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In Greek mythology , Styx ( / ˈ s t ɪ k s / ; Ancient Greek : Στύξ [stýks] ; lit. "Shuddering" ), also called the River Styx , is a goddess and one of the rivers of the Greek Underworld . Her parents were the Titans Oceanus and Tethys , and she was the wife of the Titan Pallas and the mother of Zelus , Nike , Kratos , and Bia . She sided with Zeus in his war against the Titans, and because of this, to honor her, Zeus decreed that the solemn oaths of the gods be sworn by the water of Styx.

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86-712: Stygian refers to the goddess and underworld river Styx in Greek mythology. Stygia or Stygian may also refer to: Styx According to the usual account, Styx was the eldest of the Oceanids , the many daughters of the Titan Oceanus , the great world-encircling river, and his sister-wife, the Titaness Tethys . However, according to the Roman mythographer Hyginus , she was the daughter of Nox ("Night",

172-504: A Tuticanus, whose name, Ovid complains, does not fit into meter. The final poem is addressed to an enemy whom Ovid implores to leave him alone. The last elegiac couplet is translated: "Where's the joy in stabbing your steel into my dead flesh?/ There's no place left where I can be dealt fresh wounds." One loss, which Ovid himself described, is the first five-book edition of the Amores , from which nothing has come down to us. The greatest loss

258-719: A certain Ptolemy Hephaestion (probably referring to Ptolemy Chennus ) knew of a story, "concerning the water of the Styx in Arcadia", which told how an angry Demeter had turned the Styx's water black. According to James George Frazer , this "fable" provided an explanation for the fact that, from a distance, the waterfall appears black. Water from this Styx was said to be poisonous and able to dissolve most substances. The first-century natural philosopher Pliny , wrote that drinking its water caused immediate death, and that

344-421: A collection of twenty-one poems in elegiac couplets. The Heroides take the form of letters addressed by famous mythological characters to their partners expressing their emotions at being separated from them, pleas for their return, and allusions to their future actions within their own mythology. The authenticity of the collection, partially or as a whole, has been questioned, although most scholars would consider

430-494: A decision of which his father apparently disapproved. Ovid's first recitation has been dated to around 25 BC, when he was eighteen. He was part of the circle centered on the esteemed patron Marcus Valerius Messalla Corvinus , and likewise seems to have been a friend of poets in the circle of Maecenas . In Tristia 4.10.41–54, Ovid mentions friendships with Macer, Propertius , Ponticus and Bassus, and claims to have heard Horace recite. He only barely met Virgil and Tibullus ,

516-420: A doctor and utilizes medical imagery. Some have interpreted this poem as the close of Ovid's didactic cycle of love poetry and the end of his erotic elegiac project. The Metamorphoses , Ovid's most ambitious and well-known work, consists of a 15-book catalogue written in dactylic hexameter about transformations in Greek and Roman mythology set within a loose mytho-historical framework. The word "metamorphoses"

602-609: A fellow member of Messalla's circle, whose elegies he admired greatly. He married three times and had divorced twice by the time he was thirty. He had one daughter and grandchildren through her. His last wife was connected in some way to the influential gens Fabia and helped him during his exile in Tomis (now Constanța in Romania). Ovid spent the first 25 years of his literary career primarily writing poetry in elegiac meter with erotic themes. The chronology of these early works

688-466: A guardian to let the poet see Corinna, poem 6 is a lament for Corinna's dead parrot; poems 7 and 8 deal with Ovid's affair with Corinna's servant and her discovery of it, and 11 and 12 try to prevent Corinna from going on vacation. Poem 13 is a prayer to Isis for Corinna's illness, 14 a poem against abortion, and 19 a warning to unwary husbands. Book 3 has 15 poems. The opening piece depicts personified Tragedy and Elegy fighting over Ovid. Poem 2 describes

774-686: A high rock: the famous cold water ... trickles down from a high and beetling rock. Far under the wide-pathed earth a branch of Oceanus flows through the dark night out of the holy stream, and a tenth part of his water is allotted to her. In the Iliad the river Styx forms a boundary of Hades, the abode of the dead, in the Underworld. Athena mentions the "sheer-falling waters of Styx" needing to be crossed when Heracles returned from Hades after capturing Cerberus , and Patroclus 's shade begs Achilles to bury his corpse quickly so that he might "pass within

