71-595: Woodface is the third studio album by Crowded House . The album was produced by Mitchell Froom and Neil Finn and was released by Capitol Records in July 1991. It features five singles: " Chocolate Cake ", " Fall at Your Feet ", " It's Only Natural ", " Weather with You ", and " Four Seasons in One Day ". Woodface was a major hit in Australia and New Zealand as well as giving the band their first top ten hit album in
142-410: A Finn Brothers album. Once these sessions were complete, Neil teamed back up with Nick Seymour and Paul Hester to write and record Crowded House's third album. Capitol Records rejected most of the new Crowded House songs, so Neil asked Tim if the band could use some of the new Finn Brothers songs. Tim agreed, on condition that he would join the band, although he has since indicated he meant this as
213-482: A hidden track at 3:37 after 30 seconds silence. The version released as a hidden track in 1991 is an excerpt containing the first minute of the full track, which appears on the 2016 deluxe edition of the album. The following songs were recorded by Crowded House for Woodface before Tim Finn became involved but were not included on the album. Seven appeared on the 1999 rarities collection Afterglow ; "Fields Are Full of Your Kind" and "My Legs Are Gone" appeared on
284-502: A New Zealand Māori choir and log drummers and was co-written by Ngapo "Bub" Wehi of the Te Waka Huia Cultural Group Choir, who also provide backing vocals on "In My Command" and "Catherine Wheels". "Catherine Wheels" was written by Neil and Tim Finn while with Split Enz and was originally titled "The First to Say Gone". The final version included input from bass player Nick Seymour , which earned him
355-685: A co-writing credit, one of only five he has with Crowded House. (The others are "Recurring Dream" and "Help Is Coming" from Afterglow , "Newcastle Jam" from the Special Edition Live Album and "Isolation" from Intriguer .) Together Alone topped the album chart in New Zealand, reached number two in Australia and number four in the United Kingdom. Due to its inclusion on the Reality Bites soundtrack,
426-403: A compilation of songs created by any average listener of music. The songs on a mixtape generally relate to one another in some way, whether it be a conceptual theme or an overall sound. After the introduction of Compact discs, the term "Mixtape" began to apply to any personal compilation of songs on any given format. The sales of Compact Cassettes eventually began to decline in the 1990s, after
497-424: A current or former member of a musical group which is released under that artist's name only, even though some or all other band members may be involved. The solo album appeared as early as the late 1940s. A 1947 Billboard magazine article heralded " Margaret Whiting huddling with Capitol execs over her first solo album on which she will be backed by Frank De Vol ". There is no formal definition setting forth
568-561: A customer buys a whole album rather than just one or two songs from the artist. The song is not necessarily free nor is it available as a stand-alone download, adding also to the incentive to buy the complete album. In contrast to hidden tracks , bonus tracks are included on track listings and usually do not have a gap of silence between other album tracks. Bonus tracks on CD or vinyl albums are common in Japan for releases by European and North American artists; since importing international copies of
639-511: A full band member. Unlike the band's first three albums, which were recorded in the US and Australia and produced by Mitchell Froom , Together Alone was recorded in New Zealand with producer Youth . Six singles were released from Together Alone , including " Distant Sun ", which was a top 10 hit in New Zealand and Canada, and " Locked Out " which reached number 12 on the UK singles chart and number 8 on
710-455: A joke. Whatever the truth of that claim, the group that returned to the studio included Tim as a full band member. The album was titled Woodface and was released in July 1991. The cover was designed by Nick Seymour and Tommy Steele. It was co-produced by Mitchell Froom and Neil Finn, and mixed by Bob Clearmountain . Eight tracks were co-written by Neil and Tim Finn and mainly feature the brothers harmonising on lead vocals, although Neil takes
781-484: A single artist, genre or period, a single artist covering the songs of various artists or a single artist, genre or period, or any variation of an album of cover songs which is marketed as a "tribute". Together Alone Together Alone is the fourth studio album by New Zealand-Australian band Crowded House . It was released in October 1993 and was their first album to feature multi-instrumentalist Mark Hart as
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#1732797953871852-522: A single case, or a triple album containing three LPs or compact discs. Recording artists who have an extensive back catalogue may re-release several CDs in one single box with a unified design, often containing one or more albums (in this scenario, these releases can sometimes be referred to as a "two (or three)-fer"), or a compilation of previously unreleased recordings. These are known as box sets . Some musical artists have also released more than three compact discs or LP records of new recordings at once, in
