A short film is a film with a low running time. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of not more than 40 minutes including all credits". Other film organizations may use different definitions, however; the Academy of Canadian Cinema and Television , for example, currently defines a short film as 45 minutes or less in the case of documentaries, and 59 minutes or less in the case of scripted narrative films.
98-404: A Reckless Romeo is a 1917 American short silent comedy film directed by and starring Roscoe 'Fatty' Arbuckle . A philandering husband's public flirtation with a beautiful girl—and the resulting brawl with the woman's boyfriend—are captured by a newsreel cameraman . When the husband takes his wife and her mother out to the movies, the footage is shown on-screen. The husband tries to flee
196-503: A TV special , a few films from the studio have added theatrical shorts as well. Warner Bros. often includes old shorts from its considerable library, connected only thematically, on the DVD releases of classic WB movies. From 2010–2012, Warner Bros. also released new Looney Tunes shorts before family films. Shorts International and Magnolia Pictures organize an annual release of Academy Award -nominated short films in theatres across
294-461: A serial or series (such as the Our Gang movies, or the many outings of Charlie Chaplin 's Little Tramp character). Animated cartoons came principally as short subjects. Virtually all major film production companies had units assigned to develop and produce shorts, and many companies, especially in the silent and very early sound era, produced mostly or only short subjects. In the 1930s,
392-445: A 16 fps projection of the same reel would take 16 minutes and 40 seconds, or 304 millimetres (12.0 in) per second. In the 1950s, many telecine conversions of silent films at grossly incorrect frame rates for broadcast television may have alienated viewers. Film speed is often a vexed issue among scholars and film buffs in the presentation of silents today, especially when it comes to DVD releases of restored films , such as
490-462: A 35 mm positive print. Short film In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35 mm reels or less, and featurettes for a film of three or four reels. " Short " was an abbreviation for either term. The increasingly rare industry term "short subject" carries more of an assumption that the film
588-413: A key professional in silent film and was often separate from the scenario writer who created the story. Inter-titles (or titles as they were generally called at the time) "often were graphic elements themselves, featuring illustrations or abstract decorations that commented on the action". Showings of silent films almost always featured live music starting with the first public projection of movies by
686-469: A low budget salute to sentimental silent comedies, particularly Charlie Chaplin 's The Kid . The German film Tuvalu (1999) is mostly silent; the small amount of dialog is an odd mix of European languages, increasing the film's universality. Guy Maddin won awards for his homage to Soviet-era silent films with his short The Heart of the World after which he made a feature-length silent, Brand Upon
784-645: A much longer time for color to be adopted by the industry and an effective process to be developed. Blue represented night scenes, yellow or amber meant day. Red represented fire and green represented a mysterious atmosphere. Similarly, toning of film (such as the common silent film generalization of sepia -toning) with special solutions replaced the silver particles in the film stock with salts or dyes of various colors. A combination of tinting and toning could be used as an effect that could be striking. Some films were hand-tinted, such as Annabelle Serpentine Dance (1894), from Edison Studios . In it, Annabelle Whitford ,
882-490: A platform to showcase talent to secure funding for future projects from private investors, a production company , or film studios . They can also be released with feature films, and can also be included as bonus features on some home video releases. All films in the beginning of cinema were very short , sometimes running only a minute or less. It was not until the 1910s when films started to get longer than about ten minutes. The first set of films were presented in 1894 and it
980-503: A race to design, implement, and market several rival sound-on-disc and sound-on-film sound formats, such as Photokinema (1921), Phonofilm (1923), Vitaphone (1926), Fox Movietone (1927) and RCA Photophone (1928). Warner Bros. was the first studio to accept sound as an element in film production and utilize the Vitaphone, a sound-on-disc technology, to do so. The studio then released The Jazz Singer in 1927, which marked
1078-440: A regular series in 1946 and lasted until 1956. By and large, however, the movies' one-reel subject of choice was the animated cartoon, produced by Walt Disney , Warner Bros. , MGM, Paramount , Walter Lantz , Columbia, and Terrytoons . One of the movies' oldest short-subject formats was the adventure serial , first established in 1912. A serial generally ran for 12 to 15 chapters, 15 to 20 minutes each. Every episode ended with
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#17327880130571176-404: A setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter- title cards . The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist , theater organist —or even, in larger cities, an orchestra —would play music to accompany
