99-456: The music of the Star Wars franchise is composed and produced in conjunction with the development of the feature films, television series, and other merchandise within the epic space opera multimedia franchise created by George Lucas . The music for the primary feature films (which serves as the basis for the rest of the related media) was written by John Williams . Williams' work on
198-434: A 10-episode adaptation of The Empire Strikes Back debuted in 1983. Billy Dee Williams joined the other two stars, reprising his role as Lando Calrissian. In 1983, Buena Vista Records released an original, 30-minute Star Wars audio drama titled Rebel Mission to Ord Mantell , written by Daley. In the 1990s, Time Warner Audio Publishing adapted several Star Wars series from Dark Horse Comics into audio dramas:
297-406: A 110-piece orchestra and 90-piece mixed choir. In live performances, the forces are usually greatly reduced: Official Star Wars Concerts were held with as little as 60-piece orchestras and 50-piece mixed choral ensembles or with the choir omitted altogether. However, to recreate the nine scores as they were originally recorded, the following instrumentation would be needed: John Williams wrote
396-656: A collection of suites from the six films as a compilation that played to a series of clips from the films, with sparse dialogue and sound effects. These became the basis for a series of hour-long concerts which featured Star Wars music to images from the films, Star Wars: In Concert , which took place in 2009 and 2010. First performed in London , it went on to tour across the United States and Canada , last playing in London, Ontario, Canada on July 25, 2010. The scores of
495-565: A few passages) by the Los Angeles Master Chorale . Additional composers have since contributed music to other movies and media within the Star Wars universe . The music for several animated and live-action television series spin-offs has been written by Kevin Kiner , Ludwig Göransson , Natalie Holt , Nicholas Britell , and Ryan Shore . Music for the spin-off films, other television programs, and video games, as well as
594-476: A large (over 100-piece) romantic-period orchestra, a mixed choir and even a boy choir, although none of the scores call for particularly immense forces compared to larger film or theater works. Nevertheless, due to added high woodwinds and percussion parts, scores such as Empire Strikes Back and Attack of the Clones call for 106 and 110 players, respectively. The former called for a third harp and fourth bassoon, while
693-430: A master and their apprentice. The franchise is set against a backdrop of galactic conflict involving republics and empires, such as the evil Galactic Empire . The Jedi and Sith prefer the use of a weapon called the lightsaber , a blade of plasma that can cut through virtually any surface and deflect energy bolts. The rest of the population, as well as renegades and soldiers, use plasma-powered blaster firearms . In
792-472: A mixed reception from critics and audiences. Several Star Wars films have been produced separately from the Skywalker Saga. In 2008, Lucasfilm released the animated film The Clone Wars , which is set during the prequel trilogy and serves as the theatrical pilot of the television series of the same name . Following Disney's acquisition of Lucasfilm in 2012, an "anthology" film series set between
891-572: A series of murders of Jedi Masters. The Star Wars canon fictional universe spans multiple eras, of which three are focused around each of the film trilogies. The following eras were defined in January 2021, and further refined and expanded in April 2023: The Expanded Universe of spin-off media depicts different levels of continuity, which were deemed non-canonical and rebranded as Legends on April 25, 2014, to make most subsequent works align to
990-492: A series of themes and motifs for certain characters and ideas in each of the Star Wars films. The multiple installments allowed Williams to compose some sixty or seventy themes and reprise some of them extensively, continually developing them over a long period of screen time. Williams introduces a considerable, but manageable number of themes in each episode (seven themes on average), attempting to compose main themes that are distinct, long-lined and memorable. Connections between
1089-451: A temporary track for Williams to base his musical choices on. This resulted in several nods or homages to the music of Gustav Holst , William Walton , Sergei Prokofiev and Igor Stravinsky in the score to Star Wars . Williams relied less and less on references to existing music in the latter eight scores, incorporating more strains of modernist orchestral writing with each progressive score, although occasional nods continue to permeate
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#17327722840281188-442: A theme for Obi-Wan Kenobi for the miniseries and Han Solo's theme for Solo: A Star Wars Story . Williams also created the main theme for Galaxy's Edge . Several other composers worked on other soundtracks, including John Powell ( Obi-Wan Kenobi ), Michael Giacchino ( Rogue One ), and Ludwig Göransson ( The Mandalorian ). The first Star Wars audio work is The Story of Star Wars , an LP using audio samples from
1287-514: Is common due to lightspeed hyperspace technology. The planets range from wealthy, planet-wide cities to deserts scarcely populated by primitive tribes. Virtually any Earth biome , along with many fictional ones, has its counterpart as a Star Wars planet which, in most cases, teem with sentient and non-sentient alien life. The franchise also makes use of other astronomical objects such as asteroid fields and nebulae . Spacecraft range from small starfighters to large capital ships, such as
