102-665: The Richmond Art Museum was founded in 1898 as the Art Association of Richmond, Indiana . Artist John Elwood Bundy and author and attorney William Dudley Foulke were instrumental in the founding. Its collection includes important works of American Impressionists , particularly from the Hoosier Group , the Richmond Group and the Taos School . Important ceramics including a significant collection of
204-476: A MacArthur Fellow and Tony Award -winning actor, are frequently lauded as "New Vaudevillians". References to vaudeville and the use of its distinctive argot continue throughout North American popular culture. Words such as "flop" and "gag" were terms created from the vaudeville era and have entered the American idiom. Vaudevillian techniques can commonly be witnessed on television and in movies, remarkably in
306-584: A Broadway show. This is when she began experimenting with improvisational comedy and quickly found her unique success, even taking her performances global with acts in the U.K. Sophie Tucker , a Russian Jewish immigrant, was told by promoter Chris Brown that she was not attractive enough to succeed in show business without doing Blackface, so she performed that way for the first two years onstage, until one day she decided to go without it, and achieved much greater success being herself from that point on, especially with her song "Some of These Days." Moms Mabley
408-493: A collection of regional and American art. Many consider the most significant painting in the collection to be a self-portrait of Indiana-born William Merritt Chase . The city was connected to the National Road , the first road built by the federal government and a major route west for pioneers of the 19th century. It became part of the system of National Auto Trails . The highway is now known as U.S. Route 40 . One of
510-463: A commitment to entertainment equally inoffensive to men, women and children. Acts that violated this ethos (e.g., those that used words such as "hell") were admonished and threatened with expulsion from the week's remaining performances or were canceled altogether. In spite of such threats, performers routinely flouted this censorship , often to the delight of the very audience members whose sensibilities were supposedly endangered. He eventually instituted
612-712: A filmed motion picture for the first time in front of an audience. The motion picture was of a vaudeville entertainer performing a butterfly dance, which Jenkins had filmed himself. Jenkins filed for a patent for the Phantoscope projector in November 1894 and it was issued in March 1895. A modified version of the Phantoscope was later sold to Thomas Edison , who named it Edison's Vitascope and began projecting motion pictures in New York City vaudeville theaters, raising
714-480: A form of entertainment. He incorporated them in his shows as early as 1902. Later, he entered into a partnership with the Famous Players–Lasky , a major Hollywood production company and an affiliate of Paramount Pictures . By the late 1920s, most vaudeville shows included a healthy selection of cinema. Earlier in the century, many vaudevillians, cognizant of the threat represented by cinema, held out hope that
816-415: A launching pad for later careers. They left live performance before achieving the national celebrity of earlier vaudeville stars, and found fame in new venues. The line between live and filmed performances was blurred by the number of vaudeville entrepreneurs who made more or less successful forays into the movie business. For example, Alexander Pantages quickly realized the importance of motion pictures as
918-535: A marketing strategy to attract many different audiences. As stated in Andrew Erdman 's book Blue Vaudeville , the Vaudeville stage was "a highly sexualized space ... where unclad bodies, provocative dancers, and singers of 'blue' lyrics all vied for attention." Such performances highlighted and objectified the female body as a "sexual delight", but more than that, historians think that Vaudeville marked
1020-530: A method of understanding different groups and their societal positions within their cities. The use of the greenhorn immigrant for comedic effect showcased how immigrants were viewed as new arrivals, but also what they could aspire to be. In addition to interpreting visual ethnic caricatures, the Irish American ideal of transitioning from the shanty to the lace curtain became a model of economic upward mobility for immigrant groups. The continued growth of
1122-570: A non-contiguous portion in nearby Boston Township , where Richmond Municipal Airport is located. Richmond is sometimes called the "cradle of recorded jazz" because the earliest jazz recordings and records were made at the studio of Gennett Records , a division of the Starr Piano Company . Gennett Records was the first to record such artists as Louis Armstrong , Bix Beiderbecke , Jelly Roll Morton , Hoagy Carmichael , Lawrence Welk , and Gene Autry . The city has twice received
SECTION 10
#17327838985971224-528: A serious actress but was advised to remain in comedy. She went on to star in a few films but again returned to vaudeville, her original career. Another famous vaudevillian actress was Trixie Friganza , originally born Delia O'Callaghan. She had a famous catchphrase: "You know Trixie with her bag of tricks." She began her career in opera, performing to help provide for her family. The oldest of three daughters, she wanted to help her family financially but had to do it secretly, as female performers were frowned on at
1326-572: A set of guidelines to be an audience member at his show, and these were reinforced by the ushers working in the theatre. This "polite entertainment" also extended to Keith's company members. He went to extreme measures to maintain this level of modesty. Keith even went as far as posting warnings backstage such as this: "Don't say 'slob' or 'son of a gun' or 'hully gee' on the stage unless you want to be canceled peremptorily... if you are guilty of uttering anything sacrilegious or even suggestive you will be immediately closed and will never again be allowed in