1274-453: A short along with each of its feature films during its initial theatrical run since 1995 (producing shorts permanently since 2001). Since Disney acquired Pixar in 2006, Disney has also produced animated shorts since 2007 with the Goofy short How to Hook Up Your Home Theater and produced a series of live-action ones featuring The Muppets for viewing on YouTube as viral videos to promote
1372-498: A special effect in many of his films. His 1915 epic The Birth of a Nation used a number of colors, including amber, blue, lavender, and a striking red tint for scenes such as the "burning of Atlanta" and the ride of the Ku Klux Klan at the climax of the picture. Griffith later invented a color system in which colored lights flashed on areas of the screen to achieve a color. With the development of sound-on-film technology and
1470-408: A wall or screen. After the advent of photography in the 19th century, still photographs were sometimes used. Narration of the showman was important in spectacular entertainment screenings and vital in the lecturing circuit. The principle of stroboscopic animation was well-known since the introduction of the phenakistiscope in 1833, a popular optical toy , but the development of cinematography
1568-494: A young dancer from Broadway, is dressed in white veils that appear to change colors as she dances. This technique was designed to capture the effect of the live performances of Loie Fuller , beginning in 1891, in which stage lights with colored gels turned her white flowing dresses and sleeves into artistic movement. Hand coloring was often used in the early "trick" and fantasy films of Europe, especially those by Georges Méliès . Méliès began hand-tinting his work as early as 1897 and
1666-405: Is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by one or more film grants, nonprofit organizations , sponsors , or personal funds. Short films are generally used for industry experience and as
1764-451: Is silent during its middle third, complete with intertitles; Stanley Tucci 's The Impostors has an opening silent sequence in the style of early silent comedies. Brazilian filmmaker Renato Falcão's Margarette's Feast (2003) is silent. Writer/director Michael Pleckaitis puts his own twist on the genre with Silent (2007). While not silent, the Mr. Bean television series and movies have used
1862-544: The benshi , a live narrator who provided commentary and character voices. The benshi became a central element in Japanese film, as well as providing translation for foreign (mostly American) movies. The popularity of the benshi was one reason why silent films persisted well into the 1930s in Japan. Conversely, as benshi -narrated films often lacked intertitles, modern-day audiences may sometimes find it difficult to follow
1960-438: The "talkies", "sound films", or "talking pictures" . The idea of combining motion pictures with recorded sound is older than film (it was suggested almost immediately after Edison introduced the phonograph in 1877), and some early experiments had the projectionist manually adjusting the frame rate to fit the sound, but because of the technical challenges involved, the introduction of synchronized dialogue became practical only in
2058-401: The 2011 movie of the same name . In 2009 the horror short film, No Through Road, that would go viral was released, creating analog horror. The short film would spark 3 sequels, creating No Through Road (web series) DreamWorks Animation often produces a short sequel to include in the special edition video releases of major features, and are typical of a sufficient length to be broadcast as
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#17327880130572156-421: The audience could better understand what an actor was feeling and portraying on screen. Much silent film acting is apt to strike modern-day audiences as simplistic or campy . The melodramatic acting style was in some cases a habit actors transferred from their former stage experience. Vaudeville was an especially popular origin for many American silent film actors. The pervading presence of stage actors in film
2254-556: The nitrate filmstock used in that era was extremely unstable and flammable. Additionally, many films were deliberately destroyed, because they had negligible remaining immediate financial value in that era. It has often been claimed that around 75 percent of silent films produced in the US have been lost, though these estimates are inaccurate due to a lack of numerical data. Film projection mostly evolved from magic lantern shows, in which images from handpainted glass slides were projected onto
2352-526: The 1899 Cendrillion (Cinderella) and 1900 Jeanne d'Arc (Joan of Arc) provide early examples of hand-tinted films in which the color was a critical part of the scenography or mise-en-scène ; such precise tinting used the workshop of Elisabeth Thuillier in Paris, with teams of female artists adding layers of color to each frame by hand rather than using a more common (and less expensive) process of stenciling. A newly restored version of Méliès' A Trip to
2450-507: The 1960s before exiting the short film business in 1969 (by which point the shorts had been in televised reruns for years ). MGM continued Tom and Jerry (first with a series of poorly-received Eastern European shorts by Gene Deitch , then a better-received run by Warner Bros. alumnus Chuck Jones ) until 1967, and Woody Woodpecker lasted to 1972; the creative team behind MGM's 1940s and 1950s cartoons formed Hanna-Barbera Productions in 1957, mainly focusing on television. The Pink Panther
