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83-543: The original project was the work of the architect Secundino Zuazo Ugalde and was soon sponsored by the then Minister of Public Works, Indalecio Prieto . Its construction began in 1933 and, although it was paralyzed during the Civil War , the entire complex was completed in 1942. It currently houses the headquarters of the Ministry of Labour and the Ministry of Public Works , among others. The entire architectural complex

166-709: A "peace price" during the many battles of the Spanish Empire with the Ottoman Empire . As part of his active efforts, in 1571 Philip II bought a large portion of the collection of Gonzalo Pérez , one of his advisors. This meant 57 original Greek manuscripts from Sicily, and 112 Latin ones, from Calabria. He also bought 315 original volumes, in Greek and Arabic, from Juan Páez de Castro's personal library. The King charged specific ambassadors with traveling through his empire and neighboring kingdoms searching and buying

249-824: A manuscript of the Concilios visigóticos (the Visigothic Councils ) from the ninth century. Philip acquired several books from the Library of Granada, that belonged to Isabella I of Castile , including her Libro the Horas of astonishing visual beauty. Other valuable libraries acquired by Philip were the library of Pedro Fajardo , and of Antonio Agustín , one of the largest in Spain at the time. Not all of those books are still in El Escorial, since many ended up in

332-460: A monastery. Above the center door is a niche where the image of Saint Lawrence has been placed. The Courtyard of the Kings owes its name to the statues of the kings of Judah that adorn the façade of the basilica, located at the east end of the courtyard. Steps of red marble lead to the large, public chapel, past the narthex, which is one of the highlights of the basilica. The basilica has a floor in

415-488: A new station in the north, Chamartín , which would be built by the engineer Eduardo Torroja and popularly called the "tunnel of the laughter". The idea of constructing the New Ministries had been the work of Indalecio Prieto , Minister of Public Works . However, this idea had already been raised by Zuazo in his "Prolongation Project of Castellana" in 1930, so Prieto commissioned the construction of what would be

498-485: A pension for the Escorial Library, to ensure that it would still be able to acquire new volumes. Philip III continued his father's policy of protection and enrichment of the library, even though he was not theologically inclined. In addition to continuing the search for, and purchase of, especially valuable and old books, he promulgated a new decree, according to which the library of El Escorial ought to receive

581-482: A prepared place called a pudridero , or decaying chamber, awaiting interment in the Pantheon of the Kings. With the interment of these remains, all the sepulchres in the pantheon will be filled. No decision has yet been announced as to the final resting place of now-abdicated Juan Carlos, Queen Sofía , Felipe VI , Queen Letizia , and any future monarchs and consorts. There are two pudrideros at El Escorial, one for

664-402: Is austere, even forbidding, in its outward appearance, seemingly more like a fortress than a monastery or palace. It takes the form of a gigantic quadrangle, approximately 224 by 153 metres (735 by 502 ft), which encloses a series of intersecting passageways and courtyards. At each of the four corners is a square tower surmounted by a spire, and, near the center of the complex (and taller than

747-569: Is especially notable. Among the more recent interments is that of Infante Alfonso in October 1992. The younger brother of King Juan Carlos I , he was buried originally in Portugal, after being killed in a still-mysterious 1956 shooting at the family home in Estoril , aged 14. In 1994, King Juan Carlos I signed a decree raising his cousin and close personal friend Carlos, Duke of Calabria to

830-413: Is for the moment the only queen in the pantheon who has not been mother to a king. That is because her only son, the presumed heir to the throne, died after her but before he could become king. But she was the great-grandmother of Philip V (by her daughter Maria Theresa of Spain ) and she is an ancestor of the king of Spain. The walls of polished Toledo marble are ornamented in gold-plated bronze. All of

913-592: Is integrated into the so-called AZCA center , one of the most important business centers and offices in the capital. In the vicinity is also the Nuevos Ministerios station , a multiple exchanger with services of Bus , Metro and Cercanías . The building is used in the third and fourth seasons of the series Money Heist (La Casa de Papel in Spanish), in which it is being used as the Bank of Spain . During