1386-772: Is impossible for the Force. These superpowers are wielded by two major knightly orders at conflict with each other: the Jedi , peacekeepers of the Galactic Republic who act on the light side of the Force through non-attachment and arbitration , and the Sith , who use the dark side by manipulating fear and aggression. While Jedi Knights can be numerous, the Dark Lords of the Sith (or 'Darths') are intended to be limited to two:
1485-719: Is occurring on screen. Musical similarities exist between the final scenes of The Phantom Menace with Finn's confession to Rey in The Force Awakens , probably a result of temp-track choice. In other cases, the material was not tracked but rather lifted from the original composition and re-recorded, such as in the big action scenes of Return of the Jedi , both of which lift material from the Battle of Yavin and Ben's death. Other composers to have used Williams' themes in spinoff materials have likewise sometimes used them loosely. Over
1584-461: Is one of the highest-grossing media franchises of all time. The original 1977 film, retroactively subtitled Episode IV: A New Hope , was followed by the sequels Episode V: The Empire Strikes Back (1980) and Episode VI: Return of the Jedi (1983), forming the original Star Wars trilogy . Lucas later returned to the series to write and direct a prequel trilogy , consisting of Episode I: The Phantom Menace (1999), Episode II: Attack of
1683-473: Is the way in which Williams subtly conceals the intervals of " The Imperial March " within "Anakin's Theme" in The Phantom Menace , implying his dark future to come. Also important is the density in which leitmotifs are used: the more leitmotifs are used in a piece of a given length, the more thematically rich it is considered to be. Film music, however, typically needs to strike a balance between
1782-538: The Jedi Academy trilogy (1994) by Kevin J. Anderson , the 14-book Young Jedi Knights series (1995–1998) by Anderson and Rebecca Moesta , and the X-wing series (1996–2012) by Michael A. Stackpole and Aaron Allston . Del Rey took over Star Wars book publishing in 1999, releasing what would become a 19-installment novel series called The New Jedi Order (1999–2003). Written by multiple authors,
1881-805: The Ring Cycle or even Howard Shore 's work on the Hobbit and Lord of the Rings films. Both works feature many more themes for a similar or shorter running time; and use the themes with greater specificity and variation; where Williams prefers to write fewer themes (to allow him to focus on them better) and use them in a more straightforward manner and sometimes, solely for their romantic effect. Shore and Wagner's themes are also inter-related and arranged into sets of subsets of related themes through various melodic or harmonic connections, whereas Williams prefers greater distinction between his themes. Williams scores
1980-491: The leitmotif , or a series of musical themes that represents the various characters, objects and events in the films. Throughout all of the franchise, which consists of a total of over 18 hours of music, Williams has written approximately sixty or seventy themes, in one of the largest, richest collection of themes in the history of film music. New London Children's Choir Boy choir (synth) Boy choir (synth) Batu Sener Anthony Willis Paul Mounsey Kevin Kiner composed
2079-442: The 2008 series of the same name . Following Disney's acquisition of Lucasfilm, all animated series released prior to 2014, apart from the 2008 series, were discarded from the franchise's canon . Subsequent animated series include Rebels , released in 2014; Resistance , released in 2018; and The Bad Batch , released in 2021. Several micro-series and shorts have also been released by Lucasfilm since Disney's acquisition, with
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#17327722840282178-520: The Golden Age Hollywood scores of Erich Korngold and Max Steiner . The reasons for this are known to involve George Lucas's desire to allude to the underlying fantasy element of the narrative rather than the science-fiction setting, as well as to ground the otherwise strange and fantastic setting in recognizable, audience-accessible music. Indeed, Lucas maintains that much of the films' success relies not on advanced visual effects, but on
2277-463: The New Republic era, serving as the climax of the various live-action television series that began with The Mandalorian in 2019. Sharmeen Obaid-Chinoy will direct a third film about a new Jedi Order, set fifteen years after the sequel trilogy. In January 2024, it was announced that Jon Favreau would direct a new Star Wars film, titled The Mandalorian & Grogu . In February of
2376-466: The Republic , the return of Luke as a Jedi Master (a role similar to that of Obi-Wan Kenobi in the original trilogy), Luke's sister (not yet determined to be Leia), Han, Leia, R2-D2 and C-3PO . However, after beginning work on the prequel trilogy, Lucas insisted that Star Wars was meant to be a six-part series and that there would be no sequel trilogy. Lucas decided to leave the franchise in
2475-409: The Sith . Although no longer canon, the story is paralleled in The Force Awakens with Han and Leia's son Ben Solo , who becomes the evil Kylo Ren. Three series set in the prequel era were published by Scholastic for younger audiences: the 18-book Jedi Apprentice (1999–2002) chronicles the adventures of Obi-Wan Kenobi and his master Qui-Gon Jinn in the years before The Phantom Menace ;
