85-466: Traditional Indian classical dance , or Shastriya Nritya , is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra . The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on
170-538: A Mimamsa scholar, "thinks of the Veda as something to be trained and mastered to be put into practical ritual use", noticing that "it is not the meaning of the mantras that is most essential [...] but rather the perfect mastering of their sound form." According to Galewicz, Sayana saw the purpose ( artha ) of the Veda as the " artha of carrying out sacrifice", giving precedence to the Yajurveda . For Sayana, whether
255-413: A subtype of the hypernym. The semantic field of the hyponym is included within that of the hypernym. For example, pigeon , crow , and hen are all hyponyms of bird and animal ; bird and animal are both hypernyms of pigeon, crow, and hen . A core concept of hyponymy is "type of", whereas "instance of" is differentiable. For example, for the noun city , a hyponym (naming a type of city)
340-420: A broad category of actions. For example, verbs such as stare , gaze , view and peer can also be considered hyponyms of the verb look , which is their hypernym. The meaning relation between hyponyms and hypernyms applies to lexical items of the same word class (that is, part of speech) , and holds between senses rather than words. For instance, the word screwdriver used in the previous example refers to
425-464: A common noun means "knowledge". The term in some contexts, such as hymn 10.93.11 of the Rigveda , means "obtaining or finding wealth, property", while in some others it means "a bunch of grass together" as in a broom or for ritual fire . The term "Vedic texts" is used in two distinct meanings: The corpus of Vedic Sanskrit texts includes: While production of Brahmanas and Aranyakas ceased with
510-523: A dog, it's a bitch" ("That hypernym Z isn't a hyponym Z, it's a hyponym Y"). The term "autohyponym" was coined by linguist Laurence R. Horn in a 1984 paper, Ambiguity, negation, and the London School of Parsimony. Linguist Ruth Kempson had already observed that if there are hyponyms for one part of a set but not another, the hypernym can complement the existing hyponym by being used for the remaining part. For example, fingers describe all digits on
595-519: A form as margi , or a "spiritual traditional path" that liberates the soul, while the folk entertainment is called desi , or a "regional popular practice". Indian classical dances are traditionally performed as an expressive drama-dance form of religious performance art, related to Vaishnavism , Shaivism , Shaktism , pan-Hindu Epics and the Vedic literature, or a folksy entertainment that includes story-telling from Sanskrit or regional language plays. As
680-461: A form of expression of spiritual ideas, virtues, and the essence of scriptures. Performance arts and culture Let Nātya (drama and dance) be the fifth vedic scripture . Combined with an epic story, tending to virtue, wealth, joy and spiritual freedom, it must contain the significance of every scripture, and forward every art. — Nātyaśāstra 1.14–15 While the Natya Shastra
765-412: A hand, but the existence of the word thumb for the first finger means that fingers can also be used for "non-thumb digits on a hand". Autohyponymy is also called "vertical polysemy ". Horn called this "licensed polysemy ", but found that autohyponyms also formed even when there is no other hyponym. Yankee is autohyponymous because it is a hyponym (native of New England) and its hypernym (native of
850-498: A more general word than its hyponym, the relation is used in semantic compression by generalization to reduce a level of specialization . The notion of hyponymy is particularly relevant to language translation , as hyponyms are very common across languages. For example, in Japanese the word for older brother is ani ( 兄 ) , and the word for younger brother is otōto ( 弟 ) . An English-to-Japanese translator presented with
935-622: A number of older Veda manuscripts in Nepal that are dated from the 11th century onwards. The Vedas, Vedic rituals and its ancillary sciences called the Vedangas , were part of the curriculum at ancient universities such as at Taxila , Nalanda and Vikramashila . According to Deshpande, "the tradition of the Sanskrit grammarians also contributed significantly to the preservation and interpretation of Vedic texts." Yāska (4th c. BCE ) wrote
SECTION 10
#17328013473971020-511: A particular area, or kingdom. Each school followed its own canon. Multiple recensions (revisions) are known for each of the Vedas. Thus, states Witzel as well as Renou, in the 2nd millennium BCE, there was likely no canon of one broadly accepted Vedic texts, no Vedic “Scripture”, but only a canon of various texts accepted by each school. Some of these texts have survived, most lost or yet to be found. Rigveda that survives in modern times, for example,