860-464: A later addition to the corpus because they are never mentioned by Ovid and may or may not be spurious. The Heroides markedly reveal the influence of rhetorical declamation and may derive from Ovid's interest in rhetorical suasoriae , persuasive speeches, and ethopoeia , the practice of speaking in another character. They also play with generic conventions; most of the letters seem to refer to works in which these characters were significant, such as

946-507: A lover; Ovid then digresses on the story of Vulcan's trap for Venus and Mars . The book ends with Ovid asking his "students" to spread his fame. Book 3 opens with a vindication of women's abilities and Ovid's resolution to arm women against his teaching in the first two books. Ovid gives women detailed instructions on appearance telling them to avoid too many adornments. He advises women to read elegiac poetry, learn to play games, sleep with people of different ages, flirt, and dissemble. Throughout

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1032-450: A noon tryst, introduces Corinna by name. Poems 8 and 9 deal with Corinna selling her love for gifts, while 11 and 12 describe the poet's failed attempt to arrange a meeting. Poem 14 discusses Corinna's disastrous experiment in dyeing her hair and 15 stresses the immortality of Ovid and love poets. The second book has 19 pieces; the opening poem tells of Ovid's abandonment of a Gigantomachy in favor of elegy . Poems 2 and 3 are entreaties to

1118-511: A piece on the Rape of the Sabine women , Pasiphaë , and Ariadne . Book 2 invokes Apollo and begins with a telling of the story of Icarus . Ovid advises men to avoid giving too many gifts, keep up their appearance, hide affairs, compliment their lovers, and ingratiate themselves with slaves to stay on their lover's good side. The care of Venus for procreation is described as is Apollo's aid in keeping

1204-405: A poem against criticism (9), and a dream of Cupid (3). Book 4, the final work of Ovid, in 16 poems talks to friends and describes his life as an exile further. Poems 10 and 13 describe Winter and Spring at Tomis, poem 14 is halfhearted praise for Tomis, 7 describes its geography and climate, and 4 and 9 are congratulations on friends for their consulships and requests for help. Poem 12 is addressed to

1290-472: A series of supports and refutations in the short space of five years. Among the supporting reasons Brown presents are: Ovid's exile is only mentioned by his own work, except in "dubious" passages by Pliny the Elder and Statius , but no other author until the 4th century; that the author of Heroides was able to separate the poetic "I" of his own and real life; and that information on the geography of Tomis

1376-425: A single drop from that holiest—and cruelest—of springs? Even the gods and Jupiter himself are frightened of these Stygian waters. You must know that, at least by hearsay, and that, as you swear by the powers of the gods, so the gods always swear by the majesty of the Styx. Styx, along with the underworld rivers Cocytus and Acheron , were associated with waterways in the upper world. For example, according to Homer,

1462-458: A strewn bed: and a heavy trance overshadows him. But when he has spent a long year in his sickness, another penance more hard follows after the first. For nine years he is cut off from the eternal gods and never joins their councils or their feasts, nine full years. But in the tenth year he comes again to join the assemblies of the deathless gods who live in the house of Olympus. The Roman poet Ovid has Jove (the Roman equivalent of Zeus) swear by

1548-405: A teacher of love. Ovid describes the places one can go to find a lover, like the theater, a triumph, which he thoroughly describes, or arena – and ways to get the girl to take notice, including seducing her covertly at a banquet. Choosing the right time is significant, as is getting into her associates' confidence. Ovid emphasizes care of the body for the lover. Mythological digressions include

1634-406: A theory that is little considered among scholars of Latin civilization today: that Ovid was never exiled from Rome and that all of his exile works are the result of his fertile imagination. This theory was supported and rejected in the 1930s, especially by Dutch authors. In 1985, a research paper by Fitton Brown advanced new arguments in support of Hartman's theory. Brown's article was followed by

1720-473: A town (in what was then ancient Arcadia and now modern Achaea ) not far from Pheneus , and says that the Spartan king Cleomenes , would make men take oaths swearing by its water. Herodotus describes it as "a stream of small appearance, dropping from a cliff into a pool; a wall of stones runs round the pool". Pausanias reports visiting the "water of the Styx" near Nonacris (which at the time of his visit, in

1806-464: A visit to the races, 3 and 8 focus on Corinna's interest in other men, 10 is a complaint to Ceres because of her festival that requires abstinence, 13 is a poem on a festival of Juno , and 9 a lament for Tibullus . In poem 11 Ovid decides not to love Corinna any longer and regrets the poems he has written about her. The final poem is Ovid's farewell to the erotic muse. Critics have seen the poems as highly self-conscious and extremely playful specimens of

