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61-617: The Red Crown in Egyptian language hieroglyphs eventually was used as the vertical letter "n". The original "n" hieroglyph from the Predynastic Period and the Old Kingdom was the sign depicting ripples of water. The word Deshret also referred to the desert Red Land on either side of Kemet (Black Land), the fertile Nile river basin. In mythology, the earth deity Geb , original ruler of Egypt, invested Horus with

122-773: A literary language , and was also the language of the New Kingdom administration. Texts written wholly in Late Egyptian date to the Twentieth Dynasty of Egypt and later. Late Egyptian is represented by a large body of religious and secular literature , comprising such examples as the Story of Wenamun , the love poems of the Chester–Beatty I papyrus, and the Instruction of Any . Instructions became

183-576: A synthetic language , Egyptian by the Late Egyptian phase had become an analytic language . The relationship between Middle Egyptian and Late Egyptian has been described as being similar to that between Latin and Italian. The Late Egyptian stage is taken to have ended around the 8th century BC, giving rise to Demotic. Demotic is a later development of the Egyptian language written in the Demotic script , following Late Egyptian and preceding Coptic ,

244-558: A few have survived that were written in hieratic and (later) demotic. There was also a form of cursive hieroglyphs , used for religious documents on papyrus, such as the Book of the Dead of the Twentieth Dynasty ; it was simpler to write than the hieroglyphs in stone inscriptions, but it was not as cursive as hieratic and lacked the wide use of ligatures . Additionally, there was a variety of stone-cut hieratic, known as "lapidary hieratic". In

305-495: A few specialists in the language. For all other purposes, the Egyptological pronunciation is used, but it often bears little resemblance to what is known of how Egyptian was pronounced. The following consonants are reconstructed for Archaic (before 2600 BC) and Old Egyptian (2686–2181 BC), with IPA equivalents in square brackets if they differ from the usual transcription scheme: / l / has no independent representation in

366-442: A popular literary genre of the New Kingdom, which took the form of advice on proper behavior. Late Egyptian was also the language of New Kingdom administration. Late Egyptian is not completely distinct from Middle Egyptian, as many "classicisms" appear in historical and literary documents of this phase. However, the difference between Middle and Late Egyptian is greater than the difference between Middle and Old Egyptian. Originally

427-444: A scribe jokes that his colleague's writing is incoherent like "the speech of a Delta man with a man of Elephantine ." Recently, some evidence of internal dialects has been found in pairs of similar words in Egyptian that, based on similarities with later dialects of Coptic, may be derived from northern and southern dialects of Egyptian. Written Coptic has five major dialects, which differ mainly in graphic conventions, most notably

488-503: A stressed vowel (⟨ bjn ⟩ = */ˈbaːjin/ 'bad') and as ⟨ jj ⟩ word-medially immediately before a stressed vowel ( ⟨ḫꜥjjk⟩ = */χaʕˈjak/ 'you will appear') and are unmarked word-finally (⟨ jt ⟩ = /ˈjaːtVj/ 'father'). In Middle Egyptian (2055–1650 BC), a number of consonantal shifts take place. By the beginning of the Middle Kingdom period, / z / and / s / had merged, and

549-510: A stressed vowel in syllables that had been closed in earlier Egyptian (compare ⲛⲟⲩⲃ < */ˈnaːbaw/ 'gold' and ⲧⲁⲡ < * /dib/ 'horn'). The phonemes /d g z/ occur only in Greek loanwords, with rare exceptions triggered by a nearby /n/ : ⲁⲛⲍⲏⲃⲉ/ⲁⲛⲥⲏⲃⲉ < ꜥ.t n.t sbꜣ.w 'school'. Earlier *d ḏ g q are preserved as ejective t' c' k' k ' before vowels in Coptic. Although

610-644: A transliteration of the corresponding Demotic "alphabetical" sign(s) in angle brackets ⟨ ⟩ . More changes occur in the 1st millennium BC and the first centuries AD, leading to Coptic (1st or 3rd – c. 19th centuries AD). In Sahidic ẖ ḫ ḥ had merged into ϣ š (most often from ḫ ) and ϩ / h / (most often ẖ ḥ ). Bohairic and Akhmimic are more conservative and have a velar fricative / x / ( ϧ in Bohairic, ⳉ in Akhmimic). Pharyngeal *ꜥ had merged into glottal / ʔ / after it had affected