923-433: A solo album for several reasons. A solo performer working with other members will typically have full creative control of the band, be able to hire and fire accompanists, and get the majority of the proceeds. The performer may be able to produce songs that differ widely from the sound of the band with which the performer has been associated, or that the group as a whole chose not to include in its own albums. Graham Nash of
994-414: A studio. However, the common understanding of a "live album" is one that was recorded at a concert with a public audience, even when the recording is overdubbed or multi-tracked. Concert or stage performances are recorded using remote recording techniques. Albums may be recorded at a single concert , or combine recordings made at multiple concerts. They may include applause, laughter and other noise from
1065-430: A studio. Studios are built to absorb sound, eliminating reverberation , to assist in mixing different takes; other locations, such as concert venues and some "live rooms", have reverberation, which creates a "live" sound. Recordings, including live, may contain editing, sound effects, voice adjustments, etc. With modern recording technology , artists can be recorded in separate rooms or at separate times while listening to
1136-406: A theme such as the "greatest hits" from one artist, B-sides and rarities by one artist, or selections from a record label , a musical genre , a certain time period, or a regional music scene. Promotional sampler albums are compilations. A tribute or cover album is a compilation of cover versions of songs or instrumental compositions. Its concept may involve various artists covering the songs of
1207-516: A trend of shifting sales in the music industry , some observers feel that the early 21st century experienced the death of the album . An album may contain any number of tracks. In the United States, The Recording Academy 's rules for Grammy Awards state that an album must comprise a minimum total playing time of 15 minutes with at least five distinct tracks or a minimum total playing time of 30 minutes with no minimum track requirement. In
1278-430: A way of promoting the album. Albums have been issued that are compilations of older tracks not originally released together, such as singles not originally found on albums, b-sides of singles, or unfinished " demo " recordings. Double albums during the seventies were sometimes sequenced for record changers . In the case of a two-record set, for example, sides 1 and 4 would be stamped on one record, and sides 2 and 3 on
1349-580: Is any vocal content. A track that has the same name as the album is called the title track. A bonus track (also known as a bonus cut or bonus) is a piece of music which has been included as an extra. This may be done as a marketing promotion, or for other reasons. It is not uncommon to include singles, B-sides , live recordings , and demo recordings as bonus tracks on re-issues of old albums, where those tracks were not originally included. Online music stores allow buyers to create their own albums by selecting songs themselves; bonus tracks may be included if
1420-555: Is not necessarily just in MP3 file format, in which higher quality formats such as FLAC and WAV can be used on storage media that MP3 albums reside on, such as CD-R-ROMs , hard drives , flash memory (e.g. thumbdrives , MP3 players , SD cards ), etc. The contents of the album are usually recorded in a studio or live in concert, though may be recorded in other locations, such as at home (as with JJ Cale's Okie , Beck's Odelay , David Gray's White Ladder , and others), in
1491-402: Is recorded on both the "A" and "B" side of the tape, with cassette being "turned" to play the other side of the album. Compact Cassettes were also a popular way for musicians to record " Demos " or "Demo Tapes" of their music to distribute to various record labels, in the hopes of acquiring a recording contract . Compact cassettes also saw the creation of mixtapes , which are tapes containing
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#17327979538711562-520: The iPod , US album sales dropped 54.6% from 2001 to 2009. The CD is a digital data storage device which permits digital recording technology to be used to record and play-back the recorded music. Most recently, the MP3 audio format has matured, revolutionizing the concept of digital storage. Early MP3 albums were essentially CD-rips created by early CD- ripping software, and sometimes real-time rips from cassettes and vinyl. The so-called "MP3 album"
1633-524: The 1970s. Appraising the concept in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau said most "are profit-taking recaps marred by sound and format inappropriate to phonographic reproduction (you can't put sights, smells, or fellowship on audio tape). But for Joe Cocker and Bette Midler and Bob-Dylan -in-the-arena, the form makes a compelling kind of sense." Among
1704-415: The 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s before sharply declining during the 1990s. The cassette had largely disappeared by