2548-519: The Brain! (2006), incorporating live Foley artists , narration and orchestra at select showings. Shadow of the Vampire (2000) is a highly fictionalized depiction of the filming of Friedrich Wilhelm Murnau 's classic silent vampire movie Nosferatu (1922). Werner Herzog honored the same film in his own version, Nosferatu: Phantom der Nacht (1979). Some films draw a direct contrast between
2646-646: The Devil (1927). Israel has worked mainly in silent comedy, scoring the films of Harold Lloyd , Buster Keaton , Charley Chase , and others. Timothy Brock has restored many of Charlie Chaplin 's scores, in addition to composing new scores. Contemporary music ensembles are helping to introduce classic silent films to a wider audience through a broad range of musical styles and approaches. Some performers create new compositions using traditional musical instruments, while others add electronic sounds, modern harmonies, rhythms, improvisation, and sound design elements to enhance
2744-635: The Lumière brothers on December 28, 1895, in Paris. This was furthered in 1896 by the first motion-picture exhibition in the United States at Koster and Bial's Music Hall in New York City. At this event, Edison set the precedent that all exhibitions should be accompanied by an orchestra. From the beginning, music was recognized as essential, contributing atmosphere, and giving the audience vital emotional cues. Musicians sometimes played on film sets during shooting for similar reasons. However, depending on
2842-540: The Moon , originally released in 1902, shows an exuberant use of color designed to add texture and interest to the image. Comments by an American distributor in a 1908 film-supply catalog further underscore France's continuing dominance in the field of hand-coloring films during the early silent era. The distributor offers for sale at varying prices "High-Class" motion pictures by Pathé , Urban-Eclipse , Gaumont , Kalem , Itala Film , Ambrosio Film , and Selig . Several of
2940-515: The Sahara desert and a British cricket pitch. War scenes were shot on the plains of Grasmere, Staten Island . The Perils of Pauline and its even more popular sequel The Exploits of Elaine were filmed largely on the island. So was the 1906 blockbuster Life of a Cowboy , by Edwin S. Porter Company , and filming moved to the West Coast around 1912. The following are American films from
3038-492: The US, UK, Canada and Mexico throughout February and March. Shorts are occasionally broadcast as filler when a feature film or other work does not fit the standard broadcast schedule. ShortsTV was the first television channel dedicated to short films. However, short films generally rely on film festival exhibition to reach an audience. Such movies can also be distributed via the Internet . Certain websites which encourage
A Reckless Romeo - Misplaced Pages Continue
3136-455: The United States. In view of the enormous amount of labor involved which calls for individual hand painting of every one of sixteen pictures to the foot or 16,000 separate pictures for each 1,000 feet of film very few American colorists will undertake the work at any price. As film coloring has progressed much more rapidly in France than in any other country, all of our coloring is done for us by
3234-547: The action—particularly for comedies and action films. Slow projection of a cellulose nitrate base film carried a risk of fire, as each frame was exposed for a longer time to the intense heat of the projection lamp; but there were other reasons to project a film at a greater pace. Often projectionists received general instructions from the distributors on the musical director's cue sheet as to how fast particular reels or scenes should be projected. In rare instances, usually for larger productions, cue sheets produced specifically for
3332-687: The actual song being performed. Films in this category include Griffith's Lady of the Pavements with Lupe Vélez , Edwin Carewe 's Evangeline with Dolores del Río , and Rupert Julian 's The Phantom of the Opera with Mary Philbin and Virginia Pearson . The Silent Film Sound and Music Archive digitizes music and cue sheets written for silent films and makes them available for use by performers, scholars, and enthusiasts. Silent-film actors emphasized body language and facial expression so that
3430-412: The adoption of sound-on-film technology. Traditional film colorization, all of which involved the use of dyes in some form, interfered with the high resolution required for built-in recorded sound, and were therefore abandoned. The innovative three-strip technicolor process introduced in the mid-1930s was costly and fraught with limitations, and color would not have the same prevalence in film as it did in
3528-562: The beginning of film and 1928. The following list includes only films produced in the sound era with the specific artistic intention of being silent. Several filmmakers have paid homage to the comedies of the silent era, including Charlie Chaplin , with Modern Times (1936), Orson Welles with Too Much Johnson (1938), Jacques Tati with Les Vacances de Monsieur Hulot (1953), Pierre Etaix with The Suitor (1962), and Mel Brooks with Silent Movie (1976). Taiwanese director Hou Hsiao-hsien 's acclaimed drama Three Times (2005)
3626-458: The best coloring establishment in Paris and we have found that we obtain better quality, cheaper prices and quicker deliveries, even in coloring American made films, than if the work were done elsewhere. By the beginning of the 1910s, with the onset of feature-length films, tinting was used as another mood setter, just as commonplace as music. The director D. W. Griffith displayed a constant interest and concern about color, and used tinting as
