authorship and programming, while rec.games.int-fiction encompasses topics related to playing interactive fiction games, such as hint requests and game reviews. As of late 2011, discussions between writers have mostly moved from rec.arts.int-fiction to the Interactive Fiction Community Forum. One of the most important early developments was the reverse-engineering of Infocom's Z-Code format and Z-Machine virtual machine in 1987 by

5500-474: Is interactive fiction authorship and programming, while rec.games.int-fiction encompasses topics related to playing interactive fiction games, such as hint requests and game reviews. As of late 2011, discussions between writers have mostly moved from rec.arts.int-fiction to the Interactive Fiction Community Forum. One of the most important early developments was the reverse-engineering of Infocom's Z-Code format and Z-Machine virtual machine in 1987 by

5625-484: Is usually provided by the player in the form of simple sentences such as "get key" or "go east", which are interpreted by a text parser . Parsers may vary in sophistication; the first text adventure parsers could only handle two-word sentences in the form of verb-noun pairs. Later parsers, such as those built on ZIL ( Zork Implementation Language ), could understand complete sentences. Later parsers could handle increasing levels of complexity parsing sentences such as "open

5750-484: Is usually provided by the player in the form of simple sentences such as "get key" or "go east", which are interpreted by a text parser . Parsers may vary in sophistication; the first text adventure parsers could only handle two-word sentences in the form of verb-noun pairs. Later parsers, such as those built on ZIL ( Zork Implementation Language ), could understand complete sentences. Later parsers could handle increasing levels of complexity parsing sentences such as "open

5875-434: The Z-machine . As the games were text based and used variants of the same Z-machine interpreter, the interpreter only had to be ported to a computer once, rather than once each game. Each game file included a sophisticated parser which allowed the user to type complex instructions to the game. Unlike earlier works of interactive fiction which only understood commands of the form 'verb noun', Infocom's parser could understand

6000-434: The Z-machine . As the games were text based and used variants of the same Z-machine interpreter, the interpreter only had to be ported to a computer once, rather than once each game. Each game file included a sophisticated parser which allowed the user to type complex instructions to the game. Unlike earlier works of interactive fiction which only understood commands of the form 'verb noun', Infocom's parser could understand

6125-409: The film noir genre, Problem Sleuth began by presenting three detectives who are attempting to escape from their respective offices, though the story quickly turned into a pastiche of video games and science fiction. Problem Sleuth ran from March 10, 2008, to April 7, 2009. Unlike its predecessors, it received a proper ending, becoming the first complete adventure. It is the second-longest comic on

6250-508: The 1990s Interactive fiction was mainly written with C-like languages, such as TADS 2 and Inform 6. A number of systems for writing interactive fiction now exist. The most popular remain Inform , TADS , or ADRIFT , but they diverged in their approach to IF-writing during the 2000s, giving today's IF writers an objective choice. By 2006 IFComp , most games were written for Inform, with a strong minority of games for TADS and ADRIFT, followed by

6375-456: The 1990s Interactive fiction was mainly written with C-like languages, such as TADS 2 and Inform 6. A number of systems for writing interactive fiction now exist. The most popular remain Inform , TADS , or ADRIFT , but they diverged in their approach to IF-writing during the 2000s, giving today's IF writers an objective choice. By 2006 IFComp , most games were written for Inform, with a strong minority of games for TADS and ADRIFT, followed by

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6500-728: The Apple II. SwordThrust and Eamon were simple two-word parser games with many role-playing elements not available in other interactive fiction. While SwordThrust published seven different titles, it was vastly overshadowed by the non-commercial Eamon system which allowed private authors to publish their own titles in the series. By March 1984, there were 48 titles published for the Eamon system (and over 270 titles in total as of March 2013). In Italy, interactive fiction games were mainly published and distributed through various magazines in included tapes. The largest number of games were published in

6625-620: The Apple II. SwordThrust and Eamon were simple two-word parser games with many role-playing elements not available in other interactive fiction. While SwordThrust published seven different titles, it was vastly overshadowed by the non-commercial Eamon system which allowed private authors to publish their own titles in the series. By March 1984, there were 48 titles published for the Eamon system (and over 270 titles in total as of March 2013). In Italy, interactive fiction games were mainly published and distributed through various magazines in included tapes. The largest number of games were published in

