150-570: WMG may refer to: Warner Music Group , American multinational entertainment and record label conglomerate WMG, University of Warwick (formerly Warwick Manufacturing Group), United Kingdom Washington Marine Group , former name of the Canadian company Seaspan ULC Wave Motion Gun , in the science fiction anime series Space Battleship Yamato Welham Green railway station (National Rail station code), Hertfordshire, England Topics referred to by
300-511: A Gold Record award, and is cited as being the fastest-selling LP ever released in the US up to that time. Sherman also scored a hit single in late 1963 with a cut from his third WBR album, My Son, The Nut , when his song "Hello Muddah, Hello Faddah" (which satirized the American summer camp tradition) became a surprise novelty hit, peaking at #2. Bill Cosby broke through soon after and he continued
450-410: A US No. 1 with " Windy ", and they reached No. 8 on the album chart with their first Warner Bros. album Insight Out . Their next single " Never My Love " also topped the charts in autumn 1967 (No. 2 Billboard , No. 1 Cashbox ), and now ranks as one of the most successful of all Warner Bros. recordings—it became a radio staple and is now accredited by BMI as the second most-played song on US radio in
600-522: A Warner subsidiary, albums by Linda Ronstadt and the Eagles alone had earned more than the entire value of the Asylum sale. Geffen's discomfort was compounded by the fact that, within six months of the sale, the value of his volatile Warner shares had plummeted from $ 4.5 million to just $ 800,000. He appealed to Steve Ross to intervene, and as part of a make-good deal, Ross agreed to pay him the difference in
750-416: A campaign to destabilize Warner Music in an effort to seize control of the company". As Morris's strongest ally, Danny Goldberg was also under threat; he was initially told that he could stay on as President of WBR as long as he refrained from office politics and concentrate on the day-to-day management of the label, but he resigned as President of Warner Bros. Records soon after to pursue "other interests", and
900-551: A different candidate in mind and Levin also reduced Morgado's power to oversee Warner's mail-order record club division and its international operations. Morris then brought in Sylvia Rhone and Seymour Stein to stabilize Elektra, settled the Metallica lawsuit and persuaded Levin to purchase an additional 25% of Interscope, although this initiative proved short-lived. The power struggle between Morgado and Morris reached
1050-596: A dinner, he recalled that Warner effusively greeted him as "the man who saved Warner Brothers Records". Despite the turnaround in the label's commercial and critical fortunes at the start of the new decade, Jim Conkling was unexpectedly forced out as CEO during 1961. The ostensible reason for his ousting was that Warner and the studio executives doubted Conkling's commitment to the label, after they discovered that he had sold his shares of Warner Bros stock, netting him around $ 1 million. However, label biographer Warren Zanes and former WBR executive Stan Cornyn both opined that this
1200-538: A dramatic climax in May 1995 when Morgado was asked to resign by Gerald Levin, following a welter of complaints from executives at the three major Warner Music labels, who said that Morgado was undermining Morris's authority and damaging Warner's reputation among performers. Morgado was immediately replaced by HBO chairman Michael J. Fuchs , but the corporate upheavals did not end there; in late June 1995 Fuchs abruptly dismissed Doug Morris, saying that Morris had been "leading
1350-434: A few local radio and TV appearances. His break came thanks to a friend, local DJ Dan Sorkin, who knew Warner CEO Jim Conkling. Sorkin arranged for Newhart to make a demo tape of a few of his original sketches, which Conkling heard and liked. Equally remarkably, Newhart revealed that he had never performed in a club prior to recording the album. Warners arranged to record him at a Houston, Texas club called The Tidelands, where he
1500-410: A freelance producer for some of Autumn's acts including The Tikis (who later became Harpers Bizarre ), The Beau Brummels , and The Mojo Men , and for these recording sessions he brought in several musician friends who were then becoming established on the L.A. music scene: composer/musicians Randy Newman (a childhood friend), Leon Russell , and Van Dyke Parks . Together they became the foundation of
1650-565: A further 40% of the company from its partner Siemens , and bought the remaining shares in 1987. The same year, PolyGram divested its film and publishing operations, closed PolyGram Pictures and sold Chappell Music to Warner for US$ 275 million. In 1976, Warner gained a brief early lead in digital media when it purchased the Atari computer company. WCI also blazed the trail in visual music with MTV , which it created and co-owned in partnership with American Express as Warner-Amex (which also ran
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#17327905897071800-567: A generous retainer of $ 200 per week. Hanging out around Laurel Canyon , Wickham scouted for new talent and established a rapport with the young musicians Warner Bros. was seeking to sign. Like Lenny Waronker, Wickham's youth, intelligence and hip attitude allowed him to bridge the "generation gap between these young performers and the older Warner 'establishment'". He played a major role in signing Eric Andersen , Jethro Tull , Van Morrison , and Joni Mitchell (who signed to Reprise), whom Wickham successfully recommended to Ostin in his first week with
1950-569: A handful of writers/performers to pen a No. 1 hit for themselves and a No. 1 for another artist. New signings in the late 1970s placed WEA in a strong position for the 1980s. A deal with Seymour Stein 's Sire Records label (which Warner Bros. Records later took over) brought in several major punk rock and new wave acts including the Pretenders , the Ramones and Talking Heads and, most importantly, rising star Madonna ; Elektra signed
2100-412: A high profile in the industry thanks to songs he wrote that were covered by other acts like Three Dog Night and Alan Price . Although Warner Bros. spent large sums on albums that sold poorly, and there were some missteps in its promotion strategy, the presence of unorthodox acts like The Grateful Dead and critically acclaimed 'cult' performers like Newman and Parks, combined with the artistic freedom that
2250-507: A major coup by signing a distribution agreement with Island Records , which only covered the United States and select other countries. For the next 14 years (initially with Warner Bros. until 1982, then with Atlantic afterward), WEA would distribute such artists as Bob Marley , U2 , Robert Palmer , Anthrax , and Tom Waits . This relationship ended when Island was sold to PolyGram in 1989. A name-only unit appearing exclusively in
2400-457: A major reorganization of the entire Warner-Seven Arts music division. Mike Maitland was promoted to Executive Vice-president of both the recorded music and publishing operations, and George Lee took over from Victor Blau as operational head of the recording division. The restructure also reversed the reporting arrangement put in place in 1960, and from this point the Warner publishing arm reported to
2550-539: A major shareholder—found out about the contract issue he and Ertegun began pressuring Eliot Hyman to get Smith and Ostin under contract, ostensibly because they were worried that the two executives might move to rival labels—and in fact Ostin had received overtures from both MGM Records and ABC Records . In 1969, the wisdom of Hyman's investments was proved when Kinney National Company purchased Warner Bros.-Seven Arts for $ 400 million, more than eight times what Hyman had paid for Warner/Reprise and Atlantic combined. From
2700-430: A meeting with Jerry Wexler , and Ahmet and Nesuhi Ertegun , co-owners of leading independent label Atlantic Records , which eventually resulted in the purchase of Atlantic in 1968. In June 1967, Mo Ostin attended the historic Monterey International Pop Festival , where The Association performed the opening set. Ostin had already acquired the US rights to The Jimi Hendrix Experience 's recordings, sight unseen, but he
2850-500: A move that reportedly infuriated Iovine. By late 1994, Morris was gaining the upper hand over his rival and media reports claimed that Morris had moved to settle with Metallica, offering a deal that was reportedly even more generous than the one they had worked out with Krasnow. Morgado now faced a showdown with Morris, who felt he was not being allowed to run WMG as he saw fit. In October 1994, Morris and 11 other Warner executives "staged an unprecedented insurrection that nearly paralyzed