2574-480: The Star Destroyers , as well as space stations such as the moon-sized Death Stars . Telecommunication includes two-way audio and audiovisual screens, holographic projections, and hyperspace transmission. The universe of Star Wars is generally similar to the real universe but its laws of physics are less strict allowing for more imaginative stories. One result of that is a mystical power known as
2673-618: The Thrawn trilogy, Leia considers an advantageous political marriage to Prince Isolder of the planet Hapes, but she and Han ultimately marry. Steve Perry 's Shadows of the Empire (1996), set between The Empire Strikes Back and Return of the Jedi , was part of a multimedia campaign that included a comic book series and video game. The novel introduced the crime lord Prince Xizor , another popular character who would appear in multiple other works. Other notable series from Bantam include
2772-563: The University of Southern California , licensed the Star Wars radio rights to KUSC-FM for US$ 1 . The production used John Williams's original film score, along with Ben Burtt 's sound effects. The first was written by science-fiction author Brian Daley and directed by John Madden . It was broadcast on National Public Radio in 1981, adapting the original 1977 film into 13 episodes. Mark Hamill and Anthony Daniels reprised their film roles. The overwhelming success, led to
2871-475: The 11-book Jedi Quest (2001–2004) follows Obi-Wan and his own apprentice, Anakin Skywalker in between The Phantom Menace and Attack of the Clones ; and the 10-book The Last of the Jedi (2005–2008), set almost immediately after Revenge of the Sith , features Obi-Wan and the last few surviving Jedi. In 2019, a new prequel era novel, starring Qui-Gon and the young Obi-Wan, was published by Del Rey under
2970-480: The Clones (2002), and Episode III: Revenge of the Sith (2005). In 2012, Lucas sold his production company to Disney , relinquishing his ownership of the franchise. This led to a sequel trilogy , consisting of Episode VII: The Force Awakens (2015), Episode VIII: The Last Jedi (2017), and Episode IX: The Rise of Skywalker (2019). All nine films, collectively referred to as the " Skywalker Saga ", were nominated for Academy Awards , with wins going to
3069-535: The EU material until April 25, 2014, when the company announced all of the EU works would cease production. Existing works would no longer be considered canon to the franchise and subsequent reprints would be rebranded under the Star Wars Legends label, with downloadable content for the massively multiplayer online game The Old Republic the only Legends material to still be produced. The Star Wars canon
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3168-626: The Empire Strikes Back is to augmented with the string section size of Revenge of the Sith or the Skywalker Symphony Recording, it would require about 112 players and a small women choir. A Star Wars in Concert production that would follow the orchestration of the recording, would have to feature some of the expansions of the various episodes, requiring about 110 players, as well as the mixed choir and possibly
3267-408: The Force which is described in the original film as "an energy field created by all living things ... [that] binds the galaxy together". The field is depicted as a kind of pantheistic god. Through training and meditation, those whom "the Force is strong with" exhibit various superpowers (such as telekinesis , precognition , telepathy , and manipulation of physical energy); it is believed nothing
3366-646: The Imperial March, Han Solo and the Princess, Yoda Star Wars Star Wars is an American epic space opera media franchise created by George Lucas , which began with the eponymous 1977 film and quickly became a worldwide pop culture phenomenon. The franchise has been expanded into various films and other media , including television series , video games , novels , comic books , theme park attractions , and themed areas , comprising an all-encompassing fictional universe . Star Wars
3465-480: The Jedi . In February 2024 it was revealed that Michael Abels had been tapped to compose the score for The Acolyte . For the game show Jedi Temple Challenge , Gordy Haab composes the score. Harlan Hodges Randy Kerber The scores utilize an eclectic variety of musical styles, many culled from the Late Romantic idiom of Richard Strauss and his contemporaries that itself was incorporated into
3564-492: The Marvel magazine Pizzazz between 1977 and 1979. The 1977 installments were the first original Star Wars stories not directly adapted from the films to appear in print form, as they preceded those of the Star Wars comic series. From 1985 to 1987, the animated children's series Ewoks and Droids inspired comic series from Marvel's Star Comics line. According to Marvel Comics former Editor-In-Chief Jim Shooter ,
3663-456: The animated anthology series Star Wars: Visions . A list of Lego Star Wars tv series & specials and their score composers: For the hand drawn anime short by Studio Ghibli Grogu and Dust Bunnies, Ludwig Göransson composes the score. For the Disney+ series The Mandalorian , Oscar -winner Ludwig Göransson composes the score. For the third season of the series, Joseph Shirley
