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Pink (disambiguation)

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Pink is the color of a namesake flower that is a pale tint of red . It was first used as a color name in the late 17th century. According to surveys in Europe and the United States, pink is the color most often associated with charm, politeness, sensitivity, tenderness, sweetness, childhood, femininity, and romance . A combination of pink and white is associated with innocence, whereas a combination of pink and black links to eroticism and seduction . In the 21st century, pink is seen as a symbol of femininity , though it has not always been seen this way. In the 1920s, light red , which is similar to pink, was seen as a color that reflected masculinity .

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95-415: Pink is a pale red color. Pink , Pinks , or Pink's may also refer to: Pink The color pink is named after the flowers, pinks , flowering plants in the genus Dianthus , and derives from the frilled edge of the flowers. The verb "to pink" dates from the 14th century and means "to decorate with a perforated or punched pattern" (possibly from German picken , "to peck"). It has survived to

190-453: A history painter , a calling for which he was well prepared by his rigorous academic training and close study of classical Western art. In his early thirties he changed course, and by bringing the traditional methods of a history painter to bear on contemporary subject matter, he became a classical painter of modern life. Degas was born in Paris , France , into a moderately wealthy family. He

285-408: A "blossoming". In part Degas' originality consisted in disregarding the smooth, full surfaces and contours of classical sculpture ... [and] in garnishing his little statue with real hair and clothing made to scale like the accoutrements for a doll. These relatively "real" additions heightened the illusion, but they also posed searching questions, such as what can be referred to as "real" when art

380-646: A "welcome embrace" in India and masculinity in Japan. Toys aimed at girls often display pink prominently on packaging and the toy themselves. This is a relatively recent trend, with toys from the 1920s to the 1960s not being gendered by color (though they were gendered by a focus on domesticity and nurturing). The current color-based gendering of toys can be traced back to the deregulation of children's television programs. This allowed toy companies to produce shows that were designed specifically to sell their products, and gender

475-436: A cloth tutu, it provoked a strong reaction from critics, most of whom found its realism extraordinary but denounced the dancer as ugly. In a review, J.-K. Huysmans wrote: "The terrible reality of this statuette evidently produces uneasiness in the spectators; all their notions about sculpture, about those cold inanimate whitenesses ... are here overturned. The fact is that with his first attempt Monsieur Degas has revolutionized

570-455: A conundrum to art historians in search of a literary source— Thérèse Raquin has been suggested —but it may be a depiction of prostitution . As his subject matter changed, so, too, did Degas's technique. The dark palette that bore the influence of Dutch painting gave way to the use of vivid colors and bold brushstrokes. Paintings such as Place de la Concorde read as "snapshots," freezing moments of time to portray them accurately, imparting

665-644: A copyist in the Louvre Museum , but his father expected him to go to law school . Degas duly enrolled at the Faculty of Law of the University of Paris in November 1853 but applied little effort to his studies. In 1855, he met Jean-Auguste-Dominique Ingres , whom he revered and whose advice he never forgot: "Draw lines, young man, and still more lines, both from life and from memory, and you will become

760-770: A detail that had caught his attention: a secondary figure, or a head which he treated as a portrait. Upon his return to France in 1859, Degas moved into a Paris studio large enough to permit him to begin painting The Bellelli Family —an imposing canvas he intended for exhibition in the Salon , although it remained unfinished until 1867. He also began work on several history paintings : Alexander and Bucephalus and The Daughter of Jephthah in 1859–60; Sémiramis Building Babylon in 1860; and Young Spartans Exercising around 1860. In 1861, Degas visited his childhood friend Paul Valpinçon in Ménil-Hubert-en-Exmes , and made

855-682: A good artist." In April of that year Degas was admitted to the École des Beaux-Arts . He studied drawing there with Louis Lamothe , under whose guidance he flourished, following the style of Ingres. In July 1856, Degas traveled to Italy , where he would remain for the next three years. In 1858, while staying with his aunt's family in Naples , he made the first studies for his early masterpiece The Bellelli Family . He also drew and painted numerous copies of works by Michelangelo , Raphael , Titian , and other Renaissance artists, but—contrary to conventional practice—he usually selected from an altarpiece

950-640: A hint of anti-Semitism. In 1881, he exhibited two pastels, Criminal Physiognomies , that depicted juvenile gang members recently convicted of murder in the "Abadie Affair". Degas had attended their trial with sketchbook in hand, and his numerous drawings of the defendants reveal his interest in the atavistic features thought by some 19th-century scientists to be evidence of innate criminality. In his paintings of dancers and laundresses, he reveals their occupations not only by their dress and activities but also by their body type: his ballerinas exhibit an athletic physicality, while his laundresses are heavy and solid. By