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996-694: Is made up of a few thousands of medieval codices . Philip II donated his personal collection of documents to the building, and also undertook the acquisition of the finest libraries and works of Western European Humanism . During Phillip's reign, there was an entire room dedicated to ancient manuscripts, most of them in Latin, many in Greek, but also some in Hebrew, Aramaic , Arabic, Italian, French, and Spanish. There were approximately 1,800 Arabic titles. The first of those books were acquired in 1571 through Juan Paez de Castro . After that many books were obtained as

1079-565: Is situated at the foot of Mount Abantos in the Sierra de Guadarrama . This austere location, hardly an obvious choice for the site of a royal palace, was chosen by King Philip II of Spain , and it was he who ordained the building of a grand edifice here to commemorate the 1557 Spanish victory at the Battle of St. Quentin in Picardy against King Henry II of France . Philip also intended

1162-532: Is used as a park by locals. It is decorated with historic items related to public works, such as road construction machinery and anchors. 40°26′38″N 3°41′37″W  /  40.4440°N 3.6935°W  / 40.4440; -3.6935 Secundino Zuazo Ugalde Secundino Zuazo Ugalde (1887–1971) was a Spanish architect and city planner . Born in Bilbao , he graduated from Madrid's architecture school in 1913, and lived there until his death. Zuazo

1245-531: The Royal Site of San Lorenzo de El Escorial ( Spanish : Monasterio y Sitio de El Escorial en Madrid ), or Monasterio de El Escorial ( Spanish pronunciation: [el eskoˈɾjal] ), is a historical residence of the king of Spain located in the town of San Lorenzo de El Escorial , 2.06 kilometres (1.28 mi) up the valley (4.1 km [2.5 mi] road distance) from the town of El Escorial and about 45 kilometres (28 mi) northwest of

1328-670: The Spanish kings of the last five centuries, Bourbons as well as Habsburgs . The Royal Pantheon contains the tombs of the Holy Roman Emperor Charles V (who ruled Spain as King Charles I), Philip II, Philip III , Philip IV , Charles II , Louis I , Charles III , Charles IV , Ferdinand VII , Isabella II , Alfonso XII , and Alfonso XIII . Two Bourbon kings, Philip V (who reigned from 1700 to 1724 and again from 1724 to 1746) and Ferdinand VI (1746–1759), as well as King Amadeus (1870–1873), are not buried in

1411-641: The gout that afflicted him. The gallery was originally called the King's Gallery ( Galería del Rey ) but came to be known as the Hall of Battles ( Sala de Batallas ) for its fresco paintings depicting the most important Spanish military victories. These include a medieval victory over the Moors , as well as several of Philip's campaigns against the French. This chamber consists of twenty-six marble sepulchres containing

1494-628: The hammer and sickle , since he was a supporter of the Soviet Union. The reference would not be noticed by the later Francoist architects. Nuevos Ministerios currently houses the headquarters of the Ministry of Transport , Labour , Social Security , as well as the Ministry for Ecological Transition . The complex is fully integrated into the Castellana and the AZCA Complex , one of the most important business centers and offices in

1577-668: The sacristy , paintings such as Joseph's Coat by Velázquez , The Last Supper by Titian , and The Adoration of the Sacred Host by Charles II by Claudio Coello are on exhibit. Under the royal chapel of the Basilica is the Royal Pantheon crypt. This is the place of burial for the kings of Spain. It is an octagonal Baroque mausoleum made of marble where all of the Spanish monarchs since Charles I have been buried, with

1660-578: The 1920s, Madrid had surpassed one million inhabitants (with about 800,000 at the beginning of the decade) and the city grew at a good pace (the expansion was almost entirely built as suburbs arose on the suburbs without order or concert). At the end of the decade, and in order to growth and solve the nascent traffic problems, the City Council convened an International Competition for the Ordination of Madrid in 1929, which did not materialize. One of