3762-727: The announcement. Since the new canon has been introduced, there has been a multitude of pieces of Expanded Universe continuity that have become a part of canon. Star Wars in print predates the release of the first film, with the November 1976 novelization of Star Wars , initially subtitled " From the Adventures of Luke Skywalker ". Credited to Lucas, it was ghostwritten by Alan Dean Foster . The first "Expanded Universe" story appeared in Marvel Comics ' Star Wars #7 in January 1978 (the first six issues being an adaptation of
3861-411: The bass choir.) and, in several passages, chorus (ranging from 12 to 120 singers overall) and a few non-orchestral instruments. The orchestration is not consistent throughout the different films, but generally, the score makes use of a considerable brass section over a comparatively smaller string section, giving the series its heraldic, brassy sound. Several of the scores require larger forces, including
3960-416: The earlier animated series falling under Disney's "Vintage" collection of Star Wars content. The Star Wars franchise includes several live-action series. The first series, The Mandalorian , was released in 2019 for the streaming service Disney+ and is set between the original and sequel trilogies of the Skywalker Saga. Due to its success, the series spawned multiple live-action spin-offs set during
4059-399: The episodic films, The Clone Wars film , and television series . From 1976 to 2014, the term Expanded Universe (EU) was an umbrella term for all officially licensed Star Wars storytelling material set outside the events depicted within the theatrical films, including novels, comics, and video games. Lucasfilm maintained internal continuity between the films and television content and
Music of Star Wars - Misplaced Pages Continue
4158-495: The evil Sith lord Palpatine (Darth Sidious). The original trilogy depicts the heroic development of Luke Skywalker as a Jedi and his fight against Palpatine's Galactic Empire alongside his sister, Leia . The prequels tell the tragic backstory of their father, Anakin , who is corrupted by Palpatine and becomes Darth Vader . The sequels follow the conflict between Leia's son, Ben Solo , and Luke and Leia's protegé, Rey , and their eventual alliance against Palpatine after
4257-463: The fall of the Empire. In 1971, George Lucas wanted to film an adaptation of the Flash Gordon serial , but could not obtain the rights, so he began developing his own space opera . After directing American Graffiti (1973), he wrote a two-page synopsis, which 20th Century Fox decided to invest in. By 1974, he had expanded the story into the first draft of a screenplay. Fox expected
4356-479: The film would be of limited financial success, and so it was given a relatively low budget, with production being moved to Elstree Studios in England to help save on cost. Star Wars was released on May 25, 1977, and first subtitled Episode IV: A New Hope in the 1979 book The Art of Star Wars . The film's success led Lucas to make it the basis of an elaborate film serial . With the backstory he created for
4455-650: The film), followed by Foster's sequel novel Splinter of the Mind's Eye the following month. After penning the novelization of the original film, Foster followed it with the sequel Splinter of the Mind's Eye (1978). The novelizations of The Empire Strikes Back (1980) by Donald F. Glut and Return of the Jedi (1983) by James Kahn followed, as well as The Han Solo Adventures trilogy (1979–1980) by Brian Daley , and The Adventures of Lando Calrissian trilogy (1983) by L. Neil Smith . Timothy Zahn 's bestselling Thrawn trilogy (1991–1993) reignited interest in
4554-446: The film. It is commonly used in modern film scoring as a device for mentally anchoring certain parts of a film to the soundtrack. Of chief importance for a leitmotif is that it must be strong enough for a listener to latch onto while being flexible enough to undergo variation and development along the progression of the story. The more varied and nuanced the use of leitmotif is, the more memorable it typically becomes. A good example of this
4653-506: The film: for instance, the frequent use of The Imperial March in Empire Strikes Back . Besides the main theme and a handful of other principal themes, Williams forged several smaller motifs for each episode, which are generally not as memorable and at times interchangeable. As a result of his compositional process, a large number of incidental musical material and themes that are specific to certain setpieces also occur throughout
4752-585: The films one episode at a time and attempts to base each score on new material as much as possible. Therefore, the Imperial March makes no appearance in the original Star Wars, since Williams did not conceive of it until he was scoring The Empire Strikes Back , and the same is true of Across the Stars and The Phantom Menace . Other themes get abandoned, like the Droid motive from The Empire Strikes Back or
4851-471: The first six seasons was released in 2014 by Walt Disney Records and three soundtrack albums for the final season were released in 2020. Kiner continued his work with the franchise for the animated series Star Wars Rebels (2014–2018), which also incorporates Williams' themes. He had later made the score for Star Wars: The Bad Batch (2021–2024) and Star Wars: Tales (2022–), spin-offs of The Clone Wars . James L. Venable and Paul Dinletir composed
4950-430: The first trilogy (in the form of its Blu-Ray release) and The Force Awakens are performed as Live to Projection concerts, but with greatly reduced forces. The performances follow the music of the finished film, with some of the music looped, tracked or omitted entirely, and do not feature any of the diegetic pieces and often omit the choral parts. John Williams sketched the score for his various orchestrations and wrote
