71-429: Shrigley Hall is a former country house standing to the northwest of the village of Pott Shrigley , Cheshire , England. It has since been used as a school, when a chapel was added, and later as a hotel and country club operated by The Hotel Collection . The hall was built in about 1825 for William Turner , a Blackburn mill owner and Member of Parliament. The architect was Thomas Emmet senior from Preston . During
142-543: A certain locality over several generations (see List of political families in the United Kingdom ). Owning land was a prerequisite for suffrage (the civil right to vote) in county constituencies until the Reform Act 1832 ; until then, Parliament was largely in the hands of the landowning class. The gentry ranked above the agricultural sector's middle class: the larger tenant farmers , who rented land from
213-428: A fortunate few; it was the centre of its own world, providing employment to hundreds of people in the vicinity of its estate . In previous eras, when state benefits were unheard of, those working on an estate were among the most fortunate, receiving secured employment and rent-free accommodation. At the summit of this category of people was the indoor staff of the country house. Unlike many of their contemporaries prior to
284-455: A hotel and country club. This is designed in Regency style, and constructed in ashlar brown sandstone with slate roofs. The house has two storeys and an attic, with a symmetrical entrance front of eleven bays . The central three bays and the bays at each end project forward slightly. At the centre, five steps lead up to a portico with four Ionic columns supporting a pediment with
355-529: A mixture of high architecture , often as interpreted by a local architect or surveyor, and determined by practicality as much as by the whims of architectural taste. An example of this is Brympton d'Evercy in Somerset, a house of many periods that is unified architecturally by the continuing use of the same mellow, local Ham Hill stone . The fashionable William Kent redesigned Rousham House only to have it quickly and drastically altered to provide space for
426-469: A pattern in many families that while the eldest son would inherit the estate and enter politics, the second son would join the army, the third son go into law, and the fourth son join the church. A newly rich man who wished his family to join the gentry (and they nearly all did so wish), was expected not only to buy a country house and estate, but often also to sever financial ties with the business which had made him wealthy in order to cleanse his family of
497-412: A plain frieze . In the pediment is a medallion containing a lion and a cross. The windows are sashes , those in the end bays having three lights; elsewhere they have single lights. The doorway has a curved architrave , over which is a rectangular fanlight . To the rear of the house are two wings in rubble stone, the one on the left having three storeys, and the one on the right two storeys. Originally
568-430: A word indicating high birth, high status, or gentleness. The term gradually came to be used for the lower ranks of the aristocracy , which along with the peerage had previously been considered part of the nobility . In the 16th and 17th centuries, writers referred to the peerage as the nobilitas major ( Latin for "greater nobility") and the gentry as the nobilitas minor (Latin for "minor nobility"). Eventually,
639-510: Is called a castle, but not all buildings with the name "castle" are fortified (for example Highclere Castle in Hampshire ). The term stately home is subject to debate, and avoided by historians and other academics. As a description of a country house, the term was first used in a poem by Felicia Hemans , "The Homes of England", originally published in Blackwood's Magazine in 1827. In
710-453: Is constructed in sandstone rubble with a slate roof. Its plan consists of an octagonal nave with a transept at each cardinal point, and a chancel . Radiating outwards between the transepts are small chapels. The ground floor includes Romanesque features including round-headed arches, and above them there are lancet windows . Over the nave is a domical vault . The chapel contains paired round-headed sedilia on each side. Tilden painted
781-423: Is one step down from the gentry, but above, say, a husbandman . So while yeoman farmers owned enough land to support a comfortable lifestyle, they nevertheless farmed it themselves and were excluded from the "landed gentry" because they worked for a living, and were thus "in trade" as it was termed. Apart from a few "honourable" professions connected with the governing elite (the clergy of the established church ,
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#1732782596989852-473: Is politics; they talk politics; and they make politics, quite spontaneously. There are no written terms for distinguishing between vast country palaces and comparatively small country houses; the descriptive terms, which can include castle , manor and court , provide no firm clue and are often only used because of a historical connection with the site of such a building. Therefore, for ease or explanation, Britain's country houses can be categorised according to