1743-699: The Argüelles Madrid. Before Secundino started work on this project, Madrid's bourgeois architecture was infamous for its showy facades and excessively ornate corner towers. Hygiene was a problem in them, for the rooms were narrow and the doorways received little light. They were no more than large rectangular blocks, a result of the Madrid widening plan initiated by Castro in 1860. Secundino endowed his apartments with all that Madrid apartments before The House of Flowers lacked. There were attached toilets. His design allowed abundant light to enter, and ventilation

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1826-635: The Byzantine and Arab world. Strikingly similar to El Escorial is the layout of the Alcázar of Seville and the design of the Alhambra at Granada , where, as at El Escorial, two courtyards in succession separate the main portal of the complex from a fully enclosed place of worship. The most persuasive theory for the origin of the floor plan is that it is based on descriptions of the Temple of Solomon by

1909-654: The Capitality Act of Madrid. A year later, the Ministry of Government approved the General Expansion Project, taking almost the entire Municipal Office project. The fundamental point of the project was to achieve the expansion of the city to the north, around the Paseo de la Castellana . As part of this purpose, the old racecourse , which was an obstacle to the planning of Paseo de la Castellana,

1992-521: The Countess of Barcelona was the mother of a king but not the wife of a king. However, some consider the Count of Barcelona to have been de jure king of Spain from 1941 to 1977, which in turn would make him, his mother, Queen Victoria Eugenie, and his wife, the Countess of Barcelona, eligible for interment in the Pantheon of Kings. There has already been one exception to tradition: Elisabeth of Bourbon

2075-473: The David-warrior figure, representing Charles V, and his son, the stolid and solomonically prudent Philip II. Echoing the same theme, a fresco in the center of El Escorial's library, a reminder of Solomon's legendary wisdom, affirms Philip's preoccupation with the great Jewish king, his thoughtful and logical character, and his extraordinary, monumental temple. The Temple of Solomon design, if indeed it

2158-494: The House of Flowers (an earlier work by Zuazo). The complex consists of a large central space with open spaces, fountains and ponds, around which different ministries are arranged, as well as a large arcade on the side facing Paseo de la Castellana . The archery is one of the most characteristic elements of the whole. Underneath the patio was excavated the one that at the moment is the station of Nuevos Ministerios . The open space

2241-514: The Judeo-Roman historian Flavius Josephus : a portico followed by a courtyard open to the sky, followed by a second portico and a second courtyard, all flanked by arcades and enclosed passageways, leading to the "holy of holies". Statues of David and Solomon on either side of the entrance to the basilica of El Escorial lend further weight to the theory that this is the true origin of the design. A more personal connection can be drawn between

2324-572: The King ( Casa del Rey ), is found behind the presbytery of the basilica. The outbuildings of this palace, of Italian style, are distributed around the Courtyard of the Fountainheads ( Patio de los Mascarones ). Inside the House of the King are the Sala de las Batallas (Hall of Battles), which contains frescoes of the battles of San Quintín and Higueruela, among others. The next building contains

2407-494: The King's neoplatonic views and who also designed the library's shelves. It constituted, along with the basilica, the heart of the entire project, and the project was redrafted several times to accommodate changes in the organization of the library itself. As was usual for Juan de Herrera's work, it was the most advanced of its kind in Europe. It was the first library on the continent that broke with medieval design. Domenico Fontana

2490-409: The King's preferences had been Michelangelo or Titian , but both of these giants were already more than eighty years old and in frail health. Consequently, Philip consulted his foreign ambassadors for recommendations, and the result was a lengthy parade of the lesser European artists of that time, all swanning through the construction site at El Escorial seeking the King's favor. One chapel exhibits

2573-616: The New Ministries, to house the ministries of Public Works and Government. After the demolition of the racecourse , the first stone was laid on April 15, 1933. Zuazo took the Escorial as an inspiration for the project. However, at the beginning of the Civil War , the New Ministries were unfinished, and the persecution suffered by Zuazo at the end of the war, during which he had been exiled in France , prevented him from continuing with

