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138-562: Queen Mab is a fairy referred to in William Shakespeare 's play Romeo and Juliet , in which the character Mercutio famously describes her as "the fairies' midwife", a miniature creature who rides her chariot (which is driven by a team of atom-sized creatures) over the bodies of sleeping humans during the nighttime, thus helping them "give birth" to their dreams. Later depictions in other poetry and literature and various guises in drama and cinema have typically portrayed her as

276-463: A street culture outside the purview of adults. This is also ideal where it needs to be collected; as Iona and Peter Opie demonstrated in their pioneering book Children's Games in Street and Playground . Here the social group of children is studied on its own terms, not as a derivative of adult social groups. It is shown that the culture of children is quite distinctive; it is generally unnoticed by

414-577: A Victorian tenet of evolution, mythic cannibalism among ogres was attributed to memories of more savage races, practising alongside "superior" races of more refined sensibilities. The most important modern proponent of the 'hidden people' theory was the Scottish folklorist and antiquarian David MacRitchie . A theory that fairies, et al., were intelligent species, distinct from humans and angels. An alchemist, Paracelsus , classed gnomes and sylphs as elementals , meaning magical entities who personify

552-432: A binary: one individual or group who actively transmits information in some form to another individual or group. Each of these is a defined role in the folklore process. The tradition-bearer is the individual who actively passes along the knowledge of an artifact; this can be either a mother singing a lullaby to her baby, or an Irish dance troupe performing at a local festival. They are named individuals, usually well known in

690-524: A charm tree to protect one's home. Various folklorists have proposed classification systems for fairies. Using terms popularized by W. B. Yeats, trooping fairies are those who appear in groups and might form settlements, as opposed to solitary fairies, who do not live or associate with others of their kind. In this context, the term fairy is usually held in a wider sense, including various similar beings, such as dwarves and elves of Germanic folklore . In Scottish folklore , fairies are divided into

828-408: A child's birthday party, including verbal lore ( Happy Birthday song ), material lore (presents and a birthday cake), special games ( Musical chairs ) and individual customs (making a wish as you blow out the candles). Each of these is a folklore artifact in its own right, potentially worthy of investigation and cultural analysis. Together they combine to build the custom of a birthday party celebration,

966-580: A class of "demoted" angels . One story described a group of angels revolting, and God ordering the gates of heaven shut; those still in heaven remained angels, those in hell became demons, and those caught in between became fairies. Others wrote that some angels, not being godly enough, yet not evil enough for hell, were thrown out of heaven. This concept may explain the tradition of paying a "teind" or tithe to hell; as fallen angels, although not quite devils, they could be viewed as subjects of Satan. King James I , in his dissertation Daemonologie , stated

1104-489: A community. Many objects of material folklore are challenging to classify, difficult to archive, and unwieldy to store. The assigned task of museums is to preserve and make use of these bulky artifacts of material culture. To this end, the concept of the living museum has developed, beginning in Scandinavia at the end of the 19th century. These open-air museums not only display the artifacts, but also teach visitors how

1242-450: A complaint, or a compliment. People who saw the fairies were advised not to look closely, because they resented infringements on their privacy. The need to not offend them could lead to problems: one farmer found that fairies threshed his corn, but the threshing continued after all his corn was gone, and he concluded that they were stealing from his neighbors, leaving him the choice between offending them, dangerous in itself, and profiting by

1380-502: A fairy birth — sometimes attending a mortal, kidnapped woman's childbed. Invariably, the woman is given something for the child's eyes, usually an ointment; through mischance, or sometimes curiosity, she uses it on one or both of her own eyes. At that point, she sees where she is; one midwife realizes that she was not attending a great lady in a fine house but her own runaway maid-servant in a wretched cave. She escapes without making her ability known but sooner or later betrays that she can see

1518-410: A fairy-haunted place, it was customary to put a piece of dry bread in one's pocket." In County Wexford , Ireland , in 1882, it was reported that: "if an infant is carried out after dark a piece of bread is wrapped in its bib or dress, and this protects it from any witchcraft or evil." Bells also have an ambiguous role; while they protect against fairies, the fairies riding on horseback — such as

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1656-574: A farmer who pastured his herd on fairy ground, a fairy queen took on the appearance of a great horse, with the wings of an eagle, and a tail like a dragon, hissing loud and spitting fire. Then she would change into a little man lame of a leg, with a bull's head, and a lambent flame playing round it. In the 19th-century Child ballad " Lady Isabel and the Elf-Knight ", the elf-knight is a Bluebeard figure, and Isabel must trick and kill him to preserve her life. The child ballad " Tam Lin " reveals that

1794-404: A formal school curriculum or study in the fine arts . Instead, these traditions are passed along informally from one individual to another, either through verbal instruction or demonstration. The academic study of folklore is called folklore studies or folkloristics, and it can be explored at the undergraduate, graduate, and Ph.D. levels. The word folklore , a compound of folk and lore ,

1932-468: A guise of Woden but later Christianised as a king in a tale by Walter Map , was said, by Map, to have visited a dwarf 's underground mansion and returned three centuries later; although only some of his men crumbled to dust on dismounting, Herla and his men who did not dismount were trapped on horseback, this being one account of the origin of the Wild Hunt of European folklore . A common feature of

2070-477: A meaning equivalent to "enchanted" or "magical". It is also used as a name for the place these beings come from, the land of Fairy. A recurring motif of legends about fairies is the need to ward off fairies using protective charms. Common examples of such charms include church bells, wearing clothing inside out, four-leaf clover , and food. Fairies were also sometimes thought to haunt specific locations, and to lead travelers astray using will-o'-the-wisps . Before

2208-464: A particular force of nature, and exert powers over these forces. Folklore accounts have described fairies as "spirits of the air". Much folklore of fairies involves methods of protecting oneself from their malice, by means such as cold iron, charms (see amulet , talisman ) of rowan trees or various herbs , or simply shunning locations "known" to be theirs, ergo avoiding offending any fairies. Less harmful pranks ascribed to fairies include: tangling

2346-596: A prayer or two And sleeps again. This is that very Mab That plaits the manes of horses in the night, And bakes the elflocks in foul sluttish hairs, Which once untangled, much misfortune bodes: This is the hag , when maids lie on their backs, That presses them and learns them first to bear, Making them women of good carriage: This is she—" — Mercutio in Romeo and Juliet , Act I, scene IV Since then, Queen Mab re-appears in works: Fairy A fairy (also fay , fae , fey , fair folk , or faerie )

