67-586: Smedmore House is a country house near Kimmeridge , Dorset , in England. It was originally built by Sir William Clavell around 1620, partially rebuilt by Edward Clavell around 1700, and greatly augmented by George Clavell around 1760. It is a Grade II* listed building . It is not normally open to the public, although there are regular open days and the House can be rented or hired for functions. The manor of Smedmore, near Kimmeridge , had historically belonged to
134-459: A "manshon" ( Japanese : マンション ), stemming from the English word "mansion", is used to refer to a multi-unit apartment complex or condominium . In Europe, from the 15th century onwards, a combination of politics and advances in weaponry negated the need for the aristocracy to live in fortified castles. As a result, many were transformed into mansions without defences or demolished and rebuilt in
201-498: A Roman or medieval villa ). Manor comes from the same root—territorial holdings granted to a lord who would "remain" there. Following the fall of Rome, the practice of building unfortified villas ceased. Today, the oldest inhabited mansions around the world usually began their existence as fortified houses in the Middle Ages . As social conditions slowly changed and stabilised fortifications were able to be reduced, and over
268-583: A countryside estate in the U.S. was demolished in 1980, along with its extensive gardens, to make way for suburban developments. In Paris, London or Rome , many large mansions and palazzi built or remodeled during the era still survive. Grand Federal style mansions designed by Samuel McIntire inhabit an area that, in 2012, is the largest collection of 17th- and 18th-century structures in the United States of America. This district in Salem, Massachusetts ,
335-428: A fortunate few; it was the centre of its own world, providing employment to hundreds of people in the vicinity of its estate . In previous eras, when state benefits were unheard of, those working on an estate were among the most fortunate, receiving secured employment and rent-free accommodation. At the summit of this category of people was the indoor staff of the country house. Unlike many of their contemporaries prior to
402-503: A function hall (named for Alexander Hamilton) and a church for the town's merchant class. McIntire also designed the former Salem Court House and Registry of Deeds. After 1793, Samuel McIntire worked exclusively in the architectural style developed by Robert Adam in Great Britain and brought to America by the great Boston architect, Charles Bulfinch. The delicate Adam style , which emphasized decorative elements and ornamentation,
469-702: A great-granddaughter of Sir Thomas More , but the marriage proved childless. His heir was therefore his nephew John Clavell , who had gained notoriety as a highwayman but fame as a poet. Sir William therefore effectively disinherited all of his immediate family, and left Smedmore House to a distant cousin, Roger Clavell of Langcotes, near Winfrith Newburgh . Roger died in 1686, having outlived all his sons. Smedmore therefore passed to his grandson, Edward Clavell (1675–1738). He had been born in Cossimbazar in Bengal , where his father, Walter Clavell (1639–1677), had been
536-528: A merchant for the East India Company . Edward partially rebuilt the house, and was succeeded by his sons: firstly Edward (1721–1744) and then George (1725–1774). George made considerable alterations to the house, including building the current frontage. On his death, it passed to his nephews, the sons of his sister Margaret and her husband William Richards: firstly George Richards (1755–1817) and then Rev. John Richards (1759–1833). Each of these adopted
603-529: A mixture of high architecture , often as interpreted by a local architect or surveyor, and determined by practicality as much as by the whims of architectural taste. An example of this is Brympton d'Evercy in Somerset, a house of many periods that is unified architecturally by the continuing use of the same mellow, local Ham Hill stone . The fashionable William Kent redesigned Rousham House only to have it quickly and drastically altered to provide space for
670-700: A more modern, undefended style. Due to intermarriage and primogeniture inheritance amongst the aristocracy, it became common for one noble to often own several country houses . These would be visited rotationally throughout the year as their owner pursued the social and sporting circuit from country home to country home. Many owners of a country house would also own a town mansion in their country's capital city. These town mansions were referred to as 'houses' in London, ' hôtels particuliers ' in Paris, and 'palaces' in most European cities elsewhere. It might be noted that sometimes
