77-580: The Meux Home is a historic mansion located in Fresno, California . It was the residence of Thomas Richard Meux, a physician who served Fresno in the initial stages of the city's growth. Thomas Richard Meux was born on August 6, 1838, near Stanton, Tennessee . He received a degree from the University of Virginia then continued his education the University of Pennsylvania , studying medicine. After graduating in 1860, he moved back to Tennessee and started
154-619: A Historicist example of Classical Palladianism combined with the French Renaissance, a uniquely distinctive interpretation of the Renaissance Revival style. As mentioned above, the Neo-Renaissance style was in reality an eclectic blending of past styles, which the architect selected on the whims of his patrons. In the true Renaissance era there was a division of labour between the architect, who designed
231-761: A Renaissance influence, its first flight is similar to "The staircase of the Giants" rises from the Doge's Palace Courtyard, designed when the Venetian Gothic was being uncomfortably merged with Renaissance style. Similarly to that at Mentmore, the Staircase of the Giant's terminates on to an arcaded loggia. Perhaps not ironically the Hall and Staircase at Mentmore were designed by Paxton to display furniture formerly housed in
308-499: A building were of several floors, the uppermost floor usually had small square windows representing the minor mezzanine floor of the original Renaissance designs. However, the Neo-renaissance style later came to incorporate Romanesque and Baroque features not found in the original Renaissance architecture which was often more severe in its design. John Ruskin 's panegyrics to architectural wonders of Venice and Florence in
385-583: A countryside estate in the U.S. was demolished in 1980, along with its extensive gardens, to make way for suburban developments. In Paris, London or Rome , many large mansions and palazzi built or remodeled during the era still survive. Grand Federal style mansions designed by Samuel McIntire inhabit an area that, in 2012, is the largest collection of 17th- and 18th-century structures in the United States of America. This district in Salem, Massachusetts ,
462-503: A function hall (named for Alexander Hamilton) and a church for the town's merchant class. McIntire also designed the former Salem Court House and Registry of Deeds. After 1793, Samuel McIntire worked exclusively in the architectural style developed by Robert Adam in Great Britain and brought to America by the great Boston architect, Charles Bulfinch. The delicate Adam style , which emphasized decorative elements and ornamentation,
539-399: A home for his family. He chose the corner of Tulare and R streets as the homesite and enlisted a builder. At the time of construction, the area was very sparsely populated. The only other houses in the area were those of William Wyatt at R and Mariposa Streets and O. J. Woodward at Q and Mariposa Streets. O. J. Woodward later donated the land for Woodward Park . Meux and his family moved into
616-581: A medical practice. Along with his brother, John, Thomas Meux enlisted in the 9th Tennessee Infantry Regiment on May 24, 1861, just as the American Civil War was breaking out. His brother died a year later from wounds sustained in the Battle of Shiloh . Thomas Meux applied his medical skills while on the battlefield, unofficially at first, then was officially commissioned as an assistant surgeon. He continued to serve as an assistant surgeon until he
693-522: A more flowing line of design than had been apparent in the earlier Gothic. The Chateau de Blois's triumphal staircase was imitated almost from the moment of its completion, and was certainly the predecessor of the "double staircase" (sometimes attributed to Leonardo da Vinci ) at the Château de Chambord just a few years later. A Grand Staircase whether based on that of Blois, or the Villa Farnese
770-700: A more modern, undefended style. Due to intermarriage and primogeniture inheritance amongst the aristocracy, it became common for one noble to often own several country houses . These would be visited rotationally throughout the year as their owner pursued the social and sporting circuit from country home to country home. Many owners of a country house would also own a town mansion in their country's capital city. These town mansions were referred to as 'houses' in London, ' hôtels particuliers ' in Paris, and 'palaces' in most European cities elsewhere. It might be noted that sometimes
847-704: A number of homes for Derby and members of his extended family. McIntire also worked occasionally on Derby's vessels, and would fix a wagon or build a birdhouse if his patron desired. Hamilton Hall is a National Historic Landmark at 9 Chestnut Street in Salem, Massachusetts . Hamilton Hall was built in 1805 by Samuel McIntire and added to the National Register of Historic Places in 1970. "King" Derby's stamp of approval opened many other doors for McIntire, who went on to design and build mansions for John Gardner, Jerethmiel Peirce, Simon Forrester, and other wealthy Salem shipowners. He also built on Chestnut Street