2484-516: A problem to be solved, but as a tremendous opportunity. In the diversity of American folklife, we find a marketplace teeming with the exchange of traditional forms and cultural ideas, a rich resource for Americans". This diversity is celebrated annually at the Smithsonian Folklife Festival and many other folklife fests around the country. There are numerous other definitions. According to William Bascom major article on

2622-848: A reaction to greater industrialization and loss of older folk ways. Fairies are generally described as human in appearance and having magical powers. Diminutive fairies of various kinds have been reported through centuries, ranging from quite tiny to the size of a human. These small sizes could be magically assumed, rather than constant. Some smaller fairies could expand their figures to imitate humans. On Orkney , fairies were described as short in stature, dressed in dark grey, and sometimes seen in armour . In some folklore, fairies have green eyes. Some depictions of fairies show them with footwear, others as barefoot . Wings, while common in Victorian and later artworks, are rare in folklore; fairies flew by means of magic, sometimes perched on ragwort stems or

2760-605: A scripted combination of multiple artifacts which have meaning within their social group. Folklorists divide customs into several different categories. A custom can be a seasonal celebration , such as Thanksgiving or New Year's . It can be a life cycle celebration for an individual, such as baptism, birthday or wedding. A custom can also mark a community festival or event; examples of this are Carnival in Cologne or Mardi Gras in New Orleans . This category also includes

2898-622: A shared Proto-Indo-European mythology. In the Middle Ages , fairie was used adjectivally, meaning "enchanted" (as in fairie knight , fairie queene ), but also became a generic term for various "enchanted" creatures during the Late Middle English period. Literature of the Elizabethan era conflated elves with the fairies of Romance culture, rendering these terms somewhat interchangeable. The modern concept of "fairy" in

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3036-509: A shift in purpose and meaning. There are many reasons for continuing to handmake objects for use, for example these skills may be needed to repair manufactured items, or a unique design might be required which is not (or cannot be) found in the stores. Many crafts are considered as simple home maintenance, such as cooking, sewing and carpentry. For many people, handicrafts have also become an enjoyable and satisfying hobby. Handmade objects are often regarded as prestigious, where extra time and thought

3174-541: A similar concept in Persian mythology, see Peri . At one time it was thought that fairies were originally worshiped as deities, such as nymphs and tree spirits, and with the burgeoning predominance of the Christian Church , reverence for these deities carried on, but in a dwindling state of perceived power. Many deprecated deities of older folklore and myth were repurposed as fairies in Victorian fiction (See

3312-514: A slice of fresh homemade bread. Bread is associated with the home and the hearth, as well as with industry and the taming of nature, and as such, seems to be disliked by some types of fairies. On the other hand, in much of the Celtic folklore , baked goods are a traditional offering to the folk, as are cream and butter. "The prototype of food, and therefore a symbol of life, bread was one of the commonest protections against fairies. Before going out into

3450-426: A small sampling of objects and skills that are included in studies of material culture. Customary culture is remembered enactment, i.e. re-enactment. It is the patterns of expected behavior within a group, the "traditional and expected way of doing things" A custom can be a single gesture , such as thumbs down or a handshake . It can also be a complex interaction of multiple folk customs and artifacts as seen in

3588-450: A social event during the winter months, or the gifting of a quilt to signify the importance of the event. Each of these—the traditional pattern chosen, the social event, and the gifting—occur within the broader context of the community. Even so, when considering context, the structure and characteristics of performance can be recognized, including an audience, a framing event, and the use of decorative figures and symbols, all of which go beyond

3726-641: A supernatural race in Irish , comparable to the fairies or elves. They are variously said to be ancestors, the spirits of nature, or goddesses and gods. A common theme found among the Celtic nations describes a race of people who had been driven out by invading humans. In old Celtic fairy lore the Aos Sí ('people of the fairy mounds') are immortals living in the ancient barrows and cairns. The Irish banshee ( Irish Gaelic bean sí , previously bean sídhe , 'woman of

3864-400: A swell in popular interest in folk traditions, these community celebrations are becoming more numerous throughout the western world. While ostensibly parading the diversity of their community, economic groups have discovered that these folk parades and festivals are good for business. All shades of people are out on the streets, eating, drinking and spending. This attracts support not only from

4002-572: A whole, even as it continues to be a point of discussion within the field itself. The term folkloristics , along with the alternative name folklore studies , became widely used in the 1950s to distinguish the academic study of traditional culture from the folklore artifacts themselves. When the American Folklife Preservation Act (Public Law 94-201) was passed by the U.S. Congress in January 1976, to coincide with

4140-492: Is "not idle speculation… Decades of fieldwork have demonstrated conclusively that these groups do have their own folklore." In this modern understanding, folklore is a function of shared identity within any social group. This folklore can include jokes, sayings, and expected behavior in multiple variants, always transmitted in an informal manner. For the most part, it will be learned by observation, imitation, repetition, or correction by other group members. This informal knowledge

4278-457: Is a distinct branch of folklore that deals with activities passed on by children to other children, away from the influence or supervision of an adult. Children's folklore contains artifacts from all the standard folklore genres of verbal, material, and customary lore; it is however the child-to-child conduit that distinguishes these artifacts. For childhood is a social group where children teach, learn and share their own traditions, flourishing in

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4416-678: Is a social group that includes two or more people with common traits who express their shared identity through distinctive traditions. "Folk is a flexible concept which can refer to a nation as in American folklore or to a single family. " This expanded social definition of folk supports a broader view of the material, i.e., the lore, considered to be folklore artifacts . These now include all "things people make with words (verbal lore), things they make with their hands (material lore), and things they make with their actions (customary lore)". Folklore are no longer considered to be limited to that which

4554-469: Is a type of mythical being or legendary creature , generally described as anthropomorphic , found in the folklore of multiple European cultures (including Celtic , Slavic , Germanic , and French folklore), a form of spirit , often with metaphysical, supernatural , or preternatural qualities. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about

4692-400: Is also transmitted within a group, remains a practical hygiene and health issue and does not rise to the level of a group-defining tradition. Tradition is initially remembered behavior; once it loses its practical purpose, there is no reason for further transmission unless it has been imbued with meaning beyond the initial practicality of the action. This meaning is at the core of folkloristics,