923-485: Is synonymous with peer . However, this popular usage of nobility omits the distinction between titled and untitled nobility. The titled nobility in Britain are the peers of the realm, whereas the untitled nobility comprise those here described as gentry. David Cannadine wrote that the gentry's lack of titles "did not matter, for it was obvious to contemporaries that the landed gentry were all for practical purposes
994-588: Is the ITV series Downton Abbey . Landed gentry The landed gentry , or the gentry (sometimes collectively known as the squirearchy ), is a largely historical British social class of landowners who could live entirely from rental income , or at least had a country estate . It is the British element of the wider European class of gentry . While part of the British aristocracy , and usually armigers ,
1065-507: The Stations of the Cross and the altarpiece, but with the conversion of the building into a hotel, the fittings have been removed. The chapel is designated as a Grade II listed building. 53°18′55″N 2°05′15″W / 53.31520°N 2.08760°W / 53.31520; -2.08760 English country house An English country house is a large house or mansion in
1136-581: The feudal lordship of the manor , and the less formal name or title of squire , in Scotland laird . Generally lands passed by primogeniture , while the inheritances of daughters and younger sons were in cash or stocks, and relatively small. Typically the gentry farmed some of their land through employed managers, but leased most of it to tenant farmers . They also exploited timber and minerals (such as coal), and owned mills and other sources of income. Many heads of families also had careers in politics or
1207-477: The "Peerage, Baronetage, Knightage, and Companionage". As well as listing genealogical information, these books often also included details of the right of a given family to a coat of arms . They were comparable to the Almanach de Gotha in continental Europe. In the 1830s, one peerage publisher, John Burke , expanded his market and his readership by publishing a similar volume for people without titles, which
1278-485: The "taint of trade", depending somewhat on what that business was. However, during the 18th and 19th centuries, as the new rich of the Industrial Revolution became more and more numerous and politically powerful, this expectation was gradually relaxed. Persons who are closely related to peers are also more correctly described as gentry than as nobility, since the latter term, in the modern British Isles,
1349-405: The 17th century, the gentry was divided into four ranks: In a historiographical survey, Peter Coss describes a number of approaches to deciding who was gentry. One is to view the gentry as those recognised legally as possessing gentility. However, Coss finds this method unsatisfactory because it "seems certain that gentility was widely felt and articulated within society long before legislation
1420-567: The 1850s, with the English economy booming, new mansions were built in one of the many revivalist architectural styles popular throughout the 19th century. The builders of these new houses were able to take advantage of the political unrest in Europe that gave rise to a large trade in architectural salvage. This new wave of country house building is exemplified by the Rothschild properties in
1491-419: The 18th century with houses such as Castle Howard , Kedleston Hall and Holkham Hall . Such building reached its zenith from the late 17th century until the mid-18th century; these houses were often completely built or rebuilt in their entirety by one eminent architect in the most fashionable architectural style of the day and often have a suite of Baroque state apartments, typically in enfilade , reserved for
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#17327825969891562-488: The 20th century, the term was later popularised in a song by Noël Coward , and in modern usage it often implies a country house that is open to visitors at least some of the time. In England, the terms "country house" and "stately home" are sometimes used vaguely and interchangeably; however, many country houses such as Ascott in Buckinghamshire were deliberately designed not to be stately, and to harmonise with
1633-474: The 20th century, they slept in proper beds, wore well-made adequate clothes and received three proper meals a day, plus a small wage. In an era when many still died from malnutrition or lack of medicine, the long working hours were a small price to pay. As a result of the aristocratic habit of only marrying within the aristocracy, and whenever possible to a sole heiress, many owners of country houses owned several country mansions, and would visit each according to
1704-506: The 20th century the building was used as a school by the religious institute of the Salesians of Don Bosco , who in 1936 added a chapel to the south of the house, dedicating it to Saint John Bosco . This was designed by the Arts and Crafts architect Philip Tilden . An attic was added to the house in the middle of the 20th century. In 1989 the house and church were converted into
