Mid 20th Century
90-611: As an individual (2 reigns): The Shimmer Tag Team Championship (stylized as SHIMMER Tag Team Championship ) is a professional wrestling tag team championship in Shimmer Women Athletes . The title is recognized nationally by Ring of Honor , and also by several independent promotions, including American Luchacore, Insanity Pro Wrestling and Shine Wrestling , where it has also been defended. It has also been defended in Japan at Joshi 4 Hope independent events. Since
180-435: A bona fide athletic contest or competition. Professional wrestling is not a combative sport. Wrestling constituting bona fide athletic contests and competitions, which may be professional or amateur combative sport, shall not be deemed professional wrestling under this Part. Professional wrestling as used in this Part shall not depend on whether the individual wrestlers are paid or have been paid for their performance in
270-415: A performing art evolved from the common practice of match-fixing among American wrestlers in the 19th century, who later sought to make matches shorter, more entertaining, and less physically taxing. As the public gradually realized and accepted that matches were predetermined, wrestlers responded by increasingly adding melodrama, gimmickry, and outlandish stunt work to their performances to further enhance
360-411: A production team is a studio that creates works in the fields of performing arts , new media art , film , television , radio , comics , interactive arts , video games , websites , music , and video . These groups consist of technical staff and members to produce the media, and are often incorporated as a commercial publisher . Generally the term refers to all individuals responsible for
450-415: A professional wrestling exhibition. All engagements of professional wrestling shall be referred to as exhibitions, and not as matches. In the industry's slang, a fixed match is referred to as a worked match, derived from the slang word for manipulation, as in "working the crowd". A shoot match is a genuine contest where both wrestlers fight to win and are therefore "straight shooters", which comes from
540-773: A "one time hit" or an ongoing "entertainment franchise " that can be continued, remade, rebooted , or expanded into other sister industries; such as the video game industry (see Star Wars , Star Trek ). Entertainment projects can be either an original or an adaptation from another industry. In rare occasional cases, a few troubled major studios would also shed their distribution and/or marketing staffs, mainly due to reduced resources, and resort to co-investing and/or co-distributing film projects with larger studios, operating as virtual, production-only movie studios. Notable examples include legendary studio Metro-Goldwyn-Mayer , which, after many years of box office flops (mostly with low budgets), bad management and distribution, and bankruptcy,
630-413: A background in authentic wrestling no longer mattered. After this time, matches became more outlandish and gimmicky and any semblance professional wrestling had to catch wrestling faded. The personas of the wrestlers likewise grew more outlandish. Gorgeous George , who performed throughout the 1940s and 1950s, was the first wrestler whose entrance into the arena was accompanied by a theme song played over
720-532: A carny term for a shooting gallery gun whose sights were not deliberately misaligned. Wrestling in the United States blossomed in popularity after the Civil War , with catch wrestling eventually becoming the most popular style. At first, professional wrestlers were genuine competitive fighters, but they struggled to draw audiences because Americans did not find real wrestling to be very entertaining, so
810-519: A central authority. Nor could any of them stomach the idea of leaving the NWA themselves to compete directly with McMahon, for that would mean their territories would become fair game for the other NWA members. McMahon also had a creative flair for TV that his rivals lacked. For instance, the AWA's TV productions during the 1980s were amateurish, low-budget, and out-of-touch with contemporary culture, which lead to
900-585: A champion that Curley put forth: Dick Shikat . The National Wrestling Association shut down in 1980. In 1948, a number of promoters from across the country came together to form the National Wrestling Alliance (NWA). The NWA recognized one "world champion", voted on by its members, but allowed member promoters to crown their own local champions in their territories. If a member poached wrestlers from another member, or held matches in another member's territory, they risked being ejected from
990-405: A contract) or as a subsidiary for an entertainment company, motion picture company, television network, or all, and are generally smaller than the company they are partnered with. A book to film unit is a unit of a book publishing company for the purposes of getting books that they published adapted into film . Films have been using books as a prime source for films for years. In 2012, six out of