1428-459: A single (an individual male or female performer); next would be an alley-oop (an acrobatic act); then another single, followed by yet another sketch such as a blackface comedy. The acts that followed these for the rest of the show would vary from musicals to jugglers to song-and-dance singles and end with a final extravaganza – either musical or drama – with the full company. These shows would feature such stars as ragtime and jazz pianist Eubie Blake ,
1530-402: A single host introducing a series of acts became a popular television style and can be seen consistently in the development of television, from The Milton Berle Show in 1948 to Late Night with David Letterman in the 1980s. The multi-act format had renewed success in shows such as Your Show of Shows with Sid Caesar and The Ed Sullivan Show . Today, performers such as Bill Irwin ,
1632-663: A strong economy increasingly based on manufacturing. Richmond was once known as "the lawnmower capital" because it was a center for manufacturing of lawnmowers from the late 19th century through the mid-20th century. Manufacturers included Davis, Motomower , Dille-McGuire and F&N. The farm machinery builder Gaar-Scott was based in Richmond. The Davis Aircraft Co. , builder of a light parasol wing monoplane, operated in Richmond beginning in 1929. After starting out in nearby Union City , Wayne Agricultural Works moved to Richmond. Wayne manufactured horse-drawn vehicles, including
1734-659: A surprise to audience members when such beautiful women actually possessed talent in addition to their appealing looks. This element of surprise colored much of the reaction to the female entertainment of this time. In the 1920s, announcements seeking all-girl bands for vaudeville performances appeared in industry publications like Billboard , Variety and in newspapers. Bands like The Ingenues and The Dixie Sweethearts were well-publicized, while other groups were simply described as "all-girl Revue". According to Feminist Theory, similar trends in theater and film objectified women, an example of male gaze , as women's role in public life
1836-411: A taste for the risqué . In the 1840s, the minstrel show , another type of variety performance, and "the first emanation of a pervasive and purely American mass culture", grew to enormous popularity and formed what Nick Tosches called "the heart of 19th-century show business". A significant influence also came from "Dutch" (i.e., German or faux-German) minstrels and comedians. Medicine shows traveled
1938-496: A theatre where Mr. Keith is in authority." Along these same lines of discipline, Keith's theatre managers would occasionally send out blue envelopes with orders to omit certain suggestive lines of songs and possible substitutions for those words. If actors chose to ignore these orders or quit, they would get "a black mark" on their name and would never again be allowed to work on the Keith Circuit. Thus, actors learned to follow
2040-628: A time in which the female body became its own "sexual spectacle". This sexual image began sprouting everywhere an American went: the shops, a restaurant, the grocery store, etc. The more this image brought in the highest revenue, the more Vaudeville focused on acts involving women. Even acts that were as innocent as a sister act were higher sellers than a good brother act. Consequently, Erdman adds that female Vaudeville performers such as Julie Mackey and Gibson's Bathing Girls began to focus less on talent and more on physical appeal through their figure, tight gowns, and other revealing attire. It eventually came as
2142-399: A total of about 34 acres (14 ha) under glass. The annual Richmond Rose Festival honored the rose industry and was a popular summer attraction. On April 6, 1968, an explosion triggered by a natural gas leak destroyed or damaged several downtown blocks and killed 41 people; more than 150 were injured. The event is documented in the book Death in a Sunny Street: The Civil Defense Story of
SECTION 20
#17327838985972244-584: A trained mule) shared a stage with acts more usually regarded as "highbrow" or classical entertainment (opera vocalists, classical musicians). B. F. Keith took the next step, starting in Boston , where he built an empire of theatres and brought vaudeville to the United States and Canada. Later, E. F. Albee , adoptive grandfather of the Pulitzer Prize -winning playwright Edward Albee , managed
2346-401: A unique ethnic interplay between Irish American use of self-deprecation as humor and their diverse inner city surroundings. The interactions between newly arrived immigrants and settled immigrants within the backdrop of the unknown American urban landscape allowed vaudeville to be utilized as an avenue for expression and understanding. The often hostile immigrant experience in their new country
2448-426: A well-known bus and school-bus manufacturer. In 1967 it relocated to a site adjacent to Interstate 70 . The company was a leader in school-bus safety innovations, but closed in 1992 during a period of school-bus manufacturing industry consolidations. Richmond was known as the " Rose City" because of the many varieties once grown there by Hill's Roses. The company had several sprawling complexes of greenhouses , with
2550-505: A wide range of clientele. Many small towns had purpose-built theatres. A small yet interesting example might include what is called Grange Halls in northern New England, still being used. These are old-fashioned, wooden buildings with creaky, dimly-lit, wooden stages, which were meant to offset the isolation of a farming lifestyle. These stages could offer anything from child performers to contra-dances to visits by Santa to local, musical talent, to homemade foods such as whoopee pies. Some of