737-704: A number of homes for Derby and members of his extended family. McIntire also worked occasionally on Derby's vessels, and would fix a wagon or build a birdhouse if his patron desired. Hamilton Hall is a National Historic Landmark at 9 Chestnut Street in Salem, Massachusetts . Hamilton Hall was built in 1805 by Samuel McIntire and added to the National Register of Historic Places in 1970. "King" Derby's stamp of approval opened many other doors for McIntire, who went on to design and build mansions for John Gardner, Jerethmiel Peirce, Simon Forrester, and other wealthy Salem shipowners. He also built on Chestnut Street
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#1732780768715804-520: Is a copy of Wollaton Hall . Other mansions were built in the new and innovative styles of the new era such as the arts and crafts style: The Breakers is a pastiche of an Italian Renaissance palazzo ; Waddesdon Manor in Buckinghamshire is a mixture of various French châteaux . One of the most enduring and most frequently copied styles for a mansion is the Palladian – particularly so in
871-425: Is a large house or mansion in the English countryside. Such houses were often owned by individuals who also owned a town house . This allowed them to spend time in the country and in the city—hence, for these people, the term distinguished between town and country. However, the term also encompasses houses that were, and often still are, the full-time residence for the landed gentry who dominated rural Britain until
938-549: Is an example of American Renaissance revivalism. During the 19th century, along with other streets in major cities, Fifth Avenue in New York City had many mansions. Many of these were designed by the leading architects of the day, often in European Gothic Revival style , and were built by families who were making their fortunes. However, nearly all of these have now been demolished. Whitemarsh Hall ,
1005-510: Is called a castle, but not all buildings with the name "castle" are fortified (for example Highclere Castle in Hampshire ). The term stately home is subject to debate, and avoided by historians and other academics. As a description of a country house, the term was first used in a poem by Felicia Hemans , "The Homes of England", originally published in Blackwood's Magazine in 1827. In
1072-487: Is called the McIntire Historic District with the center being Chestnut Street. McIntire's training came from his father and from books. He and his brothers, Joseph and Angler, began their careers as housewrights and carpenters while in their teens but, early on, Samuel's work caught the eye of Salem's pre-eminent merchant, Elias Hasket Derby. Over the next quarter century, McIntire built or remodelled
1139-473: Is politics; they talk politics; and they make politics, quite spontaneously. There are no written terms for distinguishing between vast country palaces and comparatively small country houses; the descriptive terms, which can include castle , manor and court , provide no firm clue and are often only used because of a historical connection with the site of such a building. Therefore, for ease or explanation, Britain's country houses can be categorised according to
1206-523: Is the ITV series Downton Abbey . Mansion A mansion is a large dwelling house . The word itself derives through Old French from the Latin word mansio "dwelling", an abstract noun derived from the verb manere "to dwell". The English word manse originally defined a property large enough for the parish priest to maintain himself, but a mansion is no longer self-sustaining in this way (compare
1273-567: The Ancien Régime . Until World War I it was not unusual for a moderately sized mansion in England such as Cliveden to have an indoor staff of 20 and an outside staff of the same size, and in ducal mansions such as Chatsworth House the numbers could be far higher. In the great houses of Italy, the number of retainers was often even greater than in England; whole families plus extended relations would often inhabit warrens of rooms in basements and attics. Most European mansions were also
1340-456: The Earl of Tyrone . On his return to England he engaged in various projects to exploit the oil shale found in the cliffs near Kimmeridge . Initially he attempted the production of alum , but this infringed a monopoly granted by James I , and his works were confiscated. He then set up works for the production of glass and salt , using the shale as fuel. The chief disadvantage of burning shale
1407-540: The Mediterranean old world, whereas where estates were founded in the sparsely populated remote areas like the Pampa of Argentina or Uruguay, where iron pillars, doors, windows, and furniture had to be brought from Europe by ship and afterwards ox cart, buildings were smaller, but normally still aspiring to evoke a stately impression, often featuring, like their earlier Italian counterparts, a morador . In Venezuela,
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#17327807687151474-508: The Reform Act 1832 . Frequently, the formal business of the counties was transacted in these country houses, having functional antecedents in manor houses . With large numbers of indoor and outdoor staff, country houses were important as places of employment for many rural communities. In turn, until the agricultural depressions of the 1870s , the estates, of which country houses were the hub, provided their owners with incomes. However,