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#17328017319331080-415: A degree. Vince Russo, the boss of WCW in 2000, completely disregarded kayfabe by routinely discussing business matters and office politics in public, which alienated fans. I watch championship wrestling from Florida with wrestling commentator Gordon Solie . Is this all "fake"? If so, they deserve an Oscar . Production company A production company , production house , production studio , or
1170-614: A development and co-finance plan. Macmillan Films was launched by Thomas Dunne Books in October 2010 under the packaging model similar to Alloy while also moving to get film rights from Dunne's published author. Also that year, Random House changed their strategy to film development and packaging only. Condé Nast Entertainment was started by Magazine publisher Conde Nast in October 2012. In 2013, Macmillan Films became Macmillan Entertainment with an expansion to look at other divisions' book for possible films. A production company
1260-404: A distinct vernacular . It has achieved mainstream success and influence within popular culture , with many terms, tropes , and concepts being referenced in everyday language as well as in film , music , television , and video games . Likewise, numerous professional wrestlers have become national or international icons with recognition by the broader public. In the United States, wrestling
1350-410: A fee, a visitor could challenge the wrestler to a quick match. If the challenger defeated the champion in a short time frame, usually 15 minutes, he won a prize. To encourage challenges, the carnival operators staged rigged matches in which an accomplice posing as a visitor challenged the champion and won, giving the audience the impression that the champion was easy to beat. This practice taught wrestlers
1440-405: A legitimate sport. Firstly, wrestling was more entertaining when it was faked, whereas fakery did not make boxing any more entertaining. Secondly, in a rigged boxing match, the designated loser must take a real beating for his "defeat" to be convincing, but wrestling holds can be faked convincingly without inflicting injury. This meant that boxers were less willing to "take dives"; they wanted to have
1530-799: A match against Gus Sonnenberg in January 1929. Bowser then broke away from the trust to form his own cartel, the American Wrestling Association (AWA), in September 1930, and he declared Sonnenberg to be the AWA champion. This AWA should not be confused with Wally Kadbo's AWA founded in 1960. Curley reacted to this move by convincing the National Boxing Association to form the National Wrestling Association , which in turn crowned
1620-424: A more literal meaning in those places. A notable example is India's Pro Wrestling League . In numerous American states, professional wrestling is legally defined as a non-sport. For instance, New York defines professional wrestling as: Professional wrestling means an activity in which participants struggle hand-in-hand primarily for the purpose of providing entertainment to spectators and which does not comprise
1710-440: A new city, attendance was high because there was a waiting fanbase cultivated in advance by the cable TV shows. The NWA's traditional anti-competitive tricks were no match for this. The NWA attempted to centralize and create their own national cable television shows to counter McMahon's rogue promotion, but it failed in part because the members of the NWA, ever protective of their territories, could not stomach submitting themselves to
1800-465: A private corporate investment entity (see Legendary Pictures ). Their only source of profit comes from the productions they produce. Because entertainment and media are currently in "high demand", a production company can profit if its management is capable of using its resources to supply good quality products and services to the public. Many entertainment production companies brand their entertainment projects. An entertainment project can either become
1890-451: A production. The entertainment industry is centered on funding (investments from studios, investment firms, or individuals either from earnings from previous productions or personal wealth), projects (scripts and entertainment franchises), and talent ( actors , directors, screenwriters , and crew). Production companies are judged and ranked based on the amount of funding it has, as well the productions it has completed or been involved with in
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#17328017319331980-445: A self-publishing vanity press which are paid services. Both large and small production studios have an editorial board or editor-in-chief , along with other forms of a command hierarchy . Entertainment companies operate as mini conglomerate , operating many divisions or subsidiaries in many different industries. Warner Bros. Entertainment and Lionsgate Entertainment are two companies with this corporate structure. It allows for
2070-426: A single company to maintain control over seemingly unrelated companies that fall within the ranges of entertainment, which increases and centralises the revenue into one company (example: a film production company, TV production company, video game company, and comic book company are all owned by a single entertainment company). A motion picture company, such as Paramount Pictures , specializing "only" in motion pictures
