60-540: Lal Kot or Qila Rai Pithora ( lit. "Rai Pithora's Fort") is a fortified complex in present-day Delhi, which includes the Qutb Minar complex . It was constructed in the reign of Rajput Tomar ruler Anangpal Tomar between c. 1052 - c.1060 CE. It is termed as the "First city of Delhi ". Remains of the fort walls are scattered across South Delhi , visible in present Saket , Mehrauli around Qutb complex, Sanjay Van , Kishangarh and Vasant Kunj areas. The Lal Kot (as
120-405: A bilingual document is the 1274 BCE Treaty of Kadesh between the ancient Egyptian and Hittie empires . The Babylonians were the first to establish translation as a profession. The first translations of Greek and Coptic texts into Arabic, possibly indirectly from Syriac translations, seem to have been undertaken as early as the late seventh century CE. The second Abbasid Caliph funded
180-430: A " measure word " to say "one blossom-of roseness." Chinese verbs are tense -less: there are several ways to specify when something happened or will happen, but verb tense is not one of them. For poets, this creates the great advantage of ambiguity . According to Link, Weinberger's insight about subjectlessness—that it produces an effect "both universal and immediate"—applies to timelessness as well. Link proposes
240-624: A city, while Lal Kot remained the citadel. Qila Rai Pithora, which was twice as large as the older citadel, had more massive and higher walls, and the combined fort extended to six and a half km. Asher states that after the Ghurid conquest of the Chahamana kingdom in 1192 CE, the Ghurid governor Qutb al-Din Aibak occupied Qila Rai Pithora, and renamed it to "Dilhi" (modern Delhi), reviving the site's older name. However, Cynthia Talbot (2015) notes that
300-637: A common etymology is sometimes misleading as a guide to current meaning in one or the other language. For example, the English actual should not be confused with the cognate French actuel ("present", "current"), the Polish aktualny ("present", "current," "topical", "timely", "feasible"), the Swedish aktuell ("topical", "presently of importance"), the Russian актуальный ("urgent", "topical") or
360-533: A fortress (Lal Kot) which was so marvellous that there was no other fort of height and firmness equal to it in the whole world. Alexander Cunningham 's classified the site into older ("Lal Kot") and newer ("Qila Rai Pithora") parts attributed to the Tomaras and the Chahamanas respectively, but later archaeological excavations have cast doubt on this classification. Carr Stephen (1876) considered "Lal Kot" only
420-503: A fully adequate guide in translating. The Scottish historian Alexander Tytler , in his Essay on the Principles of Translation (1790), emphasized that assiduous reading is a more comprehensive guide to a language than are dictionaries. The same point, but also including listening to the spoken language , had earlier, in 1783, been made by the Polish poet and grammarian Onufry Kopczyński . The translator's special role in society
480-583: A human, professional translator. Douglas Hofstadter gave an example of a failure of machine translation: the English sentence "In their house, everything comes in pairs. There's his car and her car, his towels and her towels, and his library and hers." might be translated into French as " Dans leur maison, tout vient en paires. Il y a sa voiture et sa voiture, ses serviettes et ses serviettes, sa bibliothèque et les siennes. " That does not make sense because it does not distinguish between "his" car and "hers". Often, first-generation immigrants create something of
540-656: A kind of uncertainty principle that may be applicable not only to translation from the Chinese language, but to all translation: Dilemmas about translation do not have definitive right answers (although there can be unambiguously wrong ones if misreadings of the original are involved). Any translation (except machine translation, a different case) must pass through the mind of a translator, and that mind inevitably contains its own store of perceptions, memories, and values. Weinberger [...] pushes this insight further when he writes that "every reading of every poem, regardless of language,
600-460: A literal translation in how they speak their parents' native language. This results in a mix of the two languages that is something of a pidgin . Many such mixes have specific names, e.g., Spanglish or Denglisch . For example, American children of German immigrants are heard using "rockingstool" from the German word Schaukelstuhl instead of "rocking chair". Literal translation of idioms
