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Patrick Keiller

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A film director is a person who controls a film 's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfillment of that vision . The director has a key role in choosing the cast members , production design and all the creative aspects of filmmaking in cooperation with the producer .

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55-676: Patrick Keiller (born 1950) is a British film-maker , writer and lecturer. Keiller was born in 1950, in Blackpool and studied at the Bartlett School of Architecture , University College London . In 1979 he joined the Royal College of Art 's Department of Environmental Media as a postgraduate student. For a time he taught architecture at the University of East London and fine art at Middlesex University . His first film

110-473: A film school to get a bachelor's degree studying film or cinema. Film students generally study the basic skills used in making a film. This includes, for example, preparation, shot lists and storyboards, blocking, communicating with professional actors, communicating with the crew, and reading scripts. Some film schools are equipped with sound stages and post-production facilities. Besides basic technical and logistical skills, students also receive education on

165-405: A film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget . There are many pathways to becoming a film director. Some film directors started as screenwriters , cinematographers , producers , film editors or actors. Other film directors have attended film school. Directors use different approaches. Some outline

220-508: A film ratings system under which films are classified. All the ratings contain the phrase "gemäß §14 JuSchG" (in accordance with §14 of the Youth Protection Law ), signifying that they are legally binding for minors. Cinemas may legally exhibit films without a classification but minors are prohibited from such screenings. The FSK rating also limits the time of the day in which the movie may be aired on free-to-air TV stations to

275-485: A flat fee for the project, as a weekly salary, or as a daily rate. A handful of top Hollywood directors made from $ 133.3 million to $ 257.95 million in 2011, such as James Cameron and Steven Spielberg , but the average United States film directors and producers made $ 89,840 in 2018. A new Hollywood director typically gets paid around $ 400,000 for directing their first studio film. The average annual salary in England

330-400: A general plotline and let the actors improvise dialogue, while others control every aspect and demand that the actors and crew follow instructions precisely. Some directors also write their own screenplays or collaborate on screenplays with long-standing writing partners. Other directors edit or appear in their films or compose music score for their films. A film director's task is to envisage

385-534: A home video format in Brazil must be submitted for classification to the advisory rating ( Classificação Indicativa , abbreviated ClassInd), which is run by the Brazilian Ministry of Justice ( Ministério da Justiça ). Under 10s must always be accompanied by an adult guardian, even for films rated L. Anyone below the film's minimum age can watch it if accompanied or allowed by the parent or guardian who

440-493: A legal obligation to enforce restrictive ratings. In some countries such as Australia, Canada, and Singapore, an official government body decides on ratings; in other countries such as Denmark, Japan, and the United States, it is done by industry committees with little if any official government status. In most countries, however, films that are considered morally offensive have been censored, restricted, or banned. Even if

495-452: A provincial responsibility, and each province has its own legislation, rules and regulations regarding rating, exhibition and admission. Ratings are required for theatrical exhibition, but not all provinces require classification for home video. In the past there was a wide range of rating categories and practices in the various provinces; however, the seven rating systems—with the exception of Quebec—now all use categories and logos derived from

550-665: A rating and in such instances must be labelled a "15" (restricted to people aged 15 and above). Children aged 7 and above may attend any performance—including those restricted to older audiences—if they are accompanied by an adult. Film classification in Estonia is regulated by the Child Welfare Act. In Fiji, films are classified by the Fijian Censors Board: Films in Finland are classified by

605-551: A recent trend of more attention to women directors in India, brought on partly by Amazon and Netflix moving into the industry. Of the movies produced in Nollywood , women direct only 2%. There are many different awards for film directing, run by various academies , critics associations , film festivals , and guilds . The Academy Award for Best Director and Cannes Film Festival Award for Best Director are considered among

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660-530: A recommendation by the classification of the Centre national du cinéma et de l'image animée (CNC). In some cases, films may be classified as "pornographic films or those containing an incitement to violence" or completely prohibited from screening. A certificate will be granted from the following: The Freiwillige Selbstkontrolle der Filmwirtschaft (Voluntary Self-Regulation of the Film Industry, FSK) has

