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123-616: Monty Python (also collectively known as the Pythons ) were a British comedy troupe formed in 1969 consisting of Graham Chapman , John Cleese , Terry Gilliam , Eric Idle , Terry Jones , and Michael Palin . The group came to prominence for the sketch comedy series Monty Python's Flying Circus , which aired on the BBC from 1969 to 1974. Their work then developed into a larger collection that included live shows, films, albums, books, and musicals; their influence on comedy has been compared to

246-464: A gentlemen's agreement between the two sides not to poach each other's imported shows. Thames paid £55,000 a show compared to the £29,000 of the BBC. The deal brought condemnation from the BBC and from other ITV stations, who feared the BBC would poach their imports, pushing up prices. The BBC planned to delay transmission of the episodes of Dallas that it already had, with the hope to broadcast them at

369-412: A liver from a living patient without anaesthetic and the morbidly obese Mr. Creosote exploding over several restaurant patrons after finally giving in to the smooth maître d' telling him to eat a mint – "It's only a wafer-thin mint..."). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone", adding "It is guaranteed to offend". The Liver Donor scene (in which

492-515: A two-man show for various reasons, including Chapman's supposedly difficult and erratic personality. Cleese had fond memories of working with Palin on How to Irritate People and invited him to join the team. With no studio available at Thames until summer 1970 for the late-night show, Palin agreed to join Cleese and Chapman, and suggested the involvement of his writing partner Jones and colleague Idle—who in turn wanted Gilliam to provide animations for

615-539: A 13-part documentary series about the era of the America silent cinema. This series, produced by Kevin Brownlow and David Gill , was followed by the company sponsoring Thames Silents , a project undertaken by Brownlow and Gill of the restoration and screenings (in a limited number of cinemas and on television) of major films from the silent era. The two men followed Hollywood with series dedicated to leading comics of

738-494: A 35% pay rise. Two years later in May 1977, another strike occurred when production assistants at Thames refused to operate new video equipment. Thames proceeded to sack all the technicians for breach of contract. The following month, both sides backed down over the issues, with all technicians returning to work. The worst strike to hit the network originated at Thames. Failure to reach agreement on pay increases and shift allowances in

861-425: A British general of World War II ; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions, Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by

984-562: A British military ceremony in Gibraltar . The documentary was regarded almost as treason by many Conservative politicians, and The Sunday Times made claims about one of the witnesses interviewed which were later found to be libellous. The following year, in 1989, Thames ended the contract of Benny Hill , a stalwart at the station since 1969. It was believed that the comedian was dismissed because his shows were considered offensive and politically incorrect , but John Howard Davies said

1107-489: A Thames subsidiary founded in 1976 which made animated series for children. During the hours after Rainbow and before the children's slot, Good Afternoon was transmitted, a magazine programme. It began after the IBA allowed non-schools broadcasting in this period of the day, when the government relaxed the regulations around daytime television and featured interview editions undertaken by such broadcasters as Mavis Nicholson , and

1230-426: A contract with Morecambe & Wise . The comedians had worked for the BBC since 1968 with major national success, but the decisive factor leading the duo to leave the corporation was Thames's offer to feature them as main leads in a film made by the company's Euston Films subsidiary. The comedy duo's leading scriptwriter, Eddie Braben , did not initially move to ITV with them, and with Eric Morecambe's failing health,

1353-666: A demonstration at the CBC's Montreal studios. The show eventually returned, becoming a fixture on the network during the first half of the 1970s. Sketches from Monty Python's Flying Circus were introduced to American audiences in August 1972 , with the release of the Python film And Now for Something Completely Different , featuring sketches from series 1 and 2 of the television show. This 1972 release met with limited box office success. The ability to show Monty Python's Flying Circus under

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1476-498: A film lampooning the New Testament era in the same way Holy Grail had lampooned Arthurian legend. Despite sharing a distrust of organised religion, they agreed not to mock Jesus or his teachings directly. They also mentioned that they could not think of anything legitimate to make fun of about him. Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone [Brian] who had been mistaken for

1599-421: A good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled "Christmas Cards", and agreed that it represented "a way of doing things differently". Since Cleese, Chapman, and Idle were less concerned with the overall flow of the programme, Jones, Palin, and Gilliam became largely responsible for the presentation style of

1722-400: A great satire on closed minds and people who follow blindly. Then you have them splitting into factions...it is a wonderful satire on the way that Jesus's own teaching has been used to persecute others. They were satirising fundamentalism and persecution of others and at the same time saying the one person who rises above all this was Jesus". Monty Python performed four consecutive dates at

1845-479: A new and exciting direction." —BBC profile for Monty Python's Flying Circus . They enjoyed Cook and Moore's sketch show Not Only... But Also . One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in

1968-424: A paramedic appears at the door of a living man to take his liver) is a satire on bureaucracy, a common Python trope. Besides the opening credits and the fish sequence, Gilliam, by now an established live-action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch, " The Crimson Permanent Assurance ". Under his helm, though, the segment grew so ambitious and tangential that it