660-412: A palace, and used the name "Qila Rai Pithora" to describe the pre-Sultanate fortification at the site. B. R. Mani (1997) referred to the site as "Lal Kot", using the term "Qila Rai Pithora" to describe a fortification wall possibly built by the Chahamanas. Catherine B. Asher (2000) describes Qila Rai Pithora as Lal Kot enlarged with rubble walls and ramparts. She theorizes that Qila Rai Pithora served as
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#1732782574784720-565: A poem like [the one that Eliot Weinberger discusses in 19 Ways of Looking at Wang Wei (with More Ways) ], another untranslatable feature is that the written result, hung on a wall, presents a rectangle. Translators into languages whose word lengths vary can reproduce such an effect only at the risk of fatal awkwardness.... Another imponderable is how to imitate the 1-2, 1-2-3 rhythm in which five- syllable lines in classical Chinese poems normally are read. Chinese characters are pronounced in one syllable apiece, so producing such rhythms in Chinese
780-491: A subject is inserted, a "controlling individual mind of the poet" enters and destroys the effect of the Chinese line. Without a subject, he writes, "the experience becomes both universal and immediate to the reader." Another approach to the subjectlessness is to use the target language's passive voice ; but this again particularizes the experience too much. Nouns have no number in Chinese. "If," writes Link, "you want to talk in Chinese about one rose, you may, but then you use
840-440: A text's source language are adjusted to the syntactic requirements of the target language. When a target language has lacked terms that are found in a source language, translators have borrowed those terms, thereby enriching the target language. Thanks in great measure to the exchange of calques and loanwords between languages, and to their importation from other languages, there are few concepts that are " untranslatable " among
900-459: A translation bureau in Baghdad in the eighth century. Bayt al-Hikma, the famous library in Baghdad, was generously endowed and the collection included books in many languages, and it became a leading centre for the translation of works from antiquity into Arabic, with its own Translation Department. Translations into European languages from Arabic versions of lost Greek and Roman texts began in
960-460: A translation that represents the precise meaning of the original text but does not attempt to convey its style, beauty, or poetry. There is, however, a great deal of difference between a literal translation of a poetic work and a prose translation. A literal translation of poetry may be in prose rather than verse but also be error-free. Charles Singleton's 1975 translation of the Divine Comedy
1020-515: Is a source of translators' jokes. One such joke, often told about machine translation , translates "The spirit is willing, but the flesh is weak" (an allusion to Mark 14:38 ) into Russian and then back into English, getting "The vodka is good, but the meat is rotten". This is not an actual machine-translation error, but rather a joke which dates back to 1956 or 1958. Another joke in the genre transforms "out of sight, out of mind" to "blind idiot" or "invisible idiot". Translation Translation
1080-531: Is a type of drawing after life..." Comparison of the translator with a musician or actor goes back at least to Samuel Johnson 's remark about Alexander Pope playing Homer on a flageolet , while Homer himself used a bassoon . In the 13th century, Roger Bacon wrote that if a translation is to be true, the translator must know both languages , as well as the science that he is to translate; and finding that few translators did, he wanted to do away with translation and translators altogether. The translator of
1140-736: Is an act of translation: translation into the reader's intellectual and emotional life." Then he goes still further: because a reader's mental life shifts over time, there is a sense in which "the same poem cannot be read twice." Translation of material into Arabic expanded after the creation of Arabic script in the 5th century, and gained great importance with the rise of Islam and Islamic empires. Arab translation initially focused primarily on politics, rendering Persian, Greek, even Chinese and Indic diplomatic materials into Arabic. It later focused on translating classical Greek and Persian works, as well as some Chinese and Indian texts, into Arabic for scholarly study at major Islamic learning centers, such as
1200-677: Is characterized by loose adaptation, rather than the closer translation more commonly found in Europe; and Chinese translation theory identifies various criteria and limitations in translation. In the East Asian sphere of Chinese cultural influence, more important than translation per se has been the use and reading of Chinese texts, which also had substantial influence on the Japanese, Korean and Vietnamese languages, with substantial borrowings of Chinese vocabulary and writing system. Notable