3000-485: A new four-year distribution deal with a rival local label, Festival Records (owned by Rupert Murdoch 's News Limited ). Mike Maitland complained bitterly to Kinney executive Ted Ashley , but to no avail – by this time Ertegun was poised to make his move against Maitland. As he had with Hyman, Ertegun urged Steve Ross to extend Mo Ostin and Joe Smith's contracts, a recommendation Ross was happy to accept. Ostin however had received overtures from other companies (including
3150-484: A new four-year production and distribution deal with local label Festival Records without informing Warner Bros. During 1969, the rivalry between Mike Maitland and Ahmet Ertegun quickly escalated into an all-out executive battle, but Steve Ross favored Ertegun, and the conflict culminated in Maitland being dismissed from his position on January 25, 1970. He declined an offer of a job with Warner Bros. Pictures and left
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#17327905897073300-445: A rich back catalogue of folk music as well as the renowned Nonesuch catalogue of classical and world music. Elektra founder Jac Holzman ran the label under Warners for two years, but by that time, he was by his own admission "burnt out" after twenty years in the business. Kinney president Steve Ross subsequently appointed Holzman as part of a seven-person " brain trust " tasked with investigating opportunities presented by new technologies,
3450-646: A role Holzman was eager to accept. The same year, the group established its first overseas offices in Canada and Australia. By that time the "Seven Arts" moniker was dropped from the Warner Bros. name. Warner Bros. also founded the Casablanca Records subsidiary, headed by Neil Bogart ; but several years later Casablanca became independent from Warner Bros. With the Elektra acquisition, the next step
3600-588: A seat on the Warner/Reprise board; Warner Bros. Records head Mike Maitland became the president of the new combine and Mo Ostin was retained as manager of the Reprise label. Reprise was heavily in debt at the time of the takeover, and the Warner Records management team was reportedly dismayed at their balance sheet being pushed back into the red by the acquisition, but they were given no choice in
3750-419: A substantial advance of $ 30,000 and, most significantly, it set a new benchmark for recording contracts by stipulating that the trio would have complete creative control over the recording and packaging of their music. Soon after, Grossman and Mogull signed a publishing deal that gave Witmark one of its most lucrative clients, Bob Dylan . Grossman bought out Dylan's previous contract with Leeds Music and signed
3900-499: A successful production partnership with noted British studio Hammer Films . Hyman's purchase of Jack L. Warner's controlling share of the Warner group for US$ 32 million stunned the film world—Warner Records executive Joe Smith later quipped that it was ... as if the Pasadena Star-News bought The New York Times . As ludicrous as that." The newly merged group was renamed Warner Bros.-Seven Arts (often referred to in
4050-472: Is co-credited with the band on the album). The group and their concert sound engineer Dan Healy then took over production of the album themselves, taking the unusual step of intermixing studio material with multitrack recordings of their concerts. Anthem of the Sun proved to be the least successful of The Grateful Dead's 1960s albums—it sold poorly, the extended sessions put the band more than $ 100,000 in debt to
4200-638: Is different from Wikidata All article disambiguation pages All disambiguation pages Warner Music Group Warner Music Group Corp. , commonly abbreviated as WMG , is an American multinational entertainment and record label conglomerate headquartered in New York City . It is one of the " big three " recording companies and the third-largest in the global music industry, after Universal Music Group (UMG) and Sony Music Entertainment (SME). Formerly part of Time Warner (later known as WarnerMedia , now Warner Bros. Discovery ), WMG
4350-554: The Billboard Hot 100 . It was nominally performed by Warner contract actor Edd Byrnes , who played the wisecracking hipster character Gerald Lloyd "Kookie" Kookson III on Warner's TV detective series 77 Sunset Strip . The story behind the recording illustrates the sharp practices often employed by major recording companies. Actress and singer Connie Stevens (who appeared in the Warner TV series Hawaiian Eye ) spoke on
4500-644: The Body Count master tapes to him. Also in 1992, the Rhino Records label signed a distribution agreement with Atlantic Records and Time Warner Entertainment bought a 50% stake in the Rhino Records label. The distribution agreement allowed Rhino to begin reissuing recordings from Atlantic's back catalogue. In 1994, Canadian beverage giant Seagram bought a 14.5% stake in Time Warner, and
4650-646: The Best Comedy Performance–Spoken Word category, and Newhart himself won Best New Artist , the first time in Grammy history that a comedy album had won Album of the Year, and the only time a comedian has won Best New Artist. Interviewed for the official Warner Bros Records history in 2008, Newhart recalled that at the time he signed with the label he was totally unknown outside Chicago, he was still working full-time as an accountant, and he had done only
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4800-565: The Columbia label, reverted to Warner Bros. Warner Bros. sold Brunswick a second time (along with Brunswick's back catalog up to 1931) in 1941, this time along with the old Brunswick pressing plants Warner owned, to Decca Records (which formed its American operations in 1934) in exchange for a financial interest in Decca. The heavy loss it incurred in the Brunswick deal kept the studio out of
4950-497: The Compo Company . This was the origin of Warner Music Canada. In November 1966 the entire Warner group was taken over by and merged with Seven Arts Productions , a New York-based company owned by Eliot Hyman . Seven Arts specialized in syndicating old movies and cartoons to TV, and had independently produced a number of significant feature films for other studios, including Stanley Kubrick 's Lolita , as well as forging
5100-762: The Sex Pistols . At the end of the silent movie period, Warner Bros. Pictures decided to expand into publishing and recording so that it could access low-cost music content for its films. In 1928, the studio acquired several smaller music publishing firms which included M. Witmark & Sons , Harms Inc., and a partial interest in New World Music Corp., and merged them to form the Music Publishers Holding Company. This new group controlled valuable copyrights on standards by George and Ira Gershwin and Jerome Kern , and
5250-737: The Warner Music Group , it is headquartered in Los Angeles , California . It was founded on March 19, 1958, as the recorded music division of the American film studio Warner Bros. Artists who have recorded for Warner Records include Madonna , Prince , Linkin Park , Zach Bryan , Van Halen , Kylie Minogue , ZZ Top , Gorillaz , Bette Midler , Grateful Dead , Jane's Addiction , Duran Duran , Fleetwood Mac , Rod Stewart , Funkadelic , James Taylor , Red Hot Chili Peppers , Mac Miller , R.E.M. , Bob James , David Sanborn , and
5400-571: The 1970s, the Kinney group built up a commanding position in the music industry. In 1970, Kinney bought Elektra Records and its sister label Nonesuch Records (founded by Jac Holzman in 1950) for $ 10 million, bringing in leading rock acts, including the Doors , Tim Buckley , and Love , and its historically significant folk archive, along with the successful budget Western classical-music label Nonesuch Records . The purchase of Elektra-Nonesuch brought
5550-555: The 20th century, surpassing both " Yesterday " by the Beatles and " Stand by Me " by Ben E. King . The group's 1968 Greatest Hits album was also a major hit, reaching No. 4 on the US album chart. In 1968, Mason Williams ' instrumental composition " Classical Gas " reached No. 2 on the Billboard chart, selling more than a million copies, and Williams won three Grammys that year. Another notable Warner release from this period
5700-480: The Cars and Warner Bros. signed Prince , giving WEA several of the biggest-selling acts of the decade. WEA's labels also distributed a number of otherwise independent labels. For example, Warner Bros. distributed Straight Records , DiscReet Records , Bizarre Records , Bearsville Records , and Geffen Records (the latter was sold to MCA in 1990). Atlantic Records distributed Swan Song Records . In 1975, WEA scored