2091-594: A rather pompous manner, make the formal and determined announcement "And now for something completely different.", which later became the title of the first Monty Python film . The Python theme music is the Band of the Grenadier Guards ' rendition of John Philip Sousa 's " The Liberty Bell " which was first published in 1893. Under the Berne Convention 's "country of origin" concept, the composition

2214-460: A reputation for drama with such series as Jenny, Lady Randolph Churchill (1974), with Lee Remick as the mother of Winston Churchill . It won an Emmy as the best series in its category, as Edward & Mrs. Simpson (1978), about the abdication crisis , did later. Other successful series in the genre from this period include Shades of Greene (1975–76), Rock Follies (1976), and Armchair Thriller (1978–80). These programmes were made in

2337-463: A result, a meeting was initiated by Cleese between Chapman, Idle, Jones, Palin, and himself at which it was agreed to pool their writing and performing efforts and jointly seek production sponsorship. According to their official website, the group was born from a Kashmir tandoori restaurant in Hampstead on 11 May 1969, following a taping of Do Not Adjust Your Set which Cleese and Chapman attended. It

2460-461: A separate entity, but it, along with Talkback's own logo continued to be used separately until 2006, when a new logo for Talkback Thames was introduced. However, on 1 January 2012, the Thames brand was revived and Talkback Thames has now been split into four different labels: Boundless, Retort, Talkback and Thames , within the newly created FremantleMedia UK production arm. From its formation in 1954,

2583-528: A separate individual, Brian Cohen, born at the same time, and in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on the Mount , speaking the Beatitudes ), he is played straight (by actor Kenneth Colley ) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love, and tolerance ("I think he said, 'Blessed are

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2706-424: A slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's". Gilliam's animations ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship). Several names for the show were considered before Monty Python's Flying Circus

2829-597: A total of 24 minutes from each, in part to make time for commercials, and in part to avoid upsetting their audience. As the judge observed in Gilliam v. American Broadcasting Companies, Inc. , where Monty Python sued for damages caused by broadcast of the mutilated version, "According to the network, appellants should have anticipated that most of the excised material contained scatological references inappropriate for American television and that these scenes would be replaced with commercials, which presumably are more palatable to

2952-495: A weekly consumer programme, which eventually became a programme in its own right; Money-Go-Round . Thames also produced The World at War (1973–74), a 26-part history of the Second World War using unseen footage and interviews, often of high-level participants. The series, narrated by Laurence Olivier , was commissioned in 1969, took four years to produce, and cost a record £4m (approx £47m in 2018). Thames gained

3075-593: Is a group of comedians and associated personnel who work together to perform comedy as entertainment . The term is often used interchangeably with comedy group , and the troupe may specialize in a specific genre or style of comedy. Some examples of comedy troupes include: the Marx Brothers , the Three Stooges , Abbott and Costello , Cheech & Chong , the Second City , Kalabhavan ,

3198-573: The ABC special Best in Film: The Greatest Movies of Our Time . and viewers in a Channel 4 poll placed it sixth. Following the success of Holy Grail , reporters asked for the title of the next Python film, though the team had not even begun to consider a third one. Eventually, Idle flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer to such questions. However, they soon began to seriously consider

3321-538: The Charisma Records label, for which the Pythons recorded their comedy albums). The backers of the film wanted to cut the famous Black Knight scene (a Sam Peckinpah send-up in which the Black Knight loses his limbs in a duel), but it was eventually kept in the film. "Tis but a scratch" and "It's just a flesh wound…" are often quoted. Holy Grail was selected as the second-best comedy of all time in

3444-604: The Flying Circus series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another). The BBC states, "Gilliam's unique animation style became crucial, segueing seamlessly between any two completely unrelated ideas and making the stream-of-consciousness work." Writing started at 9:00AM and finished at 5:00PM. Typically, Cleese and Chapman worked as one pair isolated from

3567-787: The Hollywood Bowl in Los Angeles in September 1980 during preparations for Meaning of Life . The performances were filmed and released in the concert film, Monty Python Live at the Hollywood Bowl (directed by Terry Hughes ), with the Pythons performing sketches from the television series in front of an audience. The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since

3690-693: The Independent Television Authority (ITA) offered broadcasting licences to different companies for weekday and weekend service in its first three Independent Television network locations, the London area, the Midlands, and the North. The initial six contracts were parcelled out to different companies. Associated-Rediffusion (Rediffusion) won the London weekday service while Associated Television (ATV) operated weekends. ATV also won

3813-678: The Post Office Tower and the Tower of London —it was named Thames Television, after the River Thames . This name had been previously considered and rejected by London Weekend Television. On 30 July 1968, Thames began broadcasting to London. The opening week was disrupted by sporadic strike action; the following week, the action had spread to all of ITV and resulted in the creation of a management-run ITV Emergency National Service for some two weeks. Each week Thames broadcast from

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3936-575: The Sid James vehicle Bless This House (1971–76), and Love Thy Neighbour (1972-76), with a controversial take on race relations. Another sitcom, Man About the House (1973–76), was successful enough for two spin-offs, George and Mildred (1976–80) and Robin's Nest (1977-81). The company took over the This Is Your Life format in 1969, several years after the BBC had dropped