1260-526: Is clearly not a phrase that would generally be used in English, even though its meaning might be clear. Literal translations in which individual components within words or compounds are translated to create new lexical items in the target language (a process also known as "loan translation") are called calques , e.g., beer garden from German Biergarten . The literal translation of the Italian sentence, " So che questo non va bene " ("I know that this
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#17327825747841320-552: Is described in a posthumous 1803 essay by "Poland's La Fontaine ", the Roman Catholic Primate of Poland , poet, encyclopedist , author of the first Polish novel, and translator from French and Greek, Ignacy Krasicki : [T]ranslation... is in fact an art both estimable and very difficult, and therefore is not the labor and portion of common minds; [it] should be [practiced] by those who are themselves capable of being actors, when they see greater use in translating
1380-424: Is not good"), produces "(I) know that this not (it) goes well", which has English words and Italian grammar . Early machine translations (as of 1962 at least) were notorious for this type of translation, as they simply employed a database of words and their translations. Later attempts utilized common phrases , which resulted in better grammatical structure and the capture of idioms, but with many words left in
1440-457: Is not hard and the results are unobtrusive; but any imitation in a Western language is almost inevitably stilted and distracting. Even less translatable are the patterns of tone arrangement in classical Chinese poetry. Each syllable (character) belongs to one of two categories determined by the pitch contour in which it is read; in a classical Chinese poem the patterns of alternation of the two categories exhibit parallelism and mirroring. Once
1500-457: Is regarded as a prose translation. The term literal translation implies that it is probably full of errors, since the translator has made no effort to (or is unable to) convey correct idioms or shades of meaning, for example, but it can also be a useful way of seeing how words are used to convey meaning in the source language. A literal English translation of the German phrase " Ich habe Hunger " would be "I have hunger" in English, but this
1560-542: Is the Japanese kanbun , a system for glossing Chinese texts for Japanese speakers. Though Indianized states in Southeast Asia often translated Sanskrit material into the local languages, the literate elites and scribes more commonly used Sanskrit as their primary language of culture and government. Some special aspects of translating from Chinese are illustrated in Perry Link 's discussion of translating
1620-405: Is the communication of the meaning of a source-language text by means of an equivalent target-language text. The English language draws a terminological distinction (which does not exist in every language) between translating (a written text) and interpreting (oral or signed communication between users of different languages); under this distinction, translation can begin only after
1680-528: Is the norm in classical Chinese poetry , and common even in modern Chinese prose, to omit subjects; the reader or listener infers a subject. The grammars of some Western languages, however, require that a subject be stated (although this is often avoided by using a passive or impersonal construction). Most of the translators cited in Eliot Weinberger's 19 Ways of Looking at Wang Wei supply a subject. Weinberger points out, however, that when an "I" as
1740-711: The translātiō pattern, whereas Russian and the South Slavic languages adopted the trāductiō pattern. The Romance languages , deriving directly from Latin, did not need to calque their equivalent words for "translation"; instead, they simply adapted the second of the two alternative Latin words, trāductiō . The Ancient Greek term for "translation", μετάφρασις ( metaphrasis , "a speaking across"), has supplied English with " metaphrase " (a " literal ", or "word-for-word", translation)—as contrasted with " paraphrase " ("a saying in other words", from παράφρασις , paraphrasis ). "Metaphrase" corresponds, in one of
1800-529: The Al-Karaouine ( Fes , Morocco ), Al-Azhar ( Cairo , Egypt ), and the Al-Nizamiyya of Baghdad . In terms of theory, Arabic translation drew heavily on earlier Near Eastern traditions as well as more contemporary Greek and Persian traditions. Arabic translation efforts and techniques are important to Western translation traditions due to centuries of close contacts and exchanges. Especially after