715-578: A time frame between 22:00 (FSK 16) or 23:00 (FSK 18) and 6:00. Stations are permitted to broadcast films not approved for audiences under 12 at their own discretion. In Ghana, films are classified by the Film Classification Committee: All publicly released films must be submitted to the Youth Committee for classification. There are four categories: Films intended for public exhibition have to be submitted to

770-403: A way to translate a screenplay into a fully formed film, and then to realize this vision. To do this, they oversee the artistic and technical elements of film production. This entails organizing the film crew in such a way to achieve their vision of the film and communicating with the actors. This requires skills of group leadership, as well as the ability to maintain a singular focus even in

825-520: A yearly salary from ¥4 million to ¥10 million, and the Directors Guild of Japan requires a minimum payment of ¥3.5 million. Korean directors make 300 million to 500 million won for a film, and beginning directors start out making around 50 million won. A Korean director who breaks into the Chinese market might make 1 billion won for a single film. According to a 2018 report from UNESCO ,

880-740: Is a film criticism concept that holds that a film director's film reflects the director's personal creative vision, as if they were the primary "auteur" (the French word for "author"). In spite of—and sometimes even because of—the production of the film as part of an industrial process, the auteur's creative voice is distinct enough to shine through studio interference and the collective process. Some film directors started as screenwriters , film editors , producers , actors , or film critics , as well as directing for similar media like television and commercials. Several American cinematographers have become directors, including Barry Sonnenfeld , originally

935-482: Is a legal age restriction on certain types of content i.e. discrimination, sexual abuse, glorification of violence etc. In addition to the ABMC's age recommendations, in the state of Vienna children under the age of 6 are only permitted to attend public film performances if they are accompanied. The AMBC issues age recommendation from the following categories: The Bahamas Plays and Films Control Board classifies films in

990-473: Is at least 18 years old, except for those rated 18, which can only be allowed for teenagers aged 16+. Unlike many countries, the ClassInd does not have any legal right to ban, demand cuts or refuse to rate any film. The ClassInd uses the following system: There are also operational descriptions of attenuating and aggravating elements that can interfere on the final rating. The Bulgarian film rating system

1045-747: Is defined in the Film Industry Act of 2003 and administered by the National Film Rating Committee. Since then, two more restrictive ratings (C+ and D+) have been added to the system: In Cambodia, the Department of Movies and Promotion of Culture at the Ministry of Culture and Fine Arts (MCFA) classifies films for exhibition in cinemas and on home media under the following age categories: Film ratings in Canada are

1100-758: Is responsible for certifying films meant for public exhibition. Motion pictures shown in Indonesia must undergo reviewing by the Film Censorship Agency of the Republic of Indonesia ( Indonesian : Lembaga Sensor Film , LSF). Other than issuing certificates, the LSF also reviews and issues permits for film-related advertising, such as movie trailers and posters. Since the late 2000s, LSF has no authority to cut scenes from films, but it may suggest cuts to distributors in order for it to issue certificates in

1155-685: Is £50,440, in Canada is $ 62,408, and in Western Australia it can range from $ 75,230 to $ 97,119. In France, the average salary is €4000 per month, paid per project. Luc Besson was the highest paid French director in 2017, making €4.44 million for Valerian and the City of a Thousand Planets . That same year, the top ten French directors' salaries in total represented 42% of the total directors' salaries in France. Film directors in Japan average

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1210-554: The Canadian Home Video Rating System (CHVRS). The categories are mostly identical to the CHVRS with a few minor variations. In the provinces that require classification of video formats, supply of 14A and 18A films is restricted to customers above those ages. In the case of theatre exhibition, children are admitted to 14A if accompanied by an adult. In British Columbia , Saskatchewan (administered by

1265-732: The Kvikmyndaskoðun system in Iceland. In October 2013, FRÍSK announced that it was adopting a new system similar to the Netherlands' Kijkwijzer at least through 2016. The Icelandic ratings system also provides an "18" rating in addition to the Kijkwijzer ratings. Under Icelandic law, minors aged 14-years-old and over may be admitted to a film carrying a higher age rating if accompanied by an adult. The ratings are as follows: In India, Central Board of Film Certification (CBFC)