1045-487: A hundred things and not finish one of them", and was in any case notoriously reluctant to consider a painting complete. His interest in portraiture led Degas to study carefully the ways in which a person's social stature or form of employment may be revealed by their physiognomy , posture, dress, and other attributes. In his 1879 Portraits, At the Stock Exchange , he portrayed a group of Jewish businessmen with

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1140-451: A job. From 1870 Degas increasingly painted ballet subjects, partly because they sold well and provided him with needed income after his brother's debts had left the family bankrupt. Degas began to paint café life as well, in works such as L'Absinthe and Singer with a Glove . His paintings often hinted at narrative content in a way that was highly ambiguous; for example, Interior (which has also been called The Rape ) has presented

1235-477: A less idealized treatment of the figure is already apparent. During his early career, Degas also painted portraits of individuals and groups; an example of the latter is The Bellelli Family ( c.  1858–67 ), an ambitious and psychologically poignant portrayal of his aunt, her husband, and their children. In this painting, as in Young Spartans Exercising and many later works, Degas

1330-531: A little-known group of 73 plaster casts, more or less closely resembling Degas's original wax sculptures, was presented as having been discovered among the materials bought by the Airaindor Foundry (later known as Airaindor-Valsuani) from Hébrard's descendants. Bronzes cast from these plasters were issued between 2004 and 2016 by Airaindor-Valsuani in editions inconsistently marked and thus of unknown size. There has been substantial controversy concerning

1425-466: A model upon learning she was Protestant . Although Degas painted a number of Jewish subjects from 1865 to 1870, his 1879 painting Portraits at the Stock Exchange may be a watershed in his political opinions. The painting is a portrait of the Jewish banker Ernest May—who may have commissioned the work and was its first owner—and is widely regarded as anti-Semitic by modern experts. The facial features of

1520-572: A modern context. He began to paint women at work, milliners and laundresses . His milliner series is interpreted as artistic self-reflection. Mlle. Fiocre in the Ballet La Source , exhibited in the Salon of 1868, was his first major work to introduce a subject with which he would become especially identified, dancers. In many subsequent paintings, dancers were shown backstage or in rehearsal, emphasizing their status as professionals doing

1615-407: A pink carotenoid pigment called astaxanthin . Their shells, naturally blue-green, turn pink or red when cooked. The flesh of the salmon also contains astaxanthin, which makes it pink. Farm-bred salmon are sometimes fed these pigments to improve their pinkness, and it is sometimes also used to enhance the color of egg yolks . Pink is one of the most common colors of flowers; it serves to attract

1710-399: A preference for pink; three percent of women chose pink as their favorite color, compared with less than one percent of men. Many of the men surveyed were unable to even identify pink correctly, confusing it with mauve . Pink was also more popular with older people than younger. In Japan, pink is the color most commonly associated with springtime due to the blooming cherry blossoms. This

1805-429: A realistically colored train, while boys in the 1950s did not want to be seen playing with a pink train. However, today it is a valuable collector's item. As noted above, pink combined with black or violet is commonly associated with eroticism and seduction. Pink is often used as a symbolic color by groups involved in issues important to women, as well as to lesbian, gay, bisexual and transgender people. The word pink

1900-485: A sense of movement. The lack of color in the 1874 Ballet Rehearsal on Stage and the 1876 The Ballet Instructor can be said to link with his interest in the new technique of photography. The changes to his palette, brushwork, and sense of composition all evidence the influence that both the Impressionist movement and modern photography, with its spontaneous images and off-kilter angles, had on his work. Blurring

1995-472: A shorter wavelength, such as blue and green, scatter more strongly, and are removed from the light that finally reaches the eye. At sunrise and sunset , when the path of the sunlight through the atmosphere to the eye is longest, the blue and green components are removed almost completely, leaving the longer wavelength orange, red and pink light. The remaining pinkish sunlight can also be scattered by cloud droplets and other relatively large particles, which give

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2090-468: Is a cherry-pink synthetic. It is usually listed on package labels as E-127. Another common red or pink (particularly in the United States where erythrosine is less frequently used) is Allura Red AC (E-129), also known as Red No. 40. Some products use a natural red or pink food coloring, Cochineal , also called carmine , made with crushed insects of the family Dactylopius coccus . In Europe and

2185-512: Is called in Florence; and this white is made from thoroughly white and thoroughly purified lime. And when these two pigments have been thoroughly mulled together (that is, two parts cinabrese and the third white), make little loaves of them like half walnuts and leave them to dry. When you need some, take however much of it seems appropriate. And this pigment does you great credit if you use it for painting faces, hands, and nudes on walls..." Pink