671-465: A uniliteral hieroglyph. Egyptian scholar Gamal Mokhtar noted that the inventory of hieroglyphic symbols derived from "fauna and flora used in the signs [which] are essentially African", reflecting the local wildlife of North Africa, the Levant and southern Mediterranean. In "regards to writing, we have seen that a purely Nilotic, hence [North] African origin not only is not excluded, but probably reflects

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732-400: Is a transition from one topic or section to the next. The term is derived from Italian segue , which literally means "follows". In music , segue is a direction to the performer. It means continue (the next section) without a pause . The term attacca is used synonymously. For written music, it implies a transition from one section to the next without any break. In improvisation , it

793-474: Is dated from the oldest known complete sentence, including a finite verb , which has been found. Discovered in the tomb of Seth-Peribsen (dated c.  2690 BC ), the seal impression reads: Extensive texts appear from about 2600 BC. An early example is the Diary of Merer . The Pyramid Texts are the largest body of literature written in this phase of the language. One of its distinguishing characteristics

854-487: Is it used as a non-preposition. It averages once per line usage in the 36 line Decree of Memphis (Ptolemy V) -(Rosetta Stone). Egyptian language The Egyptian language , or Ancient Egyptian ( r n kmt ; "speech of Egypt") is an extinct branch of the Afro-Asiatic languages that was spoken in ancient Egypt . It is known today from a large corpus of surviving texts, which were made accessible to

915-452: Is not a contrastive feature; all obstruents are voiceless and all sonorants are voiced. Stops may be either aspirated or tenuis (unaspirated), although there is evidence that aspirates merged with their tenuis counterparts in certain environments. The following table presents the consonants of Demotic Egyptian. The reconstructed value of a phoneme is given in IPA transcription, followed by

976-506: Is often used for transitions created as a part of the performance, leading from one section to another. In recorded music, a segue sometimes means a seamless change between one song and another, sometimes achieved through beatmatching , especially on dance and disco recordings. However, as noted by composer John Williams in the liner notes for his Star Wars soundtrack album , a series of musical ideas can be juxtaposed with no transitions whatsoever. Arrangements that involve or create

1037-399: Is sometimes reserved for the earliest use of hieroglyphs, from the late fourth through the early third millennia BC. At the earliest stage, around 3300 BC, hieroglyphs were not a fully developed writing system , being at a transitional stage of proto-writing ; over the time leading up to the 27th century BC, grammatical features such as nisba formation can be seen to occur. Old Egyptian

1098-424: Is the best-documented variety of the language, and has attracted the most attention by far from Egyptology . While most Middle Egyptian is seen written on monuments by hieroglyphs, it was also written using a cursive variant , and the related hieratic . Middle Egyptian first became available to modern scholarship with the decipherment of hieroglyphs in the early 19th century. The first grammar of Middle Egyptian

1159-631: Is the depiction of the victorious pharaoh wearing the deshret on the Narmer Palette . A label from the reign of Djer records a royal visit to the shrine of the Deshret which may have been located at Buto in the Nile delta. The fact that no crown has ever been found buried with any of the pharaohs, even in relatively intact tombs, might suggest that it was passed from one reign to the next, much as in present-day monarchies. Toby Wilkinson has cited

1220-406: Is the tripling of ideograms , phonograms, and determinatives to indicate the plural. Overall, it does not differ significantly from Middle Egyptian, the classical stage of the language, though it is based on a different dialect. In the period of the 3rd dynasty ( c.  2650  – c.  2575 BC ), many of the principles of hieroglyphic writing were regularized. From that time on, until

1281-459: Is very commonly used in live performances, creating sets that usually last around 20 minutes but can sometimes take more than an hour, switching seamlessly between different songs. The larger rhythm groups of bands, with up to ten percussionists in Samba for example, facilitate the switching of one song to another, as the percussionists keep the rhythm or beat going while the pitch instruments prepare

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1342-594: The "Red Crown of the Delta" , the Delta being Lower Egypt . The first usage of the Red Crown was in iconography as the symbol for Lower Egypt with the Nile Delta , horizontal letter 'n', Gardiner no. 35, Later it came to be used in the Egyptian language as an alphabetic uniliteral , vertical form for letter "n" as a phoneme or preposition . It became functional in running hieroglyphic texts, where either