3724-476: The biggest-budgeted films to arrive at the exhibiting theater with original, specially composed scores. However, the first designated full-blown scores had in fact been composed in 1908, by Camille Saint-Saëns for The Assassination of the Duke of Guise , and by Mikhail Ippolitov-Ivanov for Stenka Razin . When organists or pianists used sheet music, they still might add improvisational flourishes to heighten
3822-461: The case of the 2002 restoration of Metropolis . With the lack of natural color processing available, films of the silent era were frequently dipped in dyestuffs and dyed various shades and hues to signal a mood or represent a time of day. Hand tinting dates back to 1895 in the United States with Edison's release of selected hand-tinted prints of Butterfly Dance . Additionally, experiments in color film started as early as in 1909, although it took
3920-498: The crucial differences between stage and screen acting. Directors such as Albert Capellani and Maurice Tourneur began to insist on naturalism in their films. By the mid-1920s many American silent films had adopted a more naturalistic acting style, though not all actors and directors accepted naturalistic, low-key acting straight away; as late as 1927, films featuring expressionistic acting styles, such as Metropolis , were still being released. Greta Garbo , whose first American film
4018-459: The development of motion picture cameras, projectors and transparent celluloid film. Although Thomas Edison was keen to develop a film system that would be synchronised with his phonograph , he eventually introduced the kinetoscope as a silent motion picture viewer in 1893 and later "kinetophone" versions remained unsuccessful. The art of motion pictures grew into full maturity in the "silent era" ( 1894 in film – 1929 in film ). The height of
A Reckless Romeo - Misplaced Pages Continue
4116-465: The distribution system changed in many countries, owing to the Great Depression . Instead of the cinema owner assembling a program of their own choice, the studios sold a package centered on a main and supporting feature, a cartoon and little else. With the rise of the double feature , two- reel shorts went into decline as a commercial category. The year 1938 proved to be a turning point in
4214-401: The drama on screen. Even when special effects were not indicated in the score, if an organist was playing a theater organ capable of an unusual sound effect such as "galloping horses", it would be used during scenes of dramatic horseback chases. At the height of the silent era, movies were the single largest source of employment for instrumental musicians, at least in the United States. However,
4312-555: The famous " Mighty Wurlitzer " could simulate some orchestral sounds along with a number of percussion effects such as bass drums and cymbals, and sound effects ranging from "train and boat whistles [to] car horns and bird whistles; ... some could even simulate pistol shots, ringing phones, the sound of surf, horses' hooves, smashing pottery, [and] thunder and rain". Musical scores for early silent films were either improvised or compiled of classical or theatrical repertory music. Once full features became commonplace, however, music
4410-406: The feature-film field. With these major comedy producers out of the running, Columbia Pictures actually expanded its own operations and launched a second two-reel-comedy unit in 1938. Columbia and RKO Radio Pictures kept making two-reel comedies into the 1950s. Theater managers found it easier and more convenient to fit shorter, one-reel (10-minute) subjects into their double-feature programs. In
4508-407: The films. Pianists and organists would play either from sheet music , or improvisation . Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema prior to
4606-481: The first film serial , The Million Dollar Mystery , released in 1914. The first westerns were filmed at Fred Scott 's Movie Ranch in South Beach, Staten Island. Actors costumed as cowboys and Native Americans galloped across Scott's movie ranch set, which had a frontier main street, a wide selection of stagecoaches and a 56-foot stockade. The island provided a serviceable stand-in for locations as varied as
4704-411: The first commercially successful sound film , but silent films were still the majority of features released in both 1927 and 1928, along with so-called goat-glanded films: silents with a subsection of sound film inserted. Thus the modern sound film era may be regarded as coming to dominance beginning in 1929. For a listing of notable silent era films, see List of years in film for the years between
4802-648: The formation of the Motion Picture Patents Company in an attempt to control the industry and shut out smaller producers. The "Edison Trust", as it was nicknamed, was made up of Edison , Biograph , Essanay Studios , Kalem Company , George Kleine Productions , Lubin Studios , Georges Méliès , Pathé , Selig Studios , and Vitagraph Studios , and dominated distribution through the General Film Company . This company dominated
4900-519: The hero or heroine trapped in a life-threatening situation; audiences would have to return the following week to see the outcome. These "chapter plays" remained popular through the 1950s, although both Columbia and Republic Pictures were now making them as cheaply as possible, reusing action highlights from older serials and connecting them with a few new scenes showing identically dressed actors. Even after Republic quit making serials in 1955 and Columbia stopped in 1956, faithful audiences supported them and