5850-537: The Ertegun brothers and Wexler between them 66,000 shares of Warner Bros.' common stock. On June 1, 1968, Billboard announced that Warner Bros. Records' star comedy performer Bill Cosby had turned down a five-year, US$ 3.5 million contract renewal offer, and would leave the label in August of that year to record for his own Tetragrammaton Records label. Just over one month later (July 13) Billboard reported on
6000-504: The Geffen-Roberts management company to Roberts and Warner paid Geffen and Roberts 121,952 common shares worth $ 4,750,000 at the time of the sale, plus $ 400,000 in cash and a further $ 1.6 million in promissory notes convertible to common stock. Although it seemed a lucrative deal at the time, Geffen soon had reason to regret it. Uncharacteristically, he had greatly underestimated the value of his assets—within Asylum's first year as
6150-531: The German classical label Teldec and the British Magnet label. In 1989, it was announced that Warner Communications was to merge with Time Inc. to form Time Warner , a transaction that was completed in 1990. Following the merger, WEA continued acquiring independent labels, buying CGD Records (Italy) and MMG Records (Japan) in 1989. Through the 1990s, Time Warner was the largest media company in
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6300-450: The Reprise acquisition, Warner gained the services of Mo Ostin , who was mainly responsible for the success of Warner/Reprise. After Warner Bros. was sold to Seven Arts Productions in 1967 (forming Warner Bros.-Seven Arts ), it purchased Atlantic Records , founded in 1947 and WMG's oldest label (until WMG completed its acquisition of Parlophone in 2013), as well as its subsidiary Atco Records . This acquisition brought Neil Young into
6450-654: The Time Warner merger—in 1990, WEA purchased French label Carrere Records , in 1992 it bought the leading French classical label Erato , and in 1993, it bought the Spanish DRO Records , Hungary's Magneoton label, the Swedish Telegram Records, Brazil's Continental Records and Finnish label Fazer Musiikki. WEA was renamed Warner Music in 1991. Atlantic launched two new subsidiary labels in the early 1990s: East West Records and Interscope Records . In 1995, East West absorbed Atco Records and
6600-465: The US (said rights previously being held by Laurie Records ). Clark soon scored a No. 1 US hit with " Downtown ". Warner also released other Pye artists in the US market such as the Kinks. Another significant development in the label's history came in 1966 when Ostin hired young independent producer Lenny Waronker as an A&R manager, beginning a strong and enduring mentor/protegé relationship between
6750-405: The US and selling more than eight million copies, and their debut Warner Bros. album It's Everly Time reached No. 9 on the album chart. In late 1959, Warner Bros signed a virtually unknown Chicago-based comedian, Bob Newhart , marking the beginning of the label's continuing involvement with comedy. Newhart provided the label's next major commercial breakthrough — in May 1960, three months after
6900-548: The United Kingdom, although this was undertaken as a cooperative venture rather than a formally incorporated business partnership. The Billboard article that reported the new arrangement also noted that, despite their intense competition in the US market, CBS continued to press Warner-Reprise recordings in the US. However the new UK arrangement was a major blow to Warner's previous British manufacturer Pye Records , for whom Warner-Reprise had been their largest account. With
7050-485: The United States. Among the earliest American metal acts to be signed to WEA were Alice Cooper , Montrose , and Van Halen . Up to this point the Kinney-owned record companies had relied on licensing deals with overseas record labels to manufacture, distribute and promote its products in other countries; concurrent with the establishment of its new distribution arm, the company now began establishing subsidiaries in
7200-526: The Warner Group thanks to content assets like Seinfeld and the highly successful The Lord of the Rings film trilogy. By the early 1990s, senior Warner staff like Ostin and Waronker had remained in their positions for several decades—a highly unusual situation in the American music industry—but the death of Steve Ross destabilized the Time Warner hierarchy, and over the next few years the music group
7350-586: The Warner Music Group in the US, a decision that many saw as a deliberate move to hasten the departure of Ostin and Elektra head Robert Krasnow . Morgado's new structure was announced in August 1994 and Bob Krasnow resigned from Elektra the next day. Within days, after more than 30 years with the Warner music group and more than 20 years as president and chairman of Warner Bros. Records, Ostin announced he would not renew his current contract and would leave Warners when it expired on December 31, 1994. There
7500-484: The Warner family of labels were The Jimi Hendrix Experience 's Are You Experienced , Van Morrison 's Astral Weeks , The Grateful Dead 's Anthem of the Sun , The Doobie Brothers ' Toulouse Street , Tiny Tim 's God Bless Tiny Tim , and Joni Mitchell 's Clouds , which set off a trend of musicians creating the artwork for their own record sleeves. In 1973, when Frank Sinatra emerged from retirement with his comeback album, Thrasher shot candid photographs for
7650-548: The Warner group acquired another rich prize, David Geffen 's Asylum Records . The $ 7 million purchase brought in several acts that proved crucial to WEA's subsequent success, including Linda Ronstadt , the Eagles , Jackson Browne , Joni Mitchell , and later Warren Zevon . On the downside, however, it was rumored that Warner was soon concerned about its possible liability under the California State Labor Code because of Geffen's questionable status as both
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#17327905897077800-573: The Warner group in the years ahead– National Periodical Publications (which included DC Comics and All American Comics ), the Ashley-Famous talent agency, and Panavision . In the summer of 1969, Atlantic Records agreed to assist Warner Bros. Records in establishing overseas divisions, but when Warner executive Phil Rose arrived in Australia to begin setting up a subsidiary there, he discovered that just one week earlier Atlantic had signed
7950-650: The Warner publishing division — now called Warner/Chappell Music – acquired CPP/Belwin, becoming the world's largest owner of song copyrights and the world's largest publisher of printed music. In 1996, Time Warner Entertainment made another dramatic expansion of its media holdings, taking over the Turner Broadcasting System , which by then included the Turner cable TV network, CNN and the screen production houses Castle Rock Entertainment and New Line Cinema , acquisitions that brought huge profits into
8100-496: The aforementioned offers from MGM and ABC) and when he met with Ertegun in January 1970 and was offered Maitland's job, he was unwilling to re-sign immediately. In response, Ertegun broadly hinted that Maitland's days were numbered and that he, Ertegun, was about to take over the recording division. Unlike the Warner/Reprise executives, Atlantic's execs the Ertegun brothers (Ahmet and Neshui) and Wexler owned stock in Kinney. Ostin
8250-514: The album would be released, he was amazed to be told that the label was rushing all available copies to Minneapolis, because radio DJs there had broken it, and it had become so popular that a local newspaper was even printing the times that tracks would be played on air. He recalled that the success of the album almost instantly kick-started his career, and that he was soon being deluged with appearance offers, including The Ed Sullivan Show . A few months later, when Newhart met Conkling and Jack Warner at
8400-518: The band presented Warner Bros. with a planned live double album that they wanted to call Skull Fuck , but Ostin handled the matter diplomatically. Rather than refusing point-blank to release it, he reminded The Grateful Dead that they were heavily in debt to Warner's and would not see any royalties until this had been repaid; he also pointed out that the provocative title would inevitably hurt sales because major retailers like Sears would refuse to stock it. Realizing that this would reduce their income,
8550-458: The band voluntarily changed the title to Grateful Dead, known generally as Skull and Roses . Some of Warner Bros.' biggest commercial successes during this period were with " Sunshine Pop " acts. Harpers Bizarre scored a No. 13 Billboard hit in April 1967 with their version of Simon & Garfunkel 's " The 59th Street Bridge Song (Feelin' Groovy) ", and a month later The Association scored