SECTION 10
#1732779690345924-667: A style not always instantly recognisable as a derivative of the Renaissance. In this less obvious guise the Neo-Renaissance was to provide an important undercurrent in totalitarian architecture of various countries, notably in Stalinist architecture of the Soviet Union , as seen in some pavilions of the All-Soviet Exhibition Centre . Neo-Renaissance architecture, because of its diversity, is perhaps
1001-434: A wooden icebox. The exterior is most recognized by the conical turret in one corner. The home is sheltered by trees and shrubs with a porch that extends around three elevations of the house. The porch has carved details at the railing and stairs. A French Renaissance influence is seen in the chimney details, while the finials at the intersection of roof hips invoke Victorian Gothic . A few different types of siding cover
1078-520: Is a copy of Wollaton Hall . Other mansions were built in the new and innovative styles of the new era such as the arts and crafts style: The Breakers is a pastiche of an Italian Renaissance palazzo ; Waddesdon Manor in Buckinghamshire is a mixture of various French châteaux . One of the most enduring and most frequently copied styles for a mansion is the Palladian – particularly so in
1155-620: Is a group of 19th-century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture 19th-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism ; they also included styles that can be identified as Mannerist or Baroque . Self-applied style designations were rife in
1232-549: Is an example of American Renaissance revivalism. During the 19th century, along with other streets in major cities, Fifth Avenue in New York City had many mansions. Many of these were designed by the leading architects of the day, often in European Gothic Revival style , and were built by families who were making their fortunes. However, nearly all of these have now been demolished. Whitemarsh Hall ,
1309-531: Is an outstanding ensemble of Neo-Renaissance townhouses from the last decades of the 19th century. The most famous Hungarian architect of the age, Miklós Ybl preferred Neo-Renaissance in his works. In Russia, the style was pioneered by Auguste de Montferrand in the Demidov House (1835), the first in Saint Petersburg to take "a story-by-story approach to façade ornamentation, in contrast to
1386-487: Is called the McIntire Historic District with the center being Chestnut Street. McIntire's training came from his father and from books. He and his brothers, Joseph and Angler, began their careers as housewrights and carpenters while in their teens but, early on, Samuel's work caught the eye of Salem's pre-eminent merchant, Elias Hasket Derby. Over the next quarter century, McIntire built or remodelled
1463-684: Is formed by not only the original Italian architecture but by the form in which Renaissance architecture developed in France during the 16th century. During the early years of the 16th century, the French were involved in the Italian Wars , bringing back to France not just the Renaissance art treasures as their war booty , but also stylistic ideas. In the Loire valley a wave of chateau building
1540-434: Is more in the lighter, more columned style of Ottaviano Nonni 's (named il Mascherino) staircase designed for Pope Gregory XIII at Rome's Palazzo Quirinale in 1584, thus demonstrating that architects wherever their location were selecting their Neo-Renaissance styles regardless of geography Gothic influences on both period and revived Renaissance architecture are readily apparent, first as much building occurred during
1617-478: Is particularly evident at Hatfield House (1607–1612), where medieval towers jostle with a large Italian cupola. This is why so many buildings of the early English Neo-Renaissance style often have more of a "castle air" than their continental European contemporaries, which can add again to the confusion with the Gothic Revival style . When the revival of Renaissance style architecture came en vogue in
SECTION 20
#17327796903451694-622: The Ancien Régime . Until World War I it was not unusual for a moderately sized mansion in England such as Cliveden to have an indoor staff of 20 and an outside staff of the same size, and in ducal mansions such as Chatsworth House the numbers could be far higher. In the great houses of Italy, the number of retainers was often even greater than in England; whole families plus extended relations would often inhabit warrens of rooms in basements and attics. Most European mansions were also