4830-545: Is an outdated theory that fairy folklore evolved from folk memories of a prehistoric race: newcomers superseded a body of earlier human or humanoid peoples, and the memories of this defeated race developed into modern conceptions of fairies. Proponents find support in the tradition of cold iron as a charm against fairies, viewed as a cultural memory of invaders with iron weapons displacing peoples who had just stone, bone, wood, etc., at their disposal, and were easily defeated. 19th-century archaeologists uncovered underground rooms in

4968-485: Is as close as folklorists can come to observing the transmission and social function of this folk knowledge before the spread of literacy during the 19th century. As we have seen with the other genres, the original collections of children's lore and games in the 19th century was driven by a fear that the culture of childhood would die out. Early folklorists, among them Alice Gomme in Britain and William Wells Newell in

5106-473: Is distinct from English fey (from Old English fǣġe ), which means 'fated to die'. However, this unrelated Germanic word fey may have been influenced by Old French fae (fay or fairy) as the meaning had shifted slightly to 'fated' from the earlier 'doomed' or 'accursed'. Various folklore traditions refer to fairies euphemistically as wee folk , good folk , people of peace , fair folk ( Welsh : Tylwyth Teg ), etc. The term fairy

5244-404: Is enmeshed in a multitude of differing identities and their concomitant social groups. The first group that each of us is born into is the family, and each family has its own unique family folklore . As a child grows into an individual, its identities also increase to include age, language, ethnicity, occupation, etc. Each of these cohorts has its own folklore, and as one folklorist points out, this

5382-541: Is found in an issue of the Journal of American Folklore , published in 1975, which is dedicated exclusively to articles on women's folklore, with approaches that had not come from a man's perspective. Other groups that were highlighted as part of this broadened understanding of the folk group were non-traditional families , occupational groups, and families that pursued the production of folk items over multiple generations. Folklorist Richard Dorson explained in 1976 that

5520-451: Is found in hex signs on Pennsylvania Dutch barns, tin man sculptures made by metalworkers, front yard Christmas displays, decorated school lockers, carved gun stocks, and tattoos. "Words such as naive, self-taught, and individualistic are used to describe these objects, and the exceptional rather than the representative creation is featured." This is in contrast to the understanding of folklore artifacts that are nurtured and passed along within

5658-559: Is intended to organize and categorize the folklore artifacts; they provide common vocabulary and consistent labeling for folklorists to communicate with each other. That said, each artifact is unique; in fact, one of the characteristics of all folklore artifacts is their variation within genres and types. This is in direct contrast to manufactured goods, where the goal in production is to create identical products, and any variations are considered mistakes. It is, however, just this required variation that makes identification and classification of

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5796-517: Is marked contrast between the formidable warrior Medb and the tiny dream-bringer Mab. Other authors such as Wirt Sikes argued that Mab comes from the Welsh "mab" ("child" or "son"), although critics noted the lack of supporting evidence. Thomas Keightley suggested a connection to Habundia or Dame Habonde, a goddess associated with witches in medieval times and sometimes described as a queen. A more likely origin for Mab's name would be from Mabel and

5934-525: Is not just any conversation, but words and phrases conforming to a traditional configuration recognized by both the speaker and the audience. For narrative types , by definition, they have a consistent structure and follow an existing model in their narrative form. As just one simple example, in English, the phrase "An elephant walks into a bar…" instantaneously flags the following text as a joke . It might be one you have already heard, but it might be one that

6072-411: Is old or obsolete. These folk artifacts continue to be passed along informally, as a rule anonymously, and always in multiple variants. The folk group is not individualistic; it is community-based and nurtures its lore in community. "As new groups emerge, new folklore is created… surfers, motorcyclists, computer programmers ". In direct contrast to high culture , where any single work of a named artist

6210-434: Is protected by copyright law , folklore is a function of shared identity within a common social group. Having identified folk artifacts, the professional folklorist strives to understand the significance of these beliefs, customs, and objects for the group, since these cultural units would not be passed along unless they had some continued relevance within the group. That meaning can, however, shift and morph; for example,

6348-613: Is sometimes used to describe any magical creature, including goblins and gnomes , while at other times, the term describes only a specific type of ethereal creature or sprite . Explanations for the origins of fairies range from Persian mythology to the folklore of the Brythonic ( Bretons , Welsh , Cornish ), Gaelic ( Irish , Scots , Manx ), and Germanic peoples , and from the pages of Middle French medieval romances . According to some historians, such as Barthélemy d'Herbelot , fairies were adopted from and influenced by

6486-578: Is spent in their creation and their uniqueness is valued. For the folklorist, these hand-crafted objects embody multifaceted relationships in the lives of the craftspeople and the users, a concept that has been lost with mass-produced items that have no connection to an individual craftsperson. Many traditional crafts, such as ironworking and glass-making, have been elevated to the fine or applied arts and taught in art schools; or they have been repurposed as folk art , characterized as objects whose decorative form supersedes their utilitarian needs. Folk art

6624-403: Is still transmitted orally and, indeed, continues to be generated in new forms and variants at an alarming rate. Below is listed a small sampling of types and examples of verbal lore. The genre of material culture includes all artifacts that can be touched, held, lived in, or eaten. They are tangible objects with a physical or mental presence, either intended for permanent use or to be used at

6762-669: Is the complex balance of continuity over change in both their design and their decoration. In Europe, prior to the Industrial Revolution , everything was made by hand. While some folklorists of the 19th century wanted to secure the oral traditions of the rural folk before the populace became literate, other folklorists sought to identify hand-crafted objects before their production processes were lost to industrial manufacturing. Just as verbal lore continues to be actively created and transmitted in today's culture, so these handicrafts can still be found all around us, with possibly

6900-414: Is the fairies' midwife, and she comes In shape no bigger than an agate-stone On the fore-finger of an alderman, Drawn with a team of little atomies Athwart men's noses as they lie asleep; Her wagon-spokes made of long spinners' legs, The cover of the wings of grasshoppers, The traces of the smallest spider's web, The collars of the moonshine's wat'ry beams, Her whip of cricket's bone;