4059-584: The Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as "The Man Who Speaks In Anagrams "). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with

4182-419: The title sequence and theme music. On several occasions, the cold open lasted until mid-show, after which the regular opening titles ran. Occasionally, the Pythons tricked viewers by rolling the closing credits halfway through the show, usually continuing the joke by fading to the familiar globe logo used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion,

4305-419: The "Messiah", but who had no desire to be followed as such. Terry Jones adds it was a satire on those who for the next 2,000 years "couldn't agree on what Jesus was saying about peace and love". "We are three wise men." "Well, what are you doing creeping around a cow shed at two o'clock in the morning? That doesn't sound very wise to me." —Early scene from Life of Brian . The focus therefore shifted to

4428-595: The 1979 pay round resulted in technicians switching off power to the transmission facilities at the Euston Road centre on 6 August. After management restored power, the technicians walked out. Within four days, all but one ITV station had gone off-air after the ACTT asked members at other companies to walk out in claim for a 15% pay rise. The network was off the air for 10 weeks. Other Thames shows included This Week (known as TV Eye between 1979 and 1985), Rumpole of

4551-546: The AFI Star Award by the American Film Institute . Holy Grail and Life of Brian are frequently ranked on lists of the greatest comedy films. A 2005 poll asked more than 300 comedians, comedy writers, producers, and directors to name the greatest comedians of all time, and half of Monty Python's members made the top 50. Jones and Palin met at Oxford University , where they performed together with

4674-601: The American NTSC standard had been made possible by the commercial actions of American television producer Greg Garrison . Garrison produced the NBC series The Dean Martin Comedy World , which ran during the summer of 1974. The concept was to show clips from comedy shows produced in other countries, including tape of the Python sketches "Bicycle Repairman" and "The Dull Life of a Stockbroker". "When [Monty Python] hit

4797-470: The American public." Monty Python won the case. With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as Are You Being Served? gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies. In 1976, Monty Python became

4920-535: The Authority to offer the possibility of a programme company of real excellence." The resultant company was awarded the contract to serve London on weekdays. Control of the new company would be given to ABC, a move unpopular with Rediffusion. Questioning the ITA's decision, Rediffusion attempted to slow down the merger: only the threat of giving the licence solely to ABC made it relent. To assist Rediffusion financially,

5043-657: The BBC Television Centre. The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of Peter Cook , Alan Bennett , Jonathan Miller , and Dudley Moore on Beyond the Fringe —seminal to the British " satire boom "—and had worked on Frost , which was similar in style. "The 1960s satire boom opened up the way for a fresh, inventive generation of young comedy writer-performers to flourish on TV and to take comedy in

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5166-462: The BBC, via the IBA, £300,000 in compensation to make up the shortfall in additional cost for new episodes of Dallas . The most controversial programme Thames broadcast was the documentary " Death on the Rock ", part of the current affairs This Week series. The programme questioned the authority of British troops who had shot dead suspected IRA members allegedly planning a terrorist attack on

5289-626: The Bailey , the game shows Strike It Lucky , Give Us a Clue and Name That Tune , and the drama Dodger, Bonzo and the Rest . Thames sitcoms during the 1980s and early 1990s included Keep it in the Family , Never the Twain , After Henry , and Mr. Bean . The Mr. Bean pilot episode , starring Rowan Atkinson as the titular character, was first broadcast on ITV on 1 January 1990, and

5412-612: The Beatles ' influence on music. Their sketch show has been called "an important moment in the evolution of television comedy". Monty Python's Flying Circus was loosely structured as a sketch show, but its innovative stream-of-consciousness approach and Gilliam's animation skills pushed the boundaries of what was acceptable in style and content. A self-contained comedy unit, the Pythons had creative control that allowed them to experiment with form and content, discarding rules of television comedy. They followed their television work by making

5535-969: The Firesign Theatre , Monty Python , Blue Collar Comedy Tour , the Kids in the Hall , the Mighty Boosh , the Tenderloins , the Hollow Men , Asperger's Are Us , Kummeli , Senario , and Them There (known as Horrible Histories troupe and the Six Idiots). Thames Television Formed as a joint company, it merged the television interests of British Electric Traction (trading as Associated-Rediffusion ) owning 49%, and Associated British Picture Corporation —soon taken over by EMI —owning 51%. Like all ITV franchisees at that time, it

5658-432: The ITA insisted that the new company have two sets of shares: voting shares which would allow ABC to have control (with 51%) and 'B' shares which were to be split equally between the two, thus sharing profits fairly. The structure of the new company was also a problem. A merger between the two existing contract holders A.B.C. Television Limited and Rediffusion Television Limited was impossible, owing to internal politics, as

5781-436: The Midlands and North, who would instead be served by a single seven-day schedule. The London weekday/weekend split schedule remained the same, although the weekend contract was extended to include Friday evenings, but was opened to new applicants. As a result of the changes to the schedule, ABC was at risk of losing both of its existing franchises, the weekend services that would be going away. Consequently, ABC applied for both