1105-658: A phrase containing the English word brother would have to choose which Japanese word equivalent to use. This would be difficult, because abstract information (such as the speakers' relative ages) is often not available during machine translation . Vedas Divisions Sama vedic Yajur vedic Atharva vedic Vaishnava puranas Shaiva puranas Shakta puranas The Vedas ( / ˈ v eɪ d ə z / or / ˈ v iː d ə z / ; Sanskrit : वेदः , romanized : Vēdaḥ , lit. 'knowledge'), sometimes collectively called
1190-823: A region spanning the Indian subcontinent, Persia and the European area, and some greater details are found in the Vedic era texts such as the Grhya Sūtras. Only one version of the Rigveda is known to have survived into the modern era. Several different versions of the Sama Veda and the Atharva Veda are known, and many different versions of the Yajur Veda have been found in different parts of South Asia. The texts of
1275-539: A religious art, they are either performed inside the sanctum of a Hindu temple, or near it. Folksy entertainment may also be performed in temple grounds or any fairground, typically in a rural setting by traveling troupes of artists; alternatively, they have been performed inside the halls of royal courts or public squares during festivals. However, this is not the case for Kathak, Manipuri and Chhau as it has their own uniqueness. Kathak can be also performed on courtyards of mosques and had Muslim elements while Manipuri had
1360-441: A single god , agnosticism , and monistic beliefs where "there is an absolute reality that goes beyond the gods and that includes or transcends everything that exists." Indra , Agni , and Yama were popular subjects of worship by polytheist organizations. Each of the four Vedas were shared by the numerous schools, but revised, interpolated and adapted locally, in and after the Vedic period, giving rise to various recensions of
1445-720: A unity of core ideas and a diversity of styles, costumes, and expression. Indian classical dancing started around 200 BCE in India, as a joyful and celebratory activity, often in devotion to Hindu deities. Many of the performances are choreographed to retell stories of the gods and other historical accounts. All styles of Indian classical dance are vibrant, expressive, and spiritual. Dance performances usually take place at festivals, universities, various cultural events, and more. The dancers who perform these styles are usually professionals who have devoted years of study and practice in their respective style of Indian classical dance. In performances,
1530-418: Is capital city or capital , whereas Paris and London are instances of a city, not types of city. In linguistics , semantics , general semantics , and ontologies , hyponymy (from Ancient Greek ὑπό ( hupó ) 'under' and ὄνυμα ( ónuma ) 'name') shows the relationship between a generic term (hypernym) and a specific instance of it (hyponym). A hyponym
1615-615: Is "An X is a kind/type of Y". The second relation is said to be more discriminating and can be classified more specifically under the concept of taxonomy. If the hypernym Z consists of hyponyms X and Y, then X and Y are identified as co-hyponyms (cohyponyms), also known as coordinate terms. Co-hyponyms are labelled as such when separate hyponyms share the same hypernym but are not hyponyms of one another, unless they happen to be synonymous. For example, screwdriver , scissors , knife , and hammer are all co-hyponyms of one another and hyponyms of tool , but not hyponyms of one another: *"A hammer
1700-400: Is a hyponym of color . A word can be both a hypernym and a hyponym: for example purple is a hyponym of color but itself is a hypernym of the broad spectrum of shades of purple between the range of crimson and violet . The hierarchical structure of semantic fields can be seen in hyponymy. They could be observed from top to bottom, where the higher level is more general and the lower level
1785-431: Is a type of knife " is false. Co-hyponyms are often but not always related to one another by the relation of incompatibility. For example, apple , peach and plum are co-hyponyms of fruit . However, an apple is not a peach , which is also not a plum . Thus, they are incompatible. Nevertheless, co-hyponyms are not necessarily incompatible in all senses . A queen and mother are both hyponyms of woman but there
SECTION 20