7038-540: Is used in discussions of material lore. Both formulations offer different perspectives on the same folkloric understanding, specifically that folklore artifacts need to remain embedded in their cultural environment if we are to gain insight into their meaning for the community. The concept of cultural (folklore) performance is shared with ethnography and anthropology among other social sciences. The cultural anthropologist Victor Turner identified four universal characteristics of cultural performance: playfulness, framing ,

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7176-428: Is used to confirm and reinforce the identity of the group. It can be used both internally within the group to express their common identity, for example in an initiation ceremony for new members. It can also be used externally to differentiate the group from outsiders, like a folk dance demonstration at a community festival. Significant to folklorists here is that there are two opposing but equally valid ways to use this in

7314-663: The peris of Persian mythology. Peris were angelic beings that were mentioned in antiquity in pre-Islamic Persia as early as the Achaemenid Empire . Peris were later described in various Persian works in great detail such as the Shahnameh by Ferdowsi . A peri was illustrated to be fair, beautiful, and extravagant nature spirits that were supported by wings. This may have influenced migratory Germanic and Eurasian settlers into Europe, or been transmitted during early exchanges. The similarities could also be attributed to

7452-1021: The Seelie Court (more beneficently inclined, but still dangerous), and the Unseelie Court (more malicious). While fairies of the Seelie Court enjoyed playing generally harmless pranks on humans, those of the Unseelie Court often brought harm to humans for entertainment. Both could be dangerous to humans if offended. Some scholars have cautioned against the overuse of dividing fairies into types. British folklore historian Simon Young noted that classification varies widely from researcher to researcher, and pointed out that it does not necessarily reflect old beliefs, since "those people living hundreds of years ago did not structure their experience as we do." A considerable amount of lore about fairies revolves around changelings , fairies left in

7590-842: The Bicentennial Celebration , folkloristics in the United States came of age. "…[Folklife] means the traditional expressive culture shared within the various groups in the United States: familial, ethnic, occupational, religious, regional; expressive culture includes a wide range of creative and symbolic forms such as custom, belief, technical skill, language, literature, art, architecture, music, play, dance, drama, ritual, pageantry, handicraft; these expressions are mainly learned orally, by imitation, or in performance, and are generally maintained without benefit of formal instruction or institutional direction." Added to

7728-619: The Halloween celebration of the 21st century is not the All Hallows' Eve of the Middle Ages and even gives rise to its own set of urban legends independent of the historical celebration; the cleansing rituals of Orthodox Judaism were originally good public health in a land with little water, but now these customs signify for some people identification as an Orthodox Jew. By comparison, a common action such as tooth brushing , which

7866-616: The Historic–Geographic Method , a methodology that dominated folkloristics in the first half of the 20th century. When William Thoms first published his appeal to document the verbal lore of the rural populations, it was believed these folk artifacts would die out as the population became literate. Over the past two centuries, this belief has proven to be wrong; folklorists continue to collect verbal lore in both written and spoken form from all social groups. Some variants might have been captured in published collections, but much of it

8004-625: The Middle English derivative "Mabily" (as used by Chaucer ) all from the Latin amabilis ("lovable"). Simon Young contends that this fits in with fairy names in British literature of the time, which tended to be generic and monosyllabic. "Mab" was a nickname for a low-class woman or prostitute, or possibly for a haglike witch. Similarly, "queen" is a pun on "quean," a term for a prostitute. "O, then, I see Queen Mab hath been with you. She

8142-632: The Orkney islands that resembled the Elfland described in Childe Rowland , which lent additional support. In folklore, flint arrowheads from the Stone Age were attributed to the fairies as " elfshot ", while their green clothing and underground homes spoke to a need for camouflage and covert shelter from hostile humans, their magic a necessary skill for combating those with superior weaponry. In

8280-507: The Queen of the Fairies . Shakespeare may have borrowed the character of Mab from folklore , but this is debated and there have been numerous theories on the origin of the name. A popular theory holds that Mab derives from Medb (pronounced "Maive"), a legendary queen from 12th-century Irish poetry; scholar Gillian Edwards notes "little resemblance", however, between the two characters. There

8418-566: The Smithsonian Folklife Festival celebrated each summer on the Mall in Washington, DC. A fourth category includes customs related to folk beliefs . Walking under a ladder is just one of many symbols considered unlucky . Occupational groups tend to have a rich history of customs related to their life and work, so the traditions of sailors or lumberjacks . The area of ecclesiastical folklore , which includes modes of worship not sanctioned by

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8556-500: The American Folklore Society brought the behavioral approach into open debate among folklorists. In 1972 Richard Dorson called out the "young Turks" for their movement toward a behavioral approach to folklore. This approach "shifted the conceptualization of folklore as an extractable item or 'text' to an emphasis on folklore as a kind of human behavior and communication. Conceptualizing folklore as behavior redefined

8694-544: The Early Modern English faerie , meaning ' realm of the fays '. Faerie , in turn, derives from the Old French form faierie , a derivation from faie (from Vulgar Latin fata , ' the fates '), with the abstract noun suffix -erie . In Old French romance, a faie or fee was a woman skilled in magic, and who knew the power and virtue of words, of stones, and of herbs. Fairy

8832-561: The History and Folklore Section of the American Folklore Society and concerned with the connections of folklore with history, as well as the history of folklore studies. Lacking context, folklore artifacts would be uninspiring objects without any life of their own. It is only through performance that the artifacts come alive as an active and meaningful component of a social group; the intergroup communication arises in

8970-537: The Second World War, folklorists began to articulate a more holistic approach toward their subject matter. In tandem with the growing sophistication in the social sciences , attention was no longer limited to the isolated artifact, but extended to include the artifact embedded in an active cultural environment. One early proponent was Alan Dundes with his essay "Texture, Text and Context", first published 1964. A public presentation in 1967 by Dan Ben-Amos at

9108-459: The Sun (Solar Angels ). The more Earthbound Devas included nature spirits , elementals , and fairies , which were described as appearing in the form of colored flames, roughly the size of a human. Arthur Conan Doyle , in his 1922 book The Coming of the Fairies ; The Theosophic View of Fairies , reported that eminent theosophist E. L. Gardner had likened fairies to butterflies, whose function