2280-457: Is concerned. The suite of pastels depicting nudes that Degas exhibited in the eighth Impressionist Exhibition in 1886 produced "the most concentrated body of critical writing on the artist during his lifetime ... The overall reaction was positive and laudatory". Recognized as an important artist in his lifetime, Degas is now considered "one of the founders of Impressionism". Though his work crossed many stylistic boundaries, his involvement with

2375-968: Is different from surveys in the United States and Europe where green is the color most associated with springtime. In many languages, the word for the color pink is based on the name of the rose flower; like rose in French; roze in Dutch; rosa in German, Latin, Portuguese, Catalan, Spanish, Italian, Swedish and Norwegian ( Nynorsk and Bokmål ); rozovyy/розовый in Russian; różowy in Polish; ורוד ( varód ) in Hebrew; গোলাপি ( golapi ) in Bangla; and गुलाबी ( gulābee ) in Hindi. In English "rose", too, often refers to both

2470-408: Is generally considered a tint of red, the colors of most tints of pink are slightly bluish, and lie between red and magenta . A few variations of pink, such as salmon color, lean toward orange. As a ray of white sunlight travels through the atmosphere, some of the colors are scattered out of the beam by air molecules and airborne particles . This is called Rayleigh scattering . Colors with

2565-419: Is less red; when heated, it changes from pinkish-red to less pink to tan or white. Ham , though it contains myoglobins like beef, undergoes a different transformation. Traditional hams, such as prosciutto , are made by taking the hind leg or thigh of a pig, covering it with sea salt, which removes the moisture content, and then letting it dry or cure for as long as two years. The salt ( sodium nitrate ) permits

2660-587: Is not used for any tincture (color) in heraldry, but there are two fairly uncommon tinctures which are both close to pink: Pink is used for the newsprint paper of several important newspapers devoted to business and sports, and the color is also connected with the press aimed at the LGBTQIA community . Since 1893 the London Financial Times newspaper has used a distinctive salmon pink color for its newsprint, originally because pink dyed paper

2755-519: Is often identified as an Impressionist , an understandable but insufficient description. Impressionism originated in the 1860s and 1870s and grew, in part, from the realism of painters such as Courbet and Corot . The Impressionists painted the realities of the world around them using bright, "dazzling" colors, concentrating primarily on the effects of light, and hoping to infuse their scenes with immediacy. They wanted to express their visual experience in that exact moment. Technically, Degas differs from

2850-524: The Lycée Louis-le-Grand . His mother died when he was thirteen, and the main influences on him for the remainder of his youth were his father and several unmarried uncles. Degas began to paint early in life. By the time he graduated from the Lycée with a baccalauréat in literature in 1853, at age 18, he had turned a room in his home into an artist's studio. Upon graduating, he registered as

2945-605: The greens (p.  38), and specifies several admixtures of greenish colors made with pink—e.g. "Grasse-green is made of Pink and Bice, it is shadowed with Indigo and Pink … French-green of Pink and Indico [shadowed with] Indico" (pp. 38–40). In William Salmon 's Polygraphice (1673), "Pink yellow" is mentioned amongst the chief yellow pigments (p. 96), and the reader is instructed to mix it with either Saffron or Ceruse for "sad" or "light" shades thereof, respectively. According to public opinion surveys in Europe and

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3040-513: The 1930s and 40s. In the 1920s, some groups had described pink as a masculine color, an equivalent to red, which was considered for men but lighter for boys. But stores nonetheless found that people were increasingly choosing to buy pink for girls, and blue for boys, until this became an accepted norm in the 1940s. In optics, the word "pink" can refer to any of the pale shades of colors between bluish red to red in hue, of medium to high lightness, and of low to moderate saturation . Although pink

3135-625: The Impressionist movement. Degas's style reflects his deep respect for the old masters (he was an enthusiastic copyist well into middle age) and his great admiration for Ingres and Delacroix. He was also a collector of Japanese prints , whose compositional principles influenced his work, as did the vigorous realism of popular illustrators such as Daumier and Gavarni . Although famous for horses and dancers, Degas began with conventional historical paintings such as The Daughter of Jephthah ( c.  1859–61 ) and Young Spartans Exercising ( c.  1860–62 ), in which his gradual progress toward

3230-485: The Impressionists in that he continually belittled their practice of painting en plein air . You know what I think of people who work out in the open. If I were the government I would have a special brigade of gendarmes to keep an eye on artists who paint landscapes from nature. Oh, I don't mean to kill anyone; just a little dose of bird-shot now and then as a warning. "He was often as anti-impressionist as