2652-500: Is also an exclave of Richmond. Richmond's closest airport with commercial service is Dayton International Airport . Richmond is served by Interstate 70 at exits 149, 151, 153, and 156. Established in 1902, Richmond's Pennsylvania Railroad station was a hub for Pennsylvania Railroad , and later, Penn Central trains into the late 1960s. The last train at the station was Amtrak 's National Limited between Kansas City and New York City , which ended service in 1979. Richmond
2754-468: Is an Ion owned and operated station. The city also has one county-wide public, educational, and government access (PEG) cable television station, Whitewater Community Television . Richmond Municipal Airport is a public-use airport five nautical miles (6 mi, 9 km) southeast of Richmond's central business district. It is owned by the Richmond Board of Aviation Commissioners. It
2856-490: Is noted for its rich stock of historic architecture. In 2003, a book entitled Richmond Indiana: Its Physical Development and Aesthetic Heritage to 1920 by Cornell University architectural historians, Michael and Mary Raddant Tomlan, was published by the Indiana Historical Society . Particularly notable buildings are the 1902 Pennsylvania Railroad Station designed by Daniel H. Burnham of Chicago and
2958-494: Is often considered to have been the death knell of vaudeville. Though talk of its resurrection was heard during the 1930s and later, the demise of the supporting apparatus of the circuits and the higher cost of live performance made any large-scale renewal of vaudeville unrealistic. The most striking examples of Gilded Age theatre architecture were commissioned by the big time vaudeville magnates and stood as monuments of their wealth and ambition. Examples of such architecture are
3060-484: Is often referred to as a "vaudevillian". Vaudeville developed from many sources, including the concert saloon , minstrelsy , freak shows , dime museums , and literary American burlesque . Called "the heart of American show business", vaudeville was one of the most popular types of entertainment in North America for several decades. The origin of the term is obscure but often explained as being derived from
3162-689: Is the Gannett -owned Palladium-Item . Full-power radio stations include WKBV , WFMG , WQLK , WKRT , and Earlham College's student-run public radio station WECI . Richmond is also served by WJYW which is repeated on 94.5 and 97.7. Area NPR radio stations include WBSH in Hagerstown, Indiana , and WMUB in Oxford, Ohio . Richmond is considered to be within the Dayton, Ohio , television market and has one full-power television station, WKOI , which
Richmond Art Museum - Misplaced Pages Continue
3264-518: The vau de vire origin, a truncated form of chanson du Vau de Vire ' song of the Valley of the Vire ' . Around 1610, Jean le Houx collected these works as Le Livre des Chants nouveaux de Vaudevire , which is probably the direct origin of the word. With its first subtle appearances within the early 1860s, vaudeville was not initially a common form of entertainment. The form gradually evolved from
3366-766: The All-America City Award , most recently in 2009. In 1806 the first European Americans in the area, Quaker families from the state of North Carolina , settled along the East Fork of the Whitewater River . This was part of a general westward migration in the early decades after the American Revolution . John Smith was one of the earliest settlers. Richmond is still home to several Quaker institutions, including Friends United Meeting , Richmond Friends School , Earlham College and
3468-668: The Earlham School of Religion . The first post office in Richmond was established in 1818 with Robert Morrison as the first postmaster. The town was officially incorporated in 1840, with John Sailor elected the first mayor. Early cinema and television pioneer Charles Francis Jenkins grew up on a farm north of Richmond, where he began inventing useful gadgets. As the Richmond Telegram reported, on June 6, 1894, Jenkins gathered his family, friends and newsmen at his cousin's jewelry store in downtown Richmond and projected
3570-661: The Historic American Engineering Record . As of the census of 2010, there were 36,812 people, 15,098 households, and 8,909 families residing in the city. The population density was 1,539.0 inhabitants per square mile (594.2/km ). There were 17,649 housing units at an average density of 737.8 per square mile (284.9/km ). The racial makeup of the city was 83.9% White , 8.6% African American , 0.3% Native American , 1.1% Asian , 0.1% Pacific Islander , 1.9% from other races , and 4.0% from two or more races. Hispanic or Latino of any race were 4.1% of
3672-734: The Marx Brothers , Jimmy Durante , Bill "Bojangles" Robinson , Edgar Bergen , Fanny Brice , Burns and Allen , and Eddie Cantor , used the prominence gained in live variety performance to vault into the new medium of cinema. In doing so, such performers often exhausted in a few moments of screen time the novelty of an act that might have kept them on tour for several years. Other performers who entered in vaudeville's later years, including Jack Benny , Abbott and Costello , Kate Smith , Cary Grant , Bob Hope , Milton Berle , Judy Garland , Rose Marie , Sammy Davis Jr. , Red Skelton , Larry Storch and The Three Stooges , used vaudeville only as
3774-849: The Purdue Polytechnic Institute – Richmond . It is also home to two seminaries , the Quaker Earlham School of Religion and Church of the Brethren Bethany Theological Seminary . Richmond High School includes the Richmond Art Museum and Civic Hall Performing Arts Center . Seton Catholic High School , a junior and senior high school, is a religious high school. It is based in the former home of St. Andrew High School (1899–1936) and, more recently, St. Andrew Elementary School, adjacent to St. Andrew Church of