1320-623: The National Audiovisual Institute . A minor up to 3 years younger than the age limit is permitted to see a film in a cinema when accompanied by an adult, except for 18-rated films. Films with an age rating may contain an additional marker for violence, sex, fear, or substance abuse. The ratings are as follows: Prior to showing in theatres, a distribution certificate must be obtained from the Ministry of Culture . The Minister will decide which certificate to issue based on

1375-629: The National Institute of Cinema and Audiovisual Arts (INCAA) issues ratings for films based on the following categories: The Classification Board and Classification Review Board are government-funded organisations which classify all films that are released for public exhibition. Films intended to inform, educate or instruct or concerned with sport, religion or music are exempt from classification provided they do not contain material that would result in an "M" rating or higher if submitted for classification. Motion pictures are rated by

1430-539: The Austrian Board of Media Classification (ABMC) for the Federal Ministry of Education, Arts and Culture (Bundesministerium für Unterricht, Kunst und Kultur). The recommendations made by the ABMC are generally not legally binding and there are nine sets of state laws on the cinema sector with different age provisions. The only exception is in the case of "16" rated films, since under Austrian law there

1485-759: The Bahamas. Upon completion of the examination the Board will classify the film in accordance with the following ratings: In Barbados, films are classified by the Film Censorship Board (FCB): On 8 January 2020, Belgium adopted the Dutch Kijkwijzer classification system. Belgium had previously used a basic two-tier system, in place since 1 September 1920. Until January 2020, classifications for films publicly exhibited in Belgium were issued by

1540-1060: The Berlin/Brandenburg TV station RBB (Berlin-Brandenburg Broadcasting) and ARTE . In recent decades American directors have primarily been coming out of USC , UCLA , AFI , Columbia University , and NYU , each of which is known for cultivating a certain style of filmmaking. Notable film schools outside of the United States include Beijing Film Academy , Centro de Capacitación Cinematográfica in Mexico City, Dongseo University in South Korea, FAMU in Prague, Film and Television Institute of India , HFF Munich , La Fémis in Paris, Tel Aviv University , and Vancouver Film School . Film directors usually are self-employed and hired per project based on recommendations and industry reputation. Compensation might be arranged as

1595-599: The British Columbia Film Classification Office), Alberta and Ontario children are also admitted to 18A films if accompanied. However, children under the age of 14 are prohibited to view 18A films in the Manitoba and Maritime provinces even if accompanied by an adult. The Maritimes and British Columbia (along with Saskatchewan) also provide an "A" classification for adult content. Some provinces, such as Nova Scotia, reserve

1650-528: The Coen brothers' Director of Photography; Wally Pfister , cinematographer on Christopher Nolan 's three Batman films made his directorial debut with Transcendence (2014). Despite the misnomer, assistant director has become a completely separate career path and is not typically a position for aspiring directors, but there are exceptions in some countries such as India where assistant directors are indeed directors-in-training. Many film directors have attended

1705-698: The Cook Islands Censorship Office in accordance with the Film and Censorship Act 1985. The following four classifications are used: The Censorship Office does not define the age for a "mature audience", but its television code—which uses the same ratings—defines a child as "under 15 years". In Costa Rica, films are classified by the Ministry of Justice and Peace: In Denmark, the Media Council for Children and Young People currently rates films. Films do not have to be submitted for

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1760-692: The Council of Cinematographic Classification ( Consejo de Calificación Cinematográfica ) which is a central agency under the Ministry of Education. In 2002 legislation was enacted which reversed the ban on all 1,090 films that had previously been banned in Chile. The current age ratings (enacted in 2002) are: The age ratings may also be supplemented by the following content categories: Minors are allowed to watch cinematographic productions rated in an immediately higher category than their age if accompanied by any of their parents, guardians, or their teachers within