4998-400: The history of film comedies. Hal Roach , for example, had discontinued all short-subject production except Our Gang , which he finally sold to Metro-Goldwyn-Mayer in 1938. The Vitaphone studio, owned by Warner Bros. , discontinued its own line of two-reel comedies in 1938; Educational Pictures did as much that same year, owing to its president Earle W. Hammons unsuccessfully entering
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#17327880130575096-465: The image to flicker , and images with low rates of flicker are very unpleasant to watch. Early studies by Thomas Edison for his Kinetoscope machine determined that any rate below 46 images per second "will strain the eye". and this holds true for projected images under normal cinema conditions also. The solution adopted for the Kinetoscope was to run the film at over 40 frames/sec, but this
5194-715: The industry as both a vertical and horizontal monopoly and is a contributing factor in studios' migration to the West Coast. The Motion Picture Patents Co. and the General Film Co. were found guilty of antitrust violation in October 1915, and were dissolved. The Thanhouser film studio was founded in New Rochelle, New York , in 1909 by American theatrical impresario Edwin Thanhouser . The company produced and released 1,086 films between 1910 and 1917, including
5292-860: The industry's acceptance of it, tinting was abandoned altogether, because the dyes used in the tinting process interfered with the soundtracks present on film strips. The early studios were located in the New York City area . Edison Studios were first in West Orange, New Jersey (1892), they were moved to the Bronx, New York (1907). Fox (1909) and Biograph (1906) started in Manhattan , with studios in St George, Staten Island . Other films were shot in Fort Lee, New Jersey . In December 1908, Edison led
5390-532: The introduction of sound with its 24 frame/sec standard speed 2-bladed shutters have become the norm for 35 mm cinema projectors, though three-bladed shutters have remained standard on 16 mm and 8 mm projectors, which are frequently used to project amateur footage shot at 16 or 18 frames/sec. A 35 mm film frame rate of 24 fps translates to a film speed of 456 millimetres (18.0 in) per second. One 1,000-foot (300 m) reel requires 11 minutes and 7 seconds to be projected at 24 fps, while
5488-412: The introduction of talkies, coupled with the roughly simultaneous onset of the Great Depression , was devastating to many musicians. A number of countries devised other ways of bringing sound to silent films. The early cinema of Brazil , for example, featured fitas cantatas (singing films), filmed operettas with singers performing behind the screen. In Japan , films had not only live music but also
5586-421: The invention of synchronized sound, but it also applies to such sound-era films as City Lights , Modern Times and Silent Movie which are accompanied by a music-only soundtrack in place of dialogue. The term silent film is a retronym —a term created to retroactively distinguish something from later developments. Early sound films, starting with The Jazz Singer in 1927, were variously referred to as
5684-568: The late 1920s with the perfection of the Audion amplifier tube and the advent of the Vitaphone system. Within a decade, the widespread production of silent films for popular entertainment had ceased, and the industry had moved fully into the sound era , in which movies were accompanied by synchronized sound recordings of spoken dialogue, music and sound effects . Most early motion pictures are considered lost owing to their physical decay, as
5782-448: The live-action field, humorist Robert Benchley had been making short comedies since the dawn of sound; his various series for Fox, Vitaphone, MGM, and Paramount ran from 1928 to 1944. MGM's Pete Smith Specialties had been a standard "added attraction" in moviehouse programming since 1935 and lasted through 1955. RKO's Flicker Flashbacks revivals of silent films ran from 1943 to 1956, and Warner Bros. ' Joe McDoakes comedies became
5880-426: The longer, more prestigious films in the catalog are offered in both standard black-and-white "plain stock" as well as in "hand-painted" color. A plain-stock copy, for example, of the 1907 release Ben Hur is offered for $ 120 ($ 4,069 USD today), while a colored version of the same 1000-foot, 15-minute film costs $ 270 ($ 9,156) including the extra $ 150 coloring charge, which amounted to 15 cents more per foot. Although
5978-401: The mid-1910s, as the differences between stage and screen became apparent. Due to the work of directors such as D. W. Griffith , cinematography became less stage-like, and the development of the close up allowed for understated and realistic acting. Lillian Gish has been called film's "first true actress" for her work in the period, as she pioneered new film performing techniques, recognizing
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#17327880130576076-520: The new "talkies" around the mid-1930s. The visual quality of silent movies—especially those produced in the 1920s—was often high, but there remains a widely held misconception that these films were primitive, or are barely watchable by modern standards. This misconception comes from the general public's unfamiliarity with the medium, as well as from carelessness on the part of the industry. Most silent films are poorly preserved, leading to their deterioration, and well-preserved films are often played back at