#17328013473971870-550: Is a word or phrase whose semantic field is more specific than its hypernym. The semantic field of a hypernym, also known as a superordinate, is broader than that of a hyponym. An approach to the relationship between hyponyms and hypernyms is to view a hypernym as consisting of hyponyms. This, however, becomes more difficult with abstract words such as imagine , understand and knowledge . While hyponyms are typically used to refer to nouns, it can also be used on other parts of speech. Like nouns, hypernyms in verbs are words that refer to
1955-412: Is applying body-speech-mind and scene, wherein the actors communicate to the audience, through song and music. Drama in this ancient Sanskrit text, this is an art to engage every aspect of life, to glorify and gift a state of joyful consciousness. The communication through symbols is in the form of expressive gestures (mudras or hastas) and pantomime set to music. The gestures and facial expressions convey
2040-468: Is attested to by the preservation of the most ancient Indian religious text, the Rigveda , as redacted into a single text during the Brahmana period, without any variant readings within that school. The Vedas were orally transmitted by memorization, and were written down only after 500 BCE, All printed editions of the Vedas that survive in the modern times are likely the version existing in about
2125-516: Is autohyponymous because "smell" can also mean "to emit a bad smell", even though there is no "to emit a smell that isn't bad" hyponym. Hyperonym and hypernym mean the same thing, with both in use by linguists. The form hypernym interprets the -o- of hyponym as a part of hypo , such as in hypertension and hypotension . However, etymologically the -o- is part of the Greek stem ónoma . In other combinations with this stem, e.g. synonym , it
2210-575: Is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The most studied version of the Natya Shastra text consists of about 6000 verses structured into 36 chapters. The text, states Natalia Lidova, describes the theory of Tāṇḍava dance ( Shiva ), the theory of rasa, of bhāva, expression, gestures, acting techniques, basic steps, standing postures – all of which are part of Indian classical dances. Dance and performance arts, states this ancient text, are
2295-637: Is derived from the root vid- "to know". This is reconstructed as being derived from the Proto-Indo-European root *weyd- , meaning "see" or "know". The noun is from Proto-Indo-European *weydos , cognate to Greek (ϝ)εἶδος "aspect", "form" . This is not to be confused with the homonymous 1st and 3rd person singular perfect tense véda , cognate to Greek (ϝ)οἶδα ( (w)oida ) "I know". Root cognates are Greek ἰδέα , English wit , Latin videō "I see", Russian ве́дать ( védat' ) "to know", etc. The Sanskrit term veda as
2380-439: Is followed by artha - bodha , perception of their meaning." Mukherjee explains that the Vedic knowledge was first perceived by the rishis and munis . Only the perfect language of the Vedas, as in contrast to ordinary speech, can reveal these truths, which were preserved by committing them to memory. According to Mukherjee, while these truths are imparted to the student by the memorized texts, "the realization of Truth " and
2465-465: Is in only one extremely well preserved school of Śåkalya, from a region called Videha , in modern north Bihar , south of Nepal . The Vedic canon in its entirety consists of texts from all the various Vedic schools taken together. There were Vedic schools that believed in polytheism in which numerous gods had different natural functions, henotheistic beliefs where only one god was worshipped but others were thought to exist, monotheistic beliefs in
2550-400: Is more specific. For example, living things will be the highest level followed by plants and animals , and the lowest level may comprise dog , cat and wolf . Under the relations of hyponymy and incompatibility, taxonomic hierarchical structures too can be formed. It consists of two relations; the first one being exemplified in "An X is a Y" (simple hyponymy) while the second relation
2635-412: Is never elided. Therefore, hyperonym is etymologically more faithful than hypernym . Hyperonymy is used, for instance, by John Lyons, who does not mention hypernymy and prefers superordination . The nominalization hyperonymy is rarely used, because the neutral term to refer to the relationship is hyponymy . Computer science often terms this relationship an " is-a " relationship. For example,
Indian classical dance - Misplaced Pages Continue
2720-416: Is nothing preventing the queen from being a mother . This shows that compatibility may be relevant. A word is an autohyponym if it is used for both a hypernym and its hyponym: it has a stricter sense that is entirely a subset of a broader sense. For example, the word dog describes both the species Canis familiaris and male individuals of Canis familiaris , so it is possible to say "That dog isn't