5904-402: The Midlands seven-day operation and the contract to serve London at the weekend, preferring the latter. It was widely expected that the company would be awarded the London weekend franchise. Instead, after an impressive application by a consortium led by David Frost and others, this market was awarded to what became London Weekend Television . This led to a serious problem for the ITA as ABC

6027-668: The Oxford Revue . Chapman and Cleese met at Cambridge University . Idle was also at Cambridge, but started a year after Chapman and Cleese. Cleese met Gilliam in New York City while on tour with the Cambridge University Footlights revue Cambridge Circus (originally entitled A Clump of Plinths ). Chapman, Cleese, and Idle were members of the Footlights, which at that time also included

6150-414: The Pythons regard as their biggest influence, which also featured Peter Sellers , whom Cleese called "the greatest voice man of all time") recording his groundbreaking BBC series Q... (1969). Not only was Q... more irreverent and anarchic than any previous television comedy , but Milligan also would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It

6273-400: The Pythons' satirical view of television of the 1970s which condescendingly encouraged more involvement from the "man on the street". The Canadian Broadcasting Corporation (CBC) added Monty Python's Flying Circus to its national September 1970 fall line-up. They aired the 13 episodes of series 1, which had first run on the BBC the previous autumn ( October 1969 to January 1970 ), as well as

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6396-949: The US, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy. The popularity on PBS resulted in the 1974 re-release of the 1972 ...Completely Different film, with much greater box office success. The success of the show was captured by a March 1975 article headline in The New York Times , "Monty Python's Flying Circus Is Barnstorming Here". Asked what challenges were left, now that they had made TV shows, films, written books, and produced records, Chapman responded, "Well, actually world supremacy would be very nice", before Idle cautioned, "Yes, but that sort of thing has got to be done properly". In 1975 ABC broadcast two 90-minute Monty Python specials, each with three shows, but cut out

6519-576: The World " (a sketch referenced in Google Translate ), and " Four Yorkshiremen sketch " are just a few examples. Most of the show's sketches satirise areas of public life, such as: Dead Parrot (poor customer service), Silly Walks (bureaucratic inefficiency), Spam (ubiquity of Spam post World War II), and Four Yorkshiremen (nostalgic conversations). Featuring regularly in skits, Gumbys (characters of limited intelligence and vocabulary) were part of

6642-478: The ages of man from birth to death. Directed again by Jones solo, The Meaning of Life is embellished with some of the group's most bizarre and disturbing moments, as well as various elaborate musical numbers, which include " Galaxy Song " (performed by Idle) and " Every Sperm Is Sacred " (performed by Palin and Jones). The film is by far their darkest work, containing a great deal of black humour , garnished by some spectacular violence (including an operation to remove

6765-534: The airwaves, it really was quite shocking but it was shocking in a good way. It set you up right and opened up a whole new form of comedy. 'Pythonesque ." — Ron Devillier, PBS programming director. Through the efforts of Python's American manager Nancy Lewis, during the summer of 1974, Ron Devillier, the programming director for nonprofit PBS television station KERA in Dallas , Texas, started airing episodes of Monty Python's Flying Circus . Ratings shot through

6888-490: The authority. During the interview process, several members of Rediffusion management also appeared in interviews for applicants for other regions, principally the consortium of which David Frost was a member, as well as the interview for Rediffusion, leading the ITA to question the loyalty at the company. The outcome proposed by the ITA was a " shotgun marriage " between ABC and Rediffusion. "The combination of these two companies," announced ITA Chairman Lord Hill , "seemed to

7011-410: The cheesemakers ' "). Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. Holy Grail's production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film

7134-416: The children's show Magpie (1968–80), intended as a rival for Blue Peter on BBC1 , and The Tomorrow People (1973–79), a science fiction series commissioned as an answer to the BBC's Doctor Who . For preschool children there was Rainbow , which started in 1972 and ran for 20 years. The programme used animation and graphics created by Stop Frame Productions, which later became Cosgrove Hall ,

7257-406: The company had treated the ITA high-handedly in interviews. In the early days of ITV, the company had worked hard to keep the network on-air during financial crises that threatened the collapse of other companies, particularly Granada. It was reported that Rediffusion's chairman Sir John Spencer Wills felt the ITA owed his company a 'debt of gratitude' for this, a comment which particularly annoyed

7380-539: The credits ran directly after the opening titles. On the subversive nature of the show (and their subsequent films), Cleese states "anti-authoritarianism was deeply ingrained in Python". "Our first rule was: no punchlines. [Some sketches] start brilliant, great acting, really funny sketch, but the punchline is just not as good as the rest of the sketch, so it kills the entire thing. That's why we eliminated them." —Terry Gilliam in 2007. Because of their dislike of finishing with punchlines, they experimented with ending

7503-536: The crime from 1998 and its return to the hour long slot and then became much more a soap opera in 2002 (when individual story titles were dropped) until coming full circle dealing predominantly with crime again in about 2007 for the last few years of its existence. In January 1985, the company made a deal with international distributors for US production company Lorimar to purchase the UK broadcasting rights for US drama Dallas , at that time transmitted on BBC1 . This broke