3876-671: The Tivoli Theatre are housed at the State Library of Victoria , Melbourne , Australia , with additional personal papers of vaudevillian performers from the Tivoli Theatre, including extensive costume and set design holdings, held by the Performing Arts Collection , Arts Centre Melbourne . The American Vaudeville Museum, one of the largest collections of vaudeville memorabilia, is located at
3978-659: The concert saloon and variety hall into its mature form throughout the 1870s and 1880s. This more gentle form was known as "Polite Vaudeville". In the years before the American Civil War , entertainment existed on a different scale. Similar variety theatre existed before 1860 in Europe and elsewhere. In the US, as early as the first decades of the 19th century, theatergoers could enjoy a performance consisting of Shakespeare plays, acrobatics, singing, dancing, and comedy. As
4080-728: The " kid hack ", a precursor of the motorized school bus . From the early 1930s through the 1940s, Richmond had several automobile designers and manufacturers. Among the automobiles locally manufactured were the Richmond , built by the Wayne Works; the "Rodefeld"; the Davis ; the Pilot ; the Westcott ; and the Crosley . In the 1950s Wayne Works changed its name to Wayne Corporation , by then
4182-457: The "Irwin Sisters". Many years later, their act had taken off and with performances in both vaudeville and burlesque at famous music halls, until Irwin decided to continue her career on her own. She then changed her approach to vaudeville, performing African-American-influenced songs, even later writing her songs. She introduced her signature in vaudeville, "The Bully Song", which was performed in
Richmond Art Museum - Misplaced Pages Continue
4284-425: The "big time" (possible remuneration of several thousand dollars per week in large, urban theatres largely patronized by the middle and upper-middle classes). As performers rose in renown and established regional and national followings, they worked their way into the less arduous working conditions and better pay of the big time. The capital of the big time was New York City's Palace Theatre (or just "The Palace" in
4386-653: The 1893 Wayne County Court House designed by James W. McLaughlin of Cincinnati . Local architects of note include John A. Hasecoster , William S. Kaufman and Stephen O. Yates . The significance of the architecture has been recognized. Five large districts, such as the Depot District, and several individual buildings are listed in the National Register of Historic Places , the Historic American Buildings Survey and
4488-639: The Chinese, Italians, Germans and Jews utilized ethnic caricatures to understand themselves as well as the Irish. The urban diversity within the vaudeville stage and audience also reflected their societal status, with the working class constituting two-thirds of the typical vaudeville audience. The ethnic caricatures that now comprised American humor reflected the positive and negative interactions between ethnic groups in America's cities. The caricatures served as
4590-584: The French expression voix de ville ' voice of the city ' . A second hypothesis is that it comes from the 15th-century songs on satire by poet Olivier Basselin , "Vau de Vire". In his Connections television series, science historian James Burke argues that the term is a corruption of the French Vau de Vire ' Vire River Valley ' , an area known for its bawdy drinking songs and where Basselin lived. The Oxford English Dictionary also endorses
4692-423: The Irish becoming subject to discrimination due to their ethnic physical and cultural characteristics. The ethnic stereotypes of Irish through their greenhorn depiction alluded to their newly arrived status as immigrant Americans, with the stereotype portrayed in avenues of entertainment. Following the Irish immigration wave were several waves in which new immigrants from different backgrounds came in contact with
4794-453: The Irish in America's urban centers. Already settled and being native English speakers, Irish Americans took hold of these advantages and began to assert their positions in the immigrant racial hierarchy based on skin tone and assimilation status, cementing job positions that were previously unavailable to them as recently arrived immigrants. As a result, Irish Americans became prominent in vaudeville entertainment as curators and actors, creating
4896-833: The Richmond Catholic Community. The Richmond Japanese Language School (リッチモンド（IN）補習授業校 Ritchimondo(IN)Hoshū Jugyō Kō ) a part-time Japanese school , holds its classes at the Highland Heights School. The town has a lending library, the Morrisson Reeves Library . Richmond is the headquarters of Friends United Meeting , and hosts the Quaker Hill Conference Center , of the Religious Society of Friends (Quakers). The daily newspaper
4998-454: The Richmond, Indiana Disaster, April 6, 1968 , compiled by Esther Kellner. According to the 2010 census, Richmond has a total area of 24.067 square miles (62.33 km ), of which 23.91 square miles (61.93 km ) (or 99.35%) is land and 0.157 square miles (0.41 km ) (or 0.65%) is water. Richmond is located about 12 miles S of Hoosier Hill , the highest point in Indiana. Richmond
5100-423: The United States and Canada and a large interest in two vaudeville circuits. Another major circuit was that of Alexander Pantages . In his heyday, Pantages owned more than 30 vaudeville theatres and controlled, through management contracts, perhaps 60 more in both the United States and Canada. At its height, vaudeville played across multiple strata of economic class and auditorium size. On the vaudeville circuit, it
5202-466: The United States and Canada, first for about three months in Emil Boreo’s Mirage de Paris followed by nine months in their own Ballet Caprice . After Jack quit the act near the end of 1927, Betty continued to manage the troupe and, with a new dance partner, toured throughout the northeastern United States for the next six months as Betty Felsen and Company. The final performance of Ballet Caprice
SECTION 50