1541-512: The 1850s, with the English economy booming, new mansions were built in one of the many revivalist architectural styles popular throughout the 19th century. The builders of these new houses were able to take advantage of the political unrest in Europe that gave rise to a large trade in architectural salvage. This new wave of country house building is exemplified by the Rothschild properties in
1608-419: The 18th century with houses such as Castle Howard , Kedleston Hall and Holkham Hall . Such building reached its zenith from the late 17th century until the mid-18th century; these houses were often completely built or rebuilt in their entirety by one eminent architect in the most fashionable architectural style of the day and often have a suite of Baroque state apartments, typically in enfilade , reserved for
1675-591: The 18th century. However, the Gothic style was probably the most popular choice of design in the 19th century. The most bizarre example of this was probably Fonthill Abbey which actually set out to imitate the mansions which had truly evolved from medieval Gothic abbeys following the Dissolution of the Monasteries in the 16th century. Mansions built during and after the 19th century were not supported by
1742-423: The 20th century, the term was later popularised in a song by Noël Coward , and in modern usage it often implies a country house that is open to visitors at least some of the time. In England, the terms "country house" and "stately home" are sometimes used vaguely and interchangeably; however, many country houses such as Ascott in Buckinghamshire were deliberately designed not to be stately, and to harmonise with
1809-474: The 20th century, they slept in proper beds, wore well-made adequate clothes and received three proper meals a day, plus a small wage. In an era when many still died from malnutrition or lack of medicine, the long working hours were a small price to pay. As a result of the aristocratic habit of only marrying within the aristocracy, and whenever possible to a sole heiress, many owners of country houses owned several country mansions, and would visit each according to
1876-717: The Smedmore family, however they sold it to William Wyot in 1392. Around 1426 it passed into the Clavell family with the marriage of William's granddaughter Joanna to John Clavell. The Clavells also inherited the manor of Barneston, near Church Knowle , from Joanna's cousin John de Stoke, and it was Barneston that was to be their main residence for the next 200 years. John Clavell's descendant Sir William Clavell (1568–1644) earned his knighthood fighting in Ireland for Elizabeth I against
1943-467: The best-known examples of the showy prodigy house , often built with the intention of attracting the monarch to visit. By the reign of Charles I , Inigo Jones and his form of Palladianism had changed the face of English domestic architecture completely, with the use of turrets and towers as an architectural reference to the earlier castles and fortified houses completely disappearing. The Palladian style, in various forms, interrupted briefly by baroque ,
2010-429: The centuries gave way to comfort. It became fashionable and possible for homes to be beautiful rather than grim and forbidding allowing for the development of the modern mansion. In British English, a mansion block refers to a block of flats or apartments designed for the appearance of grandeur. In many parts of Asia, including Hong Kong and Japan, the word mansion also refers to a block of apartments. In modern Japan,
2077-524: The circumstances of their creation. The great houses are the largest of the country houses; in truth palaces, built by the country's most powerful – these were designed to display their owners' power or ambitions to power. Really large unfortified or barely fortified houses began to take over from the traditional castles of the crown and magnates during the Tudor period, with vast houses such as Hampton Court Palace and Burghley House , and continued until
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2144-463: The country saw the building of the first of the unfortified great houses. Henry VIII 's Dissolution of the Monasteries saw many former ecclesiastical properties granted to the King's favourites, who then converted them into private country houses. Woburn Abbey , Forde Abbey and many other mansions with abbey or priory in their name became private houses during this period. Other terms used in
2211-428: The design of the wing around the next corner. These varying "improvements", often criticised at the time, today are the qualities that make English country houses unique. Wealthy and influential people, often bored with their formal duties, go to the country in order to get out of London, the ugliest and most uncomfortable city in the world; they invented the long week-end to stay away as long as possible. Their métier
