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WEA Film Study Group

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The WEA Sydney Film Society is a nonprofit film society based in Sydney , Australia . It is a club of WEA Sydney , which is part of the Workers' Educational Association .

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34-514: It was established as WEA Film Study Group in 1961. The society had its first meeting on 23 February 1961. Ken Quinnell was present at the first meeting. The first president was Ian Klava , Pat Roos was the first secretary. Sid Gore was on the first committee. As well as being a founder of the WEA Film Study Group, Ian Klava had memberships of a number of film societies including Sydney University Film Group , Sydney Film Society,

68-619: A more competitive tax incentive. After a long lobbying process, significant improvements were introduced to the Section 481 relief for investment in film projects in 2009 to boost employment in the industry and help re-establish Ireland as an attractive global location for film and television production. Kevin Moriarty, managing director of Ardmore Studios in County Wicklow , has described Ireland as an "attractive film location" that

102-547: A slate of critically acclaimed animated films such as Song of the Sea , released in 2014., The Breadwinner released in 2017 and Wolfwalkers in 2020. The Film Act of 1980 set the foundation for an expanding Irish-based film industry. It provided, among other things, very advantageous tax advantages for film productions and resident foreign creative individuals. A number of world-renowned writers, including Len Deighton, Frederick Forsyth, and Richard Condon took advantage of

136-619: A year. There is a short recess after Christmas and during the Sydney Film Festival . The group usually do not screen on public holidays or during public holiday weekends. The Society's screening room is located on the ground floor of the WEA Centre at 72 Bathurst Street, Sydney . Films including animation and avant-garde programs came from Australia , the USA , Great Britain , Ireland , Canada , France , Germany , Italy ,

170-464: Is among the most prolific. It has produced the award-winning TV series Skunk Fu! as well as a feature film, 2009's The Secret of Kells , animated primarily with Traditional paper and pencil hand drawn animation and detailing a fictitious account of the creation of the Book of Kells . The film was nominated at the 82nd Academy Awards for Best Animated Feature . Since then, Cartoon Saloon had released

204-792: Is recognised for the "quality of the output of the Irish film industry and a perception that Ireland is a viable film destination". Notable films that have been filmed in Ireland include The Quiet Man (1952), Ten Little Indians (1965), The Lion in Winter (1968), The First Great Train Robbery (1979), Excalibur (1981), The Fantasist (1986), Braveheart (1995), Reign of Fire (2002), King Arthur (2004), The Guard (2011), Star Wars: The Force Awakens (2015), and Star Wars: The Last Jedi (2017). The first cinema in Ireland,

238-453: Is the cornerstone of a smart and creative digital economy”. In addition to the economic benefit that the Irish film industry brings in by way of cash investment from overseas and the associated VAT, PAYE and PRSI receipts, it was reported in 2009 that there were also "soft benefits" in terms of the development and projection of the Irish culture and the promotion of tourism. Some of the most successful Irish films include The Wind That Shakes

272-626: The Volta , was opened at 45 Mary Street, Dublin, in 1909 by the novelist James Joyce . Ireland has a relatively high rate of cinema attendance, and had the highest rate in Europe in 2017. There are several cinema chains operating in Ireland. Among them are ODEON Cinemas (formerly UCI /Storm Cinemas), Omniplex , IMC Cinemas (Both Omniplex and IMC are owned by the Ward Anderson group), Cineworld , Vue and Movies@Cinemas. Ardmore Studios

306-628: The Australian Council of Film Societies . The society has produced journals other publications. These include film notes for the Newport Film Weekend "Men with guns : an examination of gangster and western films" (1965) by Ian McPherson and John Flaus and the monographs "French film noir" (1978) by Tom Politis and "Stanley Hawes, documentary film-maker" (1980) by Valda Lyle, Tom Politis, and Ross Stell. The society had its first meeting on 23 February 1961. They celebrated

340-621: The National Film and Sound Archive . Many significant films can only be seen in Australia by members of the general public if they belong to a film society . A number of the titles available on 16mm film for the film society screenings are not currently available on pay or free-to-air television , videocassette or Region 4 DVD . WEA Sydney Film Society is a member of the Federation of NSW and Associated Film Societies and

374-706: The Variety article stated that Ireland then had "more than a dozen directors and writers with significant and growing international reputations" and listed directors such as Lenny Abrahamson , Conor McPherson , John Crowley , Martin McDonagh , John Michael McDonagh , John Carney , Kirsten Sheridan , Lance Daly , Paddy Breathnach and Damien O'Donnell and writers such as Mark O'Rowe , Enda Walsh and Mark O'Halloran . Former Minister for Arts, Sport and Tourism Martin Cullen (2008–2010) said that “the film industry