#17327838985975304-404: The average family size was 2.89. In the city, the population was spread out, with 23.4% under the age of 18, 11.0% from 18 to 24, 27.5% from 25 to 44, 21.6% from 45 to 64, and 16.4% who were 65 years of age or older. The median age was 36 years. For every 100 females, there were 88.7 males. For every 100 females age 18 and over, there were 84.2 males. The median income for a household in the city
5406-1027: The business side of Vaudeville, like Amanda Thorpe, a white woman who founded a black theater in Virginia, and the Griffin Sisters , who managed several theaters in their efforts to create a Black Vaudeville circuit. Black performers and patrons participated in a racially segregated vaudeville circuit. Though many popular acts like Lewis and Walker, Ernest Hogan , Irving Jones , and the Hyers Sisters played to both white and black audiences, early Vaudeville performances for white audiences were limited to one Black act per show, and performers faced discrimination in restaurants and lodging. Entertainers and entrepreneurs like The Whitman Sisters , Pat Chapelle and John Isham created and managed their own touring companies; others took on theater ownership and management and created Black vaudeville circuits, as
5508-500: The chain to its greatest success. Circuits such as those managed by Keith-Albee provided vaudeville's greatest economic innovation and the principal source of its industrial strength. They enabled a chain of allied vaudeville houses that remedied the chaos of the single-theatre booking system by contracting acts for regional and national tours. These could easily be lengthened from a few weeks to two years. Albee also gave national prominence to vaudeville's trumpeting "polite" entertainment,
5610-420: The circuit's central office weekly, follow each act's description. The bill illustrates the typical pattern of opening the show with a "dumb" act to allow patrons to find their seats, placing strong acts in second and penultimate positions, and leaving the weakest act for the end, to clear the house. In this bill, as in many vaudeville shows, acts often associated with "lowbrow" or popular entertainment (acrobats,
5712-428: The city. The population density was 1,685.3 inhabitants per square mile (650.7/km ). There were 17,647 housing units at an average density of 760.2 per square mile (293.5/km ). The racial makeup of the city was 86.78% White , 8.87% African American , 0.27% Native American , 0.80% Asian , 0.06% Pacific Islander , 1.09% from other races , and 2.14% from two or more races. Hispanic or Latino of any race were 2.03% of
5814-474: The collection are: Richmond, Indiana Richmond ( / ˈ r ɪ tʃ m ə n d / ) is a city in eastern Wayne County, Indiana , United States. Bordering the state of Ohio , it is the county seat of Wayne County. In the 2020 census , the city had a population of 35,720. It is the principal city of the Richmond micropolitan area . Situated largely within Wayne Township , its area includes
5916-416: The countryside offering programs of comedy, music, jugglers , and other novelties along with displays of tonics, salves, and miracle elixirs, while " Wild West " shows provided romantic vistas of the disappearing frontier, complete with trick riding, music and drama. Vaudeville incorporated these various itinerant amusements into a stable, institutionalized form centered in America's growing urban hubs. From
6018-740: The curtain on American cinema. Joseph E. Maddy is credited with founding the country's first complete high school orchestra at Richmond, and later founded the National High School Orchestra Camp, which became the Interlochen Center for the Arts in Michigan. Hoagy Carmichael recorded " Stardust " for the first time in Richmond at the Gennett recording studio. Famed trumpeter and singer Louis Armstrong
6120-409: The daughter of a musician, she moved to the United States of America in her childhood. At just fourteen years old, she left home to begin her career, lying about her age and sending her mother half of her paycheck. Dressler found great success and was known for her comedic timing and physical comedy, like carrying her male co-stars. She eventually worked on Broadway, where she had a great desire to become
6222-505: The death of vaudeville. After all, when "small time" theatres could offer "big time" performers on screen at a nickel a seat, who could ask audiences to pay higher amounts for less impressive live talent? The newly-formed RKO studios took over the famed Orpheum vaudeville circuit and swiftly turned it into a chain of full-time movie theatres. The half-century tradition of vaudeville was effectively wiped out within less than four years. Inevitably, managers further trimmed costs by eliminating
SECTION 60
#17327838985976324-571: The extant Madonna of the Trail monuments was dedicated at Richmond on October 28, 1928. It sits in a corner of Glen Miller Park adjacent to US 40 . Richmond's cultural resources include two of Indiana's three Egyptian mummies . One is held by the Wayne County Historical Museum and the other by Earlham College's Joseph Moore Museum, leading to the local nickname "Mummy capital of Indiana". The arts were supported by
6426-487: The famous and magical Harry Houdini , and child star Baby Rose Marie . In the New-York Tribune ' s article about Vaudeville, it is said that at any given time, Vaudeville was employing over twelve thousand different people throughout its entire industry. Each entertainer would be on the road 42 weeks at a time while working a particular "Circuit" – or an individual theatre chain of a major company. While
6528-495: The instructions given to them by B. F. Keith for fear of losing their careers forever. By the late 1890s, vaudeville had large circuits, houses (small and large) in almost every sizable location, standardized booking, broad pools of skilled acts, and a loyal national following. One of the biggest circuits was Martin Beck's Orpheum Circuit . It incorporated in 1919 and brought together 45 vaudeville theatres in 36 cities throughout