1403-565: The Coptic Catholic Church . Most hieroglyphic Egyptian texts are written in a literary prestige register rather than the vernacular speech variety of their author. As a result, dialectical differences are not apparent in written Egyptian until the adoption of the Coptic alphabet . Nevertheless, it is clear that these differences existed before the Coptic period. In one Late Egyptian letter (dated c.  1200 BC ),

1464-597: The White Crown of Upper Egypt to form the Double Crown , symbolizing the rule over the whole country, "The Two Lands" as the Egyptians expressed it. No Red Crown has been found. Several ancient representations indicate it was woven like a basket from plant fiber such as grass, straw, flax, palm leaf, or reed. The Red Crown frequently is mentioned in texts and depicted in reliefs and statues. An early example

1525-588: The hieroglyphic and hieratic scripts. Demotic is the name of the script derived from the hieratic beginning in the 7th century BC. The Coptic alphabet was derived from the Greek alphabet , with adaptations for Egyptian phonology. It was first developed in the Ptolemaic period , and gradually replaced the Demotic script in about the 4th to 5th centuries of the Christian era. The term "Archaic Egyptian"

1586-587: The liturgical language of the Coptic Church . The Egyptian language branch belongs to the Afroasiatic language family . Among the typological features of Egyptian that are typically Afroasiatic are its fusional morphology, nonconcatenative morphology , a series of emphatic consonants , a three-vowel system /a i u/ , a nominal feminine suffix * -at , a nominal prefix m- , an adjectival suffix -ī and characteristic personal verbal affixes. Of

1647-568: The vernacular of the Middle Kingdom of Egypt and remained the literary language of Egypt until the Roman period . By the time of classical antiquity , the spoken language had evolved into Demotic , and by the Roman era , diversified into various Coptic dialects . These were eventually supplanted by Arabic after the Muslim conquest of Egypt , although Bohairic Coptic remains in use as

1708-597: The Semitic preference for triradical roots. Egyptian is probably more conservative, and Semitic likely underwent later regularizations converting roots into the triradical pattern. Although Egyptian is the oldest Afroasiatic language documented in written form, its morphological repertoire is very different from that of the rest of the Afroasiatic languages in general, and Semitic languages in particular. There are multiple possibilities: perhaps Egyptian had already undergone radical changes from Proto-Afroasiatic before it

1769-473: The cognate sets between Egyptian and Afroasiatic, the traditional theory and the neuere Komparatistik , founded by Semiticist Otto Rössler. According to the neuere Komparatistik , in Egyptian, the Proto-Afroasiatic voiced consonants */d z ð/ developed into pharyngeal ⟨ꜥ⟩ /ʕ/ : Egyptian ꜥr.t 'portal', Semitic dalt 'door'. The traditional theory instead disputes

1830-696: The definite article ⲡ is unaspirated when the next word begins with a glottal stop: Bohairic ⲡ + ⲱⲡ > ⲡⲱⲡ 'the account'. The consonant system of Coptic is as follows: Here is the vowel system reconstructed for earlier Egyptian: Vowels are always short in unstressed syllables ( ⟨tpj⟩ = */taˈpij/ 'first') and long in open stressed syllables ( ⟨rmṯ⟩ = */ˈraːmac/ 'man'), but they can be either short or long in closed stressed syllables ( ⟨jnn⟩ = */jaˈnan/ 'we', ⟨mn⟩ = */maːn/ 'to stay'). Segue A segue ( / ˈ s ɛ ɡ w eɪ / ; Italian pronunciation: [ˈseːɡwe] )

1891-564: The effect of a classical musical suite , may be used in many pieces or progressive rock recordings, but by definition, a segue does not involve a bridging transition--it is an abrupt change of musical idea. With breakless joins of the elements in his albums Frank Zappa made extensive use of the segue technique. This was first used in 1966 on Zappa's Freak Out! , and a year later on the Beatles ' Sgt. Pepper's Lonely Hearts Club Band . Some album notations distinguish track listings through