5049-609: The first two releases. Together with the theatrical live action "anthology" films Rogue One (2016) and Solo (2018), the combined box office revenue of the films equate to over US$ 10 billion, making Star Wars the third-highest-grossing film franchise of all time. The Star Wars franchise depicts the adventures of characters "a long time ago in a galaxy far, far away" across multiple fictional eras , in which humans and many species of aliens (often humanoid ) co-exist with droids , which may be programmed for personal assistance or battle. Space travel between planets
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#17327722840285148-532: The franchise and introduced the popular characters Grand Admiral Thrawn , Mara Jade , Talon Karrde , and Gilad Pellaeon . The first novel, Heir to the Empire , reached #1 on the New York Times Best Seller list , and the series finds Luke, Leia, and Han facing off against tactical genius Thrawn, who is plotting to retake the galaxy for the Empire. In The Courtship of Princess Leia (1994) by Dave Wolverton , set immediately before
5247-404: The franchise as "the tragedy of Darth Vader". Prior to releasing the original 1977 film, and made possible by its success, Lucas planned "three trilogies of nine films". However, he announced to Time in 1978 that he planned "10 sequels". He confirmed that he had outlined the prequels and sequels in 1981. At various stages of development, the sequel trilogy was to focus on the rebuilding of
5346-640: The gap between the High Republic publishing initiative and the events of The Acolyte . Titled Star Wars: The Acolyte – Kelnacca , the one-shot was written by High Republic writer Cavan Scott with art by Marika Cresta. It focuses on Kelnacca, the Wookiee Jedi introduced in The Acolyte . John Williams composed the soundtracks for the nine episodic films. He stated he would retire from the franchise with The Rise of Skywalker , but he composed
5445-483: The hands of other filmmakers, announcing in January 2012 that he would make no more Star Wars films. That October, the Walt Disney Company agreed to buy Lucasfilm and announced that Episode VII would be released in 2015. The co-chairman of Lucasfilm, Kathleen Kennedy , became president and served as executive producer of new Star Wars feature films. Lucas provided Kennedy his story treatments for
5544-649: The largest caches of themes in the history of film music. Released between 1977 and 2019, the music for the primary feature films was, in the case of the first two trilogies, performed by the London Symphony Orchestra and, in select passages, by the London Voices chorus. The sequel trilogy was largely conducted by Williams and William Ross , and performed by the Hollywood Freelance Studio Symphony and (in
5643-416: The late 1970s. One technique that particularly influenced these scores is Williams' use of the leitmotif , which was most famously associated with Richard Wagner 's Der Ring Des Nibelungen and, in early film scores, with Steiner. A leitmotif (or leading motive) is a recurring, evolving musical theme for narrative elements such as characters, locations, ideas, sentiments, objects or other specific part of
5742-418: The late 1980s and early 1990s, including the ability to create computer-generated imagery (CGI), inspired Lucas to consider that it might be possible to revisit his saga. In 1989, Lucas stated that the prequels would be "unbelievably expensive". In 1992, he acknowledged that he had plans to create the prequel trilogy. A theatrical rerelease of the original trilogy in 1997 " updated " the 20-year-old films with
5841-401: The latter (and all prequel scores) utilized a fuller string section. Revenge of the Sith also utilized a second set of timpani. Comparatively, the original Star Wars trilogy and the sequel trilogy films call for much smaller forces of as little as 82 players, and small choral accompaniment in select cues. The first spin-off film, Rogue One , followed the prequel trilogy's instrumentation, using
5940-818: The lightsaber duel for which it was written); Anakin Skywalker 's search for his mother in Attack of the Clones ; and the unrelated Yoda and Darth Sidious 's duel in Revenge of the Sith. Williams' original composition for the Geonosis Battle Arena in Attack of the Clones, a variation on the Droid Army March, was used for the Utapau assault in Revenge of the Sith . Multiple uses of the Force Theme are also non-thematic. This also happens through
6039-777: The long period in which the films were made, many of the themes changed their initial meaning: By the time of The Empire Strikes Back, the Luke Skywalker material and the theme of Old Ben were already rebranded as the "Star Wars Main theme" and "The Force Theme", respectively, by Williams. The Rebel Fanfare (initially, the fanfare of the Blockade Runner) eventually turned into the theme of the Millennium Falcon. Listed below are about 67 leitmotifs, based on primarily on Williams own notes and Frank Lehman's extensive catalogue, but also on Doug Adams et al analyses of
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#17327722840286138-671: The main episodes of the Skywalker Saga entered development in parallel with the production of the sequel trilogy, described by Disney chief financial officer Jay Rasulo as origin stories . The first film released was 2016's Rogue One , which tells the story of the rebels who steal the plans for the Death Star , the Galactic Empire 's superweapon, just before the events of the original Star Wars film. A second film, 2018's Solo , tells Han Solo's backstory, set 10 years prior to A New Hope . The series Obi-Wan Kenobi