6174-577: The oldest film festivals dedicated to short films are Clermont-Ferrand International Short Film Festival , France (since 1979), Tampere Film Festival , Finland (since 1969) and International Short Film Festival Oberhausen , Germany (since 1954). All of them are still considered the most important short film festival in the world to date. Silent film A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue ). Though silent films convey narrative and emotion visually, various plot elements (such as
6272-450: The plots without specialised subtitling or additional commentary. Few film scores survived intact from the silent period, and musicologists are still confronted by questions when they attempt to precisely reconstruct those that remain. Scores used in current reissues or screenings of silent films may be complete reconstructions of compositions, newly composed for the occasion, assembled from already existing music libraries, or improvised on
6370-438: The projectionist provided a detailed guide to presenting the film. Theaters also—to maximize profit—sometimes varied projection speeds depending on the time of day or popularity of a film, or to fit a film into a prescribed time slot. All motion-picture film projectors require a moving shutter to block the light whilst the film is moving, otherwise the image is smeared in the direction of the movement. However this shutter causes
6468-424: The reasons for the cited extra charge were likely obvious to customers, the distributor explains why his catalog's colored films command such significantly higher prices and require more time for delivery. His explanation also provides insight into the general state of film-coloring services in the United States by 1908: The coloring of moving picture films is a line of work which cannot be satisfactorily performed in
6566-491: The release of D. W. Griffith 's epic The Birth of a Nation (1915). In 1999, the Finnish filmmaker Aki Kaurismäki produced Juha in black and white, which captures the style of a silent film, using intertitles in place of spoken dialogue. Special release prints with titles in several different languages were produced for international distribution. In India, the film Pushpak (1988), starring Kamal Haasan ,
6664-440: The silent era (from the early 1910s in film to the late 1920s) was a particularly fruitful period, full of artistic innovation. The film movements of Classical Hollywood as well as French Impressionism , German Expressionism , and Soviet Montage began in this period. Silent filmmakers pioneered the art form to the extent that virtually every style and genre of film-making of the 20th and 21st centuries has its artistic roots in
6762-470: The silent era. The silent era was also a pioneering one from a technical point of view. Three-point lighting, the close-up , long shot , panning , and continuity editing all became prevalent long before silent films were replaced by " talking pictures " or "talkies" in the late 1920s. Some scholars claim that the artistic quality of cinema decreased for several years, during the early 1930s, until film directors , actors, and production staff adapted fully to
6860-524: The silent film era and the era of talkies. Sunset Boulevard shows the disconnect between the two eras in the character of Norma Desmond , played by silent film star Gloria Swanson , and Singin' in the Rain deals with Hollywood artists adjusting to the talkies. Peter Bogdanovich 's 1976 film Nickelodeon deals with the turmoil of silent filmmaking in Hollywood during the early 1910s, leading up to
6958-483: The silent film era that had earned the highest gross income as of 1932. The amounts given are gross rentals (the distributor's share of the box-office) as opposed to exhibition gross. Although attempts to create sync-sound motion pictures go back to the Edison lab in 1896, only from the early 1920s were the basic technologies such as vacuum tube amplifiers and high-quality loudspeakers available. The next few years saw
7056-427: The silents for nearly four decades. As motion pictures gradually increased in running time, a replacement was needed for the in-house interpreter who would explain parts of the film to the audience. Because silent films had no synchronized sound for dialogue, onscreen inter-titles were used to narrate story points, present key dialogue and sometimes even comment on the action for the audience. The title writer became
7154-438: The size of the exhibition site, musical accompaniment could drastically change in scale. Small-town and neighborhood movie theatres usually had a pianist . Beginning in the mid-1910s, large city theaters tended to have organists or ensembles of musicians. Massive theatre organs , which were designed to fill a gap between a simple piano soloist and a larger orchestra, had a wide range of special effects. Theatrical organs such as
7252-438: The spot in the manner of the silent-era theater musician. Interest in the scoring of silent films fell somewhat out of fashion during the 1960s and 1970s. There was a belief in many college film programs and repertory cinemas that audiences should experience silent film as a pure visual medium, undistracted by music. This belief may have been encouraged by the poor quality of the music tracks found on many silent film reprints of
7350-467: The standardization of the projection speed of 24 frames per second (fps) for sound films between 1926 and 1930, silent films were shot at variable speeds (or " frame rates ") anywhere from 12 to 40 fps, depending on the year and studio. "Standard silent film speed" is often said to be 16 fps as a result of the Lumière brothers' Cinématographe , but industry practice varied considerably; there