2160-503: A typical American household only received four national channels by antenna, and ten to twelve local channels via UHF broadcasting . But cable television could carry a much larger selection of channels and therefore had room for niche interests. The WWF started with a show called All-American Wrestling airing on the USA Network in September 1983. McMahon's TV shows made his wrestlers national celebrities, so when he held matches in
2250-586: A victory for all the pain to which they subjected themselves. In the 1910s, promotional cartels for professional wrestling emerged in the East Coast (outside its traditional heartland in the Midwest ). These promoters sought to make long-term plans with their wrestlers, and to ensure their more charismatic and crowd-pleasing wrestlers received championships, further entrenching the desire for worked matches. The primary rationale for shoot matches at this point
2340-436: Is a form of athletic theater that combines mock combat with drama , with the premise that the performers are competitive wrestlers. Professional wrestling is distinguished by its scripted outcomes and emphasis on entertainment and showmanship . The staged nature of matches is an open secret , with both wrestlers and spectators nonetheless maintaining the pretense that performances are bona fide competitions, which
2430-410: Is a true sport. Wrestlers would at all times flatly deny allegations that they fixed their matches, and they often remained in-character in public even when not performing. When in public, wrestlers would sometimes say the word kayfabe to each other as a coded signal that there were fans present and they needed to be in character. Professional wrestlers in the past strongly believed that if they admitted
2520-402: Is considered to be a small production company. These companies often work with up and coming talent. Small production companies will either grow to become a major production company, a subsidiary completely owned by another company, remain small, or fail. The success of an entertainment production company is centered on the projects it produces, the talent it can acquire, and the performance of
2610-427: Is generally practiced in an amateur context. No professional league for competitive wrestling exists due to a lack of popularity. For example, Real Pro Wrestling , an American professional freestyle wrestling league, dissolved in 2007 after just two seasons. In other countries, such as Iran and India , wrestling enjoys widespread popularity as a genuine sport, and the phrase "professional wrestling" therefore has
2700-470: Is likened to the suspension of disbelief employed when engaging with fiction . Professional wrestlers perform as characters and usually maintain a " gimmick " consisting of a specific persona , stage name , entrance theme , and other distinguishing traits. Matches are the primary vehicle for advancing storylines, which typically center on interpersonal conflicts, or feuds , between heroic " faces " and villainous " heels ". A wrestling ring , akin to
2790-442: Is only connected with its other counterpart industries through its parent company. Instead of performing a corporate reorganization, many motion picture companies often have sister companies they collaborate with in other industries that are subsidiaries owned by their parent company and is often not involved in the making of products that are not motion picture related. A film production company can either operate as an affiliate (under
Shimmer Tag Team Championship - Misplaced Pages Continue
2880-410: Is owned by Paramount Global ). Alloy Entertainment while not a unit of a publisher started using a book packaging to film model of film and TV development by developing the property in-house, hire authors for the books and films, so as to own the property. Random House was the first big six book publisher to establish a book to film unit, Random House Films , in 2005 with a Focus Features deal under
2970-448: Is usually run by a producer or director, but can also be run by a career executive. In entertainment, a production company relies highly on talent or a well known entertainment franchise to raise the value of an entertainment project and draw out larger audiences. This gives the entertainment industry a democratized power structure to ensure that both the companies and talent receive their fair share of pay and recognition for work done on
3060-624: The New Jersey State Athletic Control Board that professional wrestling is not a real sport because its matches have predetermined outcomes. Shortly thereafter, New Jersey deregulated professional wrestling. The WWF then rebranded itself as a " sports entertainment " company. In the early years of the 20th century, the style of wrestling used in professional wrestling matches was catch wrestling . Promoters wanted their matches to look realistic and so preferred to recruit wrestlers with real grappling skills. In
