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19-641: A surviving manuscript of the St Luke Passion from about 1730 is partly in Bach's hand, though scholars believe that the music is certainly not his own. The music was later thought to have been composed by Johann Melchior Molter , but that was proven false because if Molter composed the music, then the manuscript would date to later than 1730. Presumably Bach performed it, or intended to perform it, in Leipzig. C. P. E. Bach and Agricola may have mistaken it for

38-562: A dedicated call-in line is made available for the international audience (outside the U.S. and Canada) or for a particular group of callers. For example, a program about college tuition may have a line for students and recent graduates. In the fall of 2006, the Washington Journal recorded two shows in New Orleans and set up a call-in line for locals to tell their stories from Hurricane Katrina and its aftermath. The show

57-620: A letter to Franz Hauser who had just paid a large sum of money to purchase the Lukaspassion: "I am sorry to hear you have given so much money for the St. Luke Passion." Mendelssohn repudiated Bach's authorship of the work upon the evidence of a single chorale, 'Weide mich und mach' mich satt' (No. 9). He continued: "No doubt, as an authentic autograph, it would be worth the price. But it is not by Bach. You ask, 'On what grounds do you maintain your opinion?' I answer, on intrinsic evidence, though it

76-412: A work of Bach's and thus included it in their census. Of course, given his delight in exhaustive cycles, Bach should have composed a St Luke Passion . Apparently J. S. Bach took the anonymous St Luke Passion and arranged it for four voices, chorus, orchestra, and continuo to meet an urgent deadline for Good Friday in 1730. With regard to the authorship of the passion, Felix Mendelssohn commented in

95-519: Is hosted from C-SPAN's Washington, D.C., studio overlooking the Capitol Building and is hosted by a revolving set of hosts. In November 2009, C-SPAN named veteran television news producer Michele Remillard as executive producer of the Washington Journal . The Washington Journal theme music is the third movement of Concerto for Trumpet, Mo. 2 by Johann Melchior Molter (1696-1765), played at various points during each broadcast. The theme

114-669: Is pointed out to be violated by the program's regular viewers occasionally. For several days following the September 11 attacks , the Washington Journal began at 6 a.m. instead of 7 a.m. Following Hurricane Katrina , the Washington Journal frequently featured discussions on the issue of New Orleans' recovery. On August 21 and 22, 2006, a remote broadcast was set up in the city to interview key players, including U.S. senators David Vitter and Mary Landrieu , and local homeowners. Among C-SPAN's primarily anonymous callers, recording artist and entertainer Cher made waves by calling into

133-514: Is the C-SPAN daily call-in, a fixture of the network since October 7, 1980. The inaugural the Washington Journal program aired on January 4, 1995, and the program continues to be shown on C-SPAN in its original time slot. Saturday and Sunday editions were originally just two hours long; on January 20, 2001, they were expanded to a full three hours. Simulcasts of the Washington Journal on C-SPAN's radio station, WCSP-FM, began on October 9, 1997; it

152-516: Is the signature piece of C-SPAN 's Washington Journal . This article about a German composer is a stub . You can help Misplaced Pages by expanding it . Washington Journal The Washington Journal is an American television series on the C-SPAN television network in the format of a political call-in and interview program. The program features elected officials, government administrators, and journalists as guests, answering questions from

171-514: Is unpleasant to say so, since it is your property. But just look at the chorale, 'Weide mich und mach' mich satt'! If that is by Sebastian, may I be hanged! It certainly is in his handwriting, but it is too clean. Evidently he copied it. 'Whose is it?' you ask; 'Telemann, or M. Bach, or Altnichol?' Jung Nichol or plain Nichol, how can I tell? It's not by Bach. Probably it is of North German origin." (Terry, 78). Starting in 1999, an English performance of