2278-427: The early 1970s, hundreds of country houses were demolished . Houses that survived destruction are now mostly Grade I or II listed as buildings of historic interest with restrictions on restoration and re-creation work. However such work is usually very expensive. Several houses have been restored, some over many years. For example at Copped Hall where the restoration started in 1995 continues to this day. Although
2345-602: The family, under the ownership of his niece, Louisa Pleydell (1790–1863), and her husband, Lieutenant Colonel John Mansel (1776–1863). It has remained in the Mansel family ever since, the present owner being the historian Philip Mansel — a direct descendant of the William Wyot who bought Smedmore over 600 years ago. 50°36′34″N 2°06′31″W / 50.6094°N 2.1086°W / 50.6094; -2.1086 English country house An English country house
2412-452: The ground and uppermost attic floors. This was a period of great social change, as the educated prided themselves on enlightenment. The uses of these edifices paralleled that of the Roman villas . It was vital for powerful people and families to keep in social contact with each other as they were the primary moulders of society. The rounds of visits and entertainments were an essential part of
2479-479: The home counties and Bletchley Park (rebuilt in several styles, and famous for its code-breaking role in World War II). The slow decline of the English country house coincided with the rise not just of taxation, but also of modern industry, along with the agricultural depression of the 1870s. By 1880, this had led some owners into financial shortfalls as they tried to balance maintenance of their estates with
2546-832: The house of a clergyman was called a "mansion house" (e.g., by the Revd. James Blair, Commissary in Virginia for the Bishop of London, 1689–1745, a term related to the word "manse" commonly used in the Church of Scotland and in Non-Conformist churches. H.G. Herklots, The Church of England and the American Episcopal Church). As the 16th century progressed and the Renaissance style slowly spread across Europe,
2613-435: The household. These houses were always an alternative residence to a London house. During the 18th and 19th centuries, for the highest echelons of English society, the country house served as a place for relaxing, hunting and running the country with one's equals at the end of the week, with some houses having their own theatre where performances were staged. The country house, however, was not just an oasis of pleasure for
2680-575: The hub of vast estates . The 19th century saw the continuation of the building of mansions in the United States and Europe. These mansions were often smaller than those built by the old European aristocracy. The new builders of mansions at the time explored new styles other than the Gothic tastes in architecture which were used often. They experimented with 19th-century versions of older Renaissance and Tudoresque styles; The Breakers in Rhode Island
2747-556: The immediately preceding war then in World War I, were now paying far higher rates of tax, and agricultural incomes had dropped. Thus, the solution for many was to hold contents auctions and then demolish the house and sell its stone, fireplaces , and panelling . This is what happened to many of Britain's finest houses. Despite this slow decline, so necessary was the country house for entertaining and prestige that in 1917 Viscount Lee of Fareham donated his country house Chequers to
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2814-438: The income they provided. Some relied on funds from secondary sources such as banking and trade while others, like the severely impoverished Duke of Marlborough , sought to marry American heiresses to save their country houses and lifestyles. The ultimate demise began immediately following World War I . The members of the huge staff required to maintain large houses had either left to fight and never returned, departed to work in
2881-491: The landscape, while some of the great houses such as Kedleston Hall and Holkham Hall were built as "power houses" to dominate the landscape, and were most certainly intended to be "stately" and impressive. In his book Historic Houses: Conversations in Stately Homes , the author and journalist Robert Harling documents nineteen "stately homes"; these range in size from the vast Blenheim Palace and Castle Howard to
2948-655: The large estates of their predecessors. These new mansions were often built as the week-end retreats of businessmen who commuted to their offices by the new railways, which enabled them to leave the city more easily. In Latin America, the grand rural estate , the Hacienda , Estancia, in Portuguese speaking Brazil Fazenda or Estância, with the mansion as its stately center, is a characteristic feature. Mansions tended to follow European architectural styles . Whereas until