9246-603: The United States, felt a need to capture the unstructured and unsupervised street life and activities of children before it was lost. This fear proved to be unfounded. In a comparison of any modern school playground during recess and the painting of "Children's Games" by Pieter Breugel the Elder we can see that the activity level is similar, and many of the games from the 1560 painting are recognizable and comparable to modern variations still played today. These same artifacts of childlore, in innumerable variations, also continue to serve

9384-593: The advent of modern medicine , fairies were often blamed for sickness, particularly tuberculosis and birth deformities. In addition to their folkloric origins, fairies were a common feature of Renaissance literature and Romantic art , and were especially popular in the United Kingdom during the Victorian and Edwardian eras. The Celtic Revival also saw fairies established as a canonical part of Celtic cultural heritage. The English fairy derives from

9522-624: The ancestors of the current Irish people , they were said to have withdrawn to the sídhe (fairy mounds), where they lived on in popular imagination as "fairies". They are associated with several Otherworld realms including Mag Mell ('the Pleasant Plain'), Emain Ablach ('the place of apples'), and Tir na nÓg ('the Land of Youth'). The aos sí is the Irish term for

9660-591: The angry Mab with blisters plagues, Because their breaths with sweetmeats tainted are: Sometime she gallops o'er a courtier's nose, And then dreams he of smelling out a suit; And sometime comes she with a tithe-pig's tail Tickling a parson's nose as a' lies asleep, Then dreams he of another benefice: Sometime she driveth o'er a soldier's neck, And then dreams he of cutting foreign throats, Of breaches, ambuscadoes, Spanish blades, Of healths five-fathom deep; and then anon Drums in his ear, at which he starts and wakes, And being thus frighted swears

9798-413: The artifacts and turn them into something else; so Old McDonald's farm is transformed from animal noises to the scatological version of animal poop. This childlore is characterized by "its lack of dependence on literary and fixed form. Children…operate among themselves in a world of informal and oral communication, unimpeded by the necessity of maintaining and transmitting information by written means". This

9936-533: The backs of birds. Modern illustrations often include dragonfly or butterfly wings. Early modern fairies does not derive from a single origin; the term is a conflation of disparate elements from folk belief sources, influenced by literature and speculation. In folklore of Ireland, the mythic aes sídhe , or 'people of the fairy hills ', have come to a modern meaning somewhat inclusive of fairies. The Scandinavian elves also served as an influence. Folklorists and mythologists have variously depicted fairies as:

10074-423: The business community, but also from federal and state organizations for these local street parties. Paradoxically, in parading diversity within the community, these events have come to authenticate true community, where business interests ally with the varied (folk) social groups to promote the interests of the community as a whole. This is just a small sampling of types and examples of customary lore. Childlore

10212-457: The complexity of the interpretation, the birthday party for a seven-year-old will not be identical to the birthday party for that same child as a six-year-old, even though they follow the same model. For each artifact embodies a single variant of a performance in a given time and space. The task of the folklorist becomes to identify within this surfeit of variables the constants and the expressed meaning that shimmer through all variations: honoring of

10350-472: The continent is a single example of an ethnic group parading their separateness (differential behavior ), and encouraging Americans of all stripes to show alliance to this colorful ethnic group. These festivals and parades, with a target audience of people who do not belong to the social group, intersect with the interests and mission of public folklorists , who are engaged in the documentation, preservation, and presentation of traditional forms of folklife. With

10488-434: The corner blocked the fairy path, and cottages have been built with the front and back doors in line, so that the owners could, in need, leave them both open and let the fairies troop through all night. Locations such as fairy forts were left undisturbed; even cutting brush on fairy forts was reputed to be the death of those who performed the act. Fairy trees, such as thorn trees , were dangerous to chop down; one such tree

10626-609: The custom, either as performer or audience, signifies acknowledgment of that social group. Some customary behavior is intended to be performed and understood only within the group itself, so the handkerchief code sometimes used in the gay community or the initiation rituals of the Freemasons. Other customs are designed specifically to represent a social group to outsiders, those who do not belong to this group. The St. Patrick's Day Parade in New York and in other communities across

10764-412: The dead and fairies depicted as living underground. Diane Purkiss observed an equating of fairies with the untimely dead who left "unfinished lives". One tale recounted a man caught by the fairies, who found that whenever he looked steadily at a fairy, it appeared as a dead neighbor of his. This theory was among the more common traditions related, although many informants also expressed doubts. There

10902-456: The defining features a challenge. While this classification is essential for the subject area of folkloristics, it remains just labeling and adds little to an understanding of the traditional development and meaning of the artifacts themselves. Necessary as they are, genre classifications are misleading in their oversimplification of the subject area. Folklore artifacts are never self-contained, they do not stand in isolation but are particulars in

11040-527: The developmental function of this childlore, the artifacts themselves have been in play for centuries. Below is listed just a small sampling of types and examples of childlore and games. A case has been made for considering folk history as a distinct sub-category of folklore, an idea that has received attention from such folklorists as Richard Dorson. This field of study is represented in The Folklore Historian , an annual journal sponsored by

11178-410: The established church tends to be so large and complex that it is usually treated as a specialized area of folk customs; it requires considerable expertise in standard church ritual in order to adequately interpret folk customs and beliefs that originated in official church practice. Customary folklore is always a performance, be it a single gesture or a complex of scripted customs, and participating in

11316-434: The extensive array of other legislation designed to protect the natural and cultural heritage of the United States, this law also marks a shift in national awareness. It gives voice to a growing understanding that cultural diversity is a national strength and a resource worthy of protection. Paradoxically, it is a unifying feature, not something that separates the citizens of a country. "We no longer view cultural difference as

11454-504: The faeries, states that neither he nor his court fear the church bells, which the author and Christian apologist C. S. Lewis cast as a politic disassociation from faeries although Lewis makes it clear that he himself does not consider fairies to be demons in his chapter on the topic ("The Longaevi" or "long-livers") from The Discarded Image . In an era of intellectual and religious upheaval, some Victorian reappraisals of mythology cast deities in general as metaphors for natural events, which

11592-426: The fairies is the use of magic to disguise their appearance. Fairy gold is notoriously unreliable, appearing as gold when paid but soon thereafter revealing itself to be leaves, gorse blossoms, gingerbread cakes, or a variety of other comparatively worthless things. These illusions are also implicit in the tales of fairy ointment . Many tales from Northern Europe tell of a mortal woman summoned to attend