6750-560: The Club de Aventuras AD (CAAD), the main Spanish speaking community around interactive fiction in the world, was founded, and after the end of Aventuras AD in 1992, the CAAD continued on its own, first with their own magazine, and then with the advent of Internet, with the launch of an active internet community that still produces interactive non commercial fiction nowadays. Legend Entertainment

6875-403: The Club de Aventuras AD (CAAD), the main Spanish speaking community around interactive fiction in the world, was founded, and after the end of Aventuras AD in 1992, the CAAD continued on its own, first with their own magazine, and then with the advent of Internet, with the launch of an active internet community that still produces interactive non commercial fiction nowadays. Legend Entertainment

7000-546: The Galaxy and A Mind Forever Voyaging . In June 1977, Marc Blank , Bruce K. Daniels, Tim Anderson , and Dave Lebling began writing the mainframe version of Zork (also known as Dungeon ), at the MIT Laboratory for Computer Science . The game was programmed in a computer language called MDL , a variant of LISP . The term Implementer was the self-given name of the creators of the text adventure series Zork. It

7125-430: The Galaxy and A Mind Forever Voyaging . In June 1977, Marc Blank , Bruce K. Daniels, Tim Anderson , and Dave Lebling began writing the mainframe version of Zork (also known as Dungeon ), at the MIT Laboratory for Computer Science . The game was programmed in a computer language called MDL , a variant of LISP . The term Implementer was the self-given name of the creators of the text adventure series Zork. It

7250-403: The Interactive Fiction community in general decries the use of mazes entirely, claiming that mazes have become arbitrary 'puzzles for the sake of puzzles' and that they can, in the hands of inexperienced designers, become immensely frustrating for players to navigate. Interactive fiction shares much in common with Multi-User Dungeons ('MUDs'). MUDs, which became popular in the mid-1980s, rely on

7375-403: The Interactive Fiction community in general decries the use of mazes entirely, claiming that mazes have become arbitrary 'puzzles for the sake of puzzles' and that they can, in the hands of inexperienced designers, become immensely frustrating for players to navigate. Interactive fiction shares much in common with Multi-User Dungeons ('MUDs'). MUDs, which became popular in the mid-1980s, rely on

7500-521: The MS Paint Adventures site is still available on Homestuck.com. Pages operating through the Flash software were converted by workers at VIZ Media into HTML formats or video files. Andrew Hussie said that he had been thinking about the obsolescence of Flash and that it was never his intent for MSPA to last forever "or to concern myself with maintaining a labyrinthine, crudely-coded website for

7625-442: The MS Paint Adventures website redirects to homestuck.com ; all works prior to Homestuck are available at this URL, while later works such as Homestuck: Beyond Canon are on their own websites. MS Paint Adventures is still available online, albeit in a slightly buggy form, at its website. Jailbreak , the first adventure written by Andrew Hussie, was originally a forum game following an unnamed man as he attempts to escape from

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7750-518: The coroner's findings, letters, crime scene evidence and photos of the murder scene. These materials were very difficult for others to copy or otherwise reproduce, and many included information that was essential to completing the game. Seeing the potential benefits of both aiding game-play immersion and providing a measure of creative copy-protection, in addition to acting as a deterrent to software piracy, Infocom and later other companies began creating feelies for numerous titles. In 1987, Infocom released

7875-518: The coroner's findings, letters, crime scene evidence and photos of the murder scene. These materials were very difficult for others to copy or otherwise reproduce, and many included information that was essential to completing the game. Seeing the potential benefits of both aiding game-play immersion and providing a measure of creative copy-protection, in addition to acting as a deterrent to software piracy, Infocom and later other companies began creating feelies for numerous titles. In 1987, Infocom released

8000-564: The early 1980s Edu-Ware also produced interactive fiction for the Apple II as designated by the "if" graphic that was displayed on startup. Their titles included the Prisoner and Empire series ( Empire I: World Builders , Empire II: Interstellar Sharks , Empire III: Armageddon ). In 1981, CE Software published SwordThrust as a commercial successor to the Eamon gaming system for

8125-405: The early 1980s Edu-Ware also produced interactive fiction for the Apple II as designated by the "if" graphic that was displayed on startup. Their titles included the Prisoner and Empire series ( Empire I: World Builders , Empire II: Interstellar Sharks , Empire III: Armageddon ). In 1981, CE Software published SwordThrust as a commercial successor to the Eamon gaming system for