1860-528: The Bible into German, Martin Luther (1483–1546), is credited with being the first European to posit that one translates satisfactorily only toward his own language. L.G. Kelly states that since Johann Gottfried Herder in the 18th century, "it has been axiomatic" that one translates only toward his own language. Compounding the demands on the translator is the fact that no dictionary or thesaurus can ever be
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1920-531: The Latin word translatio , which comes from trans , "across" + ferre , "to carry" or "to bring" ( -latio in turn coming from latus , the past participle of ferre ). Thus translatio is "a carrying across" or "a bringing across"—in this case, of a text from one language to another. Some Slavic languages and the Germanic languages (other than Dutch and Afrikaans ) have calqued their words for
1980-527: The Qutb Minar reads "Pirathi Nirapa", which some writers read as vernacular for "King Prithvi". Some coins, called "Dehliwalas" in the early sources of the Delhi Sultanate , were issued by a series of kings which include the Tomara rulers and a king called "Prithipala". This King Prithvi or Prithipala is believed to be the 3rd last Tomar king of Delhi - Prithvipal Tomar. Due to his name being similar to
2040-533: The Renaissance , Europeans began more intensive study of Arabic and Persian translations of classical works as well as scientific and philosophical works of Arab and oriental origins. Arabic, and to a lesser degree Persian, became important sources of material and perhaps of techniques for revitalized Western traditions, which in time would overtake the Islamic and oriental traditions. In the 19th century, after
2100-524: The concept of "translation" on translatio , substituting their respective Slavic or Germanic root words for the Latin roots. The remaining Slavic languages instead calqued their words for "translation" from an alternative Latin word, trāductiō , itself derived from trādūcō ("to lead across" or "to bring across")—from trans ("across") + dūcō , ("to lead" or "to bring"). The West and East Slavic languages (except for Russian ) adopted
2160-520: The context itself by reproducing the original order of sememes , and hence word order —when necessary, reinterpreting the actual grammatical structure, for example, by shifting from active to passive voice , or vice versa . The grammatical differences between "fixed-word-order" languages (e.g. English, French , German ) and "free-word-order" languages (e.g., Greek , Latin , Polish , Russian ) have been no impediment in this regard. The particular syntax (sentence-structure) characteristics of
2220-463: The Chinese tradition. Traditions of translating material among the languages of ancient Egypt , Mesopotamia , Assyria ( Syriac language ), Anatolia , and Israel ( Hebrew language ) go back several millennia. There exist partial translations of the Sumerian Epic of Gilgamesh ( c. 2000 BCE ) into Southwest Asian languages of the second millennium BCE. An early example of
2280-522: The Dutch actueel ("current"). The translator's role as a bridge for "carrying across" values between cultures has been discussed at least since Terence , the 2nd-century-BCE Roman adapter of Greek comedies. The translator's role is, however, by no means a passive, mechanical one, and so has also been compared to that of an artist . The main ground seems to be the concept of parallel creation found in critics such as Cicero . Dryden observed that "Translation
2340-475: The Lal Kot finished in the year 1060. The circumference of the fort was more than 2 miles and the walls of the fort were 60 feet high and 30 feet thick. “Anangpal II was instrumental in populating Indraprastha and giving it its present name, Delhi. The region was in ruins when he ascended the throne in the 11th century, it was he who built Lal Kot fort (Qila Rai Pithora) and Anangtal Baoli . The Tomar rule over
2400-533: The Qila Rai Pithora was originally called) is believed to be constructed in the reign of Tomar king Anangpal I . He brought the iron pillar from Saunkh location ( Mathura ) and got it fixed in Delhi in the year 1052 as evident from the inscriptions on it. By assuming the iron pillar as center, numerous palaces and temples were built and finally the fort Lal Kot was built around them. The construction of
2460-695: The actual practice of translation has hardly changed since antiquity. Except for some extreme metaphrasers in the early Christian period and the Middle Ages , and adapters in various periods (especially pre-Classical Rome, and the 18th century), translators have generally shown prudent flexibility in seeking equivalents —"literal" where possible, paraphrastic where necessary—for the original meaning and other crucial "values" (e.g., style , verse form , concordance with musical accompaniment or, in films, with speech articulatory movements) as determined from context. In general, translators have sought to preserve