1771-529: The British Raj in 1880, the façades of the 1777 Writers' building in Kolkata were redesigned in the Renaissance Revival style then popular in colonial India, though this version was remarkable in its unique design. Loggias of Serlian arches deceptively form an almost Indian appearance, yet they sit beneath a mansard roof. In what at first glance appears an Indian building, on closer examination shows
1848-499: The Gothic revival can at times be especially tricky, as both styles were simultaneously popular during the 19th century. As a consequence, a self-consciously "Neo-Renaissance" manner first began to appear c. 1840 . By 1890 this movement was already in decline. The Hague 's Peace Palace completed in 1913, in a heavy French Neo-Renaissance manner was one of the last notable buildings in this style. Charles Barry introduced
1925-540: The Mediterranean old world, whereas where estates were founded in the sparsely populated remote areas like the Pampa of Argentina or Uruguay, where iron pillars, doors, windows, and furniture had to be brought from Europe by ship and afterwards ox cart, buildings were smaller, but normally still aspiring to evoke a stately impression, often featuring, like their earlier Italian counterparts, a morador . In Venezuela,
2002-537: The Middle Ages . As social conditions slowly changed and stabilised fortifications were able to be reduced, and over the centuries gave way to comfort. It became fashionable and possible for homes to be beautiful rather than grim and forbidding allowing for the development of the modern mansion. In British English, a mansion block refers to a block of flats or apartments designed for the appearance of grandeur. In many parts of Asia, including Hong Kong and Japan,
2079-793: The Palais Leuchtenberg (1817–21), by Leo von Klenze , then adopted as a state style under the reign of Ludwig I of Bavaria for such landmarks as the Alte Pinakothek (1826–36), the Konigbau wing of the Munich Residenz (1825–35), and the Bavarian State Library (1831–43). While the beginning of Neo-Renaissance period can be defined by its simplicity and severity, what came later was far more ornate in its design. This period can be defined by some of
2156-539: The 1850s contributed to shifting "the attention of scholars and designers, with their awareness heightened by debate and restoration work" from Late Neoclassicism and Gothic Revival to the Italian Renaissance. Like all architectural styles, the Neo-Renaissance did not appear overnight fully formed but evolved slowly. One of the first signs of its emergence was the Würzburg Women's Prison, which
2233-539: The 18th century. However, the Gothic style was probably the most popular choice of design in the 19th century. The most bizarre example of this was probably Fonthill Abbey which actually set out to imitate the mansions which had truly evolved from medieval Gothic abbeys following the Dissolution of the Monasteries in the 16th century. Mansions built during and after the 19th century were not supported by
2310-663: The American architect Henry Hobson Richardson whose work in the Neo-Renaissance style was popular in the US during the 1880s. Richardson's style at the end or the revival era was a severe mix of both Romanesque and Renaissance features. This was exemplified by his "Marshall Field Warehouse" in Chicago (completed in 1887, now demolished). Neo-Renaissance was adopted early in Munich , often based directly on Italian Palazzi, first appearing in
2387-539: The Doge's Palace. Paris is home to many historicist buildings that partake equally from Renaissance and Baroque source material, such as the Opera Garnier . However, the Parisian Hôtel de Ville faithfully replicates the true French Renaissance style, complete with the steeply pitched roofs and towers, as it was a reconstruction, completed c. 1880 , of the previous Hôtel de Ville . In
Meux Home - Misplaced Pages Continue
2464-828: The German version of Neo-Renaissance culminated in such projects as the Town Hall in Hamburg (1886–1897) and the Reichstag in Berlin (completed in 1894). In Austria, it was pioneered by such illustrious names as Rudolf Eitelberger , the founder of the Viennese College of Arts and Crafts (today the University of Applied Arts Vienna ). The style found particular favour in Vienna , where whole streets and blocks were built in
2541-832: The London Foreign Office in this style between 1860 and 1875, it also incorporated certain Palladian features. Starting with the orangery of Sanssouci (1851), "the Neo-Renaissance became the obligatory style for university and public buildings, for banks and financial institutions, and for the urban villas" in Germany. Among the most accomplished examples of the style were Villa Meyer in Dresden, Villa Haas in Hesse , Palais Borsig in Berlin , Villa Meissner in Leipzig ;