190-603: Is used as introductory music, as an interlude during transitions, and is played again as the program concludes. A video simulcast of the C-SPAN Radio studio has been shown during transitions at the top of an hour, with the radio host reading the day's news headlines. The program airs 365 days a year. The Washington Journal uses no delay, so obscene or other objectionable language will occasionally be heard, though offending callers are normally cut off promptly. Callers are asked to wait 30 days between phoning in, though this rule

209-487: The Washington Journal , callers were not screened by ideology. This was changed at the recommendation of University of Maryland professor John Splaine, hired by C-SPAN to ensure the network's objectivity, who noticed that C-SPAN received a disproportionate number of calls from conservative viewers. Washington Journal producers now set up separate phone lines by party affiliation (Democrats, Republicans, and Independents) and take alternate calls from each line. In some cases,

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228-530: The aria "Lasst mich ihn nur noch einmal küssen" ('Just let me kiss him one more time') from the St. Luke Passion was used by musician Leyland James Kirby, also known as The Caretaker , as the track "Friends Past Reunited" on several of his albums. Specifically, he included the track on his first album, Selected Memories from the Haunted Ballroom (1999) and A Stairway to the Stars (2001). He also used

247-460: The gymnasium there. From 1747 to his death Molter was employed by Margrave Carl Friedrich of Baden-Durlach , the son of his first employer. He died at Karlsruhe. Molter's surviving works include an oratorio ; several cantatas ; over 140 symphonies , overtures , and other works for orchestra ; many concertos , including some of the first clarinet concertos ever written; and many pieces of chamber music . One of Molter's many Trumpet Concertos

266-443: The host interviews guests invited to discuss a specific political or legislative issue and takes calls from the public. Most guests appear in C-SPAN's Washington or New York City studios, while some guests are interviewed from remote locations. The program is noted for the participation of its viewers, who may call in, submit questions and comments via e-mail, or, since March 5, 2009, Twitter. As facilitators of conversation between

285-446: The hosts and from members of the general public who call into the studio or submit questions via e-mail and social media . The three-hour program airs every day of the year, beginning at 7 a.m. Eastern Time , except when special events or coverage of Congress preempt all or part of the program. The audio of the program also airs on WCSP-FM as a simulcast with the television broadcast. The Washington Journal ' s antecedent

304-416: The public and C-SPAN guests, Washington Journal hosts do not offer their own perspective on issues and leave more pointed questions to callers, though they will occasionally ask for clarifications from callers and guests. Consistent with its emphasis on reflecting a wide variety of viewpoints, C-SPAN aims to take approximately 60 calls in each program, and roughly 20,000 calls per year. In the early days of

323-530: The same performance recording as the ending to the final track of Stage 6, "Place in the World fades away", the finale to his final project, Everywhere at the End of Time (2016–2019). The group that produced the exact performance remains unknown. Johann Melchior Molter Johann Melchior Molter (10 February 1696 – 12 January 1765) was a German composer and violinist of the late Baroque period. He

342-805: Was born at Tiefenort , near Eisenach , and was educated at the Gymnasium in Eisenach. By autumn 1717 he had left Eisenach and was working as a violinist in Karlsruhe . Here he married Maria Salome Rollwagen, with whom he had eight children. From 1719 to 1721 he studied composition in Italy . From 1722 to 1733 he was court Kapellmeister at Karlsruhe. In 1734 he became Kapellmeister at the court of Duke Wilhelm Heinrich of Saxe-Eisenach . Maria died in 1737; by 1742 Molter had married Maria Christina Wagner. In that year he returned to Karlsruhe and began teaching at

361-688: Was the first program to be broadcast on the station. One hour of the Sunday edition of Washington Journal is also simulcast on BBC Parliament in the United Kingdom, preceded by America This Week , an hour of recorded C-SPAN programming. At the beginning of each program, the host reads noteworthy articles and editorials from current newspapers and periodicals as viewers discuss a timely topic chosen by C-SPAN. The program occasionally features "open phones" segments when callers may discuss any topic of their choosing. In multiple segments following,

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