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1892-454: Is Ovid's only tragedy, Medea , from which only a few lines are preserved. Quintilian admired the work a great deal and considered it a prime example of Ovid's poetic talent. Lactantius quotes from a lost translation by Ovid of Aratus ' Phaenomena , although the poem's ascription to Ovid is insecure because it is never mentioned in Ovid's other works. A line from a work entitled Epigrammata

1978-595: Is a branch of the Styx. In Dante 's Inferno , Phlegyas ferries Virgil and Dante across the foul waters of the river Styx which is portrayed as a marsh comprising the Hell 's Fifth Circle, where the angry and sullen are punished. By metonymy , the adjective stygian ( /ˈstɪdʒiən/ ) came to refer to anything unpleasantly dark, gloomy, or forbidding. In the Homeric Hymn 2 to Demeter Persephone names Styx as one of her "frolicking" Oceanid -companions when she

2064-400: Is a didactic elegiac poem in three books that sets out to teach the arts of seduction and love. The first book addresses men and teaches them how to seduce women, the second, also to men, teaches how to keep a lover. The third addresses women and teaches seduction techniques. The first book opens with an invocation to Venus, in which Ovid establishes himself as a praeceptor amoris (1.17) –

2150-549: Is going to use his abilities to hurt his enemy. He cites Callimachus' Ibis as his inspiration and calls all the gods to make his curse effective. Ovid uses mythical exempla to condemn his enemy in the afterlife, cites evil prodigies that attended his birth, and then in the next 300 lines wishes that the torments of mythological characters befall his enemy. The poem ends with a prayer that the gods make his curse effective. The Tristia consist of five books of elegiac poetry composed by Ovid in exile in Tomis. Book 1 contains 11 poems;

2236-567: Is not secure, but scholars have established tentative dates. His earliest extant work is thought to be the Heroides , letters of mythological heroines to their absent lovers, which may have been published in 19 BC, although the date is uncertain as it depends on a notice in Am. 2.18.19–26 that seems to describe the collection as an early published work. The authenticity of some of these poems has been challenged, but this first edition probably contained

2322-545: Is of Greek origin and means "transformations". Appropriately, the characters in this work undergo many different transformations. Within an extent of nearly 12,000 verses, almost 250 different myths are mentioned. Each myth is set outdoors where the mortals are often vulnerable to external influences. The poem stands in the tradition of mythological and etiological catalogue poetry such as Hesiod 's Catalogue of Women , Callimachus ' Aetia , Nicander 's Heteroeumena , and Parthenius ' Metamorphoses . The first book describes

2408-596: The Aeneid in the case of Dido and Catullus 64 for Ariadne, and transfer characters from the genres of epic and tragedy to the elegiac genre of the Heroides . The letters have been admired for their deep psychological portrayals of mythical characters, their rhetoric, and their unique attitude to the classical tradition of mythology. They also contribute significantly to conversations on how gender and identity were constructed in Augustan Rome. A popular quote from

2494-741: The Iliad and the Odyssey , it is said that swearing by the water of Styx, is "the greatest and most dread oath for the blessed gods". Homer has Hera (in the Iliad ) say this when she swears by Styx to Zeus, that she is not to blame for Poseidon's intervention on the side of the Greeks in the Trojan War , and he has Calypso (in the Odyssey ) use the same words when she swears by Styx to Odysseus that she will cease to plot against him. Also Hypnos (in

2580-500: The Ars Amatoria , and is primarily addressed to men. The poem criticizes suicide as a means for escaping love and, invoking Apollo, goes on to tell lovers not to procrastinate and be lazy in dealing with love. Lovers are taught to avoid their partners, not perform magic, see their lover unprepared, take other lovers, and never be jealous. Old letters should be burned and the lover's family avoided. The poem throughout presents Ovid as

2666-610: The Black Sea , where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to a "poem and a mistake", but his reluctance to disclose specifics has resulted in much speculation among scholars. Ovid is most famous for the Metamorphoses , a continuous mythological narrative in fifteen books written in dactylic hexameters . He is also known for works in elegiac couplets such as Ars Amatoria ("The Art of Love") and Fasti . His poetry