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2656-527: The Pantheon of the Kings and the other for the Pantheon of the Princes. These can only be visited by monks from the Monastery. In these rooms, the remains of the deceased are placed in a small leaden urn, which in turn will be placed in the marble sepulchres of the appropriate pantheon after the passage of fifty years, the estimated time necessary for the complete decomposition of the bodies. The interment of

2739-434: The Spanish capital Madrid . Built between 1563 and 1584 by order of King Philip II (who reigned 1556–1598), El Escorial is the largest Renaissance building in the world. It is one of the Spanish royal sites and functions as a monastery, basilica, royal palace, pantheon, library, museum, university, school, and hospital. El Escorial consists of two architectural complexes of great historical and cultural significance:

2822-589: The Spanish capital. From the exchanger of the Nuevos Ministerios Station you can reach the government complex, through Cercanías (Lines C-1, C-2, C-3, C-4, C-7, C- , Metro (Lines 6, 8 and 10) and Madrid Buses (Lines 7, 14, 27, 40, 126, 147, 150, C1 and C2). The current aspect of the whole retains much of the original form and style of the project, in which the echoes of the Monastery of El Escorial (in whose maintenance Zuazo worked) and

2905-683: The Vatican; but around a thousand of them can still be found there. The King actively purchased rare books—often on esoteric, scientific, or theological subjects—from the East. He also collected and preserved over four hundred books prohibited by the Inquisition , which he agreed should not be available for those likely to "misunderstand" them but only to experts. By 1602, the library had a large cartographic collection and over 150 mathematical instruments. Before his death, Philip II left in his last will

2988-546: The altar was replaced with a full circular dome over the center of the church, where the four arms of the Greek cross meet. Clearly Juan Bautista de Toledo 's experience with the dome of St. Peter's Basilica in Rome influenced the design of El Escorial's basilica. However, the Roman dome is supported by ranks of tapered Corinthian columns, with their extravagant capitals of acanthus leaves and their elaborately fluted shafts, while

3071-590: The best for El Escorial's library. These ambassadors were coordinated by the head librarian, who had total authority to direct their movements, and who stayed in contact with them through all their travels. Diego Guzmán de Silva was one such ambassador and made one of the most important purchases for the library during his time in Venice: an ancient collection of Greek manuscripts and Latin codices (1569–1577). An inventory prepared in 1576 counted 4,546 volumes, over 2,000 manuscripts, and 2,500 printed books. That same year

3154-473: The buildings were built in a different manner. There are suspicions that Zuazo shaped the plant as the Communist emblem of the hammer and sickle , since he was a supporter of the Soviet Union. The reference would not be noticed by the later Francoist architects. Between 1930 and 1932, Secundino worked on another of his iconic buildings, The House of Flowers. The building was an apartment cluster located in

3237-403: The completion of the project. With Toledo's death in 1567, direction passed to his apprentice, Juan de Herrera , under whom the building was completed in 1584, in slightly less than 21 years. To this day, la obra de El Escorial ("the work of El Escorial") is a proverbial expression for a thing that takes a long time to finish. Since then, El Escorial has been the burial site for most of

3320-492: The complex to serve as a necropolis for the interment of the remains of his parents, Charles I and Isabella of Portugal , himself, and his descendants. In addition, Philip envisioned El Escorial as a center for studies in aid of the Counter-Reformation cause. The building's cornerstone was laid on 23 April 1563. The design and construction were overseen by Juan Bautista de Toledo , who did not live to see

3403-541: The different cells and rooms of the monks and that the Augustine monks have gradually managed to make their own. Finally, the Royal Library, which is public and exists under a special papal bull of protection. From the beginning, the Royal Library was meant to be a monumental work of art, and its execution was commissioned to prominent architects of the moment: Juan de Toledo and Juan de Herrera , who shared