1775-443: The 25-minute mark. The album Dopesmoker by Sleep contains only a single track, but the composition is over 63 minutes long. There are no formal rules against artists such as Pinhead Gunpowder referring to their own releases under thirty minutes as "albums". If an album becomes too long to fit onto a single vinyl record or CD, it may be released as a double album where two vinyl LPs or compact discs are packaged together in
1846-496: The Hollies described his experience in developing a solo album as follows: "The thing that I go through that results in a solo album is an interesting process of collecting songs that can't be done, for whatever reason, by a lot of people". A solo album may also represent the departure of the performer from the group. A compilation album is a collection of material from various recording projects or various artists, assembled with
1917-494: The Long Playing record format in 1948, it was natural the term album would continue. Columbia expected that the record size distinction in 78s would continue, with classical music on 12" records and popular music on 10" records, and singles on 78s. Columbia's first popular 10" LP in fact was Frank Sinatra's first album, the four-record eight-song The Voice of Frank Sinatra , originally issued in 1946. RCA's introduction of
1988-591: The UK. It was listed at No. 3 in the book 100 Best Australian Albums in October 2010. It was voted number 80 in the third edition of Colin Larkin 's All Time Top 1000 Albums (2000). During a break from Crowded House following the Canadian leg of the tour in support of their second album, Temple of Low Men , band-leader Neil Finn began recording songs with his older brother and former Split Enz bandmate Tim Finn . These songs were originally intended for
2059-663: The US Modern Rock chart, the latter on the strength of the song's inclusion on the soundtrack of the 1994 film Reality Bites . Together Alone was mainly recorded at Neil Finn 's friends Nigel and Jody Harrocks' house at Karekare Beach in New Zealand, with additional recording in Melbourne , Australia at both Periscope and Platinum Studios. The album's opening track was named "Kare Kare". Paul Hester said, "We flew in Youth and an engineer called Greg Hunter straight off
2130-527: The United Kingdom, the criteria for the UK Albums Chart is that a recording counts as an "album" if it either has more than four tracks or lasts more than 25 minutes. Sometimes shorter albums are referred to as mini-albums or EPs . Albums such as Tubular Bells , Amarok , and Hergest Ridge by Mike Oldfield , and Yes's Close to the Edge , include fewer than four tracks, but still surpass
2201-413: The album can be cheaper than buying a domestically released version, Japanese releases often feature bonus tracks to incentivize domestic purchase. Commercial sheet music is published in conjunction with the release of a new album (studio, compilation, soundtrack, etc.). A matching folio songbook is a compilation of the music notation of all the songs included in that particular album. It typically has
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2272-447: The album cover, which features a red car, possibly a taxi. It contains Jesus, a golden figure and a third occupant in the back of the car of whom only an arm, clad in a striped shirt, is visible. The car is surrounded by a golden halo and has fluffy dice hanging from the rear view mirror. The cover of the 2007 single " Don't Stop Now " has a similar red car and the song's video features the car during its animated sequences. The album artwork
2343-526: The album's artwork on its cover and, in addition to sheet music, it includes photos of the artist. Most pop and rock releases come in standard Piano/Vocal/Guitar notation format (and occasionally Easy Piano / E-Z Play Today). Rock-oriented releases may also come in Guitar Recorded Versions edition, which are note-for-note transcriptions written directly from artist recordings. Vinyl LP records have two sides, each comprising one-half of
2414-463: The album. If a pop or rock album contained tracks released separately as commercial singles , they were conventionally placed in particular positions on the album. During the sixties, particularly in the UK, singles were generally released separately from albums. Today, many commercial albums of music tracks feature one or more singles, which are released separately to radio, TV or the Internet as
2485-479: The amount of participation a band member can solicit from other members of their band, and still have the album referred to as a solo album. One reviewer wrote that Ringo Starr 's third venture, Ringo , "[t]echnically... wasn't a solo album because all four Beatles appeared on it". Three of the four members of the Beatles released solo albums while the group was officially still together. A performer may record
2556-510: The audience, comments by the performers between pieces, improvisation, and so on. They may use multitrack recording direct from the stage sound system (rather than microphones placed among the audience), and can employ additional manipulation and effects during post-production to enhance the quality of the recording. Notable early live albums include the double album of Benny Goodman , The Famous 1938 Carnegie Hall Jazz Concert , released in 1950. Live double albums later became popular during