1775-428: The English countryside. Such houses were often owned by individuals who also owned a town house . This allowed them to spend time in the country and in the city—hence, for these people, the term distinguished between town and country. However, the term also encompasses houses that were, and often still are, the full-time residence for the landed gentry who dominated rural Britain until the Reform Act 1832 . Frequently,
1846-568: The UK. The book series Burke's Landed Gentry records the names of members of this class. The designation landed gentry originally referred exclusively to members of the upper class who were both landlords and commoners (in the British sense)—that is, they did not hold peerages . But by the late 19th century, the term was also applied to peers, such as the Duke of Westminster , who lived on landed estates. The term gentry derives from gentrice ,
1917-467: The best-known examples of the showy prodigy house , often built with the intention of attracting the monarch to visit. By the reign of Charles I , Inigo Jones and his form of Palladianism had changed the face of English domestic architecture completely, with the use of turrets and towers as an architectural reference to the earlier castles and fortified houses completely disappearing. The Palladian style, in various forms, interrupted briefly by baroque ,
1988-524: The circumstances of their creation. The great houses are the largest of the country houses; in truth palaces, built by the country's most powerful – these were designed to display their owners' power or ambitions to power. Really large unfortified or barely fortified houses began to take over from the traditional castles of the crown and magnates during the Tudor period, with vast houses such as Hampton Court Palace and Burghley House , and continued until
2059-523: The country saw the building of the first of the unfortified great houses. Henry VIII 's Dissolution of the Monasteries saw many former ecclesiastical properties granted to the King's favourites, who then converted them into private country houses. Woburn Abbey , Forde Abbey and many other mansions with abbey or priory in their name became private houses during this period. Other terms used in
2130-428: The design of the wing around the next corner. These varying "improvements", often criticised at the time, today are the qualities that make English country houses unique. Wealthy and influential people, often bored with their formal duties, go to the country in order to get out of London, the ugliest and most uncomfortable city in the world; they invented the long week-end to stay away as long as possible. Their métier
2201-427: The early 1970s, hundreds of country houses were demolished . Houses that survived destruction are now mostly Grade I or II listed as buildings of historic interest with restrictions on restoration and re-creation work. However such work is usually very expensive. Several houses have been restored, some over many years. For example at Copped Hall where the restoration started in 1995 continues to this day. Although
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2272-433: The end of the 19th century, together with the introduction in the 20th century of increasingly heavy levels of taxation on inherited wealth, put an end to agricultural land as the primary source of wealth for the upper classes. Many estates were sold or broken up, and this trend was accelerated by the introduction of protection for agricultural tenancies, encouraging outright sales, from the mid-20th century. So devastating
2343-480: The entrance hall was open internally to a dome and a skylight, and it contained an Imperial staircase . The staircase has been removed and a floor inserted. The interior contains "good Neoclassical plasterwork". The house is recorded in the National Heritage List for England as a designated Grade II* listed building . Designed by Philip Tilden and built between 1936 and 1938, the chapel
2414-550: The equivalent of continental nobles, with their hereditary estates, their leisured lifestyle, their social pre-eminence, and their armorial bearings". British armigerous families who hold no title of nobility are represented, together with those who hold titles through the College of Arms , by the Commission and Association for Armigerous Families of Great Britain at CILANE . Through grants of arms, new families are admitted into
2485-690: The expression Landed Gentry as a description of the untitled upper classes in England (although the book also included families in Wales, Scotland and Ireland, where, however, social structures were rather different). Burke's Landed Gentry continued to appear at regular intervals throughout the 19th and 20th centuries. A review of the 1952 edition in Time noted: Landed Gentry used to limit itself to owners of domains that could properly be called "stately" (i.e. more than 500 acres or 200 hectares). Now it has lowered
2556-414: The formal business of the counties was transacted in these country houses, having functional antecedents in manor houses . With large numbers of indoor and outdoor staff, country houses were important as places of employment for many rural communities. In turn, until the agricultural depressions of the 1870s , the estates, of which country houses were the hub, provided their owners with incomes. However,