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3486-413: The dome at El Escorial, soaring nearly 100 metres (330 ft) into the air, is supported by four heavy granite piers connected by simple Romanesque arches and decorated by simple Doric pilasters , plain, solid, and largely unprepossessing. It would not be a flight of fancy to interpret St. Peter's as the quintessential expression of Baroque sensuality and the basilica at El Escorial as a statement of

3569-412: The east–west axis intersected by a shorter transept, about three-quarters of the way between the west entrance and the high altar. This plan was modified by Juan de Herrera to that of a Greek cross , a form with all four arms of equal length. Coincident with this shift in approach, the bell towers at the western end of the church were somewhat reduced in size and the small half-dome intended to stand over

3652-458: The exception of Philip V , Ferdinand VI , and Amadeus of Savoy . The remains of the Count of Barcelona , the father of King Juan Carlos I of Spain , also rest in this pantheon despite the fact that the Count never became king himself. The enclosure is presided over by an altar of veined marble, and the sarcophagi are bronze and marble. There is also the Pantheon of the Princes, where the bodies of

3735-435: The famous Crucifix carved in white marble by Benvenuto Cellini . This statue of Christ is unusual because it was represented fully nude; although for modesty it wears one cloth covering the genitals. Situated next to the main altar of the Basilica, the residence of King Philip II consists of a series of austerely decorated rooms. It features a window from which the king could observe mass from his bed when incapacitated by

3818-464: The fifteenth, sixteenth, and seventeenth centuries. Its eleven rooms showcase the tools, cranes and other materials used in the construction of the edifice, as well as reproductions of blueprints and documents related to the project. Constructed at the order of Philip II, a great lover of nature, these constitute an ideal place for repose and meditation. Manuel Azaña , the Socialist who served as

3901-558: The king's viceroy, whose recommendation brought him to the king's attention. Philip appointed him architect-royal in 1559, and, together, they designed El Escorial as a monument to Spain's role as a center of the Christian world. On 2 November 1984, UNESCO declared The Royal Seat of San Lorenzo of El Escorial a World Heritage Site . It is a popular tourist attraction, often visited by daytrippers from Madrid—more than 500,000 visitors come to El Escorial every year. El Escorial

3984-469: The kneeling family groups of Charles and Philip, also by Leoni, with help from his son Pompeo . In a shallow niche at the center of the lowest level is the tabernacle, a repository for the physical elements of the communion ceremony, a so-called "House of the Sacrament", designed by Juan de Herrera in jasper and bronze . It was built between 1579 and 1586 by Jacopo da Trezzo . To decorate the reredos ,

4067-620: The last president of the Second Spanish Republic , studied in the monastery's Augustinian -run school and mentions them in his Memorias (Memoirs) and his play El jardín de los frailes (The Garden of the Friars). Students at the school still use it today to study and pass the time. The Escorial has three libraries. One is located behind the Chorus of the basilica. Another, within the monastery itself, used to be distributed to

4150-493: The library has more than 40,000 volumes, located in a great hall 54 metres (177 ft) in length, 9 metres (30 ft) wide, and 10 metres (33 ft) tall, with marble floors and beautifully carved wood shelves. De Herrera and Italian construction engineer Giuseppe Flecha y Gamboa were careful to consider the security of the library's holdings in armarios (large bookcases), as well as their display, safeguards against fire hazards, and use of available natural lighting. This library

4233-409: The library introduced a novel way of arranging the library's bookcases or "book presses". Until then most book presses were combined with desks and stood at right angles to the library's walls. This system was known as the "stall system" and allowed light from the library's windows to illuminate the shelves. Phillip's library began using a "wall system", placing the bookcases along the walls. Currently

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4316-419: The library of Diego Hurtado de Mendoza , the most valuable in Spain at the time, was bought. It included 850 codices and over 1,000 printed volumes. At this point, the size of the library was such that Benito Arias Montano had to be specially hired to organize the books and classify them by language, in addition to subject. In the 1580s the Library acquired some of its most unique pieces. Jorge Beteta donated