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7626-466: The decision was taken because of falling ratings, very high production costs and Hill was looking tired. The show at its peak had 21 million viewers, while the last episode had nine million. Through the early 1980s, Thames experienced a series of local disputes while management deliberately confronted contractual ‘rackets’, and pursued the introduction of new technologies based on operational requirements rather than precedent. For Thames’s management, this

7749-555: The drama society's theatrical productions, are kept in the archives of the Pembroke Players . The six Python members appeared in or wrote these shows before Flying Circus : The BBC's satirical television show The Frost Report , broadcast from March 1966 to December 1967, is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles. Following

7872-456: The end of Flying Circus ) and live performances of several songs from the troupe's then-current Monty Python's Contractual Obligation Album . Monty Python's four-night stint as headliners at the Hollywood Bowl set a record for a comedy act at the venue; it has since been equalled by Dave Chappelle in May 2022. The Pythons' final film returned to something structurally closer to the style of Flying Circus . A series of sketches loosely follows

7995-543: The end of its ITV franchise. These included Reilly, Ace of Spies (1983), Jack the Ripper (1988), Capital City (1989–1990), Selling Hitler (1991), and Anglo-Saxon Attitudes (1992). The Bill (1984–2010) began as a one-hour series of separate stories in 1984, but from 1989 until 1998 was broadcast several times a week, usually in a 30 minute slot. Its storylines became overly melodramatic and focussed far more directly on particular police characters rather than

8118-522: The eventual run lasted beyond Thames holding of its franchise. Less well-known is its adaptation of Andy Capp (1988), starring James Bolam . Two of its post-franchise sitcoms found more success when they transferred away from ITV – Men Behaving Badly , which moved to the BBC in 1994 and Is It Legal? , which moved to Channel 4 in 1998. Both were written by Simon Nye and co-produced by independent company Hartswood Films . A few years after The World at War , Thames broadcast Hollywood (1980),

8241-464: The film, but Chapman took the lead as King Arthur. Cleese returned to the group for the film, feeling that they were once again breaking new ground. Holy Grail was filmed on location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as Pink Floyd , Jethro Tull , and Led Zeppelin , as well as UK music industry entrepreneur Tony Stratton Smith (founder and owner of

8364-596: The films Monty Python and the Holy Grail (1975), Life of Brian (1979), and The Meaning of Life (1983). Their influence on British comedy has been apparent for years, while it has coloured the work of the early editions of Saturday Night Live through to absurdist trends in television comedy. At the 41st British Academy Film Awards in 1988, Monty Python received the BAFTA Award for Outstanding British Contribution to Cinema . In 1998, they were awarded

8487-541: The first six episodes of series 2 only a few weeks after they first appeared on the BBC ( September to November 1970 ). The CBC dropped the show when it returned to regular programming after the Christmas 1970 break, choosing to not place the remaining seven episodes of series 2 on the January 1971 CBC schedule. Within a week, the CBC received hundreds of calls complaining of the cancellation, and more than 100 people staged

8610-417: The first three seasons contained 13 episodes each, the fourth ended after just six. The name Monty Python's Flying Circus appears in the opening animation for season four, but in the end credits, the show is listed as simply Monty Python . Although Cleese left the show, he was credited as a writer for three of the six episodes, largely concentrated in the "Michael Ellis" episode, which had begun life as one of

8733-578: The form of Baron Manfred von Richthofen 's Flying Circus of WWI fame, and the new group was forming in a time when the Royal Guardsmen 's 1966 song " Snoopy vs. the Red Baron " had peaked. The term 'flying circus' was also another name for the popular entertainment of the 1920s known as barnstorming , where multiple performers collaborated with their stunts to perform a combined set of acts. Differing, somewhat confusing accounts are given of

8856-458: The future Goodies ( Tim Brooke-Taylor , Bill Oddie , and Graeme Garden ), and Jonathan Lynn (co-writer of Yes Minister and Yes, Prime Minister ). During Idle's presidency of the club, feminist writer Germaine Greer and broadcaster Clive James were members. Recordings of Footlights' revues (called "Smokers") at Pembroke College include sketches and performances by Cleese and Idle, which, along with tapes of Idle's performances in some of

8979-410: The greatest comedy films. In 2006, it was ranked first on a Channel 4 list of the 50 Greatest Comedy Films . Empire magazine called it "an unrivalled satire on religion". In 2013, Richard Burridge , a theologian decorated by Pope Francis, called Life of Brian an "extraordinary tribute to the life and work and teaching of Jesus—that they couldn't actually blaspheme or make a joke out of it. They did

9102-460: The images Gilliam used were lifted from famous works of art, and from Victorian illustrations and engravings . The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of Cupid , cut from a reproduction of the Renaissance masterpiece Venus, Cupid, Folly and Time by Bronzino . This foot, and Gilliam's style in general, are visual trademarks of

9225-609: The last appearance of Nigel Kneale 's best known creation in Quatermass (1979). In this era, Euston also made single one-off dramas such as The Naked Civil Servant (1975). On 1 December 1976, the punk band the Sex Pistols were interviewed live on Thames's regional news magazine programme, Today . Members of the group uttered obscenities during their interview with Bill Grundy . Grundy, in his introduction, said they are "as drunk as I am", but later claimed his comment

