The Clavia Nord Drum is an analog modeling percussion synthesizer . It was first introduced at the NAMM Show in 2012, and was made available in March 2012. Since then, two updated versions have been released; the Nord Drum 2 & Nord Drum 3P.
117-440: The Nord Drum has four channels; in other words, it is capable of playing four different drum sounds at once. Each channel can be triggered either via MIDI , or by incoming analog signals; this allows the module to be interfaced with electronic drum pads, piezo triggers , or any suitable analog signal source (such as a modular synthesizer ), or controlled by a MIDI sequencer , keyboard , or other MIDI controller . Each sound
234-779: A Resource Interchange File Format (RIFF) wrapper, as RMID files with a .rmi extension. RIFF-RMID has been deprecated in favor of Extensible Music Files ( XMF ). The main advantage of the personal computer in a MIDI system is that it can serve a number of different purposes, depending on the software that is loaded. Multitasking allows simultaneous operation of programs that may be able to share data with each other. Sequencing software allows recorded MIDI data to be manipulated using standard computer editing features such as cut, copy and paste and drag and drop . Keyboard shortcuts can be used to streamline workflow, and, in some systems, editing functions may be invoked by MIDI events. The sequencer allows each channel to be set to play
351-413: A daisy-chain arrangement. Not all devices feature thru ports, and devices that lack the ability to generate MIDI data, such as effects units and sound modules, may not include out ports. Each device in a daisy chain adds delay to the system. This can be avoided by using a MIDI thru box, which contains several outputs that provide an exact copy of the box's input signal. A MIDI merger is able to combine
468-438: A keyboard amplifier . MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation to be edited or played back. MIDI also defines a file format that stores and exchanges the data. Advantages of MIDI include small file size , ease of modification and manipulation and a wide choice of electronic instruments and synthesizer or digitally sampled sounds . A MIDI recording of
585-423: A 2 MB of wavetable storage, a space too small in which to fit good-quality samples of 128 General MIDI instruments plus drum kits. To make the most of the limited space, some manufacturers stored 12-bit samples and expanded those to 16 bits on playback. Despite its association with music devices, MIDI can control any electronic or digital device that can read and process a MIDI command. MIDI has been adopted as
702-434: A byte frequency distribution to build the representative models for file type and use any statistical and data mining techniques to identify file types. There are several types of ways to structure data in a file. The most usual ones are described below. Earlier file formats used raw data formats that consisted of directly dumping the memory images of one or more structures into the file. This has several drawbacks. Unless
819-408: A company logo may be needed both in .eps format (for publishing) and .png format (for web sites). With the extensions visible, these would appear as the unique filenames: " CompanyLogo.eps " and " CompanyLogo.png ". On the other hand, hiding the extensions would make both appear as " CompanyLogo ", which can lead to confusion. Hiding extensions can also pose a security risk. For example,
936-452: A computer. In this way the device's limited patch storage is augmented by a computer's much greater disk capacity. Once transferred to the computer, it is possible to share custom patches with other owners of the same instrument. Universal editor/librarians that combine the two functions were once common, and included Opcode Systems' Galaxy, eMagic 's SoundDiver, and MOTU's Unisyn. Although these older programs have been largely abandoned with
1053-427: A control protocol in a number of non-musical applications. MIDI Show Control uses MIDI commands to direct stage lighting systems and to trigger cued events in theatrical productions. VJs and turntablists use it to cue clips, and to synchronize equipment, and recording systems use it for synchronization and automation . Wayne Lytle, the founder of Animusic , derived a system he dubbed MIDIMotion in order to produce
1170-479: A different sound and gives a graphical overview of the arrangement. A variety of editing tools are made available, including a notation display or scorewriter that can be used to create printed parts for musicians. Tools such as looping , quantization , randomization, and transposition simplify the arranging process. Beat creation is simplified, and groove templates can be used to duplicate another track's rhythmic feel. Realistic expression can be added through
1287-520: A few bytes long. The metadata contained in a file header are usually stored at the start of the file, but might be present in other areas too, often including the end, depending on the file format or the type of data contained. Character-based (text) files usually have character-based headers, whereas binary formats usually have binary headers, although this is not a rule. Text-based file headers usually take up more space, but being human-readable, they can easily be examined by using simple software such as
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#17327906555711404-448: A file based on the end of its name, more specifically the letters following the final period. This portion of the filename is known as the filename extension . For example, HTML documents are identified by names that end with .html (or .htm ), and GIF images by .gif . In the original FAT file system , file names were limited to an eight-character identifier and a three-character extension, known as an 8.3 filename . There are
1521-401: A file format is to use information regarding the format stored inside the file itself, either information meant for this purpose or binary strings that happen to always be in specific locations in files of some formats. Since the easiest place to locate them is at the beginning, such area is usually called a file header when it is greater than a few bytes , or a magic number if it is just
1638-416: A file unusable (or "lose" it) by renaming it incorrectly. This led most versions of Windows and Mac OS to hide the extension when listing files. This prevents the user from accidentally changing the file type, and allows expert users to turn this feature off and display the extensions. Hiding the extension, however, can create the appearance of two or more identical filenames in the same folder. For example,
1755-401: A formal specification document, letting precedent set by other already existing programs that use the format define the format via how these existing programs use it. If the developer of a format does not publish free specifications, another developer looking to utilize that kind of file must either reverse engineer the file to find out how to read it or acquire the specification document from