7448-421: The studios re-released older serials through the mid-1960s. The 1964 revival of Columbia's Batman serial resulted in a media frenzy, spurring a new Batman TV series and a wave of Batman merchandise. With the rise of television , the commercial live-action short was virtually dead; most studios canceled their live-action series in 1956. Only The Three Stooges continued making two-reel comedies; their last
7546-908: The submission of user-created short films, such as YouTube and Vimeo , have attracted large communities of artists and viewers. Sites like Omeleto, FILMSshort, Short of the Week, Short Films Matter, Short Central and some apps showcase curated shorts. Short films are a typical first stage for new filmmakers, but professional actors and crews often still choose to create short films as an alternative form of expression. Amateur filmmaking has grown in popularity as equipment has become more accessible. The lower production costs of short films often mean that short films can cover alternative subject matter as compared to higher budget feature films. Similarly, unconventional filmmaking techniques such as Pixilation or narratives that are told without dialogue, are more often seen in short films than features. Tropfest claims to be
7644-591: The theater, only to be spotted and leaped upon by the woman's boyfriend, treating viewers to two simultaneous fights between the same two men, both on-screen and in the aisle. The film was released by the Comique Film Corporation when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey , at the beginning of the 20th century. Some shots were done at Palisades Amusement Park . The film
7742-489: The time. Since around 1980, there has been a revival of interest in presenting silent films with quality musical scores (either reworkings of period scores or cue sheets, or the composition of appropriate original scores). An early effort of this kind was Kevin Brownlow 's 1980 restoration of Abel Gance 's Napoléon (1927), featuring a score by Carl Davis . A slightly re-edited and sped-up version of Brownlow's restoration
7840-562: The title character's non-talkative nature to create a similar style of humor. A lesser-known example is Jérôme Savary 's La fille du garde-barrière (1975), an homage to silent-era films that uses intertitles and blends comedy, drama, and explicit sex scenes (which led to it being refused a cinema certificate by the British Board of Film Classification ). In 1990, Charles Lane directed and starred in Sidewalk Stories ,
7938-629: The traditional approach include organists such as Dennis James and pianists such as Neil Brand , Günter Buchwald, Philip C. Carli, Ben Model , and William P. Perry . Other contemporary pianists, such as Stephen Horne and Gabriel Thibaudeau, have often taken a more modern approach to scoring. Orchestral conductors such as Carl Davis and Robert Israel have written and compiled scores for numerous silent films; many of these have been featured in showings on Turner Classic Movies or have been released on DVD. Davis has composed new scores for classic silent dramas such as The Big Parade (1925) and Flesh and
8036-475: The viewing experience. Among the contemporary ensembles in this category are Un Drame Musical Instantané , Alloy Orchestra , Club Foot Orchestra , Silent Orchestra , Mont Alto Motion Picture Orchestra, Minima and the Caspervek Trio, RPM Orchestra . Donald Sosin and his wife Joanna Seaton specialize in adding vocals to silent films, particularly where there is onscreen singing that benefits from hearing
8134-468: The world's largest short film festival. Tropfest now takes place in Australia (its birthplace), Arabia, the US and elsewhere. Originating in 1993, Tropfest is often credited as being at least partially responsible for the recent popularity of short films internationally. Also Couch Fest Films , part of Shnit Worldwide Filmfestival, claimed to be the world's largest single-day short film festival. Among
8232-409: The wrong speed or suffer from censorship cuts and missing frames and scenes, giving the appearance of poor editing. Many silent films exist only in second- or third-generation copies, often made from already damaged and neglected film stock. Many early screening were plagued by flicker on the screen, when the stroboscopic interruptions between frames lay below the critical flicker frequency . This
8330-688: Was a black comedy entirely devoid of dialog. The Australian film Doctor Plonk (2007), was a silent comedy directed by Rolf de Heer . Stage plays have drawn upon silent film styles and sources. Actor/writers Billy Van Zandt and Jane Milmore staged their Off-Broadway slapstick comedy Silent Laughter as a live action tribute to the silent screen era. Geoff Sobelle and Trey Lyford created and starred in All Wear Bowlers (2004), which started as an homage to Laurel and Hardy then evolved to incorporate life-sized silent film sequences of Sobelle and Lyford who jump back and forth between live action and
8428-415: Was compiled from photoplay music by the pianist, organist, orchestra conductor or the movie studio itself, which included a cue sheet with the film. These sheets were often lengthy, with detailed notes about effects and moods to watch for. Starting with the mostly original score composed by Joseph Carl Breil for D. W. Griffith 's epic The Birth of a Nation (1915), it became relatively common for