3325-448: The Impressionists, however, and rejected the rigid rules and judgments of the Salon. Degas's work was controversial, but was generally admired for its draftsmanship. His La Petite Danseuse de Quatorze Ans , or Little Dancer of Fourteen Years , which he displayed at the sixth Impressionist exhibition in 1881, was probably his most controversial piece; some critics decried what they thought its "appalling ugliness" while others saw in it

3420-414: The United States, are often colored blue as well). The drink Tab was packaged in pink cans, presumably to subconsciously convey a sweet taste. The pink color in most packaged and processed foods, ice creams, candies and pastries is made with artificial food coloring . The most common pink food coloring is erythrosine , also known as Red No. 3, an organoiodine compound , a derivative of fluorone , which

3515-499: The United States, pink is often associated with girls, while blue is associated with boys. These colors were first used as gender markers just prior to World War I (for either girls or boys), and pink was first established as a female gender indicators in the 1940s. In the 20th century, the practice in Europe varied from country to country, with some assigning colors based on the baby's complexion, and others assigning pink sometimes to boys and sometimes to girls. Many have noted

3610-426: The United States, pink is the color most associated with charm, politeness, sensitivity, tenderness, sweetness, softness, childhood, the feminine, and the romantic. Although it did not have any strong negative associations in these surveys, few respondents chose pink as their favorite color. Pink was the favorite color of only two percent of respondents. There was a notable difference between men and women in regards to

3705-400: The anti-Semitic "Anti-Dreyfusards" until his death. During his life, public reception of Degas's work ranged from admiration to contempt. As a promising artist in the conventional mode, Degas had a number of paintings accepted in the Salon between 1865 and 1870. These works received praise from Pierre Puvis de Chavannes and the critic Jules-Antoine Castagnary . He soon joined forces with

3800-414: The authenticity of these plasters as well as the circumstances and date of their creation as proposed by their promoters. While several museum and academic professionals accept them as presented, most of the recognized Degas scholars have declined to comment. Degas, who believed that "the artist must live alone, and his private life must remain unknown", lived an outwardly uneventful life. In company he

3895-661: The banker in profile have been directly compared to those in the anti-Semitic cartoons rampant in Paris at the time, while those of the background characters have drawn comparisons to Degas' earlier work Criminal Physiognomies . The Dreyfus Affair , which divided opinion in Paris from the 1890s to the early 1900s, intensified his anti-Semitism. By the mid-1890s, he had broken off relations with all of his Jewish friends, publicly disavowed his previous friendships with Jewish artists, and refused to use models who he believed might be Jewish. He remained an outspoken anti-Semite and member of

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3990-571: The basis of imagined innate characteristics. As of 2008 various feminist groups and the Breast Cancer Awareness Month use the color pink to convey empowerment of women. Breast cancer charities around the world have used the color to symbolize support for people with breast cancer and promote awareness of the disease. A key tactic of these charities is encouraging women and men to wear pink to show their support for breast cancer awareness and research. Pink has symbolized

4085-426: The clothing for children in the 19th century was almost always white, since, before the invention of chemical dyes, clothing of any color would quickly fade when washed in boiling water. Queen Victoria was painted in 1850 with her seventh child and third son, Prince Arthur, who wore white and pink. In late nineteenth-century France, Impressionist painters working in a pastel color palette sometimes depicted women wearing

4180-694: The color associated with the body of Christ. In the high Renaissance painting the Madonna of the Pinks by Raphael , the Christ child is presenting a pink flower to the Virgin Mary . The pink was a symbol of marriage, showing a spiritual marriage between the mother and child. During the Renaissance, pink was mainly used for the flesh color of white faces and hands. The pigment commonly used for this

4275-554: The color is called bleikur , originally meaning "pale". In the Japanese language, the traditional word for pink, momo-iro ( ももいろ ) , takes its name from the peach blossom. There is a separate word for the color of the cherry blossom: sakura-iro . In recent times a word based on the English version, pinku ( ピンク ) , has begun to be used. In Chinese, the color pink is named with a compound noun 粉紅色, meaning "powder red" where

4370-520: The color pink to appear exotic or to attract attention. According to surveys in Europe and the United States, pink is the color most associated with sweet foods and beverages. Pink is also one of the few colors to be strongly associated with a particular aroma, that of roses. Many strawberry and raspberry -flavored foods are colored pink and light red as well, sometimes to distinguish them from cherry -flavored foods that are more commonly colored dark red (although raspberry-flavored foods, particularly in

4465-461: The color pink, such as Edgar Degas ' image of ballet dancers or Mary Cassatt 's images of women and children. A dress parade, held in 1949, at the famous Waldorf-Astoria Hotel in New York, caused a stir among attendees due to the vibrant pink tones in the dresses and garments. The journalists and critics of the time, seeking to know Mexican designer Ramón Valdiosera's inspiration, asked him about