6237-519: The main theme. Natalie Holt composed the rest of the score, making her the first woman to score a live-action Star Wars project. For the Disney+ series Andor , Nicholas Britell composes the score. In April 2023, during Star Wars Celebration London, it was revealed that Kevin Kiner would compose the score for Ahsoka , after previously composing the music for the animated series The Clone Wars , Rebels , The Bad Batch , and Tales of
6336-490: The movie material, while others rely heavily on the non-canonical Expanded Universe (rebranded as Star Wars Legends and removed from the canon in 2014). Star Wars games have gone through three significant development eras, marked by a change in leadership among the developers: the early licensed games, those developed after the creation of LucasArts, and those created after the closure of the Lucasfilm division by Disney and
6435-502: The music for a full symphony orchestra (ranging from 79 to 113 players overall The Empire Strikes Back required 104 players, not including the conductor or synthesizer ( rhttp://www.jw-collection.de/scores/tesblp.htmecalls Archived August 7, 2017, at the Wayback Machine ) due to the inclusion of a fourth flute, and sections that required a third harp, five oboes overall, an added piccolo and eight percussionists overall. If
6534-413: The music of Star Wars: Clone Wars (2003–2005) 2D animated series, Ryan Shore serves as the composer for Star Wars: Forces of Destiny (2017–2018) and Star Wars Galaxy of Adventures (2018–2020), and Michael Tavera composes the score to Star Wars Resistance (2018–2020). Matthew Margeson produced the soundtrack for Star Wars: Young Jedi Adventures in 2023. Various composers worked on
6633-515: The music. The score to Revenge of the Sith has clear resemblances to the successful scores of other contemporary composers of the time, namely Howard Shore 's Lord of the Rings , Hans Zimmer 's Gladiator and Tan Dun 's Crouching Tiger, Hidden Dragon , with which the movie was most likely scored contemporarily. However, his later scores were otherwise mostly tracked with music of his own composition, mainly from previous Star Wars films. Williams also started to develop his style throughout
6732-506: The nine films of which are collectively referred to as the " Skywalker Saga ". The saga was produced non-chronologically, beginning in media res with the release of the original trilogy between 1977 and 1983. This was followed by the prequel trilogy, released between 1999 and 2005, and the sequel trilogy, released between 2015 and 2019. Each trilogy focuses on a generation of the Force -sensitive Skywalker family and their struggle against
6831-451: The nine-film series plotted, but due to the stress of producing the original trilogy, he had decided to cancel further sequels by 1981. In 1983, Lucas explained that "There was never a script completed that had the entire story as it exists now ... As the stories unfolded, I would take certain ideas and save them ... I kept taking out all the good parts, and I just kept telling myself I would make other movies someday." Technical advances in
6930-596: The number of leitmotifs used, so as to not become too dense for the audience (being preoccupied with the visuals) to follow. Williams' music of Star Wars is unique in that it is relatively dense for film scoring, with approximately 17 themes used in each two-hour film, of which about 90% is scored. Williams re-recorded some of his suites from the first trilogy with the Skywalker Symphony Orchestra as an album. Several of his later themes were released as singles and music videos, and were later released
7029-422: The original Imperial motives of the original Star Wars. Between trilogies, Williams had often changed his way of using leitmotifs, moving from long-lined melodies in the classic trilogy to shorter, more rhythmic ideas in the prequel trilogy. Williams does not always use his themes in a strictly narrative sense. In almost each entry, he will occasionally use a theme seemingly at random, purely because its mood fits
7128-473: The original film and a new narration to retell the story, released in 1977. Most later printed novels were adapted into audio novels, usually released on cassette tape and re-released on CD. As of 2019, audio-only novels have been released not directly based on printed media. Radio adaptations of the films were also produced. Lucas, a fan of the NPR-affiliated campus radio station of his alma mater
7227-497: The outer reaches of the galaxy, crime syndicates such as the Hutt cartel are dominant. Bounty hunters are often employed by both gangsters and governments, while illicit activities include smuggling and slavery . The combination of science fiction and fantasy elements makes Star Wars a very universal franchise, capable of telling stories of various genres. The Star Wars film series centers around three sets of trilogies,
7326-452: The piece. Williams had designated the music of the main titles to be the main theme of the series as a whole, but there is not necessarily a main theme for each trilogy. Instead, each trilogy (and to a lesser extent, each film) has its own style or soundscape. Williams' Star Wars catalog remains one of the largest collections of leitmotifs in the history of cinema, although – for comparison – it still falls short of Wagner's use of leitmotifs in