4399-404: The magnificent main staircase. The library contains thousands of priceless manuscripts : for example, the collection of the sultan Zidan Abu Maali , who ruled Morocco from 1603 to 1627, is housed here. The main entrance of the El Escorial is the west façade, which has three doors: the middle one leads to the Courtyard of the Kings ( Patio de los Reyes ) and the side ones lead to a school and to

4482-523: The main cloister, decorated with frescoes by Tibaldi and his workshop, in which scenes from the history of the Redemption are represented. In the East gallery, one finds the splendid main staircase with a fresco-decorated vaulted ceiling depicting The glory of the Spanish monarchy , painted by Luca Giordano in 1692. The Palace of the Austrians ( Palacio de los Austrias ), also known as the House of

4565-518: The ministries. The site chosen for the complex was a demolished racetrack. Secundino came up in 1933 with a design that had a big open space in the building center, around which were plazas. The design included several ponds in the vicinity of the various ministries. But war interrupted the work on the complex. After Secundino fled, the building was completed by a group of architects chosen by the Fascist regime. Secundino's were not followed completely, and

4648-498: The monastery. The floor plan of the building is in the form of a gridiron. The traditional belief is that this design was chosen in honor of Saint Lawrence , who, in the third century AD, was martyred by being roasted to death on a grill. St. Lawrence's feast day is 10 August, the same date as the 1557 Battle of St. Quentin. However, the origin of the building's layout is quite controversial. The grill-like shape, which did not fully emerge until Juan de Herrera eliminated from

4731-468: The original conception the six interior towers of the façade, was not unique to El Escorial. Other buildings had been constructed with churches or chapels fronting on interior courtyards: King's College, Cambridge , dating from 1441, is one such example; the old Ospedale Maggiore , Milan 's first hospital, begun in 1456 by Antonio Filarete , is another grid-like building with interior courtyards. In fact, palaces of this approximate design were commonplace in

4814-502: The others, and the closest to the origin, which was God in the Basilica: theology, geometry, and mathematics. The visitor must leave the noisy world behind and walk through the halls of knowledge in a specific, comprehensible order from concreteness to abstraction before being able to reach God and understand His message, a notion quite in line with both Charles I and Philip II's hermeticist view of religion. During Philip II's reign,

4897-565: The pantheon is King Alfonso XIII , removed there from the Church of Santa Maria in Monserrato , Rome in 1980. The remains of Alfonso XIII's wife, Victoria Eugenie of Battenberg were interred in the pantheon in 2011. The remains of Alfonso XIII's third son Infante Juan, Count of Barcelona , (d. 1993) and daughter-in-law Princess María de las Mercedes of Bourbon-Two Sicilies (d. 2000); (the father and mother of King Juan Carlos I ), lie at

4980-685: The plans presented had been drawn up by the Spanish architect Secundino Zuazo and the German urbanist Hermann Jansen . Shortly after the proclamation of the Republic , the City Council required the City Planning Office to expand the city. The office prepared it in a very short time, based on the proposals of Zuazo and Hansen. The Government of the Republic considered as a priority the modernization of Madrid and, in 1932, it approved

5063-432: The profane subjects—such as history, geography, and botany—are located in the part closest to the entrance. The library corridors branch out into different sections just to re-converge in the end, and as they advance towards the basilica, the subjects are the more abstract forms—such as poetry, grammar, and mathematics. The subjects closest to the basilica are those the King conceived as being the most abstract distillations of

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5146-409: The project. This was finalized by a team of architects related to the new regime , which eliminated or modified important parts of the project, such as the skyscraper planned for the north side. The work was finally completed in 1942, although the Ministry of Public Works and Urban Planning (MOPU) did not move there until 1958. There are suspicions that Zuazo shaped the plant as the Communist emblem of

5229-468: The queens who did not have a crowned succession and the princes and princesses were laid to rest. This part was built in the nineteenth century. Next to the basilica, to the south, is the Courtyard of the Evangelists. This is a gardened patio in whose center rises a magnificent pavilion, by Juan de Herrera , in which one can find sculptures of the Evangelists. Around the courtyard are the galleries of