6630-427: The last of the live performances. Vaudeville also suffered due to the rise of broadcast radio following the greater availability of inexpensive receiver sets later in the decade. Even the hardiest in the vaudeville industry realized the form was in decline; the perceptive understood the condition to be terminal. The standardized film distribution and talking pictures of the 1930s confirmed the end of vaudeville. By 1930,
6732-563: The lower-priced cinema in the early 1910s dealt the heaviest blow to vaudeville. This was similar to the advent of free broadcast television 's diminishing the cultural and economic strength of the cinema. Cinema was first regularly commercially presented in the US in vaudeville halls. The first public showing of movies projected on a screen took place at Koster and Bial's Music Hall in 1896. Lured by greater salaries and less arduous working conditions, many performers and personalities, such as Al Jolson , W. C. Fields , Mae West , Buster Keaton ,
6834-535: The mid-1860s, impresario Tony Pastor , a former singing circus clown who had become a prominent variety theater performer and manager, capitalized on middle class sensibilities and spending power when he began to feature "polite" variety programs in his New York City theatres. Pastor opened his first "Opera House" on the Bowery in 1865, later moving his variety theater operation to Broadway and, finally, to Fourteenth Street near Union Square . He only began to use
6936-485: The most prominent vaudevillians successfully made the transition to cinema, though others were not as successful. Some performers such as Bert Lahr fashioned careers out of combining live performance with radio and film roles. Many others later appeared in the Catskill resorts that constituted the " Borscht Belt ". Vaudeville was instrumental in the success of the newer media of film, radio, and television. Comedies of
7038-636: The neighborhood character of vaudeville attendance had always promoted a tendency to tailor fare to specific audiences, mature vaudeville grew to feature houses and circuits specifically aimed at certain demographic groups. Black patrons, often segregated into the rear of the second gallery in white-oriented theatres, had their own smaller circuits, as did speakers of Italian and Yiddish (see below). This foreign addition combined with comedy produced such acts as "minstrel shows of antebellum America" and Yiddish theatre. Many ethnic families joined in on this entertainment business, and for them, this traveling lifestyle
7140-547: The new era adopted many of the dramatic and musical tropes of classic vaudeville acts. Film comedies of the 1920s through the 1940s used talent from the vaudeville stage and followed a vaudeville aesthetic of variety entertainment, both in Hollywood and in Asia, including China. The rich repertoire of the vaudeville tradition was mined for prominent prime-time radio variety shows such as The Rudy Vallée Show . The structure of
7242-441: The population. There were 15,098 households, of which 28.8% had children under the age of 18 living with them, 37.5% were married couples living together, 16.3% had a female householder with no husband present, 5.3% had a male householder with no wife present, and 41.0% were non-families. 34.2% of all households were made up of individuals, and 13.5% had someone living alone who was 65 years of age or older. The average household size
7344-408: The population. There were 16,287 households, out of which 27.8% had children under the age of 18 living with them, 43.1% were married couples living together, 13.9% had a female householder with no husband present, and 39.1% were non-families. 33.0% of all households were made up of individuals, and 13.7% had someone living alone who was 65 years of age or older. The average household size was 2.29 and
7446-404: The promotion of black-face minstrelsy on the stage, purposefully used to place African Americans beneath the Irish in the racial and social urban hierarchy. Although the Irish had a strong Celtic presence in vaudeville and in the promotion of ethnic stereotypes, the ethnic groups that they were characterizing also utilized the same humor. As the Irish donned their ethnic costumes, groups such as
7548-540: The recent, worldwide phenomenon of TV shows such as America's Got Talent . In professional wrestling , there was a noted tag team, based in WWE , called The Vaudevillains . In 2018, noted film director Christopher Annino, maker of a new silent feature film, Silent Times , founded Vaudeville Con, a gathering to celebrate the history of vaudeville. The first meeting was held in Pawcatuck, Connecticut . The records of
7650-451: The silent nature of the "flickering shadow sweethearts" would preclude their usurpation of the paramount place in the public's affection. With the introduction of talking pictures in 1926, the burgeoning film studios removed what had remained the chief difference in favor of live theatrical performance: spoken dialogue. Historian John Kenrick wrote: Top vaudeville stars filmed their acts for one-time pay-offs, inadvertently helping to speed
7752-468: The slang of vaudevillians), built by Martin Beck in 1913 and operated by Keith. Featuring a bill stocked with inventive novelty acts, national celebrities, and acknowledged masters of vaudeville performance (such as comedian and trick roper Will Rogers ), the Palace provided what many vaudevillians considered the apotheosis of remarkable careers. A standard show bill would begin with a sketch, follow with
7854-448: The songs that were popularized onstage by white singers, and paved the way for African-American musical theater . In addition to vaudeville's prominence as a form of American entertainment, it reflected the newly evolving urban inner-city culture and interaction of its operators and audience. Making up a large portion of immigration to the United States in the mid-19th century, Irish Americans interacted with established Americans, with