3150-477: The concentration of media ownership , who act as the production company' s partner or parent company . This has become known as the "studio system". Independent studios usually prefer production house (see Lionsgate ), production studio (see Amazon Studios ), or production team (see Rooster Teeth ). In the case of television, a production company would serve under a television network . Production companies can work together in co-productions . In music,
3240-557: The independent circuit , to internationally broadcast events at major arenas. The largest and most influential promotions are in the United States , Mexico , Japan , and northwest Europe (the United Kingdom , Germany/Austria and France ), which have each developed distinct styles, traditions, and subgenres within professional wrestling. Professional wrestling has developed its own culture and community , including
3330-431: The spectacle . By at least the early 20th century, professional wrestling had diverged from the competitive sport to become an artform and genre of sports entertainment . Professional wrestling is performed around the world through various " promotions ", which are roughly analogous to production companies or sports leagues . Promotions vary considerably in size, scope, and creative approach, ranging from local shows on
3420-584: The 1920s, a group of wrestlers and promoters known as the Gold Dust Trio introduced moves which have since become staples of the mock combat of professional wrestling, such as body slams, suplexes , punches, finishing moves, and out-of-ring count-outs. By the early 1930s, most wrestlers had adopted personas to generate public interest. These personas could broadly be characterized as either faces (likeable) or heels (villainous). Native Americans, cowboys, and English aristocrats were staple characters in
3510-400: The 1930s and 1940s. Before the age of television, some wrestlers played different personas depending on the region they were performing in. This eventually came to an end in the age of national television wrestling shows, which forced wrestlers to stick to one persona. Wrestlers also often used some sort of gimmick, such as a finishing move, eccentric mannerisms, or out-of-control behavior (in
3600-509: The 1990s, WCW became a credible rival to the WWF, but by end it suffered from a series of creative missteps that led to its failure and purchase by the WWF. One of its mistakes was that it diminished the glamor of its World Heavyweight Championship . Between January 2000 and March 2001, the title changed hands eighteen times, which sapped fan enthusiasm, particularly for the climactic pay-per-view matches. In professional wrestling, two factors decide
3690-653: The Atlantic Athletic Corporation (AAC). The AAC shut down in 1960. In 1958, Omaha promoter and NWA member Joe Dusek recognized Verne Gagne as the world champion without the approval of the NWA. Gagne asked for a match against the recognized NWA champion Pat O'Connor. The NWA refused to honor the request, so Gagne and Minneapolis promoter Wally Karbo established the American Wrestling Association in 1960. This AWA should not be confused with Paul Bowser's AWA, which ceased operations just two months prior. Gagne's AWA operated out of Minnesota . Unlike
Shimmer Tag Team Championship - Misplaced Pages Continue
3780-408: The NWA, at which point his territory became fair game for everyone. The NWA would blacklist wrestlers who worked for independent promoters or who publicly criticized an NWA promoter or who did not throw a match on command. If an independent promoter tried to establish himself in a certain area, the NWA would send their star performers to perform for the local NWA promoter to draw the customers away from
3870-488: The NWA, which only allowed faces to be champions, Gagne occasionally allowed heels to win the AWA championship so that they could serve as foils for him. In August 1983, the World Wrestling Federation (WWF), a promotion in the north-east , withdrew from the NWA. Vince K. McMahon then took over as its boss. No longer bound by the territorial pact of the NWA, McMahon began expanding his promotion into
3960-401: The arena's loudspeakers, his being Pomp and Circumstance . He also wore a costume: a robe and hairnet, which he removed after getting in the ring. He also had a pre-match ritual where his "butler" would spray the ring with perfume. In the 1980s, Vince McMahon made entrance songs, costumes, and rituals standard for his star wrestlers. For instance, McMahon's top star Hulk Hogan would delight
4050-418: The art of staging rigged matches and fostered a mentality that spectators were marks to be duped. The term kayfabe comes from carny slang. By the turn of the 20th century, most professional wrestling matches were "worked" and some journalists exposed the practice: American wrestlers are notorious for the amount of faking they do. It is because of this fact that suspicion attaches to so many bouts that
4140-561: The audience by tearing his shirt off before each match. The first major promoter cartel emerged on the East Coast, although up to that point, wrestling's heartland had been in the Midwest. Notable members of this cartel included Jack Curley , Lou Daro, Paul Bowser and Tom and Tony Packs. The promoters colluded to solve a number of problems that hurt their profits. Firstly, they could force their wrestlers to perform for less money. As