1872-496: A full-band arrangement in a style that the user selects, and send the result to a MIDI sound generating device for playback. The generated tracks can be used as educational or practice tools, as accompaniment for live performances, or as a songwriting aid. Computers can use software to generate sounds, which are then passed through a digital-to-analog converter (DAC) to a power amplifier and loudspeaker system. The number of sounds that can be played simultaneously (the polyphony )
1989-399: A hierarchical structure, known as a conformance hierarchy. Thus, public.png conforms to a supertype of public.image , which itself conforms to a supertype of public.data . A UTI can exist in multiple hierarchies, which provides great flexibility. In addition to file formats, UTIs can also be used for other entities which can exist in macOS, including: In IBM OS/VS through z/OS ,
2106-481: A home environment, an artist can reduce recording costs by arriving at a recording studio with a partially completed song. In 2022, the Guardian wrote that MIDI remained as important to music as USB was to computing, and represented "a crucial value system of cooperation and mutual benefit, one all but thrown out by today's major tech companies in favour of captive markets". As of 2022, Smith's original MIDI design
2223-442: A limited number of three-letter extensions, which can cause a given extension to be used by more than one program. Many formats still use three-character extensions even though modern operating systems and application programs no longer have this limitation. Since there is no standard list of extensions, more than one format can use the same extension, which can confuse both the operating system and users. One artifact of this approach
2340-507: A low latency through tight driver integration, and therefore could run only on Creative Labs soundcards. Syntauri Corporation's Alpha Syntauri was another early software-based synthesizer. It ran on the Apple IIe computer and used a combination of software and the computer's hardware to produce additive synthesis. Some systems use dedicated hardware to reduce the load on the host CPU, as with Symbolic Sound Corporation 's Kyma System, and
2457-414: A malicious user could create an executable program with an innocent name such as " Holiday photo.jpg.exe ". The " .exe " would be hidden and an unsuspecting user would see " Holiday photo.jpg ", which would appear to be a JPEG image, usually unable to harm the machine. However, the operating system would still see the " .exe " extension and run the program, which would then be able to cause harm to
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#17327906555712574-618: A much more complete MIDI implementation than the original, allowing for precise, individual control of nearly all synthesis engine parameters via incoming MIDI CC messages. In April 2016, Nord announced the Drum 2's successor, the Nord Drum 3, along with a version featuring six integrated trigger pads, dubbed the 3P. Both editions include an updated user interface for sound editing, 8 individual sound storage banks (in addition to 8 banks for kits), and new delay & reverb master effects. The engine
2691-416: A musician could not, for example, plug a Roland keyboard into a Yamaha synthesizer module. With MIDI, any MIDI-compatible keyboard (or other controller device) can be connected to any other MIDI-compatible sequencer, sound module, drum machine , synthesizer, or computer, even if they are made by different manufacturers. MIDI technology was standardized in 1983 by a panel of music industry representatives, and
2808-650: A note is played on a MIDI instrument, it generates a digital MIDI message that can be used to trigger a note on another instrument. The capability for remote control allows full-sized instruments to be replaced with smaller sound modules, and allows musicians to combine instruments to achieve a fuller sound, or to create combinations of synthesized instrument sounds, such as acoustic piano and strings. MIDI also enables other instrument parameters (volume, effects, etc.) to be controlled remotely. Synthesizers and samplers contain various tools for shaping an electronic or digital sound. Filters adjust timbre , and envelopes automate
2925-408: A particular file's format, with each approach having its own advantages and disadvantages. Most modern operating systems and individual applications need to use all of the following approaches to read "foreign" file formats, if not work with them completely. One popular method used by many operating systems, including Windows , macOS , CP/M , DOS , VMS , and VM/CMS , is to determine the format of
3042-470: A performance on a keyboard could sound like a piano or other keyboard instrument; however, since MIDI records the messages and information about their notes and not the specific sounds, this recording could be changed to many other sounds, ranging from synthesized or sampled guitar or flute to full orchestra. Before the development of MIDI, electronic musical instruments from different manufacturers could generally not communicate with each other. This meant that
3159-620: A role in mainstream music production. In the years immediately after the 1983 ratification of the MIDI specification, MIDI features were adapted to several early computer platforms. The Yamaha CX5M introduced MIDI support and sequencing in an MSX system in 1984. The spread of MIDI on home computers was largely facilitated by Roland Corporation 's MPU-401 , released in 1984, as the first MIDI-equipped sound card , capable of MIDI sound processing and sequencing. After Roland sold MPU sound chips to other sound card manufacturers, it established
3276-414: A separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch , timing and loudness . One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by
3393-447: A small LCD. Digital instruments typically discourage users from experimentation, due to their lack of the feedback and direct control that switches and knobs would provide, but patch editors give owners of hardware instruments and effects devices the same editing functionality that is available to users of software synthesizers. Some editors are designed for a specific instrument or effects device, while other, universal editors support
3510-441: A sorted index). Also, data must be read from the file itself, increasing latency as opposed to metadata stored in the directory. Where file types do not lend themselves to recognition in this way, the system must fall back to metadata. It is, however, the best way for a program to check if the file it has been told to process is of the correct format: while the file's name or metadata may be altered independently of its content, failing