7956-410: The term "vaudeville" in place of "variety" in early 1876. Hoping to draw a potential audience from female and family-based shopping traffic uptown , Pastor barred the sale of liquor in his theatres, eliminated bawdy material from his shows, and offered gifts of coal and hams to attendees. Pastor's experiment proved successful, and other managers soon followed suit. The manager's comments, sent back to
8058-627: The theatres built by impresario Alexander Pantages . Pantages often used architect B. Marcus Priteca (1881–1971), who in turn regularly worked with muralist Anthony Heinsbergen . Priteca devised an exotic, neo-classical style that his employer called "Pantages Greek". Though classic vaudeville reached a zenith of capitalization and sophistication in urban areas dominated by national chains and commodious theatres, small-time vaudeville included countless more intimate and locally controlled houses. Small-time houses were often converted saloons, rough-hewn theatres, or multi-purpose halls, together catering to
8160-690: The time. She worked largely in comedy and gained acclaim and success due to her willingness to step into other's roles who had fallen ill, and were otherwise unable to perform. In her acts, she often emphasized her plus-size figure, calling herself the "perfect forty-six". Friganza was also a poet and writer. She used many of her performances as ways to raise money to support the poor or disenfranchised and went on record publicly numerous times to support these social causes. Friganza also spent much of her life fighting for women's equality and pushing for self-acceptance for women, both publicly and within themselves, as well as their rights in comparison to men. Betty Felsen
8262-600: The vast majority of formerly live theatres had been wired for sound, and none of the major studios were producing silent pictures. For a time, the most luxurious theatres continued to offer live entertainment, but most theatres were forced by the Great Depression to economize. Some in the industry blamed cinema's drain of talent from the vaudeville circuits for the medium's demise. Others argued that vaudeville had allowed its performances to become too familiar to its famously loyal, now seemingly fickle audiences. There
8364-478: The vaudeville stage, Irish Americans became interpreters of immigrant cultural images in American popular culture. New arrivals found their ethnic group status defined within the immigrant population and in their new country as a whole by the Irish on stage. Unfortunately, the same interactions between ethnic groups within the close living conditions of cities also created racial tensions which were reflected in vaudeville. Conflict between Irish and African Americans saw
8466-529: The winter of 1923 Betty began a partnership with Jack Broderick. From then until the end of 927 Broderick & Felsen performed on the B.F. Keith and Pantages vaudeville circuits throughout the U.S. and Canada. Their act evolved from a simple dance act to one with over twenty dancers, an orchestra, and elaborate costumes and sets. From 1925 to 1926 they played for 20 straight weeks at the huge Colony Theater on Broadway in New York City. In 1926 and 1927, they starred in two spectacular musical productions, touring across
8568-608: The work of the Overbeck Sisters are part of the collection housed in McGuire Memorial Hall at Richmond High School . The museum is believed to be the only public art museum connected with a public high school. An icon of the collection is a very large self-portrait of the American impressionist William Merritt Chase painted for the museum in 1915-16. Some of the more important artists represented in
8670-486: The years progressed, people seeking diversified amusement found an increasing number of ways to be entertained. Vaudeville was characterized by traveling companies touring through cities and towns. A handful of circuses regularly toured the country; dime museums appealed to the curious; amusement parks, riverboats, and town halls often featured "cleaner" presentations of variety entertainment; compared to saloons, music halls, and burlesque houses, which catered to those with
8772-455: Was $ 30,210, and the median income for a family was $ 38,346. Males had a median income of $ 30,849 versus $ 21,164 for females. The per capita income for the city was $ 17,096. About 12.1% of families and 15.7% of the population were below the poverty line, including 22.8% of those under age 18 and 10.8% of those age 65 or over. Richmond is home to four colleges: Earlham College , Indiana University East , Ivy Tech Community College of Indiana , and
8874-439: Was 2.29 and the average family size was 2.91. The median age in the city was 38.4 years. 22.1% of residents were under the age of 18; 11.4% were between the ages of 18 and 24; 24.4% were from 25 to 44; 25.6% were from 45 to 64; and 16.5% were 65 years of age or older. The gender makeup of the city was 47.9% male and 52.1% female. As of the census of 2000, there were 39,124 people, 16,287 households, and 9,918 families residing in
8976-603: Was a comedienne who got her start in Vaudeville and the Chitlin circuits in the 1920s, and ended up with mainstream success in the 20th century. Other 20th century women performers who started in Vaudeville included blues singers Ma Rainey , Ida Cox and Bessie Smith . Women-led touring companies like Black Patti's Troubadours , the Whitman Sisters and the Hyers Sisters were popular acts. Other women worked
9078-623: Was accepted to be a member of the Chicago Opera’s Pavley-Oukrainsky Ballet corps de ballet. From December 1920 until the fall of 1922 Betty was a ballerina soloist and performed with them throughout North America. Under the name Buddye Felsen, Betty landed a starring dancing role in a new show at Fred Mann’s Million Dollar Rainbo Room in the Rainbo Gardens . The show, Rainbo Trail , directed by Frank Westphal , opened on 15 December 1922, and ran until 1 March 1923. In