5312-541: The rail link between the stations of the North and Atocha , under the Gran Vía , due to the great congestion that would occur in the center of Madrid . Thus, on the site left empty by the demolition of the racecourse , the government of the Republic projected, as early as 1932, the construction of a complex in which to locate the ministerial departments, while building an underground rail link between Atocha-Cercanías and

5395-401: The rationalistic and simple design of the architecture of those areas. Function became his central theme. Upon returning to Spain, he showed a keen interest in collective housing projects, with a view to improving the sanitary conditions prevalent during that time in Spanish cities. Secundino rose to the august level of state-level planner during the Second Spanish Republic . The ensuing phase

5478-524: The remains of Queen Victoria Eugenie and the Count and Countess of Barcelona in the Royal Pantheon will each constitute an exception to tradition. First, Victoria Eugenie, although the wife of a king, was never the mother of a king in the strict sense. Secondly, the Count of Barcelona never reigned as king, although he was head of the Spanish royal family between the renunciation of his father's rights on 14 January 1941 and his renunciation of his own rights in favour of his son Juan Carlos I on 14 May 1977. Thirdly,

5561-531: The remains of the kings and queens regnant (the only queen regnant since Philip II being Isabella II ) of the Habsburg and Bourbon dynasties, from Charles I to the present, except for Philip V and his son Ferdinand VI . The sepulchres also contain the remains of royal consorts who were parents of monarchs. The only king consort is Francis of Asis de Bourbon , husband of Queen Isabella II and father of Alfonso XII . The most recent monarch interred in

5644-647: The rest), rise the pointed belfries and round dome of the basilica. Philip's instructions to Juan Bautista de Toledo were simple and clear, directing that the architects should produce "simplicity in the construction, severity in the whole, nobility without arrogance, majesty without ostentation." Aside from its explicit purposes, the complex is also an enormous storehouse of art. In it are displayed masterworks by Titian , Tintoretto , Benvenuto Cellini , El Greco , Velázquez , Rogier van der Weyden , Paolo Veronese , Bernini , Alonso Cano , José de Ribera , Claudio Coello , and others. Giambattista Castello designed

5727-400: The rooms of Philip II and of the Infanta Isabella Clara Eugenia . Another outbuilding is that of Alcoba del Rey , housing the bed in which Philip II died. The basilica of San Lorenzo el Real, the central building in the El Escorial complex, was originally designed, like most of the late Gothic cathedrals of Western Europe, to take the form of a Latin cross . As such, it has a long nave on

5810-413: The royal monastery itself and La Granjilla de La Fresneda , a royal hunting lodge and monastic retreat about five kilometres (3.1 mi) away. These sites have a dual nature: during the 16th and 17th centuries, they were places in which the power of the Spanish monarchy and the ecclesiastical predominance of the Roman Catholic religion in Spain found a common architectural manifestation. El Escorial

5893-418: The shape of a Greek cross and an enormous dome, inspired by St. Peter's Basilica in Rome, above the crossing. The naves are covered over by barrel vaults decorated with frescoes by Luca Giordano . The main altarpiece is 30 metres (98 ft) high and divided into compartments of different sizes where are found bronze sculptures, and canvases by Pellegrino Tibaldi , Federico Zuccari , and Leone Leoni . In

5976-555: The stark rigidity and grim purposefulness of the Inquisition , the two sides of the Counter-Reformation . The most richly decorated part of the church is the area surrounding the high altar. Behind the altar is a three-tiered reredos , or altar screen, made of red granite and jasper , nearly 28 metres (92 ft) tall, adorned with gilded bronze statuary by Leone Leoni , and three sets of religious paintings commissioned by Philip II. To either side are gilded life-size bronzes of

6059-438: The status of a Spanish infante , making him eligible for interment in the Pantheon of the Princes. Upon his death in October 2015, his funeral was held at El Escorial and his body placed in the pudridero , awaiting future interment in the pantheon. Thirty-seven of the sixty available niches are filled. Consists of works of the German , Flemish , Venetian , Lombard , Ligurian and more Italian and Spanish schools from