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408-594: The WEA Film Study Group . Since April 1978 the WEA Film Study Group has published the Monthly Bulletin to provide film notes and film news to its members. In 1999 it changed its name to WEA Sydney Film Society. Notable Committee members include Ian Klava , John Flaus , Denis Trimas, Doug Roberts, Tom Politis, and Leth Maitland. It screens a double-feature program each Sunday at noon and on occasional Saturdays. There are about 48 programs

442-446: The former USSR , Egypt and India . Silent films projected at appropriate speed, with well-chosen accompaniment continue to be popular. Art-house films as well as wide-screen blockbusters such as 55 Days at Peking have been featured. Most of the films screened by the society are selected from the more than 6,000 titles held by the National Film and Video Lending Service , owned and managed by National Film and Sound Archive –

476-579: The 1960s he was a member of the WEA Film Study Group , where he met writers Michael Thornhill and Frank Moorhouse . From 1966 to 1968 Quinnell and Michael Thornhill published SCJ: The Sydney Cinema Journal . Thornhill and Quinnell have worked in the Australian film industry . Quinnell wrote the screenplays for Cathy's Child (1979) (with Dick Wordley) adapted from Wordley's novel Hoodwink (1981); and The City's Edge (1983), originally titled The Running Man . The City's Edge , which

510-606: The Academy Award for Best Short Film in 2006 while the short film New Boy was nominated for the same award in 2009. In 2009 a record seven IFB funded films ( Ondine , Perrier’s Bounty , Triage , A Shine of Rainbows , Eamon , Cracks , and Colony ) were selected for the Toronto International Film Festival. The director Tony Keily criticised the board's insistence on funding "uncommercial commercial cinema". Paul Melia also criticised

544-1066: The All Nations Club Film Group, the Sydney Cinema Society, and the Catholic Film Society. He also worked for the Department of Information film Unit and was Director of Sydney Film Festival from 1962 to 1965. In the first twelve months of its operation the WEA Film Study Group had presented such films as " Kameradschaft ", " The Sentimental Bloke ", " Animal Farm ", "The Last Laugh", "The Titan" and "Berlin Olympic Games". The society held some film weekends, both residential at Newport and non-residential film weekends. These included an Eisenstein Weekend held in October, 1963 with one of

578-698: The Australian Commonwealth Film Unit gave a lecture at the film weekend. Occasionally the WEA Film Study Group and the Sydney University Film Group have combined to present film screenings. These have included The Siege of Pinchgut (1959), in July 1965, presented at Margaret St., Sydney. After they moved to Clarence St. Sydney, they also presented a weekend "Signs and Meaning in the Cinema" season, based on

612-466: The Barley (2006), Intermission (2003), Man About Dog (2004), Michael Collins (1996), Angela's Ashes (1999), The Commitments (1991), Once (2007) and The Quiet Girl (2022). Mrs. Brown's Boys D'Movie (2014) holds the record for the biggest gross on the opening day of an Irish film in Ireland. During the 20th century, a number of films were censored or banned, owing largely to

646-769: The Irish film industry investing in talent, creativity and enterprise. The agency supports and promotes the Irish film industry and the use of Ireland as a location for international production. The Irish Film Board was set up in 1981 to boost the local industry, and one of its earliest supported projects was The Outcasts in 1982. After the infamous closure of the Irish Film Board in 1987, Irish stories and filmmakers continued to break through with considerable international success My Left Foot (Jim Sheridan), The Crying Game (Neil Jordan), The Commitments (Alan Parker) all made with non-Irish finance. The success of these projects coupled with intensive local lobbying led to

680-793: The Oscar-winning film Once and the Palme d'Or winner The Wind That Shakes the Barley experienced international success in the early 21st century. Once , which was made on a shoestring budget, took over $ 10 million at the US box office and over $ 20 million in worldwide ticket sales, while The Wind That Shakes the Barley was distributed theatrically in 40 territories worldwide. Over the last four years, Irish films have screened and won awards at several international film festivals including Cannes, Sundance, Berlin, Toronto, Venice, London, Tribeca, Edinburgh and Pusan. The Wind That Shakes The Barley won

714-551: The allowances, residing in Ireland for a number of years. The Film Act was the result of an initial collaboration between the Taoiseach , Jack Lynch , and Lynn Garrison , an aerial film director who shared a semi-detached house with Lynch. The Film Act became the basis for other national film acts throughout Europe and America. Bord Scannán na hÉireann/the Irish Film Board (IFB) is the national development agency for

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748-573: The famous cinema book by Peter Wollen , in September and October 1969. In April 1970 they presented at weekend of Silent Comedy. The last time the two societies combined in screenings was 1973. From July 1965 to December 1967 the WEA Film Study Group published the cinema journal FILM DIGEST . This journal was edited by John Baxter Notable screenwriters , filmmakers and film critics such as Frank Moorhouse , Michael Thornhill , Ken Quinnell , John Baxter and John Flaus have been members of