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1952-637: The emphatic consonants were realised is unknown. Early research had assumed that the opposition in stops was one of voicing, but it is now thought to be either one of tenuis and emphatic consonants , as in many Semitic languages, or one of aspirated and ejective consonants , as in many Cushitic languages . Since vowels were not written until Coptic, reconstructions of the Egyptian vowel system are much more uncertain and rely mainly on evidence from Coptic and records of Egyptian words, especially proper nouns, in other languages/writing systems. The actual pronunciations reconstructed by such means are used only by

2013-439: The end of hieroglyph blocks ; when they are at the end, a simple transition to start the next block is a vertical separator, in this case the preposition, vertical n, (thus a space saver). Since the start of the next hieroglyphic block could also be started with a horizontal "n" at the bottom of the previous block, it should be thought that the vertical "n" is also chosen for a visual effect; in other words, it visually spreads out

2074-439: The end of a stressed syllable and eventually null word-finally: ⟨pḏ.t⟩ */ˈpiːɟat/ > Akkadian transcription -pi-ta 'bow'. The most important source of information about Demotic phonology is Coptic. The consonant inventory of Demotic can be reconstructed on the basis of evidence from the Coptic dialects. Demotic orthography is relatively opaque . The Demotic "alphabetical" signs are mostly inherited from

2135-459: The end of one song progresses into a new song. Segues can even occur between groups of musicians during live performance. For example, as one band finishes its set, members of the following act replace members of the first band one by one, until a complete band swap occurs. In some Brazilian musical styles, where it is called "emendar" ("to splice"), in particular in Samba and Forró Pé de Serra, it

2196-547: The first known Coptic text, still pagan ( Old Coptic ), from the 1st century AD. Coptic survived into the medieval period, but by the 16th century was dwindling rapidly due to the persecution of Coptic Christians under the Mamluks . It probably survived in the Egyptian countryside as a spoken language for several centuries after that. Coptic survives as the liturgical language of the Coptic Orthodox Church and

2257-655: The graphemes ⟨s⟩ and ⟨z⟩ are used interchangeably. In addition, / j / had become / ʔ / word-initially in an unstressed syllable (⟨ jwn ⟩ /jaˈwin/ > */ʔaˈwin/ "colour") and after a stressed vowel ( ⟨ḥjpw⟩ */ˈħujpVw/ > /ˈħeʔp(Vw)/ '[the god] Apis'). In Late Egyptian (1069–700 BC), the phonemes d ḏ g gradually merge with their counterparts t ṯ k ( ⟨dbn⟩ */ˈdiːban/ > Akkadian transcription ti-ba-an 'dbn-weight'). Also, ṯ ḏ often become /t d/ , but they are retained in many lexemes ; ꜣ becomes / ʔ / ; and /t r j w/ become / ʔ / at

2318-447: The harmonical transition to the next song, often with just one pitch instrument leading this transition. In Forró trios, where the only pitch instrument (apart from the voice) is the accordion (which plays together with two percussionists), the accordionist usually "puxa" ("pulls") the next song as soon as the previous has finished. In audio/visual media, a segue is a transition from a song, scene or topic to another one. A segue allows

2379-435: The hieroglyphic orthography, and it is frequently written as if it were / n / or / r / . That is probably because the standard for written Egyptian is based on a dialect in which / l / had merged with other sonorants. Also, the rare cases of / ʔ / occurring are not represented. The phoneme / j / is written as ⟨ j ⟩ in the initial position (⟨ jt ⟩ = */ˈjaːtVj/ 'father') and immediately after

2440-519: The hieroglyphic script, and due to historical sound changes they do not always map neatly onto Demotic phonemes . However, the Demotic script does feature certain orthographic innovations, such as the use of the sign h̭ for / ç /, which allow it to represent sounds that were not present in earlier forms of Egyptian. The Demotic consonants can be divided into two primary classes: obstruents ( stops , affricates and fricatives ) and sonorants ( approximants , nasals , and semivowels ). Voice

2501-521: The horizontal or vertical form preposition satisfied space requirements. Both the vertical and horizontal forms are prepositional equivalents, with the horizontal letter n, the N-water ripple (n hieroglyph) being more common, as well as more common to form parts of Egyptian language words requiring the phoneme 'n'. One old use of the red crown hieroglyph is to make the word: 'in'!, (formerly an -(a-with dot)-(the "vertical feather" hieroglyph a, plus