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2520-418: The appearance of writing within a language community. A translator always risks inadvertently introducing source-language words, grammar , or syntax into the target-language rendering. On the other hand, such "spill-overs" have sometimes imported useful source-language calques and loanwords that have enriched target languages. Translators, including early translators of sacred texts , have helped shape
2580-573: The center is the letter-versus-spirit dilemma . At the literalist extreme, efforts are made to dissect every conceivable detail about the language of the original Chinese poem. "The dissection, though," writes Link, "normally does to the art of a poem approximately what the scalpel of an anatomy instructor does to the life of a frog." Chinese characters, in avoiding grammatical specificity, offer advantages to poets (and, simultaneously, challenges to poetry translators) that are associated primarily with absences of subject , number , and tense . It
2640-471: The extremes in the spectrum of possible approaches to translation. Discussions of the theory and practice of translation reach back into antiquity and show remarkable continuities. The ancient Greeks distinguished between metaphrase (literal translation) and paraphrase . This distinction was adopted by English poet and translator John Dryden (1631–1700), who described translation as the judicious blending of these two modes of phrasing when selecting, in
2700-521: The famous King Prithviraj Chauhan of that time, he has been completely overlapped in the history. Hasan Nizami , a Persian author who wrote Tajul-Ma'asir, the first official history of the Delhi Sultanate praised the Lal Kot as follows - "After settling the case of Ajmer , the conqueror ( Shahabuddin Ghori ) came to Delhi, which was among the major cities of Hindus. When he came to Delhi, he saw
2760-866: The middle of the eleventh century, when the benefits to be gained from the Arabs’ knowledge of the classical texts were recognised by European scholars, particularly after the establishment of the Escuela de Traductores de Toledo in Spain. William Caxton ’s Dictes or Sayengis of the Philosophres (Sayings of the Philosophers, 1477) was a translation into English of an eleventh-century Egyptian text which reached English via translation into Latin and then French. The translation of foreign works for publishing in Arabic
2820-527: The modern European languages. A greater problem, however, is translating terms relating to cultural concepts that have no equivalent in the target language. For full comprehension, such situations require the provision of a gloss . Generally, the greater the contact and exchange that have existed between two languages, or between those languages and a third one, the greater is the ratio of metaphrase to paraphrase that may be used in translating among them. However, due to shifts in ecological niches of words,
2880-479: The more recent terminologies, to " formal equivalence "; and "paraphrase", to " dynamic equivalence ". Strictly speaking, the concept of metaphrase—of "word-for-word translation"—is an imperfect concept, because a given word in a given language often carries more than one meaning; and because a similar given meaning may often be represented in a given language by more than one word. Nevertheless, "metaphrase" and "paraphrase" may be useful as ideal concepts that mark
2940-413: The original language. For translating synthetic languages , a morphosyntactic analyzer and synthesizer are required. The best systems today use a combination of the above technologies and apply algorithms to correct the "natural" sound of the translation. In the end, though, professional translation firms that employ machine translation use it as a tool to create a rough translation that is then tweaked by
3000-593: The region is attested by multiple inscriptions and coins, and their ancestry can be traced to the Pandavas (of the Mahabharata )" said BR Mani, former joint director-general of the Archaeological Survey of India (ASI). Lal Kot was Delhi’s original ‘red fort’. What we call Red Fort or Lal Qila today was originally called Qila-e-Mubarak built by Mughal Emperor Shah Jahan. A short inscription on
3060-527: The sense. Dryden cautioned, however, against the license of "imitation", i.e., of adapted translation: "When a painter copies from the life... he has no privilege to alter features and lineaments..." This general formulation of the central concept of translation— equivalence —is as adequate as any that has been proposed since Cicero and Horace , who, in 1st-century-BCE Rome , famously and literally cautioned against translating "word for word" ( verbum pro verbo ). Despite occasional theoretical diversity,