2805-514: Is remembered"). This indigenous system of categorization was adopted by Max Müller and, while it is subject to some debate, it is still widely used. As Axel Michaels explains: These classifications are often not tenable for linguistic and formal reasons: There is not only one collection at any one time, but rather several handed down in separate Vedic schools; Upanişads [...] are sometimes not to be distinguished from Āraṇyakas [...]; Brāhmaṇas contain older strata of language attributed to
2890-533: Is the Vedic period itself, where incipient lists divide the Vedic texts into three (trayī) or four branches: Rig, Yajur, Sama and Atharva. Each Veda has been subclassified into four major text types – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies such as newborn baby's rites of passage, coming of age, marriages, retirement and cremation, sacrifices and symbolic sacrifices),
2975-594: Is the revered ancient text in the Hindu tradition, there are numerous other ancient and medieval Sanskrit dance-drama related texts that further discuss and expand on the classical repertoire of performance arts, such as the Abhinaya Darpana , Abhinava Bharati , Natya Darpana , Bhava Prakasa and many others. The term "classical" ( Sanskrit : "Shastriya") denotes the ancient Indian Shastra-based performing arts. The text Natya Shastra describes religious arts as
3060-481: The Saṃhitās ; there are various dialects and locally prominent traditions of the Vedic schools. Nevertheless, it is advisable to stick to the division adopted by Max Müller because it follows the Indian tradition, conveys the historical sequence fairly accurately, and underlies the current editions, translations, and monographs on Vedic literature." Among the widely known śrutis include the Vedas and their embedded texts –
3145-467: The Natyashastra text which defines drama in verse 6.10 as that which aesthetically arouses joy in the spectator, through the medium of actor's art of communication, that helps connect and transport the individual into a super sensual inner state of being. A performance art, asserts Natyashastra , connects the artists and the audience through abhinaya (literally, "carrying to the spectators"), that
3230-527: The Nirukta , which reflects the concerns about the loss of meaning of the mantras, while Pāṇinis (4th c. BCE) Aṣṭādhyāyī is the most important surviving text of the Vyākaraṇa traditions. Mimamsa scholar Sayanas (14th c. CE) major Vedartha Prakasha is a rare commentary on the Vedas, which is also referred to by contemporary scholars. Yaska and Sayana, reflecting an ancient understanding, state that
3315-673: The huyen langlon genre which focuses on combat. Like Manipuri, Chhau also had elements on combat. The Natya Shastra mentions four Pravrittis (traditions, genres) of ancient dance-drama in vogue when it was composed – Avanti (Ujjain, central), Dakshinatya (south), Panchali (north, west) and Odra-Magadhi (east). Sources differ in their list of Indian classical dance forms. Encyclopædia Britannica mentions six dances. The Sangeet Natak Akademi has given recognition to eight Indian dances. The Indian government's Ministry of Culture includes nine dance forms. Scholars such as Drid Williams and others include Yakshagana and Bhagavata Mela to
3400-572: The Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation , philosophy and spiritual knowledge). Some scholars add a fifth category – the Upāsanās (worship). The texts of the Upanishads discuss ideas akin to the heterodox sramana traditions. The Samhitas and Brahmanas describe daily rituals and are generally meant for
3485-822: The Brahmacharya and Gr̥hastha stages of the Chaturashrama system, while the Aranyakas and Upanishads are meant for the Vānaprastha and Sannyasa stages, respectively. Vedas are śruti ("what is heard"), distinguishing them from other religious texts, which are called smr̥ti ("what is remembered"). Hindus consider the Vedas to be apauruṣeya , which means "not of a man, superhuman" and "impersonal, authorless", revelations of sacred sounds and texts heard by ancient sages after intense meditation. The Vedas have been orally transmitted since
Indian classical dance - Misplaced Pages Continue
3570-550: The Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (text discussing meditation, philosophy and spiritual knowledge). The Upasanas (short ritual worship-related sections) are considered by some scholars as the fifth part. Witzel notes that the rituals, rites and ceremonies described in these ancient texts reconstruct to a large degree the Indo-European marriage rituals observed in