11730-443: The fairies. She is invariably blinded in that eye or in both if she used the ointment on both. There have been claims by people in the past, like William Blake , to have seen fairy funerals. Allan Cunningham in his Lives of Eminent British Painters records that William Blake claimed to have seen a fairy funeral: 'Did you ever see a fairy's funeral, madam?' said Blake to a lady who happened to sit next to him. 'Never, sir!' said

11868-409: The fairy mound') is sometimes described as a ghost. Folklore Each one of these, either singly or in combination, is considered a folklore artifact or traditional cultural expression . Just as essential as the form, folklore also encompasses the transmission of these artifacts from one region to another or from one generation to the next. Folklore is not something one can typically gain from

12006-485: The fairy queen — often have bells on their harness. This may be a distinguishing trait between the Seelie Court from the Unseelie Court, such that fairies use them to protect themselves from more wicked members of their race. Another ambiguous piece of folklore revolves about poultry: a cock's crow drove away fairies, but other tales recount fairies keeping poultry. While many fairies will confuse travelers on

12144-475: The fairy women gave him a gowpen (double handful of meal) and told him to put it in his empty girnal (store), saying that the store would remain full for a long time, no matter how much he took out. It is also believed that to know the name of a particular fairy, a person could summon it and force it to do their bidding. The name could be used as an insult towards the fairy in question, but it could also rather contradictorily be used to grant powers and gifts to

12282-496: The first classification system for folktales in 1910. This was later expanded into the Aarne–Thompson classification system by Stith Thompson and remains the standard classification system for European folktales and other types of oral literature. As the number of classified oral artifacts grew, similarities were noted in items that had been collected from very different geographic regions, ethnic groups, and epochs, giving rise to

12420-411: The generations and subject to the same forces of conservative tradition and individual variation" that are found in all folk artifacts. Folklorists are interested in the physical form, the method of manufacture or construction, the pattern of use, as well as the procurement of the raw materials. The meaning to those who both make and use these objects is important. Of primary significance in these studies

12558-510: The hair of sleepers into fairy-locks (aka elf-locks), stealing small items, and leading a traveler astray. More dangerous behaviors were also attributed to fairies; any form of sudden death might have stemmed from a fairy kidnapping, the evident corpse a magical replica of wood. Consumption ( tuberculosis ) was sometimes blamed on fairies who forced young men and women to dance at revels every night, causing them to waste away from lack of rest. Rowan trees were considered sacred to fairies, and

12696-404: The individual within the circle of family and friends, gifting to express their value and worth to the group, and of course, the festival food and drink as signifiers of the event. The formal definition of verbal lore is words, both written and oral, that are "spoken, sung, voiced forms of traditional utterance that show repetitive patterns." Crucial here are the repetitive patterns. Verbal lore

12834-417: The items were used, with actors reenacting the everyday lives of people from all segments of society, relying heavily on the material artifacts of a pre-industrial society. Many locations even duplicate the processing of the objects, thus creating new objects of an earlier historic time period. Living museums are now found throughout the world as part of a thriving heritage industry . This list represents just

12972-431: The job of folklorists..." Folklore became a verb, an action, something that people do, not just something that they have. It is in the performance and the active context that folklore artifacts get transmitted in informal, direct communication, either verbally or in demonstration. Performance includes all the different modes and manners in which this transmission occurs. Transmission is a communicative process requiring

13110-453: The lady. 'I have,' said Blake, 'but not before last night.' And he went on to tell how, in his garden, he had seen 'a procession of creatures of the size and colour of green and grey grasshoppers, bearing a body laid out on a rose-leaf, which they buried with songs, and then disappeared.' They are believed to be an omen of death. The Tuatha Dé Danann are a race of supernaturally-gifted people in Irish mythology. They are thought to represent

13248-408: The language of a folklore performance. Material culture requires some moulding to turn it into a performance. Should we consider the performance of the creation of the artifact, as in a quilting party, or the performance of the recipients who use the quilt to cover their marriage bed? Here the language of context works better to describe the quilting of patterns copied from the grandmother, quilting as

13386-549: The lash of film; Her waggoner a small grey-coated gnat, Not half so big as a round little worm Pricked from the lazy finger of a maid: Her chariot is an empty hazelnut Made by the joiner squirrel or old grub, Time out o' mind the fairies' coachmakers. And in this state she gallops night by night Through lovers' brains, and then they dream of love; O'er courtiers' knees, that dream on court'sies straight, O'er lawyers' fingers, who straight dream on fees, O'er ladies' lips, who straight on kisses dream, Which oft

13524-513: The main deities of pre-Christian Ireland. Many of the Irish modern tales of the Tuatha Dé Danann refer to these beings as fairies, though in more ancient times they were regarded as goddesses and gods . The Tuatha Dé Danann were spoken of as having come from islands in the north of the world or, in other sources, from the sky. After being victorious in a series of battles with other otherworldly beings, and then being defeated by

13662-425: The mill or kiln at night, as it was known that the fairies brought their corn to be milled after dark. So long as the locals believed this, the miller could sleep secure in the knowledge that his stores were not being robbed. John Fraser, the miller of Whitehill, claimed to have hidden and watched the fairies trying unsuccessfully to work the mill. He said he decided to come out of hiding and help them, upon which one of

13800-478: The most part self-explanatory, these categories include physical objects ( material folklore ), common sayings, expressions, stories and songs ( verbal folklore ), and beliefs and ways of doing things ( customary folklore ). There is also a fourth major subgenre defined for children's folklore and games ( childlore ), as the collection and interpretation of this fertile topic is particular to school yards and neighborhood streets. Each of these genres and their subtypes

13938-423: The narrower sense is unique to English folklore , later made diminutive in accordance with prevailing tastes of the Victorian era , as in " fairy tales " for children. The Victorian era and Edwardian era saw a heightened increase of interest in fairies. The Celtic Revival cast fairies as part of Ireland's cultural heritage. Carole Silver and others suggested this fascination of English antiquarians arose from

14076-411: The necessary beat to complex physical rhythms and movements, be it hand-clapping, jump roping, or ball bouncing. Furthermore, many physical games are used to develop strength, coordination and endurance of the players. For some team games, negotiations about the rules can run on longer than the game itself as social skills are rehearsed. Even as we are just now uncovering the neuroscience that undergirds