6142-410: The wood used in El Escorial comes from the ancient forests of Sagua La Grande , on the so-called Golden Coast of Cuba. The pantheon's name in Spanish is Panteón de Infantes . Completed in 1888, this group of nine burial chapels is the final resting place of princes, princesses, and consorts other than the parents of monarchs. With floors and ceiling of white marble, the tomb of Prince John of Austria

6225-723: Was a rationalist architect , among the most important of his generation. The best known of his works are the Casa de las Flores and Nuevos Ministerios of Madrid (whose construction he did not direct). In city planning, his plan for the Comarca of Madrid and his project for the extension of the Paseo de la Castellana (also in Madrid) are important. In his earlier years, Secundino's work was characterized by an inclination toward traditional architecture. A trip that he took to Netherlands and other parts of central Europe left an impression on him of

6308-531: Was a Renaissance statement of power, majesty, prowess, and intellectual world leadership, designed for both the preservation of the old (binding multiple cultural histories into a single Catholic Spanish culture) and discovery of the new (imprinted by that culture). The vault of the library's ceiling is decorated with frescoes, painted by Pellegrino Tibaldi , depicting the seven liberal arts : grammar , rhetoric , dialectic , music , arithmetic , geometry , and astronomy . This arrangement of parallel book cases

6391-665: Was both a Spanish royal palace and a monastery. Established with a community of Hieronymite monks, it has become a monastery of the Order of Saint Augustine . It was also a boarding school: the Real Colegio de Alfonso XII. Philip II engaged the Spanish architect Juan Bautista de Toledo to be his collaborator in the building of the complex at El Escorial. Toledo had spent the greater part of his career in Rome, where he had worked on St. Peter's Basilica , and in Naples serving

6474-687: Was demolished. Another important milestone of the project was the construction of rail links between the stations in Madrid . Again Zuazo, this time as a member of the Railways Commission of the Ministry of Public Works , played a relevant role, in charge of convincing Minister Prieto of the inconvenience of placing the Ministry of the Interior in the center of Madrid (in Callao ) And to build

6557-529: Was improved. There were gardens on the terraces. Secundino achieved a notable architectural feat in The House of Flowers. Characterized by a clean architectural form, the building was a mesmerizing interplay between volume and void. Portals, windows and terraces created the effect of variety. The straight and boxed corners of these were novel at that time. The House of Flowers was a pioneering work of architecture. . El Escorial El Escorial , or

6640-431: Was initiated by Philip II and was called the "wall system". The fire of 1671, which engulfed the library, destroyed about 5,280 handwritten codices , but the printed collections were saved. The printed collection of the library is made up of more than 600 incunabulas , 10,608 books from the 16th century, 2,179 books from the 17th century, and an increasing number of books from the 18th century. The manuscript collection

6723-506: Was inspired by Herrera's design, after a visit, for his design of the Vatican Library . Philip was involved in every part of the design process of the library. The Royal Library, like everything else in El Escorial, forms part of a larger symbolic structure and has symbolic meaning. It links the monastery and the seminary across the principal axis of the building, symbolizing the union of the spiritual and physical world. The books on

6806-477: Was the basis for El Escorial, was extensively modified to accommodate the additional functions Philip II intended the building to serve. Besides being a monastery, El Escorial is also a pantheon, a basilica, a convent, a school, a library, and a royal palace. All these functional demands resulted in a doubling of the building's size from the time of its original conception. Built primarily from locally quarried gray granite, square and sparsely ornamented, El Escorial

6889-465: Was the most productive in his career as an urban planner. Unfortunately, with the breakout of the Civil War , Secundino had to flee to France. Things did not get any better upon his return to Spain, where he was imprisoned. Before the Civil War had broken out and Secundino had fled to France, he was commissioned by Indalecio Prieto , the minister of Public Works, to design a complex that would house

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