3015-525: The last vestiges of castle architecture and life changed; the central points of these great houses became redundant as owners wished to live separately from their servants, and no longer ate with them in a Great hall. All evidence and odours of cooking and staff were banished from the principal parts of the house into distant wings, while the owners began to live in airy rooms, above the ground floor, with privacy from their servants, who were now confined, unless required, to their specifically delegated areas—often
3082-415: The late 19th and early 20th centuries were the swansong of the traditional English country house lifestyle. Increased taxation and the effects of World War I led to the demolition of hundreds of houses ; those that remained had to adapt to survive. While a château or a Schloss can be a fortified or unfortified building, a country house, similar to an Ansitz , is usually unfortified. If fortified, it
3149-544: The latter two are ducal palaces, Montacute, although built by a Master of the Rolls to Queen Elizabeth I, was occupied for the next 400 years by his descendants, who were gentry without a London townhouse , rather than aristocracy. They finally ran out of funds in the early 20th century. However, the vast majority of English country houses, often owned at different times by gentlemen and peers , are an evolution of one or more styles with facades and wings in different styles in
3216-655: The minuscule Ebberston Hall , and in architecture from the Jacobean Renaissance of Hatfield House to the eccentricities of Sezincote . The book's collection of stately homes also includes George IV's Brighton town palace, the Royal Pavilion . The country houses of England have evolved over the last five hundred years. Before this time, larger houses were usually fortified, reflecting the position of their owners as feudal lords , de facto overlords of their manors . The Tudor period of stability in
3283-416: The most eminent guests, the entertainment of whom was of paramount importance in establishing and maintaining the power of the owner. The common denominator of this category of English country houses is that they were designed to be lived in with a certain degree of ceremony and pomp. It was not unusual for the family to have a small suite of rooms for withdrawing in privacy away from the multitude that lived in
3350-399: The munitions factories, or filled the void left by the fighting men in other workplaces. Of those who returned after the war, many left the countryside for better-paid jobs in towns. The final blow for many country houses came following World War II ; having been requisitioned during the war, they were returned to the owners in poor repair. Many estate owners, having lost their heirs, if not in
3417-498: The name of Clavell upon inheriting Smedmore House. John Clavell-Richards, who had previously been the rector of Church Knowle , is chiefly remembered for building the Clavell Tower , a folly on the cliff-top near Kimmeridge which was relocated and restored in 2008. After his death there was a court case that invalidated his alleged will . Instead a deal between his surviving Heirs-in-Law ensured that Smedmore House remained in
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#17327807687153484-468: The names of houses to describe their origin or importance include palace , castle , court , hall , mansion , park , house , manor , and place . It was during the second half of the reign of Elizabeth I , and under her successor, James I , that the first architect-designed mansions, thought of today as epitomising the English country house, began to make their appearance. Burghley House , Longleat House , and Hatfield House are among
3551-454: The nation for the use of a prime minister who might not possess one of his or her own. Chequers still fulfills that need today as do both Chevening House and Dorneywood , donated for sole use of high-ranking ministers of the Crown. Today, many country houses have become hotels, schools, hospitals and museums, while others have survived as conserved ruins, but from the early 20th century until
3618-468: The owner of a "power house" or a small manor, the inhabitants of the English country house have become collectively referred to as the ruling class, because this is exactly what they did in varying degrees, whether by having high political influence and power in national government, or in the day-to-day running of their own localities or "county" in such offices as lord/deputy lieutenant , magistrates , or occasionally even clergy. The Country house mystery
3685-529: The owner's twelve children. Canons Ashby , home to poet John Dryden 's family, is another example of architectural evolution: a medieval farmhouse enlarged in the Tudor era around a courtyard, given grandiose plaster ceilings in the Stuart period , and then having Georgian façades added in the 18th century. The whole is a glorious mismatch of styles and fashions that seamlessly blend together. These could be called