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2562-471: The iconography on rock art in the Eastern Desert region as depicting what he interpreted to be among the earliest representations of the royal crowns and suggested the Red Crown could have originated in the southern Nile Valley. Deshret, the ancient Egyptian Red Crown, is one of the oldest Egyptian hieroglyphs . As an iconographic element, it is used on the famous palette of Pharaoh Narmer as

2623-464: The language's final stage of development, the Coptic alphabet replaced the older writing system. Hieroglyphs are employed in two ways in Egyptian texts: as ideograms to represent the idea depicted by the pictures and, more commonly, as phonograms to represent their phonetic value. As the phonetic realization of Egyptian cannot be known with certainty, Egyptologists use a system of transliteration to denote each sound that could be represented by

2684-406: The latter of which it shares much with. In the earlier stages of Demotic, such as those texts written in the early Demotic script, it probably represented the spoken idiom of the time. However, as its use became increasingly confined to literary and religious purposes, the written language diverged more and more from the spoken form, leading to significant diglossia between the late Demotic texts and

2745-403: The modern world following the decipherment of the ancient Egyptian scripts in the early 19th century. Egyptian is one of the earliest known written languages , first recorded in the hieroglyphic script in the late 4th millennium BC . It is also the longest-attested human language, with a written record spanning over 4,000 years. Its classical form, known as " Middle Egyptian ," served as

2806-469: The other Afroasiatic branches, linguists have variously suggested that the Egyptian language shares its greatest affinities with Berber and Semitic languages, particularly Arabic (which is spoken in Egypt today) and Hebrew . However, other scholars have argued that the Egyptian language shared closer linguistic ties with northeastern African regions. There are two theories that seek to establish

2867-512: The quality of the surrounding vowels. / ʔ / is not indicated orthographically unless it follows a stressed vowel; then, it is marked by doubling the vowel letter (except in Bohairic): Akhmimic ⳉⲟⲟⲡ /xoʔp/ , Sahidic and Lycopolitan ϣⲟⲟⲡ šoʔp , Bohairic ϣⲟⲡ šoʔp 'to be' < ḫpr.w * /ˈχapraw/ 'has become'. The phoneme ⲃ / b / was probably pronounced as a fricative [ β ] , becoming ⲡ / p / after

2928-870: The reality" that the geographical location of Egypt is, of course, in Africa. While the consonantal phonology of the Egyptian language may be reconstructed, the exact phonetics is unknown, and there are varying opinions on how to classify the individual phonemes. In addition, because Egyptian is recorded over a full 2,000 years, the Archaic and Late stages being separated by the amount of time that separates Old Latin from Modern Italian , significant phonetic changes must have occurred during that lengthy time frame. Phonologically, Egyptian contrasted labial, alveolar, palatal, velar, uvular, pharyngeal, and glottal consonants. Egyptian also contrasted voiceless and emphatic consonants, as with other Afroasiatic languages, but exactly how

2989-445: The red crown). Egyptian "in" is used at the beginning of a text and translates as: Behold! , or Lo! , and is an emphatic. The Red Crown is also used as a determinative , most notably in the word for deshret. It is also used in other words or names of gods. In the 198 BC Rosetta Stone , the 'Red Crown' as hieroglyph has the usage mostly of the vertical form of the preposition "n". In running text, word endings are not always at

3050-405: The rule over Lower Egypt . The Egyptian pharaohs , who saw themselves as successors of Horus, wore the deshret to symbolize their authority over Lower Egypt. Other deities wore the deshret too, or were identified with it, such as the protective serpent goddess Wadjet and the creator-goddess of Sais, Neith , who often is shown wearing the Red Crown. The Red Crown would later be combined with

3111-462: The running text of words, instead of piling horizontal prepositions in a more tight text. Visually it is also a hieroglyph that takes up more 'space'-(versus a straight-line type for the horizontal water ripple ); so it may have a dual purpose of a less compact text, and a better segue -transition to the next words. The Red Crown hieroglyph is used 35 times in the Rosetta Stone; only 4 times