2627-486: The gentry had three main characteristics: (1) landownership, (2) a nobility or gentility (shared with the peerage) that distinguished them from the rest of the population, and (3) a territorial-based collective identity and power over the larger population. From the late 16th-century, the gentry emerged as the class most closely involved in politics, the military and law. It provided the bulk of Members of Parliament , with many gentry families maintaining political control in
2698-410: The gentry ranked below the British peerage (or "titled nobility" ) in social status. Nevertheless, their economic base in land was often similar, and some of the landed gentry were wealthier than some peers. Many gentry were close relatives of peers, and it was not uncommon for gentry to marry into peerage. With or without noble title, owning rural land estates often brought with it the legal rights of
2769-479: The home counties and Bletchley Park (rebuilt in several styles, and famous for its code-breaking role in World War II). The slow decline of the English country house coincided with the rise not just of taxation, but also of modern industry, along with the agricultural depression of the 1870s. By 1880, this had led some owners into financial shortfalls as they tried to balance maintenance of their estates with
2840-435: The household. These houses were always an alternative residence to a London house. During the 18th and 19th centuries, for the highest echelons of English society, the country house served as a place for relaxing, hunting and running the country with one's equals at the end of the week, with some houses having their own theatre where performances were staged. The country house, however, was not just an oasis of pleasure for
2911-556: The immediately preceding war then in World War I, were now paying far higher rates of tax, and agricultural incomes had dropped. Thus, the solution for many was to hold contents auctions and then demolish the house and sell its stone, fireplaces , and panelling . This is what happened to many of Britain's finest houses. Despite this slow decline, so necessary was the country house for entertaining and prestige that in 1917 Viscount Lee of Fareham donated his country house Chequers to
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2982-438: The income they provided. Some relied on funds from secondary sources such as banking and trade while others, like the severely impoverished Duke of Marlborough , sought to marry American heiresses to save their country houses and lifestyles. The ultimate demise began immediately following World War I . The members of the huge staff required to maintain large houses had either left to fight and never returned, departed to work in
3053-490: The landowners, and yeoman farmers, who were defined as "a person qualified by possessing free land of forty shillings annual [feudal] value, and who can serve on juries and vote for a Knight of the Shire . He is sometimes described as a small landowner, a farmer of the middle classes." Anthony Richard Wagner , Richmond Herald wrote that "a Yeoman would not normally have less than 100 acres" (40 hectares) and in social status
3124-491: The landscape, while some of the great houses such as Kedleston Hall and Holkham Hall were built as "power houses" to dominate the landscape, and were most certainly intended to be "stately" and impressive. In his book Historic Houses: Conversations in Stately Homes , the author and journalist Robert Harling documents nineteen "stately homes"; these range in size from the vast Blenheim Palace and Castle Howard to
3195-415: The late 19th and early 20th centuries were the swansong of the traditional English country house lifestyle. Increased taxation and the effects of World War I led to the demolition of hundreds of houses ; those that remained had to adapt to survive. While a château or a Schloss can be a fortified or unfortified building, a country house, similar to an Ansitz , is usually unfortified. If fortified, it
3266-544: The latter two are ducal palaces, Montacute, although built by a Master of the Rolls to Queen Elizabeth I, was occupied for the next 400 years by his descendants, who were gentry without a London townhouse , rather than aristocracy. They finally ran out of funds in the early 20th century. However, the vast majority of English country houses, often owned at different times by gentlemen and peers , are an evolution of one or more styles with facades and wings in different styles in
3337-403: The military, and the younger sons of the gentry provided a high proportion of the clergy , military officers , and lawyers . Successful burghers often used their accumulated wealth to buy country estates, with the aim of establishing themselves as landed gentry. The decline of the gentry largely began with the 1870s agricultural depression ; however, there are still many hereditary gentry in
3408-655: The minuscule Ebberston Hall , and in architecture from the Jacobean Renaissance of Hatfield House to the eccentricities of Sezincote . The book's collection of stately homes also includes George IV's Brighton town palace, the Royal Pavilion . The country houses of England have evolved over the last five hundred years. Before this time, larger houses were usually fortified, reflecting the position of their owners as feudal lords , de facto overlords of their manors . The Tudor period of stability in