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2752-493: The Iliad ) makes Hera swear to him "by the inviolable water of Styx". Examples of oaths sworn by Styx also occur in the Homeric Hymns . Demeter asks the "implacable" water of Styx to be her witness, as she swears to Metaneira , Leto swears to the personified Delos by the water of Styx, calling it the "most powerful and dreadful oath that the blessed gods can swear", while Apollo asks Hermes to swear to him on

2838-550: The Metamorphoses , scholars have focused on Ovid's organization of his vast body of material. The ways that stories are linked by geography, themes, or contrasts creates interesting effects and constantly forces the reader to evaluate the connections. Ovid also varies his tone and material from different literary genres; G. B. Conte has called the poem "a sort of gallery of these various literary genres". In this spirit, Ovid engages creatively with his predecessors, alluding to

2924-509: The Metamorphoses , the Fasti was to be a long poem and emulated etiological poetry by writers like Callimachus and, more recently, Propertius and his fourth book. The poem goes through the Roman calendar, explaining the origins and customs of important Roman festivals, digressing on mythical stories, and giving astronomical and agricultural information appropriate to the season. The poem was probably dedicated to Augustus initially, but perhaps

3010-476: The battle of the centaurs , and Iphigeneia . The thirteenth book discusses the contest over Achilles' arms , and Polyphemus . The fourteenth moves to Italy, describing the journey of Aeneas , Pomona and Vertumnus , and Romulus and Hersilia . The final book opens with a philosophical lecture by Pythagoras and the deification of Caesar . The end of the poem praises Augustus and expresses Ovid's belief that his poem has earned him immortality. In analyzing

3096-487: The carmen , or song, which was one cause of his banishment. The Ars Amatoria was followed by the Remedia Amoris in the same year. This corpus of elegiac, erotic poetry earned Ovid a place among the chief Roman elegists Gallus, Tibullus, and Propertius, of whom he saw himself as the fourth member. By AD 8, Ovid had completed Metamorphoses , a hexameter epic poem in 15 books, which comprehensively catalogs

3182-671: The "dread" water of Styx. Hesiod , in the Theogony , gives an account of how this role for Styx came about. He says that, during the Titanomachy , the great war of Zeus and his fellow Olympians against Cronus and his fellow Titans, Zeus summoned "all the deathless gods to great Olympus" and promised, to whosoever would join him against the Titans, that he would preserve whatever rights and offices each had, or if they had none under Cronus, they would be given both under his rule. Styx, upon

3268-652: The Elder and Quintilian . Ovid was born in the Paelignian town of Sulmo (modern-day Sulmona , in the province of L'Aquila , Abruzzo), in an Apennine valley east of Rome , to an important equestrian family, the gens Ovidia , on 20 March 43 BC – a significant year in Roman politics. Along with his brother, who excelled at oratory, Ovid was educated in rhetoric in Rome under the teachers Arellius Fuscus and Porcius Latro . His father wanted him to study rhetoric so that he might practice law. According to Seneca

3354-485: The Elder, Ovid tended to the emotional, not the argumentative pole of rhetoric. Following the death of his brother at 20 years of age, Ovid renounced law and travelled to Athens , Asia Minor , and Sicily . He held minor public posts, as one of the tresviri capitales , as a member of the Centumviral court and as one of the decemviri litibus iudicandis , but resigned to pursue poetry probably around 29–25 BC,

3440-571: The Great's death was caused by being poisoned with the water of this Styx. The Arcadian Styx may have been named so after its mythological counterpart, but it is also possible that this Arcadian stream was the model for the mythological Styx. The latter seems to be the case, at least, for the Styx in Apuleius 's Metamorphoses , which has Venus , addressing Psyche , give the following description: Do you see that steep mountain-peak standing above

3526-464: The Heroides anticipates Machiavelli's "the end justifies the means". Ovid had written "Exitus acta probat" – the result justifies the means. The Amores is a collection in three books of love poetry in elegiac meter, following the conventions of the elegiac genre developed by Tibullus and Propertius . Elegy originates with Propertius and Tibullus, but Ovid is an innovator in the genre. Ovid changes

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3612-489: The Roman equivalent of Nyx ) and Erebus (Darkness). She married the Titan Pallas and by him gave birth to the personifications Zelus (Glory, Emulation), Nike (Victory), Kratos (Strength, Dominion), and Bia (Force, Violence). The geographer Pausanias tells us that, according to Epimenides of Crete , Styx was the mother of the monster Echidna , by an otherwise unknown Perias. Although usually Demeter