3752-512: The ownership or management of some houses has been transferred to a private trust , most notably at Chatsworth , other houses have transferred art works and furnishings under the Acceptance in Lieu scheme to ownership by various national or local museums, but retained for display in the building. This enables the former owners to offset tax, the payment of which would otherwise have necessitated
3819-462: The private sale of the art works. For example, tapestries and furniture at Houghton Hall are now owned by the Victoria and Albert Museum . In addition, increasing numbers of country houses hold licences for weddings and civil ceremonies . Another source of income is to use the house as a venue for parties, a film location or a corporate entertainment venue. While many country houses are open to
3886-472: The public and derive income through that means, they remain homes, in some cases inhabited by the descendants of their original owners. The lifestyles of those living and working in a country house in the early 20th century were recreated in a BBC television programme, The Edwardian Country House , filmed at Manderston House in Scotland. Another television programme which features life in country houses
3953-464: The season: Grouse shooting in Scotland , pheasant shooting and fox hunting in England. The Earl of Rosebery , for instance, had Dalmeny House in Scotland, Mentmore Towers in Buckinghamshire, and another house near Epsom just for the racing season. For many, this way of life, which began a steady decline in 1914, continued well into the 20th century, and for a few continues to this day. In
4020-444: The second category of Britain's country houses are those that belonged to the squirearchy or landed gentry . These tend either to have evolved from medieval hall houses, with rooms added as required, or were purpose-built by relatively unknown local architects. Smaller, and far greater in number than the "power houses", these were still the epicentre of their own estate, but were often the only residence of their owner. However, whether
4087-419: The second half of the 19th century, Portugal and Spain as the colonial (or former colonial) powers were the eminent models for architecture and upper-class lifestyle, towards the end of the 19th century they were sometimes replaced by then more dominant powers like France or England. In comparably developed, densely populated countries like Mexico, feudal estates and their mansions were as grand and stately as in
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#17327807687154154-463: The societal process, as described in the novels of Jane Austen . State business was often discussed and determined in informal settings. Times of revolution reversed this value. During July/August 1789, a significant number of French country mansions ( chateaux ) were destroyed by the rural population as part of the Great Fear —a symbolic rejection of the feudal rights and restraints in effect under
4221-493: The true English country house. Wilton House , one of England's grandest houses, is in a remarkably similar vein; although, while the Drydens, mere squires, at Canons Ashby employed a local architect, at Wilton the mighty Earls of Pembroke employed the finest architects of the day: first Holbein , 150 years later Inigo Jones, and then Wyatt followed by Chambers. Each employed a different style of architecture, seemingly unaware of
4288-520: Was a popular genre of English detective fiction in the 1920s and 1930s; set in the residence of the gentry and often involving a murder in a country house temporarily isolated by a snowstorm or similar with the suspects all at a weekend house party. Following the Industrial Revolution of the 18th century, a third category of country houses was built as newly rich industrialists and bankers were eager to display their wealth and taste. By
4355-588: Was preferred for McIntire, who was efficient in design and proportions and had skill as a woodcarver. Swags, rosettes, garlands, and his signature sheaths of wheat were carved in wood surfaces in McIntire homes built between 1793 and his death in 1811. In Europe, some 19th-century mansions were often built as replicas of older houses; the Château de Ferrières in France was inspired by Mentmore Towers , which in turn
4422-448: Was the smell - one of Clavell's neighbours compared it to a " close stool ". In order to be closer to — but upwind of — these works Sir William set about building a new house at Smedmore. However, along with the losses incurred from his alum works, this proved to be ruinously expensive and he ran up debts of some £20,000. He was therefore forced to sell much of the land he had inherited, including Barneston. Sir William married Mabel Roper,
4489-422: Was to predominate until the second half of the 18th century when, influenced by ancient Greek styles, it gradually evolved into the neoclassicism championed by such architects as Robert Adam . Some of the best known of England's country houses were the work of only one architect/designer, built in a relatively short, particular time: Montacute House , Chatsworth House , and Blenheim Palace are examples. While
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