9348-401: The many drafts of the "Holy Grail" motion picture. When a new direction for "Grail" was decided upon, the subplot of Arthur and his knights wandering around a strange department store in modern times was lifted out and recycled as the aforementioned TV episode. Songwriter Neil Innes contributed to some sketches, including "Appeal on Behalf of Very Rich People". The Pythons' first feature film

9471-485: The network with a long-running, broad-based and extensive series of programmes, several of which either continue or are well-remembered today." Thames covered a broad spectrum of commercial public-service television, with a strong mix of drama, current affairs and comedy. After Thames was acquired by FremantleMedia it was merged with another Fremantle company, Talkback , to form a new independent production company, Talkback Thames ; consequently, Thames ceased to exist as

9594-492: The new shows never gained the audiences or matched the esteem they had previously enjoyed. One of the early anchor presenters was radio DJ Tom Edwards . Like most of ITV, Thames was beset by conflicts with trade unions, notably the Association of Cinematograph Television and Allied Technicians ( ACTT ). A two-week technicians strike in the summer of 1975 shut down the whole of ITV with the technicians being bought off with

9717-491: The new station, the only individuals named or specified in all 15 franchise awards. ABC had majority control of the new company and the make-up of its board predominantly (and eventually fully) came from ABC. The use of ABC's old studios at Teddington meant the workforce was predominantly ex-ABC, although those at Kingsway were ex-Rediffusion. After some discussion as to the name of the new company—some directors favoured ABC London, while others suggested Tower Television to reflect

9840-493: The origins of the Python name, although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary Live at Aspen during the US Comedy Arts Festival , where the troupe was awarded the AFI Star Award by the American Film Institute , the group implied that "Monty" was selected (Eric Idle's idea) as a gently mocking tribute to Field Marshal Lord Montgomery ,

9963-442: The others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a "writer", rather than an actor eager for screen time. When

10086-426: The programme. The Pythons used the British tradition of cross-dressing comedy by donning frocks and makeup and playing female roles themselves while speaking in falsetto . Jones specialised in playing the working-class housewife, or "ratbag old women" as termed by the BBC. Palin and Idle generally played the role more posh, with Idle playing more feminine women. Cleese played female roles more sparsely, while Chapman

10209-498: The projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold. By contrast, according to John Cleese's autobiography, the origins of Monty Python lay in the admiration that writing partners Cleese and Chapman had for the new type of comedy being done on Do Not Adjust Your Set ; as

10332-536: The roof, prompting other PBS affiliates to pick up the show. Devillier states, "We got the Nielsens in and started looking at the Saturday ratings. The first night, it was a 6 rating. We couldn't believe it. We didn't know what a 6 looked like. The next week, it was a 7 and it may have taken a month but it stayed there and we started getting 8s, 9s and 10s." There was also cross-promotion from FM radio stations across

10455-410: The same time Thames broadcast its new purchases. Ultimately, pressure from several ITV companies (especially Yorkshire Television ) to the IBA, forced Thames to sell the series back to the BBC at a loss. Bryan Cowgill , the managing director of Thames left the company, as he believed his position was untenable since the board was unwilling to support his plans to buy the series. In October, Thames paid

10578-468: The show in 1964. Another BBC favourite was comedian Benny Hill , the star of The Benny Hill Show (1969–89), who was placed under contract. Hill spent most of the rest of his career with Thames. The Sooty Show , cancelled in 1967 by the BBC, now aired on Thames and began on the first day of transmission. It continued after Harry Corbett 's retirement in 1975 with his son, Matthew Corbett , and lasted on Thames until late 1992. The company also produced

10701-410: The show, and claimed that only two Cleese- and Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts. He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It

10824-622: The silent era, Unknown Chaplin (1983) and Buster Keaton: A Hard Act to Follow (1987). A programme on Harold Lloyd ( The Third Genius ) followed in 1989. Hollywood and the Chaplin series were narrated by the actor James Mason . Unusually for a commercial broadcaster, Thames also produced lavish versions of Gilbert and Sullivan's The Mikado and Shakespeare's A Midsummer Night's Dream . Thames's subsidiary production company Euston Films continued to produce many of Thames's highest-profile drama contributions to ITV network programming to

10947-503: The sketches by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the fourth wall ), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "anti-silliness" character of " the Colonel ", who walked into several sketches and ordered them to be stopped because things were becoming "far too silly". Another favourite way of ending sketches

11070-569: The start of transmissions on Monday until its handover to London Weekend Television at 19:00 on Friday. (From 1982, the handover time was 17:15.) The former ABC studios at Teddington became Thames's main production base. Thames's corporate base moved to its newly constructed studios and offices on Euston Road (next to Euston Tower ) in 1970, when it relinquished Television House , Rediffusion's former London headquarters. The Teddington studios were highly desirable, as they had participated in colour experiments and were already partially converted by