8250-458: The environment's shape. The development of effective natural language processing would become an essential part of interactive fiction development. Around 1975, Will Crowther , a programmer and an amateur caver, wrote the first text adventure game, Adventure (originally called ADVENT because a filename could only be six characters long in the operating system he was using, and later named Colossal Cave Adventure ). Having just gone through

8375-458: The environment's shape. The development of effective natural language processing would become an essential part of interactive fiction development. Around 1975, Will Crowther , a programmer and an amateur caver, wrote the first text adventure game, Adventure (originally called ADVENT because a filename could only be six characters long in the operating system he was using, and later named Colossal Cave Adventure ). Having just gone through

8500-465: The environment. Works in this form can be understood as literary narratives , either in the form of Interactive narratives or Interactive narrations . These works can also be understood as a form of video game , either in the form of an adventure game or role-playing game . In common usage, the term refers to text adventures , a type of adventure game where the entire interface can be " text-only ", however, graphical text adventure games, where

8625-613: The first commercial adventure game. In 1979 he founded Adventure International, the first commercial publisher of interactive fiction. That same year, Dog Star Adventure was published in source code form in SoftSide , spawning legions of similar games in BASIC . The largest company producing works of interactive fiction was Infocom , which created the Zork series and many other titles, among them Trinity , The Hitchhiker's Guide to

8750-459: The first commercial adventure game. In 1979 he founded Adventure International, the first commercial publisher of interactive fiction. That same year, Dog Star Adventure was published in source code form in SoftSide , spawning legions of similar games in BASIC . The largest company producing works of interactive fiction was Infocom , which created the Zork series and many other titles, among them Trinity , The Hitchhiker's Guide to

8875-533: The first commercial work of interactive fiction produced outside the U.S. was the dungeon crawl game of Acheton , produced in Cambridge, England, and first commercially released by Acornsoft (later expanded and reissued by Topologika ). Other leading companies in the UK were Magnetic Scrolls and Level 9 Computing . Also worthy of mention are Delta 4 , Melbourne House , and the homebrew company Zenobi . In

9000-429: The first commercial work of interactive fiction produced outside the U.S. was the dungeon crawl game of Acheton , produced in Cambridge, England, and first commercially released by Acornsoft (later expanded and reissued by Topologika ). Other leading companies in the UK were Magnetic Scrolls and Level 9 Computing . Also worthy of mention are Delta 4 , Melbourne House , and the homebrew company Zenobi . In

9125-399: The game and decided to design one of their own, but with graphics. Adventure International was founded by Scott Adams (not to be confused with the creator of Dilbert ). In 1978, Adams wrote Adventureland , which was loosely patterned after the (original) Colossal Cave Adventure . He took out a small ad in a computer magazine in order to promote and sell Adventureland , thus creating

9250-399: The game and decided to design one of their own, but with graphics. Adventure International was founded by Scott Adams (not to be confused with the creator of Dilbert ). In 1978, Adams wrote Adventureland , which was loosely patterned after the (original) Colossal Cave Adventure . He took out a small ad in a computer magazine in order to promote and sell Adventureland , thus creating

9375-412: The game is by typing text. Some users of the term distinguish between interactive fiction, known as "Puzzle-free", that focuses on narrative, and "text adventures" that focus on puzzles . Due to their text-only nature, they sidestepped the problem of writing for widely divergent graphics architectures. This feature meant that interactive fiction games were easily ported across all the popular platforms at

9500-446: The games. Modern games go much further than the original "Adventure" style, improving upon Infocom games, which relied extensively on puzzle solving, and to a lesser extent on communication with non player characters, to include experimentation with writing and story-telling techniques. While the majority of modern interactive fiction that is developed is distributed for free, there are some commercial endeavors. In 1998, Michael Berlyn ,

9625-446: The games. Modern games go much further than the original "Adventure" style, improving upon Infocom games, which relied extensively on puzzle solving, and to a lesser extent on communication with non player characters, to include experimentation with writing and story-telling techniques. While the majority of modern interactive fiction that is developed is distributed for free, there are some commercial endeavors. In 1998, Michael Berlyn ,

9750-468: The genre, then faded and remains still today a topic of interest for a small group of fans and less known developers, celebrated on Web sites and in related newsgroups. In Spain, interactive fiction was considered a minority genre, and was not very successful. The first Spanish interactive fiction commercially released was Yenght in 1983, by Dinamic Software , for the ZX Spectrum. Later on, in 1987,