2618-697: The Neo-Renaissance to England with his design of the Travellers Club , Pall Mall (1829–1832). Other early but typical, domestic examples of the Neo-Renaissance include Mentmore Towers and the Château de Ferrières , both designed in the 1850s by Joseph Paxton for members of the Rothschild banking family. The style is characterized by original Renaissance motifs , taken from such Quattrocento architects as Alberti . These motifs included rusticated masonry and quoins , windows framed by architraves and doors crowned by pediments and entablatures . If
2695-752: The Victorian style dating back to the 1890s. In 2004, a small scale replica of the Meux Home was built in a new city park called "Trolley Creek" in southeast Fresno. In 2021, there was a discussion about changing the name of the museum due to Thomas Meux's connection to the Confederate States Army . No name change was agreed upon. It is one the oldest homes in Fresno and is significant for its elaborate style and for remaining mostly unchanged from its time of construction. The Meux Home sits at
2772-475: The ambitions of wealthy Americans in equaling and surpassing the ostentatious lifestyles of European aristocrats. During the latter half of the 19th century 5th Avenue in New York City was lined with "Renaissance" French chateaux and Italian palazzi , all designed in Neo-Renaissance styles. Most of these have since been demolished. One of the most widely copied features of Renaissance architecture were
2849-460: The beginning of the 20th century, Neo-Renaissance was a commonplace sight on the main streets of thousands of towns, large and small, around the world. In southern Europe the Neo-Renaissance style began to fall from favour c. 1900 . However, it was still extensively practiced in the 1910s in Saint Petersburg and Buenos Aires by such architects as Leon Benois , Marian Peretyatkovich , or Francisco Tamburini ( picture ). In England it
2926-836: The breadth of its source material, such as the English Wollaton Hall , Italian Palazzo Pitti , the French Château de Chambord , and the Russian Palace of Facets —all deemed "Renaissance"—illustrates the variety of appearances the same architectural label can take. The origin of Renaissance architecture is generally accredited to Filippo Brunelleschi (1377–1446). Brunelleschi and his contemporaries wished to bring greater "order" to architecture, resulting in strong symmetry and careful proportion. The movement grew from scientific observations of nature, in particular, human anatomy. Neo-Renaissance architecture
3003-587: The classical method, where the façade was conceived as a unit." Konstantin Thon , the most popular Russian architect of the time, used Italianate elements profusely for decorating some interiors of the Grand Kremlin Palace (1837–1851). Another fashionable architect, Andrei Stackenschneider , was responsible for Mariinsky Palace (1839–1844), with "the faceted rough-hewn stone of the first floor" reminiscent of 16th-century Italian palazzi. The style
3080-454: The death of Thomas Meux. The family continued to live in it, which allowed it to remain in mostly the same condition as when it was built, with the same architectural flourishes. One Meux daughter married local politician Henry E. Barbour in a ceremony which took place in the home's parlor in 1907. His son, John Meux, was a Fresno area rancher. The other Meux daughter, Anne, lived in the home until her death in 1970. The city of Fresno purchased
3157-462: The exterior as well as other contrasting textures, including staggered shingles, patterned shingles and beveled shiplap siding. Mansion A mansion is a large dwelling house . The word itself derives through Old French from the Latin word mansio "dwelling", an abstract noun derived from the verb manere "to dwell". The English word manse originally defined a property large enough for
Meux Home - Misplaced Pages Continue
3234-471: The exterior highly visible shell, and others—the artisans—who decorated and arranged the interior. The original Italian mannerist house was a place for relaxation and entertaining, convenience and comfort of the interior being a priority; in the later Baroque designs, comfort and interior design were secondary to outward appearance. This was followed by the Neoclassical period, which gave importance to
3311-502: The first "picture windows", but also the blending of architectural styles allowed interiors and exteriors to be treated differently. It was at this time that the concept of "furnishing styles" manifested itself, allowing distinctions to be made between interior rooms and external appearances, and indeed between the various rooms themselves. Thus the modern concept of treating a room individually, and differently from its setting and neighbours, came into its infancy. Classic examples of this are
3388-557: The great Rothschild house in Buckinghamshire , hybrids of various Renaissance chateaux , and 16th century English country houses , all with interiors ranging from "Versailles" to " Medici ", and in the case of Mentmore Towers a huge central hall, resembling the arcaded courtyard of a Renaissance villa, conveniently glazed over, furnished in Venetian style and heated by a fireplace designed by Rubens for his house in Antwerp By