782-417: The fiftieth anniversary of its founding by screening two films on 27 February 2011. These films were Z Channel: A Magnificent Obsession (2004) and Overlord (1975). Ken Quinnell Ken Quinnell (born 1939) is an Australia screenwriter and film director. Quinell has a background in publishing and freelancejournalism , including working for Screen International and Rolling Stone . In

816-536: The influence of the Catholic Church with films including The Great Dictator (1940), A Clockwork Orange (1971) and Life of Brian (1979) being banned at various times, although virtually no cuts or bans have been issued as of the early 21st century. The Irish Film Classification Office policy is that of personal choice for the viewer, considering his job to examine and classify films rather than censor them. The first fictional film shot in Ireland

850-513: The late 20th century, due partly to the promotion of the sector by Fís Éireann/Screen Ireland and the introduction of heavy tax breaks. According to the Irish Audiovisual Content Production Sector Review carried out by the Irish Film Board and PricewaterhouseCoopers in 2008 this sector, has gone from 1,000 people employed six or seven years previously, to well over 6,000 people in that sector by

884-945: The prestigious Palme d'Or award for Best Film at the Cannes Film Festival in 2006, while Garage , directed by Lenny Abrahamson, picked up the CICEA Award at the Directors Fortnight at the festival in 2007. After winning the Audience Award at the Sundance Film Festival in 2007, Once went on to win the Best Foreign Film prize at the Independent Spirit Awards in 2008 and an Academy Award for Best Original Song. The Irish short film Six Shooter won

918-513: The re-establishment of the Irish Film Board in 1993. Many film critics point to the fact that the Irish Film Board's output has been poor, as most films which are chosen for funding do little or no business outside of the country, and are rarely popular in Ireland. However, IFB funded films like Intermission , I Went Down , Man About Dog , The Wind That Shakes The Barley , and Adam & Paul proved popular with domestic audiences and had "respectable" box office performance in Irish cinemas. Both

952-660: The speakers being filmmaker Gil Brealey . Another residential film weekend was "Men with guns: an examination of gangster and western films", held at Newport, on 26–28 February 1965 with speakers, Ian McPherson and John Flaus. On the Anzac Day Weekend in 1966, the society held a film weekend at Newport with the theme: "Myth and Reality". On 3 and 4 December 1966, the society held a non-residential film weekend on D. W. Griffith , with such features as Way Down East (1920), Orphans of The Storm (1922), and Isn't Life Wonderful (1924) being shown. John Morris, film director at

986-567: The time of the report. The sector was reportedly valued at over €557.3 million and represented 0.3% of GDP. Most films are produced in English as Ireland is largely Anglophone , though some productions are made in Irish either wholly or partially. According to a 2009 article in Variety magazine spotlighting Irish cinema, up to 1999/2000, Ireland had only two filmmakers "anyone had heard of": Neil Jordan and Jim Sheridan . However, as of 2009 ,

1020-579: The time. However, following a number of box-office flops in the early to mid-1990s, including 1994's Thumbelina and A Troll in Central Park and 1995's The Pebble and the Penguin , the studio soon declared bankruptcy and was closed in 1995. Today, Ireland has a number of animation studios that produce television and commercial animation, as well as feature films and co-productions. Cartoon Saloon , founded in 1999 by Paul Young and Tomm Moore ,

1054-553: Was Kalem Company 's The Lad from Old Ireland (1910), which was also the first American film shot on location outside the United States. It was directed by Sidney Olcott , who returned the next year to shoot over a dozen films primarily in the small village of Beaufort, County Kerry . Olcott intended to start a permanent studio in Beaufort, but the outbreak of World War I prevented him from doing so. The Irish government

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1088-595: Was made for television , was co-written by Robert J. Merritt and W.A. Harbison, adapted from W.A. Harbison's novel. Short Changed (1985) was also co-written by Merritt. In 1981 Quinnell was nominated for the Australian Film Institute Award for Best Screenplay, Original or Adapted, for Hoodwink . This article about an Australian film director is a stub . You can help Misplaced Pages by expanding it . Cinema of Ireland The Irish film industry has grown somewhat from

1122-428: Was one of the first in Europe to see the potential benefit to the exchequer of having a competitive tax incentive for investment in film and television, making use of a revised and improved version of its Section 481 tax incentive in 2015 which gives production companies a tax credit rate of 32% when making certain films. Other countries have recognized the success of Ireland's incentive scheme and matched it or introduced

1156-720: Was the first Irish studio, opening in 1958 in Bray , County Wicklow . Ireland has been home to several producers of animated films . Sullivan Bluth Studios was opened in 1979 as Don Bluth Productions, with its primary location in Dublin , to produce animated films by director Don Bluth and producer Morris Sullivan . Some films produced at Sullivan Bluth's Irish studio include 1988's The Land Before Time , 1989's All Dogs Go to Heaven (co-produced with UK-based Goldcrest Films ) and 1991's Rock-a-Doodle . Many of these films competed favourably with productions by Walt Disney Pictures at

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