1815-614: The Director of Film, Newspaper and Article Administration, who is the Film Censorship Authority (FCA) under the Ordinance, for approval. Films approved for public exhibition are then either classified or exempted from classification. Of the four levels, Categories I, II A , and II B are unrestricted. Only Category III is a restricted category and regulated by the government. Hungarian ratings are decided by

1870-492: The Inter-Community Commission for Film Rating ( Dutch : Intergemeenschapscommissie voor de Filmkeuring ; French : Commission Intercommunautaire de Contrôle des Films ). Films were prohibited to minors under the age of 16 unless passed by the commission. There is no mandatory rating system for video formats but 90% of video distribution abides by the voluntary Belgium Video Federation. It was basically

1925-529: The Moving Image . The actress Vanessa Redgrave assumed the role of narrator. In 2000, Keiller completed The Dilapidated Dwelling . This film was made for television, but was never broadcast. It features the voice of Tilda Swinton , and its subject matter is the state of the UK's housing. Film director The film director gives direction to the cast and crew and creates an overall vision through which

1980-596: The National Media and Infocommunications Authority (NMHH): All ratings are advisory except the "X" classification. The current one is the third motion picture rating system in Hungary. The first system existed between 1965 and 2004, and was administered by the Ministry for National Cultural Heritage and its predecessors. Its categories were "Without age restriction", "Not recommended below age of 14", "Above age of 16 only", and "Above age of 18 only". A second system

2035-593: The desired rating is not obtained, especially to avoid a higher rating than intended. A film may also be re-edited to produce a different version for other countries. A comparison of current film rating systems, showing age on the horizontal axis. Note however that the specific criteria used in assigning a classification can vary widely from one country to another. Therefore, the color codes and age ranges are not directly comparable from one country to another. Key: Through its Advisory Commission of Cinematographic Exhibition ( Comisión Asesora de Exhibición Cinematográfica )

2090-422: The director ensures that all individuals involved in the film production are working towards an identical vision for the completed film. The set of varying challenges they have to tackle has been described as "a multi-dimensional jigsaw puzzle with egos and weather thrown in for good measure". It adds to the pressure that the success of a film can influence when and how they will work again, if at all. Generally,

2145-435: The director works with the editor to edit the material into the director's cut . Well-established directors have the " final cut privilege ", meaning that they have the final say on which edit of the film is released. For other directors, the studio can order further edits without the director's permission. The director is one of the few positions that requires intimate involvement during every stage of film production . Thus,

2200-507: The film glorifies violence or drug use, whether said violence or drug use is carried out by the protagonist, with whom the viewer should empathize, or by the antagonist. In Germany, for example, films depicting explicit war violence in a real war context (such as the Second World War) are handled more leniently than films with purely fictional settings. A film may be produced with a particular rating in mind. It may be re-edited if

2255-478: The film industry throughout the world has a disproportionately higher number of male directors compared to female directors, and they provide as an example the fact that only 20% of films in Europe are directed by women. 44% of graduates from a sample of European films schools are women, and yet women are only 24% of working film directors in Europe. However only a fraction of film school graduates aspire to direct with

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2310-417: The film rating system has no legal consequences, and a film has not explicitly been restricted or banned, there are usually laws forbidding certain films, or forbidding minors to view them. The influence of specific factors in deciding a rating varies from country to country. Other factors may or may not influence the classification process, such as being set within a non-fictional historical context, whether

2365-485: The framework of their educational activities. This rule does not apply to films with pornographic or excessively violent content. Furthermore, films with pornographic content may only be exhibited at venues licensed for that purpose. In 2005, the Ministry of Culture issued its new rating system. The classifications are: In the Cook Islands , publications such as films, TV shows and video games are classified by

2420-472: The majority entering the industry in other roles. In Hollywood, women make up only 12.6 percent of film directors, as reported by a UCLA study of the 200 top theatrical films of 2017, but that number is a significant increase from 6.9% in 2016. As of 2014, there were only 20 women in the Directors Guild of Japan out of the 550 total members. Indian film directors are also greatly underrepresented by women, even compared to other countries, but there has been