3655-516: The Samhitas , the Upanishads , the Brahmanas and the Aranyakas . The well-known smṛtis include Bhagavad Gita , Bhagavata Purana and the epics Ramayana and Mahabharata , amongst others. Hindus consider the Vedas to be apauruṣeyā , which means "not of a man, superhuman" and "impersonal, authorless". The Vedas, for orthodox Indian theologians, are considered revelations seen by ancient sages after intense meditation, and texts that have been more carefully preserved since ancient times. In
3740-464: The ras (sentiment, emotional taste) and bhava (mood) of the underlying story. In Hindu classical dances, the artist successfully expresses the spiritual ideas by paying attention to four aspects of a performance: Umbrella term Hypernymy and hyponymy are the semantic relations between a generic term (hypernym) and a more specific term (hyponym). The hypernym is also called a supertype, umbrella term, or blanket term. The hyponym names
3825-408: The screwdriver tool , and not to the screwdriver drink . Hypernymy and hyponymy are converse relations . If X is a kind of Y, then X is a hyponym of Y and Y is a hypernym of X. Hyponymy is a transitive relation : if X is a hyponym of Y, and Y is a hyponym of Z, then X is a hyponym of Z. For example, violet is a hyponym of purple and purple is a hyponym of color ; therefore violet
3910-499: The Ŗik (words) without understanding their inner meaning or essence, the knowledge of dharma and Parabrahman . Mukherjee concludes that in the Rigvedic education of the mantras "the contemplation and comprehension of their meaning was considered as more important and vital to education than their mere mechanical repetition and correct pronunciation." Mookei refers to Sayana as stating that "the mastery of texts, akshara-praptī ,
3995-536: The "correct tradition" ( sampradaya ) has as much authority as the written Shastra", explaining that the tradition "bears the authority to clarify and provide direction in the application of knowledge". The emphasis in this transmission is on the "proper articulation and pronunciation of the Vedic sounds", as prescribed in the Shiksha , the Vedanga (Vedic study) of sound as uttered in a Vedic recitation, mastering
4080-527: The 14th century BCE, the only epigraphic record of Indo-Aryan contemporary to the Rigvedic period. He gives 150 BCE ( Patañjali ) as a terminus ante quem for all Vedic Sanskrit literature, and 1200 BCE (the early Iron Age ) as terminus post quem for the Atharvaveda. The Vedas were orally transmitted since their composition in the Vedic period for several millennia. The authoritative transmission of
4165-419: The 16th century CE. The canonical division of the Vedas is fourfold ( turīya ) viz., Of these, the first three were the principal original division, also called " trayī vidyā "; that is, "the triple science" of reciting hymns (Rigveda), performing sacrifices (Yajurveda), and chanting songs (Samaveda). The Rig Veda most likely was composed between c. 1500 BCE and 1200 BCE. Witzel notes that it
4250-503: The 2nd millennium BCE with the help of elaborate mnemonic techniques . The mantras, the oldest part of the Vedas, are recited in the modern age for their phonology rather than the semantics , and are considered to be "primordial rhythms of creation", preceding the forms to which they refer. By reciting them the cosmos is regenerated, "by enlivening and nourishing the forms of creation at their base." The various Indian philosophies and Hindu sects have taken differing positions on
4335-621: The Brahmin communities considered study to be a "process of understanding". A literary tradition is traceable in post-Vedic times, after the rise of Buddhism in the Maurya period , perhaps earliest in the Kanva recension of the Yajurveda about the 1st century BCE; however oral tradition of transmission remained active. Jack Goody has argued for an earlier literary tradition, concluding that
SECTION 50
#17328013473974420-608: The Hindu Epic Mahabharata , the creation of Vedas is credited to Brahma . The Vedic hymns themselves assert that they were skillfully created by Rishis (sages), after inspired creativity, just as a carpenter builds a chariot. The oldest part of the Rig Veda Samhita was orally composed in north-western India ( Punjab ) between c. 1500 and 1200 BCE, while book 10 of the Rig Veda, and
4505-463: The United States), even though there is no other hyponym of Yankee (as native of the United States) that means "not a native of New England". Similarly, the verb to drink (a beverage) is a hypernym for to drink (an alcoholic beverage). In some cases, autohyponyms duplicate existing, distinct hyponyms. The hypernym "smell" (to emit any smell) has a hyponym "stink" (to emit a bad smell), but