8700-422: The band was ultimately signed by Atlantic Records , they eventually became part of the Warner Bros. catalogue after Atlantic was purchased by Warner Bros. Records. In 1967, Warner Bros. took over Valiant Records , which added hit-making harmony pop group The Association to the Warner roster. This acquisition proved to be another huge money-maker for Warner Bros.; The Association scored a string of major hits in
8850-414: The base of his family's funeral parlour business, Kinney president Steve Ross had rapidly built the Kinney company into a profitable conglomerate with interests that included comic publishing , the Ashley-Famous talent agency, parking lots and cleaning services. Following the takeover, Warners' music group briefly adopted the 'umbrella' name Kinney Music, because U.S. anti-trust laws at the time prevented
9000-615: The company fold, initially as a member of Buffalo Springfield . Young became one of Warner's longest-established artists, recording both as a solo artist and with groups under the Warner-owned Atlantic, Atco, and Reprise labels. Young also recorded five albums for Geffen Records during that label's period of Warner distribution. The Geffen catalogue, now owned by Universal Music Group , represents Young's only major recordings not under WMG ownership. Atlantic, its subsidiary Atco Records , and its affiliate Stax Records paved
9150-648: The company's cable television systems, including the interactive TV experiment QUBE , which MTV spun-off from). By 1984, however, Warner rapidly divested many of these recent acquisitions, including Atari, The Franklin Mint , Panavision , MTV Networks and a cosmetics business; this was due in large part to the 1983 video game crash , which Atari had played a central role in, and the resulting loss of profits and investor confidence (Warner-Amex's cable system expansion also contributed to Warner's financial downturn). WEA formed WEA Manufacturing in 1986. In 1988 WEA took over
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#17327905897079300-419: The company. Over the next thirty years, Wickham became one of Warner's most influential A&R managers, signing such notable acts as Emmylou Harris , Buck Owens , and Norwegian pop trio a-ha . During this formative period, Warner Bros. made several other notable new signings including Randy Newman and Van Dyke Parks . Newman would not make his commercial breakthrough until the mid-1970s but he achieved
9450-552: The concert, Warner A&R manager Joe Smith took the stage and announced, "I just want to say what an honor it is to be able to introduce the Grateful Dead and its music to the world," which prompted a cynical Jerry Garcia to quip in reply, "I just want to say what an honor it is for the Grateful Dead to introduce Warner Bros. Records to the world." Also in 1967, Warner/Reprise established its Canadian operation Warner Reprise Canada Ltd., replacing its distribution deal with
9600-527: The copyright, WEA International Inc., was created in early 1982, to handle distribution of all Warner Bros., Elektra, and Atlantic (all these namings accounting for the initials in the title " WEA ") releases for international countries. A proposed 1983 international merger between PolyGram and WEA was forbidden by both the US Federal Trade Commission and West Germany 's cartel office, so PolyGram's half-owner Philips then purchased
9750-453: The cover and also devised the album title Ol' Blue Eyes Is Back , which was widely used to promote Sinatra's return to recording and touring. Besides his work on album covers, Thrasher art-directed many of Warner Bros.' ads and posters from 1964 to 1979. In 1964, Warner Bros. successfully negotiated with French label Disques Vogue and Warner Bros.' British distributor Pye Records for the rights to distribute Petula Clark 's recordings in
9900-439: The creative salon that centered on Waronker at Warner Bros. and which, with Ostin's continuing support, became the catalyst for Warner Records' subsequent success as a rock music label. Initially, Waronker looked after the acts that Warner Bros. took over when they bought Autumn Records for $ 10,000, but during the year he also avidly pursued rising Los Angeles band The Buffalo Springfield . Although (much to his and Ostin's chagrin)
10050-433: The existing departments at Warner/Reprise. In retrospect Ertegun clearly feared that Maitland would ultimately have more power than him, and so he moved rapidly to secure his own position and remove Maitland. Maitland had put off renegotiating the contracts of Joe Smith and Mo Ostin, the presidents of the Warner Bros. and Reprise labels, and this provided Ertegun with an effective means of undermining Maitland. When Wexler—now
10200-471: The expiration of the band's contract with British Decca (then separate from the American label) and the acrimonious end to their business relationship with their former manager Allen Klein . Under the terms of the deal, Atlantic subsidiary Atco would distribute the Stones' recordings in the US, with other territories mainly handled by Warner Bros. international divisions. One of Kinney's wisest investments
10350-418: The financial year 1961–62 in the black for the first time since its founding. In August 1963, Warner Bros. made a "rescue takeover" of Frank Sinatra 's ailing Reprise Records as part of a deal to acquire Sinatra's services as a recording artist and as an actor for Warner Bros. Pictures. The total deal was valued at around US$ 10 million, and it gave Sinatra a one-third share in the combined record company and
10500-401: The group scored a major international hit with the single "Rhiannon" and consolidated with the best selling albums Fleetwood Mac , Rumours and Tusk . Due to a financial scandal involving price fixing in its parking operations, Kinney National spun off its non-entertainment assets in 1972 (as National Kinney Corporation ) and changed its name to Warner Communications Inc. In 1972,
10650-505: The group's in-house distribution arm, initially called . By late 1972, US anti-trust laws had changed and the company was renamed Warner-Elektra-Atlantic , WEA for short, which was renamed Warner Music in 1991 (the word "group" was added after the formation of AOL Time Warner in 2001). WEA was an early champion of heavy metal rock music. Several such bands, including three major British pioneers Led Zeppelin , Black Sabbath , and Deep Purple , were all signed to WEA's labels, at least in
10800-649: The head of Warner's advertising/merchandising division in its early years, was appointed to head WEA's US domestic division, and Ahmet Ertegun's brother Nesuhi was appointed to oversee its international operations. Neshui Ertegun, originally a Turkish native like his brother, displayed a global perspective and independence from its U.S. counterpart by successfully promoting international acts in their target markets worldwide. Ertegun headed WEA International until his retirement in 1987. A de facto committee of three senior marketing executives—Dave Glew from Atlantic, Ed Rosenblatt from Warner Bros. and Mel Posner from Elektra—oversaw
10950-471: The hit record, rather than Hunter's latest Warner movie. In 1958, the studio signed Hunter as its first artist to its newly formed record division, although his subsequent recordings for the label failed to duplicate his success with Dot. Warner Bros. agreed to buy Imperial Records in 1956 and, although the deal fell apart, it marked the breaking of a psychological barrier: "If the company was willing to buy another label, why not start its own?" To establish
11100-426: The hits by Sinatra and his daughter Nancy , and the label also secured the US distribution rights to the recordings of the Kinks and Jimi Hendrix . Most importantly for the future of the company, the merger brought Reprise manager Mo Ostin into the Warner fold and "his ultimate value to Warner Bros. would dwarf Sinatra's." Ostin's business and musical instincts, and his rapport with artists were to prove crucial to
11250-705: The idea of setting up a joint distribution network for Warner, Elektra, and Atlantic. An experimental branch was established in Southern California as a possible prototype for an expanded operation. It was soon apparent in 1969 that Atlantic/Atco president Ahmet Ertegun viewed Warner/Reprise president Mike Maitland as a rival. Maitland believed that, as vice-president in charge of the Warner Bros.-Seven Arts music division, he should have final say over all recording operations, and he further angered Ertegun by proposing that most of Atlantic's back-office functions (such as marketing and distribution) be combined with