3698-522: The Roman equivalent of the Greek Helios ) promised his son Phaethon whatever he desired, which also resulted in the boy's death. The goddess Styx, like her father Oceanus, and his sons the Potamoi , was also a river, in her case, a river of the Underworld. According to Hesiod, Styx was given one-tenth of her father's water, which flowed far underground, and came up to the surface to pour out from

3784-405: The advice of her father Oceanus, was the first to side with Zeus, bringing her children by Pallas along with her. And so in return Zeus appointed Styx to be "the great oath of the gods, and her children to live with him always." According to Hesiod, Styx lived at the entrance to Hades, in a cave "propped up to heaven all round with silver pillars". Hesiod also tells us that Zeus would send Iris ,

3870-419: The book, Ovid playfully interjects, criticizing himself for undoing all his didactic work to men and mythologically digresses on the story of Procris and Cephalus . The book ends with his wish that women will follow his advice and spread his fame saying Naso magister erat, "Ovid was our teacher". (Ovid was known as "Naso" to his contemporaries. ) This elegiac poem proposes a cure for the love Ovid teaches in

3956-567: The death of the emperor prompted Ovid to change the dedication to honor Germanicus . Ovid uses direct inquiry of gods and scholarly research to talk about the calendar and regularly calls himself a vates , a seer. He also seems to emphasize unsavory, popular traditions of the festivals, imbuing the poem with a popular, plebeian flavor, which some have interpreted as subversive to the Augustan moral legislation. While this poem has always been invaluable to students of Roman religion and culture for

4042-476: The elegiac Tristia , a series of poems expressing the poet's despair in exile and advocating his return to Rome, are dated to AD 9–12. The Ibis , an elegiac curse poem attacking an unnamed adversary, may also be dated to this period. The Epistulae ex Ponto , a series of letters to friends in Rome asking them to effect his return, are thought to be his last compositions, with the first three books published in AD 13 and

4128-618: The elegiac genre. About a hundred elegiac lines survive from this poem on beauty treatments for women's faces, which seems to parody serious didactic poetry. The poem says that women should concern themselves first with manners and then prescribes several compounds for facial treatments before breaking off. The style is not unlike the shorter Hellenistic didactic works of Nicander and Aratus .       Si quis in hoc artem populo non novit amandi,            hoc legat et lecto carmine doctus amet. The Ars Amatoria

4214-466: The emperor for forgiveness. Book 3 in 14 poems focuses on Ovid's life in Tomis. The opening poem describes his book's arrival in Rome to find Ovid's works banned. Poems 10, 12, and 13 focus on the seasons spent in Tomis, 9 on the origins of the place, and 2, 3, and 11 his emotional distress and longing for home. The final poem is again an apology for his work. The fourth book has ten poems addressed mostly to friends. Poem 1 expresses his love of poetry and

4300-471: The first 14 poems of the collection. The first five-book collection of the Amores , a series of erotic poems addressed to a lover, Corinna, is thought to have been published in 16–15 BC; the surviving version, redacted to three books according to an epigram prefixed to the first book, is thought to have been published c.  8 –3 BC. Between the publications of the two editions of the Amores can be dated

4386-501: The first piece is an address by Ovid to his book about how it should act when it arrives in Rome. Poem 3 describes his final night in Rome, poems 2 and 10 Ovid's voyage to Tomis, 8 the betrayal of a friend, and 5 and 6 the loyalty of his friends and wife. In the final poem Ovid apologizes for the quality and tone of his book, a sentiment echoed throughout the collection. Book 2 consists of one long poem in which Ovid defends himself and his poetry, uses precedents to justify his work, and begs

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4472-464: The first semester of the year, with each book dedicated to a different month of the Roman calendar (January to June). The project seems unprecedented in Roman literature. It seems that Ovid planned to cover the whole year, but was unable to finish because of his exile, although he did revise sections of the work at Tomis, and he claims at Trist. 2.549–52 that his work was interrupted after six books. Like

4558-507: The formation of the world, the ages of man , the flood , the story of Daphne 's rape by Apollo and Io 's by Jupiter. The second book opens with Phaethon and continues describing the love of Jupiter with Callisto and Europa . The third book focuses on the mythology of Thebes with the stories of Cadmus , Actaeon , and Pentheus . The fourth book focuses on three pairs of lovers: Pyramus and Thisbe , Salmacis and Hermaphroditus , and Perseus and Andromeda . The fifth book focuses on