4590-509: The Upanishads discuss ideas akin to the heterodox sramana -traditions. Nasadiya Sukta (Hymn of non-Eternity): Who really knows? Who can here proclaim it? Whence, whence this creation sprang? Gods came later, after the creation of this universe. Who then knows whence it has arisen? Whether God's will created it, or whether He was mute; Only He who is its overseer in highest heaven knows, He only knows, or perhaps He does not know. — Rig Veda 10.129.6–7 The Rigveda Samhita
4675-444: The Upanishads. This has inspired later Hindu scholars such as Adi Shankara to classify each Veda into karma-kanda (कर्म खण्ड, action/sacrificial ritual-related sections, the Samhitas and Brahmanas ); and jnana-kanda (ज्ञान खण्ड, knowledge/spirituality-related sections, mainly the Upanishads'). Vedas are śruti ("what is heard"), distinguishing them from other religious texts, which are called smṛti ("what
4760-727: The Veda , are a large body of religious texts originating in ancient India . Composed in Vedic Sanskrit , the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism . There are four Vedas: the Rigveda , the Yajurveda , the Samaveda and the Atharvaveda . Each Veda has four subdivisions – the Samhitas ( mantras and benedictions ), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas ),
4845-454: The Veda can be interpreted in three ways, giving "the truth about gods , dharma and parabrahman ." The pūrva-kāņda (or karma-kanda ), the part of the Veda dealing with ritual, gives knowledge of dharma , "which brings us satisfaction." The uttara-kanda (or jnana-kanda ), the part of the Veda dealing with the knowledge of the absolute, gives knowledge of Parabrahma , "which fulfills all of our desires." According to Holdrege, for
4930-429: The Vedas bear hallmarks of a literate culture along with oral transmission, but Goody's views have been strongly criticised by Falk, Lopez Jr,. and Staal, though they have also found some support. The Vedas were written down only after 500 BCE, but only the orally transmitted texts are regarded as authoritative, given the emphasis on the exact pronunciation of the sounds. Witzel suggests that attempts to write down
5015-450: The Vedas is by an oral tradition in a sampradaya from father to son or from teacher ( guru ) to student ( shishya ), believed to be initiated by the Vedic rishis who heard the primordial sounds . Only this tradition, embodied by a living teacher, can teach the correct pronunciation of the sounds and explain hidden meanings, in a way the "dead and entombed manuscript" cannot do. As Leela Prasad states, "According to Shankara ,
5100-480: The Vedas. Schools of Indian philosophy that acknowledge the importance or primal authority of the Vedas comprise Hindu philosophy specifically and are together classified as the six "orthodox" ( āstika ) schools. However, śramaṇa traditions, such as Charvaka , Ajivika , Buddhism , and Jainism , which did not regard the Vedas as authoritative, are referred to as "heterodox" or "non-orthodox" ( nāstika ) schools. The Sanskrit word véda "knowledge, wisdom"
5185-414: The Vedic texts towards the end of 1st millennium BCE were unsuccessful, resulting in smriti rules explicitly forbidding the writing down of the Vedas. Due to the ephemeral nature of the manuscript material (birch bark or palm leaves), surviving manuscripts rarely surpass an age of a few hundred years. The Sampurnanand Sanskrit University has a Rigveda manuscript from the 14th century; however, there are
SECTION 60
#17328013473975270-457: The advent of writing in the early first millennium CE. According to Staal , criticising the Goody -Watt hypothesis "according to which literacy is more reliable than orality", this tradition of oral transmission "is closely related to Indian forms of science" and "by far the more remarkable" than the relatively recent tradition of written transmission. While according to Mookerji, understanding
5355-488: The alphabet as a mnemotechnical device , "matching physical movements (such as nodding the head) with particular sounds and chanting in a group" and visualizing sounds by using mudras (hand signs). This provided an additional visual confirmation, and also an alternate means to check the reading integrity by the audience, in addition to the audible means. Houben and Rath note that a strong "memory culture" existed in ancient India when texts were transmitted orally, before
5440-410: The cosmos is regenerated, "by enlivening and nourishing the forms of creation at their base. As long as the purity of the sounds is preserved, the recitation of the mantras will be efficacious, irrespective of whether their discursive meaning is understood by human beings." Frazier further notes that "later Vedic texts sought deeper understanding of the reasons the rituals worked", which indicates that