9875-408: The genre, then faded and remains still today a topic of interest for a small group of fans and less known developers, celebrated on Web sites and in related newsgroups. In Spain, interactive fiction was considered a minority genre, and was not very successful. The first Spanish interactive fiction commercially released was Yenght in 1983, by Dinamic Software , for the ZX Spectrum. Later on, in 1987,

10000-610: The last game ever created by Legend was Unreal II: The Awakening (2003) – the well-known first-person shooter action game using the Unreal Engine for both impressive graphics and realistic physics. In 2004, Legend Entertainment was acquired by Atari , who published Unreal II and released for both Microsoft Windows and Microsoft's Xbox. Many other companies such as Level 9 Computing, Magnetic Scrolls, Delta 4 and Zenobi had closed by 1992. In 1991 and 1992, Activision released The Lost Treasures of Infocom in two volumes,

10125-548: The last game ever created by Legend was Unreal II: The Awakening (2003) – the well-known first-person shooter action game using the Unreal Engine for both impressive graphics and realistic physics. In 2004, Legend Entertainment was acquired by Atari , who published Unreal II and released for both Microsoft Windows and Microsoft's Xbox. Many other companies such as Level 9 Computing, Magnetic Scrolls, Delta 4 and Zenobi had closed by 1992. In 1991 and 1992, Activision released The Lost Treasures of Infocom in two volumes,

10250-399: The leading company producing text-only adventure games on the Apple II with sophisticated parsers and writing, and still advertising its lack of graphics as a virtue. The company was bought by Activision in 1986 after the failure of Cornerstone , Infocom's database software program, and stopped producing text adventures a few years later. Soon after Telaium/Trillium also closed. Probably

10375-399: The leading company producing text-only adventure games on the Apple II with sophisticated parsers and writing, and still advertising its lack of graphics as a virtue. The company was bought by Activision in 1986 after the failure of Cornerstone , Infocom's database software program, and stopped producing text adventures a few years later. Soon after Telaium/Trillium also closed. Probably

10500-481: The main character is closely associated with the player, and the events are seen to be happening as the player plays. While older text adventures often identified the protagonist with the player directly, newer games tend to have specific, well-defined protagonists with separate identities from the player. The classic essay "Crimes Against Mimesis" discusses, among other IF issues, the nature of "You" in interactive fiction. A typical response might look something like this,

10625-481: The main character is closely associated with the player, and the events are seen to be happening as the player plays. While older text adventures often identified the protagonist with the player directly, newer games tend to have specific, well-defined protagonists with separate identities from the player. The classic essay "Crimes Against Mimesis" discusses, among other IF issues, the nature of "You" in interactive fiction. A typical response might look something like this,

10750-500: The market are weighted heavily toward hi-res graphics" in games like Sierra's The Wizard and the Princess and its imitators. Such graphic adventures became the dominant form of the genre on computers with graphics, like the Apple II. By 1982 Adventure International began releasing versions of its games with graphics. The company went bankrupt in 1985. Synapse Software and Acornsoft were also closed in 1985, leaving Infocom as

10875-444: The market are weighted heavily toward hi-res graphics" in games like Sierra's The Wizard and the Princess and its imitators. Such graphic adventures became the dominant form of the genre on computers with graphics, like the Apple II. By 1982 Adventure International began releasing versions of its games with graphics. The company went bankrupt in 1985. Synapse Software and Acornsoft were also closed in 1985, leaving Infocom as

11000-413: The oldest types of computer games and form a subset of the adventure genre. The player uses text input to control the game, and the game state is relayed to the player via text output. Interactive fiction usually relies on reading from a screen and on typing input, although text-to-speech synthesizers allow blind and visually impaired users to play interactive fiction titles as audio games . Input

11125-413: The oldest types of computer games and form a subset of the adventure genre. The player uses text input to control the game, and the game state is relayed to the player via text output. Interactive fiction usually relies on reading from a screen and on typing input, although text-to-speech synthesizers allow blind and visually impaired users to play interactive fiction titles as audio games . Input

11250-491: The online store TopatoCo as well through advertising, and the site's own store and record label, What Pumpkin. Music used in the comics is sold through Bandcamp . In 2014 a majority of merchandise began a slow migration to We Love Fine. In October 2017, VIZ Media announced acquisition of the publishing rights to Homestuck , and their plans to republish the graphic novel adaptations of Homestuck starting in April 2018. Today,