8526-478: Was controversial, the door had been opened for a new approach to the presentation of classic silent films. Today, a large number of soloists, music ensembles, and orchestras perform traditional and contemporary scores for silent films internationally. The legendary theater organist Gaylord Carter continued to perform and record his original silent film scores until shortly before his death in 2000; some of those scores are available on DVD reissues. Other purveyors of
8624-451: Was expensive for film. However, by using projectors with dual- and triple-blade shutters the flicker rate is multiplied two or three times higher than the number of film frames — each frame being flashed two or three times on screen. A three-blade shutter projecting a 16 fps film will slightly surpass Edison's figure, giving the audience 48 images per second. During the silent era projectors were commonly fitted with 3-bladed shutters. Since
8722-410: Was hampered by long exposure times for photographic emulsions , until Eadweard Muybridge managed to record a chronophotographic sequence in 1878. After others had animated his pictures in zoetropes , Muybridge started lecturing with his own zoopraxiscope animation projector in 1880. The work of other pioneering chronophotographers, including Étienne-Jules Marey and Ottomar Anschütz , furthered
8820-403: Was later distributed in the United States by Francis Ford Coppola , with a live orchestral score composed by his father Carmine Coppola . In 1984, an edited restoration of Metropolis (1927) was released with a new rock music score by producer-composer Giorgio Moroder . Although the contemporary score, which included pop songs by Freddie Mercury , Pat Benatar , and Jon Anderson of Yes ,
8918-514: Was no actual standard. William Kennedy Laury Dickson , an Edison employee, settled on the astonishingly fast 40 frames per second. Additionally, cameramen of the era insisted that their cranking technique was exactly 16 fps, but modern examination of the films shows this to be in error, and that they often cranked faster. Unless carefully shown at their intended speeds silent films can appear unnaturally fast or slow. However, some scenes were intentionally undercranked during shooting to accelerate
9016-612: Was originally produced in New Jersey as one of Arbuckle's last Keystone pictures. Filmed between July and September 1916 and later sold to Paramount, it was released as a Comique film on May 21, 1917, after The Butcher Boy and before The Rough House . Thought to have been lost , a print was discovered in 1998 in the Norwegian Film Archive in an unmarked canister with another lost Arbuckle short, The Cook (1918). The film archive at George Eastman House has
9114-686: Was released in 1926, would become known for her naturalistic acting. According to Anton Kaes, a silent film scholar from the University of California, Berkeley, American silent cinema began to see a shift in acting techniques between 1913 and 1921, influenced by techniques found in German silent film. This is mainly attributed to the influx of emigrants from the Weimar Republic , "including film directors, producers, cameramen, lighting and stage technicians, as well as actors and actresses". Until
9212-432: Was released in 1959. Short films had become a medium for student, independent, and specialty work. Cartoon shorts had a longer life, due in part to the implementation of lower-cost limited animation techniques and the rise of television animation , which allowed shorts to have both theatrical runs and a syndication afterlife. Warner Bros. , one of the most prolific of the golden era, underwent several reorganizations in
9310-575: Was solved with the introduction of a three-bladed shutter (since 1902), causing two more interruptions per frame. Another widely held misconception is that silent films lacked color. In fact, color was far more prevalent in silent films than in the first few decades of sound films. By the early 1920s, 80 percent of movies could be seen in some sort of color, usually in the form of film tinting or toning or even hand coloring, but also with fairly natural two-color processes such as Kinemacolor and Technicolor . Traditional colorization processes ceased with
9408-454: Was the cause of this outburst from director Marshall Neilan in 1917: "The sooner the stage people who have come into pictures get out, the better for the pictures." In other cases, directors such as John Griffith Wray required their actors to deliver larger-than-life expressions for emphasis. As early as 1914, American viewers had begun to make known their preference for greater naturalness on screen. Silent films became less vaudevillian in
9506-426: Was the last regular theatrical cartoon short series, having begun in 1964 (and thus having spent its entire existence in the limited animation era) and ended in 1980. By the 1960s, the market for animated shorts had largely shifted to television, with existing theatrical shorts being syndicated to television. A few animated shorts continue within the mainstream commercial distribution. For instance, Pixar has screened
9604-512: Was through Thomas Edison 's device called a kinetoscope . It was made for individual viewing only. Comedy short films were produced in large numbers compared to lengthy features such as D. W. Griffith 's 1915 The Birth of a Nation . By the 1920s, a ticket purchased a varied program including a feature and several supporting works from categories such as second feature , short comedy, 4–10 minute cartoon, travelogue , and newsreel. Short comedies were especially common, and typically came in
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