4230-424: The cartel grew, there were fewer independent promoters where independent wrestlers could find work, and many were forced to sign a contract with the cartel to receive steady work. The contracts forbade them from performing at independent venues. A wrestler who refused to play by the cartel's rules was barred from performing at its venues. A second goal of the wrestling cartels was to establish an authority to decide who
4320-418: The case of heels). The matches could also be gimmicky sometimes, with wrestlers fighting in mud and piles of tomatoes and so forth. The most successful and enduring gimmick to emerge from the 1930s were tag-team matches. Promoters noticed that matches slowed down as the wrestlers in the ring tired, so they gave them partners to relieve them. It also gave heels another way to misbehave by double-teaming. Towards
4410-423: The character in shows must be considered fictional, wholly separate from the life of the performer. This is similar to other entertainers who perform with a persona that shares their own name. Some wrestlers also incorporate elements of their real-life personalities into their characters, even if they and their in-ring persona have different names. Kayfabe is the practice of pretending that professional wrestling
4500-512: The commission. The Commission did on very rare occasions hand out such authorizations, such as for a championship match between Jim Londos and Jim Browning in June 1934. This decree did not apply to amateur wrestling, which the commission had no authority over. Wrestling fans widely suspected that professional wrestling was fake, but they did not care as long as it entertained. In 1933, a wrestling promoter named Jack Pfefer started talking about
4590-455: The company's daily activities. In some cases, a production company can be run by only a handful of people. The company's funds are mainly committed towards employing talent, crew, and acquiring new updated production equipment on a regular basis. Many productions often require at least one to two cameras and lighting equipment for on location shooting. Production equipment is either leased or purchased from another production company or directly from
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#17328017319334680-742: The creation of the Shimmer Championship , there was a growing interest in creating a Shimmer Tag Team Championship. This was stemmed from a growing number of teams such as The Experience and The Minnesota Home Wrecking Crew , and frequent tag team matches on the cards of Shimmer events. In October 2008, the first champions were crowned when the duo of Ashley Lane and Nevaeh won a Gauntlet Match involving six teams at Shimmer Volume 21 . As of November 28, 2024 Professional wrestling 1970s and 1980s 1990s 2000s 2010s and 2020s Professional wrestling (often referred to as pro wrestling , or simply, wrestling )
4770-540: The current fashion of wrestling is the universal discussion as to the honesty of the matches. And certainly the most interesting phrase of this discussion is the unanimous agreement: "Who cares if they're fixed or not—the show is good." Newspapers tended to shun professional wrestling, as journalists saw its theatrical pretense to being a legitimate sport as untruthful. Eventually promoters resorted to publishing their own magazines in order to get press coverage and communicate with fans. The first professional wrestling magazine
4860-405: The end of the 1930s, faced with declining revenues, promoters chose to focus on grooming charismatic wrestlers with no regard for their skill because it was charisma that drew the crowds, and wrestlers who were both skilled at grappling and charismatic were hard to come by. Since most of the public by this time knew and accepted that professional wrestling was fake, realism was no longer paramount and
4950-440: The exposure, when shooting in public locations, major productions often employ security to ensure the protection of the talent and crew working on a specific production. After filming is completed, the production enters into post production, which is handled by a post production company and overseen by the production company. The editing, musical score, visual effects, re-recording of the dialog, and sound effects are "mixed" to create
5040-603: The facade of kayfabe as best as they could. In 1989, Vince McMahon testified before the New Jersey government that professional wrestling was not a true sport and therefore should be exempted from sports-related taxes. Many wrestlers and fans resented McMahon for this, but Lou Thesz accepted it as the smart move as it gave the industry more freedom to do as it pleased, and because by that point professional wrestling no longer attempted to appear real. The demise of WCW in 2001 provided some evidence that kayfabe still mattered to
5130-425: The final film, which is then screened at the final screening. Marketing is also launched during this phase, such as the release of trailers and posters. Once a final film has been approved, the film is taken over by the distributors, who then release the film. For legal reasons, it is common within the entertainment industry for production companies not to accept unsolicited materials from any other company, talent, or