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#17327825747843120-474: The target language, "counterparts," or equivalents , for the expressions used in the source language: When [words] appear... literally graceful, it were an injury to the author that they should be changed. But since... what is beautiful in one [language] is often barbarous, nay sometimes nonsense, in another, it would be unreasonable to limit a translator to the narrow compass of his author's words: 'tis enough if he choose out some expression which does not vitiate
3180-418: The term "Qila Rai Pithora" first appears in the 16th-century text Ain-i-Akbari , and the older texts use the term "Dehli" to describe the site. Aibak and his successors did not extend or change the fort structure. Literal translation Literal translation , direct translation , or word-for-word translation is a translation of a text done by translating each word separately without looking at how
3240-613: The titles of 19th-century English translations of the classical Bible and other texts. Word-for-word translations ("cribs", "ponies", or "trots") are sometimes prepared for writers who are translating a work written in a language they do not know. For example, Robert Pinsky is reported to have used a literal translation in preparing his translation of Dante 's Inferno (1994), as he does not know Italian. Similarly, Richard Pevear worked from literal translations provided by his wife, Larissa Volokhonsky, in their translations of several Russian novels. Literal translation can also denote
3300-418: The untranslatables have been set aside, the problems for a translator, especially of Chinese poetry, are two: What does the translator think the poetic line says? And once he thinks he understands it, how can he render it into the target language? Most of the difficulties, according to Link, arise in addressing the second problem, "where the impossibility of perfect answers spawns endless debate." Almost always at
3360-513: The very languages into which they have translated. Because of the laboriousness of the translation process, since the 1940s efforts have been made, with varying degrees of success, to automate translation or to mechanically aid the human translator . More recently, the rise of the Internet has fostered a world-wide market for translation services and has facilitated " language localisation ". The English word "translation" derives from
3420-460: The words are used together in a phrase or sentence. In translation theory , another term for literal translation is metaphrase (as opposed to paraphrase for an analogous translation). It is to be distinguished from an interpretation (done, for example, by an interpreter ). Literal translation leads to mistranslation of idioms , which can be a serious problem for machine translation . The term "literal translation" often appeared in
3480-508: The work of the Tang dynasty poet Wang Wei (699–759 CE). Some of the art of classical Chinese poetry [writes Link] must simply be set aside as untranslatable . The internal structure of Chinese characters has a beauty of its own, and the calligraphy in which classical poems were written is another important but untranslatable dimension. Since Chinese characters do not vary in length, and because there are exactly five characters per line in
3540-933: The works of others than in their own works, and hold higher than their own glory the service that they render their country. Due to Western colonialism and cultural dominance in recent centuries, Western translation traditions have largely replaced other traditions. The Western traditions draw on both ancient and medieval traditions, and on more recent European innovations. Though earlier approaches to translation are less commonly used today, they retain importance when dealing with their products, as when historians view ancient or medieval records to piece together events which took place in non-Western or pre-Western environments. Also, though heavily influenced by Western traditions and practiced by translators taught in Western-style educational systems, Chinese and related translation traditions retain some theories and philosophies unique to
3600-624: Was revived by the establishment of the Madrasat al-Alsun (School of Tongues) in Egypt in 1813. There is a separate tradition of translation in South , Southeast and East Asia (primarily of texts from the Indian and Chinese civilizations), connected especially with the rendering of religious, particularly Buddhist , texts and with the governance of the Chinese empire. Classical Indian translation
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