11400-462: The industry standard of the day. The duo were fielding offers from all the major labels as their Cadence contract wound up, but Warners eventually won out because the brothers harboured ambitions to branch out into film, and the label's connection to the movie studio provided the perfect opportunity. Luckily, the Everlys' first Warner Bros. single " Cathy's Clown " was a smash hit, climbing to No. 1 in
11550-567: The integration of each label's marketing and distribution through the new division, but each label continued to operate totally independently in A&;R matters and also applied their own expertise in marketing and advertising. On July 1, 1971, following the pattern set by similar joint ventures in Canada and Australia, the Warner labels entered into a partnership with the British arm of CBS Records to press and distribute Warner-Reprise product in
11700-415: The introduction of television in the late 1940s. Legal changes also had a major impact on their business—lawsuits brought by major stars had effectively overthrown the old studio contract system by the late 1940s and, beginning in 1949, anti-trust suits brought by the U.S. government forced the five major studios to divest their cinema chains. In 1956, Harry Warner and Albert Warner sold their interest in
11850-427: The label afforded them, proved significant in building Warner Bros.' reputation and credibility. Bob Krasnow , who briefly headed Warner Bros.' short-lived 'black' label Loma Records, later commented that The Grateful Dead "...were really the springboard. People said, 'Wow, if they'll sign The Dead, they must be going in the right direction.'" Although not widely known to the general public at that time, Van Dyke Parks
12000-513: The label for releasing the song, Warner executives received death threats, Time Warner stockholders threatened to pull out of the company and the New Zealand police commissioner unsuccessfully tried to have the record banned there. Although Ice-T later voluntarily reissued Body Count without "Cop Killer", the furor seriously rattled Warner Music and in January 1993 the label made an undisclosed deal releasing Ice-T from his contract and returning
12150-595: The label to seek outside distribution, and late in the year TW sold its stake in Death Row back to co-owners Jimmy Iovine and Ted Field and soon after it sold off its share in Interscope to MCA Music Entertainment . The upheaval at Warner was beneficial to its rivals, who picked up valuable executives who had left Warner. Goldberg moved over to Mercury Records ; Morris joined MCA Music Entertainment Group and led its reorganization into Universal Music Group , now
12300-502: The label's creation was the music career of Warner Bros. actor Tab Hunter . Although Hunter was signed to an exclusive acting contract with the studio, it did not prevent him from signing a recording contract, which he did with Dot Records , owned at the time by Paramount Pictures . Hunter scored several hits for Dot, including the US No. 1 single , " Young Love " (1957) and, to Warner Bros.' chagrin, reporters were primarily asking about
12450-506: The label's dream run with comedy LPs into the late 1960s, releasing a string of highly successful albums on Warner Bros. over the next six years, alongside his groundbreaking career as a TV actor. The label's fortunes had finally turned around by 1962 thanks to the Everly Brothers , Newhart , folk stars Peter, Paul & Mary , jazz and pop crossover hit Joanie Sommers and comedian Allan Sherman , and Warner Bros. Records ended
12600-530: The label, and Warner Bros. executive Joe Smith later described it as "the most unreasonable project with which we have ever involved ourselves." The Grateful Dead's relationship with Warner Bros. Records was stretched even further by the making of their third album Aoxomoxoa (1969), which also took around seven months to record and cost $ 180,000, almost twice as much as its predecessor. It sold poorly and took almost thirty years to be accredited with gold-record status. There were further difficulties in 1971 when
12750-535: The label, and the first release was " Undercover Angel ". The song, which he described as a "nocturnal novelette", was released in February 1977. Within a few months it had become No. 1 in the country, and has sold approximately two million copies. It was also a hit in Australia, reaching No. 9 on the Australian Singles Chart. "Undercover Angel" also landed O'Day in an exclusive club as one of only
12900-527: The label, the company hired former Columbia Records president James B. Conkling; its founding directors of A&R were Harris Ashburn, George Avakian , and Bob Prince . Conkling was an able administrator with extensive experience in the industry—he had been instrumental in launching the LP format at Columbia and had played a key role in establishing the National Academy of Recording Arts and Sciences
13050-460: The largest and most successful labels in the world, including Elektra Records , Reprise Records , Warner Records , Parlophone Records (previously owned by EMI ), and Atlantic Records . WMG also owns Warner Chappell Music , one of the world's largest music publishers. Since August 2, 2018, WMG has expanded its business to digital media operations through its acquisition of Uproxx . The film studio Warner Bros. had no record label division at
13200-487: The late 1960s, and their 1967 hit " Never My Love " went on to become the second-most-played song on American radio and TV in the 20th century. During the year, the label also took its first tentative step into the burgeoning rock market when they signed leading San Francisco psychedelic rock group The Grateful Dead . Warner Bros. threw the band a release party at Fugazi Hall in San Francisco's North Beach . During
13350-404: The mainstream audience, and Warner Bros. took an early (though largely unsuccessful) lead in recording stereo LPs that targeted the new " hi-fi " market. The catalogue in this period included: Some albums featured jokey or self-deprecating titles such as: Almost all were commercial failures; and the only charting album in Warner Bros.' first two years was Warren Barker's 'soundtrack' album for
13500-464: The manager of most of the Asylum acts and the head of the record label to which they were signed. The sale included the Asylum Records label and its recordings, as well as Geffen's lucrative music publishing assets and the interests in the royalties of some of the artists managed by Geffen and partner Elliot Roberts . Geffen accepted a five-year contract with WCI and turned over his 75% share in
13650-494: The many artists whose careers he had helped to nurture. Lenny Waronker had agreed to take over as WBR chairman and CEO but in October 1994 he announced that he would not be taking up the position; he initially said that he would remain as President of WBR, but by this time there was already widespread speculation that he would leave, and he did so soon afterwards. The following year he re-joined Ostin and son Michael as joint head of
13800-494: The matter. Ben Kalmenson, a Warner Bros. company director and close aide to Jack Warner , summoned the label's directors to a meeting in New York and explicitly told them that both he and Warner wanted the deal and that they expected them to vote in favor of it. Despite these misgivings, the purchase ultimately proved very beneficial to the Warner group. Reprise flourished in the late 1960s thanks to Sinatra's famous comeback and
13950-470: The most expensive 'pop' albums ever made up to that time. It sold very poorly despite rave critical reviews, so publicist Stan Cornyn (who had helped the label to sign The Grateful Dead) wrote an infamous tongue-in-cheek advertisement to promote it. The ad cheekily declared that the label had "lost $ 35,509 on 'the album of the year' (dammit)," suggested that those who had purchased the album had probably worn their copies out by playing it over and over, and made
14100-403: The new division was soon earning solid profits of up to US$ 2 million every year. In 1930, Music Publishers Holding Company (MPHC) paid US$ 28 million to acquire Brunswick Records (which included Vocalion ), whose roster included Duke Ellington , Red Nichols , Nick Lucas , Al Jolson , Earl Burtnett , Ethel Waters , Abe Lyman , Leroy Carr , Tampa Red and Memphis Minnie , and soon after