14214-460: The next meal. Most of these folklore artifacts are single objects that have been created by hand for a specific purpose; however, folk artifacts can also be mass-produced, such as dreidels or Christmas decorations. These items continue to be considered folklore because of their long (pre-industrial) history and their customary use. All of these material objects "existed prior to and continue alongside mechanized industry. … [They are] transmitted across

14352-589: The origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans , or as spirits of nature. The label of fairy has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes . Fairy has at times been used as an adjective, with

14490-547: The past that continued to exist within the lower strata of society. The " Kinder- und Hausmärchen " of the Brothers Grimm (first published 1812) is the best known but by no means only collection of verbal folklore of the European peasantry of that time. This interest in stories, sayings, and songs continued throughout the 19th century and aligned the fledgling discipline of folkloristics with literature and mythology. By

14628-403: The path, the will-o'-the-wisp can be avoided by not following it. Certain locations, known to be haunts of fairies, are to be avoided; C. S. Lewis reported hearing of a cottage more feared for its reported fairies than its reported ghost. In particular, digging in fairy hills was unwise. Paths that the fairies travel are also wise to avoid. Home-owners have knocked corners from houses because

14766-531: The performance and this is where transmission of these cultural elements takes place. American folklorist Roger D. Abrahams has described it thus: "Folklore is folklore only when performed. As organized entities of performance, items of folklore have a sense of control inherent in them, a power that can be capitalized upon and enhanced through effective performance." Without transmission, these items are not folklore, they are just individual quirky tales and objects. This understanding in folkloristics only occurred in

14904-559: The period of romantic nationalism in Europe. A particular figure in this development was Johann Gottfried von Herder , whose writings in the 1770s presented oral traditions as organic processes grounded in the locale. After the German states were invaded by Napoleonic France , Herder's approach was adopted by many of his fellow Germans, who systematized the recorded folk traditions and used them in their process of nation building . This process

15042-450: The place of stolen humans. In particular, folklore describes how to prevent the fairies from stealing babies and substituting changelings, and abducting older people as well. The theme of the swapped child is common in medieval literature and reflects concern over infants thought to be afflicted with unexplained diseases, disorders, or developmental disabilities. In pre-industrial Europe, a peasant family's subsistence frequently depended upon

15180-437: The productive labor of each member, and a person who was a permanent drain on the family's scarce resources could pose a threat to the survival of the entire family. In terms of protective charms, wearing clothing inside out, church bells, St. John's wort , and four-leaf clovers are regarded as effective. In Newfoundland folklore, the most popular type of fairy protection is bread, varying from stale bread to hard tack or

15318-408: The rural poor as folk. The common feature in this expanded definition of folk was their identification as the underclass of society. Moving forward into the 20th century, in tandem with new thinking in the social sciences , folklorists also revised and expanded their concept of the folk group. By the 1960s, it was understood that social groups , i.e., folk groups, were all around us; each individual

15456-420: The same function of learning and practicing skills needed for growth. So bouncing and swinging rhythms and rhymes encourage development of balance and coordination in infants and children. Verbal rhymes like Peter Piper picked... serve to increase both the oral and aural acuity of children. Songs and chants, accessing a different part of the brain, are used to memorize series ( Alphabet song ). They also provide

15594-410: The second half of the 20th century, when the two terms " folklore performance " and "text and context" dominated discussions among folklorists. These terms are not contradictory or even mutually exclusive. As borrowings from other fields of study, one or the other linguistic formulation is more appropriate to any given discussion. Performance is frequently tied to verbal and customary lore, whereas context

15732-521: The self-representation of a community. Different genres are frequently combined with each other to mark an event. So a birthday celebration might include a song or formulaic way of greeting the birthday child (verbal), presentation of a cake and wrapped presents (material), as well as customs to honor the individual, such as sitting at the head of the table and blowing out the candles with a wish. There might also be special games played at birthday parties, which are not generally played at other times. Adding to

15870-444: The sophisticated world of adults, and quite as little affected by it. Of particular interest to folklorists here is the mode of transmission of these artifacts; this lore circulates exclusively within an informal pre-literate children's network or folk group. It does not include artifacts taught to children by adults. However children can take the taught and teach it further to other children, turning it into childlore. Or they can take

16008-403: The speaker has just thought up within the current context. Another example is the child's song Old MacDonald Had a Farm , where each performance is distinctive in the animals named, their order, and their sounds. Songs such as this are used to express cultural values (farms are important, farmers are old and weather-beaten) and teach children about different domesticated animals. Verbal folklore

16146-412: The study of a group: you can start with an identified group in order to explore its folklore, or you can identify folklore items and use them to identify the social group. Beginning in the 1960s, a further expansion of the concept of folk began to unfold through the study of folklore. Individual researchers identified folk groups that had previously been overlooked and ignored. One notable example of this

16284-405: The study of folklore is "concerned with the study of traditional culture, or the unofficial culture" that is the folk culture, "as opposed to the elite culture, not for the sake of proving a thesis but to learn about the mass of [humanity] overlooked by the conventional disciplines." Individual folklore artifacts are commonly classified as one of three types: material, verbal or customary lore. For

16422-470: The study of folklore. With the increasing theoretical sophistication of the social sciences , it has become evident that folklore is a naturally occurring and necessary component of any social group; it is indeed all around us. Folklore does not have to be old or antiquated; it continues to be created and transmitted, and in any group, it is used to differentiate between "us" and "them." Folklore began to distinguish itself as an autonomous discipline during

16560-534: The tale of a woman overcome by her fairy lover, who in later versions of the story is unmasked as a mortal. " Thomas the Rhymer " shows Thomas escaping with less difficulty, but he spends seven years in Elfland. Oisín is harmed not by his stay in Faerie but by his return; when he dismounts, the three centuries that have passed catch up with him, reducing him to an aged man. King Herla (O.E. "Herla cyning" ), originally

16698-541: The term "faries" referred to illusory spirits (demonic entities) that prophesied to, consorted with, and transported the individuals they served; in medieval times, a witch or sorcerer who had a pact with a familiar spirit might receive these services. In England's Theosophist circles of the 19th century, a belief in the "angelic" nature of fairies was reported. Entities referred to as Devas were said to guide many processes of nature , such as evolution of organisms, growth of plants , etc., many of which resided inside