3479-416: The most eminent guests, the entertainment of whom was of paramount importance in establishing and maintaining the power of the owner. The common denominator of this category of English country houses is that they were designed to be lived in with a certain degree of ceremony and pomp. It was not unusual for the family to have a small suite of rooms for withdrawing in privacy away from the multitude that lived in
3550-399: The munitions factories, or filled the void left by the fighting men in other workplaces. Of those who returned after the war, many left the countryside for better-paid jobs in towns. The final blow for many country houses came following World War II ; having been requisitioned during the war, they were returned to the owners in poor repair. Many estate owners, having lost their heirs, if not in
3621-468: The names of houses to describe their origin or importance include palace , castle , court , hall , mansion , park , house , manor , and place . It was during the second half of the reign of Elizabeth I , and under her successor, James I , that the first architect-designed mansions, thought of today as epitomising the English country house, began to make their appearance. Burghley House , Longleat House , and Hatfield House are among
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#17327825969893692-557: The nation and preserved as monuments to the lifestyles of their former owners (who sometimes remained in part of the house as lessees or tenants) by the National Trust for Places of Historic Interest or Natural Beauty . The National Trust, which had originally concentrated on open landscapes rather than buildings, accelerated its country house acquisition programme during and after the Second World War , partly because of
3763-454: The nation for the use of a prime minister who might not possess one of his or her own. Chequers still fulfills that need today as do both Chevening House and Dorneywood , donated for sole use of high-ranking ministers of the Crown. Today, many country houses have become hotels, schools, hospitals and museums, while others have survived as conserved ruins, but from the early 20th century until
3834-500: The officer corps of the British Armed Forces , the diplomatic and civil services , the bar or the judiciary ), such occupation was considered demeaning by the upper classes, particularly by the 19th century, when the earlier mercantile endeavours of younger sons were increasingly discontinued. Younger sons, who could not expect to inherit the family estate, were instead urged into professions of state service. It became
3905-468: The owner of a "power house" or a small manor, the inhabitants of the English country house have become collectively referred to as the ruling class, because this is exactly what they did in varying degrees, whether by having high political influence and power in national government, or in the day-to-day running of their own localities or "county" in such offices as lord/deputy lieutenant , magistrates , or occasionally even clergy. The Country house mystery
3976-529: The owner's twelve children. Canons Ashby , home to poet John Dryden 's family, is another example of architectural evolution: a medieval farmhouse enlarged in the Tudor era around a courtyard, given grandiose plaster ceilings in the Stuart period , and then having Georgian façades added in the 18th century. The whole is a glorious mismatch of styles and fashions that seamlessly blend together. These could be called
4047-512: The ownership or management of some houses has been transferred to a private trust , most notably at Chatsworth , other houses have transferred art works and furnishings under the Acceptance in Lieu scheme to ownership by various national or local museums, but retained for display in the building. This enables the former owners to offset tax, the payment of which would otherwise have necessitated
4118-462: The private sale of the art works. For example, tapestries and furniture at Houghton Hall are now owned by the Victoria and Albert Museum . In addition, increasing numbers of country houses hold licences for weddings and civil ceremonies . Another source of income is to use the house as a venue for parties, a film location or a corporate entertainment venue. While many country houses are open to
4189-565: The property qualification to 200 acres (0.81 km ) for all British families whose pedigrees have been "notable" for three generations. Even so, almost half of the 5,000 families listed in the new volume are in there because their forefathers were: they themselves have no land left. Their estates are mere street addresses, like that of the Molineux-Montgomeries, formerly of Garboldisham Old Hall, now of No. 14 Malton Avenue, Haworth. The Great Depression of British Agriculture at
4260-416: The public and derive income through that means, they remain homes, in some cases inhabited by the descendants of their original owners. The lifestyles of those living and working in a country house in the early 20th century were recreated in a BBC television programme, The Edwardian Country House , filmed at Manderston House in Scotland. Another television programme which features life in country houses