4644-640: The fourth book between AD 14 and 16. The exile poetry is particularly emotive and personal. In the Epistulae he claims friendship with the natives of Tomis (in the Tristia they are frightening barbarians) and to have written a poem in their language ( Ex Ponto , 4.13.19–20). Yet he pined for Rome – and for his third wife, addressing many poems to her. Some are also to the Emperor Augustus, yet others are to himself, to friends in Rome, and sometimes to

4730-475: The full spectrum of classical poetry. Ovid's use of Alexandrian epic, or elegiac couplets, shows his fusion of erotic and psychological style with traditional forms of epic. A concept drawn from the Metamorphoses is the idea of the white lie or pious fraud : "pia mendacia fraude". Six books in elegiacs survive of this second ambitious poem that Ovid was working on when he was exiled. The six books cover

4816-526: The gates of Hades" and join the other dead "beyond the River". So too in Virgil 's Aeneid , where the Styx winds nine times around the borders of Hades, and the boatman Charon is in charge of ferrying the dead across it. More usually, however, Acheron is the river (or lake) which separates the world of the living from the world of the dead. In the Odyssey , Circe says that the Underworld river Cocytus

4902-432: The historical Sappho to Phaon , seems spurious (although referred to in Am. 2.18) because of its length, its lack of integration in the mythological theme, and its absence from Medieval manuscripts. The final letters (16–21) are paired compositions comprising a letter to a lover and a reply. Paris and Helen , Hero and Leander , and Acontius and Cydippe are the addressees of the paired letters. These are considered

4988-430: The hoof of a female mule was the only material not "rotted" by its water. According to Plutarch the poisonous water could only be held by an ass's hoof, since all other vessels would "be eaten through by it, owing to its coldness and pungency." While according to Pausanias, the only vessel that could hold the Styx's water (poisonous to both men and animals) was a horse's hoof. There were ancient suspicions that Alexander

5074-412: The leader of his elegies from the poet, to Amor (Love or Cupid). This switch in focus from the triumphs of the poet, to the triumphs of love over people is the first of its kind for this genre of poetry. This Ovidian innovation can be summarized as the use of love as a metaphor for poetry. The books describe the many aspects of love and focus on the poet's relationship with a mistress called Corinna. Within

5160-535: The letters mentioned specifically in Ovid's description of the work at Am. 2.18.19–26 as safe from objection. The collection comprises a new type of generic composition without parallel in earlier literature. The first fourteen letters are thought to comprise the first published collection and are written by the heroines Penelope , Phyllis , Briseis , Phaedra , Oenone , Hypsipyle , Dido , Hermione , Deianeira , Ariadne , Canace , Medea , Laodamia , and Hypermnestra to their absent male lovers. Letter 15, from

5246-432: The messenger of the gods, to fetch the "famous cold water" of Styx for the gods to swear by, and describes the punishments which would follow the breaking of such an oath: For whoever of the deathless gods that hold the peaks of snowy Olympus pours a libation of her water and is forsworn, must lie breathless until a full year is completed, and never come near to taste ambrosia and nectar, but lie spiritless and voiceless on

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5332-487: The metamorphoses in Greek and Roman mythology, from the emergence of the cosmos to the apotheosis of Julius Caesar . The stories follow each other in the telling of human beings transformed to new bodies: trees, rocks, animals, flowers, constellations , etc. Simultaneously, he worked on the Fasti , a six-book poem in elegiac couplets on the theme of the calendar of Roman festivals and astronomy. The composition of this poem

5418-461: The name of one of Pluto's moons . The other moons of Pluto ( Charon , Nix , Hydra , and Kerberos ) also have names from Greco-Roman mythology related to the underworld. Ovid Publius Ovidius Naso ( Latin: [ˈpuːbliʊs ɔˈwɪdiʊs ˈnaːso(ː)] ; 20 March 43 BC – AD 17/18), known in English as Ovid ( / ˈ ɒ v ɪ d / OV -id ), was a Roman poet who lived during

5504-457: The poem as a mere justification for something more personal. In exile, Ovid wrote two poetry collections, Tristia and Epistulae ex Ponto , which illustrated his sadness and desolation. Being far from Rome, he had no access to libraries, and thus might have been forced to abandon his Fasti , a poem about the Roman calendar, of which only the first six books exist – January through June. He learned Sarmatian and Getic . The five books of