4560-467: The contrary association of pink with boys in 20th-century America. An article in the trade publication Earnshaw's Infants' Department in June 1918 said: The generally accepted rule is pink for the boys, and blue for the girls. The reason is that pink, being a more decided and stronger color, is more suitable for the boy, while blue, which is more delicate and dainty, is prettier for the girl. One reason for

4655-617: The critics who reviewed the shows", according to art historian Carol Armstrong ; as Degas himself explained, "no art was ever less spontaneous than mine. What I do is the result of reflection and of the study of the great masters; of inspiration, spontaneity, temperament, I know nothing." Nonetheless, he is described more accurately as an Impressionist than as a member of any other movement. His scenes of Parisian life, his off-center compositions, his experiments with color and form, and his friendship with several key Impressionist artists—most notably Mary Cassatt and Manet—all relate him intimately to

4750-535: The current day in pinking shears , hand-held scissors that cut a zig-zagged line to prevent fraying. The color pink has been described in literature since ancient times. In the Odyssey , written in approximately 800 BCE, Homer wrote "Then, when the child of morning, rosy-fingered dawn appeared..." Roman poets also described the color. Roseus is the Latin word meaning " rosy " or "pink." Lucretius used

4845-538: The decade beginning in 1874. Disenchanted by now with the Salon, he instead joined a group of young artists who were organizing an independent exhibiting society. The group soon became known as the Impressionists. Between 1874 and 1886, they mounted eight art shows, known as the Impressionist Exhibitions. Degas took a leading role in organizing the exhibitions, and showed his work in all but one of them, despite his persistent conflicts with others in

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4940-532: The distinction between portraiture and genre pieces, he painted his bassoonist friend, Désiré Dihau , in The Orchestra of the Opera (c. 1870) as one of fourteen musicians in an orchestra pit, viewed as though by a member of the audience. Above the musicians can be seen only the legs and tutus of the dancers onstage, their figures cropped by the edge of the painting. Art historian Charles Stuckey has compared

5035-626: The earliest of his many studies of horses. He exhibited at the Salon for the first time in 1865, when the jury accepted his painting Scene of War in the Middle Ages , which attracted little attention. Although he exhibited annually in the Salon during the next five years, he submitted no more history paintings, and his Scene from the Steeplechase: The Fallen Jockey (Salon of 1866) signaled his growing commitment to contemporary subject matter. The change in his art

5130-531: The end of 1907, and is believed to have continued making sculptures as late as 1910, he apparently ceased working in 1912, when the impending demolition of his longtime residence on the rue Victor Massé forced him to move to quarters on the Boulevard de Clichy . He never married, and spent the last years of his life, nearly blind, restlessly wandering the streets of Paris before dying in September 1917. Degas

5225-614: The figure, the pictures created in this late period of his life bear little superficial resemblance to his early paintings. In point of fact, these paintings—created late in his life and after the heyday of the Impressionist movement—most vividly use the coloristic techniques of Impressionism. For all the stylistic evolution, certain features of Degas's work remained the same throughout his life. He always painted indoors, preferring to work in his studio from memory, photographs, or live models. The figure remained his primary subject; his few landscapes were produced from memory or imagination. It

5320-862: The flower and the color. In Danish, Faroese and Finnish, the color pink is described as a lighter shade of red: lyserød in Danish, ljósareyður in Faroese and vaaleanpunainen in Finnish, all meaning "light red". Similarly, some Celtic languages use a term meaning "whitish red": gwynnrudh in Cornish, bándearg in Irish, bane-yiarg in Manx, bàn-dhearg in Scottish Gaelic (which also uses liath-dhearg "greyish/pale red" and pinc from English). In Icelandic,

5415-409: The fore and he broke with all his Jewish friends. His argumentative nature was deplored by Renoir, who said of him: "What a creature he was, that Degas! All his friends had to leave him; I was one of the last to go, but even I couldn't stay till the end." After 1890, Degas's eyesight, which had long troubled him, deteriorated further. Although he is known to have been working in pastel as late as

5510-611: The future mistress of Admiral Horatio Nelson , in the late 18th century, it had the completely opposite meaning in the portrait of Sarah Barrett Moulton painted by Thomas Lawrence in 1794. In this painting, it symbolized childhood, innocence and tenderness. Sarah Moulton was just eleven years of age when the picture was painted, and died the following year. In 19th century England, pink ribbons or decorations were often worn by young boys; boys were simply considered small men, and while men in England wore red uniforms, boys wore pink. In fact