2627-406: The best selling live albums are Eric Clapton 's Unplugged (1992), selling over 26 million copies, Garth Brooks ' Double Live (1998), over 21 million copies, and Peter Frampton 's Frampton Comes Alive! (1976), over 11 million copies. In Rolling Stone ' s 500 Greatest Albums of All Time , 18 albums were live albums. A solo album , in popular music , is an album recorded by
2698-702: The bonus disc to the deluxe edition. "My Legs Are Gone" had previously been released on I Like It Rare , a rarities compilation available through Frenz of the Enz, the official Crowded House fan club. "Fields Are Full of Your Kind" remained unreleased until the deluxe edition of Woodface . Several songs initially recorded by Tim and Neil were temporarily considered for Woodface , but not used. "Catherine Wheels" would later be recorded for their next album, Together Alone (1993). "In Love With It All" and "Strangeness and Charm" would be recorded for Tim Finn's 1993 album Before & After , with Neil Finn accompanying. Includes
2769-551: The early 1900s, the typical 10-inch disc could only hold about three minutes of sound per side, so almost all popular recordings were limited to around three minutes in length. Classical-music and spoken-word items generally were released on the longer 12-inch 78s, playing around 4–5 minutes per side. For example, in 1924, George Gershwin recorded a drastically shortened version of his new seventeen-minute composition Rhapsody in Blue with Paul Whiteman and His Orchestra. The recording
2840-456: The early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album ; this format evolved after 1948 into single vinyl long-playing (LP) records played at 33 + 1 ⁄ 3 rpm . The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era . Vinyl LPs are still issued, though album sales in
2911-506: The early nineteenth century. Later, collections of related 78s were bundled in book-like albums (one side of a 78 rpm record could hold only about 3.5 minutes of sound). When LP records were introduced, a collection of pieces or songs on a single record was called an "album"; the word was extended to other recording media such as compact disc, MiniDisc , compact audio cassette, 8-track tape and digital albums as they were introduced. An album (Latin albus , white), in ancient Rome,
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2982-624: The field – as with early blues recordings, in prison, or with a mobile recording unit such as the Rolling Stones Mobile Studio . Most albums are studio albums —that is, they are recorded in a recording studio with equipment meant to give those overseeing the recording as much control as possible over the sound of the album. They minimize external noises and reverberations and have highly sensitive microphones and sound mixing equipment. Band members may record their parts in separate rooms or at separate times, listening to
3053-491: The first decade of the 2000s. Most albums are recorded in a studio , although they may also be recorded in a concert venue , at home, in the field, or a mix of places. The time frame for completely recording an album varies between a few hours to several years. This process usually requires several takes with different parts recorded separately, and then brought or " mixed " together. Recordings that are done in one take without overdubbing are termed "live", even when done in
3124-500: The form of a prototype. Compact Cassettes became especially popular during the 1980s after the advent of the Sony Walkman , which allowed the person to control what they listened to. The Walkman was convenient because of its size, the device could fit in most pockets and often came equipped with a clip for belts or pants. The compact cassette used double-sided magnetic tape to distribute music for commercial sale. The music
3195-480: The form of boxed sets, although in that case the work is still usually considered to be an album. Material (music or sounds) is stored on an album in sections termed tracks. A music track (often simply referred to as a track) is an individual song or instrumental recording. The term is particularly associated with popular music where separate tracks are known as album tracks; the term is also used for other formats such as EPs and singles . When vinyl records were
3266-415: The front cover and liner notes on the back or inside cover. Most albums included three or four records, with two sides each, making six or eight compositions per album. By the mid-1930s, record companies had adopted the album format for classical music selections that were longer than the roughly eight minutes that fit on both sides of a classical 12" 78 rpm record. Initially the covers were plain, with
3337-502: The gamut of emotions, from the hyperkinetic 'Locked Out' to the hushed 'Distant Sun'." She credited producer Youth for making it a "challenging yet listenable album." Stephen Thomas Erlewine of AllMusic called the album "more experimental and musically varied than any of their previous releases", and said that it let "Crowded House energize their sound without losing sight of Finn's classic pop songwriting". All tracks are written by Neil Finn , except where noted A limited edition of