11375-407: The player in the position of an observer, rather than a direct participant. In some 'experimental' IF, the concept of self-identification is eliminated, and the player instead takes the role of an inanimate object, a force of nature, or an abstract concept; experimental IF usually pushes the limits of the concept and challenges many assumptions about the medium. Though neither program was developed as

11500-407: The player in the position of an observer, rather than a direct participant. In some 'experimental' IF, the concept of self-identification is eliminated, and the player instead takes the role of an inanimate object, a force of nature, or an abstract concept; experimental IF usually pushes the limits of the concept and challenges many assumptions about the medium. Though neither program was developed as

11625-404: The plot of Homestuck and its epilogues. The new webcomic was at first a collaboration between What Pumpkin and Snake Solution Studios LLP. It started with a new writing team led by Kate Mitchell and Andrew Hussie , who both later resigned from the writing team and the comic was put on hold indefinitely on December 25, 2020. On October 8, 2023, it was announced that production had been restarted by

11750-444: The popular platforms at the time, including CP/M (not known for gaming or strong graphics capabilities). The number of interactive fiction works is increasing steadily as new ones are produced by an online community, using freely available development systems. The term can also be used to refer to literary works that are not read in a linear fashion, known as gamebooks , where the reader is instead given choices at different points in

11875-531: The real life Mammoth Cave , but also included fantasy elements (such as axe-wielding dwarves and a magic bridge). Stanford University graduate student Don Woods discovered Adventure while working at the Stanford Artificial Intelligence Laboratory , and in 1977 obtained and expanded Crowther's source code (with Crowther's permission). Woods's changes were reminiscent of the writings of J. R. R. Tolkien , and included

12000-429: The real life Mammoth Cave , but also included fantasy elements (such as axe-wielding dwarves and a magic bridge). Stanford University graduate student Don Woods discovered Adventure while working at the Stanford Artificial Intelligence Laboratory , and in 1977 obtained and expanded Crowther's source code (with Crowther's permission). Woods's changes were reminiscent of the writings of J. R. R. Tolkien , and included

12125-710: The red box with the green key then go north". This level of complexity is the standard for works of interactive fiction today. Despite their lack of graphics, text adventures include a physical dimension where players move between rooms. Many text adventure games boasted their total number of rooms to indicate how much gameplay they offered. These games are unique in that they may create an illogical space , where going north from area A takes you to area B, but going south from area B did not take you back to area A. This can create mazes that do not behave as players expect, and thus players must maintain their own map. These illogical spaces are much more rare in today's era of 3D gaming, and

12250-710: The red box with the green key then go north". This level of complexity is the standard for works of interactive fiction today. Despite their lack of graphics, text adventures include a physical dimension where players move between rooms. Many text adventure games boasted their total number of rooms to indicate how much gameplay they offered. These games are unique in that they may create an illogical space , where going north from area A takes you to area B, but going south from area B did not take you back to area A. This can create mazes that do not behave as players expect, and thus players must maintain their own map. These illogical spaces are much more rare in today's era of 3D gaming, and

12375-470: The response to "look in tea chest" at the start of Curses : "That was the first place you tried, hours and hours ago now, and there's nothing there but that boring old book. You pick it up anyway, bored as you are." Many text adventures, particularly those designed for humour (such as Zork , The Hitchhiker's Guide to the Galaxy , and Leather Goddesses of Phobos ), address the player with an informal tone, sometimes including sarcastic remarks (see

12500-470: The response to "look in tea chest" at the start of Curses : "That was the first place you tried, hours and hours ago now, and there's nothing there but that boring old book. You pick it up anyway, bored as you are." Many text adventures, particularly those designed for humour (such as Zork , The Hitchhiker's Guide to the Galaxy , and Leather Goddesses of Phobos ), address the player with an informal tone, sometimes including sarcastic remarks (see

12625-446: The rest of my life." However as of 2024, the site is online and does not redirect to Homestuck.com when visited directly. Due to the broken state of Homestuck.com, several community members have created an unofficial collection to view Homestuck in its original state. Interactive fiction Interactive fiction ( IF ) is software simulating environments in which players use text commands to control characters and influence