3627-431: A specialized editor or IDE . However, this feature was often the source of user confusion, as which program would launch when the files were double-clicked was often unpredictable. RISC OS uses a similar system, consisting of a 12-bit number which can be looked up in a table of descriptions—e.g. the hexadecimal number FF5 is "aliased" to PoScript , representing a PostScript file. A Uniform Type Identifier (UTI)
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3744-632: A standard to the Oberheim Electronics founder Tom Oberheim , who had developed his own proprietary interface, the Oberheim System. Kakehashi felt the Oberheim System was too cumbersome, and spoke to Dave Smith , the president of Sequential Circuits , about creating a simpler, cheaper alternative. While Smith discussed the concept with American companies, Kakehashi discussed it with Japanese companies Yamaha , Korg and Kawai . Representatives from all companies met to discuss
3861-485: A text editor or a hexadecimal editor. As well as identifying the file format, file headers may contain metadata about the file and its contents. For example, most image files store information about image format, size, resolution and color space , and optionally authoring information such as who made the image, when and where it was made, what camera model and photographic settings were used ( Exif ), and so on. Such metadata may be used by software reading or interpreting
3978-465: A universal standard MIDI-to-PC interface. The widespread adoption of MIDI led to computer-based MIDI software being developed. Soon after, a number of platforms began supporting MIDI, including the Apple II , Macintosh , Commodore 64 , Amiga , Acorn Archimedes , and IBM PC compatibles . The 1985 Atari ST shipped with MIDI ports as part of the base system. In 2015, Retro Innovations released
4095-516: A user with no notation skills to build complex arrangements. A musical act with as few as one or two members, each operating multiple MIDI-enabled devices, can deliver a performance similar to that of a larger group of musicians. The expense of hiring outside musicians for a project can be reduced or eliminated, and complex productions can be realized on a system as small as a synthesizer with integrated keyboard and sequencer. MIDI also helped establish home recording . By performing preproduction in
4212-502: A value in a company/standards organization database), and the 2 following digits categorize the type of file in hexadecimal . The final part is composed of the usual filename extension of the file or the international standard number of the file, padded left with zeros. For example, the PNG file specification has the FFID of 000000001-31-0015948 where 31 indicates an image file, 0015948
4329-408: A variety of equipment, and ideally can control the parameters of every device in a setup through the use of System Exclusive messages. System Exclusive messages use the MIDI protocol to send information about the synthesizer's parameters. Patch librarians have the specialized function of organizing the sounds in a collection of equipment and exchanging entire banks of sounds between an instrument and
4446-638: A way of identifying what type of file was attached to an e-mail , independent of the source and target operating systems. MIME types identify files on BeOS , AmigaOS 4.0 and MorphOS , as well as store unique application signatures for application launching. In AmigaOS and MorphOS, the Mime type system works in parallel with Amiga specific Datatype system. There are problems with the MIME types though; several organizations and people have created their own MIME types without registering them properly with IANA, which makes
4563-428: A well-designed magic number test is a pretty sure sign that the file is either corrupt or of the wrong type. On the other hand, a valid magic number does not guarantee that the file is not corrupt or is of a correct type. So-called shebang lines in script files are a special case of magic numbers. Here, the magic number is human-readable text that identifies a specific command interpreter and options to be passed to
4680-528: Is a method used in macOS for uniquely identifying "typed" classes of entities, such as file formats. It was developed by Apple as a replacement for OSType (type & creator codes). The UTI is a Core Foundation string , which uses a reverse-DNS string. Some common and standard types use a domain called public (e.g. public.png for a Portable Network Graphics image), while other domains can be used for third-party types (e.g. com.adobe.pdf for Portable Document Format ). UTIs can be defined within
4797-407: Is a risk that the file format can be misinterpreted. It may even have been badly written at the source. This can result in corrupt metadata which, in extremely bad cases, might even render the file unreadable. A more complex example of file headers are those used for wrapper (or container) file formats. One way to incorporate file type metadata, often associated with Unix and its derivatives,
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4914-449: Is an extensible scheme of persistent, unique, and unambiguous identifiers for file formats, which has been developed by The National Archives of the UK as part of its PRONOM technical registry service. PUIDs can be expressed as Uniform Resource Identifiers using the info:pronom/ namespace. Although not yet widely used outside of the UK government and some digital preservation programs,
5031-584: Is available that can print scores in braille . Notation programs include Finale , Encore , Sibelius , MuseScore and Dorico . SmartScore software can produce MIDI files from scanned sheet music. Patch editors allow users to program their equipment through the computer interface. These became essential with the appearance of complex synthesizers such as the Yamaha FS1R , which contained several thousand programmable parameters, but had an interface that consisted of fifteen tiny buttons, four knobs and
5148-500: Is dependent on the power of the computer's CPU , as are the sample rate and bit depth of playback, which directly affect the quality of the sound. Synthesizers implemented in software are subject to timing issues that are not necessarily present with hardware instruments, whose dedicated operating systems are not subject to interruption from background tasks as desktop operating systems are. These timing issues can cause synchronization problems, and clicks and pops when sample playback
5265-476: Is interrupted. Software synthesizers also may exhibit additional latency in their sound generation. The roots of software synthesis go back as far as the 1950s, when Max Mathews of Bell Labs wrote the MUSIC-N programming language, which was capable of non-real-time sound generation. Reality, by Dave Smith's Seer Systems was an early synthesizer that ran directly on a host computer's CPU. Reality achieved