3408-562: The inclusion of songs originally written for the Finn Brothers project gave the album a more upbeat and optimistic sound compared to its darkly personal predecessor, "represent[ing] the joy of reunion and the freedom of a collaborative effort", as Chris Woodstra of Allmusic remarked. During the UK leg of the Woodface tour, Tim and the band parted company. Multi-instrumentalist Mark Hart , who had played some keyboards on Woodface ,
3479-587: The lead on "Four Seasons in One Day" and Tim sings "All I Ask", which later featured in AIDS awareness commercials in Australia. Five other tracks were solo compositions by Neil Finn and the remaining two were written by Paul Hester, including "I'm Still Here", a hidden track. Former Beach Boys drummer Ricky Fataar , and member of the Rutles , is credited on three of the Finn Brothers songs, "All I Ask", "There Goes God" and "Weather With You". The addition of Tim Finn and
3550-487: The mid-1960s to the late 1970s when the Compact Cassette format took over. The format is regarded as an obsolete technology, and was relatively unknown outside the United States, the United Kingdom, Canada and Australia. Stereo 8 was created in 1964 by a consortium led by Bill Lear of Lear Jet Corporation , along with Ampex , Ford Motor Company , General Motors , Motorola , and RCA Victor Records . It
3621-481: The name of the selection and performer in small type. In 1938, Columbia Records hired the first graphic designer in the business to design covers, others soon followed and colorful album covers cover became an important selling feature. By the later '30s, record companies began releasing albums of previously released recordings of popular music in albums organized by performer, singers or bands, or by type of music, boogie-woogie , for example. When Columbia introduced
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#17327979538713692-481: The original album for the first disc. All tracks are written by Neil Finn , except where noted Notes Crowded House Additional musicians Production Shipments figures based on certification alone. Studio album An album is a collection of audio recordings (e.g., music ) issued on a medium such as compact disc (CD), vinyl (record), audio tape (like 8-track or cassette ), or digital . Albums of recorded sound were developed in
3763-443: The other parts of the track with headphones to keep the timing right. In the 2000s, with the advent of digital recording , it became possible for musicians to record their part of a song in another studio in another part of the world, and send their contribution over digital channels to be included in the final product. Recordings that are done in one take without overdubbing or multi-tracking are termed "live", even when done in
3834-438: The other parts using headphones ; with each part recorded as a separate track . Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, and lyrics or librettos . Historically, the term "album" was applied to a collection of various items housed in a book format. In musical usage, the word was used for collections of short pieces of printed music from
3905-414: The other. The user would stack the two records onto the spindle of an automatic record changer, with side 1 on the bottom and side 2 (on the other record) on top. Side 1 would automatically drop onto the turntable and be played. When finished, the tone arm's position would trigger a mechanism which moved the arm out of the way, dropped the record with side 2, and played it. When both records had been played,
3976-484: The paper cover in small type were the words "Record Album". Now records could be stored vertically with the record not touching the shelf, and the term was applied to the collection. In the early nineteenth century, "album" was occasionally used in the titles of some classical music sets, such as Robert Schumann 's Album for the Young Opus 68, a set of 43 short pieces. With the advent of 78 rpm records in
4047-406: The primary medium for audio recordings a track could be identified visually from the grooves and many album covers or sleeves included numbers for the tracks on each side. On a compact disc the track number is indexed so that a player can jump straight to the start of any track. On digital music stores such as iTunes the term song is often used interchangeably with track regardless of whether there
4118-432: The publishers of photograph albums. Single 78 rpm records were sold in a brown heavy paper sleeve with a large hole in the center so the record's label could be seen. The fragile records were stored on their sides. By the mid-1920s, photo album publishers sold collections of empty sleeves of heavier paper in bound volumes with stiff covers slightly larger than the 10" popular records. (Classical records measured 12".) On
4189-404: The record industry as a standard format for the "album". Apart from relatively minor refinements and the important later addition of stereophonic sound capability, it has remained the standard format for vinyl albums. The term "album" was extended to other recording media such as 8-track tape , cassette tape , compact disc , MiniDisc , and digital albums, as they were introduced. As part of