12750-589: The same company produced an interactive fiction about Don Quijote . After several other attempts, the company Aventuras AD , emerged from Dinamic, became the main interactive fiction publisher in Spain, including titles like a Spanish adaptation of Colossal Cave Adventure , an adaptation of the Spanish comic El Jabato , and mainly the Ci-U-Than trilogy, composed by La diosa de Cozumel (1990), Los templos sagrados (1991) and Chichen Itzá (1992). During this period,

12875-481: The same company produced an interactive fiction about Don Quijote . After several other attempts, the company Aventuras AD , emerged from Dinamic, became the main interactive fiction publisher in Spain, including titles like a Spanish adaptation of Colossal Cave Adventure , an adaptation of the Spanish comic El Jabato , and mainly the Ci-U-Than trilogy, composed by La diosa de Cozumel (1990), Los templos sagrados (1991) and Chichen Itzá (1992). During this period,

13000-515: The site's comics have been created primarily in Adobe Photoshop , not Microsoft Paint , other than the first page of Jailbreak ; Hussie decided after that page that telling a story using Paint was not feasible. Over time, the comics evolved from simple static images and captions to frequent animations set to original music , and occasionally to interactive games created in Flash and HTML5 . One adventure, Homestuck , has given rise to

13125-537: The text is accompanied by graphics (still images, animations or video) still fall under the text adventure category if the main way to interact with the game is by typing text. Some users of the term distinguish between interactive fiction, known as "Puzzle-free", that focuses on narrative, and "text adventures" that focus on puzzles . Due to their text-only nature, they sidestepped the problem of writing for widely divergent graphics architectures. This feature meant that interactive fiction games were easily ported across all

13250-581: The text; these decisions determine the flow and outcome of the story. The most famous example of this form of printed fiction is the Choose Your Own Adventure book series, and the collaborative " addventure " format has also been described as a form of interactive fiction. The term "interactive fiction" is sometimes used also to refer to visual novels , a type of interactive narrative software popular in Japan. Text adventures are one of

13375-452: The text; these decisions determine the flow and outcome of the story. The most famous example of this form of printed fiction is the Choose Your Own Adventure book series, and the collaborative " addventure " format has also been described as a form of interactive fiction. The term "interactive fiction" is sometimes used also to refer to visual novels , a type of interactive narrative software popular in Japan. Text adventures are one of

13500-419: The time, including CP/M (not known for gaming or strong graphics capabilities). The number of interactive fiction works is increasing steadily as new ones are produced by an online community, using freely available development systems. The term can also be used to refer to literary works that are not read in a linear fashion, known as gamebooks , where the reader is instead given choices at different points in

13625-426: The transcript from Curses , above, for an example). The late Douglas Adams, in designing the IF version of his 'Hitchhiker's Guide to the Galaxy', created a unique solution to the final puzzle of the game: the game requires the one solitary item that the player didn't choose at the outset of play. Some IF works dispense with second-person narrative entirely, opting for a first-person perspective ('I') or even placing

13750-426: The transcript from Curses , above, for an example). The late Douglas Adams, in designing the IF version of his 'Hitchhiker's Guide to the Galaxy', created a unique solution to the final puzzle of the game: the game requires the one solitary item that the player didn't choose at the outset of play. Some IF works dispense with second-person narrative entirely, opting for a first-person perspective ('I') or even placing

13875-526: The two magazines Viking and Explorer, with versions for the main 8-bit home computers ( ZX Spectrum , Commodore 64 , and MSX ). The software house producing those games was Brainstorm Enterprise, and the most prolific IF author was Bonaventura Di Bello , who produced 70 games in the Italian language. The wave of interactive fiction in Italy lasted for a couple of years thanks to the various magazines promoting

14000-419: The two magazines Viking and Explorer, with versions for the main 8-bit home computers ( ZX Spectrum , Commodore 64 , and MSX ). The software house producing those games was Brainstorm Enterprise, and the most prolific IF author was Bonaventura Di Bello , who produced 70 games in the Italian language. The wave of interactive fiction in Italy lasted for a couple of years thanks to the various magazines promoting

14125-486: The website so far, after Homestuck , with 1,674 pages. Homestuck is the longest adventure hosted on MS Paint Adventures with over 8,000 pages and over 800,000 words. It ran from April 13, 2009, to October 25, 2016, and followed four teenagers as they play a reality-altering video game that brings about the end of the world. They must work with an alien species from another universe to create their own universe and essentially become its "owners". Homestuck 's basic premise