11193-574: The stoning scene in Monty Python's Life of Brian , they took the idea one step further by playing women who impersonated men. Many sketches are well-known and widely quoted. " Dead Parrot sketch ", " The Lumberjack Song ", " Spam " (which led to the coining of the term email spam ), " Nudge Nudge ", " The Spanish Inquisition ", " Upper Class Twit of the Year ", " Cheese Shop ", " The Ministry of Silly Walks ", " Argument Clinic ", " The Funniest Joke in

11316-399: The success of Do Not Adjust Your Set (which broadcast on ITV from December 1967 to May 1969), Thames Television offered Gilliam, Idle, Jones, and Palin their own late-night adult comedy series together. At the same time, Chapman and Cleese were offered a show by the BBC , which had been impressed by their work on The Frost Report and At Last the 1948 Show . Cleese was reluctant to do

11439-519: The team as the perfect name for a sleazy entertainment agent". Flying Circus popularised innovative formal techniques, such as the cold open , in which an episode began without the traditional opening titles or announcements. An example of this is the "It's" man: Palin, outfitted in Robinson Crusoe garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's ...", to be then interrupted by

11562-470: The themes for sketches were chosen, Gilliam had a free hand in bridging them with animations, using a camera, scissors, and airbrush. While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members (Jones and Palin) was more visual, and more fanciful conceptually (e.g., the arrival of

11685-468: The then standard 'hybrid' studio video/location film format, but the British industry was in the slow process of dropping the multi-camera studio format for drama, excepting soaps, to making the genre entirely on film. The Thames offshoot Euston Films was founded in 1971 to specialise in drama output made entirely on film, then still a rare practice. Euston made the police series The Sweeney (1975–78), Danger UXB (1979), and Minder (1979–94), plus

11808-410: The third and fourth series, the group decided to embark on their first "proper" feature film, containing entirely new material. Monty Python and the Holy Grail was based on Arthurian legend and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in

11931-501: The time of the franchise change, and as such had been sought after by both Thames and LWT. When Thames was formed, the new company acquired numerous other properties of the former franchise holders. Rediffusion's main studio complex at Wembley was leased to London Weekend Television by order of the ITA before being sold to Lee International in 1977. ABC's Midlands base in Aston, Birmingham (see Alpha Television ), co-owned with ATV,

12054-578: The top rated show in Japan. The popularity of the show in the Netherlands saw the town of Spijkenisse near Rotterdam open a 'silly walks' road crossing in 2018. Believed to be a world first, the official sign asks pedestrians to cross the road in a comical manner. Having considered the possibility at the end of the second series, Cleese left the Flying Circus at the end of the third. He later explained that he felt he no longer had anything fresh to offer

12177-501: The traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, Spike Milligan , whom they had admired on The Goon Show (a show

12300-476: The variety show Opportunity Knocks , Armchair Theatre , the last series of The Avengers , and the detective thrillers Callan and Public Eye , all inherited from ABC. The comedy Do Not Adjust Your Set , though, originated with Rediffusion, and if nominally a children's show, was one of the forerunners of Monty Python's Flying Circus . More conventional sitcoms, all of which began in Thames's early years, included Father, Dear Father (1968–73),

12423-403: The weekday service in the Midlands, while ABC Weekend TV operated the weekend service. Granada Television won daytime service in the North, and ABC the weekends. Geographical and structural changes to the network led to the first significant shakeups of the network, a process that started in 1967 to take effect from 1968. As part of these changes, the separate weekend service was eliminated in

12546-451: Was a broadcaster, a producer and a commissioner of television programmes, making shows both for the local region it covered and, as one of the "Big Five" ITV companies, for networking nationally across the ITV regions. After its loss of franchise in 1992, it continued as an independent production company until 2006. The British Film Institute describes Thames as having "served the capital and

12669-405: Was a joke, and had allowed the bad language to illustrate the character of the individuals in the group. The interview filled two minutes at the end of the programme, but the production team feared trouble in the studio if they stopped the programme mid-air. Thames's telephone switchboard was jammed by complaining viewers. Responding to the incident, Thames said in a statement: "Because the programme

12792-457: Was a materialist operation with a clear dimension, and to weed out unscrupulous bargaining and working practices. In the summer of 1984 a major strike was called, this time, over Thames's management unilaterally issuing new rostering schedules (overtime payments for transmission staff), and the use of new cameras and editing equipment. There were no internal discussions of the potential savings that could be derived from new shift patterns, but there

12915-587: Was a merger between their respective parent companies Associated British Picture Corporation and British Electric Traction . The answer was found to be a new holding company , Thames Television (Holdings) Ltd. ABC's parent, the Associated British Picture Corporation was taken over by EMI in 1969, and in 1979 became part of Thorn EMI . The ITA ordered ABC's managing director Howard Thomas and its director of programmes Brian Tesler to be appointed in similar capacities at

13038-482: Was a popular station, whose productions earned vital foreign currency - one such series was The Avengers . Its station management and presentation style were also well-admired. While they were still in the running for the seven-day service in the Midlands, it was clear this would be won by ATV, who was also a large earner of overseas revenue, having won the Queen's Award for Export in 1966. In programming, Rediffusion