5220-470: The first place. "Double-crosses", where a wrestler agreed to lose a match but nevertheless fought to win, remained a problem in the early cartel days. At times a promoter would even award a victorious double-crosser the title of champion to preserve the facade of sport. But promoters punished such wrestlers by blacklisting them, making it quite challenging to find work. Double-crossers could also be sued for breach of contract, such as Dick Shikat in 1936. In
5310-610: The game is not popular here. Nine out of ten bouts, it has been said, are pre-arranged affairs, and it would be no surprise if the ratio of fixed matches to honest ones was really so high. The wrestler Lou Thesz recalled that between 1915 and 1920, a series of exposés in the newspapers about the integrity of professional wrestling alienated a lot of fans, sending the industry "into a tailspin". But rather than perform more shoot matches, professional wrestlers instead committed themselves wholesale to fakery. Several reasons explain why professional wrestling became fake whereas boxing endured as
5400-460: The government. They pledged to stop allocating exclusive territories to its promoters, to stop blacklisting wrestlers who worked for outsider promoters, and to admit any promoter into the Alliance. The NWA would flout many of these promises, but its power was nonetheless weakened by the lawsuit. Paul Bowser's AWA joined the NWA in 1949. The AWA withdrew from the Alliance in 1957 and renamed itself
5490-426: The guild. Productions with smaller budgets are allowed to use both guild talent and talent from the public. The majority of the talent and crew working in the entertainment industry are members of their professions guild. Most productions in the entertainment industry are guild productions. A production company is responsible for the development and filming of a specific production or media broadcast. In entertainment,
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#17328017319335580-526: The independent. By 1956, the NWA controlled 38 promotions within the United States, with more in Canada, Mexico, Australia and New Zealand. The NWA's monopolistic practices became so stifling that the independents appealed to the government for help. In October 1956 the US Attorney General's office filed an antitrust lawsuit against the NWA in an Iowa federal district court. The NWA settled with
5670-480: The industry was anything but a competitive sport. The first wrestling promoter to publicly admit to routinely fixing matches was Jack Pfefer . In 1933, he started talking about the industry's inner workings to the New York Daily Mirror , resulting in a huge exposé. The exposé neither surprised nor alienated most wrestling fans, although some promoters like Jack Curley were furious and tried to restore
5760-496: The industry's inner workings to the New York Daily Mirror , maintaining no pretense that wrestling was real and passing on planned results just before the matches took place. While fans were neither surprised nor alienated, traditionalists like Jack Curley were furious, and most promoters tried to maintain the facade of kayfabe as best they could. Not the least interesting of all the minor phenomena produced by
5850-440: The manufacturer. In the entertainment industry, in order to secure experienced professional talent and crew, production companies often become a signatory company to that talent or crew members "guild". By becoming a signatory company, it agrees to abide by the guild regulations. All big budget guild productions are exclusive to guild members and non guild members are not allowed to participate in these productions unless authorized by
5940-498: The members of wrestling cartels as the champion drew big crowds wherever he performed, and this would occasionally lead to schisms. By 1925, this cartel had divided the country up into territories which were the exclusive domains of specific promoters. This system of territories endured until Vince McMahon drove the fragmented cartels out of the market in the 1980s. This cartel fractured in 1929 after one of its members, Paul Bowser , bribed Ed "Strangler" Lewis to lose his championship in
6030-485: The nine best picture Oscar nominees were originally books. Previously, publishers did not develop their books into movie nor receive any of the profits. Neither Scholastic or Little Brown, get any box office revenue from the Harry Potter and The Twilight Saga movies just through book sales. As the publishers faced decreasing revenue due to increased competition from self-published e-books, or Amazon.com moving into
6120-424: The past. If a production company has major funding either through earnings, studio investors, or private investors, and has done or been involved with big budget productions in the past, it is considered to be a major production company. These companies often work with well-known and expensive talent. If a production company does not have much funding and has not done or been involved with any big budget productions, it