14250-460: The wide success of interactive fiction during the late 1970s, when home computers had little, if any, graphics capability. Many elements of the original game have survived into the present, such as the command ' xyzzy ', which is now included as an Easter Egg in modern games, such as Microsoft Minesweeper . Adventure was also directly responsible for the founding of Sierra Online (later Sierra Entertainment ); Ken and Roberta Williams played

14375-460: The wide success of interactive fiction during the late 1970s, when home computers had little, if any, graphics capability. Many elements of the original game have survived into the present, such as the command ' xyzzy ', which is now included as an Easter Egg in modern games, such as Microsoft Minesweeper . Adventure was also directly responsible for the founding of Sierra Online (later Sierra Entertainment ); Ken and Roberta Williams played

14500-400: Was actively upgraded with new features like undo and error correction, and later games would 'understand' multiple sentence input: 'pick up the gem and put it in my bag. take the newspaper clipping out of my bag then burn it with the book of matches'. Several companies offered optional commercial feelies (physical props associated with a game). The tradition of 'feelies' (and the term itself)

14625-400: Was actively upgraded with new features like undo and error correction, and later games would 'understand' multiple sentence input: 'pick up the gem and put it in my bag. take the newspaper clipping out of my bag then burn it with the book of matches'. Several companies offered optional commercial feelies (physical props associated with a game). The tradition of 'feelies' (and the term itself)

14750-534: Was founded by Bob Bates and Mike Verdu in 1989. It started out from the ashes of Infocom. The text adventures produced by Legend Entertainment used (high-resolution) graphics as well as sound. Some of their titles include Eric the Unready , the Spellcasting series and Gateway (based on Frederik Pohl 's novels). The last text adventure created by Legend Entertainment was Gateway II (1992), while

14875-420: Was founded by Bob Bates and Mike Verdu in 1989. It started out from the ashes of Infocom. The text adventures produced by Legend Entertainment used (high-resolution) graphics as well as sound. Some of their titles include Eric the Unready , the Spellcasting series and Gateway (based on Frederik Pohl 's novels). The last text adventure created by Legend Entertainment was Gateway II (1992), while

15000-465: Was only drawn to a vague conclusion, and Hussie considers it unfinished, but wishes to leave it as is. This led to the creation of the MSPA site and the closed format of later adventures. In 2011, a short official ending was added to Jailbreak as a callback during a notably lengthy Homestuck hiatus. The second adventure, Bard Quest , was an experiment in creating multiple, branching paths rather than

15125-408: Was produced with funds contributed by fans of the comic via Kickstarter . This project raised nearly $ 2.5 million, exceeding its goal of $ 700,000 in a little under two days, at that time being the 6th largest Kickstarter drive. A followup titled Homestuck: Beyond Canon was launched October 25, 2019. MS Paint Adventures supported its author financially , formerly through the sale of merchandise on

15250-437: Was programmed in Fortran , originally developed by IBM . Adventure's parsers could only handle two-word sentences in the form of verb-noun pairs. Infocom 's games of 1979–88, such as Zork , were written using a LISP -like programming language called ZIL (Zork Implementation Language or Zork Interactive Language; it was referred to as both) that compiled into a byte code able to run on a standardized virtual machine called

15375-437: Was programmed in Fortran , originally developed by IBM . Adventure's parsers could only handle two-word sentences in the form of verb-noun pairs. Infocom 's games of 1979–88, such as Zork , were written using a LISP -like programming language called ZIL (Zork Implementation Language or Zork Interactive Language; it was referred to as both) that compiled into a byte code able to run on a standardized virtual machine called

15500-407: Was the creation and distribution of two sophisticated development systems. In 1987, Michael J. Roberts released TADS , a programming language designed to produce works of interactive fiction. In 1993, Graham Nelson released Inform , a programming language and set of libraries which compiled to a Z-Code story file. Each of these systems allowed anyone with sufficient time and dedication to create

15625-407: Was the creation and distribution of two sophisticated development systems. In 1987, Michael J. Roberts released TADS , a programming language designed to produce works of interactive fiction. In 1993, Graham Nelson released Inform , a programming language and set of libraries which compiled to a Z-Code story file. Each of these systems allowed anyone with sufficient time and dedication to create

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