5590-461: The poems themselves, expressing loneliness and hope of recall from banishment or exile. The obscure causes of Ovid's exile have given rise to much speculation by scholars. The medieval texts that mention the exile offer no credible explanations: their statements seem incorrect interpretations drawn from the works of Ovid. Ovid himself wrote many references to his offense, giving obscure or contradictory clues. In 1923, scholar J. J. Hartman proposed

5676-459: The population's birth rate, were fresh in the Roman mind. Ovid's writing in the Ars Amatoria concerned the serious crime of adultery . He may have been banished for these works, which appeared subversive to the emperor's moral legislation. However, in view of the long time that elapsed between the publication of this work (1 BC) and the exile (AD 8), some authors suggest that Augustus used

5762-613: The premiere of his tragedy Medea , which was admired in antiquity but is no longer extant. Ovid's next poem, the Medicamina Faciei (a fragmentary work on women's beauty treatments), preceded the Ars Amatoria (the Art of Love ), a parody of didactic poetry and a three-book manual about seduction and intrigue, which has been dated to AD 2 (Books 1–2 would go back to 1 BC ). Ovid may identify this work in his exile poetry as

5848-483: The quality of his poetry. The Epistulae ex Ponto is a collection in four books of further poetry from exile. The Epistulae are each addressed to a different friend and focus more desperately than the Tristia on securing his recall from exile. The poems mainly deal with requests for friends to speak on his behalf to members of the imperial family, discussions of writing with friends, and descriptions of life in exile. The first book has ten pieces in which Ovid describes

5934-581: The reason for his exile was carmen et error – "a poem and a mistake", claiming that his crime was worse than murder, more harmful than poetry. The Emperor's grandchildren, Julia the Younger and Agrippa Postumus (the latter adopted by him), were also banished around the same time. Julia's husband, Lucius Aemilius Paullus , was put to death for a conspiracy against Augustus , a conspiracy of which Ovid potentially knew. The Julian marriage laws of 18 BC , which promoted monogamous marriage to increase

6020-482: The reign of Augustus . He was a younger contemporary of Virgil and Horace , with whom he is often ranked as one of the three canonical poets of Latin literature . The Imperial scholar Quintilian considered him the last of the Latin love elegists . Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus exiled him to Tomis , the capital of the newly-organised province of Moesia , on

6106-652: The river Titaressus , a tributary of the river Peneius in Thessaly , was a branch of the Styx. However Styx has been most commonly associated with an Arcadian stream and waterfall (the Mavronéri ) that runs through a ravine on the North face of mount Chelmos and flows into the Krathis river. The fifth-century BC historian Herodotus , locates this stream—calling it "the water of Styx"—as being near Nonacris

6192-460: The second century AD, was already a partially-buried ruins), saying that: Not far from the ruins is a high cliff; I know of none other that rises to so great a height. A water trickles down the cliff, called by the Greeks the water of the Styx. According to Aelian , Demeter caused the water of this Arcadian Styx "to well up in the neighbourhood of Pheneus". An ancient legend apparently also connected Demeter with this Styx. According to Photius ,

6278-479: The second-century Metamorphoses of Apuleius , one of the impossible trials which Venus imposed on Psyche was to fetch water from the Styx. Apuleius has the water guarded by fierce dragons ( dracones ), and from the water itself came fearsome cries of deadly warning. The sheer impossibility of her task caused Psyche to become senseless, as if turned into stone. Jupiter's eagle admonishes Psyche saying: Do you ... really expect to be able to steal, or even touch,

6364-438: The solace it brings; while 2 describes a triumph of Tiberius. Poems 3–5 are to friends, 7 a request for correspondence, and 10 an autobiography. The final book of the Tristia with 14 poems focuses on his wife and friends. Poems 4, 5, 11, and 14 are addressed to his wife, 2 and 3 are prayers to Augustus and Bacchus , 4 and 6 are to friends, 8 to an enemy. Poem 13 asks for letters, while 1 and 12 are apologies to his readers for

6450-521: The song of the Muses , which describes the rape of Proserpina . The sixth book is a collection of stories about the rivalry between gods and mortals, beginning with Arachne and ending with Philomela . The seventh book focuses on Medea , as well as Cephalus and Procris . The eighth book focuses on Daedalus ' flight, the Calydonian boar hunt, and the contrast between pious Baucis and Philemon and