14250-585: The newly launched DreamWorks label. Beginning in August 1994, Morgado alienated Morris by his clumsy handling of Warner's relationship with Interscope Records , the successful label founded by Ted Field and Jimmy Iovine and part-owned by Warner. Morgado had resisted making a decision about increasing the Warner stake in Interscope, which encouraged other companies to make overtures to the label; in response, Morgado threatened to send cease-and-desist notices to executives at several record companies, demanding that they stop approaching Interscope with buyout offers,
14400-558: The offer of a job at the movie studio. One week later, Mo Ostin was named as the new President of Warner Bros. Records, with Joe Smith as his executive vice-president. Ertegun nominally remained the head of Atlantic, but since both Ostin and Smith owed their new positions to him, Ertegun was now the de facto head of the Warner music division. Ertegun was given the formal title of executive vice-president-Music Group. Maitland moved to MCA Records later that year and successfully consolidated MCA's labels, which he couldn't do at Warner. During
14550-437: The offer that listeners could send these supposedly worn-out copies back to Warner Bros., who would exchange it for two new copies, including one "to educate a friend with." Incensed by the tactic, Parks accused Cornyn of trying to kill his career. Cornyn encountered similar problems with Joni Mitchell—he penned an advertisement that was meant to convey the message that Mitchell was yet to achieve significant market penetration, but
14700-515: The opportunity to use the company's cars, which were idle at night, he founded a successful car hire operation, which he later merged with the Kinney parking garage company. Ross took the company public in 1962, and from this base it expanded rapidly between 1966 and 1968, merging with National Cleaning Services in 1966 to form the Kinney National Company, and then acquiring a string of companies that would prove of enormous value to
14850-447: The other major markets, beginning with the creation of Warner Bros. Records Australia in 1970, soon followed by branch offices in the UK, Europe and Japan. In July 1971, the new in-house distribution company was incorporated as Warner-Elektra-Atlantic Distributing Corp. (WEA) and branch offices were established in eight major US cities; Joel Friedman a one-time Billboard writer who had been
15000-474: The previous year. However, Conkling had decidedly middle-of-the-road musical tastes (he was married to Donna King of vocal trio the King Sisters ), and was thus rather out of step with emerging trends in the industry, especially the fast-growing market for rock'n'roll music. Warner Bros. Records opened for business on March 19, 1958. Its early album releases (1958–1960) were aimed at the upscale end of
15150-499: The price of records from 75 to 35 cents. In December 1931, Warner Bros. offloaded Brunswick to the American Record Corporation (ARC) for a fraction of its former value, in a lease arrangement which did not include Brunswick's pressing plants. Technically, Warner maintained actual ownership of Brunswick, which with the sale of ARC to CBS in 1939 and their decision to discontinue Brunswick in favor of reviving
15300-578: The profits from Warner/Reprise, W7 purchased Atlantic Records for $ 17.5 million, including the label's valuable archive, its growing roster of new artists, and the services of its three renowned executives Jerry Wexler , Nesuhi Ertegun and Ahmet Ertegun . However, the purchase again caused rancor among the Warner/Reprise management, who were upset that their hard-won profits had been co-opted to buy Atlantic, and that Atlantic's executives were made large shareholders in Warner-Seven Arts—the deal gave
15450-461: The profits were divided between the retailers and the Atlantic employees involved), which had earlier caused 10 executives (including Maria) to lose their jobs amid the investigation. Lewinter subsequently sued Warner Music for wrongful termination. Despite early success with Dr. Dre and Snoop Dogg , and Morris's decision to increase Warner's stake to 50%, by the mid-1990s Interscope Records
15600-442: The record business booming – sales had topped US$ 500 million by 1958 – Semnenko argued that it was foolish for Warner Bros. to make deals with other companies to release its soundtracks when, for less than the cost of one motion picture, they could establish their own label, creating a new income stream that could continue indefinitely and provide an additional means of exploiting and promoting its contract actors. Another impetus for
15750-423: The record business for almost 20 years, and during this period it licensed its film music to other companies for release as soundtrack albums. Warner Bros. returned to the record business on March 19, 1958, with the establishment of its own recording division, Warner Bros. Records. By this time, the established Hollywood studios were reeling from multiple challenges to their former dominance—the most notable being
15900-488: The record division under Maitland. The Billboard article also noted the enormous growth and vital significance of W7's music operations, which were by then providing most of Warner-Seven Arts' revenue—during the first nine months of that fiscal year, the recording and publishing divisions generated 74% of the corporation's total profit, with the publishing division alone accounting for over US$ 2 million of ASCAP 's collections from music users. In 1969, Warner Bros.-Seven Arts
16050-550: The right. Below the shield in white Rockwell font, it read "VITAPHONIC HIGH FIDELITY;" this 45 label was used for two years, 1958 – 1960. This initial 45 label was soon replaced by a new, all-red label with the WB shield logo at 9 o'clock and a number of different-colored arrows (blue, chartreuse, and yellow) surrounding and pointing away from the center hole. The first hit was the novelty record " Kookie, Kookie (Lend Me Your Comb) ", with words and music by Irving Taylor, which reached No. 4 on
16200-644: The sale led to Stax leaving Atlantic because Seven Arts Productions insisted on keeping the rights to Stax recordings. Atlantic moved decisively into rock and pop in the late 1960s and 1970s, signing major British and American acts including Led Zeppelin , Cream , Crosby Stills & Nash , Yes , Emerson, Lake & Palmer , Genesis , Average White Band , Dr. John , King Crimson , Bette Midler , Roxy Music , and Foreigner . An earlier attempt by Warner Bros. Records to create an in-house distribution arm in 1958 did not materialize. So in 1969, Elektra Records boss Jac Holzman approached Atlantic's Jerry Wexler with
16350-508: The sale to Warner Bros., the label signed rising radio and recording stars Bing Crosby , Mills Brothers , and Boswell Sisters . Unfortunately for Warner Bros., the dual impact of the Great Depression and the introduction of broadcast radio greatly harmed the recording industry—sales crashed, dropping by around 90% from more than 100 million records in 1927 to fewer than 10 million by 1932 and major companies were forced to halve
16500-403: The same term [REDACTED] This disambiguation page lists articles associated with the title WMG . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=WMG&oldid=1246298804 " Category : Disambiguation pages Hidden categories: Short description
16650-560: The scheduled addition of the UK rights to the Atlantic catalogue, which would revert to Kinney in early 1972, Billboard predicted that the Warner-CBS partnership would have a 25–30% share of the UK music market. In April 1971, thanks mainly to the influence of Ahmet Ertegun, the Kinney group announced a major coup with its acquisition of the worldwide rights to the Rolling Stones ' new label Rolling Stones Records , following
16800-400: The share value over five years. Acting on Jac Holzman's suggestion that Kinney should take Asylum from Atlantic and merge it with Elektra, Ross then appointed Geffen to run the new combined label. In 1977, Warner Bros. Music, led by president Ed Silvers, formed Pacific Records for their composers and distributed (appropriately) by Atlantic Records . Alan O'Day was the first artist signed to
16950-495: The song (which mentioned the Rodney King case) was issued just before the controversial acquittal of the police charged with King's beating, which sparked the 1992 Los Angeles Riots and the confluence of events put the song under the national spotlight. Complaints escalated over the summer—conservative police associations called for a boycott of Time Warner products, politicians including President George H. W. Bush denounced