3465-601: The great opera houses of Europe, such as Gottfried Semper 's Burgtheater in Vienna, and his Opera house in Dresden . This ornate form of the Neo-Renaissance, originating from France, is sometimes known as the "Second Empire" style, by now it also incorporated some Baroque elements. By 1875 it had become the accepted style in Europe for all public and bureaucratic buildings. In England, where Sir George Gilbert Scott designed
3542-541: The great staircases from the chateaux of Blois and Chambord . Blois had been the favourite residence of the French Kings throughout the renaissance. The Francis I wing, completed in 1524, of which the staircase is an integral part was one of the earliest examples of French Renaissance . French renaissance architecture was a combination of the earlier Gothic style coupled with a strong Italian influence represented by arches, arcades, balustrading and, in general,
3619-452: The ground and uppermost attic floors. This was a period of great social change, as the educated prided themselves on enlightenment. The uses of these edifices paralleled that of the Roman villas . It was vital for powerful people and families to keep in social contact with each other as they were the primary moulders of society. The rounds of visits and entertainments were an essential part of
3696-773: The house of a clergyman was called a "mansion house" (e.g., by the Revd. James Blair, Commissary in Virginia for the Bishop of London, 1689–1745, a term related to the word "manse" commonly used in the Church of Scotland and in Non-Conformist churches. H.G. Herklots, The Church of England and the American Episcopal Church). As the 16th century progressed and the Renaissance style slowly spread across Europe,
3773-462: The hub of vast estates . The 19th century saw the continuation of the building of mansions in the United States and Europe. These mansions were often smaller than those built by the old European aristocracy. The new builders of mansions at the time explored new styles other than the Gothic tastes in architecture which were used often. They experimented with 19th-century versions of older Renaissance and Tudoresque styles; The Breakers in Rhode Island
3850-445: The interior of their palace church (1909–1916) near Moscow to be decorated in strict imitation of the 16th-century Venetian churches. The style spread to North America , where it became a favourite domestic architectural style of the wealthiest Americans. The Breakers in Newport, Rhode Island , was a residence of the Vanderbilt family designed by Richard Morris Hunt in 1892; it and contemporaneous Gilded Age mansions exemplify
3927-429: The intersection of Tulare and R streets on the east end of downtown Fresno. It consists of two stories, a basement and attic rooms. It is asymmetrical in style and reflects the eclectic architectural tastes of its era. The interior is Victorian in style. Decorations cover every wall and ceiling using a papered finish, as well as carved woodwork and stained glass windows. The stair balusters are heavy, turned-wood and
SECTION 50
#17327796903454004-487: The large estates of their predecessors. These new mansions were often built as the week-end retreats of businessmen who commuted to their offices by the new railways, which enabled them to leave the city more easily. In Latin America, the grand rural estate , the Hacienda , Estancia, in Portuguese speaking Brazil Fazenda or Estância, with the mansion as its stately center, is a characteristic feature. Mansions tended to follow European architectural styles . Whereas until
4081-525: The last vestiges of castle architecture and life changed; the central points of these great houses became redundant as owners wished to live separately from their servants, and no longer ate with them in a Great hall. All evidence and odours of cooking and staff were banished from the principal parts of the house into distant wings, while the owners began to live in airy rooms, above the ground floor, with privacy from their servants, who were now confined, unless required, to their specifically delegated areas—often
4158-464: The mansion from the nephew of Anne Meux in 1973 for $ 55,000. It began a restoration process estimated to cost an additional $ 50,000. Following the completed restoration, it was placed on the National Register of Historic Places in 1975 and opened to visitors as a museum the same year. The building is also listed on the city of Fresno register of historic places as well as the Fresno county list of historic places. The museum showcases local history as well as