5382-412: Is made up of three parts: Tone, Click, and Noise. Tone is the main section of the sound, and provides the most parametric control of the three. It offers several different oscillator types, and can be tuned to give each sound a distinctive pitch. Noise allows for the addition of harsher, more percussive textures to the sound, suitable for snares, shakers, hi-hats, and the like. Click is mainly concerned with
5499-774: Is maintained by the MIDI Manufacturers Association (MMA). All official MIDI standards are jointly developed and published by the MMA in Los Angeles, and the MIDI Committee of the Association of Musical Electronics Industry (AMEI) in Tokyo. In 2016, the MMA established The MIDI Association (TMA) to support a global community of people who work, play, or create with MIDI. In the early 1980s, there
5616-591: Is possible to change the key, instrumentation or tempo of a MIDI arrangement, and to reorder its individual sections, or even edit individual notes. The ability to compose ideas and quickly hear them played back enables composers to experiment. Algorithmic composition programs provide computer-generated performances that can be used as song ideas or accompaniment. Some composers may take advantage of standard, portable set of commands and parameters in MIDI 1.0 and General MIDI (GM) to share musical data files among various electronic instruments. The data composed via
5733-515: Is serial, it can only send one event at a time. If an event is sent on two channels at once, the event on the second channel cannot transmit until the first one is finished, and so is delayed by 1 ms. If an event is sent on all channels at the same time, the last channel's transmission is delayed by as much as 16 ms. This contributed to the rise of MIDI interfaces with multiple in- and out-ports, because timing improves when events are spread between multiple ports as opposed to multiple channels on
5850-424: Is small, and/or that chunks do not contain other chunks; many formats do not impose those requirements. The information that identifies a particular "chunk" may be called many different things, often terms including "field name", "identifier", "label", or "tag". The identifiers are often human-readable, and classify parts of the data: for example, as a "surname", "address", "rectangle", "font name", etc. These are not
5967-427: Is that the system can easily be tricked into treating a file as a different format simply by renaming it — an HTML file can, for instance, be easily treated as plain text by renaming it from filename.html to filename.txt . Although this strategy was useful to expert users who could easily understand and manipulate this information, it was often confusing to less technical users, who could accidentally make
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#17327906555716084-648: Is the standard number and 000000001 indicates the International Organization for Standardization (ISO). Another less popular way to identify the file format is to examine the file contents for distinguishable patterns among file types. The contents of a file are a sequence of bytes and a byte has 256 unique permutations (0–255). Thus, counting the occurrence of byte patterns that is often referred to as byte frequency distribution gives distinguishable patterns to identify file types. There are many content-based file type identification schemes that use
6201-479: Is to store a "magic number" inside the file itself. Originally, this term was used for a specific set of 2-byte identifiers at the beginnings of files, but since any binary sequence can be regarded as a number, any feature of a file format which uniquely distinguishes it can be used for identification. GIF images, for instance, always begin with the ASCII representation of either GIF87a or GIF89a , depending upon
6318-490: Is used to trigger dialogue, sound effect, and music cues in stage and broadcast production. With MIDI, notes played on a keyboard can automatically be transcribed to sheet music . Scorewriting software typically lacks advanced sequencing tools, and is optimized for the creation of a neat, professional printout designed for live instrumentalists. These programs provide support for dynamics and expression markings, chord and lyric display, and complex score styles. Software
6435-558: The AdLib and the Sound Blaster and its compatibles, used a stripped-down version of Yamaha's frequency modulation synthesis (FM synthesis) technology played back through low-quality digital-to-analog converters. The low-fidelity reproduction of these ubiquitous cards was often assumed to somehow be a property of MIDI itself. This created a perception of MIDI as low-quality audio, while in reality MIDI itself contains no sound, and
6552-456: The Animusic series of computer-animated music video albums; Animusic would later design its own animation software specifically for MIDIMotion called Animotion. Apple Motion allows for a similar control of animation parameters through MIDI. The 1987 first-person shooter game MIDI Maze and the 1990 Atari ST computer puzzle game Oxyd used MIDI to network computers together. Per
6669-498: The Creamware / Sonic Core Pulsar/SCOPE systems, which power an entire recording studio's worth of instruments, effect units , and mixers . The ability to construct full MIDI arrangements entirely in computer software allows a composer to render a finalized result directly as an audio file. Early PC games were distributed on floppy disks, and the small size of MIDI files made them a viable means of providing soundtracks. Games of
6786-513: The DOS and early Windows eras typically required compatibility with either Ad Lib or Sound Blaster audio cards. These cards used FM synthesis , which generates sound through modulation of sine waves . John Chowning , the technique's pioneer, theorized that the technology would be capable of accurate recreation of any sound if enough sine waves were used , but budget computer audio cards performed FM synthesis with only two sine waves. Combined with
6903-638: The GIF file format required the use of a patented algorithm, and though the patent owner did not initially enforce their patent, they later began collecting royalty fees . This has resulted in a significant decrease in the use of GIFs, and is partly responsible for the development of the alternative PNG format. However, the GIF patent expired in the US in mid-2003, and worldwide in mid-2004. Different operating systems have traditionally taken different approaches to determining
7020-458: The Ogg format can act as a container for different types of multimedia including any combination of audio and video , with or without text (such as subtitles ), and metadata . A text file can contain any stream of characters, including possible control characters , and is encoded in one of various character encoding schemes . Some file formats, such as HTML , scalable vector graphics , and