5525-451: The dancer stomps their foot in rhythm. The costume also includes a head-piece or some form of scarf, depending on the style. The women usually wear considerable amounts of facial makeup, not only to be noticeable from the audience, but to fully embody their character. The Natya Shastra is the foundational treatise for classical dances of India, and this text is attributed to the ancient scholar Bharata Muni . Its first complete compilation
5610-523: The dancers move to the beat of the song or music that is playing; in some styles, such as Kathak, bells are worn around the ankles at times for added rhythmic effect when the feet are stomped. The dancer takes the role of the character that they are portraying in the performance, the composition being specific, and become emotionally connected with the story and the audience. When dancers perform classical Indian dancing, they wear traditional clothes including sarees , lehengas , and kurtas . Usually, women are
5695-600: The end of the Vedic period, additional Upanishads were composed after the end of the Vedic period. The Brahmanas , Aranyakas , and Upanishads , among other things, interpret and discuss the Samhitas in philosophical and metaphorical ways to explore abstract concepts such as the Absolute ( Brahman ), and the soul or the self ( Atman ), introducing Vedanta philosophy, one of the major trends of later Hinduism . In other parts, they show evolution of ideas, such as from actual sacrifice to symbolic sacrifice, and of spirituality in
5780-476: The exponents of karma-kandha the Veda is to be "inscribed in the minds and hearts of men" by memorization and recitation, while for the exponents of the jnana-kanda and meditation the Vedas express a transcendental reality which can be approached with mystical means. Holdrege notes that in Vedic learning "priority has been given to recitation over interpretation" of the Samhitas. Galewicz states that Sayana,
5865-534: The four kinds of mantras into four Samhitas (Collections). The Vedas are among the oldest sacred texts . The bulk of the Rigveda Samhita was composed in the northwestern region (Punjab) of the Indian subcontinent , most likely between c. 1500 and 1200 BCE, although a wider approximation of c. 1700–1100 BCE has also been given. The other three Samhitas are considered to date from
5950-589: The knowledge of paramatman as revealed to the rishis is the real aim of Vedic learning, and not the mere recitation of texts. The supreme knowledge of the Absolute, para Brahman - jnana , the knowledge of rta and satya , can be obtained by taking vows of silence and obedience sense-restraint, dhyana , the practice of tapas (austerities), and discussing the Vedanta . The four Vedas were transmitted in various śākhā s (branches, schools). Each school likely represented an ancient community of
6035-575: The list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha , and Manipuri is from the northeastern state of Manipur . The music associated with these different dance performances consists many compositions in Hindi , Malayalam , Meitei ( Manipuri ), Sanskrit , Tamil , Odia , Telugu , Assamese , and many other Indian-Subcontinent languages; they represent
6120-432: The main performers in Indian classical dancing, though men are not absent from the tradition. The costume for women usually consists of a long, colorful, handmade gown (worn without shoes), with an intricately embroidered pattern(s) and beading on it. For accessories, there is the use of much ornate jewelry, such as necklaces, rings, earrings, nose-rings, bracelets and anklets, sometimes with bells attached which ring each time
6205-445: The mantras had meaning depended on the context of their practical usage. This conception of the Veda, as a repertoire to be mastered and performed, takes precedence over the internal meaning or "autonomous message of the hymns." Most Śrauta rituals are not performed in the modern era, and those that are, are rare. Mukherjee notes that the Rigveda, and Sayana's commentary, contain passages criticizing as fruitless mere recitation of
6290-502: The meaning ( vedarthajnana or artha - bodha ) of the words of the Vedas was part of the Vedic learning , Holdrege and other Indologists have noted that in the transmission of the Samhitas , the emphasis is on the phonology of the sounds ( śabda ) and not on the meaning ( artha ) of the mantras. Already at the end of the Vedic period their original meaning had become obscure for "ordinary people", and niruktas , etymological compendia, were developed to preserve and clarify