4235-485: The mid 19th century understood them as part of a continuum, often simply called 'Italian', and freely combined them all, as well as Renaissance as it was first practiced in other countries. Thus Italian, French and Flemish Renaissance coupled with the amount of borrowing from these later periods can cause great difficulty and argument in correctly identifying various forms of 19th-century architecture. Differentiating some forms of French Neo-Renaissance buildings from those of
4312-407: The mid 19th century, it often materialized not just in its original form first seen in Italy, but as a hybrid of all its forms according to the whims of architects and patrons, an approach typical of the mid and late 19th century. Modern scholarship defines the styles following the Renaissance as Mannerist and Baroque , two very different, even opposing styles of architecture , but the architects of
4389-429: The mid- and later 19th century: "Neo-Renaissance" might be applied by contemporaries to structures that others called " Italianate ", or when many French Baroque features are present ( Second Empire ). The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy , has added to the difficulty of defining and recognizing Neo-Renaissance architecture. A comparison between
4466-404: The newly built house in January 1889. He served as a physician for the rapidly growing Fresno area. In recognition of his medical contributions, the Fresno County Medical Society made him president. He was also a Methodist and involved with the Fresno County Democratic Club. Thomas Meux died in 1929 and was buried in the Mountain View Cemetery . The Meux family home was not sold or altered after
4543-407: The one at the Warsaw University of Technology designed by Bronisław Rogóyski and Stefan Szyller (late 19th century), both rise from pastiches of true Renaissance courtyards. Both staircases seem more akin to Balthasar Neumann 's great Baroque staircase at the Würzburg Residenz than anything found in a true Renaissance Palazzo. The apparent Baroque style staircase at Mentmore is not without
4620-421: The parish priest to maintain himself, but a mansion is no longer self-sustaining in this way (compare a Roman or medieval villa ). Manor comes from the same root—territorial holdings granted to a lord who would "remain" there. Following the fall of Rome, the practice of building unfortified villas ceased. Today, the oldest inhabited mansions around the world usually began their existence as fortified houses in
4697-482: The period of transition from the Gothic to the Renaissance style; and also as Renaissance−era design took the form of the addition of Renaissance ornamentation to Gothic−era buildings thus creating an accretion of details from disparate sources. Architects who designed in the Renaissance Revival style usually avoided any references to Gothic Revival architecture, drawing instead on a variety of other classically based styles. However, there are exceptions and occasionally
SECTION 60
#17327796903454774-428: The proportions and dignity of interiors, but still lost the comfort and internal convenience of the mannerist period. It was during the Neo-Renaissance period of the 19th century that the mannerist comforts were re-discovered and taken a step further. Not only did the improved building techniques of the 1850s allow the glazing of formerly open loggias and arches with the newly invented sheets of plate glass, providing
4851-419: The second half of the 19th century, Portugal and Spain as the colonial (or former colonial) powers were the eminent models for architecture and upper-class lifestyle, towards the end of the 19th century they were sometimes replaced by then more dominant powers like France or England. In comparably developed, densely populated countries like Mexico, feudal estates and their mansions were as grand and stately as in
4928-431: The six fireplaces have intricate patterns of tile around them. The house was constructed before electricity was available, so all lighting fixtures were constructed to be gas-fed. Even after electricity became available, several light fixtures retained their gas fittings, in case of an outage. The kitchen has been updated with an electric refrigerator and a gas-fueled range, but a wood burning range remains there, as well as
5005-436: The so-called Neo-Renaissance style, in reality, a classicizing conglomeration of elements liberally borrowed from different historical periods. Neo-Renaissance was also the favourite style in Kingdom of Hungary in the 1870s and 1880s. In the fast-growing capital, Budapest many monumental public buildings were built in Neo-Renaissance style like Saint Stephen's Basilica and the Hungarian State Opera House . Andrássy Avenue
5082-405: The societal process, as described in the novels of Jane Austen . State business was often discussed and determined in informal settings. Times of revolution reversed this value. During July/August 1789, a significant number of French country mansions ( chateaux ) were destroyed by the rural population as part of the Great Fear —a symbolic rejection of the feudal rights and restraints in effect under