7137-468: The source code of computer software are text files with defined syntaxes that allow them to be used for specific purposes. File formats often have a published specification describing the encoding method and enabling testing of program intended functionality. Not all formats have freely available specification documents, partly because some developers view their specification documents as trade secrets , and partly because other developers never author
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#17327906555717254-471: The ASCII representation formed a sequence of meaningful characters, such as an abbreviation of the application's name or the developer's initials. For instance a HyperCard "stack" file has a creator of WILD (from Hypercard's previous name, "WildCard") and a type of STAK . The BBEdit text editor has a creator code of R*ch referring to its original programmer, Rich Siegel . The type code specifies
7371-620: The MIDI Association was formed to continue overseeing the standard. In 2017, an abridged version of MIDI 1.0 was published as international standard IEC 63035. An initiative to create a 2.0 standard was announced in January 2019. The MIDI 2.0 standard was introduced at the 2020 Winter NAMM Show. The BBC cited MIDI as an early example of open-source technology. Smith believed MIDI could only succeed if every manufacturer adopted it, and so "we had to give it away". MIDI's appeal
7488-513: The MIDI Manufacturers' Association standardized the wiring. The MIDI-over-minijack standards document also recommends the use of 2.5 mm connectors over 3.5 mm ones to avoid confusion with audio connectors. Most devices do not copy messages from their input to their output port. A third type of port, the thru port, emits a copy of everything received at the input port, allowing data to be forwarded to another instrument in
7605-771: The MIDI device and the computer. Some computer sound cards include a standard MIDI connector, whereas others connect by any of various means that include the D-subminiature DA-15 game port , USB , FireWire , Ethernet or a proprietary connection. The increasing use of USB connectors in the 2000s has led to the availability of MIDI-to-USB data interfaces that can transfer MIDI channels to USB-equipped computers. Some MIDI keyboard controllers are equipped with USB jacks, and can be connected directly to computers that run music software. MIDI's serial transmission leads to timing problems. A three-byte MIDI message requires nearly 1 millisecond for transmission. Because MIDI
7722-530: The Nintendo Entertainment System (NES)/Famicom, Game Boy, Game Boy Advance and Sega Genesis (Mega Drive). A MIDI file is not an audio recording. Rather, it is a set of instructions – for example, for pitch or tempo – and can use a thousand times less disk space than the equivalent recorded audio. Due to their tiny filesize, fan-made MIDI arrangements became an attractive way to share music online, before
7839-416: The Nord Drum was announced, dubbed the Nord Drum 2. This version added two more percussive voices, as well as two additional channel inputs for triggering each voice (giving a total of six trigger inputs, one per voice). It also added stereo outputs, mute groups, an improved synthesis engine with updated parametric controls, higher patch storage count, and individual effects per channel. The Drum 2 also features
7956-598: The October 1982 issue of Keyboard . At the 1983 Winter NAMM Show , Smith demonstrated a MIDI connection between Prophet 600 and Roland JP-6 synthesizers. The MIDI specification was published in August 1983. The MIDI standard was unveiled by Kakehashi and Smith, who received Technical Grammy Awards in 2013 for their work. In 1983, the first instruments were released with MIDI, the Roland Jupiter-6 and
8073-513: The PUID scheme does provide greater granularity than most alternative schemes. MIME types are widely used in many Internet -related applications, and increasingly elsewhere, although their usage for on-disc type information is rare. These consist of a standardised system of identifiers (managed by IANA ) consisting of a type and a sub-type , separated by a slash —for instance, text/html or image/gif . These were originally intended as
8190-805: The Prophet 600. In 1983, the first MIDI drum machine , the Roland TR-909 , and the first MIDI sequencer , the Roland MSQ-700, were released. The MIDI Manufacturers Association (MMA) was formed following a meeting of "all interested companies" at the 1984 Summer NAMM Show in Chicago. The MIDI 1.0 Detailed Specification was published at the MMA's second meeting at the 1985 Summer NAMM Show. The standard continued to evolve, adding standardized song files in 1991 ( General MIDI ) and adapted to new connection standards such as USB and FireWire . In 2016,
8307-751: The VSAM catalog (prior to ICF catalogs ) and the VSAM Volume Record in the VSAM Volume Data Set (VVDS) (with ICF catalogs) identifies the type of VSAM dataset. In IBM OS/360 through z/OS , a format 1 or 7 Data Set Control Block (DSCB) in the Volume Table of Contents (VTOC) identifies the Dataset Organization ( DSORG ) of the dataset described by it. The HPFS , FAT12, and FAT16 (but not FAT32) filesystems allow
8424-449: The advent of broadband internet access and multi-gigabyte hard drives. The major drawback to this is the wide variation in quality of users' audio cards, and in the actual audio contained as samples or synthesized sound in the card that the MIDI data only refers to symbolically. Even a sound card that contains high-quality sampled sounds can have inconsistent quality from one sampled instrument to another. Early budget-priced cards, such as
8541-423: The amount of hardware musicians needed. MIDI's introduction coincided with the dawn of the personal computer era and the introduction of samplers and digital synthesizers . The creative possibilities brought about by MIDI technology are credited for helping revive the music industry in the 1980s. MIDI introduced capabilities that transformed the way many musicians work. MIDI sequencing makes it possible for
8658-442: The appropriate icons, but these will be located in different places on the storage medium thus taking longer to access. A folder containing many files with complex metadata such as thumbnail information may require considerable time before it can be displayed. If a header is binary hard-coded such that the header itself needs complex interpretation in order to be recognized, especially for metadata content protection's sake, there