13161-427: Was a strong sense that union controls had to be removed before the company embarked on increasing its operations. The technicians walked for a few hours on Monday 30 July, but the station was able to return just one day as management and administration staff took over their roles. On Monday 27 August, ATTC technicians walked out again over the new shift patterns; the strike ended on 3 September 1984, at 1p.m. after

13284-554: Was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate. Michael Palin recalls "Terry Jones and I adored the Q... shows...[Milligan] was the first writer to play with the conventions of television." After much debate, Jones remembered an animation Gilliam had created for Do Not Adjust Your Set called "Beware of the Elephants", which had intrigued him with its stream-of-consciousness style. Jones felt it would be

13407-429: Was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) This was the last project on which all six Pythons collaborated, except for the 1989 compilation Parrot Sketch Not Included , where they are all seen sitting in a closet for four seconds. This was the last time Chapman appeared on screen with the Pythons. Comedy troupe A comedy troupe

13530-488: Was directed by Ian MacNaughton , reprising his role from the television series. It consisted of sketches from the first two seasons of the Flying Circus , reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "Dead Parrot", "The Lumberjack Song", "Upper Class Twit of the Year", "Hell's Grannies", "Self-Defence Class", " How Not to Be Seen ", and "Nudge Nudge". Financed by Playboy ' s UK executive Victor Lownes , it

13653-470: Was frequently paired with Jones as a ratbag woman or with Idle portraying middle-class women commenting upon TV. Generally speaking, female roles were played by women only when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). The troupe later turned to Carol Cleveland —often described as the unofficial seventh member—who co-starred in numerous episodes after 1970. In some episodes, and later in

13776-462: Was good at it, when he did it he was professional, but he'd rather not have done it. The others all loved it, but he got more and more pissed off about having to come out and do filming, and the one that really swung it, in my view, was when we had to do the day on the Newhaven lifeboat." The rest of the group carried on for one more "half" season before calling a halt to the programme in 1974. While

13899-434: Was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this, the film did good business in the UK, and later in the US on the " Midnight movie " circuit after their breakthrough television and film success, this being in the era before home video would make the original material much more accessible. The group did not consider the film a success. In 1974, between production on

14022-412: Was live, it was impossible to foresee the language that would be used." The press continued to be interested in the incident for several days. Grundy was suspended and Today ended soon afterwards; his career never recovered. Over time, Thames replaced Today with a more conventional news offering as seen on other ITV stations. Thames at Six was launched, later Thames News . In 1978, Thames secured

14145-440: Was not prepared to amend it. Gwen Dibley's Flying Circus was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. Baron Von Took's Flying Circus was considered as an affectionate tribute to Barry Took, the man who had brought them together. Arthur Megapode's Flying Circus was suggested, then discarded. The name Baron Von Took's Flying Circus had

14268-430: Was on an Air Canada flight on the way to Toronto , when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom." In 2012, Jones spoke on Cleese's work in the third series and subsequent departure, "He

14391-451: Was originally considered stuffy but in the previous contract round of 1964, it had re-invented itself, dropping the name Associated-Rediffusion in favour of the trendier Rediffusion London, to reflect the cultural changes of the time, with its output altered accordingly. By the time of the 1967 negotiations, Rediffusion believed that its contract renewal for London weekday service was a formality, and its application reflected this complacency:

14514-445: Was settled upon. Some were Owl Stretching Time , The Toad Elevating Moment , A Horse, a Spoon and a Basin , Vaseline Review , and Bun, Wackett, Buzzard, Stubble and Boot . Reportedly, these names were considered for the show because the group members found it funny that the show name would have nothing to do with the actual content of the series. Flying Circus stuck when the BBC explained it had printed that name in its schedules and

14637-464: Was shot on location in Tunisia , the finances being provided this time by The Beatles ' George Harrison , who together with Denis O'Brien formed the production company Hand-Made Films for the movie. Harrison had a cameo role as the "owner of the Mount". Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among

14760-529: Was sold in 1971 when ATV moved to new colour television facilities. Its northern base in Didsbury , Manchester , was used by Yorkshire Television prior to its Kirkstall Road studios in Leeds being completed, and eventually sold to Manchester Polytechnic in 1970, with a lease on sales offices in central Manchester being surrendered. The station continued formats inherited from its predecessors. These included

14883-405: Was subject to United States copyright law which states that any work first published prior to 1924 was in the public domain , owing to copyright expiration. This enabled Gilliam to co-opt the march for the series without having to make any royalty payments . The use of Gilliam's surreal , collage stop motion animations was another innovative intertextual element of the Python style. Many of

15006-470: Was the first time all six got together, reportedly going back to Cleese's apartment on nearby Basil Street afterwards to continue discussions. According to show director Ian MacNaughton , the first discussion over the idea for the show, Monty Python's Flying Circus , was a result of BBC's comedy advisor, Barry Took , bringing the Pythons along with John Howard Davies (director of the first four episodes) and MacNaughton together into one conference room at

15129-417: Was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken, before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and, in

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