16836-453: The theft. Millers were thought by the Scots to be "no canny", owing to their ability to control the forces of nature, such as fire in the kiln, water in the burn, and for being able to set machinery a-whirring. Superstitious communities sometimes believed that the miller must be in league with the fairies. In Scotland, fairies were often mischievous and to be feared. No one dared to set foot in

16974-462: The title character, though living among the fairies and having fairy powers, was, in fact, an "earthly knight" and though his life was pleasant now , he feared that the fairies would pay him as their teind (tithe) to hell. " Sir Orfeo " tells how Sir Orfeo's wife was kidnapped by the King of Faerie and only by trickery and an excellent harping ability was he able to win her back. "Sir Degare" narrates

17112-420: The topic, there are "four functions to folklore": The folk of the 19th century, the social group identified in the original term "folklore" , was characterized by being rural, illiterate, and poor. They were the peasants living in the countryside, in contrast to the urban populace of the cities. Only toward the end of the century did the urban proletariat (on the coattails of Marxist theory) become included with

17250-478: The totality of their customs and beliefs as folklore. This distinction aligned American folkloristics with cultural anthropology and ethnology , using the same techniques of data collection in their field research. This divided alliance of folkloristics between the humanities in Europe and the social sciences in America offers a wealth of theoretical vantage points and research tools to the field of folkloristics as

17388-464: The turn of the 20th century, the number and sophistication of folklore studies and folklorists had grown both in Europe and North America. Whereas European folklorists remained focused on the oral folklore of the homogenous peasant populations in their regions, the American folklorists, led by Franz Boas and Ruth Benedict , chose to consider Native American cultures in their research, and included

17526-525: The unworthy dead, the children of Eve , a kind of demon , a species independent of humans, an older race of humans, and fallen angels . The folkloristic or mythological elements combine Celtic , Germanic and Greco-Roman elements. Folklorists have suggested that 'fairies' arose from various earlier beliefs, which lost currency with the advent of Christianity. These disparate explanations are not necessarily incompatible, as 'fairies' may be traced to multiple sources. A Christian tenet held that fairies were

17664-432: The use of symbolic language, and employing the subjunctive mood . In viewing the performance, the audience leaves the daily reality to move into a mode of make-believe, or "what if?" It is self-evident that this fits well with all types of verbal lore, where reality has no place among the symbols, fantasies, and nonsense of traditional tales, proverbs, and jokes. Customs and the lore of children and games also fit easily into

17802-450: The user. Before the advent of modern medicine, many physiological conditions were untreatable and when children were born with abnormalities, it was common to blame the fairies. Sometimes fairies are described as assuming the guise of an animal. In Scotland, it was peculiar to the fairy women to assume the shape of deer; while witches became mice, hares, cats, gulls, or black sheep. In "The Legend of Knockshigowna ", in order to frighten

17940-688: The utility of the object. Before the Second World War , folk artifacts had been understood and collected as cultural shards of an earlier time. They were considered individual vestigial artifacts, with little or no function in the contemporary culture. Given this understanding, the goal of the folklorist was to capture and document them before they disappeared. They were collected with no supporting data, bound in books, archived and classified more or less successfully. The Historic–Geographic Method worked to isolate and track these collected artifacts, mostly verbal lore, across space and time. Following

18078-555: The works of W. B. Yeats for examples). A recorded Christian belief of the 17th century cast all fairies as demons. This perspective grew more popular with the rise of Puritanism among the Reformed Church of England (See: Anglicanism ). The hobgoblin , once a friendly household spirit, became classed as a wicked goblin. Dealing with fairies was considered a form of witchcraft, and punished as such. In William Shakespeare's A Midsummer Night's Dream , Oberon , king of

18216-626: Was coined in 1846 by the Englishman William Thoms , who contrived the term as a replacement for the contemporary terminology of "popular antiquities" or "popular literature". The second half of the word, lore , comes from Old English lār 'instruction'. It is the knowledge and traditions of a particular group frequently passed along by word of mouth. The concept of folk has varied over time. When Thoms first created this term, folk applied only to rural, frequently poor, and illiterate peasants. A more modern definition of folk

18354-437: Was enthusiastically embraced by smaller nations, like Finland, Estonia, and Hungary, which were seeking political independence from their dominant neighbors. Folklore, as a field of study, further developed among 19th-century European scholars, who were contrasting tradition with the newly developing modernity . Its focus was the oral folklore of the rural peasant populations, which were considered as residues and survivals of

18492-603: Was later refuted by other authors (See: The Triumph of the Moon , by Ronald Hutton ). This contentious environment of thought contributed to the modern meaning of 'fairies'. One belief held that fairies were spirits of the dead. This derived from many factors common in various folklore and myths: same or similar tales of both ghosts and fairies; the Irish sídhe , origin of their term for fairies, were ancient burial mounds; deemed dangerous to eat food in Fairyland and Hades ;

18630-538: Was left alone in Scotland, though it prevented a road from being widened for seventy years. Other actions were believed to offend fairies. Brownies were known to be driven off by being given clothing, though some folktales recounted that they were offended by the inferior quality of the garments given, and others merely stated it, some even recounting that the brownie was delighted with the gift and left with it. Other brownies left households or farms because they heard

18768-513: Was the original folklore , the artifacts defined by William Thoms as older, oral cultural traditions of the rural populace. In his 1846 published call for help in documenting antiquities, Thoms was echoing scholars from across the European continent to collect artifacts of verbal lore. By the beginning of the 20th century, these collections had grown to include artifacts from around the world and across several centuries. A system to organize and categorize them became necessary. Antti Aarne published

18906-423: Was to provide an essential link between the energy of the sun and the plants of Earth, describing them as having no clean-cut shape ... small, hazy, and somewhat luminous clouds of colour with a brighter sparkish nucleus. "That growth of a plant which we regard as the customary and inevitable result of associating the three factors of sun, seed, and soil would never take place if the fairy builders were absent." For

19044-519: Was used to represent: an illusion or enchantment; the land of the Faes; collectively the inhabitants thereof; an individual such as a fairy knight. Faie became Modern English fay , while faierie became fairy , but this spelling almost exclusively refers to one individual (the same meaning as fay ). In the sense of 'land where fairies dwell', archaic spellings faery and faerie are still in use. Latinate fae , from which fairy derives,

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