6210-437: The platform used in boxing , serves as the main stage ; additional scenes may be recorded for television in backstage areas of the venue, in a format similar to reality television . Performers generally integrate authentic wrestling techniques and fighting styles with choreography , stunts , improvisation , and dramatic conventions designed to maximize entertainment value and audience engagement. Professional wrestling as
6300-464: The production or may accomplish this through a parent company , partner, or private investor. It handles budgeting, scheduling, scripting, the supply with talent and resources , the organization of staff, the production itself, post-production , distribution, and marketing . Production companies are often either owned or under contract with a media conglomerate , film studio , record label , video game publisher , or entertainment company, due to
6390-416: The production process begins with the development of a specific project. Once a final script has been produced by the screenwriters, the production enters into the pre-production phase, most productions never reach this phase for financing or talent reasons. In pre-production, the actors are signed on and prepared for their roles, crew is signed on, shooting locations are found, sets are built or acquired, and
6480-486: The production's shooting locations for both privacy and safety reasons. In many cases, the director, producers, and the leading actors are often the only people with access to a full or majority of a single script. Supporting actors, background actors, and crew often never receive a full copy of a specific script to prevent leaks. Productions are often shot in secured studios, with limited to no public access, but they are also shot on location on secured sets or locations. Due to
6570-717: The promotion's closing in 1991. In the spring of 1984, the WWF purchased Georgia Championship Wrestling (GCW), which had been ailing for some time due to financial mismanagement and internal squabbles. In the deal, the WWF acquired the GCW's timeslot on TBS . McMahon agreed to keep showing Georgia wrestling matches in that timeslot, but he was unable to get his staff to Atlanta every Saturday to fulfill this obligation, so he sold GCW and its TBS timeslot to Jim Crockett Promotions (JCP). JCP started informally calling itself World Championship Wrestling (WCW). In 1988, Ted Turner bought JCP and formally renamed it World Championship Wrestling. During
6660-552: The proper shooting permits are acquired for on location shooting. Actors and crew are hand picked by the producer, director, and casting director, who often use collaborators or referenced personnel to prevent untrusted or unwelcomed people from gaining access to a specific production and compromising the entire production through leaks. Once a production enters into principal photography, it begins filming. Productions are almost never cancelled once they reach this phase. Codenames are often used on bigger productions during filming to conceal
6750-517: The publishing field, publishers have started to enter the film and TV production business to boost their net income with Amazon attempting to compete there too. More screenwriters are turning to book publishers to get their screenplay published as a book, so as to have a boost in their attempt to have the screenplay turned into a movie, given that it is a known product after the book. Publisher Simon & Schuster , though not involved with film and TV, shares possible film and TV deals with CBS (S&S
6840-440: The stamina for an hours-long fight. Audiences also preferred short matches. Worked matches also carried less risk of injury, which meant shorter recovery. Altogether, worked matches proved more profitable than shoots. By the end of the 19th century, nearly all professional wrestling matches were worked. A major influence on professional wrestling was carnival culture. Wrestlers in the late 19th century worked in carnival shows. For
6930-415: The talent. Marketing is also a major factor. All films, as a tradition, are often marketed around the image and the performance of the actors; with an option of marketing the behind the scenes crew such as the directors and screenwriters. Unlike many other businesses, a production company does not rely on an ongoing revenue stream , they operate on ongoing investments; this often requires a parent company or
7020-407: The technical aspects of creating a particular product, regardless of where in the process their expertise is required, or how long they are involved in the project. For example, in a theatrical performance, the production team has not only the running crew , but also the theatrical producer , designers , and theatrical direction . The production company may be directly responsible for fundraising
7110-615: The term production team typically refers to a group of individuals filling the role of " record producer " usually reserved for one individual. Some examples of musical production teams include Matmos and D-Influence . The aforementioned publishing conglomerates distribute said creative works, but it is not uncommon for production companies to act as a publication . For example, The Walt Disney Company and Nintendo act as publisher for Walt Disney Animation Studios and Nintendo Entertainment Planning & Development respectively. Self-publishing , in this case, should not be confused with