4260-452: The release and distribution Compact Discs . The 2010s saw a revival of Compact Cassettes by independent record labels and DIY musicians who preferred the format because of its difficulty to share over the internet . The compact disc format replaced both the vinyl record and the cassette as the standard for the commercial mass-market distribution of physical music albums. After the introduction of music downloading and MP3 players such as
4331-448: The smaller 45 rpm format later in 1948 disrupted Columbia's expectations. By the mid-1950s, 45s dominated the singles market and 12" LPs dominated the album market and both 78s and 10" LPs were discontinued. In the 1950s albums of popular music were also issued on 45s, sold in small heavy paper-covered "gate-fold" albums with multiple discs in sleeves or in sleeves in small boxes. This format disappeared around 1960. Sinatra's "The Voice"
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#17327979538714402-593: The song " Locked Out " was bundled with The Knack 's " My Sharona ", which also features in the film, as a promotional jukebox single. The video single release of " Nails in My Feet " featured a documentary of the making of Together Alone entitled Footage from the Together Alone Recording Session . The Japanese edition contained the bonus track "You Can Touch" which later appeared on the compilation Afterglow . Nick Seymour created
4473-534: The streets of Brixton to Karekare Beach, New Zealand – miles from anywhere, no shops, no nothing. They were in shock for days. Didn't know where the fuck they were." AllMusic noted that Together Alone is "more experimental and musically varied than any of their previous releases" and cited the addition of Mark Hart to the band's line-up and new producer Youth as reasons for this. The album features more complex, layered guitar and keyboard arrangements than on Crowded House's previous works. The title track features
4544-464: The user would pick up the stack, turn it over, and put them back on the spindle—sides 3 and 4 would then play in sequence. Record changers were used for many years of the LP era, but eventually fell out of use. 8-track tape (formally Stereo 8: commonly known as the eight-track cartridge, eight-track tape, or simply eight-track) is a magnetic tape sound recording technology popular in the United States from
4615-452: Was a board chalked or painted white, on which decrees, edicts, and other public notices were inscribed in black. It was from this that in medieval and modern times, album came to denote a book of blank pages in which verses, autographs, sketches, photographs and the like are collected. This in turn led to the modern meaning of an album as a collection of audio recordings issued as a single item. The first audio albums were actually published by
4686-548: Was a further development of the similar Stereo-Pak four-track cartridge created by Earl "Madman" Muntz . A later quadraphonic version of the format was announced by RCA in April 1970 and first known as Quad-8, then later changed to just Q8. The Compact Cassette was a popular medium for distributing pre-recorded music from the early 1970s to the early 2000s. The first "Compact Cassette" was introduced by Philips in August 1963 in
4757-476: Was co-designed by Seymour and Margo Chase . It incorporates photography, by Youri Lenquette and Merlyn Rosenberg, of the band and of landscapes including Karekare beach. Vinyl pressings of Together Alone have a golden border (much like the halo around the red car) surrounding the outside of the cover. Writing in The Michigan Daily , Heather Phares called it a "catchy and spiritual listen that runs
4828-399: Was issued in 1952 on two extended play 45s, with two songs on each side, in both packagings. The 10-inch and 12-inch LP record (long play), or 33 + 1 ⁄ 3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948. A single LP record often had the same or similar number of tunes as a typical album of 78s, and it was adopted by
4899-508: Was issued on both sides of a single record, Victor 55225 and ran for 8m 59s. By 1910, though some European record companies had issued albums of complete operas and other works, the practice of issuing albums was not widely taken up by American record companies until the 1920s. By about 1910, bound collections of empty sleeves with a paperboard or leather cover, similar to a photograph album, were sold as record albums that customers could use to store their records (the term "record album"
4970-462: Was printed on some covers). These albums came in both 10-inch and 12-inch sizes. The covers of these bound books were wider and taller than the records inside, allowing the record album to be placed on a shelf upright, like a book, suspending the fragile records above the shelf and protecting them. In the 1930s, record companies began issuing collections of 78s by one performer or of one type of music in specially assembled albums, typically with artwork on
5041-539: Was recruited to replace Tim for the remaining dates. The final date of this tour at The Town & Country Club in London was recorded and given a limited release in Australia, while individual tracks were used as B-sides for the album's singles in other countries. The group described their work in the 2007 documentary Great Australian Albums . All tracks are written by Neil Finn and Tim Finn , except where noted "I'm Still Here" follows "How Will You Go" in track 14 as
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