7425-431: The same fictional era, including The Book of Boba Fett , released in 2021; Ahsoka , released in 2023; and the upcoming Skeleton Crew . These series follow the plight of the New Republic and its allies against the remnants of the fallen Galactic Empire . A story focused on Obi-Wan Kenobi was planned as a film before becoming a live-action series after the box office failure of Solo in 2018. The series
7524-502: The same year, Bob Iger announced that the film would be the first release of the next slate of Star Wars movies. The Mandalorian & Grogu is scheduled for release on May 22, 2026. Lucasfilm has a number of Star Wars films in various stages of development, including: The first two animated series, Droids and Ewoks , were produced in the 1980s. They were followed by the Clone Wars animated micro-series in 2003 and
7623-714: The scene. Princess Leia's Theme is used for the death of Obi-Wan Kenobi in the original Star Wars , which has little to do with her character even though she is present in the scene. Yoda's Theme appears several times during the Cloud City sequences in The Empire Strikes Back . The concert piece Duel of the Fates is used several times throughout the prequel trilogy, appearing over the entire final battle in The Phantom Menace (as opposed to just
7722-572: The score to the film Star Wars: The Clone Wars (2008), the predecessor to the animated TV series of the same name . Both properties loosely use some of the original themes and music by John Williams . Kiner's own material for the film includes a theme for Anakin Skywalker's Padawan learner, Ahsoka Tano , as well as a theme for Jabba the Hutt's uncle Ziro. Kiner went on to score the TV series' entire seven seasons, which concluded in 2020. A soundtrack album for
7821-438: The scores. Along with two themes Williams composed for Solo and two more for Galaxy's Edge , his work of the series had accrued as many as 71 leitmotifs. The main new theme of each entry is highlighted: Returning: Star Wars Theme, Star Wars Secondary Theme, Rebel Fanfare, The Force, Princess Leia, Rebel Victory Returning: Spaceship Dogfight Motif; Star Wars Theme, Secondary Star Wars Theme, Rebel Fanfare, The Force, Leia,
7920-460: The sequel, Lucas decided that the series would be a trilogy of trilogies. Episode V: The Empire Strikes Back was released on May 21, 1980, also achieving wide financial and critical success. The final film in the trilogy, Episode VI: Return of the Jedi , was released on May 25, 1983. According to producer Gary Kurtz, loose plans for a prequel trilogy were developed during the outlining of the original two films. In 1980, Lucas confirmed that he had
8019-746: The sequels during the 2012 sale, but in 2015 it was revealed Lucas's sequel outline had been discarded. The sequel trilogy also meant the end of the Star Wars Expanded Universe stories, which were discarded from canon to give "maximum creative freedom to the filmmakers and also preserve an element of surprise and discovery for the audience." Episode VII: The Force Awakens was released on December 16, 2015, Episode VIII: The Last Jedi on December 13, 2017, and Episode IX: The Rise of Skywalker on December 18, 2019, in many countries. The Force Awakens and The Last Jedi were both critical and box office successes. Episode IX received
8118-461: The series included the scores of nine feature films, a suite and several cues of thematic material for Solo and the theme music for the Galaxy's Edge Theme Park. These count among the most widely known and popular contributions to modern film music , and utilize a symphony orchestra and features an assortment of about fifty recurring musical themes to represent characters and other plot elements: one of
8217-467: The series was set 25 to 30 years after the original films and introduced the Yuuzhan Vong, a powerful alien race attempting to invade and conquer the entire galaxy. The bestselling multi-author series Legacy of the Force (2006–2008) chronicles the crossover of Han and Leia's son Jacen Solo to the dark side of the Force; among his evil deeds, he kills Luke's wife Mara Jade as a sacrifice to join
8316-453: The simple, direct emotional appeal of its plot, characters and, importantly, music. Lucas originally wanted to use tracked orchestral and film music in a similar manner to 2001: A Space Odyssey , itself a major inspiration for Star Wars . Williams, who was hired to consult and possibly work on the source music, was advised to form a soundtrack with recurring musical themes to augment the story, while Lucas's choice of music could be used as
8415-443: The strong sales of Star Wars comics saved Marvel financially in 1977 and 1978. Marvel's Star Wars series was one of the industry's top selling titles in 1979 and 1980. The only downside for Marvel was that the 100,000 copy sales quota was surpassed quickly, allowing Lippincott to renegotiate the royalty arrangements from a position of strength. In the late 1980s, Marvel dropped a new Star Wars comic it had in development, which
8514-417: The style of CGI envisioned for the new trilogy. Episode I: The Phantom Menace was released on May 19, 1999, Episode II: Attack of the Clones on May 16, 2002, and Episode III: Revenge of the Sith on May 19, 2005. The first two films were met with mixed reviews, with the third being received somewhat more positively. Together with the original trilogy, Lucas has referred to the first six episodic films of