7200-426: The territories of his former NWA peers, now his rivals. By the end of the 1980s, the WWF would become the sole national wrestling promotion in the U.S. This was in part made possible by the rapid spread of cable television in the 1980s. The national broadcast networks generally regarded professional wrestling as too niche an interest, and had not broadcast any national wrestling shows since the 1950s. Before cable TV,
7290-519: The trial, witnesses testified that most of the "big matches" and all of the championship bouts were fixed. By the 1930s, with the exception of the occasional double-cross or business dispute, shoot matches were essentially nonexistent. In April 1930, the New York State Athletic Commission decreed that all professional wrestling matches held in the state had to be advertised as exhibitions unless certified as contests by
7380-471: The truth, their audiences would desert them. Today's performers don't "protect" the industry like we did, but that's primarily because they've already exposed it by relying on silly or downright ludicrous characters and gimmicks to gain popularity with the fans. It was different in my day, when our product was presented as an authentic, competitive sport. We protected it because we believed it would collapse if we ever so much as implied publicly that it
7470-535: The way of proceedings: the "in-show" happenings, presented through the shows; and real-life happenings outside the work that have implications, such as performer contracts, legitimate injuries, etc. Because actual life events are often co-opted by writers for incorporation into storylines of performers, the lines between real life and fictional life are often blurred and become confused. Special discern must be taken with people who perform under their own name (such as Kurt Angle and his fictional persona ). The actions of
7560-420: The wrestlers quietly began faking their matches so that they could give their audiences a satisfying spectacle. Fixing matches was also convenient for scheduling. A real ("shoot") match could sometimes last hours, whereas a fixed ("worked") match can be made short, which was convenient for wrestlers on tour who needed to keep appointments or share venues. It also suited wrestlers who were aging and therefore lacked
7650-425: Was Wrestling As You Like It , which printed its first issue in 1946. These magazines were faithful to kayfabe . Before the advent of television, professional wrestling's fanbase largely consisted of children, the elderly, blue-collar workers and minorities. When television arose in the 1940s, professional wrestling got national exposure on prime-time television and gained widespread popularity. Professional wrestling
7740-488: Was challenges from independent wrestlers. But a cartelized wrestler, if challenged, could credibly use his contractual obligations to his promoter as an excuse to refuse the challenge. Promotions would sometimes respond to challenges with "policemen": powerful wrestlers who lacked the charisma to become stars, but could defeat and often seriously injure any challenger in a shoot match. As the industry trend continued, there were fewer independent wrestlers to make such challenges in
7830-650: Was previously considered a niche interest, but the TV networks at the time were short on content and thus were willing to try some wrestling shows. In the 1960s, however, the networks moved on to more mainstream interests such as baseball, and professional wrestling was dropped. The core audience then shrunk back to a profile similar to that of the 1930s. In 1989, Vince McMahon was looking to exempt his promotion (the World Wrestling Federation ) from sports licensing fees. To achieve this, he testified before
7920-649: Was restructured at the end of 2010 under new management and currently struck deals with some of the Big Six studios (most notably the Sony Pictures Motion Picture Group and Warner Bros. ); Miramax , which was downsized by former owner Disney into a smaller division. Because a production company is only operational when a production is being produced and most of the talent and crew are freelancers , many production companies are only required to hire management staff that helps to oversee
8010-415: Was something other than what it appeared to be. I'm not sure now the fear was ever justified given the fact that the industry is still in existence today, but the point is no one questioned the need then. "Protecting the business" in the face of criticism and skepticism was the first and most important rule a pro wrestler learned. No matter how aggressive or informed the questioner, you never admitted
8100-417: Was the "world champion". Before the cartels, there were multiple wrestlers in the U.S. simultaneously calling themselves the "world champion", and this sapped public enthusiasm for professional wrestling. Likewise, the cartel could agree on a common set of match rules that the fans could keep track of. The issue over who got to be the champion and who controlled said champion was a major point of contention among
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