5605-520: The group's exhibitions. The resulting rancor within the group contributed to its disbanding in 1886. As his financial situation improved through sales of his own work, he was able to indulge his passion for collecting works by artists he admired: old masters such as El Greco and such contemporaries as Manet , Cassatt , Pissarro , Cézanne , Gauguin , Van Gogh , and Édouard Brandon . Three artists he idolized, Ingres , Delacroix , and Daumier , were especially well represented in his collection. In

5700-523: The group. He had little in common with Monet and the other landscape painters in the group, whom he mocked for painting outdoors . Conservative in his social attitudes, he abhorred the scandal created by the exhibitions, as well as the publicity and advertising that his colleagues sought. He also deeply disliked being associated with the term "Impressionist", which the press had coined and popularized, and insisted on including non-Impressionist artists such as Jean-Louis Forain and Jean-François Raffaëlli in

5795-407: The ham to retain its original pink color, even when dried out. Supermarket hams are made by a different and faster process; they are brined, or infused with a salt-water solution, containing sodium nitrite , which transfers nitric oxide , which bonds with the myoglobin to form the traditional pink cured ham color. The shells and flesh of crustaceans such as crabs , lobsters and shrimp contain

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5890-401: The increased use of pink for girls and blue for boys was the invention of new chemical dyes, which meant that children's clothing could be mass-produced and washed in hot water without fading. Prior to this time, most small children of both sexes wore white, which could be frequently washed. Another factor was the popularity of blue and white sailor suits for young boys, a fashion that started in

5985-459: The insects and birds necessary for pollination and perhaps also to deter predators. The color comes from natural pigments called anthocyanins , which also provide the pink in raspberries . In the 17th century, the word pink or pinke was also used to describe a yellowish pigment, which was mixed with blue colors to yield greenish colors. Thomas Jenner 's A Book of Drawing, Limning, Washing (1652) categorises "Pink & blew bice " amongst

6080-481: The late 1880s, Degas also developed a passion for photography. He photographed many of his friends, often by lamplight, as in his double portrait of Renoir and Mallarmé . Other photographs, depicting dancers and nudes, were used for reference in some of Degas's drawings, and paintings. As the years passed, Degas became isolated, due in part to his belief that a painter could have no personal life. The Dreyfus Affair controversy brought his anti-Semitic leanings to

6175-675: The late 19th century. Blue was also the usual color of school uniforms, for boys and girls. Blue was associated with seriousness and study, while pink was associated with childhood and softness. By the 1950s, pink was strongly associated with femininity, but to an extent that was "neither rigid nor universal" as it later became. One study by two neuroscientists in Current Biology examined color preferences across British and Chinese cultures and found significant differences between male and female responses. Both groups favored blues over other hues, but women had more favorable responses to

6270-606: The later 1870s, Degas had mastered not only the traditional medium of oil on canvas , but pastel as well. The dry medium, which he applied in complex layers and textures, enabled him more easily to reconcile his facility for line with a growing interest in expressive color. In the mid-1870s, he also returned to the medium of etching , which he had neglected for ten years. At first he was guided in this by his old friend Ludovic-Napoléon Lepic , himself an innovator in its use, and began experimenting with lithography and monotype . He produced some 300 monotypes over two periods, from

6365-406: The mid-1870s to the mid-1880s and again in the early 1890s. He was especially fascinated by the effects produced by monotype and frequently reworked the printed images with pastel. By 1880, sculpture had become one more strand to Degas's continuing endeavor to explore different media, although the artist displayed only one sculpture publicly during his lifetime. These changes in media engendered

6460-410: The new pinks. In Nazi Germany in the 1930s and 1940s, inmates of Nazi concentration camps who were accused of homosexuality were forced to wear a pink triangle . Because of this, the pink triangle has become a symbol of the modern gay rights movement . The transition to pink as a sexually differentiating color for girls occurred gradually, through the selective process of the marketplace, in

6555-465: The origin of the color. The artist simply replied that that pink was already part of Mexican culture, which the New York fashion critic Perle Mesta then described as Mexican Pink. The First inauguration of Dwight D. Eisenhower (1953), when Eisenhower's wife Mamie Eisenhower wore a pink dress as her inaugural gown, is thought to have been a key turning point in the association of pink as a color associated with girls. Mamie's strong liking of pink led to

6650-517: The paintings that Degas would produce in later life. Degas began to draw and paint women drying themselves with towels, combing their hair, and bathing (see: After the Bath, Woman drying herself ). The strokes that model the form are scribbled more freely than before; backgrounds are simplified. The meticulous naturalism of his youth gave way to an increasing abstraction of form. Except for his characteristically brilliant draftsmanship and obsession with