17100-604: The song's chorus, but although her record contract entitled her to a five-percent royalty rate, the label arbitrarily defined her contribution to be a favor to Byrnes, and assigned her just 1% royalty on the song, despite the fact that, as she soon discovered, her name was being prominently displayed on the single's label. Warner Bros. also charged her for a share of the recording costs, which was to be recouped from her drastically reduced royalty. When Stevens scored her own hit single with " Sixteen Reasons " in 1960, Warner Bros. refused to allow her to perform it on Hawaiian Eye because it
17250-507: The studio and the board was joined by new members who favored a renewed expansion into the music business—Charles Allen of the investment bank Charles Allen & Company, Serge Semenenko of the First National Bank of Boston and investor David Baird. Semenenko in particular had a strong professional interest in the entertainment business and he began to push Jack Warner on the issue of setting up an 'in-house' record label. With
17400-407: The studio's hit series 77 Sunset Strip , which reached No. 3 in 1959. Tab Hunter's " Jealous Heart " (WB 5008), which reached No. 62, was Warner Bros.' only charting single during its first year. Early Warner Bros. singles had distinctive pink labels, with the WB logo at the top center and "WARNER" in white Hellenic font to the left of the WB shield and "BROS." in the same color and style font to
17550-505: The success of "Cathy's Clown", Newhart's debut album The Button-Down Mind of Bob Newhart unexpectedly shot straight to No. 1 in the US, staying at the top for fourteen weeks, charting for more than two years and selling more than 600,000 copies. Capping this commercial success, Newhart scored historic wins in three major categories at the 1961 Grammy Awards — he won Album of the Year for Button-Down Mind , his quickly released follow-up album, The Button-Down Mind Strikes Back (1960) won
17700-528: The success of the Warner labels over the next two decades. In 1964, Warner Bros. launched Loma Records , which was meant to focus on R&B acts. The label, run by former King Records promotion man Bob Krasnow , would release over 100 singles and five albums, but saw only limited success and was wound down in 1968. An important addition to the Warner Bros. staff in this period was Ed Thrasher , who moved from Columbia Records in 1964 to become Warner/Reprise's head art director. Among his design credits for
17850-405: The tag-line "Joni Mitchell is 90% Virgin" reportedly reduced Mitchell to tears, and Cornyn had to withdraw it from publication. Warner Bros. also struggled with their flagship rock act, The Grateful Dead who, like Peter, Paul and Mary , had negotiated complete artistic control over the recording and packaging of their music. Their debut album had been recorded in just four days, and although it
18000-560: The then-unknown singer-songwriter to Witmark for an advance of $ 5000. Two years later in 1963, Peter, Paul & Mary scored two consecutive Top 10 hits with Dylan songs, launching Dylan's career, and this was followed by many more hits by artists covering Dylan's songs, alongside the growing commercial success of Dylan himself. Grossman benefited enormously from both deals, because he took a 25% commission as Dylan's manager, and he structured Dylan's publishing deal so that he received 50% of Witmark's share of Dylan's publishing income —a tactic that
18150-625: The three labels from trading as one. Ross was primarily focused on rebuilding the company's ailing movie division and was happy to defer to the advice of the managers of the company's record labels, since he knew that they were generating most of the group's profits. Ertegun's campaign against Maitland began in earnest that summer. Atlantic had agreed to help Warner Bros. in its efforts to establish its labels overseas, beginning with its soon-to-be-established Warner Bros. subsidiary in Australia, but when Warner executive Phil Rose arrived in Australia, he discovered that just one week earlier Atlantic had signed
18300-672: The time one of its contracted actors, Tab Hunter , scored a No. 1 hit song in 1957 for Dot Records , a division of rival Paramount Pictures . In order to prevent any repetition of its actors recording for rival companies, and to also capitalize on the music business, Warner Bros. Records was created in 1958; its original office was located above the film studio's machine shop on 3701 Warner Boulevard in Burbank, California . In 1963, Warner purchased Reprise Records , which had been founded by Frank Sinatra three years earlier so that he could have more creative control over his recordings. With
18450-416: The trade press by the abbreviation it adopted for its new logo, "W7"). Although Warner Bros. Pictures was faltering, the purchase coincided with a period of tremendous growth in the music industry, and Warner-Reprise was now on its way to becoming a major player in the industry. Hyman's investment banker Alan Hirshfeld, of Charles Allen and Company, urged him to expand the company's record holdings, and arranged
18600-407: The two. Waronker, the son of Liberty Records founder Simon Waronker , had previously worked as an assistant to Liberty producer Snuff Garrett . Later he worked with the small San Francisco label Autumn Records , founded by disc jockeys Tom Donahue , Bobby Mitchell , and Sylvester Stewart (who would soon become famous as a musician under his stage name Sly Stone). Waronker had been hired as
18750-435: The verge of signing with Atlantic Records , but before the deal could be completed they were poached by Warner Bros. Artie Mogull (who worked for one of Warner Bros.' publishing companies, Witmark Music) had introduced their manager Albert Grossman to Herman Starr, and as a result the group signed a recording and publishing deal with Warner Bros. Grossman's deal for the group broke new ground for recording artists — it included
18900-605: The way for Warner's rise to industry prominence. The purchase brought in Atlantic's lucrative back catalogue, which included classic recordings by Ray Charles , the Drifters , the Coasters , and many more. In the mid-1960s, Atlantic/Stax released a string of landmark soul music recordings by artists including Booker T & the MGs , Sam & Dave , Wilson Pickett , Otis Redding , Ben E. King , and Aretha Franklin . Ultimately,
19050-715: The widely revered Ostin—Morgado was viewed as an outsider at Warner. Nevertheless, he gained favour with Ross and Levin and was promoted in 1985 to oversee the Warner international music division after helping the company slash costs in its computer game sector. Since his appointment as head of WBR, Ostin had always reported directly to Steve Ross and his successor Gerald Levin , but in late 1993, when Ostin's contract came up for renewal, Morgado asserted his authority, insisting that Ostin should now report directly to him. The tensions between them reached boiling point in July 1994 when Morgado appointed former Atlantic chief Doug Morris to head
19200-618: The world's largest record company". This led to a climactic meeting between Morris and Gerald Levin in late October, at which Morris reportedly threatened to quit if he had to continue to report to Morgado. Morgado gave in to the demand that Morris be granted autonomy to run the North American operations and he was forced to upgrade Morris's position from chief operating officer to Chief Executive of Warner Music Group (US); Morris promptly named Danny Goldberg , former president of Atlantic Records, to run WBR in defiance of Morgado, who had
19350-423: The world's largest record company. In November 1995, Fuchs was himself sacked by Levin, leaving the company with a reported US$ 60 million " golden parachute ", and Time Warner co-chairmen Robert A. Daly and Terry Semel took over the running of the music division. Warner Bros. Records Warner Records Inc. (known as Warner Bros. Records Inc. until 2019) is an American record label . A subsidiary of
19500-416: The world, with assets in excess of US$ 20 billion and annual revenues in the billions of dollars; by 1991, Warner's music labels were generating sales valued at more than US$ 3 billion, with operating profits of $ 550 million, and by 1995, its music division dominated the US music industry with a 22% share of the domestic market. Acquisitions and corporate changes within the Warner group of labels continued after
19650-431: Was Astral Weeks , the second solo album by Van Morrison (his first was on Bang ), who signed with the label in 1968. Although it sold relatively poorly on its first release (and did not reach gold record status until 2001), it has been widely acclaimed by musicians and critics worldwide, has featured on many "Best Albums of All Time" lists, and has remained in release almost continuously since 1968. During 1968, using