8775-460: The attack of the sound, and many different click types are available, to allow the attack portion to be fine tuned. Several of the sound parameters have the ability to respond to velocity, but notably, there is no facility for controlling parameters externally via MIDI. This issue was addressed with the introduction of the Nord Drum 2, which includes a much more robust MIDI implementation, among other improvements. In April 2013, an updated version of
8892-554: The cards' 8-bit audio, this resulted in a sound described as "artificial" and "primitive". Wavetable daughterboards that were later available provided audio samples that could be used in place of the FM sound. These were expensive, but often used the sounds from respected MIDI instruments such as the E-mu Proteus . The computer industry moved in the mid-1990s toward wavetable-based soundcards with 16-bit playback, but standardized on
9009-454: The command interpreter. Another operating system using magic numbers is AmigaOS , where magic numbers were called "Magic Cookies" and were adopted as a standard system to recognize executables in Hunk executable file format and also to let single programs, tools and utilities deal automatically with their saved data files, or any other kind of file types when saving and loading data. This system
9126-431: The computer. The same is true with files with only one extension: as it is not shown to the user, no information about the file can be deduced without explicitly investigating the file. To further trick users, it is possible to store an icon inside the program, in which case some operating systems' icon assignment for the executable file ( .exe ) would be overridden with an icon commonly used to represent JPEG images, making
9243-419: The data must be entirely parsed by applications. On Unix and Unix-like systems, the ext2 , ext3 , ext4 , ReiserFS version 3, XFS , JFS , FFS , and HFS+ filesystems allow the storage of extended attributes with files. These include an arbitrary list of "name=value" strings, where the names are unique and a value can be accessed through its related name. The PRONOM Persistent Unique Identifier (PUID)
9360-430: The destination, the single file received has to be unzipped by a compatible utility to be useful. The problems of handling metadata are solved this way using zip files or archive files. The Mac OS ' Hierarchical File System stores codes for creator and type as part of the directory entry for each file. These codes are referred to as OSTypes. These codes could be any 4-byte sequence but were often selected so that
9477-597: The device responds to any messages it receives that are identified by that number. Controls such as knobs, switches, and pedals can be used to send these messages. A set of adjusted parameters can be saved to a device's internal memory as a patch , and these patches can be remotely selected by MIDI program changes. MIDI events can be sequenced with computer software , or in specialized hardware music workstations . Many digital audio workstations (DAWs) are specifically designed to work with MIDI as an integral component. MIDI piano rolls have been developed in many DAWs so that
9594-414: The devices to function as standalone MIDI routers in situations where no computer is present. MIDI data processors are used for utility tasks and special effects. These include MIDI filters, which remove unwanted MIDI data from the stream, and MIDI delays, effects that send a repeated copy of the input data at a set time. A computer MIDI interface's main function is to synchronize communications between
9711-560: The events so that they can be played back in sequence. A header contains the arrangement's track count, tempo and an indicator of which of three SMF formats the file uses. A type 0 file contains the entire performance, merged onto a single track, while type 1 files may contain any number of tracks that are performed synchronously. Type 2 files are rarely used and store multiple arrangements, with each arrangement having its own track and intended to be played in sequence. Microsoft Windows bundles SMFs together with Downloadable Sounds (DLS) in
9828-435: The file during the loading process and afterwards. File headers may be used by an operating system to quickly gather information about a file without loading it all into memory, but doing so uses more of a computer's resources than reading directly from the directory information. For instance, when a graphic file manager has to display the contents of a folder, it must read the headers of many files before it can display
9945-448: The file format's definition. Throughout the 1970s, many programs used formats of this general kind. For example, word-processors such as troff , Script , and Scribe , and database export files such as CSV . Electronic Arts and Commodore - Amiga also used this type of file format in 1985, with their IFF (Interchange File Format) file format. A container is sometimes called a "chunk" , although "chunk" may also imply that each piece
10062-831: The file, each of which is a string, such as "Plain Text" or "HTML document". Thus a file may have several types. The NTFS filesystem also allows storage of OS/2 extended attributes, as one of the file forks , but this feature is merely present to support the OS/2 subsystem (not present in XP), so the Win32 subsystem treats this information as an opaque block of data and does not use it. Instead, it relies on other file forks to store meta-information in Win32-specific formats. OS/2 extended attributes can still be read and written by Win32 programs, but
10179-419: The first MIDI interface for a VIC-20 , making the computer's four voices available to electronic musicians and retro-computing enthusiasts for the first time. Retro Innovations also makes a MIDI interface cartridge for Tandy Color Computer and Dragon computers. Chiptune musicians also use retro gaming consoles to compose, produce and perform music using MIDI interfaces. Custom interfaces are available for
10296-471: The format of the file, while the creator code specifies the default program to open it with when double-clicked by the user. For example, the user could have several text files all with the type code of TEXT , but each open in a different program, due to having differing creator codes. This feature was intended so that, for example, human-readable plain-text files could be opened in a general-purpose text editor, while programming or HTML code files would open in
10413-463: The format will be identified correctly, and can often determine more precise information about the file. Since reasonably reliable "magic number" tests can be fairly complex, and each file must effectively be tested against every possibility in the magic database, this approach is relatively inefficient, especially for displaying large lists of files (in contrast, file name and metadata-based methods need to check only one piece of data, and match it against