6536-471: The state of his health (10), his hopes, memories, and yearning for Rome (3, 6, 8), and his needs in exile (3). Book 2 contains impassioned requests to Germanicus (1 and 5) and various friends to speak on his behalf at Rome while he describes his despair and life in exile. Book 3 has nine poems in which Ovid addresses his wife (1) and various friends. It includes a telling of the story of Iphigenia in Tauris (2),

6622-594: The towering cliff? Dark waves flow down from a black spring on that peak and are enclosed by the reservoir formed by the valley nearby, to water the swamps of Styx and feed the rasping currents of Cocytus. That Apuleius has his "black spring" being guarded by dragons, also suggests a connection between his Styx and two modern local names for the waterfall: the Black Water ( Mavro Nero ) and the Dragon Water ( Drako Nero ). On 2 July 2013, "Styx" officially became

6708-441: The various poems, several describe events in the relationship, thus presenting the reader with some vignettes and a loose narrative. Book 1 contains 15 poems. The first tells of Ovid's intention to write epic poetry, which is thwarted when Cupid steals a metrical foot from him, changing his work into love elegy. Poem 4 is didactic and describes principles that Ovid would develop in the Ars Amatoria . The fifth poem, describing

6794-502: The waters of Styx when he promises Semele : Whatever thy wish, it shall not be denied, and that thy heart shall suffer no distrust, I pledge me by that Deity, the Waves of the deep Stygian Lake,—oath of the Gods. and was then obliged to follow through even though he realized to his horror that Semele's request would lead to her death. Similarly Phoebus (here identified with Sol ,

6880-427: The wealth of antiquarian material it preserves, it recently has been seen as one of Ovid's finest literary works and a unique contribution to Roman elegiac poetry. The Ibis is an elegiac poem in 644 lines, in which Ovid uses a dazzling array of mythic stories to curse and attack an enemy who is harming him in exile. At the beginning of the poem, Ovid claims that his poetry up to that point had been harmless, but now he

6966-425: The wicked Erysichthon . The ninth book focuses on Heracles and the incestuous Byblis . The tenth book focuses on stories of doomed love, such as Orpheus , who sings about Hyacinthus , as well as Pygmalion , Myrrha , and Adonis . The eleventh book compares the marriage of Peleus and Thetis with the love of Ceyx and Alcyone . The twelfth book moves from myth to history describing the exploits of Achilles ,

7052-481: Was abducted by Hades . According to the Achilleid , written by the Roman poet Statius in the 1st century AD, when Achilles was born his mother Thetis tried to make him immortal by dipping him in the river Styx; however, he was left vulnerable at the part of the body by which she held him: his left heel. And so Paris was able to kill Achilles during the Trojan War by shooting an arrow into his heel. In

7138-505: Was already known by Virgil , by Herodotus and by Ovid himself in his Metamorphoses . Most scholars, however, oppose these hypotheses. One of the main arguments of these scholars is that Ovid would not let his Fasti remain unfinished, mainly because this poem meant his consecration as an imperial poet. Ovid died at Tomis in AD 17 or 18. It is thought that the Fasti , which he spent time revising, were published posthumously. The Heroides ("Heroines") or Epistulae Heroidum are

7224-615: Was interrupted by Ovid's exile, and it is thought that Ovid abandoned work on the piece in Tomis. It is probably in this period that the double letters (16–21) in the Heroides were composed, although there is some contention over their authorship. In AD 8, Ovid was banished to Tomis , on the Black Sea , by the exclusive intervention of the Emperor Augustus without any participation of the Senate or of any Roman judge . This event shaped all his following poetry. Ovid wrote that

7310-525: Was much imitated during Late Antiquity and the Middle Ages , and greatly influenced Western art and literature . The Metamorphoses remains one of the most important sources of classical mythology today. Ovid wrote more about his own life than most other Roman poets. Information about his biography is drawn primarily from his poetry, especially Tristia 4.10, which gives a lengthy autobiographical account of his life. Other sources include Seneca

7396-401: Was the mother, by Zeus, of the underworld-goddess Persephone, according to the mythographer Apollodorus , it was Styx. However, when Apollodorus relates the famous story of the abduction of Persephone, and the search for her by her angry and distraught mother, as usual, it is Demeter who conducts the search. Styx was the oath of the gods. Homer calls Styx the "dread river of oath". In both

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