6375-525: The meaning of the mantras, in contrast to the number of commentaries on the Brahmanas and Upanishads, but states that the lack of emphasis on the "discursive meaning does not necessarily imply that they are meaningless". In the Brahmanical perspective, the sounds have their own meaning, mantras are considered as "primordial rhythms of creation", preceding the forms to which they refer. By reciting them
6460-648: The nine classical Indian dances in the Sangeet Natak Akademi list. The classical dance forms recognised by the Sangeet Natak Akademi and the Ministry of Culture are: Some famous Indian classical dancers are : All major classical Indian dance forms include in repertoire, three categories of performance in the Natya Shastra . These are Nritta , Nritya and Natya : All classical dances of India used similar symbolism and rules of gestures in abhinaya (acting). The roots of abhinaya are found in
6545-598: The original meaning of many Sanskrit words. According to Staal, as referenced by Holdrege, though the mantras may have a discursive meaning, when the mantras are recited in the Vedic rituals "they are disengaged from their original context and are employed in ways that have little or nothing to do with their meaning". The words of the mantras are "themselves sacred", and "do not constitute linguistic utterances ". Instead, as Klostermaier notes, in their application in Vedic rituals they become magical sounds, "means to an end". Holdrege notes that there are scarce commentaries on
6630-574: The other Samhitas were composed between 1200 and 900 BCE more eastward, between the Yamuna and the Ganges rivers, the heartland of Aryavarta and the Kuru Kingdom ( c. 1200 – c. 900 BCE ). The "circum-Vedic" texts, as well as the redaction of the Samhitas, date to c. 1000 –500 BCE. According to tradition, Vyasa is the compiler of the Vedas, who arranged
6715-400: The phrase "Red is-a color" can be used to describe the hyponymic relationship between red and color . Hyponymy is the most frequently encoded relation among synsets used in lexical databases such as WordNet . These semantic relations can also be used to compare semantic similarity by judging the distance between two synsets and to analyse anaphora . As a hypernym can be understood as
6800-458: The sacred Vedas included up to eleven forms of recitation of the same text. The texts were subsequently "proof-read" by comparing the different recited versions. Forms of recitation included the jaṭā-pāṭha (literally "mesh recitation") in which every two adjacent words in the text were first recited in their original order, then repeated in the reverse order, and finally repeated in the original order. That these methods have been effective,
6885-573: The source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam , Kathak , Kuchipudi , Odissi , Kathakali , Sattriya , Manipuri and Mohiniyattam . Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau , Yakshagana and Bhagavata Mela to
6970-484: The text. Some texts were revised into the modern era, raising significant debate on parts of the text which are believed to have been corrupted at a later date. The Vedas each have an Index or Anukramani , the principal work of this kind being the general Index or Sarvānukramaṇī . Prodigious energy was expended by ancient Indian culture in ensuring that these texts were transmitted from generation to generation with inordinate fidelity. For example, memorization of
7055-407: The texts "literally forward and backward in fully acoustic fashion". Houben and Rath note that the Vedic textual tradition cannot simply be characterized as oral, "since it also depends significantly on a memory culture". The Vedas were preserved with precision with the help of elaborate mnemonic techniques , such as memorizing the texts in eleven different modes of recitation ( pathas ), using
7140-526: The time of the Kuru Kingdom , approximately c. 1200–900 BCE. The "circum-Vedic" texts, as well as the redaction of the Samhitas, date to c. 1000 –500 BCE, resulting in a Vedic period , spanning the mid 2nd to mid 1st millennium BCE, or the Late Bronze Age and the Iron Age . The Vedic period reaches its peak only after the composition of the mantra texts, with the establishment of
7225-569: The various shakhas all over Northern India which annotated the mantra samhitas with Brahmana discussions of their meaning, and reaches its end in the age of Buddha and Panini and the rise of the Mahajanapadas (archaeologically, Northern Black Polished Ware ). Michael Witzel gives a time span of c. 1500 to c. 500 –400 BCE. Witzel makes special reference to the Near Eastern Mitanni material of
#396603