10530-586: The format's developers for a fee and by signing a non-disclosure agreement . The latter approach is possible only when a formal specification document exists. Both strategies require significant time, money, or both; therefore, file formats with publicly available specifications tend to be supported by more programs. Patent law, rather than copyright , is more often used to protect a file format. Although patents for file formats are not directly permitted under US law, some formats encode data using patented algorithms . For example, prior to 2004, using compression with
10647-624: The former has yet to be made available, and is currently absent from Nord's own product catalog. To date, the 3P is the only available successor to the Nord Drum 2. MIDI MIDI ( / ˈ m ɪ d i / ; Musical Instrument Digital Interface ) is a technical standard that describes a communication protocol , digital interface , and electrical connectors that connect a wide variety of electronic musical instruments , computers , and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to
10764-579: The idea in October. Initially, only Sequential Circuits and the Japanese companies were interested. Using Roland's DCB as a basis, Smith and Sequential Circuits engineer Chet Wood devised a universal interface to allow communication between equipment from different manufacturers. Smith and Wood proposed this standard in a paper, Universal Synthesizer Interface, at the Audio Engineering Society show in October 1981. The standard
10881-551: The input from multiple devices into a single stream, and allows multiple controllers to be connected to a single device. A MIDI switcher allows switching between multiple devices, and eliminates the need to physically repatch cables. MIDI routers combine all of these functions. They contain multiple inputs and outputs, and allow any combination of input channels to be routed to any combination of output channels. Routing setups can be created using computer software, stored in memory, and selected by MIDI program change commands. This enables
10998-515: The main data and the name, but is also less portable than either filename extensions or "magic numbers", since the format has to be converted from filesystem to filesystem. While this is also true to an extent with filename extensions— for instance, for compatibility with MS-DOS 's three character limit— most forms of storage have a roughly equivalent definition of a file's data and name, but may have varying or no representation of further metadata. Note that zip files or archive files solve
11115-515: The manipulation of real-time controllers. Mixing can be performed, and MIDI can be synchronized with recorded audio and video tracks. Work can be saved, and transported between different computers or studios. Sequencers may take alternate forms, such as drum pattern editors that allow users to create beats by clicking on pattern grids, and loop sequencers such as ACID Pro , which allow MIDI to be combined with prerecorded audio loops whose tempos and keys are matched to each other. Cue-list sequencing
11232-430: The memory images also have reserved spaces for future extensions, extending and improving this type of structured file is very difficult. It also creates files that might be specific to one platform or programming language (for example a structure containing a Pascal string is not recognized as such in C ). On the other hand, developing tools for reading and writing these types of files is very simple. The limitations of
11349-553: The original MIDI 1.0 standard, cables terminate in a 180° five-pin DIN connector (DIN 41524). Typical applications use only three of the five conductors: a ground wire (pin 2), and a balanced pair of conductors (pins 4 and 5) that carry the MIDI signal as an electric current . This connector configuration can only carry messages in one direction, so a second cable is necessary for two-way communication. Some proprietary applications, such as phantom-powered footswitch controllers, use
11466-416: The problem of handling metadata. A utility program collects multiple files together along with metadata about each file and the folders/directories they came from all within one new file (e.g. a zip file with extension .zip ). The new file is also compressed and possibly encrypted, but now is transmissible as a single file across operating systems by FTP transmissions or sent by email as an attachment. At
11583-447: The program look like an image. Extensions can also be spoofed: some Microsoft Word macro viruses create a Word file in template format and save it with a .doc extension. Since Word generally ignores extensions and looks at the format of the file, these would open as templates, execute, and spread the virus. This represents a practical problem for Windows systems where extension-hiding is turned on by default. A second way to identify
11700-858: The quality of its playback depends entirely on the quality of the sound-producing device. The Standard MIDI File ( SMF ) is a file format that provides a standardized way for music sequences to be saved, transported, and opened in other systems. The standard was developed and is maintained by the MMA, and usually uses a .mid extension. The compact size of these files led to their widespread use in computers, mobile phone ringtones , webpage authoring and musical greeting cards. These files are intended for universal use and include such information as note values, timing and track names. Lyrics may be included as metadata , and can be displayed by karaoke machines. SMFs are created as an export format of software sequencers or hardware workstations. They organize MIDI messages into one or more parallel tracks and time-stamp
11817-446: The recorded MIDI messages can be easily modified. These tools allow composers to audition and edit their work much more quickly and efficiently than did older solutions, such as multitrack recording . Compositions can be programmed for MIDI that are impossible for human performers to play. Because a MIDI performance is a sequence of commands that create sound, MIDI recordings can be manipulated in ways that audio recordings cannot. It
11934-621: The same port. The term MIDI slop refers to audible timing errors that result when MIDI transmission is delayed. File format A file format is a standard way that information is encoded for storage in a computer file . It specifies how bits are used to encode information in a digital storage medium. File formats may be either proprietary or free . Some file formats are designed for very particular types of data: PNG files, for example, store bitmapped images using lossless data compression . Other file formats, however, are designed for storage of several different types of data:
12051-819: The same thing as identifiers in the sense of a database key or serial number (although an identifier may well identify its associated data as such a key). With this type of file structure, tools that do not know certain chunk identifiers simply skip those that they do not understand. Depending on the actual meaning of the skipped data, this may or may not be useful ( CSS explicitly defines such behavior). This concept has been used again and again by RIFF (Microsoft-IBM equivalent of IFF), PNG, JPEG storage, DER ( Distinguished Encoding Rules ) encoded streams and files (which were originally described in CCITT X.409:1984 and therefore predate IFF), and Structured Data Exchange Format (SDXF) . Indeed, any data format must somehow identify
12168-466: The sequenced MIDI recordings can be saved as a standard MIDI file (SMF), digitally distributed, and reproduced by any computer or electronic instrument that also adheres to the same MIDI, GM, and SMF standards. MIDI data files are much smaller than corresponding recorded audio files . The personal computer market stabilized at the same time that MIDI appeared, and computers became a viable option for music production. In 1983 computers started to play
12285-557: The spare pins for direct current (DC) power transmission. Opto-isolators keep MIDI devices electrically separated from their MIDI connections, which prevents ground loops and protects equipment from voltage spikes. There is no error detection capability in MIDI, so the maximum cable length is set at 15 meters (49 ft) to limit interference . To save space, some MIDI devices (smaller ones in particular) started using 3.5 mm TRS phone connectors (also known as audio minijack connectors). This became widespread enough that
12402-586: The standard to which they adhere. Many file types, especially plain-text files, are harder to spot by this method. HTML files, for example, might begin with the string <html> (which is not case sensitive), or an appropriate document type definition that starts with <!DOCTYPE html , or, for XHTML , the XML identifier, which begins with <?xml . The files can also begin with HTML comments, random text, or several empty lines, but still be usable HTML. The magic number approach offers better guarantees that
12519-438: The storage of "extended attributes" with files. These comprise an arbitrary set of triplets with a name, a coded type for the value, and a value, where the names are unique and values can be up to 64 KB long. There are standardized meanings for certain types and names (under OS/2 ). One such is that the ".TYPE" extended attribute is used to determine the file type. Its value comprises a list of one or more file types associated with
12636-476: The trend toward computer-based synthesis using virtual instruments, several editor/librarians remain available, including Coffeeshopped Patch Base, Sound Quest's Midi Quest, and several editors from Sound Tower. Native Instruments ' Kore was an effort to bring the editor/librarian concept into the age of software instruments, but was abandoned in 2011. Programs that can dynamically generate accompaniment tracks are called auto-accompaniment programs. These create
12753-414: The unstructured formats led to the development of other types of file formats that could be easily extended and be backward compatible at the same time. In this kind of file structure, each piece of data is embedded in a container that somehow identifies the data. The container's scope can be identified by start- and end-markers of some kind, by an explicit length field somewhere, or by fixed requirements of
12870-472: The use of this standard awkward in some cases. File format identifiers are another, not widely used way to identify file formats according to their origin and their file category. It was created for the Description Explorer suite of software. It is composed of several digits of the form NNNNNNNNN-XX-YYYYYYY . The first part indicates the organization origin/maintainer (this number represents
12987-427: The way a sound evolves over time after a note is triggered. The frequency of a filter and the envelope attack (the time it takes for a sound to reach its maximum level), are examples of synthesizer parameters , and can be controlled remotely through MIDI. Effects devices have different parameters, such as delay feedback or reverb time. When a MIDI continuous controller number (CCN) is assigned to one of these parameters,
13104-468: Was also modified slightly, seeing the removal of the attack rate/attack mode parameters, reduction in the available "click" types from 36 to 12, and addition of four new "tone" oscillator types - two modelled T-bridge oscillators , and two others based on ring modulation . Notably, the 3P lacks the analog channel trigger inputs of its predecessors, relying on MIDI for input from external pads. Though two versions (the 3 & 3P) were both originally announced,
13221-427: Was discussed and modified by representatives of Roland, Yamaha, Korg, Kawai, and Sequential Circuits. Kakehashi favored the name Universal Musical Interface (UMI), pronounced you-me , but Smith felt this was "a little corny". However, he liked the use of instrument instead of synthesizer , and proposed Musical Instrument Digital Interface (MIDI). Robert Moog , the president of Moog Music , announced MIDI in
13338-434: Was no standardized means of synchronizing electronic musical instruments manufactured by different companies. Manufacturers had their own proprietary standards to synchronize instruments, such as CV/gate , DIN sync and Digital Control Bus (DCB). Ikutaro Kakehashi , the president of Roland , felt the lack of standardization was limiting the growth of the electronic music industry. In June 1981, he proposed developing
13455-441: Was originally limited to professional musicians and record producers who wanted to use electronic instruments in the production of popular music . The standard allowed different instruments to communicate with each other and with computers, and this spurred a rapid expansion of the sales and production of electronic instruments and music software. This interoperability allowed one device to be controlled from another, which reduced
13572-451: Was still in use. MIDI was invented so that electronic or digital musical instruments could communicate with each other and so that one instrument can control another. For example, a MIDI-compatible sequencer can trigger beats produced by a drum sound module . Analog synthesizers that have no digital component and were built prior to MIDI's development can be retrofitted with kits that convert MIDI messages into analog control voltages. When
13689-579: Was then enhanced with the Amiga standard Datatype recognition system. Another method was the FourCC method, originating in OSType on Macintosh, later adapted by Interchange File Format (IFF) and derivatives. A final way of storing the format of a file is to explicitly store information about the format in the file system, rather than within the file itself. This approach keeps the metadata separate from both
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