5159-490: The traditional Spanish mansions with a garden in the center of the property are usually referred as " Quinta ". Some realtors in the US term mansions as houses that have a minimum of 8,000-square-foot (740 m ) of floor space. Others claim a viable minimum could instead be 5,000-square-foot (460 m ) of floor space, especially in a city environment. Renaissance Revival architecture Renaissance Revival architecture (sometimes referred to as " Neo-Renaissance ")
5236-422: The two distinct styles are mixed. The sub-variety of Gothic design most frequently employed is floral Venetian Gothic , as seen in the Doge's Palace courtyard, built in the 1480s. A common Baroque feature introduced into the Renaissance Revival styles was the "imperial staircase" (a single straight flight dividing into two separate flights). The staircase at Mentmore Towers designed by Joseph Paxton, and
5313-476: The word mansion also refers to a block of apartments. In modern Japan, a "manshon" ( Japanese : マンション ), stemming from the English word "mansion", is used to refer to a multi-unit apartment complex or condominium . In Europe, from the 15th century onwards, a combination of politics and advances in weaponry negated the need for the aristocracy to live in fortified castles. As a result, many were transformed into mansions without defences or demolished and rebuilt in
5390-417: Was carried out using traditional French Gothic styles but with ornament in the forms of pediments, arcades, shallow pilasters and entablatures from the Italian Renaissance . In England , the Renaissance tended to manifest itself in large square tall houses such as Longleat House (1568–1580). Often these buildings had symmetrical towers which hint at the evolution from medieval fortified architecture. This
5467-430: Was discharged by surrender in North Carolina on in May 1865. Remaining in Tennessee after the war, Meux married Mary Esther Davis in 1874. They started a family but decided to move the Central Valley of California. The Meux family arrived at the Southern Pacific Hotel in Fresno in December 1887 and went to work building a permanent home. After arriving in Fresno, Meux established his medical practice and sought to build
5544-407: Was erected in 1809 designed by Peter Speeth . It included a heavily rusticated ground floor, alleviated by one semicircular arch, with a curious Egyptian style miniature portico above, high above this were a sequence of six tall arched windows and above these just beneath the slightly projecting roof were the small windows of the upper floor. This building foreshadows similar effects in the work of
5621-626: Was further elaborated by architects of the Vladimir Palace (1867–1872) and culminated in the Stieglitz Museum (1885–1896). In Moscow , the Neo-Renaissance was less prevalent than in the Northern capital, although interiors of the neo-Muscovite City Duma (1890–1892) were executed with emphasis on Florentine and Venetian décor. While the Neo-Renaissance is associated primarily with secular buildings, Princes Yusupov commissioned
5698-512: Was in fact a truly internal feature. Further and more adventurous use of glass also enabled the open and arcaded Renaissance courtyards to be reproduced as lofty halls with glazed roofs. This was a feature at Mentmore Towers and on a far larger scale at the Warsaw University of Technology , where the large glazed court contained a monumental staircase. The "Warsaw University of Technology staircase", though if Renaissance in spirit at all,
5775-481: Was preferred for McIntire, who was efficient in design and proportions and had skill as a woodcarver. Swags, rosettes, garlands, and his signature sheaths of wheat were carved in wood surfaces in McIntire homes built between 1793 and his death in 1811. In Europe, some 19th-century mansions were often built as replicas of older houses; the Château de Ferrières in France was inspired by Mentmore Towers , which in turn
5852-429: Was so common that today one finds "Renaissance Italian Palazzi" serving as banks or municipal buildings in the centres of even the smallest towns. It has been said " It is a well-known fact that the nineteenth century had no art style of its own. " While to an extent this may be true, the same could be said of most eras until the early 20th century, the Neo-Renaissance in the hands of provincial architects did develop into
5929-431: Was to become one of the features of Neo-Renaissance design. It became a common feature for the staircase to be not just a feature of the internal architecture but also the external. But whereas at Blois the stairs had been open to the elements in the 19th century new and innovative use of glass was able to give protection from the weather, giving the staircase the appearance of being in the true renaissance open style, when it
#344655