9180-475: Was also home to a Chesapeake and Ohio Railway station. Public transit service is provided by city-owned Roseview Transit , operating daily except Sundays and major holidays. Vaudeville Vaudeville ( / ˈ v ɔː d ( ə ) v ɪ l , ˈ v oʊ -/ ; French: [vodvil] ) is a theatrical genre of variety entertainment which began in France at the end of the 19th century. A vaudeville
9282-664: Was an American ballerina, vaudeville star, and teacher. She was born on 9 June 1905, in Chicago, IL Betty began taking lessons at a local Chicago ballet school when she was eight years old, and often performed solo dances in shows presented by that school. Just before her tenth birthday in 1916, her parents enrolled her as a ballet student with the Pavley-Oukrainsky Ballet School within the Chicago Opera Association. Then, in 1919 Betty
9384-433: Was expanding. These expectations for women in the 19th century played a big role in the compelling aspects of vaudeville. Through vaudeville, many women were allowed to join their male counterparts on the stage and found success in their acts. Leila Marie Koerber, later Marie Dressler , was a Canadian actress who specialized in vaudeville comedy, and eventually won an Academy Award for Best Actress later in her career. Being
9486-575: Was first recorded at Gennett as a member of King Oliver and his Creole Jazz Band. Many other internationally famous musicians recorded at Gennett's Richmond facility, including Jelly Roll Morton , Bix Beiderbecke , Duke Ellington , and Fats Waller . Gennett also recorded Klan musicians. A group of artists in the area in the late 19th and early 20th centuries came to be known as the Richmond Group . They included John Elwood Bundy , Charles Conner , George Herbert Baker , Maude Kaufman Eggemeyer and John Albert Seaford . The Richmond Art Museum has
9588-437: Was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical musicians, singers, dancers, comedians, trained animals , magicians, ventriloquists , strongmen , female and male impersonators , acrobats, clowns, illustrated songs , jugglers, one-act plays or scenes from plays, athletes, lecturing celebrities, minstrels , and films. A vaudeville performer
9690-516: Was no abrupt end to vaudeville, though the form was clearly sagging by the late 1920s. Joseph Kennedy Sr. in a hostile buyout, acquired the Keith-Albee-Orpheum Theatres Corporation (KAO), which had more than 700 vaudeville theatres across the United States which had begun showing movies. The shift of New York City's Palace Theatre, vaudeville's center, to an exclusively cinema presentation on 16 November 1932,
9792-498: Was now used for comic relief on the vaudeville stage, where stereotypes of different ethnic groups were perpetuated. The crude stereotypes that emerged were easily identifiable not only by their distinct ethnic cultural attributes, but how those attributes differed from the mainstream established American culture and identity. Coupled with their historical presence on the English stage for comic relief, and as operators and actors of
9894-413: Was on 4 June 1928, at Broadway’s Palace Theater in New York City. Another famous comedienne, one who brought in thousands of audience members with her signature improvisational skills, was May Irwin . She worked from about 1875 to 1914. Originally born Ada Campbell, she began her life on the stage at thirteen years old following the death of her father. She and her older sister created a singing act called
9996-408: Was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, while changing over time. In some ways analogous to music hall from Victorian Britain , a typical North American vaudeville performance
10098-440: Was rivaled only by churches and public schools among the nation's premiere public gathering places. Another slightly different aspect of Vaudeville was an increasing interest in the female figure. The previously mentioned ominous idea of "the blue envelopes" led to the phrase "blue" material, which described the provocative subject matter present in many Vaudeville acts of the time. Many managers even saw this scandalous material as
10200-565: Was said that if an act would succeed in Peoria, Illinois , it would work anywhere. The question "Will it play in Peoria?" has now become a metaphor for whether something appeals to the American mainstream public. The three most common levels were the "small time" (lower-paying contracts for more frequent performances in rougher, often converted theatres), the "medium time" (moderate wages for two performances each day in purpose-built theatres), and
10302-460: Was simply a continuation of the circumstances that brought them to America. Through these acts, they were able to assimilate themselves into their new home while also bringing bits of their own culture into this new world. White-oriented regional circuits, such as New England 's "Peanut Circuit", also provided essential training grounds for new artists while allowing established acts to experiment with and polish new material. At its height, vaudeville
10404-984: Was the case for Sherman H. Dudley and the Griffin Sisters Later, in the 1920s, many bookings were managed by the Theatre Owners Booking Association . African-Americans challenged the prevailing Blackface stereotypes played by white performers by bringing their own authenticity and style to the stage, composing music, comedy and dance routines and laying the groundwork for distinctly American cultural phenomena like blues , jazz , ragtime and tap dance . Notable Black entertainers in Vaudeville included comedians Bert Williams , and George Walker , dancer/choreographer Ada Overton Walker , and many others. Black songwriters and composers like Bob Cole , Ernest Hogan , Irving Jones , Rosamond Johnson , George Johnson , Tom Lemonier , Gussie L. Davis , and Chris Smith , wrote many of
#596403