6745-465: The powder refers to substances used for women's make-up. The Thai word for the color, ชมพู ( chom-puu ), derives ultimately from Sanskrit जम्बू ( jambū ) " rose apple ". Early pink buildings were usually built of brick or sandstone , which takes its pale red color from hematite, or iron ore. In the 18th century - the golden age of pink and other pastel colors - pink mansions and churches were built all across Europe. More modern pink buildings usually use

6840-496: The public association with pink being a color that "ladylike women wear." The 1957 American musical Funny Face also played a role in cementing the color's association with women. In the 20th century, pinks became bolder, brighter, and more assertive, partly because of the invention of chemical dyes that did not fade. The pioneer in the creation of the new wave of pinks was the Italian designer Elsa Schiaparelli (1890-1973), who

6935-510: The reddish-purple range of the spectrum and men had more favorable responses to the greenish-yellow middle of the spectrum. Despite the fact that the study used adults in mainstream cultures, and both groups preferred blues, and responses to the color pink were never even tested, the popular press represented the research as an indication of an innate preference by girls for pink. The misreading has been often repeated in market research, reinforcing American culture's association of pink with girls on

7030-464: The sculptures were not created as aids to painting, although the artist habitually explored ways of linking graphic art and oil painting, drawing and pastel, sculpture and photography. Degas assigned the same significance to sculpture as to drawing: "Drawing is a way of thinking, modelling another". After Degas's death, his heirs found in his studio 150 wax sculptures, many in disrepair. They consulted foundry owner Adrien Hébrard, who concluded that 74 of

7125-421: The sky above the horizon a pink or reddish glow. Raw beef is red, because the muscles of vertebrate animals, such as cows and pigs, contain a protein called myoglobin , which binds oxygen and iron atoms. When beef is cooked, the myoglobin proteins undergo oxidation, and gradually turn from red to pink to brown; that is, from rare to medium to well-done. Pork contains less myoglobin than beef and therefore

7220-418: The traditions of sculpture as he has long since shaken the conventions of painting." Degas created a substantial number of other sculptures during a span of four decades, but they remained unseen by the public until a posthumous exhibition in 1918. Neither The Little Dancer of Fourteen Years nor any of Degas's other sculptures were cast in bronze during the artist's lifetime. Degas scholars have agreed that

7315-716: The viewpoint to that of a distracted spectator at a ballet, and says that "it is Degas' fascination with the depiction of movement, including the movement of a spectator's eyes as during a random glance, that is properly speaking 'Impressionist'." Degas's mature style is distinguished by conspicuously unfinished passages, even in otherwise tightly rendered paintings. He frequently blamed his eye troubles for his inability to finish, an explanation that met with some skepticism from colleagues and collectors who reasoned, as Stuckey explains, that "his pictures could hardly have been executed by anyone with inadequate vision". The artist provided another clue when he described his predilection "to begin

7410-525: The waxes could be cast in bronze . It is assumed that, except for the Little Dancer Aged Fourteen , all Degas bronzes worldwide are cast from surmoulages  [ fr ] (i.e., cast from bronze masters). A surmoulage bronze is a bit smaller, and shows less surface detail, than its original bronze mold. The Hébrard Foundry cast the bronzes from 1919 until 1936, and closed down in 1937, shortly before Hébrard's death. In 2004,

7505-579: The winner of Italy's most important bicycle race, the Giro d'Italia . (See #Sports ). Today's color dictate wasn't established until the 1940s due to Americans' preferences as interpreted by manufacturers and retailers. "It could have gone the other way" Edgar Degas Edgar Degas ( UK : / ˈ d eɪ ɡ ɑː / , US : / d eɪ ˈ ɡ ɑː , d ə ˈ ɡ ɑː / ; born Hilaire-Germain-Edgar De Gas , French: [ilɛːʁ ʒɛʁmɛ̃ ɛdɡaʁ də ɡa] ; 19 July 1834 – 27 September 1917)

7600-462: The word to describe the dawn in his epic poem On the Nature of Things ( De rerum natura ). Pink was not a common color in the fashion of the Middle Ages; nobles usually preferred brighter reds, such as crimson. However, it did appear in women's fashion and religious art. In the 13th and 14th centuries, in works by Cimabue and Duccio , the Christ child was sometimes portrayed dressed in pink,

7695-452: Was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures , prints , and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism , he rejected the term, preferring to be called a realist , and did not paint outdoors as many Impressionists did. Degas

7790-422: Was a superb draftsman , and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes . In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys , as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be