8613-416: The themes are formed for narrative purposes or, more generally, in the favour of cohesion. As a result, some of the themes play very often: the Force Theme plays over one hundred times in the series. Each score can be said to have a "main theme", which is developed and repeated frequently throughout the film, and represents the high and low points of the film itself as much as they do narrative elements within
8712-457: The three-part Dark Empire saga, Tales of the Jedi , Dark Lords of the Sith , the Dark Forces trilogy, and Crimson Empire (1998). Return of the Jedi was adapted into 6-episodes in 1996, featuring Daniels. The Star Wars franchise has spawned over one hundred computer, video, and board games, dating back to some of the earliest home consoles . Some are based directly on
8811-490: The title Star Wars: Master and Apprentice . Although Thrawn had been designated a Legends character in 2014, he was reintroduced into the canon in 2016 for the third season of the Rebels animated series, with Zahn returning to write more novels based on the character and set in the new canon. Marvel Comics published a Star Wars comic book series from 1977 to 1986. Original Star Wars comics were serialized in
8910-425: The trailers of the various installments, were created by various other composers, with this material occasionally revisiting some of Williams' principal themes (and, with one spin-off film, with Williams actually writing a new theme for the composer to use). The scores are primarily performed by a symphony orchestra of varying size joined, in several sections, by a choir of varying size. They each make extensive use of
9009-555: The use of tracked music. Attack of the Clones , the first film to be shot digitally, had major edits made after the scoring process, leading to the inclusion of tracked music over many of the digitally created sequences such as the Droid Factory on Geonosis or the Clone Army's arrival to the battle. These scenes used music such as Yoda's theme or incidental music from The Phantom Menace with little dramatic connection to what
9108-422: The various films, incorporating other instruments, unconventional orchestral set-ups (as well as various choral ensembles) and even electronic or electronically attenuated music as the films progressed. Williams often composed the music in a heroic but tongue-in-cheek style, and has described the scored film as a "musical". Star Wars was one of the film scores that heralded the revival of grand symphonic scores in
9207-534: Was announced in January 2014 that in 2015 the Star Wars comics license would return to Marvel Comics, whose parent company, Marvel Entertainment , Disney had purchased in 2009. Launched in 2015, the first three publications were titled Star Wars , Darth Vader , and the miniseries Princess Leia . First announced as Project Luminous at Star Wars Celebration in April 2019, the Star Wars: The High Republic publishing initiative
9306-411: Was originally planned as a film, but changed to a miniseries due to Solo underperforming at the box office. In April 2023, three new Star Wars films were announced to be set within different eras of the franchise. An untitled film written and directed by James Mangold will be set during the "dawn of the Jedi". Dave Filoni will direct a film set between the original and sequel trilogies during
9405-534: Was picked up by Dark Horse Comics and published as the popular Dark Empire series (1991–1995). Dark Horse subsequently launched dozens of series set after the original film trilogy, including Tales of the Jedi (1993–1998), X-wing Rogue Squadron (1995–1998), Star Wars: Republic (1998–2006), Star Wars Tales (1999–2005), Star Wars: Empire (2002–2006), and Knights of the Old Republic (2006–2010). After Disney's acquisition of Lucasfilm, it
9504-542: Was released on Disney+ in 2022 and is set between the prequel and original trilogy films. It was followed by the live-action series Andor in the same year; both series follow their titular characters during the reign of the Empire. The Acolyte is a series created by Leslye Headland set at the end of the High Republic era before the events of the Skywalker Saga , and follows an investigation into
9603-478: Was revealed in a press conference in February 2020. Involving the majority of the then current officially licensed publishers, a new era set 200 years before the Skywalker Saga was explored in various books and comics. Including ongoing titles by Marvel and IDW Publishing, written by Cavan Scott and Daniel José Older respectively. Marvel Comics will publish a one-shot comic book on September 4, 2024, that bridges
9702-447: Was revealed to be composing the score for the season, replacing Ludwig Göransson. Shirley previously provided additional music for the first two seasons and used Göransson's themes to compose the score for The Book of Boba Fett . For the Disney+ series The Book of Boba Fett , Ludwig Göransson composes the main theme, while Joseph Shirley composes the score. For the Disney+ series Obi-Wan Kenobi , John Williams returned to write
9801-503: Was subsequently restructured to only include the existing six feature films, the animated film The Clone Wars (2008), and its companion animated series. All future projects and creative developments across all types of media would be overseen and coordinated by the story group, announced as a division of Lucasfilm created to maintain continuity and a cohesive vision on the storytelling of the franchise. Multiple comics series from Marvel and novels published by Del Rey were produced after
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