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3172-599: The same graphemes are used for the pulmonic stops ( ⟨ ⲧ ϫ ⲕ ⟩ ), the existence of the former may be inferred because the stops ⟨ ⲡ ⲧ ϫ ⲕ ⟩ /p t c k/ are allophonically aspirated [pʰ tʰ cʰ kʰ] before stressed vowels and sonorant consonants. In Bohairic, the allophones are written with the special graphemes ⟨ ⲫ ⲑ ϭ ⲭ ⟩ , but other dialects did not mark aspiration: Sahidic ⲡⲣⲏ , Bohairic ⲫⲣⲏ 'the sun'. Thus, Bohairic does not mark aspiration for reflexes of older *d ḏ g q : Sahidic and Bohairic ⲧⲁⲡ */dib/ 'horn'. Also,

3233-433: The script was supplanted by an early version of Coptic (about the third and fourth centuries), the system remained virtually unchanged. Even the number of signs used remained constant at about 700 for more than 2,000 years. Middle Egyptian was spoken for about 700 years, beginning around 2000 BC, during the Middle Kingdom and the subsequent Second Intermediate Period . As the classical variant of Egyptian, Middle Egyptian

3294-480: The southern Saidic dialect, the main classical dialect, and the northern Bohairic dialect, currently used in Coptic Church services. Most surviving texts in the Egyptian language are written on stone in hieroglyphs . The native name for Egyptian hieroglyphic writing is zẖꜣ n mdw-nṯr ("writing of the gods' words"). In antiquity, most texts were written on the quite perishable medium of papyrus though

3355-619: The spoken language of the time, similar to the use of classical Middle Egyptian during the Ptolemaic Period. Coptic is the name given to the late Egyptian vernacular when it was written in a Greek-based alphabet, the Coptic alphabet; it flourished from the time of Early Christianity (c. 31/33–324) , but Egyptian phrases written in the Greek alphabet first appeared during the Hellenistic period c.  3rd century BC , with

3416-399: The use of symbols, such as a >, →, or / to indicate songs that flow seamlessly. The alternative rock band Failure separates these musical transitions into individual tracks, which are simply given numerical distinctions such as Segue 1 . This system began with their 1996 album Fantastic Planet . In live performance, a segue can occur during a jam session , where the improvisation of

3477-644: The values given to those consonants by the neuere Komparatistik , instead connecting ⟨ꜥ⟩ with Semitic /ʕ/ and /ɣ/ . Both schools agree that Afroasiatic */l/ merged with Egyptian ⟨n⟩ , ⟨r⟩ , ⟨ꜣ⟩ , and ⟨j⟩ in the dialect on which the written language was based, but it was preserved in other Egyptian varieties. They also agree that original */k g ḳ/ palatalise to ⟨ṯ j ḏ⟩ in some environments and are preserved as ⟨k g q⟩ in others. The Egyptian language has many biradical and perhaps monoradical roots, in contrast to

3538-428: Was published by Adolf Erman in 1894, surpassed in 1927 by Alan Gardiner 's work. Middle Egyptian has been well-understood since then, although certain points of the verbal inflection remained open to revision until the mid-20th century, notably due to the contributions of Hans Jakob Polotsky . The Middle Egyptian stage is taken to have ended around the 14th century BC, giving rise to Late Egyptian. This transition

3599-479: Was recorded; or the Afroasiatic family has so far been studied with an excessively Semitocentric approach; or, as G. W. Tsereteli suggests, Afroasiatic is a sprachbund , rather than a true genetic language family. The Egyptian language can be grouped thus: The Egyptian language is conventionally grouped into six major chronological divisions: Old, Middle, and Late Egyptian were all written using both

3660-530: Was taking place in the later period of the Eighteenth Dynasty of Egypt (known as the Amarna Period ). Original Old Egyptian and Middle Egyptian texts were still used after the 14th century BCE. And an emulation of predominately Middle Egyptian, but also with characteristics of Old Egyptian, Late Egyptian and Demotic, called " Égyptien de tradition " or "Neo-Middle Egyptian" by scholars,

3721-606: Was used as a literary language for new texts since the later New Kingdom in official and religious hieroglyphic and hieratic texts in preference to Late Egyptian or Demotic. Égyptien de tradition as a religious language survived until the Christianisation of Roman Egypt in the 4th century. Late Egyptian was spoken for about 650 years, beginning around 1350 BC, during the New Kingdom of Egypt . Late Egyptian succeeded but did not fully supplant Middle Egyptian as

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