7885-407: Was aligned with the artists of the surrealist movement, including Jean Cocteau . In 1931 she created a new variety of the color, called shocking pink , made by mixing magenta with a small amount of white. She launched a perfume called Shocking, sold in a bottle in the shape of a woman's torso, said to be modelled on that of Mae West . Her fashions, co-designed with artists like Cocteau, featured

7980-416: Was an important differentiator of these shows and the toys they were advertising. In its 1957 catalog, Lionel Trains offered for sale a pink model freight train for girls. The steam locomotive and coal car were pink and the freight cars of the freight train were various pastel colors . The caboose was baby blue . It was a marketing failure because any girl who might want a model train would want

8075-410: Was called light cinabrese; it was a mixture of the red earth pigment called sinopia , or Venetian red , and a white pigment called Bianco San Genovese , or lime white. In his famous 15th century manual on painting, Il Libro Dell'Arte , Cennino Cennini described it this way: "This pigment is made from the loveliest and lightest sinopia that is found and is mixed and mulled with St. John's white, as it

8170-442: Was drawn to the tensions present between men and women. In his early paintings, Degas already evidenced the mature style that he would later develop more fully by cropping subjects awkwardly and by choosing unusual viewpoints. By the late 1860s, Degas had shifted from his initial forays into history painting to an original observation of contemporary life. Racecourse scenes provided an opportunity to depict horses and their riders in

8265-673: Was found to be defective, and for the rest of his life his eye problems were a constant worry to him. After the war, Degas began in 1872 an extended stay in New Orleans , where his brother René and a number of other relatives lived. Staying at the home of his Creole uncle, Michel Musson, on Esplanade Avenue , Degas produced a number of works, many depicting family members. One of Degas's New Orleans works, A Cotton Office in New Orleans , garnered favorable attention back in France, and

8360-549: Was his only work purchased by a museum (the Pau ) during his lifetime. Degas returned to Paris in 1873 and his father died the following year, whereupon Degas learned that his brother René had amassed enormous business debts. To preserve his family's reputation, Degas sold his house and an art collection he had inherited, and used the money to pay off his brother's debts. Dependent for the first time in his life on sales of his artwork for income, he produced much of his greatest work during

8455-607: Was influenced primarily by the example of Édouard Manet , whom Degas had met in 1864 (while both were copying the same Diego Velázquez portrait in the Louvre, according to a story that may be apocryphal). Upon the outbreak of the Franco-Prussian War in 1870, Degas enlisted in the National Guard , where his partaking in the defense of Paris left him little time for painting. During rifle training his eyesight

8550-461: Was known for his wit, which could often be cruel. He was characterized as an "old curmudgeon" by the novelist George Moore , and he deliberately cultivated his reputation as a misanthropic bachelor. In the 1870s, Degas gravitated towards the republican circles of Léon Gambetta . However, his republicanism did not come untainted, and signs of the prejudice and irritability which would overtake him in old age were occasionally manifested. He fired

8645-467: Was less expensive than bleached white paper. Today the color is used to distinguish the newspaper from competitors on a press kiosk or news stand. In some countries, the salmon press identifies economic newspapers or economics sections in "white" newspapers. Some sports newspapers, such as La Gazzetta dello Sport in Italy, also use pink paper to stand out from other newspapers. It awards a pink jersey to

8740-404: Was most interested in the presentation of his paintings, patronizing Pierre Cluzel as a framer, and disliking ornate styles of the day, often insisting on his choices for the framing as a condition of purchase. Degas's only showing of sculpture during his life took place in 1881 when he exhibited The Little Dancer of Fourteen Years . A nearly life-size wax figure with real hair and dressed in

8835-462: Was not unusual for him to repeat a subject many times, varying the composition or treatment. He was a deliberative artist whose works, as Andrew Forge has written, "were prepared, calculated, practiced, developed in stages. They were made up of parts. The adjustment of each part to the whole, their linear arrangement, was the occasion for infinite reflection and experiment." Degas explained, "In art, nothing should look like chance, not even movement". He

8930-464: Was particularly championed by Madame de Pompadour (1721–1764), the mistress of King Louis XV of France , who wore combinations of pale blue and pink, and had a particular tint of pink made for her by the Sevres porcelain factory, created by adding nuances of blue, black and yellow. While pink was quite evidently the color of seduction in the portraits made by George Romney of Emma, Lady Hamilton ,

9025-585: Was the oldest of five children of Célestine Musson De Gas, a Creole from New Orleans , Louisiana , and Augustin De Gas, a banker. His maternal grandfather Germain Musson was born in Port-au-Prince , Haiti , of French descent, and had settled in New Orleans in 1810. Degas (he adopted this less grandiose spelling of his family name when he became an adult) began his schooling at age eleven, enrolling in

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