2475-868: The most prestigious awards for directing, and there is even an award for worst directing given out during the Golden Raspberry Awards . Motion picture content rating system A motion picture content rating system classifies films based on their suitability for audiences due to their treatment of issues such as sex, violence, or substance abuse, their use of profanity, or other matters typically deemed unsuitable for children or adolescents. Most countries have some form of rating system that issues determinations variously known as certifications , classifications , certificates , or ratings . Age recommendations, of either an advisory or restrictive capacity, are often applied in lieu of censorship ; in some jurisdictions movie theaters may have

2530-548: The nature of professional relationships that occur during film production. A full degree course can be designed for up to five years of studying. Future directors usually complete short films during their enrollment. The National Film School of Denmark has the student's final projects presented on national TV. Some film schools retain the rights for their students' works. Many directors successfully prepared for making feature films by working in television. The German Film and Television Academy Berlin consequently cooperates with

2585-415: The position of film director is widely considered to be a highly stressful and demanding one. It has been said that "20-hour days are not unusual". Some directors also take on additional roles, such as producing, writing or editing. Under European Union law, the film director is considered the "author" or one of the authors of a film, largely as a result of the influence of auteur theory . Auteur theory

2640-407: The restrictions of the film's budget and the demands of the producer and studio (such as the need to get a particular age rating ). Directors also play an important role in post-production . While the film is still in production, the director sends " dailies " to the film editor and explains their overall vision for the film, allowing the editor to assemble an editor's cut . In post-production,

2695-571: The right to prohibit films altogether. In general, the categories are: In Quebec , the provincial Ministry of Culture and Communications (and until 2017 the Régie du cinéma ) rates all films and videos; its purview devolves from the Cinema Act (chapter C-18.1). In some cases the Ministry may refuse to provide a classification, effectively banning the film. Educational and sports films are exempt from classification. Films are classified by

2750-477: The same as the system for theatrical exhibition, but also provided a "12" rating. Under Kijkwijzer, the distributor fills out a questionnaire about the content of the film and an age category is automatically assigned. The new system is fully advisory, and carries no mandatory restrictions. In the French and German-speaking communities , the system is known as Cinecheck . The age categories are as follows: All films that are exhibited in public or released on

2805-403: The sole superiors of the director are the producers and the studio that is financing the film, although sometimes the director can also be a producer of the same film. The role of a director differs from producers in that producers typically manage the logistics and business operations of the production, whereas the director is tasked with making creative decisions. The director must work within

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2860-477: The stressful, fast-paced environment of a film set. Moreover, it is necessary to have an artistic eye to frame shots and to give precise feedback to cast and crew, thus, excellent communication skills are a must. Because the film director depends on the successful cooperation of many different creative individuals with possibly strongly contradicting artistic ideals and visions, they also need to possess conflict-resolution skills to mediate whenever necessary. Thus

2915-679: The unseen Robinson, in a series of excursions around London. Robinson is involved with research into the "problems" of London and, in the second film, England. The films are seen as a critique of the United Kingdom's economic landscape under the Conservative governments of 1979-97. A third film, Robinson in Ruins was released in November 2010. It was one of the outcomes of a three-year research project entitled The Future of Landscape and

2970-486: Was Stonebridge Park (1981) followed by Norwood (1983), The End (1986), Valtos (1987) and The Clouds (1989). These films are typified by their use of subjective camera and voice-over. This was a technique that was further refined in his longer films London (1994) and Robinson in Space (1997), both of which are narrated by an unnamed character (voiced by Paul Scofield ) who accompanies his friend and onetime lover,

3025-477: Was introduced in 2004 which was overhauled in 2011 in favour of the current system. Its categories—given by the National Film Office—were "Without age restriction", "Parental guidance suggested below age of 12", "Not recommended below age of 16", "Not recommended below age of 18", and "For adults only". Since 1 July 2006, FRÍSK (short for Félag rétthafa í sjónvarps- og kvikmyndaiðnaði ) has replaced

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