19800-433: Was Fleetwood Mac . The band signed with Reprise in the early 1970s after relocating to the US, and the label supported the group through numerous lineup changes and several lean years during which the band's records sold relatively poorly, although they remained a popular concert attraction. Ironically, after the group's transfer to Warner Bros. in 1975 and the recruitment of new members Lindsey Buckingham and Stevie Nicks ,
19950-484: Was a figure of high repute on the L.A. music scene thanks to his work as a session musician and songwriter (notably with the Byrds and Harper's Bizarre ), and especially because of his renowned collaboration with Brian Wilson on the legendary unreleased Beach Boys album Smile . In 1967, Lenny Waronker produced Parks' Warner debut album Song Cycle , which reportedly cost more than $ 35,000 to record, making it one of
20100-586: Was because the Warner board was reluctant to write off the additional $ 2 million the label was owed in outstanding receivables and inventory. After a restructure, Conkling was obliged to report to Herman Starr; he rejected a buyout offer by Conkling and a group of other record company employees but agreed to keep the label running in exchange for heavy cost-cutting—the staff was reduced from 100 to 30 and Conkling voluntarily cut his own pay from $ 1000 to $ 500. Warner Bros. now turned to rock'n'roll acts in hopes of advancing its sales but their first signing, Bill Haley ,
20250-424: Was being seen as a liability for the Warner group. Time Warner's board and investors had already been bruised by the damaging 1992 " Cop Killer " controversy and now they were faced with renewed criticism about the gangsta rap genre, in which Interscope's associate imprint Death Row Records was a key label. In mid-1995, Time Warner refused to distribute the Interscope album Dogg Food by Tha Dogg Pound , forcing
20400-449: Was booked for a two-week residency as the opening act, beginning February 12, 1960, and Newhart freely admitted to being "terrified" on his first night. He quickly realised that he had only enough material for one side of an album, but by the time Warner A&R manager George Avakian arrived for the recording, Newhart had hastily written enough new material to fill both sides of an LP. When Newhart contacted Warners in April to find out when
20550-547: Was by then past his prime and failed to score any hits. The label was more fortunate with its next signing, the Everly Brothers , whom Warner Bros. secured after the end of their previous contract with Cadence Records . Herman Starr effectively gambled the future of the company by approving what was reputed to be the first million-dollar contract in music history, which guaranteed the Everly Brothers $ 525,000 against an escalating royalty rate of up to 7 percent, well above
20700-448: Was eventually folded into Elektra Records. In 1996, after causing much controversy, Interscope was purchased by MCA Music Entertainment . During 1992, Warner Music faced one of the most serious public-relations crises in its history when a major controversy erupted over the provocative Warner Bros. recording " Cop Killer " from the self-titled album by Body Count , a heavy metal / rap fusion band led by Ice-T . Unfortunately for Warner,
20850-470: Was forming an in-house distribution arm for the co-owned labels. By this time, Warner-Reprise's frustrations with its current distributors had reached breaking point; Joe Smith (then executive vice-president of Warner Bros.) recalled that the Grateful Dead were becoming a major act but the distributor was constantly out of stock of their albums. These circumstances facilitated the full establishment of
21000-503: Was increasingly disrupted by internal power struggles, leading to a string of major executive upheavals in 1994–95, which The New York Times described as "a virtual civil war". The central conflict was between Mo Ostin and Warner Music Group chairman Robert Morgado, who had joined the Warner group in the late 1980s. Because of his political background (he had been the chief-of-staff to former New York governor Hugh L. Carey ) and his lack of music industry experience — especially compared to
21150-478: Was later emulated by other leading artist managers such as David Geffen . Meanwhile, the label enjoyed further major success with comedy recordings. Comedian Allan Sherman (who had been signed on the personal recommendation of George Burns ), issued his first Warner LP My Son, the Folk Singer in 1962. The album, which satirized the folk boom, became a major hit, selling over a million copies, and winning
21300-514: Was merely a pretext, and that the studio effectively scapegoated Conkling for the label's earlier failures, pointing to the fact that Conkling's successor had been selected well before Conkling was terminated. Conkling resigned in the fall of that year, and was replaced by Mike Maitland, another former Capitol Records executive. Around the same time, Joe Smith was appointed as head of promotions. Warner Bros. made another prescient signing in folk group Peter, Paul & Mary . The trio had been on
21450-438: Was more negative publicity the following month, when leading Elektra act Metallica launched a lawsuit against the label, seeking a release from their contract and ownership of their master tapes, and claiming that Morgado had refused to honor a deal they had worked out with Krasnow before he quit. Ostin's departure marked a seismic shift in the corporate culture at WBR and the news was greeted with dismay by industry insiders and
21600-665: Was not a major hit, it cracked the US Top 50 album chart and sold steadily, eventually going gold in 1971. For their second album, The Grateful Dead took a far more experimental approach, embarking on a marathon series of recording sessions lasting seven months, from September 1967 to March 1968. They started the album with David Hassinger , who had produced their first album, but he quit the project in frustration in December 1967 while they were recording in New York City (although he
21750-400: Was not published by MPHC, and they also prevented her from singing it on The Ed Sullivan Show , thereby robbing her of nationwide promotion (and a $ 5000 appearance fee). With only two hits to its credit in two years, the label was in serious financial trouble by 1960, having lost at least US$ 3 million and music historian Fredric Dannen reports that the only reason it was not closed down
21900-498: Was publicly traded on the New York Stock Exchange from 2005 until 2011, when it announced its privatization and sale to Access Industries . It later had its second IPO on Nasdaq in 2020, once again becoming a public company. With a multibillion-dollar annual turnover, WMG employs more than 4,500 people and has operations in more than 50 countries throughout the world. The company owns and operates some of
22050-502: Was replaced by WBR vice-chairman Russ Thyret . That August saw yet another resignation, that of Mel Lewinter, then president and COO of Warner Music's domestic music operations; while Lewinter being an ally of Morris played a role in the former's ouster, speculation ran rampant about it also having to do with a internal investigation into improper sales practices (involving tens of thousands of CDs being stolen from Atlantic by sales manager Nick Maria, then being secretly resold to retailers;
22200-479: Was reportedly unimpressed by Hendrix's now-famous performance. During his visit he met Andy Wickham , who had come to Monterey as an assistant to festival promoter Lou Adler . Wickham had worked as a commercial artist in London , followed by a stint with Andrew Loog Oldham 's Immediate Records before moving to Los Angeles to work for Adler's Dunhill label. Ostin initially hired Wickham as Warner's "house hippie" on
22350-531: Was taken over by the Kinney National Company , headed by New York businessman Steve J. Ross , who would successfully lead the Warner group of companies until his death in 1992. The US$ 400 million deal created a new conglomerate that combined the Warner film, television, recording, and music publishing divisions with Kinney's multi-faceted holdings. Ross had founded the company in the late 1950s while working in his family's funeral business—seeing
22500-426: Was understandably concerned that, if he accepted the position, the Warner Bros. staff would feel that he had stabbed Maitland in the back, but his attorney convinced him that Maitland's departure was inevitable, regardless of whether or not he accepted the post (succinctly advising him, "Don't be a schmuck"). On Sunday January 25, Ted Ashley went to Maitland's house to tell him he had been dismissed, and Maitland declined
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