4331-464: The season: Grouse shooting in Scotland , pheasant shooting and fox hunting in England. The Earl of Rosebery , for instance, had Dalmeny House in Scotland, Mentmore Towers in Buckinghamshire, and another house near Epsom just for the racing season. For many, this way of life, which began a steady decline in 1914, continued well into the 20th century, and for a few continues to this day. In
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#17327825969894402-444: The second category of Britain's country houses are those that belonged to the squirearchy or landed gentry . These tend either to have evolved from medieval hall houses, with rooms added as required, or were purpose-built by relatively unknown local architects. Smaller, and far greater in number than the "power houses", these were still the epicentre of their own estate, but were often the only residence of their owner. However, whether
4473-628: The terms nobility and gentry came to refer to completely separate classes. The gentry were aristocratic landowners who were not peers. According to historian G. E. Mingay , the gentry were landowners whose wealth "made possible a certain kind of education, a standard of comfort, and a degree of leisure and a common interest in ways of spending it". Leisure distinguished gentry from businessmen who gained their wealth through work. The gentry, did not enterprise or marketeer but were known most for working in management of estates; their income came largely from rents paid by tenant farmers living these estates. By
4544-493: The true English country house. Wilton House , one of England's grandest houses, is in a remarkably similar vein; although, while the Drydens, mere squires, at Canons Ashby employed a local architect, at Wilton the mighty Earls of Pembroke employed the finest architects of the day: first Holbein , 150 years later Inigo Jones, and then Wyatt followed by Chambers. Each employed a different style of architecture, seemingly unaware of
4615-417: The untitled nobility regularly, thus making the gentry a class that remains open both legally and practically. In the 18th and 19th centuries, the names and families of those with titles (specifically peers and baronets , less often including those with the non-hereditary title of knight ) were often listed in books or manuals known as "Peerages", "Baronetages", or combinations of these categories, such as
4686-472: The widespread destruction of country houses in the 20th century by owners who could no longer afford to maintain them. Those who retained their property usually had to supplement their incomes from sources other than the land, sometimes by opening their properties to the public. In the 21st century, the term "landed gentry" is still used, as the landowning class still exists, but it increasingly refers more to historic than to current landed wealth or property in
4757-448: Was a popular genre of English detective fiction in the 1920s and 1930s; set in the residence of the gentry and often involving a murder in a country house temporarily isolated by a snowstorm or similar with the suspects all at a weekend house party. Following the Industrial Revolution of the 18th century, a third category of country houses was built as newly rich industrialists and bankers were eager to display their wealth and taste. By
4828-608: Was called A Genealogical and Heraldic History of the Commoners of Great Britain and Ireland, enjoying territorial possessions or high official rank , popularly known as Burke's Commoners . Burke's Commoners was published in four volumes from 1833 to 1838. Subsequent editions were re-titled A Genealogical and Heraldic History of the Landed Gentry; or, Commons of Great Britain and Ireland or Burke's Landed Gentry. The popularity of Burke's Landed Gentry gave currency to
4899-436: Was in place to tell us so". Other historians define gentry by land ownership and income level, but there is still the problem of whether this should include professionals and town dwellers. Rosemary Horrox argues that an urban gentry existed in the 15th century. For some historians of early modern England, the gentry included families with coats of arms , but Coss notes that not all gentry were armigerous . Coss proposes that
4970-464: Was this for the ranks formerly identified as being of the landed gentry that Burke's Landed Gentry began, in the 20th century, to include families historically in this category who had ceased to own their ancestral lands. The focus of those who remained in this class shifted from the lands or estates themselves, to the stately home or " family seat " which was in many cases retained without the surrounding lands. Many of these buildings were purchased for
5041-422: Was to predominate until the second half of the 18th century when, influenced by ancient Greek styles, it gradually evolved into the neoclassicism championed by such architects as Robert Adam . Some of the best known of England's country houses were the work of only one architect/designer, built in a relatively short, particular time: Montacute House , Chatsworth House , and Blenheim Palace are examples. While
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